Photos Souvenirs - 1900-1970
View allAll Photos Tagged coupure
Gent 15-10-2016
Thanks for visit, comments and awards
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Gent 15-10-2016
Thanks for visit, comments and awards
TIP: Press L to view in light box or Z to zoom!
No private group or multiple group invites please!
Gent 15-10-2016
Thanks for visit, comments and awards
TIP: Press L to view in light box or Z to zoom!
No private group or multiple group invites please!
The rei runs from the meeting of the Groenerei and the Coupure to the Spiegelrei.
The street of the same name is located on the eastern bank and runs from Minneboplein and Leffingestraat to Carmersbrug and Carmersstraat. The Verversdijk is located on the western bank. The Sint-Annarei is spanned by the Molenbrug, the Sint-Annabrug and the Strobrug.
The name "Sint-Annarei" refers to the district and parish of Sint-Anna adjacent to the east. Originally the street west of the rei (now Verversdijk) was called the Schottendijk, because of the Scottish merchants established there.
There is little clarity about the artificiality of the Sint-Annarei. It may be the canalization of the lower reaches of the Vuldersreitje, a watercourse that came from Assebroek. From 1127 the Sint-Annarei was part of the first city walls of Bruges.
The Oude Molenpoort was located near the Molenbrug. Between 1623 and 1855 the Sint-Annarei was part of the canal between Ostend, Bruges and Ghent. The Ringvaart then took over this role. In 1750, all bridges over the Sint-Annarei were replaced by wooden (and later iron) swing bridges to allow passage for larger ships. In the 1970s the bridges were again replaced by the current stone bridges.
The former warehouse number 4 still bears witness to the medieval trading activities. The street also had two important breweries: brewery Den Hert, in house number 17, and brewery Den Arend, later brewery Aigle Belgica, in buildings numbers 23-27.
The Rococo house at number 22 of Sint-Annarei was inhabited in the nineteenth/twentieth century by doctor and art collector Désiré De Meyer, son of the surgeon and art collector Isaac De Meyer, and after him by the war pilot and brewer André De Meulemeester.
This house and the adjacent Blekersstraat were the setting for two well-known films: L'Empreinte de Dieu, after the book of the same name (Prix Goncourt 1936) by Maxence Van der Meersch, and The Nun's Story, a film by Fred Zinnemann with Audrey Hepburn.
...go around
#macromondays
#Cotton
Happy New Year, dear MM participants and Flickr friends :)
Flickr seems to be back to normal again :)
When I read that the first theme of 2022 is "Cotton", I first thought of denim, because I love denim. But I was also curious what cotton fibres are used for aside from the obvious – fabric or cotton wool. So I did some research, and to my great surprise I've learned that Euro notes (and banknotes in most other countries) are made of cotton. I'd assumed that the paper used for banknotes would be a special one, but I'd have never guessed that the main part is cotton. Modern Euro notes are made of pure cotton paper; a silver band and special fibres that glow under UV and infrared light are incorporated. The integrated watermark is made by varying the thickness of the paper.
I've photographed the backside of a 50 Euro note. It's the small part, showing Europa, that repeats the watermark, where on the front side there's the silver band. Lightsources were two LED soft lights placed to the left and right (with a hint of backlight) of the banknote, and a handheld flashlight from the front to make the silvery fibres glow. It's a single high-res shot, processed in DXO PhotoLab 5 only. I'm not quite happy with the blurry left edge, and I have a focus stacked image (taken today) that is sharp from edge to edge, but in the end the more colourful version (which I couldn't repeat today, I just didn't get the light right) won, because it was... more colourful – and Europa also looks nicer here, although not any happier than in the edge-to-edge sharp shot. Which tempts me to sing to her: "Life is a Cabaret, old chum, come to the Cabaret!", but I don't sing in public, and the mark that Liza Minelli has set is, of course, unreachable for me ;)
HMM, Everyone, stay safe and take care!
Motorwagen OmC 909 passeert de coupure in de Zwaaksedijk bij Langeweegje in de tramlijn van Goes naar Hoedekenskerke. Het dijkgat kan met zware metalen deuren worden gesloten. Als er geen treinen rijden zijn de deuren dicht. Dit punt bevindt zich slechts op 1,8 meter boven NAP (Nieuw Amsterdams Peil); een gesloten dijk is bij hoog water en storm zeker geen overbodige luxe.
Klik op de foto voor een grote afbeelding.
Bekijk mijn fotoalbum in de klassieke versie.
Symphytum officinale (Boraginaceae - Boraginacées)
Flowers are purple to pink or white
Commons Names: common comfrey or true comfrey, comphrey, Quaker comfrey, cultivated comfrey, boneset, knitbone, consound, slippery-root, healing-herb, knitback.
Grass cutting, Ear Donkey, Cow tongue.
Les fleurs sont violettes à roses ou blanches
Noms communs: grande consoude, oreille d'âne, langue de vache, conflée, Herbe à la coupure.
Thanks to everyone who took the time to view, comment, and fave my photo. It’s really appreciated.
Achillea millefolium ( Asteraceae-Astéracées)
A plant belonging to the daisy family that grows in meadows and along roadsides with strongly divided leaves and white to pink flowers that grow in umbels.
Common Names: gordaldo, nosebleed plant, old man's pepper, devil's nettle, sanguinary, milfoil, soldier's woundwort, thousand-leaf, and thousand-seal, bloodwort., carpenter's weed, aka Milfoil, Plumajillo, Sneezeweed, fernweed, Achillea, Achillea lanulosa Nutt.
Une plante appartenant à la famille des marguerites qui pousse dans les prés et le long des routes avec des feuilles fortement divisées et des fleurs blanches à roses poussant en ombelles.
Noms Communts: mille-feuille fernweed, L’Achillée mille-feuille ou la Millefeuille (Achillea millefolium), Herbe à dinde, Herbes à dindon, Persil à dinde, Herbe aux charpentiers, Herbe de la Saint-Jean, Herbe de Saint-Joseph, Herbe aux cochers, Herbe aux militaires, Herbe aux coupures, Saigne-nez, Sourcils de Vénus.
Débordant sur le canal Coupure, l’installation du bureau d’architecture espagnol selgascano accroche instantanément le regard. La structure organique aux parois transparentes roses, orange et jaunes projette des reflets colorés sur l’eau et offre un endroit idéal pour faire une pause. Bien que ce canal soit l’une des voies navigables reliant le Ringvaart au centre-ville, les écluses restent le plus souvent fermées. Ce pavillon flottant est donc le lieu rêvé pour les adultes et les enfants qui ont envie de se rafraîchir les pieds, voire de faire un petit plongeon.
Overflowing on the Canal Coupure, the installation of the Spanish architecture office selgascano instantly catches the eye. The organic structure with transparent pink, orange and yellow walls projects colorful reflections on the water and offers an ideal place for a break. Although this canal is one of the waterways connecting the Ringvaart to the city center, the locks are mostly closed. This floating lodge is the ideal place for adults and children who want to refresh their feet, or even take a dip.
Thanks to everyone who took the time to view, comment, and fave my photo. It’s really appreciated.
Achillea millefolium ( Asteraceae-Astéracées)
A plant belonging to the daisy family that grows in meadows and along roadsides with strongly divided leaves and white to pink flowers that grow in umbels.
Common Names: gordaldo, nosebleed plant, old man's pepper, devil's nettle, sanguinary, milfoil, soldier's woundwort, thousand-leaf, and thousand-seal, bloodwort., carpenter's weed, aka Milfoil, Plumajillo, Sneezeweed, fernweed, Achillea, Achillea lanulosa Nutt.
Une plante appartenant à la famille des marguerites qui pousse dans les prés et le long des routes avec des feuilles fortement divisées et des fleurs blanches à roses poussant en ombelles.
Noms Communs: mille-feuille fernweed, L’Achillée mille-feuille ou la Millefeuille (Achillea millefolium), Herbe à dinde, Herbes à dindon, Persil à dinde, Herbe aux charpentiers, Herbe de la Saint-Jean, Herbe de Saint-Joseph, Herbe aux cochers, Herbe aux militaires, Herbe aux coupures, Saigne-nez, Sourcils de Vénus.
Autumn in Bruges is wonderful. Here you can see one of the many bridges over the numerous canals in Bruges. This canal is called "Copure". Enjoy!
Het was niet overbodig dat wagenvoerder Joop al voortijdig zijn hoorn heeft laten klinken om de komst van de omC-motorwagen bij de overweg van de Negengemeentsweg aan te kondigen.
De hoorn overstemde het drukke gepraat van de dames Diane en Plonie die zojuist te voet bij de overweg waren aangekomen. Met een trein die twee keer per dag passeert hadden ze niet zo heel snel rekening gehouden. Gelukkig hadden zowel de dames als wagenvoerder Joop elkaar bijtijds in de smiezen, zodat hier van een onveilige situatie nimmer sprake is geweest en hierna iedereen zijn of haar weg kan vervolgen.
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Datum en tijd: 19-03-2022 - 11.55 uur
Locatie: Hoedekenskerke
Maatschappij: SGB
Materieel: omC (NS C 909)
Trein: Baarland - Hoedekenskerke
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© Peter de Winter - No unauthorised use.
Pas de FAV sans commentaire.
No FAV without comment
Après une longue coupure estivale, me voici de retour avec ce portrait d'une mésange charbonnière pris au jardin.
Bonne journée à tous.
Merci pour vos visites et commentaires
en ---------------
After a long break of summer, here I am back with this portrait of a great tit taken in the garden.
Good day to all.
Thank you for your visits and comments
de ---------------
Nach einem langen abschlag sommer, hier bin ich wieder mit diesem porträt einer kohlmeise genommen im garten.
Guten tag an alle.
Danke für eure besuche und kommentare
es ---------------
Después de un largo descanso de verano, aquí estoy de vuelta con este retrato de un gran tit tomadas en el jardín.
Buen día a todos.
Gracias por sus visitas y comentarios
it ---------------
Dopo una lunga pausa estiva, eccomi tornato con questo ritratto di una cinciallegra in giardino.
Buona giornata a tutte.
Grazie per le vostre visite e commenti
pt ---------------
Depois de uma longa pausa de verão, aqui estou eu de volta com este retrato de um chapim tomadas no jardim.
Bom dia a todos.
Obrigado por suas visitas e comentários de
Dernière image de cet album.
Last picture of this album.
Débordant sur le canal Coupure, l’installation du bureau d’architecture espagnol selgascano accroche instantanément le regard. La structure organique aux parois transparentes roses, orange et jaunes projette des reflets colorés sur l’eau et offre un endroit idéal pour faire une pause. Bien que ce canal soit l’une des voies navigables reliant le Ringvaart au centre-ville, les écluses restent le plus souvent fermées. Ce pavillon flottant est donc le lieu rêvé pour les adultes et les enfants qui ont envie de se rafraîchir les pieds, voire de faire un petit plongeon.
Overflowing on the Canal Coupure, the installation of the Spanish architecture office selgascano instantly catches the eye. The organic structure with transparent pink, orange and yellow walls projects colorful reflections on the water and offers an ideal place for a break. Although this canal is one of the waterways connecting the Ringvaart to the city center, the locks are mostly closed. This floating lodge is the ideal place for adults and children who want to refresh their feet, or even take a dip.
Met luid gepruttel is de omC-motorwagen van de SGB onderweg naar Hoedekenskerke. De trein heeft het dorp Baarland achter zich gelaten en is zojuist de onbewaakte overweg van de Negengemeetsweg gepasseerd. Wagenvoerder Joop laat al de hoorn klinken om de komst van de trein aan te kondigen voor de volgende overweg, een kleine 200 meter verderop.
Als vaste begeleiding van de trein fungeren hier de fraaie eikenbomen. Weldra zullen de jonge bladeren de bomen een lichtgroene waas geven. Tot die tijd zijn de kale bomen hier een fraai onderdeel van het nog kale Zeeuwse landschap.
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Datum en tijd: 19-03-2022 - 11.36 uur
Locatie: Baarland
Maatschappij: SGB
Materieel: omC (NS C 909)
Trein: Baarland - Hoedekenskerke
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© Peter de Winter - No unauthorised use.
Markt and Burg Quarter, the central district of Bruges, Flanders, Belgium.
Bruges in medieval times was known as a commercial metropolis in the heart of Europe. The city reflects a considerable exchange of influences on the development of art and architecture, particularly in brick Gothic, which is characteristic of northern Europe and the Baltic. This architecture strongly determines the character of the historic centre of the city.
The 11th century city walls marked the boundaries of the medieval city. Although the walls themselves are lost today, they remain clearly visible, emphasized by the four surviving gates, the ramparts and one of the defence water towers. The medieval street pattern, with main roads leading towards the important public squares, has mostly been preserved, as well as the network of canals which, once used for mercantile traffic, played an important role in the development of the city.
In the 15th century, Bruges was the cradle of the Flemish Primitives and a centre of patronage and painting development for artists such as Jan van Eyck and Hans Memling. Many of their works were exported and influenced painting styles all over Europe. Exceptionally important collections have remained in the city until today.
Even after its economic and artistic peak at the end of the Middle Ages, building and urban development continued, although Bruges mostly missed the 19th-century industrial revolution. In the 18th and 19th centuries, many medieval parcels were joined to larger entities and new quarters were also developed. The most striking examples of large scale post-medieval interventions in the historic centre are the urbanization around Coupure (1751-1755), the Zand and the first railway station (1838), the Theatre quarter (1867), the Koningin Elisabethlaan and Gulden Vlieslaan (1897) and the creation of the Guido Gezelle-neighbourhood (1920-1930).
Information Source:
‘Luctor et Emergo’; zo luidt de wapenspreuk uit het wapen van de provincie Zeeland. Als ergens het ‘ik worstel en ik kom boven’ van toepassing is, is het wel hier. Meerdere keren in de lange geschiedenis werden delen van Zeeland overspoeld door het zeewater. Zo ook in het jaar 1014. Tijdens een rampzalige stormvloed verdween in dat jaar al het land in een brede band tussen het huidige Middelburg en ’s-Heer Arendskerke en verder tussen Nisse en Oudelande door tot in de Westerschelde bij Eversdijk in de golven. De toen ontstane brede zeearm - ook wel ‘Zwake’ genoemd - zou daarna nog eeuwenlang dwars door het huidige Zuid-Beveland lopen. Aan de zuidkant van de Zwake bleven van het oorspronkelijke land drie kleine eilandjes over, volledig afgesneden van de rest van Zuid-Beveland: Borssele, Oudelande en Baarland. Rond 1200 werden er dijken aangelegd.
Gaandeweg veranderde de Zwake in een kilometers breed gebied van geulen, schorren en zandplaten. Met regelmaat werden kleine stukjes droogvallend schor aan het cultuurlandschap toegevoegd. Halverwege de vijftiende eeuw was de Zwake aan weerszijden al zover ingepolderd dat er een dam kon worden geslagen tussen het zuidereiland Borssele en ’s-Gravenpolder, dat ruim een eeuw eerder aan de oude polder rond Nisse was toegevoegd.
Niet ver van Kwadendamme ligt de Zwaaksedijk. De naam zegt het al: het handelt hier om de oude zeedijk die destijds het water van de Zwake tegenhield. Na de inpoldering van de Zwake veranderde de Zwaaksedijk in een zogenaamde ‘slaperdijk’. In 1927 is er een coupure in de dijk aangebracht ten behoeve van de aanleg van de spoorbaan in de zak van Zuid-Beveland. Voor de veiligheid is deze coupure altijd gehandhaafd. Inmiddels is de coupure een Rijksmonument.
In de nacht is de deur van de coupure gesloten. Tijdens de eerste rit van de dag heeft de hoofdconducteur van de trein zojuist de loodzware deur van de coupure geopend. Net buiten beeld staat hij te wachten tot wagenvoerder Joop de motorwagen in de eerste versnelling zet en rustig door de coupure heen rijdt. Daarna is het nog enkele meters rijden voordat het station van Kwadendamme wordt bereikt.
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Datum en tijd: 19-03-2022 - 09.40 uur
Locatie: Kwadendamme
Maatschappij: SGB
Materieel: omC (NS C 909)
Trein: Goes - Hoedekenskerke - Baarland
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© Peter de Winter - No unauthorised use.
A backstreet in the Markt and Burg Quarter in central Bruges, Flanders, Belgium.
Bruges in medieval times was known as a commercial metropolis in the heart of Europe. The city reflects a considerable exchange of influences on the development of art and architecture, particularly in brick Gothic, which is characteristic of northern Europe and the Baltic. This architecture strongly determines the character of the historic centre of the city.
The 11th century city walls marked the boundaries of the medieval city. Although the walls themselves are lost today, they remain clearly visible, emphasized by the four surviving gates, the ramparts and one of the defence water towers. The medieval street pattern, with main roads leading towards the important public squares, has mostly been preserved, as well as the network of canals which, once used for mercantile traffic, played an important role in the development of the city.
In the 15th century, Bruges was the cradle of the Flemish Primitives and a centre of patronage and painting development for artists such as Jan van Eyck and Hans Memling. Many of their works were exported and influenced painting styles all over Europe. Exceptionally important collections have remained in the city until today.
Even after its economic and artistic peak at the end of the Middle Ages, building and urban development continued, although Bruges mostly missed the 19th-century industrial revolution. In the 18th and 19th centuries, many medieval parcels were joined to larger entities and new quarters were also developed. The most striking examples of large scale post-medieval interventions in the historic centre are the urbanization around Coupure (1751-1755), the Zand and the first railway station (1838), the Theatre quarter (1867), the Koningin Elisabethlaan and Gulden Vlieslaan (1897) and the creation of the Guido Gezelle-neighbourhood (1920-1930).
Information Source:
Crane clamps inside an abandoned power plant
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Macro Monday Eraser 7,3 x 6,8 cm 2,78 x 2,67 inch
Ich fresse alles, indem ich schlechte/bösen und gute Nachrichten im Gedächtnis ausradiere! Es gelingt mir aber nicht immer sehr gut, dann bleiben Fragmente bestehen meist sind es die bösen Nachrichten die ich nicht völlig wegradieren kann, leider. Bei den guten Nachrichten gelingt es mir fast zu 100 %!
Ich wünsche Euch einen guten erfolgreichen Tag, liebe Freunde. Danke für Euren Besuch und Kommentar.
I eat everything by erasing bad/evil and good news in my memory! But I don't always succeed very well, then fragments remain, mostly it's the bad news that I can't completely erase away, unfortunately. With the good news, I'm almost 100% successful!
Have a good day, my dear friends. Thank you for your visit and comments.
Je mange tout en effaçant les mauvaises nouvelles et les bonnes nouvelles dans ma mémoire ! Mais je ne réussis pas toujours très bien, puis il reste des fragments, c'est surtout la mauvaise nouvelle que je ne peux malheureusement pas effacer complètement. Avec la bonne nouvelle, j'ai presque 100% de succès !
Bonne journée, mes chers amis. Merci de votre visite et de vos commentaires.
Me lo como todo borrando las malas/malvadas y las buenas noticias en mi memoria! Pero no siempre lo consigo muy bien, entonces quedan fragmentos, sobre todo son las malas noticias que no puedo borrar por completo, desafortunadamente. Con las buenas noticias, ¡tengo casi un 100% de éxito!
Que tengan un buen día, queridos amigos. Gracias por su visita y comentarios.
Eu como tudo, apagando más / más e boas notícias em minha memória! Mas nem sempre sou bem-sucedido, então os fragmentos permanecem.Na maioria das vezes são as más notícias que não posso apagar completamente, infelizmente. Com a boa notícia eu consigo quase 100%!
Desejo-lhe um bom dia, queridos amigos. Obrigado pela sua visita e comentário.
Mangio tutto cancellando le buone e le cattive notizie nella mia memoria! Ma non sempre ho successo molto bene, poi i frammenti rimangono, per lo più è la cattiva notizia che non riesco a cancellare completamente, purtroppo. Con la buona notizia, ho quasi il 100% di successo!
Buon giorno, cari amici. Grazie per la vostra visita e per i vostri commenti.
Ik eet alles door bad/evil en goed nieuws uit mijn geheugen te wissen! Maar ik slaag er niet altijd goed in, dan blijven er fragmenten over, meestal is het het slechte nieuws dat ik helaas niet helemaal weg kan gommen. Met het goede nieuws ben ik bijna 100% succesvol!
Heb een goede dag, mijn lieve vrienden. Dank u voor uw bezoek en opmerkingen.
La Cinémathèque royale de Belgique, CINEMATEK, a pour objet
de constituer et conserver une collection de films possédant un intérêt esthétique, technique et historique permanent
de réunir une documentation la plus large possible ayant trait à l'art cinématographique et
d'assurer, dans un but d'intérêt esthétique et scientifique, la consultation de ces films et documents
Dans la salle de lecture, les visiteurs peuvent consulter 5 000 magazines internationaux, 66 000 livres, 800 000 photos, 1280 000 de coupures de presse, des affiches, des catalogues de festivals, des scénarios de films ainsi que des archives privées ou institutionnelles.
The Royal Cinematheque of Belgium, CINEMATEK, aims
to constitute and preserve a collection of films of permanent aesthetic, technical and historical interest
to gather the widest possible documentation relating to cinematographic art and
to ensure, for purposes of aesthetic and scientific interest, the consultation of these films and documents
In the reading room, visitors can consult 5,000 international magazines, 66,000 books, 800,000 photos, 1,280,000 press clippings, posters, festival catalogs, film scripts as well as private or institutional archives.
De polder is vernoemd naar oud-commissaris van de Koningin Carel Coenraad Geertsema. Halverwege de dijk is in 1998 een monument geplaatst. Hier staat een gedenkteken met de toepasselijke tekst: Gain diek, gain laand, gain leev'n'.
Dit stuk land werd al in 1924 omringd met dijken en drooggelegd. In de loop der tijd bleek vaak dat de dijken doorbraken of te laag waren voor de ruige zee. Daarom werden de zeedijken langs de Dollard in de periode van 1983 tot en met 1986 op deltahoogte gebracht. Zo blijft het vruchtbare Groninger land droog. Vandaag de dag worden hier vooral suikerbieten, graan en aardappelen verbouwd.
bron; www.visitgroningen.nl/nl/locaties/1165695972/monument-car...
Flal, Eems-Dollard-wandeltocht op 8 februari 2020.
The Magdalena Quarter in southern Bruges, Flanders, Belgium.
Bruges in medieval times was known as a commercial metropolis in the heart of Europe. The city reflects a considerable exchange of influences on the development of art and architecture, particularly in brick Gothic, which is characteristic of northern Europe and the Baltic. This architecture strongly determines the character of the historic centre of the city.
The 1th century city walls marked the boundaries of the medieval city. Although the walls themselves are lost today, they remain clearly visible, emphasized by the four surviving gates, the ramparts and one of the defence water towers. The medieval street pattern, with main roads leading towards the important public squares, has mostly been preserved, as well as the network of canals which, once used for mercantile traffic, played an important role in the development of the city.
In the 15th century, Bruges was the cradle of the Flemish Primitives and a centre of patronage and painting development for artists such as Jan van Eyck and Hans Memling. Many of their works were exported and influenced painting styles all over Europe. Exceptionally important collections have remained in the city until today.
Even after its economic and artistic peak at the end of the Middle Ages, building and urban development continued, although Bruges mostly missed the 19th-century industrial revolution. In the 18th and 19th centuries, many medieval parcels were joined to larger entities and new quarters were also developed. The most striking examples of large scale post-medieval interventions in the historic centre are the urbanization around Coupure (1751-1755), the Zand and the first railway station (1838), the Theatre quarter (1867), the Koningin Elisabethlaan and Gulden Vlieslaan (1897) and the creation of the Guido Gezelle-neighbourhood (1920-1930).
Information gained whc.unesco.org/en/list/996
Hylotelephium telephium (Linnaeus) H. Ohba, 1977 = Anacampseros affinis Charb., 1913 = Anacampseros angustata Charb., 1913 = Anacampseros aurigerana Jord. & Fourr., 1866 = Anacampseros beugesiaca Jord. & Fourr., 1866 = Anacampseros buxicola Jord. & Fourr., 1866 = Anacampseros cantalica Charb., 1913 = Anacampseros convexa Jord. & Fourr., 1866 = Anacampseros dumeticola Jord. & Fourr., 1866 = Anacampseros humilis Charb., 1913 = Anacampseros lapidicola Jord. & Fourr., 1866 = Anacampseros majuscula Charb., 1913 = Anacampseros maryana Charb., 1913 = Anacampseros monticulorum Jord. & Fourr., 1866 = Anacampseros navieri Jord. & Fourr., 1866 = Anacampseros parcedentata Charb., 1913 = Anacampseros praecelsa Jord. & Fourr., 1866 = Anacampseros pycnantha Jord. & Fourr., 1866 = Anacampseros repens Jord. & Fourr., 1866 = Anacampseros rhodanensis Jord. & Fourr., 1866 = Anacampseros rigidula Charb., 1913 = Anacampseros saxifraga Jord. & Fourr., 1866 = Anacampseros silvatica Timb.-Lagr., 1870 = Anacampseros subalbida Jord. & Fourr., 1866 = Anacampseros subinclusa Charb., 1913 = Anacampseros tarnensis (Rouy & E.G. Camus) A.W. Hill, 1926 = Anacampseros tarnensis Sudre, 1895 = Anacampseros triphylla Haw., 1812 = Anacampseros viridula Jord. & Fourr., 1866 = Anacampseros vogesiaca Jord. & Fourr., 1866 = Hylotelephium borderi (Jord. & Fourr.) Holub, 1984 = Hylotelephium purpureum (Linnaeus) Holub, 1979 = Hylotelephium triphyllum (Haw.) Holub, 1983 = Sedum archangelicum Rupr. = Sedum bohuslavii Rupr., 1846 = Sedum callayanum Boreau, 1866 = Sedum complanatum Gilib., 1782 = Sedum maritimum Boguslaw, 1848 = Sedum purpurascens W.D.J. Koch, 1846 = Sedum purpureum (Linnaeus) Schult., 1814 = Sedum sanguineum Ortega, 1800 = Sedum schultzii Dosch & J. Scriba, 1873 = Sedum telephium Gren. & Godr., 1848 = Sedum telephium Linnaeus, 1753 = Sedum telephium proles purpureum (Linnaeus) Rouy & E.G. Camus, 1901 = Sedum telephium ssp. complanatum Rouy & E.G. Camus, 1901 = Sedum telephium ssp. purpurascens Syme, 1865 = Sedum telephium ssp. purpureum (Linnaeus) Hartm., 1849 = Sedum telephium ssp. purpureum Schinz & Thell., 1909 = Sedum telephium ssp. telephium = Sedum telephium var. aurigeranum (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. borderei (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. buxicola (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. callayanum (Boreau) Rouy & E.G. Camus, 1901 = Sedum telephium var. dumeticola (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. lapidicola (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. monticulorum (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. navieri (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. pourretii (Jeanb. & Timb.-Lagr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. praecelsum (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. purpureum Linnaeus, 1753 = Sedum telephium var. pycnanthum (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. repens (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. rhodanense (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. saxifragum (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. subalbidum (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. tarnense (Sudre) Rouy & E.G. Camus, 1901 = Sedum telephium var. viridulum (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum telephium var. vogesiacum (Jord. & Fourr.) Rouy & E.G. Camus, 1901 = Sedum thyrsoideum Boreau, 1866 = Sedum vulgare ssp. purpureum (Linnaeus) Nyman, 1879, l’herbe de saint Jean ou herbe à la coupure, reprise, orpin reprise.
De 1644 op 8 augustus 1987 bij de dijkcoupure ten westen van station Kruiningen-Yerseke met een "Badehosezug" (zwembroektrein) naar Vlissingen, bestaande uit twee DB-rijtuigen. De gloriedagen van deze zaterdagse zomertreinen voor strandliefhebbers uit Duitsland zijn duidelijk voorbij. In 1988 keerde de doorgaande verbinding naar Vlissingen niet meer terug.
De twee rijtuigen waren in Venlo losgekoppeld van trein 2504 uit Siegen. Als trein 2528 gingen ze naar Vlissingen, terwijl de rest van de trein de normale route naar Den Haag CS volgde.
Een Badehosezug reed ook naar Den Helder, zie:
Reflet de château des Dames dans le Cher.
Photo prise quelques secondes avant la coupure de l'éclairage du château... Une seule prise, coup de bol !
Photo taken a few seconds before the castle lighting was switched off ... One shot, lucky!
Le glacier prend naissance vers 3 000 mètres dans un cirque glaciaire, dominé et alimenté en neige par de hauts sommets délimitant la frontière avec la Suisse et l'Italie (mont Dolent,
3800 mètres, aiguille de Triolet, 3 730 mètres). Le refuge d'Argentière est implanté au cœur de ce cirque, à plus de
2700 mètres. Plus en aval, le glacier est dominé par trois sommets de plus de 4 000 mètres : les Droites (4 000 mètres), la Grande Rocheuse (4 102 mètres) et l'aiguille Verte (4 122 mètres) depuis lesquels des séracs suspendus alimentent régulièrement le glacier en avalanches.
Il y a 100 ans à peu près, le glacier arrivait jusqu'au temple d'Argentière (1 250 mètres) ; depuis quelques années, la langue terminale du glacier, qui s'étend encore jusque vers 1600 mètres, s'est séparée du reste du glacier vers l'altitude de 1900 mètres. La séparation est marquée par un rocher de plus de 200 m2 : la langue terminale n'est donc plus alimentée directement par le glacier principal, mais seulement par des chutes de séracs, ce qui met en péril sa pérennité. Cependant, une telle « coupure » s'était déjà produite au début du XXe siècle, mais s'était résorbée naturellement au fil des ans. En dépit du réchauffement climatique, rien ne permet à l'heure actuelle d'affirmer que la langue terminale du glacier disparaîtra dans un avenir proche.
The glacier originates around 3,000 meters in a glacial circus, dominated and fed with snow by high peaks delimiting the border with Switzerland and Italy (Mount Dolent,3800 meters, Triolet needle, 3,730 meters). The refuge of Argentière is implanted in the heart of this circus, with more than
2700 meters. Further downstream, the glacier is dominated by three peaks of more than 4,000 meters: Les Droites (4,000 meters), Grande Rocheuse (4,102 meters) and l'aiguille Verte (4,122 meters) from which suspended seracs feed. regularly the glacier in avalanches.
About 100 years ago, the glacier reached the temple of Argentière (1,250 meters); in recent years, the terminal tongue of the glacier, which still extends to about 1600 meters, has separated from the rest of the glacier to the altitude of 1900 meters. The separation is marked by a rock of more than 200 m2: the terminal tongue is therefore no longer fed directly by the main glacier, but only by falls of seracs, which jeopardizes its durability. However, such a "cut" had already occurred in the early twentieth century, but had naturally subsided over the years. Despite global warming, there is currently no evidence to suggest that the terminal tongue of the glacier will disappear in the near future.
Boiler inside an abandoned power plant
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Phénomène de fin de journée, la nature fait sa transition entre le soleil et les nuages. Coin du Banc, Percé
Cloche Exilé Ouglitch - « a été exécuté » l'oreille de coupure et « exilées » à la Tobolsk Sibérie. Le fait que, en 1591, présumés d'une sonnette d'alarme les habitants de la ville d'Ouglitch informé de la mort de tsarévitch Dmitry, qui a provoqué un soulèvement populaire, qui a pris fin le lynchage des assassins ,J'y suis resté pendant trois cents ans, après quoi il a été renvoyé en arrière.
Ссыльный угличский колокол — набатный колокол, «казнённый» отсечением уха и «сосланный» в сибирский Тобольск за то, что в 1591 году известил жителей города Углича о смерти царевича Дмитрия, чем вызвал народное волнение, закончившееся самосудом над предполагаемыми убийцами. Пробыл там триста лет, после чего был возвращён обратно.
Hôtel Ibis brûlé. Beaucoup de questions se posent par rapport à cet incendie.
Pourquoi cet hôtel? Pourquoi les policiers n'étaient pas là alors qu'ils étaient là quelque temps avant et qu'ils étaient en surnombre?
Le feu fait de belles images... ça fait un bon outil pour empêcher les manifestants pacifiques de s'exprimer.