View allAll Photos Tagged contemporarydance
I was stood under a bridge when I took this, some solid ground gave some good support for the tripod right next to the pillar with some black graffiti adorning it. It was perfect to get a good urban view over the highway at ground level, it also represented a good point of reference to limit the angle and get some good stills and ICM.
I hope everyone had a great weekend and so as always, thank you!
So this is my first attempt at dashboard LE photography as a change for "Where the Wild Lights Are"; but guess who only cleaned the window on the outside **sheepishly raises arm** however, it was a good first attempt and as I have always said, in photography you either get the shot you want, or you learn and you never stop learning in all respects.
This on my way back from Berlin heading back to Storkow, we came up behind this truck and I asked my partner in crime, Vera, to go a little faster and get behind it, but unfortunately it then changed lane hence the drag over to the left, BUT, I feel the spirit of the imagine image is not lost.
Well, I hope everyone is well and so as always, thank you! :)
Yes I love my ornate titles, this is my third instalment for my "Where the Wild Lights Are" collection, and I need to get me some more in the near future before the weather turns nasty, but that's half the magic of it, just add lights! When you look at this, imagine atoms, is all you need to do, now throw in a sense of the Interdimensional, a whole new world within a world, allow yourself to fly around in it and trust you'll arrive in a whole new sense of perspective!
I hope everyone is well and so as always, thank you! :)
Another for the "Where the Wild Lights Are" project and again from the LE dashboard attempt from Berlin to Storkow. This is something I will look to attempt again when I get my camera back; unfortunately the issue with such an attempt is dust, vibration, focus and bug guts. What is also the challenge is getting the "triangle" right, that is of course, ISO, Shutter Speed and Aperture; everything is in motion, the subject, the camera (albeit within a vehicle) plus the greatest problem is the differing lights conditions / intensity / angle / etc, that is encountered within each and every LE.
The best method I conjured is to set the Shutter Speed to BULB, put the ISO to 400, Aperture to 10f-stops and then say a little prayer to the universe, affix the camera with your hands to the dashboard, securing it as best as possible and go for it. This photo though was at 30 seconds as the environment was constantly changing so thus I decided to sit back and allow30 seconds to run through and then see what I had, this is it.
Think of it like this, it's a 3 course meal of differing cuisines whilst moving at top speed, you smell, eat and digest all in a matter seconds of which it all conglomerates not one singular experience / image.
So now, I hope everyone is well and so as always, thank you!
Another for my "Where the Wild Lights Are" and so also another for the madness of abstract play with light in all its glory, fun and unending exploration. I think of it as one of those movie scenes when there features a wizard, mage or sorcerer who plays with lightning between their fingers, this for the camera is the same thing, just frozen in a moment once stretched out over a short period of time.
This shot was by the same highway as before just a little further down the way, away from the bridge, giving me borderless freedom with the street lamps and passing traffic, this meant I could play more and for longer than the orthodox 30 seconds now that finally attached my remote switch.
I know this isn't everyone's cuppa tea, but for me it's fun, it's outrageous and far beyond what is called modern art, where a pile of dogshit or a sawn in half sheep passes as artistic expression (Google it!), this is at least worth looking at with a sense of wonder. And that's what I want you to do, look at it, look into it, feel it and explore it and freaking love it!
That's my egotistical 2 cents over and done with, I hope everyone is well and so as always, thank you! :)
So my foot finally healed up and the weather improved enough for me to find the motivation to get out the door again, I had been itching for days to get another of the abstract project I am working on for "Where the Wild Lights Are" , I took a good few the other night and will post them up over time, some more extreme than others. Let's just see what works.
Oh and yes, my fancy ass titles as well!
I got these mad ideas from a book I read when I was a child called "Snigglets" now a Snigglet is any word not currently in the English dictionary but should be, usually used as an improvised adjective to describe odd and funny circumstance. When the internet came about a website was setup where people could send in their made up words, mine was "Frustrastab" which is for the moment when a device is not working fast enough or at all, so the user aggressively stabs repeatedly the function button in the vain hope, that'll make it work any faster, such the elevator or the lights at a pedestrian crossing and so on!
I hope everyone's week is off to a great start and so as always thank you! :)
Back in November I decided to push forward with the collection for "Where the Wild Lights Are" and went to a good spot full of traffic lights, trucks, lots of traffic and illuminated sign posts, for another words, just add lights! I want to carry on playing around with it but I have since moved to Storkow in Brandenburg outside of Berlin, so may have to do some serious walking to get to another highway to add some more. But I am used to covering long distances.
I hope everyone is well and so as always, thank you! :)
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best viewed large
collaged silver gelatine photographs 110 x 87cm
#choreographer #garylambert #contemporarydance #photocollage #blackandwhite #monochrome #patricklears
Art and dance are two faces of the same coin. Casablanca, the biggest city of Morocco, is known for its beautiful places and numerous styles. Casablanca is like a Ballet dancer where everything seems easy & difficult, harsh & smooth… just like ballet moves. They look easy, but are actually demanding; too much training and efforts. On this project, I shed light on a specific form of dance « Ballet » through the beauty of Casablanca and the elegance of ballet poses where every place and move could tell a story if you look at them from a different perspective.
We don’t have yet an opera where Moroccan ballet dancers could show their talent and be given the opportunity to expose it in Casablanca streets. Also, music is needed for a ballerina to dance. Luckily, the city is a song where you could listen and feel various rhythms in its different streets.
This project features the highly skilled ballet dancer Aya Sendby, dancing in the streets of the economic capital of Morocco. Casarina is composed of two parts, where each contains 10 pictures.
We worked on this project after the corona virus hit our country which made its realization even more difficult. But nothing can prevent you from doing something you admire, whatever the risk. Its like Love, we all take the risk.
Inside the alleyways of old medina, CASARINA Part II.
9 in the morning, -3 degrees, and when I was concerned this shoot would be too tough, my dancer decides she wants to go barefoot. I can only show my deepest respect for subjects like Wetika, and her insane level of passion and commitment to her craft.
Strobist - Lit with one Phottix Indra500 camera left, modified with a 120cm octabox. Triggered with Phottix Odin. 1/4 power.
More on my instagram - @eddy999
Tanz_Harz
Winterreise
Tanzabend von Tarek Assam
Musik von Franz Schubert – Texte von Wilhelm Müller
Hinter den Kulissen
Musikalische Leitung:MD Johannes Rieger
Inszenierung und Choreographie:Tarek Assam
Ausstattung:Katharina Andes
Solist / -in:Regina Pätzer
Videodesign:Lieve Vanderschaeve
Tanz:Michele Carnimeo, Daniele Cavuoti,
Masami Fukushima, Caterine Cerolini, Ting-En Chiang,
Gollwitzer, Alessia Zaccaria,
Michele Carnimeo Daniele Cavuoti,
Cristian Colatriano, Harrison Rodrigues Gomes dos Santos,
Lukas Ziegele
Foto: Rolf K. Wegst
Contemporary dance by Seher Noor Mehra at Alliance Francaise in Bengaluru. This genre of dance, focuses more on floor work over leg work and pointe.
Seher Noor Mehra has been trained at Attakkalari, Bharatanatyam, Ballet, Kalaripayattu, contemporary techniques, Koodiyattam, Chau, Devrattam, Silambam, combinations of cross fitness, body strengthening and yoga.
"Aangikam Bhuvanam Yasya" - Shiva is depicted as the Omnipotent Lord of dance whose body or movements cover everything that is the space around us and beyond that.
Tanz_Harz
Winterreise
Tanzabend von Tarek Assam
Musik von Franz Schubert – Texte von Wilhelm Müller
Hinter den Kulissen
Musikalische Leitung:MD Johannes Rieger
Inszenierung und Choreographie:Tarek Assam
Ausstattung:Katharina Andes
Solist / -in:Regina Pätzer
Videodesign:Lieve Vanderschaeve
Tanz:Michele Carnimeo, Daniele Cavuoti,
Masami Fukushima, Caterine Cerolini, Ting-En Chiang,
Gollwitzer, Alessia Zaccaria,
Michele Carnimeo Daniele Cavuoti,
Cristian Colatriano, Harrison Rodrigues Gomes dos Santos,
Lukas Ziegele
Foto: Rolf K. Wegst
A new dance series from the performance "El beneficio del locutor". Soon more of it...
Name: Paralelo (... mundo de olvidos).
Coreography: Carlos A. Cruz Velázquez.
Dancers: Doménica López Amezcua and Denisse Cárdenas Landeros.
Music: Hilmar Örn Hilmarsson.
"The Rite of Spring (3)" inspired by Pina Bausch
The Rite Of Spring
18.9.2014 - 25.10.2014
Cafe Hegelhof
Johannesgasse 16
1010 Vienna
#contemporary #dance #photomanipulation #digiart by @peter_seelig
digital/rtp/matt Kodak Endura ulta
50 x 40 cm
limited edition
Stadttheater Giessen
JAGEN (UA)
Tanzabend von Olga Labovkina | Musik von Dodóma
Choreographie: Olga Labovkina
Bühne und Kostüme: Katharina Andes
Dramaturgie: Johannes Bergmann
Tänzerinnen: Caitlin-Rae Crook / Maria Adriana Dornio / Marine Henry
Tänzer: Jeremy Curnier / Sven Krautwurst / Floriado Komino
Foto: Rolf K. Wegst
Nutzungsrechte beim Urheber
"The Rite of Spring (8)" inspired by Pina Bausch
#contemporary #dance #photomanipulation #digiart by @peter_seelig
digital/rtp/matt Kodak Endura ulta
50 x 40 cm
limited edition
"The Rite of Spring (8)" inspired by Pina Bausch
#contemporary #dance #photomanipulation #digiart by @peter_seelig
digital/rtp/matt Kodak Endura ulta
50 x 40 cm
limited edition
Tanz_Harz
Winterreise
Tanzabend von Tarek Assam
Musik von Franz Schubert – Texte von Wilhelm Müller
Hinter den Kulissen
Musikalische Leitung:MD Johannes Rieger
Inszenierung und Choreographie:Tarek Assam
Ausstattung:Katharina Andes
Solist / -in:Regina Pätzer
Videodesign:Lieve Vanderschaeve
Tanz:Michele Carnimeo, Daniele Cavuoti,
Masami Fukushima, Caterine Cerolini, Ting-En Chiang,
Gollwitzer, Alessia Zaccaria,
Michele Carnimeo Daniele Cavuoti,
Cristian Colatriano, Harrison Rodrigues Gomes dos Santos,
Lukas Ziegele
Foto: Rolf K. Wegst