Puppets - Marvels of craftsmanship
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A Russian craftsman is making shingles on Kizhi Island, Russia. Notice his hands and boots which have seen a lot of work.
The main floor grand staircase in the Hegeler-Carus Mansion is certainly one of the highlights of the mansion tour. Nearly 145 years old,it is still a wonder of detail and craftsmanship....
Stresa - Isola Bella (Verbania-Cusio-Ossola - Piemonte): saper trasmettere armonia, pace e bellezza è un'arte.
Stresa - 'Bella' Island (Verbania-Cusio-Ossola - Piedmont): knowing how to transmit harmony, peace and beauty is an art.
Horezu ceramics is a unique type of Romanian pottery that is traditionally produced by hand around the town of Horezu in northern Oltenia (Vâlcea County), close to the famous Horezu Monastery. It reflects many generations of knowledge and skills development of pottery, which is why the craftsmanship of Horezu pottery was inscribed on UNESCO Intangible Cultural Heritage Lists in December 2012.[
The wooden church of Urnes is a 12th-century stave church at Ornes, listed as a World Heritage Site by UNESCO. It is the oldest of its kind in Norway, bringing together traces of Celtic art, Viking traditions and Romanesque spatial structures, according to whc.unesco.org/en/list/58.
There have been numerous attempts to interpret the iconography of the church's most remarkable part, the old portal in the northern wall, a carved decoration of interlaced, fighting animals. Some believe it portrays the eternal fight between good and evil. Others – that it shows scenes from Norse mythology, with the intertwined snakes and dragons representing the end of the world according to the Norse legend of Ragnarök.
We knew that the church is a must see on our trip to Norway, and it has definitely exceeded my expectations. It is difficult to convey that with photos, but I had to try. This is No.3 (of 3) where you can appreciate the amazing details of the entrance door.
photo rights reserved by B℮n
The Sanctuary of Truth is a magnificent temple in Pattaya, Thailand, that stands as a tribute to traditional Thai architecture and craftsmanship. The temple is entirely made of wood, with intricate carvings depicting various Hindu and Buddhist deities, as well as ancient Thai mythological figures. The construction of the Sanctuary of Truth began in 1981 and is still ongoing. The temple covers an area of over two hectares and is over 100 meters tall. It was designed by a local businessman named Lek Viriyaphant. The Sanctuary of Truth is not affiliated with any specific religion, but rather serves as a symbol of the unity of all religions and beliefs. It is a peaceful and tranquil place where visitors can reflect and appreciate the beauty of Thai culture and tradition. The Sanctuary of Truth also serves as a cultural and educational center. It hosts various workshops and events throughout the year, aimed at promoting traditional Thai arts and crafts.
The side entrance to the Sanctuary of Truth is located on the north side of the sanctuary and provides an alternate entrance for visitors who do not wish to enter through the main entrance. It is a smaller entrance than the main entrance, but is just as impressive and beautiful. The side entrance consists of a large wooden gate with beautiful carving details depicting the different philosophies and cultures of the world. Above the gate is a large wooden carving of a mythical figure known as Garuda, a symbol of power and protection in Hindu and Buddhist mythology. Inside the side entrance is a small courtyard with a beautiful fountain in the center. Surrounding the courtyard, there are beautiful wooden sculptures and statues depicting the various gods and goddesses of different cultures and religions. The visitors can enjoy the calm and peaceful atmosphere of the courtyard while admiring the various sculptures and statues.
The Sanctuary of Truth is een prachtige tempel in Pattaya, Thailand, die een eerbetoon is aan de traditionele Thaise architectuur en vakmanschap. De tempel is volledig gemaakt van hout, met ingewikkeld houtsnijwerk dat verschillende hindoeïstische en boeddhistische godheden uitbeeldt, evenals oude Thaise mythologische figuren. De bouw van het Sanctuary of Truth begon in 1981 en is nog steeds aan de gang. De tempel heeft een oppervlakte van ruim twee hectare en is meer dan 100 meter hoog. Het is ontworpen door een lokale zakenman genaamd Lek Viriyaphant. The Sanctuary of Truth is niet gelieerd aan een specifieke religie, maar dient eerder als een symbool van de eenheid van alle religies en overtuigingen. Het is een vredige en rustige plek waar bezoekers de schoonheid van de Thaise cultuur en traditie kunnen overdenken en waarderen. The Sanctuary of Truth doet ook dienst als cultureel en educatief centrum. Het organiseert het hele jaar door verschillende workshops en evenementen, gericht op het promoten van traditionele Thaise kunsten en ambachten. Er is geen vastgestelde datum voor wanneer de bouw van de Sanctuary of Truth in Pattaya zal worden voltooid, omdat het project voortdurend in ontwikkeling is en wordt uitgebreid met als doel om de tempel zo authentiek en gedetailleerd mogelijk te maken. Het doel van de bouwers is om de tempel over te dragen aan de volgende generatie, zodat deze kan worden voortgezet en onderhouden als een cultureel erfgoed en als een symbool van de Thaise traditionele waarden en geschiedenis. De zij-ingang is een kleinere ingang dan de hoofdingang, maar is net zo indrukwekkend en mooi. De zij-ingang bestaat uit een grote houten poort met prachtige houtsnijwerkdetails die de verschillende filosofieën en culturen van de wereld uitbeelden. Boven de poort bevindt zich een groot houten beeldhouwwerk van een mythische figuur die bekend staat als Garuda, een symbool van de kracht en bescherming in de hindoeïstische en boeddhistische mythologie. Binnenin de zij-ingang bevindt zich een kleine binnenplaats met een mooie fontein in het midden. Rondom de binnenplaats zijn er prachtige houten sculpturen en beelden die de verschillende goden en godinnen van verschillende culturen en religies uitbeelden. De bezoekers kunnen genieten van de rustige en vredige sfeer van de binnenplaats terwijl ze de verschillende sculpturen en beelden bewonderen.
from the series: b/w impressions of South Limburg
Thank you everyone for your visit, favorites and comments.
The nests these tiny hummingbirds build are amazing. They are roughly the size of a golf ball. You couldn't duplicate it with your hands and they do it all with their beak. True works of art.
The Basílica i Temple Expiatori de la Sagrada Família English: Basilica and Expiatory Church of the Holy Family is a large Roman Catholic church in Barcelona, Catalonia (Spain), designed by Catalan architect Antoni Gaudí (1852–1926).
Although incomplete, the church is a UNESCO World Heritage Site, and in November 2010 Pope Benedict XVI consecrated and proclaimed it a minor basilica, as distinct from a cathedral, which must be the seat of a bishop.
Construction of Sagrada Família had commenced in 1882 and Gaudí became involved in 1883, taking over the project and transforming it with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted his last years to the project, and at the time of his death at age 73 in 1926, less than a quarter of the project was complete. Sagrada Família's construction progressed slowly, as it relied on private donations and was interrupted by the Spanish Civil War, only to resume intermittent progress in the 1950s. Construction passed the midpoint in 2010 with some of the project's greatest challenges remaining and an anticipated completion date of 2026, the centenary of Gaudí's death.
From a distance this aged barn looked like it had a brick exterior but a closer inspection revealed a faux-brick siding. There are a lot of industries today that thrive by attempting to make us older folks look better than we really are.
For Macro Monday, I captured these small monastery bells gently dangling from a weathered wooden beam in Klosterhof Bernried. Their aged metal texture and delicate suspension on steel cables tell a story of time and tradition. The fine details of these rustic bells shine through in monochrome, emphasizing their historic charm and craftsmanship. A peaceful moment frozen in time, where every dangle carries an echo of the past.
from the series: b/w impressions of South Limburg
Thank you everyone for your visit, favorites and comments.
This beautifully carved lion caught my attention as I toured the Choir stalls of The Cathedral of St. Mary in Toledo, Spain. An awesome example of some nameless craftsman's art, he quietly outshone all the glittering gold for me.
"Without craftsmanship, inspiration is a mere reed shaken in the wind." -- Joannes Brahms
Pillows, at home...
I greatly admire the craftsmanship produced all over the world. I have the utmost respect for the tireless work of these people and have acquired many pieces throughout my life, especially during trips to places near and far.
Here in the photo, a knitted pillow, a local work. The other is a piece from Indonesia, made with natural fibers and rope.
I wish you all a great week.
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Listen:
(One of my favourites pieces of music)
Clonmacnoise (Irish: Cluain Mhic Nóis) is a ruined monastery situated in County Offaly in Ireland on the River Shannon south of Athlone, founded in 544 by Saint Ciarán, a young man from Rathcroghan, County Roscommon. Until the 9th century it had close associations with the kings of Connacht.
Saint Ciarán founded the monastery in the ancient territory of Ui Maine at a point where the major east–west land route (Slighe Mhor) meets the River Shannon after crossing the bogs of Central Ireland known as the Esker Riada. The strategic location of the monastery helped it become a major center of religion, learning, craftsmanship and trade by the 9th century;[4] and together with Clonard it was one of the most famous places in Ireland, visited by scholars from all over Europe. From the ninth until the eleventh century it was allied with the kings of Meath. Many of the high kings of Tara (ardrí) and of Connacht were buried here.
Clonmacnoise was largely abandoned by the end of the 13th century. Today the site includes nine ruined churches, a castle, two round towers and a large number of carved stone crosses and cross-slabs. The Irish government's Office of Public Works manages the preserved ruin. An Interpretive Centre is open to the public, the graveyard is in use and religious services take place in a modern chapel.
Clonmacnoise (meaning "Meadow of the Sons of Nós") is situated in County Offaly, Ireland on the River Shannon south of Athlone.
In 544 Saint Ciarán, a young man from Rathcroghan, County Roscommon, arrived at this location with seven companions. (Saint Ciarán is not to be confused or conflated with St. Ciarán of Saigir, patron of Osraige). Here he met Diarmait Uí Cerbaill, who later became the first Christian crowned High King of Ireland. Together they built the first church at the site. This was a small wooden structure and the first of many small churches to be clustered on the site. In September 549, not yet thirty-three years of age, Ciarán died of a plague, and was reportedly buried under the original wooden church, now the site of the 9th-century stone oratory, Temple Ciarán. This location was particularly important because here the major east–west land route through the bogs of central Ireland along the Eiscir Riada (an esker left by the receding glaciers of the last ice age) crossed the River Shannon.
Clonmacnoise Castle
According to Adomnan of Iona, who referenced the testimony of earlier abbots of Iona who had known Columba, St Columba visited the monastery at Clonmacnoise during the time when he was founding the monastery at Durrow. While he was there he prophesied about the future debates in the churches of Ireland about the dating of Easter and claimed that angels had visited the monastery at Clonmacnoise. While he was there, a young monk named Ernéne mac Craséni (who would later be famous in Ireland) tried to touch Columba's clothes while Columba was not looking. However, the saint immediately noticed and grabbed the boy by the neck, told him to open his mouth, and then blessed him, saying that he would teach the doctrine of salvation.
Towards the close of the seventh century a plague carried off a large number of its students and professors. Clonmacnoise's period of greatest growth came between the 8th and 12th centuries. It was attacked frequently during these four centuries, most often by the Irish (at least 27 times), the Vikings (at least 7 times) and the Normans (at least 6 times). The early wooden buildings began to be replaced by more durable stone structures in the 9th century, and the original population of fewer than ten men grew to perhaps 1,500 to 2,000 by the 11th century. Although the site was based around a core of churches, crosses, graves and ecclesiastical dwellings and workshops, it would have been surrounded by the houses and streets of a larger secular community, the metalworkers, craftsmen and farmers who supported the monastic clergy and their students. Artisans associated with the site created some of the most beautiful and enduring artworks in metal and stone ever seen in Ireland, with the Clonmacnoise Crozier (on display in the National Museum of Ireland) and the Cross of the Scriptures representing the apex of their efforts. The Book of the Dun Cow, a vellum manuscript dating to the 12th century, was written here and its main compiler, Máel Muire mac Céilechair meic Cuinn na mBocht was reputedly murdered in a Viking raid in 1106.
By the 12th century Clonmacnoise began to decline. The reasons were varied, although attacks by the Vikings (under Turgesius) and the Normans contributed. Without doubt the most debilitating factor was the growth of the town of Athlone to the north of the site from the late-12th century.[citation needed] Athlone became the main trading town for the midlands of Ireland, and the most popular route for crossing the Shannon, as well as the best-defended settlement in the region. People migrated north from Clonmacnoise to Athlone, and along with the population decrease went much of the support that the site needed to survive, and former allies began to recognise the decline in the site's influence. The influx of continental religious orders such as the Cistercians, Franciscans, Augustinians, Benedictines, Cluniacs, etc. around the same time fed into this decline as numerous competing sites began to crop up. Ireland's move from a monastic framework to a diocesan one in the twelfth century similarly diminished the site's religious standing, as it was designated the seat of a small and impoverished diocese.
Clonmacnoise at sunset
In 1552 the English garrison at Athlone destroyed and looted Clonmacnoise for the final time, leaving it in ruins.
The monastery ruins were one of the stops on the itinerary of Pope John Paul II during his visit to Ireland in 1979.
From Wikipedia, the free encyclopedia
Intricate sandstone details on the Nand Bhavan in the Jal Mahal premises at Deeg, showcasing the elegant architecture of the Bharatpur State.
detail of the stave church of Gifhorn. Rolleiflex 3,5 MX on Ilford Delta 100, developed in Caffenol C-M(rs)
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FELUCCA -a sailing vessel, lateen-rigged on two masts, used in the Mediterranean Sea and along the Spanish and Portuguese coasts, also a small fishing boat formerly used in the San Francisco Bay area.
Shipwright's workshop, China Camp Village, San Rafael. San Pablo Bay, Marin County,Northern California, USA