Volksrod
View allAll Photos Tagged conversion
Spring has officially come to Utah!
Taken with further practice on an Olympus Tough TG-6.
While I certainly wouldn't trade in my DSLR for the "grand" landscapes I seriously prefer shooting the most, there have been gaps in my ability to do photography I've been meaning to fill. Having a durable point and shoot I can practically carry on a trail run is one example. Also, anyone who has followed me for some time knows I sometimes travel in challenging terrain where a heavy, bulky camera could be dangerous under certain conditions. Finally, I have wanted to respond a little more quickly at times to wildlife, though granted that isn't usually my top emphasis. But hey: When it's good it's good! ;-) I'm learning a bit about this right now, and just having some fun too... This time of year it feels like all sorts of opportunities are ahead. I could do anything anytime!
A black and white, Lensbaby photo of a weathered old wooden barn in a snow covered field. With a focus on the structure, the lens adds a bit of blur around the edges of the photo. The scene evokes the quiet solitude of a rural winter landscape, where the history of the structure tells a silent story of it’s survival against the elements.
Lensbaby Sweet 50 optic, set at F8
Composer Pro II with a Canon EF mount
Developed with Darktable 4.8.0.
Conversion: Color calibration= gray, Input R = +1.0
Meccano conversion sets started life as 'A' sets but later became 'X'.
It was a great idea. Someone bought you (say) a set 3 for your birthday and you could buy a set 3X to make up a set 4 and so on until you had the dream of every Meccano child - the set 10.
As soon as I saw this image, the idea of black/white popped quickly into my head. So here it is out of my head. For those colorists, the original is in comments. So easy to change anything nowadays, no?
Conversion. Recycle Group. Evento collaterale.
Andrey Blokhin e Georgy Kuznetsov,( Krasnodar, Russia) realizzano Conversion , che è un progetto site specific allestito nella chiesa di Sant’Antonin, in Venezia.
L’immaginario, la dimensione estetica e parte dell’iconografia, scelta dagli artisti per l’opera, fanno riferimento a temi religiosi di un passato, probabilmente rinascimentale.
L’effetto è molto interessante: entrando nella chiesa sembra di avere a che fare con un restauro in atto ( effetto attribuibile alle impalcature ) e contemporaneamente con l’olografica presenza di fantasmi, dovuta a la rete plastica che struttura l’opera.
Il tema centrale, che tratta con ironia della nuova fede tecnologica rivolta all’uso della rete (e segnatamente di facebook), è un po’ trito e rischia di rendere banale un lavoro formalmente molto suggestivo
This shot was done by using a plastic holder for remote controllers, placed it side way against a glass table, place the audio cable in it, shone a LED light on the top to create that flare on table.
End result not that bad with reflections that added some interestingness in the shot.
Did you enjoy the snow? I know it can be frustrating being around this much snow but it can also be very interesting. We spent last few days running around chasing snow and I got exhausted, so much that I needed 2 days to get back in the mood to edit some of these images. What do you think?
colorphoto turned in to B&W (ipiccy) then inverted and sharped
Thanks for the visit and have a nice weekend
Kim Dracula - Molecular Conversion
__________________________
Sᴘᴏɴsᴇʀᴇᴅ Bʏ:
☣ Outfit: Eleven - Elise @ Mainstore
☣ Pose: OMY - Marigold #1 @ Kustom9
This was taken on a visit to the NYM Railway Steam Gala in Sept
The out building at this old farm on the fells above Grosmont on the North Yorkshire Moors has been converted into a dwelling.
The old roller would be use for rolling grass and hidden in the vegetation I believe is a drag for spreading mole hills
Tower Court, Greenmount, Bury, Greater Manchester, England
© Copyright
Please do not use this photo in any way without my permission. Thankyou very much
A few of the old, I assume MOD buildings at Dungeness have been converted into homes this being one of them. It has a nice view of the sea and the nuclear power station!
© This photograph is copyrighted. Under no circumstances can it be reproduced, distributed, modified, copied, posted to websites or printed or published in media or other medium or used for commercial or other uses without the prior written consent and permission of the photographer
464 Broome Street was originally constructed in 1860 by Aaron Arnold,the wealthy New York merchant responsible for founding one of America’s oldest department stores, Arnold Constable & Company,which was located just two blocks away on Canal Street.462 &464 Broome Street were converted together to co-operative lofts in the early 1980s and now consist of 8 full floor residential lofts and 2 commercial retail spaces.
This boutique double building co-op is pet friendly and features a full-time super who receives deliveries,key-locked elevators for each building,a central water purification system,central steam heat, video-intercom, common roof deck,basement storage and meeting room.This unique and special property has $0 monthly maintenance and strong financials due to common ownership of its two market rate retail stores!
.
.
.
Dati Tecnici
.
a) Nikon D800E + Nikon MB-12 Battery Pack Impugnatura con impostazione live View;
b) Sigma 150mm f/2.8G APO-Macro DG HSM (impostazione fuoco a Infinito fisso) + filtro Canon Close-Up Lens 500D 72mm + paraluce;
c) Formato “24:36” – Dimensione Immagine Originale“L-7360x4912 Dpi” – Dimensione Originale File Mb 103 – Qualità “Raw” – Espsizione “Media a Prevalenza Centrale” – I. Dinamico “HIGH” – Spazio Colore “S-RGB” – Stabilizzazione “No” – Messa a Fuoco “Manuale” – Impostazione Iso “400” – Bilanciamento del Bianco “Auto 1” – Regolazione Immagine Colore “0-0-0-0” – NR su ISO Elevati (Moderata - Bassa);
d) Focale impiegata 150mm;
e) Rapporto di Riproduzione Ingrandimento 0,68/1,00;
f) Esposizione Tempo 1/250s con apertura a f.4,4 su Monopiede Manfrotto;
g) Cavetto Elettonic Nikon MC-36 (per evitare le vibrazioni);
h) Sono stati impiegati due Flash: il primo di schiarita Nikon SB-900 Wireless (tenuto a mano) posizionato leggermente in basso a destra con parabola direzionata verso le ali della prima farfalla a circa 90cm programmato sul “Canale A” con riduzione del lampo di 1+1/3 di stop + diffusore a cupola SW-13H (Nikon) + il secondo Flash Gruppo Nikon Kit Macro RiC1 con 4 Seedlight SB-200 pilotate in Wireless (I due superiori con applicato il Filtro diffusore Nikon SW-11a quelli superiori schermo libero) + (riduzione del lampo delle lampade superiori di – 1/3 stop, aumento della potenza del lampo delle lampade inferiori di +1/3 ) + Nikon Wireless Speedlight Commander SU-800 montato sulla slitta della macchina:
i) Lettura Esposimetrica Media a Prevalenza Centrale (campo di azione della lettura fra le zampe delle due farfalle a sinistra e il busto della farfalla a destra) con impostazione a priorità dei diaframmi;
l) E’ stato utilizzato il Faretto Manfrotto regolato ad 1/3 della potenza (luce 1900°Kelvin) posizionato in alto sopra la scena all’altezza delle due farfalle superiori in modo da attutire le leggere ombre azzurre e abbassare la temperatura cromatica della scena per vivacizzare i colori pastello delle striature arancioni delle ali delle farfalle. Tutto il lavoro è stato effettuato verso le ore 6,45 del mattino (luce laterale diretta quasi al sorgere del sole);
m) Impostazione Asa 400/Asa;
n) Conversione del File Raw in Tiff con Nikon Capture NX 2;
o) Prima Post-Produzione Corel Photo-Paint X5 e Nikon Capture NX 2;
p) Seconda Post-Produzione con Adobe Photoshop CS6;
q) Post-Produzione di completamento con Nikon Capture NX 2.
.
===========================================================
.
Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
.
Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
.
===========================================================
Tutti i diritti riservati © 2014 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
.
All rights reserved © 2014 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means without prior permission.
===========================================================
.
Pieride del biancospino [Aporia crataegi]
.
.
“Mosca - “Pieride del biancospino (Aporia crataegi)”</”
.
===========================================================
.
.
19th May 2021., Shannon Airport, Co.Clare, Ireland
Arrived the previous evening after cargo conversion at Dothan, To be painted for Cargo Air by IAC.
Tootie the Night Owl
Technical information:
Camera: Zenza Bronica ETRSI
Lens: Zenzanon PE 50mm f/2.8
Film: Kodak Portra 400
Processed by Richard Photo Lab
Digitized at home with a Fujifilm X-T5 with a Canon-mount Sigma 105mm Macro lens using a Fringer EF-XF converter (with autofocus) and the Valoi 360 film holder. Negmaster software was used in the conversion.
This photo was shot on a sunny but cold winter day on Kodak Gold 200 in 135 (35mm) format. It was developed and digitized at home by yours truly. This is part of my continuing quest to achieve the best results possible from film at the lowest possible investment of production time and money. I'm not there yet, but I am quite happy with the improvements so far.
Technical information:
Camera: Canon EOS 3
Lens: Canon EF 35mm f/2 IS USM
Film: Kodak Gold 200 (at ISO 160)
Developer: Bellini C-41
Digitized with a Canon EOS R5, a Sigma 105mm macro lens, the Valoi 360 film holder, the CS-Lite light source, and a copy stand made out of an old Durst enlarger.
Software conversion: Negative Lab Pro 3.0
Please View Large On Black
I noticed that the Karma group on flickr is having a before and after for black and white conversions so I decided to upload the color version of a black and white landscape I had posted earlier. Let me know if you prefer the color version I would love to know!
This is of the Porcelain Basin area within Norris Geyser Basin at Yellowstone National Park. The high contrast scene seemed to be well-suited to black and white.
An eastbound Norfolk Southern manifest passes an small farmstead near Myerstown, Pennsylvania. DC-to-AC conversions of EMD and GE origins lead the train.
Shadows fall across the mountain landscape while wispy clouds play in the heavens.
Committed to expired Ilford FP4+ using a Hasselblad X-pan and 45 mm lens and red filter. Developed Ars-Imago FD as standard and scanned using an Epson V850 using Silverfast. Positive conversion and levels done with Negative Lab Pro.
This image was taken at Ogwen Valley, Looking out from Cwm Idwal to Pen yr Ole Wen. When I took this image, I knew it had the possibility of being a black and white, more so that colour as the patches of blue sky were quite strong. One of the aspects of black and white photography I love is being able to get that blue sky, jet black.
a fly - I think a dungfly
looking pretty on the flower anyway
and it is FlyDay
The Damned - New Rose
A conversion to black & white using Capture NX2 where I used some color filters to bring out a much richer tonal contrast for the final image.
© 2022 Mike McCall
_Secular Conversion_
[5171-D7500-Neo]
Blue Gothic Project
Meansville, Pike County, Georgia USA
Just a crop of this infrared panorama (due to Flickr's "best display size" which obviously seems to vary between free and pro users):
www.flickr.com/photos/197010762@N05/52623755573/in/dateta...
Also black & white, 8:5 aspect ratio, 7157 x 4474px (32MP).
It's cool how the ripples on the lake are confined to a certain area, outside of it, the water is flat like a mirror.
Nikon D90 (APS-C, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
Hoya R72 (720nm infrared pass-filter)
ISO200, 24mm, f/6.3, 0,8sec
panorama head, tripod, remote