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“It is better to conquer yourself than to win a thousand battles. Then the victory is yours.
It cannot be taken from you, not by angels or by demons, heaven or hell”.
(The Buddha - Hindu Prince Gautama Siddharta, the founder of Buddhism, 563-483 B.C.)
Those fingers belong to the huge statue of Maitreya Buddha which is in a temple at Thiksey Monastery in front of the Himalayan hills of Ladakh.
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The word I decided to do is conquer, and the way I portrayed this was by going up to lookout mountain, and posing my little sister to look out into the distance and see that "she can conquer the world" just like in the movies.
Athens has expanded to occupy the entire plain ( a sink) surrounded by mountains. Their foothills provide good habitable sites with great views and breezes from the nearby sea. Up we go in spite earlier regulations to protect the mountain vegetation.
Zaatari refugee camp, Jordan.
( Story by Hala Al Ayoubi )
‘It is not those who can inflict the most, but those who can suffer the most who will conquer’:
These words were spoken by Irish patriot, Terence McSweeney in 1920 when his native Ireland was being ripped apart by the War of Independence. Although directly referring to the struggle faced by his countrymen some 90 years ago McSweeney’s haunting words can be applied to the thousands forced to seek sanctuary in a Jordanian refugee camp to in order to escape Syria’s on-going internal conflict. As a native Syrian, born in Damascus, I found the graphic images of my fellow countrymen and women shown on various television news channels both disturbing and upsetting. I was so moved by their plight. I wanted to see for myself the suffering and horrors of the living in limbo scenario they now faced on a daily basis. I was literally driven by an internal emotion I had never experienced before. I simply had to see what was happening to my people. Within days my photographer and I were on our way to Jordan. What we saw and witnessed on our trip is difficult to put into words. However, it is important I do record what we saw in the hope it highlights the human tragedy that is currently the plight of the Syrian refugees – my people.
Just six miles over of the Jordan-Syria border is the UN run Zaatari refugee camp. Located in the middle of a barren, windswept desert Zaatari is the temporary home of thousands of men, women and children forced to flee their homes in Syria because of the continuing conflict. At first sight Zaatari is a desolate place. It exudes an air of isolation. Its heavy wire perimeter fencing is intimidating and immediately creates the impression of a prison. This feeling is compounded by the presence of Jordanian police and soldiers who guard main entrance to the camp. As our car pulls up guards watch us intently. Our driver takes our passports and passes to a camp official. Documents approved, we are given permission to enter Zaatari.
As we drive through the second gate the reality of Zaatari looms before us. To the left the French and Italian international field hospitals. On the right the countless rows of dust shrouded tents, home for the refugees, are draped across the harsh desert landscape. Despite the dust the letters UNHCR are clearly visible on each of the tents. As we begin to walk around the camp it is obvious the situation is really difficult. Living conditions are very basic. There is a lack of proper sanitation with people often standing in line to use toilets and bathrooms. There is barely enough water and electricity is almost non-existent. Clothing is at a premium. Food is mundane and repetitive. Dust is everywhere. Blasts of sand ravage the simple, thin tents and their occupants The swirls of suffocating sand ensure everyone in Zaatari carries a powdering of dust and grim. Residents are told on a daily basis ‘things will get better’. They never do.
As a Mum I was particularly moved by the plight of Mothers and their children living in Zaatari camp. This is not a ‘Child friendly Zone’ despite the presence of a tiny and very basic kids play area. The provision of a slide and a see-saw do little to resolve the suffering and trauma of kids who have witnessed horrendous scenes of brutality and violence in the on-going Syrian conflict. Many of these children are now mentally scarred for life! Their drawn and dusty faces say it all. Disease is also rife within the child population of Zaatari – measles and cholera top the list. Although officials plan to introduce a measles immunisation programme shortly it will do little, if anything, to relive a problem which is fast becoming a humanitarian catastrophe. The plight of Zaatari’s child population is particularly heart-breaking. They are the innocent victims of a situation they did not create. However, there is a faint glimmer of hope on the horizon for the refugee children. A hope their future will not be as desolate as their past. That hope is education. There are approximately some 4,000 children of school-age within Zaatari. The task of educating them is a considerable challenge. The majority of children have lost out on months of schooling through the violence in Syria. However, many have lost their entire families. They are totally alone and are cared for by organisations such as UNICEF and Save the Children.
When I visited Zaatari classes were held in temporary makeshift tented accommodation. The authorities plan to supply a more permanent type of classroom shortly but, in the interim kids simply have to make do with what is available. A retired teacher, now working in Zaatari told me education was vital for the refugee children. The routine of the classroom, he said, gave the children something to do on a regular basis. It also removed the biggest problem facing the kids – one of boredom. “We are not just educating these children”, he said “we are attempting to save a complete generation and give it a future”. As a Syrian and a Mother I hope that objective is achieved sooner rather than later.
As I toured the Zaatari camp it became obvious many people were too scared to talk. Despite the fact I was a fellow Syrian very few wanted to speak on camera or have their identities revealed. Although they have fled their homeland many refugees – should they return to Syria – are frightened they will be the targeted in revenge attacks by supporters of President Bashar al-Assad. There is also the very real fear members of the Syrian secret police – the Mukhabarat – are active within the Zaatari refugee camp. Fear of the Mukhabarat pervades the atmosphere of the camp. It intimidates the residents and stops the majority of them speaking out.
However, there are those who are prepared to speak on the condition their identity is protected. A mother of four told me she and her children fled Syria fearing they would be killed if they remained in the home. Although now living in the relative safety of Zaatari she told me she how longed to return to her own country: ‘Life in the camp is killing us. It’s unbearable. Dirt and dust are everywhere. We live, sleep and eat the dust. This is not life. It’s barely an existence’.
‘I just want to go back. Go back to my home, that’s all I want but, there is nothing there now. They destroyed everything in my town. What can we do? We have to stay here. We have nowhere else to go’.
Abdul and his family have been in Zataari for 27 days. He told me they fled their home in Syria to escape the constant bomb attacks and killings: ‘All my family is here, my wife and children. We had to leave. To stay in our home was too dangerous. People I knew were killed in the bomb attacks. If we had stayed we would have died’.
‘Getting to Jordan was difficult. But we had to get away from Bashar’s bombs. My wife and I just ran, we ran with our kids. We just took them and ran’.
‘But we are living like animals now. Conditions are really bad here. We have no clothes, food is always the same and we have very little water. Just look at us, look at my children. They are living in a tent and sleeping on the ground.’
With winter looming large on the horizon Zaatari’s residents will face additional problems in their struggle to survive. The desert is already very cold at night. With temperatures due drop to around freezing point in the next few weeks there is now a race against time to ensure the camp is properly prepared for the colder weather. Prime objectives for the Camp authorities are the distribution of heaters, thermal, blankets and the insulation of the refugees tented accommodation.
Abdul fear the arrival of the freezing winter weather: ‘We don’t know what it will be like in the winter. Will we get blankets and heaters – we just don’t know. How can little children survive the winter living in a tent. This is no way for them to live. When it gets cold and rains then it will be miserable here ’.
There is clearly a growing feeling within Zaatari’s refugee population that ‘Nobody cares about us’. A belief exists that until the world recognises and helps those interned behind the wire and barriers the suffering will continue and get worse. Actions do speak louder than words. However, words are cheap but human aid expensive!
Zaatari is meant to be a place of refuge for the countless displaced Syrians. However, the camp is quickly becoming the venue for escalating tensions between the refugees and their hosts, the Jordanians. Tensions which have already exploded into violence which has seen tents set on fire and property damaged in protests over living condition. Those tensions will increase and the prospect of further violence remains strong if living conditions do not improve drastically.
Refugees living in Zaatari are human beings. They are individuals with names, personalities and unique personal stories to tell. They are also my fellow countrymen and women. Until recently they were able to work, earn a living and support their families. Now their lives have been changed irrevocably through the violence in Syria. All these people want is to have their voices heard. To be acknowledge and accepted as people and not to be portrayed as parasites living off the Jordanian system. Above all they just want to go back to their homes in Syria and live their lives. Sadly, at this time and for the foreseeable future that is impossible.
As I left Zaatari Terrence McSweeney’s words: ‘It is not those who can inflict the most, but those who can suffer the most who will conquer’ flooded through my mind. Those words proved correct in respect of the people of Ireland. I believe these very same words do and will apply to the Syrian refugees in Zaatari. My hope is it the suffering they now endure on a daily basis will be short lived. Unlike my fellow countrymen and women I have been able to escape the suffering that is Zaatari refugee camp.
Hala Al Ayoubi.
While taking a few zero days near Washington, D.C., my trail family and I stopped into a Lego Store and a few of us decided to build an AT monument. We started with a lush green mountain below and topped it with a huge AT logo. The most critical part was getting everyone's character as accurate as possible. The hair choices are spot on, everyone has a backpack, those with glasses sported glasses. Superman loved checking out the overlooks and taking photos so we gave him binoculars, Spider is vegan so we gave her an apple, Pockets and Sunshine loved their coffee so we equipped them with coffee mugs, and finally Sherlock, who is a Marine Veteran, was given a sword and a pile of money because he just wanted to have some fun with his mini-me character. We all met on the trail and as a trail family, spent three to four months together, taking crazy side trips in times of need (one all the way to Kentucky to help move Sherlock out after a rough break-up) and finding various ways to entertain ourselves on and off trail. This little Lego sculpture is one great representation of our eccentric tramily and while it would have been wonderful to take home, Legos weigh too much to hike around with so we just have this photo as memory.
We were about to sit down and have breakfast when we saw a wasp trapped in a spider's web outside our window. As we looked on, the spider leapt along the web and then stopped the struggling wasp from escaping. Later the spider had taken its prey away.
The FV 214 Conqueror—officially known as the Tank, Heavy No. 1, 120 mm Gun, FV214 Conqueror—was Britain’s answer to the post–World War II challenge of countering new Soviet heavy tanks, particularly the IS-3. Conceived during the early Cold War, the Conqueror was designed to fill the niche of a heavy gun tank capable of engaging enemy armor at long range while working in support of Centurion units. It represents the culmination of the FV200 series of “Universal Tanks,” a family that sought to balance mobility, firepower, and armor within a single versatile chassis
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!
Some background:
In the grand scope of World War 2 fighter aircraft there is a little-remembered French design designated the Arsenal "VG-33". The aircraft was born from a rather lengthy line of prototype developments put forth by the company in the years leading up to World War 2 and the VG-33 and its derivatives represented the culmination of this work before the German invasion rendered all further work moot.
The Arsenal de l'Aeronautique company was formed by the French government in 1936 ahead of World War 2. It began operations with dedicated design and development of a fast fighter type until the German conquer of France in 1940 after which the company then focused on engine production after 1945. Then followed a period of design and construction of gliders and missiles before being privatized in 1952 (as SFECMAS). The company then fell under the SNCAN brand label and became "Nord Aviation" in 1955.
The VG-33 was the result of the company's research. Work on a new fast fighter began by Arsenal engineers in 1936 and the line began with the original VG-30 prototype achieving first flight on October 1st, 1938. Named for engineer Vernisse (V) and designer Jean Gaultier (G), the VG-30 showcased a sound design with good performance and speed during the tests, certainly suitable for progression as a military fighter and with future potential.
Development continued into what became the VG-31 which incorporated smaller wings. The VG-32 then followed which returned to the full-sized wings and installed the American Allison V-1710-C15 inline supercharged engine of 1,054 horsepower. The VG-32 then formed the basis of the VG-33 which reverted to a Hispano-Suiza 12Y-31 engine and first flight was in early 1939, months ahead of the German invasion of Poland. Flight testing then spanned into August and serial production of this model was ordered.
The VG-33 was one of the more impressive prewar fighter ventures by the French that included the Dewoitine D.520, understood to be on par with the lead German fighter aircraft of the period - the famous Messerschmitt Bf 109.
Only about forty or so French Arsenal VG-33 fighters were completed before the Fall of France in 1940, with 160 more on order and in different states of completion. Despite the production contract, Arsenal' engineers continued work on the basic design for improved and specialized sub-types. The VG-34 appeared in early 1940 outfitted with the Hispano-Suiza 12Y-45 engine of 935 horsepower, which improved performance at altitude. An uprated engine was installed in VG-35 and VG-36, too. They utilized a Hispano-Suiza 12Y-51 engine of 1,000 horsepower with a revised undercarriage and radiator system.
VG-37 was a long-range version that was not furthered beyond the drawing board, but the VG-38 with a Hispano-Suiza 12Y-77 engine that featured two exhaust turbochargers for improved performance at high altitude, achived pre-production status with a series of about 10 aircraft. These were transferred to GC 1/3 for field trials in early 1940 and actively used in the defence against the German invasion.
The VG-39 ended the line as the last viable prototype model with its drive emerging from a Hispano-Suiza 12Z engine of 1,280 horsepower. A new three-machine-gun wing was installed for a formidable six-gun armament array. This model was also ordered into production as the VG-39bis and was to carry a 1,600 horsepower Hispano-Suiza 12Z-17 engine into service. However, the German invasion eliminated any further progress, and eventually any work on the Arsenal VG fighter family was abandoned, even though more designs were planned, e .g. the VG-40, which mounted a Rolls-Royce Merlin III, and the VG-50, featuring the newer Allison V-1710-39. Neither was built.
Anyway, the finalized VG-38 was an all-modern looking fighter design with elegant lines and a streamlined appearance. Its power came from an inline engine fitted to the front of the fuselage and headed by a large propeller spinner at the center of a three-bladed unit. The cockpit was held over midships with the fuselage tapering to become the tail unit.
The tail featured a rounded vertical tail fin and low-set horizontal planes in a traditional arrangement - all surfaces enlarged for improved high altitude performance.
The monoplane wing assemblies were at the center of the design in the usual way. The pilot's field of view was hampered by the long nose ahead, the wings below and the raised fuselage spine aft, even though the pilot sat under a largely unobstructed canopy utilizing light framing. The canopy opened to starboard.
A large air scoop for the radiator and air intercooler was mounted under the fuselage. As an unusual feature its outlet was located in a dorsal position, behind the cockpit. The undercarriage was of the typical tail-dragger arrangement of the period, retracting inwards. The tail wheel was retractable, too.
Construction was largely of wood which led to a very lightweight design that aided performance and the manufacture process. Unlike other fighters of the 1930s, the VG-38 was well-armed with a 20mm Hispano-Suiza cannon, firing through the propeller hub, complemented by 4 x 7.5mm MAC 1934 series machine guns in the wings, just like the VG-33.
The aircraft never saw combat action in the Battle of France. Its arrival was simply too late to have any effect on the outcome of the German plans. Therefore, with limited production and very limited combat service during the defence of Paris in May 1940, it largely fell into the pages of history with all completed models lost.
Specifications:
Crew: 1
Length: 28.05 ft (8.55 m)
Width: 35.43 ft (10.80 m)
Height: 10.83ft (3.30 m)
Weight: Empty 4,519 lb (2,050 kg), MTOW 5,853 lb (2,655 kg)
Maximum Speed: 398 mph (641 kmh at 10.000m)
Maximum Range: 746 miles (1,200 km)
Service Ceiling: 39,305 ft (12.000 m; 7.458 miles)
Powerplant:
1x Hispano-Suiza 12Y-77 V-12 liquid-cooled inline piston engine
with two Brown-Boveri exhaust turbochargers, developing 1,100 hp (820 kW).
Armament:
1x 20mm Hispano-Suiza HS.404 cannon, firing through the propeller hub
4x 7.5mm MAC 1934 machine guns in the outer wings
The kit and its assembly:
I found the VG-33 fascinating - an obscure and sleek fighter with lots of potential that suffered mainly from bad timing. There are actually VG-33 kits from Azur and Pegasus, but how much more fun is it to create your own interpretation of the historic events, esp. as a submission to a Battle of Britain Group Build at whatifmodelers.com?
I had this project on the whif agenda for a long time, and kept my eyes open for potential models. One day I encountered Amodel's Su-1 and Su-3 kits and was stunned by this aircraft's overall similarity to the VG-33. When I found the real VG-38 description I decided to convert the Su-3 into this elusive French fighter!
The Su-3 was built mainly OOB, it is a nice kit with much detail, even though it needs some work as a short run offering. I kept the odd radiator installation of the Suchoj aircraft, but changed the landing gear from a P-40 style design (retracting backwards and rotating 90°) into a conservative, inward retracting system. I even found forked gear struts in the spares box, from a Fiat G.50. The covers come from a Hawker Hurricane, and the wells were cut out from this pattern, while the rest of the old wells was filled with putty.
Further mods include the cleaned cowling (the Su-3's fuselage-mounted machine guns had to go), while machine guns in the wings were added. The flaps were lowered, too, and the small cockpit canopy cut in two pieces in, for an opened position - a shame you can hardly see anything from the neat interior. Two large antenna masts complete the French style.
Painting and markings:
Again, a rather conservative choice: typical French Air Force colors, in Khaki/Dark Brown/Blue Gray with light blue-gray undersides.
One very inspiring fact about the French tricolor-paint scheme is that no aircraft looked like the other – except for a few types, every aircraft had an individual scheme with more or less complexity or even artistic approach. Even the colors were only vaguely unified: Field mixes were common, as well as mods with other colors that were mixed into the basic three tones!
I settled for a scheme I found on a 1940 Curtiss 75, with clearly defined edges between the paint fields. Anything goes! I used French Khaki, Dark Blue Grey and Light Blue Grey (for the undersides) from Modelmaster's Authentic Enamels range, and Humbrol 170 (Brown Bess) for the Chestnut Brown. Interior surfaces were painted in dark grey (Humbrol 32) while the landing gear well parts of the wings were painted in Aluminum Dope (Humbrol 56).
The decals mainly come from a Hobby Boss Dewoitine D.520, but also from a PrintScale aftermarket sheet and the scrap box.
The kit was slightly weathered with a black ink wash and some dry-painting, more for a dramatic effect than simulating wear and tear, since any aircraft from the VG-33 family would only have had a very short service career.
Well, a travesty whif - and who would expect an obscure Soviet experimental fighter to perform as a lookalike for an even more obscure French experimental fighter? IMHO, it works pretty fine - conservative sould might fair over the spinal radiator outlet and open the dorsal installation, overall both aircraft are very similar in shape, size and layout. :D
Zaatari refugee camp, Jordan.
( Story by Hala Al Ayoubi )
‘It is not those who can inflict the most, but those who can suffer the most who will conquer’:
These words were spoken by Irish patriot, Terence McSweeney in 1920 when his native Ireland was being ripped apart by the War of Independence. Although directly referring to the struggle faced by his countrymen some 90 years ago McSweeney’s haunting words can be applied to the thousands forced to seek sanctuary in a Jordanian refugee camp to in order to escape Syria’s on-going internal conflict. As a native Syrian, born in Damascus, I found the graphic images of my fellow countrymen and women shown on various television news channels both disturbing and upsetting. I was so moved by their plight. I wanted to see for myself the suffering and horrors of the living in limbo scenario they now faced on a daily basis. I was literally driven by an internal emotion I had never experienced before. I simply had to see what was happening to my people. Within days my photographer and I were on our way to Jordan. What we saw and witnessed on our trip is difficult to put into words. However, it is important I do record what we saw in the hope it highlights the human tragedy that is currently the plight of the Syrian refugees – my people.
Just six miles over of the Jordan-Syria border is the UN run Zaatari refugee camp. Located in the middle of a barren, windswept desert Zaatari is the temporary home of thousands of men, women and children forced to flee their homes in Syria because of the continuing conflict. At first sight Zaatari is a desolate place. It exudes an air of isolation. Its heavy wire perimeter fencing is intimidating and immediately creates the impression of a prison. This feeling is compounded by the presence of Jordanian police and soldiers who guard main entrance to the camp. As our car pulls up guards watch us intently. Our driver takes our passports and passes to a camp official. Documents approved, we are given permission to enter Zaatari.
As we drive through the second gate the reality of Zaatari looms before us. To the left the French and Italian international field hospitals. On the right the countless rows of dust shrouded tents, home for the refugees, are draped across the harsh desert landscape. Despite the dust the letters UNHCR are clearly visible on each of the tents. As we begin to walk around the camp it is obvious the situation is really difficult. Living conditions are very basic. There is a lack of proper sanitation with people often standing in line to use toilets and bathrooms. There is barely enough water and electricity is almost non-existent. Clothing is at a premium. Food is mundane and repetitive. Dust is everywhere. Blasts of sand ravage the simple, thin tents and their occupants The swirls of suffocating sand ensure everyone in Zaatari carries a powdering of dust and grim. Residents are told on a daily basis ‘things will get better’. They never do.
As a Mum I was particularly moved by the plight of Mothers and their children living in Zaatari camp. This is not a ‘Child friendly Zone’ despite the presence of a tiny and very basic kids play area. The provision of a slide and a see-saw do little to resolve the suffering and trauma of kids who have witnessed horrendous scenes of brutality and violence in the on-going Syrian conflict. Many of these children are now mentally scarred for life! Their drawn and dusty faces say it all. Disease is also rife within the child population of Zaatari – measles and cholera top the list. Although officials plan to introduce a measles immunisation programme shortly it will do little, if anything, to relive a problem which is fast becoming a humanitarian catastrophe. The plight of Zaatari’s child population is particularly heart-breaking. They are the innocent victims of a situation they did not create. However, there is a faint glimmer of hope on the horizon for the refugee children. A hope their future will not be as desolate as their past. That hope is education. There are approximately some 4,000 children of school-age within Zaatari. The task of educating them is a considerable challenge. The majority of children have lost out on months of schooling through the violence in Syria. However, many have lost their entire families. They are totally alone and are cared for by organisations such as UNICEF and Save the Children.
When I visited Zaatari classes were held in temporary makeshift tented accommodation. The authorities plan to supply a more permanent type of classroom shortly but, in the interim kids simply have to make do with what is available. A retired teacher, now working in Zaatari told me education was vital for the refugee children. The routine of the classroom, he said, gave the children something to do on a regular basis. It also removed the biggest problem facing the kids – one of boredom. “We are not just educating these children”, he said “we are attempting to save a complete generation and give it a future”. As a Syrian and a Mother I hope that objective is achieved sooner rather than later.
As I toured the Zaatari camp it became obvious many people were too scared to talk. Despite the fact I was a fellow Syrian very few wanted to speak on camera or have their identities revealed. Although they have fled their homeland many refugees – should they return to Syria – are frightened they will be the targeted in revenge attacks by supporters of President Bashar al-Assad. There is also the very real fear members of the Syrian secret police – the Mukhabarat – are active within the Zaatari refugee camp. Fear of the Mukhabarat pervades the atmosphere of the camp. It intimidates the residents and stops the majority of them speaking out.
However, there are those who are prepared to speak on the condition their identity is protected. A mother of four told me she and her children fled Syria fearing they would be killed if they remained in the home. Although now living in the relative safety of Zaatari she told me she how longed to return to her own country: ‘Life in the camp is killing us. It’s unbearable. Dirt and dust are everywhere. We live, sleep and eat the dust. This is not life. It’s barely an existence’.
‘I just want to go back. Go back to my home, that’s all I want but, there is nothing there now. They destroyed everything in my town. What can we do? We have to stay here. We have nowhere else to go’.
Abdul and his family have been in Zataari for 27 days. He told me they fled their home in Syria to escape the constant bomb attacks and killings: ‘All my family is here, my wife and children. We had to leave. To stay in our home was too dangerous. People I knew were killed in the bomb attacks. If we had stayed we would have died’.
‘Getting to Jordan was difficult. But we had to get away from Bashar’s bombs. My wife and I just ran, we ran with our kids. We just took them and ran’.
‘But we are living like animals now. Conditions are really bad here. We have no clothes, food is always the same and we have very little water. Just look at us, look at my children. They are living in a tent and sleeping on the ground.’
With winter looming large on the horizon Zaatari’s residents will face additional problems in their struggle to survive. The desert is already very cold at night. With temperatures due drop to around freezing point in the next few weeks there is now a race against time to ensure the camp is properly prepared for the colder weather. Prime objectives for the Camp authorities are the distribution of heaters, thermal, blankets and the insulation of the refugees tented accommodation.
Abdul fear the arrival of the freezing winter weather: ‘We don’t know what it will be like in the winter. Will we get blankets and heaters – we just don’t know. How can little children survive the winter living in a tent. This is no way for them to live. When it gets cold and rains then it will be miserable here ’.
There is clearly a growing feeling within Zaatari’s refugee population that ‘Nobody cares about us’. A belief exists that until the world recognises and helps those interned behind the wire and barriers the suffering will continue and get worse. Actions do speak louder than words. However, words are cheap but human aid expensive!
Zaatari is meant to be a place of refuge for the countless displaced Syrians. However, the camp is quickly becoming the venue for escalating tensions between the refugees and their hosts, the Jordanians. Tensions which have already exploded into violence which has seen tents set on fire and property damaged in protests over living condition. Those tensions will increase and the prospect of further violence remains strong if living conditions do not improve drastically.
Refugees living in Zaatari are human beings. They are individuals with names, personalities and unique personal stories to tell. They are also my fellow countrymen and women. Until recently they were able to work, earn a living and support their families. Now their lives have been changed irrevocably through the violence in Syria. All these people want is to have their voices heard. To be acknowledge and accepted as people and not to be portrayed as parasites living off the Jordanian system. Above all they just want to go back to their homes in Syria and live their lives. Sadly, at this time and for the foreseeable future that is impossible.
As I left Zaatari Terrence McSweeney’s words: ‘It is not those who can inflict the most, but those who can suffer the most who will conquer’ flooded through my mind. Those words proved correct in respect of the people of Ireland. I believe these very same words do and will apply to the Syrian refugees in Zaatari. My hope is it the suffering they now endure on a daily basis will be short lived. Unlike my fellow countrymen and women I have been able to escape the suffering that is Zaatari refugee camp.
Hala Al Ayoubi.
William Bagnall 0-6-0 saddle tank Conqueror (W/No.2893 of 1945) and a sister Bagnall ‘top and tail’ an exceptional load alongside the English Electric (formerly Dick Kerr & Co.) works in Strand Road on the Port of Preston system, possibly in the late 1950s.
© Gordon Edgar collection - photographer Peter Eckersley - all rights reserved. Please do not download, copy, or use this image without my explicit prior permission
Presidential Candidate 總統候選人
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TianLiang Maa
~ a Taiwanese social reformer, philosopher, photographer and film director
“Touching Fairness and Justice”
馬天亮
~ 臺灣的社會改革者，哲學家，攝影師，和電影導演
《感動的公平與正義》
TianLiang Maa, alternative spelling: Tianliang Ma, also known as Theophilus Raynsford Mann; Ma, Tianliang; Chinese: 馬天亮; 马天亮.
SUMMARY
TianLiang Maa is a naturalist, occultist, Buddhist and Taoist. In 1982, Maa developed a technique for abstract photography, applied “Rayonism” into photographic works. Maa staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Maa’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Maa’s works have been quoted by the scholars many times, making Maa one of the highly cited technological, artistic, and managing public administrators in the academia. Maa was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.
Early Life and Record of Genealogy
TianLiang Maa possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Maa about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Maa takes great pride in his roots, which go back 150 years (since 1864); Maa’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.
Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa
In 1980, Maa obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.
In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Maa’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.
Backing to Maa’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.
Early Career
In 1989, Maa instituted Maa’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.
Study Abroad and Immigration into the United Kingdom
In 1998, Maa studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Maa completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013
www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Maa immigrated into the United Kingdom in the early year of 2004.
PHILOSOPHICAL VIEWS
Maa is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand TianLiang Maa. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.
Back in the 1990s when Maa just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.
During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Maa understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?
FAIRNESS and JUSTICE
As TianLiang Maa’s (馬天亮) saying are:
“Touching Fairness and Justice”
Feel good about themselves, but do not know the sufferings of the people...
Who can get easy life like them?
What is profile of modern society?
What type and style is truly solemn for this society identify?
Where “the characterization” is? Who can see? Did you see it?
《感動的公平與正義》
自我感覺良好, 不知民間疾苦...
誰能得到安逸的生活如同他們一樣？
這是個什麼樣子的社會？
這個社會認定什麼樣的類型和風格是真正莊重的?
「特徵」在那裡？誰可以看到？你看到了嗎？
Jurisprudence and Political Philosophy and Perspectives
Maa ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Maa will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.
According as Maa’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.
The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.
Maa had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.
Right now, Maa studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Maa would like to do “something beautiful for `the unknown`”.
In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.
In present world, Maa really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.
No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.
The knowledge Maa has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.
Since 30 July of 1988, Maa settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Maa was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.
Maa had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.
The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.
Developed a Technique for Abstract Photography and Abstractionist
In 1982, Maa developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Maa was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.
Photographic Exhibitions
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.
一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism (32 individual exhibitions) 1983~1985.
馬天亮『光影』攝影特展（個人展32場）1983〜1985年.
Maa staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Maa was the first exhibitor around the country. All of the invited displays were by the Chinese Government, cultural and artistic organisations, and sponsors. Maa’s earliest exhibition took place in the National Taiwan Arts Education Institute (Museum) on 19 December 1983 when Maa was 25 years old; Maa was the youngest exhibitor in the history of the Institute in any solo exhibitions. The Institute that was opened in March 1957, kept a collection of Maa’s work. It is currently updating the Institute’s internal organisation and strengthening co-operation with leading institutes and museums around the world. Meanwhile, it widened the institute’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.
Modernization in the Modern Abstract Arts of Taiwan
Maa’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.
In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Maa may sprout, grow and bloom. Maa aims to provide an educational stimulus for society by introducing his works - Maa can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Maa believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Maa should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.
Became an Author and a Scholar
In 1980, TianLiang Maa completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Maa was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Maa’s writings - scenario original 「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 then Maa was 18 years old. The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Maa’s writings.
Authorship
Maa’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Maa was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Maa one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Maa’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.
Became an Academic and Film Director
Today, Maa is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.
Director Works:
FILMS:
Experimental Film “New Image for the Spring” © 1982
Documentary Film “Rayonnisme” © 2011
“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)
FASHION SHOWS:
New Image for the Spring of Shapely Models International © 1982
High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982
ART EXHIBITIONS:
The Cadillac Club International Fine Arts Exhibition © 1981
The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981
Musician Work:
MUSIC COMPOSITION:
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.
PHOTOGRAPHIC ALBUMS:
Portrait and Landscape in France © 2000
Portrait and Landscape in Scotland © 2001
Portrait and Landscape in England © 2009
Portrait at Queen Mary, University of London © 2010
Rayonism of London © 2011
Portrait at The University of Nottingham, United Kingdom © 2011
Snowy London © 2012
Portrait at King's College London © 2013
BOOKS:
Scenario Original「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.
“Album of the Cadillac Club International Fine Arts Exhibition” © 1981
“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981
“Album of New Image for the Spring of Shapely Models International” © 1982
“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982
“Romantic Carol” © 1982
Album of Academic Work for News Publication: “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibitions of Rayonnisme” © May 1985
新聞出版之學術著作專輯「馬天亮『光影』“Rayonism” 攝影展」© May 1985
New version of scenario original “The Soul's Sentimentalizing” (to be published)
「曾經輝煌到頂天立地」 “The Indomitable Spirit Was Brilliant to Upright” (individual biography, to be published)
“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)
「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)
Research Interests:
University of Oxford
Research Studies in Archaeology:
Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.
National Taiwan University
Graduate Certificate,
Graduate Institute of Electrical Engineering:
Maa’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.
University of Glamorgan
M.Sc. Course,
Master of Science in Real Estate Appraisal:
Maa’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.
National Sun Yat-Sen University
Postgraduate Certificate,
Postgraduate Studies in Computing:
Maa’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.
Associations:
Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)
Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.
Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.
On 15 March 1989, Maa promoted and founded the Consortium Juridical Person Mr. TianLiang Maa Social Benefit Foundation 財團法人馬天亮先生社會公益基金會 in Taiwan. near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...
Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.
Honours:
Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.
中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.
On 26 August 1985, Maa was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.
Careers:
Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:
Academia,
Teaching and Research:
business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and film production.
教學與研究：
企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ，視覺藝術和影片製作。
Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:
consultants of immigration, translations, and legal services.
永生移民顧問翻譯服務社的移民諮詢顧問和翻譯：
移民事務，翻譯和法律服務。
Computer Hardware & Networking Engineer at Maa Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:
Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.
計算機工程和網絡服務。維修主機板，顯示器，電源供應器，光碟機/光盘驱动器，不斷電系統，硬碟/硬盘，硬盤數據恢復，基本輸入輸出系統編程，以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。
Film Director & Photographer at Photographer and Film Director (Shapely), 2 April 2007 to present in London, United Kingdom:
1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.
www.facebook.com/filmshapely/info
Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:
Social Reform in Taiwan
www.facebook.com/twreform/info
《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。TianLiang Maa (Theophilus Raynsford Mann) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.
Website
mtltwp.pixnet.net/album/set/1265174
photo.roodo.com/photos/mtltwp/albums/small/100469.html
www.facebook.com/hunyun22/info
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Maa was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.
Website
www.facebook.com/sonate1c/info
LINKS:
University of California, Berkeley
berkeley.worldcat.org/search?q=Ma%2C+Tianliang&dblist...
berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...
oskicat.berkeley.edu/record=b11283690~S1
University of Michigan
mirlyn.lib.umich.edu/Record/006237256
catalog.hathitrust.org/Record/006237256
WorldCat® Identities
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www.worldcat.org/wcidentities/np-ma,%20tianliang$1958
Google Books
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National Bibliographic Information Network (NBINet)
nbinet3.ncl.edu.tw/search~S10?/a%7bu99AC%7d%7bu5929%7d%7b...
192.83.186.170/search*cht/a%E9%A6%AC%E5%A4%A9%E4%BA%AE
National Yang Ming University 國立陽明大學
library.ym.edu.tw/search~S7*cht?/tThe+Soul%27s+and+sentim...
National Taiwan University of Science and Technology 國立臺灣科技大學
millennium.lib.ntust.edu.tw/record=b1016706~S1
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國家圖書館 期刊文獻資訊網, 臺灣期刊論文索引
readopac3.ncl.edu.tw/nclJournal/search/search_result.jsp?...
聲音藝術的審美角度, 大學雜誌, 天然
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為文化中心把脈, 幼獅文藝
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科學家與守財奴, 中國地方自治
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Feeling a bit melancholy today. The crew will be heading back to London, England tomorrow and I probably won't see them again until next summer, if all goes to plan, when I go to London for the Olympics.
Yesterday I took them to the Cheltenham Badlands and to my surprise they very much enjoyed the experience.