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Rahu, one of the most notorious demons of the Hindu myth, was rubbed the wrong way by the Sun. Myth has it that Vishnu, God of all Gods churned the oceans to usher in peace. This was at the end of a bitter war between the Gods and demons. At this time, Dhanvantri, the fountain head of medicine, brought forth nectar. This was too good for the demons to let go. Vishnu manage to get it across the Gods, but Rahu, disguised as a God tried to get some nectar for himself The Sun and the Moon saw this happening and informed Vishnu, who immediately chopped off Rahu’s head. Rain’ lived on though with no body, because he had taken a sip of the nectar. But he never forgave the Sun or the Moon and periodically eats either one up. Thailand In Thailand, lucky objects are bought to ward off evil omens during the eclipse. Since black is the colour of Rahu (the demon of darkness), devotees in Thailand buy up black chicken, black liquor, black beans, black eggs, black rice and black moss sticks.
Tahiti In Tahiti eclipses have had a romantic connotation. They have been interpreted as the lovemaking of the Sun and the Moon. So, people in Tahiti find the event to be something to look forward to, since the eclipse seems to be the harbinger of a divine blessing.
"MARKY"
Preparing for the New Year festivities:
Seen here in this series are the "Beach Boys" donning their costumes, make-up and song/dance moves before departing to compete in the carnival. In afrikaans they are also known as the "Kaapse Klopse". Celebrations continue to the 2nd of January (and beyond) which is known as "Tweede Nuwe Jaar" (Afrikaans for second New Year.)
Every January the streets of Cape Town are filled with the festive sights and sounds of the city's biggest social event - The Cape Town Minstrel Carnival - a.k.a. the Coon Carnival.
The history of the festival dates back to the mid 1800's when American minstrels visited the Cape with their Al Jolson-style black-painted faces and banjos. The Coloured community of Cape Town who themselves had just recently been emancipated from slavery, mimicked these performers, but in their case, painted their faces white, and sang merry but sarcastic songs, often ridiculing their former masters.
Today, the historical roots of the Carnival are all but forgotten. The Minstrel Carnival is more a celebration of life and a reflection of the naturally gregarious nature of the Cape's Coloured community. Recently the City of Cape Town has renamed the festival from "Coon Carnival" to the "Minstrel Carnival" presumably because the term "coon" has a derogatory connotation in for some people.
"Every New Year, thousands of minstrels take to the streets in a dazzling display of colourful satin uniforms, shiny parasols, painted faces and foot-tapping banjo tunes that accompany the traditional folk songs, many of Cape Malay origin"
The Minstrel Parade itself consists of over 10,000 singers dancers and musicians dressed in the most garish costumes imaginable. The Parade usually begins in District Six and / or Green Point Stadium. Dozens of brass bands etc merrily blare a cacophony of festive tunes across the City Bowl, accompanied by hundreds of dancers and encouraged by nearly ten's of thousands of cheering spectators that line the streets.
Source: (Amended) www.wheretostay.co.za
Bali is an island and province of Indonesia. The province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan. It is located at the westernmost end of the Lesser Sunda Islands, between Java to the west and Lombok to the east. Its capital of Denpasar is located at the southern part of the island.
With a population of 3,890,757 in the 2010 census, and 4,225,000 as of January 2014, the island is home to most of Indonesia's Hindu minority. According to the 2010 Census, 83.5% of Bali's population adhered to Balinese Hinduism, followed by 13.4% Muslim, Christianity at 2.5%, and Buddhism 0.5%.
Bali is a popular tourist destination, which has seen a significant rise in numbers since the 1980s. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bali.
Bali is part of the Coral Triangle, the area with the highest biodiversity of marine species. In this area alone over 500 reef building coral species can be found. For comparison, this is about 7 times as many as in the entire Caribbean. There is a wide range of dive sites with high quality reefs, all with their own specific attractions. Many sites can have strong currents and swell, so diving without a knowledgeable guide is inadvisable. Most recently, Bali was the host of the 2011 ASEAN Summit, 2013 APEC and Miss World 2013.
HISTORY
ANCIENT
Bali was inhabited around 2000 BC by Austronesian people who migrated originally from Southeast Asia and Oceania through Maritime Southeast Asia. Culturally and linguistically, the Balinese are closely related to the people of the Indonesian archipelago, Malaysia, the Philippines, and Oceania. Stone tools dating from this time have been found near the village of Cekik in the island's west.
In ancient Bali, nine Hindu sects existed, namely Pasupata, Bhairawa, Siwa Shidanta, Waisnawa, Bodha, Brahma, Resi, Sora and Ganapatya. Each sect revered a specific deity as its personal Godhead.
Inscriptions from 896 and 911 don't mention a king, until 914, when Sri Kesarivarma is mentioned. They also reveal an independent Bali, with a distinct dialect, where Buddhism and Sivaism were practiced simultaneously. Mpu Sindok's great granddaughter, Mahendradatta (Gunapriyadharmapatni), married the Bali king Udayana Warmadewa (Dharmodayanavarmadeva) around 989, giving birth to Airlangga around 1001. This marriage also brought more Hinduism and Javanese culture to Bali. Princess Sakalendukirana appeared in 1098. Suradhipa reigned from 1115 to 1119, and Jayasakti from 1146 until 1150. Jayapangus appears on inscriptions between 1178 and 1181, while Adikuntiketana and his son Paramesvara in 1204.
Balinese culture was strongly influenced by Indian, Chinese, and particularly Hindu culture, beginning around the 1st century AD. The name Bali dwipa ("Bali island") has been discovered from various inscriptions, including the Blanjong pillar inscription written by Sri Kesari Warmadewa in 914 AD and mentioning "Walidwipa". It was during this time that the people developed their complex irrigation system subak to grow rice in wet-field cultivation. Some religious and cultural traditions still practised today can be traced to this period.
The Hindu Majapahit Empire (1293–1520 AD) on eastern Java founded a Balinese colony in 1343. The uncle of Hayam Wuruk is mentioned in the charters of 1384-86. A mass Javanese emigration occurred in the next century.
PORTUGUESE CONTACTS
The first known European contact with Bali is thought to have been made in 1512, when a Portuguese expedition led by Antonio Abreu and Francisco Serrão sighted its northern shores. It was the first expedition of a series of bi-annual fleets to the Moluccas, that throughout the 16th century usually traveled along the coasts of the Sunda Islands. Bali was also mapped in 1512, in the chart of Francisco Rodrigues, aboard the expedition. In 1585, a ship foundered off the Bukit Peninsula and left a few Portuguese in the service of Dewa Agung.
DUTCH EAST INDIA
In 1597 the Dutch explorer Cornelis de Houtman arrived at Bali, and the Dutch East India Company was established in 1602. The Dutch government expanded its control across the Indonesian archipelago during the second half of the 19th century (see Dutch East Indies). Dutch political and economic control over Bali began in the 1840s on the island's north coast, when the Dutch pitted various competing Balinese realms against each other. In the late 1890s, struggles between Balinese kingdoms in the island's south were exploited by the Dutch to increase their control.
In June 1860 the famous Welsh naturalist, Alfred Russel Wallace, travelled to Bali from Singapore, landing at Buleleng on the northcoast of the island. Wallace's trip to Bali was instrumental in helping him devise his Wallace Line theory. The Wallace Line is a faunal boundary that runs through the strait between Bali and Lombok. It has been found to be a boundary between species of Asiatic origin in the east and a mixture of Australian and Asian species to the west. In his travel memoir The Malay Archipelago, Wallace wrote of his experience in Bali:
I was both astonished and delighted; for as my visit to Java was some years later, I had never beheld so beautiful and well-cultivated a district out of Europe. A slightly undulating plain extends from the seacoast about ten or twelve miles inland, where it is bounded by a fine range of wooded and cultivated hills. Houses and villages, marked out by dense clumps of coconut palms, tamarind and other fruit trees, are dotted about in every direction; while between them extend luxurious rice-grounds, watered by an elaborate system of irrigation that would be the pride of the best cultivated parts of Europe.
The Dutch mounted large naval and ground assaults at the Sanur region in 1906 and were met by the thousands of members of the royal family and their followers who fought against the superior Dutch force in a suicidal puputan defensive assault rather than face the humiliation of surrender. Despite Dutch demands for surrender, an estimated 200 Balinese marched to their death against the invaders. In the Dutch intervention in Bali, a similar massacre occurred in the face of a Dutch assault in Klungkung.
AFTERWARD THE DUTCH GOVERNORS
exercised administrative control over the island, but local control over religion and culture generally remained intact. Dutch rule over Bali came later and was never as well established as in other parts of Indonesia such as Java and Maluku.
n the 1930s, anthropologists Margaret Mead and Gregory Bateson, artists Miguel Covarrubias and Walter Spies, and musicologist Colin McPhee all spent time here. Their accounts of the island and its peoples created a western image of Bali as "an enchanted land of aesthetes at peace with themselves and nature." Western tourists began to visit the island.
Imperial Japan occupied Bali during World War II. It was not originally a target in their Netherlands East Indies Campaign, but as the airfields on Borneo were inoperative due to heavy rains, the Imperial Japanese Army decided to occupy Bali, which did not suffer from comparable weather. The island had no regular Royal Netherlands East Indies Army (KNIL) troops. There was only a Native Auxiliary Corps Prajoda (Korps Prajoda) consisting of about 600 native soldiers and several Dutch KNIL officers under command of KNIL Lieutenant Colonel W.P. Roodenburg. On 19 February 1942 the Japanese forces landed near the town of Senoer [Senur]. The island was quickly captured.
During the Japanese occupation, a Balinese military officer, Gusti Ngurah Rai, formed a Balinese 'freedom army'. The harshness of war requisitions made Japanese rule more resented than Dutch rule. Following Japan's Pacific surrender in August 1945, the Dutch returned to Indonesia, including Bali, to reinstate their pre-war colonial administration. This was resisted by the Balinese rebels, who now used recovered Japanese weapons. On 20 November 1946, the Battle of Marga was fought in Tabanan in central Bali. Colonel I Gusti Ngurah Rai, by then 29 years old, finally rallied his forces in east Bali at Marga Rana, where they made a suicide attack on the heavily armed Dutch. The Balinese battalion was entirely wiped out, breaking the last thread of Balinese military resistance.
INDIPENDENCE FROM THE DUTCH
In 1946, the Dutch constituted Bali as one of the 13 administrative districts of the newly proclaimed State of East Indonesia, a rival state to the Republic of Indonesia, which was proclaimed and headed by Sukarno and Hatta. Bali was included in the "Republic of the United States of Indonesia" when the Netherlands recognised Indonesian independence on 29 December 1949.
CONTEMPORARY
The 1963 eruption of Mount Agung killed thousands, created economic havoc and forced many displaced Balinese to be transmigrated to other parts of Indonesia. Mirroring the widening of social divisions across Indonesia in the 1950s and early 1960s, Bali saw conflict between supporters of the traditional caste system, and those rejecting this system. Politically, the opposition was represented by supporters of the Indonesian Communist Party (PKI) and the Indonesian Nationalist Party (PNI), with tensions and ill-feeling further increased by the PKI's land reform programs. An attempted coup in Jakarta was put down by forces led by General Suharto.
The army became the dominant power as it instigated a violent anti-communist purge, in which the army blamed the PKI for the coup. Most estimates suggest that at least 500,000 people were killed across Indonesia, with an estimated 80,000 killed in Bali, equivalent to 5% of the island's population. With no Islamic forces involved as in Java and Sumatra, upper-caste PNI landlords led the extermination of PKI members.
As a result of the 1965/66 upheavals, Suharto was able to manoeuvre Sukarno out of the presidency. His "New Order" government reestablished relations with western countries. The pre-War Bali as "paradise" was revived in a modern form. The resulting large growth in tourism has led to a dramatic increase in Balinese standards of living and significant foreign exchange earned for the country. A bombing in 2002 by militant Islamists in the tourist area of Kuta killed 202 people, mostly foreigners. This attack, and another in 2005, severely reduced tourism, producing much economic hardship to the island.
GEOGRAPHY
The island of Bali lies 3.2 km east of Java, and is approximately 8 degrees south of the equator. Bali and Java are separated by the Bali Strait. East to west, the island is approximately 153 km wide and spans approximately 112 km north to south; administratively it covers 5,780 km2, or 5,577 km2 without Nusa Penida District, its population density is roughly 750 people/km2.
Bali's central mountains include several peaks over 3,000 metres in elevation. The highest is Mount Agung (3,031 m), known as the "mother mountain" which is an active volcano rated as one of the world's most likely sites for a massive eruption within the next 100 years. Mountains range from centre to the eastern side, with Mount Agung the easternmost peak. Bali's volcanic nature has contributed to its exceptional fertility and its tall mountain ranges provide the high rainfall that supports the highly productive agriculture sector. South of the mountains is a broad, steadily descending area where most of Bali's large rice crop is grown. The northern side of the mountains slopes more steeply to the sea and is the main coffee producing area of the island, along with rice, vegetables and cattle. The longest river, Ayung River, flows approximately 75 km.
The island is surrounded by coral reefs. Beaches in the south tend to have white sand while those in the north and west have black sand. Bali has no major waterways, although the Ho River is navigable by small sampan boats. Black sand beaches between Pasut and Klatingdukuh are being developed for tourism, but apart from the seaside temple of Tanah Lot, they are not yet used for significant tourism.
The largest city is the provincial capital, Denpasar, near the southern coast. Its population is around 491,500 (2002). Bali's second-largest city is the old colonial capital, Singaraja, which is located on the north coast and is home to around 100,000 people. Other important cities include the beach resort, Kuta, which is practically part of Denpasar's urban area, and Ubud, situated at the north of Denpasar, is the island's cultural centre.
Three small islands lie to the immediate south east and all are administratively part of the Klungkung regency of Bali: Nusa Penida, Nusa Lembongan and Nusa Ceningan. These islands are separated from Bali by the Badung Strait.
To the east, the Lombok Strait separates Bali from Lombok and marks the biogeographical division between the fauna of the Indomalayan ecozone and the distinctly different fauna of Australasia. The transition is known as the Wallace Line, named after Alfred Russel Wallace, who first proposed a transition zone between these two major biomes. When sea levels dropped during the Pleistocene ice age, Bali was connected to Java and Sumatra and to the mainland of Asia and shared the Asian fauna, but the deep water of the Lombok Strait continued to keep Lombok Island and the Lesser Sunda archipelago isolated.
CLIMATE
Being just 8 degrees south of the equator, Bali has a fairly even climate year round.
Day time temperatures at low elevations vary between 20-33⁰ C although it can be much cooler than that in the mountains. The west monsoon is in place from approximately October to April and this can bring significant rain, particularly from December to March. Outside of the monsoon period, humidity is relatively low and any rain unlikely in lowland areas.
ECOLOGY
Bali lies just to the west of the Wallace Line, and thus has a fauna that is Asian in character, with very little Australasian influence, and has more in common with Java than with Lombok. An exception is the yellow-crested cockatoo, a member of a primarily Australasian family. There are around 280 species of birds, including the critically endangered Bali myna, which is endemic. Others Include barn swallow, black-naped oriole, black racket-tailed treepie, crested serpent-eagle, crested treeswift, dollarbird, Java sparrow, lesser adjutant, long-tailed shrike, milky stork, Pacific swallow, red-rumped swallow, sacred kingfisher, sea eagle, woodswallow, savanna nightjar, stork-billed kingfisher, yellow-vented bulbul and great egret.
Until the early 20th century, Bali was home to several large mammals: the wild banteng, leopard and the endemic Bali tiger. The banteng still occurs in its domestic form, whereas leopards are found only in neighbouring Java, and the Bali tiger is extinct. The last definite record of a tiger on Bali dates from 1937, when one was shot, though the subspecies may have survived until the 1940s or 1950s. The relatively small size of the island, conflict with humans, poaching and habitat reduction drove the Bali tiger to extinction. This was the smallest and rarest of all tiger subspecies and was never caught on film or displayed in zoos, whereas few skins or bones remain in museums around the world. Today, the largest mammals are the Javan rusa deer and the wild boar. A second, smaller species of deer, the Indian muntjac, also occurs. Saltwater crocodiles were once present on the island, but became locally extinct sometime during the last century.
Squirrels are quite commonly encountered, less often is the Asian palm civet, which is also kept in coffee farms to produce Kopi Luwak. Bats are well represented, perhaps the most famous place to encounter them remaining the Goa Lawah (Temple of the Bats) where they are worshipped by the locals and also constitute a tourist attraction. They also occur in other cave temples, for instance at Gangga Beach. Two species of monkey occur. The crab-eating macaque, known locally as "kera", is quite common around human settlements and temples, where it becomes accustomed to being fed by humans, particularly in any of the three "monkey forest" temples, such as the popular one in the Ubud area. They are also quite often kept as pets by locals. The second monkey, endemic to Java and some surrounding islands such as Bali, is far rarer and more elusive is the Javan langur, locally known as "lutung". They occur in few places apart from the Bali Barat National Park. They are born an orange colour, though by their first year they would have already changed to a more blackish colouration. In Java however, there is more of a tendency for this species to retain its juvenile orange colour into adulthood, and so you can see a mixture of black and orange monkeys together as a family. Other rarer mammals include the leopard cat, Sunda pangolin and black giant squirrel.
Snakes include the king cobra and reticulated python. The water monitor can grow to at least 1.5 m in length and 50 kg and can move quickly.
The rich coral reefs around the coast, particularly around popular diving spots such as Tulamben, Amed, Menjangan or neighbouring Nusa Penida, host a wide range of marine life, for instance hawksbill turtle, giant sunfish, giant manta ray, giant moray eel, bumphead parrotfish, hammerhead shark, reef shark, barracuda, and sea snakes. Dolphins are commonly encountered on the north coast near Singaraja and Lovina.
A team of scientists conducted a survey from 29 April 2011 to 11 May 2011 at 33 sea sites around Bali. They discovered 952 species of reef fish of which 8 were new discoveries at Pemuteran, Gilimanuk, Nusa Dua, Tulamben and Candidasa, and 393 coral species, including two new ones at Padangbai and between Padangbai and Amed. The average coverage level of healthy coral was 36% (better than in Raja Ampat and Halmahera by 29% or in Fakfak and Kaimana by 25%) with the highest coverage found in Gili Selang and Gili Mimpang in Candidasa, Karangasem regency.
Many plants have been introduced by humans within the last centuries, particularly since the 20th century, making it sometimes hard to distinguish what plants are really native.[citation needed] Among the larger trees the most common are: banyan trees, jackfruit, coconuts, bamboo species, acacia trees and also endless rows of coconuts and banana species. Numerous flowers can be seen: hibiscus, frangipani, bougainvillea, poinsettia, oleander, jasmine, water lily, lotus, roses, begonias, orchids and hydrangeas exist. On higher grounds that receive more moisture, for instance around Kintamani, certain species of fern trees, mushrooms and even pine trees thrive well. Rice comes in many varieties. Other plants with agricultural value include: salak, mangosteen, corn, kintamani orange, coffee and water spinach.
ENVIRONMENT
Some of the worst erosion has occurred in Lebih Beach, where up to 7 metres of land is lost every year. Decades ago, this beach was used for holy pilgrimages with more than 10,000 people, but they have now moved to Masceti Beach.
From ranked third in previous review, in 2010 Bali got score 99.65 of Indonesia's environmental quality index and the highest of all the 33 provinces. The score measured 3 water quality parameters: the level of total suspended solids (TSS), dissolved oxygen (DO) and chemical oxygen demand (COD).
Because of over-exploitation by the tourist industry which covers a massive land area, 200 out of 400 rivers on the island have dried up and based on research, the southern part of Bali would face a water shortage up to 2,500 litres of clean water per second by 2015. To ease the shortage, the central government plans to build a water catchment and processing facility at Petanu River in Gianyar. The 300 litres capacity of water per second will be channelled to Denpasar, Badung and Gianyar in 2013.
ECONOMY
Three decades ago, the Balinese economy was largely agriculture-based in terms of both output and employment. Tourism is now the largest single industry in terms of income, and as a result, Bali is one of Indonesia's wealthiest regions. In 2003, around 80% of Bali's economy was tourism related. By end of June 2011, non-performing loan of all banks in Bali were 2.23%, lower than the average of Indonesian banking industry non-performing loan (about 5%). The economy, however, suffered significantly as a result of the terrorist bombings 2002 and 2005. The tourism industry has since recovered from these events.
AGRICULTURE
Although tourism produces the GDP's largest output, agriculture is still the island's biggest employer; most notably rice cultivation. Crops grown in smaller amounts include fruit, vegetables, Coffea arabica and other cash and subsistence crops. Fishing also provides a significant number of jobs. Bali is also famous for its artisans who produce a vast array of handicrafts, including batik and ikat cloth and clothing, wooden carvings, stone carvings, painted art and silverware. Notably, individual villages typically adopt a single product, such as wind chimes or wooden furniture.
The Arabica coffee production region is the highland region of Kintamani near Mount Batur. Generally, Balinese coffee is processed using the wet method. This results in a sweet, soft coffee with good consistency. Typical flavours include lemon and other citrus notes. Many coffee farmers in Kintamani are members of a traditional farming system called Subak Abian, which is based on the Hindu philosophy of "Tri Hita Karana". According to this philosophy, the three causes of happiness are good relations with God, other people and the environment. The Subak Abian system is ideally suited to the production of fair trade and organic coffee production. Arabica coffee from Kintamani is the first product in Indonesia to request a Geographical Indication.
TOURISM
The tourism industry is primarily focused in the south, while significant in the other parts of the island as well. The main tourist locations are the town of Kuta (with its beach), and its outer suburbs of Legian and Seminyak (which were once independent townships), the east coast town of Sanur (once the only tourist hub), in the center of the island Ubud, to the south of the Ngurah Rai International Airport, Jimbaran, and the newer development of Nusa Dua and Pecatu.
The American government lifted its travel warnings in 2008. The Australian government issued an advice on Friday, 4 May 2012. The overall level of the advice was lowered to 'Exercise a high degree of caution'. The Swedish government issued a new warning on Sunday, 10 June 2012 because of one more tourist who was killed by methanol poisoning. Australia last issued an advice on Monday, 5 January 2015 due to new terrorist threats.
An offshoot of tourism is the growing real estate industry. Bali real estate has been rapidly developing in the main tourist areas of Kuta, Legian, Seminyak and Oberoi. Most recently, high-end 5 star projects are under development on the Bukit peninsula, on the south side of the island. Million dollar villas are being developed along the cliff sides of south Bali, commanding panoramic ocean views. Foreign and domestic (many Jakarta individuals and companies are fairly active) investment into other areas of the island also continues to grow. Land prices, despite the worldwide economic crisis, have remained stable.
In the last half of 2008, Indonesia's currency had dropped approximately 30% against the US dollar, providing many overseas visitors value for their currencies. Visitor arrivals for 2009 were forecast to drop 8% (which would be higher than 2007 levels), due to the worldwide economic crisis which has also affected the global tourist industry, but not due to any travel warnings.
Bali's tourism economy survived the terrorist bombings of 2002 and 2005, and the tourism industry has in fact slowly recovered and surpassed its pre-terrorist bombing levels; the longterm trend has been a steady increase of visitor arrivals. In 2010, Bali received 2.57 million foreign tourists, which surpassed the target of 2.0–2.3 million tourists. The average occupancy of starred hotels achieved 65%, so the island is still able to accommodate tourists for some years without any addition of new rooms/hotels, although at the peak season some of them are fully booked.
Bali received the Best Island award from Travel and Leisure in 2010. The island of Bali won because of its attractive surroundings (both mountain and coastal areas), diverse tourist attractions, excellent international and local restaurants, and the friendliness of the local people. According to BBC Travel released in 2011, Bali is one of the World's Best Islands, ranking second after Santorini, Greece.
In August 2010, the film Eat Pray Love was released in theatres. The movie was based on Elizabeth Gilbert's best-selling memoir Eat, Pray, Love. It took place at Ubud and Padang-Padang Beach at Bali. The 2006 book, which spent 57 weeks at the No. 1 spot on the New York Times paperback nonfiction best-seller list, had already fuelled a boom in Eat, Pray, Love-related tourism in Ubud, the hill town and cultural and tourist center that was the focus of Gilbert's quest for balance through traditional spirituality and healing that leads to love.
In January 2016, after music icon David Bowie died, it was revealed that in his will, Bowie asked for his ashes to be scattered in Bali, conforming to Buddhist rituals. He had visited and performed in a number of Southest Asian cities early in his career, including Bangkok and Singapore.
Since 2011, China has displaced Japan as the second-largest supplier of tourists to Bali, while Australia still tops the list. Chinese tourists increased by 17% from last year due to the impact of ACFTA and new direct flights to Bali. In January 2012, Chinese tourists year on year (yoy) increased by 222.18% compared to January 2011, while Japanese tourists declined by 23.54% yoy.
Bali reported that it has 2.88 million foreign tourists and 5 million domestic tourists in 2012, marginally surpassing the expectations of 2.8 million foreign tourists. Forecasts for 2013 are at 3.1 million.
Based on Bank Indonesia survey in May 2013, 34.39 percent of tourists are upper-middle class with spending between $1,286 to $5,592 and dominated by Australia, France, China, Germany and the US with some China tourists move from low spending before to higher spending currently. While 30.26 percent are middle class with spending between $662 to $1,285.
SEX TOURISM
In the twentieth century the incidence of tourism specifically for sex was regularly observed in the era of mass tourism in Indonesia In Bali, prostitution is conducted by both men and women. Bali in particular is notorious for its 'Kuta Cowboys', local gigolos targeting foreign female tourists.
Tens of thousands of single women throng the beaches of Bali in Indonesia every year. For decades, young Balinese men have taken advantage of the louche and laid-back atmosphere to find love and lucre from female tourists—Japanese, European and Australian for the most part—who by all accounts seem perfectly happy with the arrangement.
By 2013, Indonesia was reportedly the number one destination for Australian child sex tourists, mostly starting in Bali but also travelling to other parts of the country. The problem in Bali was highlighted by Luh Ketut Suryani, head of Psychiatry at Udayana University, as early as 2003. Surayani warned that a low level of awareness of paedophilia in Bali had made it the target of international paedophile organisations. On 19 February 2013, government officials announced measures to combat paedophilia in Bali.
TRANSPORTATION
The Ngurah Rai International Airport is located near Jimbaran, on the isthmus at the southernmost part of the island. Lt.Col. Wisnu Airfield is found in north-west Bali.
A coastal road circles the island, and three major two-lane arteries cross the central mountains at passes reaching to 1,750m in height (at Penelokan). The Ngurah Rai Bypass is a four-lane expressway that partly encircles Denpasar. Bali has no railway lines.
In December 2010 the Government of Indonesia invited investors to build a new Tanah Ampo Cruise Terminal at Karangasem, Bali with a projected worth of $30 million. On 17 July 2011 the first cruise ship (Sun Princess) anchored about 400 meters away from the wharf of Tanah Ampo harbour. The current pier is only 154 meters but will eventually be extended to 300–350 meters to accommodate international cruise ships. The harbour here is safer than the existing facility at Benoa and has a scenic backdrop of east Bali mountains and green rice fields. The tender for improvement was subject to delays, and as of July 2013 the situation remained unclear with cruise line operators complaining and even refusing to use the existing facility at Tanah Ampo.
A Memorandum of Understanding has been signed by two ministers, Bali's Governor and Indonesian Train Company to build 565 kilometres of railway along the coast around the island. As of July 2015, no details of this proposed railways have been released.
On 16 March 2011 (Tanjung) Benoa port received the "Best Port Welcome 2010" award from London's "Dream World Cruise Destination" magazine. Government plans to expand the role of Benoa port as export-import port to boost Bali's trade and industry sector. The Tourism and Creative Economy Ministry has confirmed that 306 cruise liners are heading for Indonesia in 2013 – an increase of 43 percent compared to the previous year.
In May 2011, an integrated Areal Traffic Control System (ATCS) was implemented to reduce traffic jams at four crossing points: Ngurah Rai statue, Dewa Ruci Kuta crossing, Jimbaran crossing and Sanur crossing. ATCS is an integrated system connecting all traffic lights, CCTVs and other traffic signals with a monitoring office at the police headquarters. It has successfully been implemented in other ASEAN countries and will be implemented at other crossings in Bali.
On 21 December 2011 construction started on the Nusa Dua-Benoa-Ngurah Rai International Airport toll road which will also provide a special lane for motorcycles. This has been done by seven state-owned enterprises led by PT Jasa Marga with 60% of shares. PT Jasa Marga Bali Tol will construct the 9.91 kilometres toll road (totally 12.7 kilometres with access road). The construction is estimated to cost Rp.2.49 trillion ($273.9 million). The project goes through 2 kilometres of mangrove forest and through 2.3 kilometres of beach, both within 5.4 hectares area. The elevated toll road is built over the mangrove forest on 18,000 concrete pillars which occupied 2 hectares of mangroves forest. It compensated by new planting of 300,000 mangrove trees along the road. On 21 December 2011 the Dewa Ruci 450 meters underpass has also started on the busy Dewa Ruci junction near Bali Kuta Galeria with an estimated cost of Rp136 billion ($14.9 million) from the state budget. On 23 September 2013, the Bali Mandara Toll Road is opened and the Dewa Ruci Junction (Simpang Siur) underpass is opened before. Both are ease the heavy traffic congestion.
To solve chronic traffic problems, the province will also build a toll road connecting Serangan with Tohpati, a toll road connecting Kuta, Denpasar and Tohpati and a flyover connecting Kuta and Ngurah Rai Airport.
DEMOGRAPHICS
The population of Bali was 3,890,757 as of the 2010 Census; the latest estimate (for January 2014) is 4,225,384. There are an estimated 30,000 expatriates living in Bali.
ETHNIC ORIGINS
A DNA study in 2005 by Karafet et al. found that 12% of Balinese Y-chromosomes are of likely Indian origin, while 84% are of likely Austronesian origin, and 2% of likely Melanesian origin. The study does not correlate the DNA samples to the Balinese caste system.
CASTE SYSTEM
Bali has a caste system based on the Indian Hindu model, with four castes:
- Sudra (Shudra) – peasants constituting close to 93% of Bali's population.
- Wesia (Vaishyas) – the caste of merchants and administrative officials
- Ksatrias (Kshatriyas) – the kingly and warrior caste
- Brahmana (Bramhin) – holy men and priests
RELIGION
Unlike most of Muslim-majority Indonesia, about 83.5% of Bali's population adheres to Balinese Hinduism, formed as a combination of existing local beliefs and Hindu influences from mainland Southeast Asia and South Asia. Minority religions include Islam (13.3%), Christianity (1.7%), and Buddhism (0.5%). These figures do not include immigrants from other parts of Indonesia.
Balinese Hinduism is an amalgam in which gods and demigods are worshipped together with Buddhist heroes, the spirits of ancestors, indigenous agricultural deities and sacred places. Religion as it is practised in Bali is a composite belief system that embraces not only theology, philosophy, and mythology, but ancestor worship, animism and magic. It pervades nearly every aspect of traditional life. Caste is observed, though less strictly than in India. With an estimated 20,000 puras (temples) and shrines, Bali is known as the "Island of a Thousand Puras", or "Island of the Gods". This is refer to Mahabarata story that behind Bali became island of god or "pulau dewata" in Indonesian language.
Balinese Hinduism has roots in Indian Hinduism and Buddhism, and adopted the animistic traditions of the indigenous people. This influence strengthened the belief that the gods and goddesses are present in all things. Every element of nature, therefore, possesses its own power, which reflects the power of the gods. A rock, tree, dagger, or woven cloth is a potential home for spirits whose energy can be directed for good or evil. Balinese Hinduism is deeply interwoven with art and ritual. Ritualizing states of self-control are a notable feature of religious expression among the people, who for this reason have become famous for their graceful and decorous behaviour.
Apart from the majority of Balinese Hindus, there also exist Chinese immigrants whose traditions have melded with that of the locals. As a result, these Sino-Balinese not only embrace their original religion, which is a mixture of Buddhism, Christianity, Taoism and Confucianism, but also find a way to harmonise it with the local traditions. Hence, it is not uncommon to find local Sino-Balinese during the local temple's odalan. Moreover, Balinese Hindu priests are invited to perform rites alongside a Chinese priest in the event of the death of a Sino-Balinese. Nevertheless, the Sino-Balinese claim to embrace Buddhism for administrative purposes, such as their Identity Cards.
LANGUAGE
Balinese and Indonesian are the most widely spoken languages in Bali, and the vast majority of Balinese people are bilingual or trilingual. The most common spoken language around the tourist areas is Indonesian, as many people in the tourist sector are not solely Balinese, but migrants from Java, Lombok, Sumatra, and other parts of Indonesia. There are several indigenous Balinese languages, but most Balinese can also use the most widely spoken option: modern common Balinese. The usage of different Balinese languages was traditionally determined by the Balinese caste system and by clan membership, but this tradition is diminishing. Kawi and Sanskrit are also commonly used by some Hindu priests in Bali, for Hinduism literature was mostly written in Sanskrit.
English and Chinese are the next most common languages (and the primary foreign languages) of many Balinese, owing to the requirements of the tourism industry, as well as the English-speaking community and huge Chinese-Indonesian population. Other foreign languages, such as Japanese, Korean, French, Russian or German are often used in multilingual signs for foreign tourists.
CULTURE
Bali is renowned for its diverse and sophisticated art forms, such as painting, sculpture, woodcarving, handcrafts, and performing arts. Balinese cuisine is also distinctive. Balinese percussion orchestra music, known as gamelan, is highly developed and varied. Balinese performing arts often portray stories from Hindu epics such as the Ramayana but with heavy Balinese influence. Famous Balinese dances include pendet, legong, baris, topeng, barong, gong keybar, and kecak (the monkey dance). Bali boasts one of the most diverse and innovative performing arts cultures in the world, with paid performances at thousands of temple festivals, private ceremonies, or public shows.
The Hindu New Year, Nyepi, is celebrated in the spring by a day of silence. On this day everyone stays at home and tourists are encouraged to remain in their hotels. On the day before New Year, large and colourful sculptures of ogoh-ogoh monsters are paraded and finally burned in the evening to drive away evil spirits. Other festivals throughout the year are specified by the Balinese pawukon calendrical system.
Celebrations are held for many occasions such as a tooth-filing (coming-of-age ritual), cremation or odalan (temple festival). One of the most important concepts that Balinese ceremonies have in common is that of désa kala patra, which refers to how ritual performances must be appropriate in both the specific and general social context. Many of the ceremonial art forms such as wayang kulit and topeng are highly improvisatory, providing flexibility for the performer to adapt the performance to the current situation. Many celebrations call for a loud, boisterous atmosphere with lots of activity and the resulting aesthetic, ramé, is distinctively Balinese. Often two or more gamelan ensembles will be performing well within earshot, and sometimes compete with each other to be heard. Likewise, the audience members talk amongst themselves, get up and walk around, or even cheer on the performance, which adds to the many layers of activity and the liveliness typical of ramé.
Kaja and kelod are the Balinese equivalents of North and South, which refer to ones orientation between the island's largest mountain Gunung Agung (kaja), and the sea (kelod). In addition to spatial orientation, kaja and kelod have the connotation of good and evil; gods and ancestors are believed to live on the mountain whereas demons live in the sea. Buildings such as temples and residential homes are spatially oriented by having the most sacred spaces closest to the mountain and the unclean places nearest to the sea.
Most temples have an inner courtyard and an outer courtyard which are arranged with the inner courtyard furthest kaja. These spaces serve as performance venues since most Balinese rituals are accompanied by any combination of music, dance and drama. The performances that take place in the inner courtyard are classified as wali, the most sacred rituals which are offerings exclusively for the gods, while the outer courtyard is where bebali ceremonies are held, which are intended for gods and people. Lastly, performances meant solely for the entertainment of humans take place outside the walls of the temple and are called bali-balihan. This three-tiered system of classification was standardised in 1971 by a committee of Balinese officials and artists to better protect the sanctity of the oldest and most sacred Balinese rituals from being performed for a paying audience.
Tourism, Bali's chief industry, has provided the island with a foreign audience that is eager to pay for entertainment, thus creating new performance opportunities and more demand for performers. The impact of tourism is controversial since before it became integrated into the economy, the Balinese performing arts did not exist as a capitalist venture, and were not performed for entertainment outside of their respective ritual context. Since the 1930s sacred rituals such as the barong dance have been performed both in their original contexts, as well as exclusively for paying tourists. This has led to new versions of many of these performances which have developed according to the preferences of foreign audiences; some villages have a barong mask specifically for non-ritual performances as well as an older mask which is only used for sacred performances.
Balinese society continues to revolve around each family's ancestral village, to which the cycle of life and religion is closely tied. Coercive aspects of traditional society, such as customary law sanctions imposed by traditional authorities such as village councils (including "kasepekang", or shunning) have risen in importance as a consequence of the democratisation and decentralisation of Indonesia since 1998.
WIKIPEDIA
Candid street shot Bergen, Norway.
To whitewash is a metaphor meaning "to gloss over or cover up vices, crimes or scandals or to exonerate by means of a perfunctory investigation or through biased presentation of data". It is especially used in the context of corporations, governments or other organisations.
Whitewash, or calcimine, kalsomine, calsomine, or lime paint is a low-cost type of paint made from slaked lime (calcium hydroxide, CaOH) and chalk (calcium carbonate, (CaCO3), sometimes known as "whiting".
Whitewash cures through a reaction with carbon dioxide in the atmosphere to form calcium carbonate in the form of calcite, a reaction known as carbonation.
It is usually applied to exteriors; however, it is traditionally used internally in food preparation areas, particularly rural dairies, for its mildly antibacterial properties. Occasionally it is coloured and used on structures such as the hallways of apartment buildings, but it is not popular for this as it can rub off onto clothing to a small degree. In Britain and Ireland, whitewash was used historically, both externally and internally, in workers' cottages, and still retains something of this association with rural poverty. In the United States, a similar attitude is expressed in the old saying: "Too proud to whitewash and too poor to paint", with the connotation that whitewash is a cheap imitation of "real" paint.
Whitewash is especially effective on adobe-like materials because it is absorbed easily and the resultant chemical reaction hardens the medium. Also, whitewash and adobe are both very low cost building materials.
The girls caught my eye as they all tried to share one umbrella to shield themselves from the sun. In China a tan has negative connotations as it is still associated with manual work and not jet-setting like it is in the Western World.
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Most interesting pictures: Click!
Satyr and Hermaphrodite (copy from Dresden)
420 x 297 pencil and graphite on paper.
The Dresden type satyr-hermaphrodite group is known through more than 30 Roman replicas in various media. The meaning of the group has traditionally been derived from its discovery in domestic contexts, but replicas from the theaters at Daphne and Side raise different questions regarding viewer reception. The horizontal composition and small scale of the groups suggest they may have decorated the "pulpitum" (stage) of those theaters. At the Daphne theater, where two replicas were found, the groups were likely displayed as pendants, offering complimentary views of the same sculptural composition. In terms of subject matter, the Dresden type satyr-hermaphrodite group yields several nuanced interpretations associated with the theater, including connotations of "paideia" (Roman reverance for the Greek past), Dionysiac aspects, the reversal of norms, the objectification of the body, the sexual tryst, and the "agon".
The floral crown is completely open now!
"Amaryllis belladonna was introduced into cultivation at the beginning of the eighteenth century. It reproduces slowly by either bulb division or seeds and has gradually naturalized from plantings in urban and suburban areas throughout the lower elevations and coastal areas in much of the West Coast of the US since these environments mimic their native South African habitat. Hardiness zones 6–8. It is also naturalized in Australia."
"There is an Amaryllis belladonna hybrid which was bred in the 1800s in Australia. No one knows the exact species it was crossed with to produce color variations of white, cream, peach, magenta and nearly red hues. The hybrids were crossed back onto the original Amaryllis belladonna and with each other to produce naturally seed-bearing crosses that come in a very wide range of flower sizes, shapes, stem heights and intensities of pink. Pure white varieties with bright green stems were bred as well. The hybrids are quite distinct in that the many shades of pink also have stripes, veining, darkened edges, white centers and light-yellow centers, also setting them apart from the original light pink. In addition, the hybrids often produce flowers in a fuller circle rather than the "side-facing" habit of the "old-fashioned" pink. The hybrids are able to adapt to year-round watering and fertilization but can also tolerate completely dry summer conditions if need be."
"A. belladonna has gained the Royal Horticultural Society's Award of Garden Merit. (Wikipedia)
Red Amarillis Flower, the Meaning, Symbolism, & Spiritual Significance. (Written by Foliage Friend)
"Some of the content shared in this post is derived from myth, folklore, ancient traditions & legends. The information here should not be considered life or medical advice. Do not consume, expose animals or handle any flowers or plants based on the content of this post."
“The red amaryllis flower is a stunningly beautiful flower that has a rich and complex symbolism and spiritual significance. In this article, we will dive deep into the spiritual meaning of these flowers, their symbolism in literature and art, what they represent in dreams, and the legends, folklore, and mythology associated with them. We will also explore how seeing red amaryllis flowers can impact you spiritually, what they mean in numerology and astrology, and whether they are considered lucky.”
“The red amaryllis flower holds a powerful spiritual meaning. It is associated with love, passion, and creativity. The deep red color of these flowers symbolizes the intensity of emotions and the fire of the spirit. They are also a potent symbol of transformation, growth, and renewal, and are often used in spiritual rituals and ceremonies to invoke these energies.”
“In addition to their spiritual symbolism, red amaryllis flowers have a rich cultural history. In Greek mythology, the amaryllis flower was said to have sprung from the blood of a love-struck shepherd who pierced his heart with an arrow. This legend has contributed to the flower’s association with love and passion.”
“Red amaryllis flowers are also popular in the world of gardening and horticulture. They are known for their striking beauty and are often used in floral arrangements and as decorative plants. In fact, the amaryllis is one of the most popular flowers grown indoors during the winter months, as it can bloom for several weeks and add a touch of color to any space.”
“In literature and art, red amaryllis flowers are often used to symbolize beauty, strength, and elegance. They are a common motif in poetry, where they are used to evoke powerful emotions and a sense of longing. In paintings, they are often depicted as a dramatic and breathtaking centerpiece, symbolizing the radiance and beauty of nature.”
“According to Greek mythology, the amaryllis flower is said to have originated from a love story between a shepherd and a nymph. The shepherd, named Amaryllis, was deeply in love with the nymph, but she did not return his affections. In an attempt to win her over, he pierced his heart with a golden arrow and then walked to her doorstep every day for a month, leaving a trail of blood behind him. On the thirtieth day, a beautiful red flower bloomed where his blood had fallen, and he presented it to the nymph as a symbol of his undying love. Thus, the red amaryllis flower also represents passionate love and devotion.”
“When you dream of red amaryllis flowers, they may represent your deepest desires and passions. They are also a symbol of transformation, growth, and creative energy. Seeing these flowers in your dreams may be a sign that you are ready to embark on a new journey or pursue a new project or passion.”
“Furthermore, red amaryllis flowers are often associated with love and romance. If you dream of these flowers, it may be a sign that you are ready to open your heart to new possibilities in your love life. Alternatively, it could also mean that you are experiencing a deep connection with someone special in your life.”
“These flowers have a long and rich history in legends, folklore, and mythology. In Greek mythology, the amaryllis flower is said to have sprung from the blood of Adonis, the lover of Aphrodite. In Christian tradition, these flowers symbolize the strength and beauty of the Virgin Mary. In Celtic mythology, the amaryllis flower represents the fiery energy of the sun.”
“In addition to these myths and legends, red amaryllis flowers have also been associated with love and passion. In Victorian times, giving someone a red amaryllis was seen as a declaration of love. The flower’s bold and striking appearance was thought to represent the intensity of the giver’s feelings.”
“Red amaryllis flowers are also known for their medicinal properties. In traditional Chinese medicine, the bulbs of the amaryllis plant are used to treat respiratory problems, such as coughs and bronchitis. The plant is also believed to have anti-inflammatory and anti-tumor properties.”
“Seeing red amaryllis flowers can have a powerful impact on you spiritually. They are a potent symbol of love, passion, and creative energy and can help you connect with these energies on a deep level. They can also help you tap into your own inner strength and beauty, helping you to grow and transform on a spiritual level.”
“Red amaryllis flowers are also associated with the root chakra, which is located at the base of the spine and represents our foundation and sense of security. By meditating on or simply admiring these flowers, you can activate and balance your root chakra, promoting feelings of stability and grounding. This can be especially beneficial during times of stress or uncertainty.”
“In numerology, red amaryllis flowers are associated with the number 6. This number is considered to be a symbol of harmony, balance, and energy. It represents the creative energy of the universe and the power of manifestation. It is also associated with the heart chakra, which is the center of love and compassion.”
“The number 6 is also believed to bring a sense of stability and responsibility. It is often associated with family, home, and community. Red amaryllis flowers can be used to enhance these aspects of life and bring a sense of grounding and connection to those around you.”
“Additionally, the color red is often associated with passion and desire, making red amaryllis flowers a great gift for a romantic partner or to enhance feelings of love and intimacy in a relationship.”
“In astrology, red amaryllis flowers are associated with the sign of Aries. This sign is known for its fiery and passionate energy, and its ability to bring about change and transformation. The red amaryllis flower is a symbol of these qualities and can help you connect with the powerful energies of this sign.”
“They are often used in love spells, rituals and are believed to enhance passion and desire or can be used to attract a new lover or strengthen an existing relationship.”
“In some cultures, red amaryllis flowers are also associated with Christmas and the holiday season. They are often used in festive decorations and symbolize love, beauty, and prosperity.”
“Yes, in many cultures, the red amaryllis flower is considered to be a lucky flower. It is said to bring good luck and prosperity and is often used in rituals and ceremonies to invite these energies into one’s life. It is also a popular gift during the holiday season, as it symbolizes love, warmth, and friendship.”
“Aside from its lucky connotations, the red amaryllis flower is also known for its medicinal properties. It contains a compound called lycorine, which has been found to have anti-cancer and anti-inflammatory effects. Additionally, the flower has been used in traditional medicine to treat respiratory illnesses and skin conditions.”
“In conclusion, the red amaryllis flower holds a rich and complex symbolism and spiritual significance. These flowers represent love, passion, creativity, transformation, growth, and renewal. They are a powerful symbol of connection to the universe and can help you tap into your own inner strength and beauty. Whether you see them in your dreams, in literature and art, or in nature, the red amaryllis flower is a potent reminder of the power of the spirit.”
The bhavacakra (Sanskrit; Pāli: bhavacakka; Tibetan: srid pa'i 'khor lo) is a symbolic representation of saṃsāra (or cyclic existence) found on the outside walls of Tibetan Buddhist temples and monasteries in the Indo-Tibetan region. In the Mahayana Buddhism, it is believed that the drawing was designed by the Buddha himself in order to help ordinary people understand Buddhist teachings.
The bhavacakra is popularly referred to as the wheel of life, and may also be glossed as wheel of cyclic existence or wheel of becoming.
ORIGIN
Legend has it that the historical Buddha himself created the first depiction of the bhavacakra, and the story of how he gave the illustration to King Rudrāyaṇa appears in the anthology of Buddhist narratives called the Divyāvadāna.
The bhavacakra is painted on the outside walls of nearly every Tibetan Buddhist temple in Tibet and India. Dzongsar Jamyang Khyentse Rinpoche states:
One of the reasons why the Wheel of Life was painted outside the monasteries and on the walls (and was really encouraged even by the Buddha himself) was to teach this very profound Buddhist philosophy of life and perception to more simple-minded farmers or cowherds. So these images on the Wheel of Life are just to communicate to the general audience.
EXPLANATION OF THE DIAGRAM
OVERVIEW
The meanings of the main parts of the diagram are:
The images in the hub of the wheel represent the three poisons of ignorance, attachment and aversion.
The second layer represents karma.
The third layer represents the six realms of samsara.
The fourth layer represents the twelve links of dependent origination.
The fierce figure holding the wheel represents impermanence.
The moon above the wheel represents liberation from samsara or cyclic existence.
The Buddha pointing to the moon indicates that liberation is possible.
Symbolically, the three inner circles, moving from the center outward, show that the three poisons of ignorance, attachment, and aversion give rise to positive and negative actions; these actions and their results are called karma. Karma in turn gives rise to the six realms, which represent the different types of suffering within samsara.
The fourth and outer layer of the wheel symbolizes the twelve links of dependent origination; these links indicate how the sources of suffering - the three poisons and karma - produce lives within cyclic existence.
The fierce being holding the wheel represents impermanence; this symbolizes that the entire process of samsara or cyclic existence is impermanent, transient, constantly changing. The moon above the wheel indicates liberation. The Buddha is pointing to the moon, indicating that liberation from samsara is possible.
HUB: THE THREE POISONS
In the hub of the wheel are three animals: a pig, a snake, and a bird. They represent the three poisons of ignorance, aversion, and attachment, respectively. The pig stands for ignorance; this comparison is based on the Indian concept of a pig being the most foolish of animals, since it sleeps in the dirtiest places and eats whatever comes to its mouth. The snake represents aversion or anger; this is because it will be aroused and strike at the slightest touch. The bird represents attachment (also translated as desire or clinging). The particular bird used in this diagram represents an Indian bird that is very attached to its partner. These three animals represent the three poisons, which are the core of the bhavacakra. From these three poisons, the whole cycle of existence evolves.
In many drawings of the wheel, the snake and bird are shown as coming out of the mouth of the pig, indicating that aversion and attachment arise from ignorance. The snake and bird are also shown grasping the tail of the pig, indicating that they in turn promote greater ignorance.
Under the influence of the three poisons, beings create karma, as shown in the next layer of the circle.
SECOND LAYER: KARMA
The second layer of the wheel shows two-half circles:
One half-circle (usually light) shows contented people moving upwards to higher states, possibly to the higher realms.
The other half-circle (usually dark) shows people in a miserable state being led downwards to lower states, possibly to the lower realms.
These images represent karma, the law of cause and effect. The light half-circle indicates people experiencing the results of positive actions. The dark half-circle indicates people experiencing the results of negative actions.
Ringu Tulku states:
We create karma in three different ways, through actions that are positive, negative, or neutral. When we feel kindness and love and with this attitude do good things, which are beneficial to both ourselves and others, this is positive action. When we commit harmful deeds out of equally harmful intentions, this is negative action. Finally, when our motivation is indifferent and our deeds are neither harmful or beneficial, this is neutral action. The results we experience will accord with the quality of our actions.
Propelled by their karma, beings take rebirth in the six realms of samsara, as shown in the next layer of the circle.
THIRD LAYER: THE SIX REALMS OF SAMSARA
OVERVIEW
The third layer of the wheel is divided into six sections that represent the six realms of samsara. These six realms are divided into three higher realms and three lower realms.
The three higher realms are shown in the top half of the circle; the higher realms consist of the god realm, the demi-god realm and the human realm. The god realm is shown in the top middle and the human realm and demi-god realms are on either side of the god realm.
The three lower realms are shown in the bottom half of the circle; the lower realms consist of the hell realm, the animal realm and the hungry ghost realm. The hell realm is shown in the bottom middle of the circle, with the animal realm and hungry ghost realm on either side of the hell realm.
WHAT IS SAMSARA?
The six realms are six different types of rebirth that beings can enter into, each representing different types of suffering. Samsara, or cyclic existence, refers to the process of cycling through one rebirth after another.
Patrul Rinpoche states:
The term samsara, the wheel or round of existence, is used here to mean going round and round from one place to another in a circle, like a potter's wheel, or the wheel of a water mill. When a fly is trapped in a closed jar, no matter where it flies, it can not get out. Likewise, whether we are born in the higher or lower realms, we are never outside samsara. The upper part of the jar is like the higher realms of gods and men, and the lower part like the three unfortunate realms. It is said that samsara is a circle because we turn round and round, taking rebirth in one after another of the six realms as a result of our own actions, which, whether positive or negative, are tainted by clinging.
A BRIEF DESCRIPTION OF THE SIX REALMS
Six realms of existence are identified in the Buddhist teachings: gods, demi-gods, humans, animals, hungry ghosts and hells. These realms can be understood on a psychological level, or as aspects of Buddhist cosmology.
These six realms can be divided into three higher realms and three lower realms. The three higher realms are:
GOD REALM: the gods lead long and enjoyable lives full of pleasure and abundance, but they spend their lives pursuing meaningless distractions and never think to practice the dharma. When death comes to them, they are completely unprepared; without realizing it, they have completely exhausted their good karma (which was the cause for being reborn in the god realm) and they suffer through being reborn in the lower realms.
DEMI-GODS REALM: the demi-gods have pleasure and abundance almost as much as the gods, but they spend their time fighting among themselves or making war on the gods. When they make war on the gods, they always lose, since the gods are much more powerful. The demi-gods suffer from constant fighting and jealousy, and from being killed and wounded in their wars with each other and with the gods.
HUMAN REALM: humans suffer from hunger, thirst, heat, cold, separation from friends, being attacked by enemies, not getting what they want, and getting what they don't want. They also suffer from the general sufferings of birth, old age, sickness and death. Yet the human realm is considered to be the most suitable realm for practicing the dharma, because humans are not completely distracted by pleasure (like the gods or demi-gods) or by pain and suffering (like the beings in the lower realms).
The three lower realms are:
ANIMAL REALM: wild animals suffer from being attacked and eaten by other animals; they generally lead lives of constant fear. Domestic animals suffer from being exploited by humans; for example, they are slaughtered for food, overworked, and so on.
HUNGRY GHOST REALM: hungry ghosts suffer from extreme hunger and thirst. They wander constantly in search of food and drink, only to be miserably frustrated any time they come close to actually getting what they want. For example, they see a stream of pure, clear water in the distance, but by the time they get there the stream has dried up. Hungry ghosts have huge bellies and long, thin necks. On the rare occasions that they do manage to find something to eat or drink, the food or water burns their neck as it goes down to their belly, causing them intense agony.
HELL REALM: hell beings endure unimaginable suffering for eons of time. There are actually eighteen different types of hells, each inflicting a different kind of torment. In the hot hells, beings suffer from unbearable heat and continual torments of various kinds. In the cold hells, beings suffer from unbearable cold and other torments.
Generally speaking, each realm is said to be the result of one of the six main negative emotions: pride, jealousy, desire, ignorance, greed, and anger. Dzongsar Khyentse states:
So we have six realms. Loosely, you can say when the perception comes more from aggression, you experience things in a hellish way. When your perception is filtered through attachment, grasping or miserliness, you experience the hungry ghost realm. When your perception is filtered through ignorance, then you experience the animal realm. When you have a lot of pride, you are reborn in the god realm. When you have jealousy, you are reborn in the asura (demi-god) realm. When you have a lot of passion, you are reborn in the human realm.
Among the six realms, the human realm is considered to offer the best opportunity to practice the dharma. Dzongsar Khyentse states:
If we need to judge the value of these six realms, the Buddhists would say the best realm is the human realm. Why is this the best realm? Because you have a choice ... The gods don't have a choice. Why? They're too happy. When you are too happy you have no choice. You become arrogant. The hell realm: no choice, too painful. The human realm: not too happy and also not too painful. When you are not so happy and not in so much pain, what does that mean? A step closer to the normality of mind, remember? When you are really, really excited and in ecstasy, there is no normality of mind. And when you are totally in pain, you don't experience normality of mind either. So someone in the human realm has the best chance of acquiring that normality of mind. And this is why in Buddhist prayers you will always read: ideally may we get out of this place, but if we can't do it within this life, may we be reborn in the human realm, not the others.
Sometimes, the wheel is represented as only having five realms because the God realm and the Demi-god realm are combined into a single realm.
In some representations of the wheel, there is a buddha or bodhisattva depicted within each realm, trying to help sentient beings find their way to nirvana.
SANSKRIT TERMS FOR THE SIX REALMS
The Sanskrit terms for the six realms are:
Deva realm: God realm
Asura realm: Demi-god realm
Manuṣya realm: Human realm
Tiryagyoni realm: Animal realm
Preta realm: Hungry Ghost realm
Naraka realm: Hell realm
OUTER RIM: THE TWELVE LINKS
The outer rim of the wheel is divided into twelve sections that represent the Twelve Nidānas. As previously stated, the three inner layers of the wheel show that the three poisons lead to karma, which leads to the suffering of the six realms. The twelve links of the outer rim show how this happens - by presenting the process of cause and effect in detail.
These twelve links can be understood to operate on an outer or inner level.
On the outer level, the twelve links can be seen to operate over several lifetimes; in this case, these links show how our past lives influence our current lifetime, and how our actions in this lifetime influence our future lifetimes.
On the inner level, the twelve links can be understood to operate in every moment of existence in an interdependent manner. On this level, the twelve links can be applied to show the effects of one particular action.
By contemplating on the twelve links, one gains greater insight into the workings of karma; this insight enables us to begin to unravel our habitual way of thinking and reacting.
The twelve causal links, paired with their corresponding symbols, are:
Avidyā lack of knowledge – a blind person, often walking, or a person peering out
Saṃskāra constructive volitional activity – a potter shaping a vessel or vessels
Vijñāna consciousness – a man or a monkey grasping a fruit
Nāmarūpa name and form (constituent elements of mental and physical existence) – two men afloat in a boat
Ṣaḍāyatana six senses (eye, ear, nose, tongue, body, and mind) – a dwelling with six windows
Sparśa contact – lovers consorting, kissing, or entwined
Vedanā pain – an arrow to the eye
Tṛṣṇa thirst – a drinker receiving drink
Upādāna grasping – a man or a monkey picking fruit
Bhava coming to be – a couple engaged in intercourse, a standing, leaping, or reflective person
Jāti being born – woman giving birth
Jarāmaraṇa old age and death – corpse being carried
THE FIGURE HOLDING THE WHEEL: IMPERMANENCE
The wheel is being held by a fearsome figure who represents impermanence. The 14th Dalai Lama states:The fierce being holding the wheel symbolizes impermanence, which is why the being is a wrathful monster, though there is no need for it to be drawn with ornaments and so forth ... Once I had such a painting drawn with a skeleton rather than a monster, in order to symbolize impermanence more clearly.
This figure is most commonly depicted as Yama, the lord of death. Regardless of the figure depicted, the inner meaning remains the same–that the entire process of cyclic existence (samsara) is transient; everything within this wheel is constantly changing.
Yama has the following attributes:
He wears a crown of five skulls that symbolize the impermanence of the five aggregates. (The skulls are also said to symbolize the five poisons.)
He has a third eye that symbolizes the wisdom of understanding impermanence.
He is sometimes shown adorned with a tiger skin, which symbolizes fearfulness. (The tiger skin is typically seen hanging beneath the wheel.)
His four limbs (that are clutching the wheel) symbolize the sufferings of birth, old age, sickness, and death.
THE MOON: LIBERATION
Above the wheel is an image of the moon; the moon represents liberation from the sufferings of samsara.
Thubten Chodron states:
The moon is nirvana [i.e. liberation]. Nirvana is the cessation of all the unsatisfactory experiences and their causes in such a way that they can no longer occur again. It's the removal, the final absence, the cessation of those things, their non-arising. The Buddha is pointing us to that.
Chögyam Trungpa states:
The truth of cessation is a personal discovery. It is not mystical and does not have any connotations of religion or psychology. It is simply your experience ... Likewise, cessation is not just a theoretical discovery, but an experience that is very real to you–a sudden gain. It is like experiencing instantaneous good health: you have no cold, no flu, no aches, and no pains in your body. You feel perfectly well, absolutely refreshed and wakeful! Such an experience is possible.
Some drawings may show an image of a "pure land" to indicate liberation, rather than a moon.
THE BUDDHA POINTING TO THE MOON: THE PATH TO LIBERATION
The upper part of the drawing also shows an image of the Buddha pointing toward the moon; this represents the path to liberation.
Thubten Chodron states:
So the Buddha's gesture is like the path to enlightenment. It's not that the Buddha is the cause of nirvana. The Buddha is a cooperative condition of our nirvana. He indicates the path to us, he points out to us what to practice and what to abandon in order to be liberated. When we follow the path, we get the result, which is nirvana.
Chögyam Trungpa states:
The nature of the path is more like an exploration or an expedition than following a path that has already been built. When people hear that they should follow the path, they might think that a ready-make system exists, and that individual expressions are not required. They may think that one does not have to surrender or give or open. But when you actually begin to tread on the path, you realize that you have to clear out the jungle and all the trees, underbrush, and obstacles growing in front of you. You have to bypass tigers and elephants and poisonous snakes.
Mark Epstein states:
The entire Wheel of Life is but a representation of the possibility of transforming suffering by changing the way we relate to it. As the Buddha taught in his final exhortation to his faithful attendant Ananda, it is only through becoming a "lamp unto yourself" that enlightenment can be won. Liberation from the Wheel of Life does not mean escape, the Buddha implied. It means clear perception of oneself, of the entire range of the human experience ...
According to the Buddhist tradition, the Buddha told his followers:
I have shown you the path that leads to liberation
But you should know that liberation depends upon yourself.
INSCRIPTION
Drawings of the Bhavacakra usually contain an inscription consisting of a few lines of text that explain the process that keeps us in samara and how to reverse that process.
PSYCHOLOGICAL INTERPRETATION
From a psychological point of view, different karmic actions contribute to one's metaphorical existence in different realms, or rather, different actions reinforce personal characteristics described by the realms.
Mark Epstein states:
The core question of Buddhist practice, after all, is the psychological one of "Who am I?" Investigating this question requires exploration of the entire wheel. Each realm becomes not so much a specific place but rather a metaphor for a different psychological state, with the entire wheel becoming a representation of neurotic suffering.
WITHIN THE THERAVADA TRADITION
T. B. Karunaratne states:
Though in Theravāda literature there is no mention of an actual pictorial execution of a "Wheel of Life," yet the concept of comparing Dependent Origination to a wheel is not unknown. In the Path of Purification (Visuddhimagga), the famous commentator Buddhaghosa Acariya says:
"It is the beginningless round of rebirths that is called the 'Wheel of the round of rebirths' (saṃsāracakka). Ignorance (avijjā) is its hub (or nave) because it is its root. Ageing-and-death (jarā-maraṇa) is its rim (or felly) because it terminates it. The remaining ten links (of the Dependent Origination) are its spokes (i.e. karma formations [saṅkhāra] up to process of becoming [bhava])."
WIKIPEDIA
The Great Synagogue, also known as Dohány Street Synagogue or Tabakgasse Synagogue, is located in Erzsébetváros, the 7th district of Budapest. It is the largest synagogue in Eurasia and the second largest in the world, after the Temple Emanu-El. It seats 3,000 people and is a centre of Neolog Judaism.
The synagogue is 75m long and 27m wide, and was built between 1854 and 1859 in the Moorish Revival style, based chiefly on Moorish models from North Africa and Spain (the Alhambra), according to a plan by German Ludwig Förster, with interior design partly by Frigyes Feszl.
Theodore Herzl's house of birth was next to the Dohány street Synagogue. In the place of his house stands the Jewish Museum, which holds the Jewish Religious and Historical Collection, built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building.
Dohány Street itself, a leafy street in the city center, carries strong Holocaust connotations as it constituted the border of the Budapest Ghetto.
The beach of Quirra, also known as the beach of Cala Murtas, is found in the municipality of Villaputzu, and is covered in a mixture of fine and coarse, light-coloured sand and fine gravel. It is bordered by low sand dunes and the beach stretches for around 6 kilometres.
Cala Murtas, più comunemente chiamata spiaggia di Murtas, è una spiaggia di Quirra (frazione di Villaputzu, Sardegna).
La spiaggia si estende per circa 6 km, dal capo di San Lorenzo fino alla Torre di Murtas. La spiaggia è caratterizzata da dune di sabbia. Alle spalle si estende l'entroterra in parte coltivato da contadini e in parte selvaggio con basse colline che dominano sul mare. È molto apprezzata per chi ama la natura incontaminata. Murtas è zona militare pur essendo aperta al pubblico,questo può certamente essere un vincolo per uno sviluppo commerciale non lo è certamente per la protezione della flora e della fauna che ne beneficiano egregiamente.La spiaggia viene chiusa per poche ore solo saltuariamente in primavera ed in autunno per le esercitazioni militari.
Sardinia is the second-largest island in the Mediterranean Sea (after Sicily and before Cyprus). It is an autonomous region of Italy, and the nearest land masses are (clockwise from north) the French island of Corsica, the Italian Peninsula, Sicily, Tunisia and the Spanish Balearic Islands.
The name Sardinia is from the pre-Roman noun *sard[ ], romanised as sardus (feminine sarda); that the name had a religious connotation is suggested from its use also as the adjective for the ancient Sardinian mythological hero-god Sardus Pater "Sardinian Father" (misunderstood by many modern Sardinians/Italians as being "Father Sardus"), as well as being the stem of the adjective "sardonic". Sardinia was called Ichnusa, the Latinised form of the Greek Hyknusa, Sandalion, Sardinia and Sardo by the ancient Greeks and the Romans.
Terrain map of SardiniaSardinia is the second largest island in the Mediterranean Sea, with an area of 23,821 km虏. It is situated between 38掳 51' and 41掳 15' latitude north and 8掳 8' and 9掳 50' east longitude.
The coasts of Sardinia (1,849 km long) are generally high and rocky, with long, relatively straight stretches of coastline, many outstanding headlands, a few wide, deep bays, rias, many inlets and with various smaller islands off the coast.
The island has an ancient geoformation and, unlike Sicily and the mainland of Italy, is not earthquake-prone. Its rocks date from the Palaeozoic Era (up to 500 million years old). Due to long erosion processes the island's highlands, formed of granite, schist, trachyte, basalt (called "jars" or "gollei"), sandstone and dolomite limestone (called tonneri or "heels"), average at between 300 to 1,000 metres. The highest peak is Punta La Marmora (1,834 m), part of the Gennargentu Ranges in the centre of the island. Other mountain chains are Monte Limbara (1,362 m) in the northeast, the Chain of Marghine and Goceano (1,259 m) running crosswise for 40 km (24.85 mi) towards the north, the Monte Albo (1057 metres), the Sette Fratelli Range in the southeast, and the Sulcis Mountains and the Monte Linas (1236 metres) in the southwest. The island's ranges and plateaux are separated by wide alluvial valleys and flatlands, the main ones being the Campidano in the southwest between Oristano and Cagliari and the Nurra in the northwest.
A proportionate graph of Sardinian typography: 13.6% of the island is mountainous, 18.5% is flat, and 67.9% is hilly.Sardinia has few major rivers, the largest being the Tirso, 151 km (93.83 mi) long, which flows into the Sea of Sardinia, the Coghinas (115 km) and the Flumendosa (127 km). There are 54 artificial lakes and dams which supply water and electricity. The main ones are Lake Omodeo and Lake Coghinas. The only natural freshwater lake is Lago di Baratz. A number of large, shallow, salt-water lagoons and pools are located along the 1,850 km (1,149.54 mi) of the coastline.
The island has a typical Mediterranean climate. During the year there are approximately 300 days of sunshine, with a major concentration of rainfall in the winter and autumn, some heavy showers in the spring and snowfalls in the highlands. The average temperature is between 11 to 17 掳C (52 to 63 掳F).[2] The Mistral from the northwest is the dominant wind on and off throughout the year, though it is most prelavent in winter and spring. It can blow quite strongly, but it is usually dry and cool and makes for a sailor's paradise.
La Sardegna (in sardo Sardigna; in latino Sardinia; in spagnolo Cerdeña; in catalano Sardenya; in portoghese Sardenha; in francese Sardaigne; in inglese Sardinia; in tedesco Sardinien) è la seconda isola più estesa del Mar Mediterraneo, l'ottava in Europa e la quarantaseiesima nel mondo. Come ente amministrativo è denominata Regione Autonoma della Sardegna, ed è, quindi, una regione autonoma a statuto speciale facente parte della Repubblica Italiana. Lo statuto speciale, sancito nella Costituzione della Repubblica Italiana del 1948, garantisce una larga autonomia amministrativa e culturale alle istituzioni di una regione depositaria di una millenaria civiltà con singolari peculiarità etniche e linguistiche. Nonostante l'accentuata insularità, la posizione strategica al centro del mar Mediterraneo ha favorito sin dall'antichità l'interesse delle varie potenze coloniali, agevolando sì i rapporti commerciali e culturali ma anche un succedersi di varie dominazioni straniere. In epoca moderna molti viaggiatori e scrittori hanno esaltato la bellezza della Sardegna, immersa in un ambiente in gran parte incontaminato, che ospita un paesaggio botanico e faunistico con specie uniche, nel quale si trovano poi le vestigia della civiltà nuragica.Ben conosciuta nell'antichità sia dai Fenici che dai Greci, fu da questi ultimi chiamata Hyknusa o Ichnussa (Ιχνουσσα), o ancora Sandalyon per la somiglianza dell'intera conformazione costiera all'impronta di un piede[3], mentre i Latini la identificavano con il nome di Sardinia. In una stele in pietra risalente all'VIII / IX secolo a.C. ritrovata nell'odierna Pula, città corrispondente dell'antica Nora, appare scritto in fenicio la parola b-šrdn che significa in Sardegna, a testimonianza che tale toponimo era già presente sull'Isola all'arrivo dei mercanti fenici. La stele di Nora rappresenta il più antico documento scritto della storia occidentale e secondo gli studiosi costituisce un dato linguistico riguardante la Sardegna in Sardegna, confermando che l'origine del toponimo è da attribuire agli Shardana, una popolazione di navigatori-guerrieri identificata con le genti sardo-nuragiche.
Per estensione costituisce la seconda isola italiana e dell'intero Mediterraneo (23.821 km²) nonché la terza regione italiana, avendo una superficie complessiva di 24.090 km². La lunghezza tra i suoi punti più estremi (Punta Falcone a nord e Capo Teulada a sud) è di 270 km, mentre 145 sono i km di larghezza (da Capo dell'Argentiera a ovest, a Capo Comino ad est). Gli abitanti sono 1,68 milioni, per una densità demografica di 69 abitanti per km². Dista 187 km dalle coste della Penisola, dalla quale è separata dal Mar Tirreno, mentre il Canale di Sardegna la divide dalle coste tunisine che si trovano 184 km più a sud. A nord, per 11 km, le bocche di Bonifacio la separano dalla Corsica e il Mar di Sardegna, a ovest, dalla Penisola iberica e dalle isole Baleari. Si situa tra il 41º ed il 39º parallelo, mentre il 40º la divide praticamente quasi a metà.
Più dell'80% del territorio è montuoso e collinare; per il 67,9% è formato da colline e da altopiani rocciosi (per 16.352 km²). Alcuni di questi altopiani sono molto caratteristici e vengono chiamati giare o gollei se granitici o basaltici, tacchi o tonneri se in arenaria o calcarei. L'altimetria media è di 334 m s.l.m. Le montagne sono il 13,6% del territorio (4.451 km²) e sono formate da rocce molto antiche e livellate dal lento e continuo processo di erosione. Culminano nella parte centrale dell'Isola con Punta La Marmora, a 1.834 m s.l.m, nel Massiccio del Gennargentu[5]. Da nord, si distinguono i Monti di Limbara (1.362 m), i Monti di Alà (1.090 m), il Monte Rasu (1.259 m), il Monte Albo (1.127 m) e il Supramonte con il Monte Corràsi di Oliena (1.463 m). Sotto il Gennargentu ci sono i tacchi d'Ogliastra con Punta Seccu alta 1000 mt in territorio di Ulassai. A sud il Monte Linas (1.236 m) e i Monti dell'Iglesiente che digradano verso il mare con minori altitudini.
Le zone pianeggianti occupano il 18,5% del territorio (per 3.287 km²); la pianura più estesa è il Campidano che separa i rilievi centro settentrionali dai monti dell'Iglesiente, mentre la piana della Nurra si trova nella parte nord-occidentale tra le città di Sassari, Alghero e Porto Torres. I fiumi hanno prevalentemente carattere torrentizio. I più importanti sono il Tirso, il Flumendosa, il Coghinas, il Cedrino, il Temo, il Flumini Mannu. I maggiori sono sbarrati da imponenti dighe che formano ampi laghi artificiali utilizzati principalmente per irrigare i campi, tra questi il bacino del lago Omodeo, il più vasto d'Italia. Seguono poi il bacino del Flumendosa, del Coghinas, del Posada. L'unico lago naturale è il lago di Baratz situato a nord di Alghero.
Le coste si articolano nei golfi dell'Asinara a settentrione, di Orosei a oriente, di Cagliari a meridione e di Alghero e Oristano a occidente. Per complessivi 1.897 km, sono alte, rocciose e con piccole insenature che a nord-est diventano profonde e s'incuneano nelle valli (rias)[7]. Litorali bassi e sabbiosi, talvolta paludosi si trovano nelle zone meridionali e occidentali: sono gli stagni costieri, zone umide importanti dal punto di vista ecologico. Molte isole ed isolette la circondano e tra queste la più grande è l'isola di Sant'Antioco (109 km²), seguono poi l'isola dell'Asinara (51 km²), l'isola di San Pietro (50 km²), l'isola della Maddalena (20 km²), Caprera (15 km²).
La Sardegna è suddivisa in regioni storiche che derivano direttamente, sia nella denominazione che nell'estensione, dai distretti amministrativi, giudiziari ed elettorali dei regni giudicali, le curatorie (in sardo curadorias o partes) che probabilmente ricalcavano una suddivisione territoriale ben più antica operata dalle tribù nuragiche[9]. Alcune denominazioni non sono più in uso, mentre altre hanno resistito dal Medioevo fino ad oggi e sono ancora correntemente utilizzate. Ecco quelle più conosciute: Anglona, Barbagia, Barigadu, Baronie, Campidano, Logudoro, Gallura, Goceano, Mandrolisai, Marghine, Marmilla, Meilogu, Monteacuto, Montiferru, Nurra, Ogliastra, Planargia, Quirra, Romangia, Sarcidano, Sarrabus-Gerrei, Sulcis Iglesiente, Trexenta.
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"What time is it down there?" "Just eleven." "It's twelve up here—you know eleven and twelve make 23." Handwritten: "Did this ever occur to you?"
So what does the mother mean by yelling "eleven and twelve make 23" down at the couple hanging out on the hammock in the front yard at midnight?
To understand the humor of this postcard from 1909, it helps to know that a fad about the meaning of the number "23" became wildly popular in the United States in the early twentieth century. Beginning around 1906 or 1907, "23"—along with "23 skidoo"—came to be used as a shorthand way of telling someone to "scram," "beat it," or "get lost," usually with a humorous or joking connotation.
Referring to "23" in unexpected ways—as on this postcard or on a valentine—and even placing "23" in surprising places (like on the front of a painted automobile prop in a novelty photo) was a humorous way to let others in on the joke.
So it's obvious that mom is keeping tabs on her daughter as she watches the couple from the second-floor window. And her reference to "23" makes it clear (to those in the know, at least) that she wants the guy to skedaddle.
Postmark, address, and handwritten note on the other side of this postcard:
Omaha & Ogden R.P.O. [railway post office], Apr 1, 1909.
Miss Hazle Hainline, Grand Island, Neb., 222 W. 6th St.
Hello Girlie, wish I could have had the pleasure to set and hear you sing and play tonight. How is mama and dad. Tonight is the first I have eaten since I left your place. Haven't been hungry. Mora.
113 Pub. by Keller Bros., Portland, Or.
Worpurr "the Juggerknight" was a Virslagly–born Hexpultis mutant who lived from early Age 790 to late Age 834 and whose career as a mercenary lasted from Age 815 to Age 829. He is often referred to as the last and best of the great warriors of his kind, in reference to his kind having been known for a time to produce many successful warriors–for–hire but this trend having already been on the decline at the time of Worpurr's birth and currently appearing to be on its way out for good as of today. He is also often, and not without reason, considered a highly tragic figure.
Unlike most mutants, whose abnormal characteristics are generally apparent from birth, Worpurr was born with the appearance, features and behaviors of a completely average Hexpultis, only for his mutations to start manifesting during his early childhood. Beginning at the age of three–and–a–half, he began to intermittently experience major, sudden and rapid growth spurts which left him measuring (with his "horns" included) a full six feet tall by the time he was the same number of years old. Worpurr's accelerated physical growth was accompanied by similarly expedited mental growth, and emotional development was likewise hastened as well; at the age of ten, the young mutant was already indistinguishable from a full–grown Hexpultis adult in both form and functional capacity, and he would continue growing in both of these fields for roughly another ten years beyond this point, albeit not quite as rapidly and dramatically as he had during the first decade of his life.
Shortly after their son's unique condition became apparent to the parents of Worpurr during the course of his initial growth spurts, and amidst their worried efforts to keep others in their community, the basin–situated small city of Obrac, from noticing it for the time being while they figured out which course of action, if any, would be best to address or accommodate his situation, another symptom of mutation manifested in the boy which effectively rendered the notion of keeping his abnormality discreet an impossible one. Note that the fingers of Hexpultis are very unique; on each hand, members of the species have three "full" fingers which each consist of three smaller, weaker, bundled–together "mini–fingers", of which there are thus a total of eighteen between both hands. Shortly after his fourth birthday and over the course of only a few days, Worpurr grew a second set of fingers "on top of" his natural set; that is to say, he came to have six smaller fingers in each of the "bundles" that were his "full" fingers. The onset of this initially inconveniencing and cumbersome deviation from the normal Hexpultis form in Worpurr ensured that "hiding" his mutant status from his peers would not be a feasible option, and indeed, the child soon came to be widely known for his condition throughout Obrac and was, while not outright hated or even truly ostracized, outcasted for it. He was "defined" by his being different in the minds of others and, while still being treated as a person, not treated as a normal person. As Worpurr grew up and continued to exhibit accelerated growth in all areas of his being, eventually beginning to surpass the peak of regular Hexpultis development, the scrutiny imposed on him by others only compounded, with many speculating on just how long and how far his irregular development would continue for what would eventually become of him, insinuating some disturbing "possibilities" suggesting that he was destined to either die young or turn into a monster.
By the time Worpurr finally did stop growing around the age of twenty, his state was that of a being which could more or less accurately be described as "a Hexpultis and a half"; he had become the largest specimen of his kind ever recorded, standing 9'2'' with his "horns" included in the measurement and 7'8'' without; for reference, a flat seven feet with "horns" included is considered the "maximum" height for any regular Hexpultis. His strength, stamina and resilience levels, which had begun to skyrocket somewhat later than his size, were now even further beyond those of any normal Hexpultis than his "giant" appearance let on; such extra–mortal physical prowess was and is common to many, if not most mutants, but his was particularly great. Worpurr's mind, meanwhile, had developed – read: overdeveloped – to a hyper–lucid state, making him extremely intelligent but also mentally unstable and detached by nature; his brain and thought processes worked too well, too fast for him to fit in. In one long–term demonstration of his freakish hyper–coordination, he had trained himself to effectively control and make use of his extra fingers, a feat that required a level of coordination which any other Hexpultis would have needed years of training to reach; Worpurr had been able to accomplish it within mere days of first applying an effort toward doing so.
As his growth did slow and eventually stop, and as this was noticed by the rest of his community, the people's fears and cautions regarding Worpurr ultimately subsided from the peak levels they had previously reached, and they grew more receptive to and trusting of him, but by then, the effects of their longtime scrutiny were already permanently embedded in his psyche. Worpurr had long–since come to think of and accept himself as a freak and a loner, and not even a heartfelt total turnaround by all those who had previously outcasted him would change that now.
Since his first reaching adulthood, defined as age seventeen by Hexpultis standards, but especially as he entered his twenties, Worpurr, previously a quiet recluse since his mutations had become fully manifested, became increasingly involved in active, often dangerous local activities. He would join the hunters, militia and workers of Obrac (one of the more quaint settlements on Virslagly during a time of widespread technological growth) in several raids against nearby, growing Zinnktos nests considered to be threats and outings to gather materials that could only be found beyond the relative safety of the Obrac's walls, as well as in some construction projects and other various odd jobs. Throughout all of this, however, Worpurr remained socially detached, seldom speaking to and never bothering to try to make lasting connections with those he encountered while performing these jobs, which he seemed to initially take up out of a combination of boredom and a hope that he would discover some fulfilling purpose through them, which he did not. Even as he came to be known, respected, even, for his usefulness in and around town, which came primarily from his unique size and strength but was also occasionally demonstrated through displays of genius intuition or resourcefulness in contributing to efforts such as figuring out how to go about building or repairing something, and as the dubious stigmas surrounding him began to go away completely, Worpurr remained introverted and disillusioned with his own people. He considered himself to be, knew himself to be, above them in terms of mind, body and overall potential as a person, but was too depressed and confused to start truly applying that potential; he could not discern any "available" undertaking in his present living environment that was "worthy" of him giving his all to. Furthermore, he was still unsure where, if anywhere, he belonged, but became more and more certain as more time still passed that it was not where he currently was.
Shortly after reaching the age of twenty–four, and following cycles, if not years, of quietly contemplating the idea, Worpurr made the decision to leave his hometown for good and seek purpose and answers elsewhere. The resulting journey of self–discovery first led the mutant to various other settlements across the Southern hemisphere of Virslagly, then to Karjec, the largest city on the planet and the unofficial "capital" of the Hexpultis race. As he toured these places, and despite his finding many of them preferable to Obrac, it became increasingly clear to Worpurr that he would not be finding what he was looking for in life anytime soon if he remained on Virslagly. It became increasingly clear to him, as he learned more about the practices of colonization and migration while visiting more advanced cities where opportunities for such things were more readily available, that he needed to get out into the greater frontier that was the Prime Galaxy. Thus, upon reaching Karjec and its spaceport, Worpurr took his chances by investing most of his meager life savings up to that point into a one–way relocation trip to the most promising–sounding venue that was nearby enough for him to afford going to: North Egg City, Ergnoplis.
There, he found himself and his mutant status far more accepted than ever before, and soon learned of the Eggmen Super Team, their history, their accomplishments and their own status as mutants. Upon subsequently seeking out further information on the famous heroes, including that their legacy had begun inspiring other mutant (and in some case "normal") thrill–seekers to join in on the "scene" over the past few decades, as well as on the fairly recent but currently declining trend among his own kind of "hired gun" endeavors, which he had heard of in passing throughout his life but never seriously looked into before, Worpurr at last figured out what he wanted his "destiny" to be. He was going to be a mercenary; an adventurer. A superhero. With the notion that the Eggmen had proven the viability of such a "career" in mind and feeling distinctly inspired by them, this seemed like an ideal course of action for Worpurr: what better way to explore, make full use of, challenge and even possibly improve his unique might and abilities? Moreover, he was not afraid to put himself in harm's way; he did not fear death, for there was very little in the living world that he felt attached to; very little he felt he currently had to lose.
Worpurr's precise activities during the following several cycles remain unknown and distinctly mysterious; it can only be assumed that he spent this time training and otherwise making preparations for his coming enterprises, which he was obviously more than intelligent and savvy enough to know would all but require such beforehand preparatory measures if he was to have any long–term success. However, the withdrawn and reserved mutant, during the few "interviews" knowledge–seekers were able to have with him both while he was active and during his final years, always bluntly refused to talk about this period of just under a year immediately preceding his the start of his rise to fame. Note that he was far more open about other aspects and periods of his early life, and that some of the details in this very biographical account regarding Worpurr's inner thoughts are derived from what he did say in these "interviews".
Worpurr's "big debut"; that is, the first known incident in which he was involved in a heroic role while using his now–famous "costume", took place on the third day of the Seventh Cycle of Age 815 on the planet Repapoge. The planet previously having been occupied by a semi–splinter group of the Dynamo Legion, a group coincidentally known for being fought and ultimately toppled (largely) by the Eggmen Super Team, the last vestiges of the Legion were thought to have left Repapoge many years prior. However, a group of Ebonorates, the planet's extremely hostile natives, had recently discovered, amidst the wilderness and wastelands surrounding their village, a dust–drenched, damaged and dilapidated but still ultimately salvageable LoadHauler vehicle, which had presumably been abandoned there by Demioid personnel under unknowable circumstances at some point during the period of Legion–associate occupation. Having restored the large carrier to working condition, the Ebonorates had taken it out into Beta Octant space for a malicious "joyride" and with full intentions of causing some sort of mayhem before returning to Repapoge. They had ended up intercepting, purely by chance, the course of a Joiemgaw Supershipper trade–transport ship bound for Ergnoplis and subsequently raiding it, taking from the unarmed ship all of the recreational gadgetry on board and slaughtering the crew, with the exception of the wealthy executive in charge of the vessel and its operations, whom they took hostage. Now holding both this person of importance and his ship's nearly–as–valuable trove of cargo, as well as the ship itself, for ransom back on their home planet, the Ebonorates were stipulating that the either the Joiemgaws or someone else give them a number of smaller vehicles, which they would surely use to commit further acts of off–world terror were they allowed to get a hold of them, in exchange for the safe return of these things. These demands were made known to the concerned parties using the stolen Supershipper's communication systems, which had "conveniently" been offline at the time of the initial violent hijacking (not that the crew's contacts could have done anything to stop it even if they were immediately alerted).
This was where Worpurr came in. Hours after the Ebonorates' threatening transmission reached Wegneheck, and with it being uncertain how he found out so quickly about the crisis, which was not publicized while it was transpiring, the Hexpultis came to the coordinates on Repapoge specified in said message in a one–seater Groovecruiser. Emerging from the vehicle with guns blazing, he proceeded to singlehandedly slaughter every one of the more than two–dozen Ebonorates present (all of whom, it should be stressed, actively fought back and would have attacked first if given the chance). Though the Supershipper and its cargo were saved, Worpurr failed to save the Joiemgaw executive, whose throat was slit by the Ebonorates directly guarding him as soon as they were alerted to the fact that their group was under attack. When Joiemgaw officials, who had already been on their way of their own accord at the time of the mutant warrior's intervention, arrived on the scene having decided to give in to the Ebonorates' demands and with the ransom vehicles thusly in tow, they were shocked to find a bloody mess of a scene, at the center of which only a single, towering figure remained alive. And rather than standing triumphantly and unscathed, this figure was kneeling in fatigue and pain, with one hand clenching his bleeding chest.
Worpurr, was arrested and indicted in the Joiemgaw V.I.P.'s death and taken to a prison hospital on Wegneheck, falling into unconsciousness on the way to the Joiemgaw homeworld but subsequently making a full recovery within forty–eight hours. This was much to the shock of his doctors, who had concluded that he, whose race was identified not quite as readily as that of a normal Hexpultis would, had sustained more net physical trauma than anyone "should" be able to survive. As the overall incident of the brief ransom crisis was publicized across Wegneheck and the resulting news story continued to unfold, the sole surviving figure found on the scene of its aftermath was dubbed "The Juggerknight" in the media in portmanteau–reference to both his, as the news exaggeratedly put it, "indestructibility" and the full–body suit of consistently darkly–colored armor he had been wearing when discovered and arrested. After being pried from his unconscious body, this costume, which bore a suspicious but ultimately coincidental resemblance to Ebonorate armor (which is actually attached to the wearer's body), was prominently shown, in its damaged but still recognizable and repairable state, in many news reports and publications. During the approximately two–day period that elapsed between the incident on Repapoge and the mysterious warrior and accused murderers' release from the intensive care unit he had originally been taken to due to the immense intensity of the ordeal he appeared to have (and indeed had) experienced, its image was used as the primary representation of his person.
After being discharged from medical care, Worpurr was imprisoned to await trial, and from his cell he was accosted to no end by actual reporters and random, nosy people with cameras alike. When questioned about his involvement in the executive's death, he bluntly spoke what he knew to be the truth and was, ultimately, correct about: that the Ebonorates would not have held up their end of the deal had he not intervened; that they would have killed not only the man from the Supershipper but the (indeed, unarmed) party dispatched to make the exchange as well. He told the Joiemgaws that he had saved their people not only a lot of trouble, but several lives and several billion Galactic Common's worth in equipment. Reactions to these statements were… mixed. Worpurr had been expecting his actions to be unequivocally celebrated and planning to demand that the Joiemgaws pay him in exchange, and was quite annoyed indeed to find that the reality of his "reward" was turning out to be almost the opposite; it was very much like experiencing the scrutiny of his own people from his childhood all over again. He did not express this personal outrage at the time, however, knowing that doing so would only hurt his chances of acquittal. However, there was one "element" among the money–grubbing merchant people's initial reception of him that he did appreciate, and which would, in the long–term, prove more valuable for him than any amount of material currency would have – that title they were using for him: "Juggerknight". A large part of Worpurr's motivation for wanting to be a "superhero" had always lain in how the people, the "normal" people, would view him and his exploits, how they would, were he successful, create a "legendary" persona around him and view him as something great; perhaps even greater than he really had been. The fact that he was already, after his very first "mission", being given a (for lack of a better word) badass title by the public was, even with his being aware that it had been coined in an ambivalent (at best) context, an indicator in his mind that he was on to something, offsetting the discouragement he felt from the other, negative aspects of his initial reception.
To make a long story short: Worpurr, when put on trial and upon pleading his case, as described above, to a formal court of law, was eventually found innocent. The two main factors that helped decide this verdict were processed evidence from the scene of the "crime" definitively proving that he had not directly killed the V.I.P. and research conducted on the history and tendencies of Ebonorates heavily suggesting that the ones he'd killed would have ended up murdering several more people had he not taken action against them.
His armor as well as his Groovecruiser (which had also been recovered from the scene of his fight with the Ebonorates) returned to him as he was given his freedom, Worpurr, now known as "The Juggerknight" among the Joiemgaws with connotations more positive than before and intending to make both his name and that title known throughout as much of the rest of the galaxy as possible, went on his way, heading back to Ergnoplis for the time being. Dismissing the complications that had arisen in the aftermath of his first heroic outing as a mere product of bad luck and misunderstanding, he determined to make sure that his future endeavors would stem as few such drawbacks as possible, a resolution that he would stick to and see through in regards to almost every one of the many further adventures he would have over the course of the next decade–and–a–half.
On Worpurr the Juggerknight's iconic, semi–namesake, near–black armor: it was truly one–of–a–kind, having to be repaired several times by its owner, including after its very first known usage as just recounted, but never being outright replaced. Absolutely no one truly knows where it came from: the armor's origin is the biggest mystery surrounding Worpurr and that mysterious chapter of his life that he always refused to talk about, though the answer is likely less fantastic than many would imagine; i.e., he could very well have simply made it himself through standard smithing methods. It was very distinct from other Hexpultis armors made both earlier on and since in its overall design and heavy weight, and was clearly made specifically for the only one who ever did wear it, given its shape and massive size, not to mention gloves to accommodate his extra fingers. The armor primarily consisted of a number of very strong plates made from an uncertain metallic material, which were arranged in just the right pattern of separation so as to give it an optimal balance between protection factor and flexibility. It covered more than 95% of Worpurr's body surface when in undamaged condition, the only truly exposed area being the face, and its leathery inner layer was nearly skintight. Perhaps most notably and ingeniously, however, the armor featured structures in the top of its helmet that provided near–perfect protection to its wearer's horns, which were, accessory organs to his brain, as is the case with the "horns" of all Hexpultis, and included a sturdy connective half–tube structure in its back for stability. It is consequently unfortunate and ironic, all things considered, that even this eventually proved to be inadequate in the most crucial of moments.
Following his debut, Worpurr the Juggerknight operated on Ergnoplis for the next several cycles, honing his skills further by mostly fighting common criminals while also occasionally dealing with inanimate hazards from which he found himself having to rescue people. During this time, he earned a great deal of money, which he would need to support himself further abroad, as well as a modest amount of local renown before departing to explore and search for new opportunities and adventures throughout the whole of the Prime Galaxy, of which he may or may not have had yet to visit any of the other sectors besides the Beta Octant, which contains all three of the planets thus far mentioned in this biography, prior to this point.
From then onward, Worpurr's success and fame… well, not quite skyrocketed, but escalated greatly over the next several years as he eventually visited most, if not all, civilized worlds in the Prime Galaxy, performing various and numerous feats of heroism and soon beginning to rake in large heaps of money. Having little interest in excess, though, he ended up giving much of the earnings he accumulated throughout his career to charitable causes. Though relatively few and far between were the ventures of his that matched the scope and grandeur of his first fight against all those Ebonorates, Worpurr was almost constantly in the midst of at least some kind of work, even if it was as simple as bodyguard service during which no actual threats arose.
In–between his daring outings, Worpurr spent most of what "free" time he did give himself exploring, examining and trying to appreciate the peoples and environments of the various worlds he traveled to and between, with the hope that maybe, just maybe, he would find a place with people he could identify and fit in with, and one day, when he was older, settle down in. He never did find such a place where he felt he could ever "belong" as a "normal" person, though he has been claimed by multiple sources yet without proof to have once said that the Adbamnants of Crucbicile, one of the planets that Worpurr was indeed known to have operated on more often than most others, were the race he always felt "closest" to being able to identify with as peers.
During the later years of his time as "The Juggerknight", Worpurr took up writing, of the introspective journaling and poetry varieties, as a means of expressing his highly unique thoughts and ideas. He would end up putting together hundreds of small but often profound compositions before his being rendered unable to write anymore, at which point he willingly released all of his writings, kept private up until then, to the public and let the rights to them go up for grabs. Since then and especially since his subsequent death five years later, Worpurr's writings have been considered of moderate significance, being studied mainly for the sake of better understanding the unique condition and mindset he had. The original printings are currently kept by the Uve Mard Estate, while the rights to publishing further, collected copies of them have fallen into the hands of various parties; due to this, all of the writings have yet to be published together in a single volume.
Worpurr's career met a tragic and untimely, though not quite abrupt, giving the climactic nature of the undertaking that proved to be his undoing, end in late Age 829 when he hunted down and fought a rogue, rampaging Entrorth (the most recent demon of its kind to be encountered in the Prime Galaxy to date) on no other planet but his own original home of Virslagly. During the battle, the sadistic Wrath Archfiend, managing to exploit a rare moment of his being off–guard, pinned the Juggerknight to the ground and went directly for the "horns" that supported his higher mental functions as a Hexpultis, deliberately smashing open the structures protecting them and proceeding to rip two out of three out of his head before Worpurr managed to break free and ultimately kill the demon. However, the irreversible damage had already been done, and its effects soon set in. Becoming mentally–stunted from the loss of his brain–supporting outgrowths, Worpurr's mind, on whose strategic brilliance and quick thinking he had relied on just as much as his powerfully overdeveloped body, became that of a completely average, if not sub–average, Hexpultis, and he retired then and there, knowing that he was no longer fit to be any sort of "superhero" and having lost the will to even try to continue being one. He would spend the next and last five years of his life living, in material semi–luxury but miserably nonetheless, in Karjec, where, despite him now being more of a "normal" person like he had yearned to be throughout much of his early life, he found himself unable to move on past the life of greatness that he had since attained and subsequently lost.
On the morning of the first day of the Ninth Cycle of Age 834, the broken former Juggerknight donned his armor one last time as he threw himself off of the highest cliff within a ten mile radius of Karjec's walls and into the jagged rock–laden waters below. His suicide was verifiably observed by at least two witnesses, but his body was never recovered, not that this casts any doubt over his death; he most likely drifted out into deeper waters and ultimately sank to the bottom of the sea along with his ever–mysterious armor. Many have postulated that Worpurr cast into the deadly water along with himself specifically so that it would never be found, a notion which, if true, reinforces the idea that he may have had something to hide regarding the suit.
In addition to being remembered for his audacious feats – both as they actually occurred and in the forms of tall–tale–variations, Worpurr the Juggerknight's legacy has, especially since the shocking incident that was his suicide, contributed notably to increased tolerance of mutants in many societies, especially those of the Hexpultis.
Panorama made out of three photos stitched together.
"Lukas Göthman’s abstract paintings often deal with the theme of journeys, both real and imaginary. Texts also play a major role in his art. He himself says that the text always comes first. It might be a short story, a title, or something else. After this comes the painting. Göthman’s themes focus on issues of place and identity. His body of work consists of abstract artworks, one part of which has direct connotations of landscapes, and another consists of text-based works in which a phrase is repeated to create an abstract composition. In addition to painting, Göthman has also worked with performances and site-specific projects.
Lukas Göthman (b. 1970, Sweden) is a self-taught artist. He has exhibited widely in his homeland of Sweden since the early 2000s, and also appeared in exhibitions in various parts of Europe, e.g. the Björkholmen Gallery, Stockholm, 2012, 2010; Circle Suédois, Paris, 2013; and Galleri Magnus Åklundh, Malmö, 2008."
This famous seafood area has good and bad connotations. Good for being a huge seafood market, and bad because of Thailand's poor treatment of fishermen. Often these are vulnerable migrant workers from other countries who are badly exploited in this industry.
And this is the Muslim Friday day of the Namaz some one had given him food that he was eating and man is a hungry animal and his hunger differs from person to person ...Sometimes I ask God why he places such moments of reflection s in my path ..I mean did I really have to shoot him I had crossed the road but I turned back to take two shots ..
The Plight of the Muslim poor hardly interests Muslim society they are only happy to build new mosques new madrsas ..even the government of the day hardly cares for the Muslim poor most are abandoned by their own families seeking refuge outside dargahs .
Friday brings them hope and the only month where the beggar gets his prayers answered is Ramzan...The one holy month of Charity in the Muslim calendar .
My pictures are depressing devoid of happiness ..my pictures are stark and somber embalmed in morbidity .
That is why I desaturate them of all color present them to you as monochrome ...dreams or fine art ..The delineating line between real unreal is as metaphoric as it was seen by my camera eye
My vision died much before I shot this picture .
Juma Mubarak can have sinister connotations on soul of a hungry poor Muslim Man.
When I first began shooting these images on Flickr I got a comment from a hardcore rabid Muslim Man ....that I was anti Islamic and like Warren Hastings I was shocked at my moderations .
Achilles is at the center of the scene. As the daughters of Lycomedes, he is wearing a large kiton but his hair are loose. Deidamia, the daughter of Lycomedes, is at his feet, and is embracing the knees of the hero. She is clearly in love with him as the Erotes carved near her reveal. Achilles has a shield in his left hand and with his right hand is grasping a sword. An overly great helmet is at his feet. The daughters of Lycomedes are freightened and Achilles looks back at them. One of them holds a lyre. This musical instrument recalls both a symbol of femininity and the musical education imparted to Achilles by the centaur Chiron. It is the symbol of a world from which the young hero will be separated forever. Deidamia is looking to the left, towards the Greeks who are rushing. On the right of the scene are represented Ulysses and Diomedes. The first readily indicates to the second the unveiled Achilles.
This scene contains a clear message of separation from the loved one represented with connotations both heroic and lyric.
Source: Zanker P. et alt., “Vivere con i Miti. L’iconografia dei sarcogagi Romani”
Roman Sarcophagus
Early 3rd cent. AD
Paris, Musée du Louvre
Meleah Reardon | Google+ | 500px | Twitter
The Royal Mile is the name given since the 16th-century to a succession of streets which form the main thoroughfare of the Old Town of the city of Edinburgh in Scotland. As the name suggests, the Royal Mile is approximately one Scots mile long, and runs between two foci of history in Scotland, from Edinburgh Castle at the top of the Castle Rock, down to Holyrood Palace.
I snapped this shot about half-way up the street. The statue is of Adam Smith, and its position – in the ancient marketplace – could hardly be more appropriate. The monument is within view of the recent statue of Smith’s friend David Hume, looking downhill to the Canongate (where Smith lived and is buried), towards the harbour of Leith (with its connotations of trade and commerce), and over the sea to the county of Fife, where Smith was born.
Each electron is surrounded by a shell of virtual particles - positrons, electrons and photons - that polarize the vacuum surrounding it, softening the electric field on the outside. And each of these virtual particles can in turn be seen as surrounded by their own cloud, and so in. Feynman diagrams all the way down. Naked electrons cannot exist in quantum field theory, and if we ever encountered such a beast it would be something very different from the tame electrons we know of.
Each ideological idea is surrounded by a shell of other ideas - rhetoric, arguments pro and con, criticisms, heresies and reinterpretations. They hide and change the meaning of the original idea, turning it into a complex rather than a single meme. One hears about political visions filtered through layers of journalism and interpretation, some one's own (picked up along the way), some belonging to others. Ideologies are coated and softened by the counter-ideologies they create around themselves. Encountering a naked ideology is a strange experience, especially if it is a view oneself thinks one believes in.
"Force" has an everyday meaning giving connotations of energy and action. But in nature most forces are not spending their time acting. Rather they keep things
balanced. The reason is simply that unstable, changing states by their nature often leads to stable states, and it is more likely to find these since nature remains in them (again by definition) most of the time. At least if one lives in the slightly parochial low-energy world we happen to have grown up in.
When two opposing forces meet they tend to form an equlibrium. If one increases
slightly, the other responds by increasing slightly more back, and the situation
is restored. Weaken one, and the other weakens.
Quite a few ideologies have ended up in similar equilibria. Their cores still shoot out ideas, analysis and criticism, but that is counteracted by the response from the neighboring ideologies. People pick up the views they like and repeat them, eliciting the usual responses from their debating partners who have of course read their own views.
But equilibria are seldom permanently stable. Throw in a new ideology or some energy and what was static turns dynamic. The old ideologies oscillate and may move from their old positions. The new ideology upsets the balance, complicated matters enormously and draws the ire of all the old and stable.
Hebrew: בית הכנסת הגדול של בודפשט
This is the largest synagogue in Europe and the second largest in the world - it seats 3,000 people.
The synagogue was built between 1854 and 1859 in the Moorish Revival style, with the decoration based mainly on Islamic models from North Africa and medieval Spain.
The Dohány Street Synagogue complex consists of the Great Synagogue, the Heroes' Temple, the graveyard, the Memorial and the Jewish Museum, which was built on the site on which Theodor Herzl's house of birth stood. Dohány Street itself, a leafy street in the city center, carries strong Holocaust connotations as it constituted the border of the Budapest Ghetto.
All the feminists in the audience (bless you) will recoil in horror at this obviously paternatistic image of Uncle Sam as a male diety (all you see are his hands) bestowing the gift of nursing on our humble female cadet supplicant, as only the Great Uncle can.
Look more closely. This Cadet, like all the others, is a brunette, universal 1940's code for "I have a brain". The cynics among you will say: "Yeah, and Uncle Sam knew that brunettes outnumbered blonds and redheads, combined". Well, true enough, and that remains true today, although six decades of technological developments in the hair care industry have obscured this fact. Still, the dominance of brunettes in WW2 nurse recruiting posters proves my point. This visual code to signify female intelligence was already established by Hollywood, the US government was simply clever enough to use it.
What's more important here is the nurse. She is gazing up, but not at a steep angle. She has a far-away look of determination, not one of gratitude towards the Great Uncle himself, who is no more than three feet in front of her. This girl is tough and resourceful. She earned nursing and fears not the great unknowns that lie ahead. She is more a recipient of gratitude, from Uncle Sam himself. She is stronger - far stronger - than she is humble, and rightly so.
(Note to all nurses in the here and now - there is danger of misinterpretation if we impose modern values and sensibilities to judge the past. I get all the modern negative connotations of the nurses cap, as it only appears in a certain type of film in the modern era. The 1940's didn't have this connotation. The cap in this poster signifies the achievement of a nursing degree and service to one's country, nothing more.)
Magpies are now one of the most common birds in the UK, says the RSPB. But they've also become one of the birds people most love to hate. Why?
They are described as challenging and arrogant, and that's by their supporters. With a reputation like that magpies would probably have an Asbo slapped on them if they were teenagers.
Love them or hate them, you can't miss them. Their numbers have increased by 112% over the last 30 years and they are now the 13th most commonly seen bird in British gardens, according to the Royal Society for the Protection of Birds (RSPB).
But when it comes to this intelligent black-and-white bird, most people love to hate them. After pigeons, they are one of the most vilified birds in the UK. Reasons for this include their "cheekiness", according to the RSPB.
"It's their challenging, almost arrogant attitude, that has won them few friends," says a spokeswoman. "But magpies are beautiful striking birds."
They are scavengers and collect objects, with a weakness for shiny things. They are also seen as predators, eating other birds' eggs and their young, as well as plants. Magpies are sometimes blamed with the overall decline in songbird numbers. But the flipside, often overlooked, is that they are good pest-destroyers.
"We would never villainise them, they are just playing their role in nature's big picture," says the RSPB spokeswoman.
Where suspicion of the bird exists it often goes back to folklore and myth. In western Europe and North America magpies were thought to be bearers of bad omens and associated with the devil.
The bird has found itself in this situation mainly by association, says Steve Roud, author of The Penguin Guide to the Superstitions of Britain and Ireland.
"Large blackbirds, like crows and ravens, are viewed as evil in British folklore and white birds are viewed as good," he says. "Magpies have a dubious reputation because they are a bit of both. Over the years they have been lumped in with blackbirds."
Unique
The negative connotations attached to magpies can be traced as far back as Shakespeare's time, when their "chattering" was complained about.
In the late 19th Century, superstitions circulated locally, says Mr Roud. So, in Durham in the 1880s, it was believed they were the only bird not to go on the ark with Noah, preferring to sit outside "jabbering over the drowning world".
To this day many people still have a ritual to negate the perceived bad influence of the magpie. What's more, they're the only bird in British folklore to elicit such a response.
If one is seen on its own some people salute it and say: "I salute you Mr Magpie." Many variations exist, others turn around three times and say: "Hello Mr Magpie, how are you today, where's your wife, your child and your family?"
"Having such a ritual is extremely unusual," says Mr Roud. "The original form of these ritualistic sayings was about banishing the devil. It went 'devil, devil, I defy thee' and can be traced back to Shropshire in the 1880s."
Thankfully, for bird lovers, magpies are not viewed with universal suspicion.
The magpie is the national bird of Korea, where it's seen as a bird of great good fortune, of sturdy spirit and a provider of prosperity and development.
Shamanism believes that the magpie's wisdom includes prophecy, intelligence and good luck.
By Denise Winterman
BBC News Magazine
Magpies mate for life
A typical magpie clutch is six eggs
It it takes 24 days for them to hatch
Young magpies leave the nest around 27 days after hatching
Source: Bird On! website
Please view large, press L on your keyboard.
Copyright © 2013 Ray Wood.(G8lite) All Rights Reserved.
My very dear friends mother a Holocaust survivor passed away today this is my tribute , May her Soul rest In Peace .I offer my sincere condolence to the family ..wish God gives them the strength to bear this irreparable loss ,,.
From Wikipedia
Bereavement in Judaism (Hebrew: אֲבֵלוּת, aveilut ; mourning) is a combination of minhag and mitzvah derived from Judaism's classical Torah and rabbinic texts. The details of observance and practice vary according to each Jewish community.
Contents [hide]
1 Upon receiving news of the passing
2 Chevra kadisha
2.1 Preparing the body — Taharah
3 Funeral service
3.1 Eulogies
4 Burial
5 Mourning
5.1 Keriah and Shiva
5.2 Commencing and calculating the seven days of mourning
6 Stages of mourning
6.1 Aninut
6.2 Avelut
6.2.1 Shiva – Seven days
6.2.2 Shloshim – Thirty days
6.2.3 Shneim asar chodesh – Twelve months
7 Matzevah (Unveiling of the tombstone)
8 Annual remembrances
8.1 Yahrtzeit, Nahala
8.2 Visiting the gravesite
9 Memorial through prayer
9.1 Mourner's Kaddish
9.2 Yizkor
9.3 Av HaRachamim
10 Communal responses to death
10.1 Zihui Korbanot Asson (ZAKA)
10.2 Hebrew Free Burial Association (HFBA)
10.3 Hebrew Benevolent Society of Los Angeles
11 Controversy following death
11.1 Donating organs
11.2 Jewish view of cremation
11.3 Suicide
11.4 Tattoos
11.5 Death of an apostate Jew
12 After death in Judaism
13 Days of remembrance
Upon receiving the news of the passing, the following blessing is recited:
ברוך אתה ה' א‑לוהינו מלך העולם, דיין האמת.
Transliteration: Barukh atah Adonai Eloheinu melekh ha'olam, dayan ha-emet.
Translation: "Blessed are You, Lord, our God, King of the universe, the True Judge."[1]
There is also a custom of rending one's clothes at the moment one hears news of a passing.
Orthodox men will cut the lapel of their suit on the left [2] side, over the heart. Non-orthodox practice may be to cut a necktie or to wear a button with a torn black ribbon.
[edit]Chevra kadisha
Main article: Chevra kadisha
The chevra kadisha (חברה קדישא "holy group") is a Jewish burial society usually consisting of volunteers, men and women, who prepare the deceased for proper Jewish burial. Their job is to ensure that the body of the deceased is shown proper respect, ritually cleansed and shrouded.
Many local chevra kadishas in urban areas are affiliated with local synagogues, and they often own their own burial plots in various local cemeteries. Some Jews pay an annual token membership fee to the chevra kadisha of their choice, so that when the time comes, the society will not only attend to the body of the deceased as befits Jewish law, but will also ensure burial in a plot that it controls at an appropriate nearby Jewish cemetery.
If no gravediggers are available, then it is additionally the function of the male society members to ensure that graves are dug. In Israel, members of chevra kadishas consider it an honor to not only prepare the body for burial but also to dig the grave for a fellow Jew's body, particularly if the deceased was known to be a righteous person.
Many burial societies hold one or two annual fast days and organize regular study sessions to remain up to date with the relevant articles of Jewish law. In addition, most burial societies also support families during the shiva (traditional week of mourning) by arranging prayer services, preparing meals, and providing other services for the mourners.
[edit]Preparing the body — Taharah
There are three major stages to preparing the body for burial: washing (rechitzah), ritual purification (taharah), and dressing (halbashah). The term taharah is used to refer both to the overall process of burial preparation, and to the specific step of ritual purification.
Prayers and readings from Torah, including Psalms, Song of Songs, Isaiah, Ezekial and Zecharia are recited.
The general sequence of steps for performing taharah is as follows.
The body (guf) is uncovered (it has been covered with a sheet awaiting taharah).
The body is washed carefully. Any bleeding is stopped and all blood is buried along with the deceased. The body is thoroughly cleaned of dirt, body fluids, and solids, and anything else that may be on the skin. All jewelry is removed.
The body is purified with water, either by immersion in a mikveh or by pouring a continuous stream of 9 kavim (usually 3 buckets) in a prescribed manner.
The body is dried (according to most customs).
The body is dressed in traditional burial clothing (tachrichim). A sash (avnet) is wrapped around the clothing and tied in the form of the Hebrew letter "shin," representing one of the names of God.
The casket (aron) (if there is one) is prepared by removing any linings or other embellishments. A winding sheet (sovev) is laid into the casket. Outside the Land of Israel, if the deceased wore a prayer shawl (tallit) during their life, one is laid in the casket for wrapping the body once it is placed therein. One of the corner fringes (tzitzit) is removed from the shawl to signify that it will no longer be used for prayer that the person is absolved from having to keep any of the mitzvot (commandments).
The body is then lifted into the casket and wrapped in the prayer shawl and sheet. Soil from Israel (afar), if available, is placed over various parts of the body and sprinkled in the casket.
The casket is closed.
Once the casket is closed, the chevra then asks for forgiveness from the deceased for anything that they may have done to disrespect or offend them during the taharah.
There is no viewing of the body and no open casket at the funeral. Sometimes the immediate family pays their final respects before the funeral. In Israel caskets are not used at all, with the exception of military and state funerals. The body is carried to the grave wrapped in a tallit.
From death until burial, it is traditional for guards or watchers (shomrim) to stay with the deceased. It is traditional to recite Psalms during this time.
[edit]Funeral service
The Jewish funeral consists of a burial, also known as an interment. Cremation is completely not acceptable. Burial is then considered to allow the body to decompose naturally, therefore embalming is forbidden. Burial is intended to take place in as short an interval of time after death as possible. Displaying of the body prior to burial does not take place.[3][4] Flowers are not found at a traditional Jewish funeral.
In Israel, the Jewish funeral service usually commences at the burial ground. In the United States and Canada, the funeral service commences either at a funeral home or at the cemetery. Occasionally the service will commence at a synagogue. In the case of a very prominent individual, the funeral service can begin at a synagogue or a yeshivah. If the funeral service begins at a point other than at the cemetery, the entourage accompanies the body in a procession to the cemetery. The funeral itself, the procession accompanying the body to the place of burial, and the burial, are referred to by the word levayah, meaning "escorting." Levayah also indicates "joining" and "bonding." This aspect of the meaning of levayah conveys the implication of a commonality in the middle of the souls of the living and the dead.[4]
[edit]Eulogies
A hesped is a eulogy, and it is common for several people to speak at the start of the ceremony at the funeral home, as well as prior to burial at the gravesite, though some people specify in their wills that nothing should be said about them. On certain days, such as on Chol HaMo'ed ("intermediate days" of Jewish holidays), eulogies are forbidden.
[edit]Burial
Kevura, or burial, should take place as soon as possible after death. The Torah requires burial as soon as possible, even for executed criminals.[5] Burial is delayed "for the honor of the deceased," usually to allow more time for far-flung family to come to the funeral and participate in the other post-burial rituals, but also to hire professionals, or to bury the deceased in a cemetery of their choice.
This traditional practice may have originated from the fact that Israel was, and is, a country with a hot climate. In Biblical times, there were few ways of keeping the dead body from decomposing. Not only would this be generally undesirable, but allowing the dead body of any person to decompose would be showing that person great disrespect. Thus, it became customary to bury the body as soon as possible.[6] In addition, respect for the dead can be seen from many examples in the Torah and Tanakh. For example, one of the last events in the Torah is the death of Moses when God himself buries him: "[God] buried him in the depression in the land of Moab, opposite Beth Peor. No man knows the place that he was buried, even to this day." [7]
When the funeral service has ended, the mourners come forward to fill the grave. Symbolically, this gives the mourners closure as they observe the grave being filled in. One custom is for people present at the funeral to take a spade or shovel, held pointing down instead of up, to show the antithesis of death to life and that this use of the shovel is different from all other uses, to throw three shovelfuls of dirt into the grave. When someone is finished, they put the shovel back in the ground, rather than handing it to the next person, to avoid passing along their grief to other mourners. This literal participation in the burial is considered a particularly good mitzvah because it is one for which the beneficiary — the deceased — can offer no repayment or gratitude and thus it is a pure gesture.
[edit]Mourning
[edit]Keriah and Shiva
Main article: Shiva (Judaism)
The mourners traditionally make a tear (keriah קריעה) in an outer garment either before the funeral or immediately after it. The tear should be on the left side for a parent (over the heart and clearly visible) and on the right side for siblings (including half-brothers and half-sisters[8]), children, and spouses (and does not need to be visible).
Halachos concerning mourning do not apply to those under 13 years of age. Also, halachos of mourning do not apply when the deceased is aged 30 days or less.[8]
In the instance when a mourner receives the news of the death and burial of a relative after an elapsed period of 30 days or more, there is no keriah, or tearing of the garment, except in the case of a parent. In the case of a parent, the tearing of the garment is to be performed no matter how long a period has elapsed between the time of death and the time of receiving the news.[8]
If a child of the deceased needs to change clothes during the shiva period, s/he must tear the changed clothes. No other family member is required to rend changed clothes during shiva. Children of the deceased may never sew the rent clothes, but any other mourner may mend the clothing 30 days after the burial.[9]
When they get home, the mourners refrain for a week from showering or bathing, wearing leather shoes or jewelry, or shaving. In many communities, mirrors in the mourners' home are covered since they should not be concerned about their personal appearance. It is customary for the mourners to sit on low stools or even the floor, symbolic of the emotional reality of being "brought low" by the grief. The meal of consolation (seudat havra'ah), the first meal eaten on returning from the funeral, traditionally consists of hard-boiled eggs and other round or oblong foods. This is often credited to the Biblical story of Jacob purchasing the birthright from Esau with stewed lentils (Genesis 25:34);[10] it is traditionally stated that Jacob was cooking the lentils soon after the death of his grandfather Abraham. During this seven-day period, family and friends come to visit or call on the mourners to comfort them ("shiva calls").
[edit]Commencing and calculating the seven days of mourning
If the mourner returns from the cemetery after the burial before sundown, then the day of the funeral is counted as the first of the seven days of mourning. Mourning generally concludes in the morning of the seventh day. No mourning may occur on Shabbat (the Jewish Sabbath), nor may the burial take place on Shabbat, but the day of Shabbat does count as one of the seven days. If a Jewish holiday occurs after the first day, that curtails the mourning period. If the funeral occurs during a festival, the start of the mourning period awaits the end of the festival. Some holidays, such as Rosh Hashanah, cancel the mourning period completely.
[edit]Stages of mourning
[edit]Aninut
The first stage of mourning is aninut, or "intense mourning." An onen (a person in aninut) is considered to be in a state of total shock and disorientation. Thus the onen is exempt from performing mitzvot that require action (and attention), such as praying and reciting blessings, wearing tefillin (phylacteries), in order to be able to tend unhindered to the funeral arrangements. However the onen is still obligated in commandments that forbid an action (such as not violating the Shabbat).
Aninut lasts until the burial is over, or, if a mourner is unable to attend the funeral, from the moment he is no longer involved with the funeral itself.
[edit]Avelut
Aninut is immediately followed by avelut ("mourning"). An avel ("mourner") does not listen to music or go to concerts, and does not attend any joyous events or parties such as marriages or Bar or Bat Mitzvahs, unless absolutely necessary. (If the date for such an event has already been set prior to the death, it is strictly forbidden for it to be postponed or canceled.)
Avelut consists of three distinct periods.
[edit]Shiva – Seven days
Main article: Shiva (Judaism)
The first stage of avelut is shiva (Hebrew: שבעה ; "seven"), a week-long period of grief and mourning. Observance of shiva is referred to by English-speaking Jews as "sitting shiva". During this period, mourners traditionally gather in one home and receive visitors.
It is considered a great mitzvah (commandment) of kindness and compassion to pay a home visit to the mourners. Traditionally, no greetings are exchanged and visitors wait for the mourners to initiate conversation. The mourner is under no obligation to engage in conversation and may, in fact, completely ignore his/her visitors.
Visitors will traditionally take on the hosting role when attending a Shiva, often bringing food and serving it to the mourning family and other guests. The mourning family will often avoid any cooking or cleaning during the Shiva period; those responsibilities become those of visitors.
There are various customs as to what to say when taking leave of the mourner(s). One of the most common is to say to them:
הַמָּקוֹם יְנַחֵם אֶתְכֶם בְּתוֹךְ שְׁאָר אֲבֵלֵי צִיּוֹן וִירוּשָׁלָיִם
Hamakom y'nachem etkhem b'tokh sha'ar avelei tziyon viyrushalayim:
"The Omnipresent will comfort you (pl.) among the mourners of Zion and Jerusalem"
Depending on their community's customs, others may also add such wishes as: "You should have no more tza'ar (distress)" or "You should have only simchas (celebrations)" or "we should hear only besorot tovot (good tidings) from each other" or "I wish you a long life".
Traditionally, prayer services are organized in the house of mourning. It is customary for the family to lead the services themselves.
[edit]Shloshim – Thirty days
The thirty-day period following burial (including shiva)[11] is known as shloshim (Hebrew: שלושים ; "thirty"). During shloshim, a mourner is forbidden to marry or to attend a seudat mitzvah (religious festive meal). Men do not shave or get haircuts during this time.
Since Judaism teaches that a deceased person can still benefit from the merit of mitzvot (commandments) performed in their memory, it is considered a special privilege to bring merit to the departed by learning Torah in their name. A popular custom is to coordinate a group of people who will jointly study the complete Mishnah during the shloshim period. This is due to the fact that "Mishnah" (משנה) and "Neshamah" (נשמה), soul, have the same (Hebrew) letters[12]. There are even organizations, such as ElevateTheNeshamah.com, which have been formed to assist those who are unable to learn the entire Mishnah. These organizations arrange for talmidei chachamim, Torah scholars, to study the Mishnah in honor of the deceased.
[edit]Shneim asar chodesh – Twelve months
Those mourning a parent additionally observe a twelve-month period (Hebrew: שנים עשר חודש, shneim asar chodesh ; "twelve months"), counted from the day of death. During this period, most activity returns to normal, although the mourners continue to recite the mourner's kaddish as part of synagogue services for eleven months. In Orthodox tradition, this was an obligation of the sons (not daughters) as mourners. There remain restrictions on attending festive occasions and large gatherings, especially where live music
[edit]Matzevah (Unveiling of the tombstone)
A headstone (tombstone) is known as a matzevah (monument). Although there is no Halakhic obligation to hold an unveiling ceremony – the ritual became popular in many communities toward the end of the 19th century. There are varying customs about when it should be placed on the grave. Most communities have an unveiling ceremony a year after the death. Some communities have it earlier, even a week after the burial. In Israel it is done after the shloshim (the first 30 days of mourning). There is no restriction about the timing, other than the unveiling cannot be held during certain periods such as Passover or Chol Ha'Moed.
At the end of the ceremony, a cloth or shroud covering that has been placed on the headstone is removed, customarily by close family members. Services include reading of several psalms (1, 23, 24, 103), Mourner's Kaddish (if a minyan is available), and the prayer "El Malei Rachamim". The service may include a brief eulogy for the deceased.
[edit]Annual remembrances
[edit]Yahrtzeit, Nahala
"Yahrzeit" redirects here. For the CSI: NY episode, see Yahrzeit (CSI: NY).
A yahrtzeit candle lit in memory of a loved one on the anniversary of the death
Yahrtzeit, יאָרצײַט, means "Time (of) Year" in Yiddish.[13] Alternative spellings include yortsayt (using the YIVO standard Yiddish orthography), Yohr Tzeit, yahrzeit, yartzeit, and jahrzeit. The word is also used by non-Yiddish-speaking Ashkenazi Jews, and refers to the anniversary of the day of death of a relative. Yahrtzeit literally means "time of [one] year".
The commemoration is known in Ladino as nahala. It is widely observed, and based on the Jewish tradition that mourners are required to commemorate the death of a relative.
Jews are required to commemorate the death of parents, siblings, spouses, or children.[14] The main halakhic obligation is to recite the mourner's version of the Kaddish prayer at least three times, Maariv at the evening services, Shacharit at morning services, and Mincha at the afternoon services. The customs are first discussed in detail in Sefer HaMinhagim (pub. 1566) by Rabbi Isaac Tyrnau.
The Yahrtzeit falls annually on the Hebrew date of the deceased relative's death according to the Hebrew calendar. There are questions that arise as to what the date should be if this date falls on Rosh Chodesh or in a leap year of the Hebrew calendar.[15] In particular, there are a few permutations, as follows:
This is only a general guideline, some situations have special rules.
Date of PassingSituation on the day of YartzheitCommemorated On
First day of a two-day Rosh Chodesh (i.e. last, 30th, day of the previous month)Rosh Chodesh only has one day29th (last) day of the earlier month (not a Rosh Chodesh)
Second day of a two-day Rosh Chodesh (i.e. first day of the new month)Rosh Chodesh only has one dayFirst day of the month (Rosh Chodesh)
First day of a two-day Rosh Chodesh (i.e. last, 30th, day of the previous month)Rosh Chodesh has two daysFirst day of the two day Rosh Chodesh
Second day of a two-day Rosh Chodesh (i.e. first day of the new month)Rosh Chodesh has two daysSecond day of the two day Rosh Chodesh
Adar I (leap year)Is a leap yearAdar I
Adar I (leap year)Not a leap yearAdar (there is only one Adar)
Adar (not a leap year)Is a leap yearAsk your Rabbi, opinions vary (Either Adar I, Adar II, or both)
Adar (not a leap year)Is not a leap yearAdar
Adar II (leap year)Is a leap yearAdar II
Adar II (leap year)Is not a leap yearAdar
Other days (incl. Shabbat or Yom Tov)AnyOn date of passing
The main halakhic obligation is to recite the mourner's version of the Kaddish prayer three times (evening of the previous day, morning, and afternoon), and many attend synagogue for the evening, morning, and afternoon services on this day. (During the morning prayer service the mourner's Kaddish is recited at least four times.) As a widely practiced custom, mourners also light a special candle that burns for 24 hours, called a "Yahrzeit candle".
Lighting a yahrtzeit candle in memory of a loved one is a minhag ("custom") that is deeply ingrained in Jewish life honoring the memory and souls of the deceased.
Strict Jewish law requires that one should fast on the day of a parent's Yahrzeit; although this is not required, some people do observe the custom of fasting on the day of the Yahrtzeit, or at least refraining from meat and wine. Among many Orthodox Jews it has become customary to make a siyum by completing a tractate of Talmud or a volume of the Mishnah on the day prior to the Yahrtzeit, in the honor of the deceased. A halakha requiring a siyum ("celebratory meal"), upon the completion of such a study, overrides the requirement to fast.
Many synagogues will have lights on a special memorial plaque on one of the synagogue's walls, with names of synagogue members who have died. Each of these lights will be lit for individuals on their Yahrzeit, and all the lights will be lit for a Yizkor service. Some synagogues will also turn on all the lights for memorial days, such as Yom Ha'Shoah.
[edit]Visiting the gravesite
Tombstone in the "new Jewish section" of Oakland Cemetery in Atlanta, GA.
Some have a custom to visit the cemetery on fast days (Shulchan Aruch Orach Chayim 559:10) and before Rosh Hashanah and Yom Kippur (581:4, 605), when possible, and for a Yahrzeit. During the first year the grave may be visited on the shloshim, and the yartzeit.
Even when visiting Jewish graves of someone that the visitor never knew, the custom is to place a small stone on the grave using the left hand. This shows that someone visited the gravesite, and is also a way of participating in the mitzvah of burial. Leaving flowers is not a traditional Jewish practice. Another reason for leaving stones is to tend the grave. In Biblical times, gravestones were not used; graves were marked with mounds of stones (a kind of cairn), so by placing (or replacing) them, one perpetuated the existence of the site.[16]
[edit]Memorial through prayer
[edit]Mourner's Kaddish
Main article: Kaddish
Kaddish Yatom (heb. קדיש יתום lit. "Orphan's Kaddish") or the "Mourner's" Kaddish, is said at all prayer services, as well as at funerals and memorials. Customs for reciting the Mourner's Kaddish vary markedly among various communities. In many Ashkenazi synagogues, particularly Orthodox ones, it is customary that everyone in the synagogue stands. In Sephardi synagogues, and in many non-Orthodox Ashkenazi ones, the custom is that only the mourners themselves stand and chant, while the rest of the congregation sits, chanting only responsively.
[edit]Yizkor
Yizkor ("remembrance") prayers are recited by those that have lost either one or both of their parents; in some modern moderate Jewish congregations, one might say yizkor for any relative or close friend whose death is mourned. There is a custom that those who do not recite the Yizkor prayers leave the synagogue until the completion of Yizkor; the symbolic reason for this is to respect the life of one's living parents. (Some rabbinic authorities regard this custom as a superstition.)
The Yizkor prayers are recited four times a year, and are intended to be recited in a synagogue with a minyan; if one is unable to be with a minyan, one can recite it without one. These four Yizkor services are held on Yom Kippur, Shemini Atzeret, on the last day of Passover, and on Shavuot (the second day of Shavuot, in communities that observe Shavuot for two days). In the Yizkor prayers God is asked to remember and grant repose to the souls of the departed.
Yizkor is customarily not said within the first year of mourning, until the first yahrzeit has passed.
In Sephardic custom there is no Yizkor prayer, but Hashkabóth are recited on Yom Kippur for all members of the community who have died during the last year. A person called up to the Torah may also request the reader to recite Hashkabah for his deceased parents.
[edit]Av HaRachamim
Main article: Av HaRachamim
Av Harachamim is a Jewish memorial prayer that was written in the late 11th Century, after the destruction of the German Jewish communities around the Rhine river by Christian Crusaders.[17] It is recited on many Shabbatot before Musaf, and also at the end of the Yizkor service.[17]
[edit]Communal responses to death
Most Jewish communities of size have non-profit organizations that maintain cemeteries and provide chevra kadisha services for those in need. They are often formed out of a synagogue's women's group.
[edit]Zihui Korbanot Asson (ZAKA)
Main article: ZAKA
ZAKA (heb. זק"א abbr. for Zihui Korbanot Asson lit. "Identifying Victims of Disaster" – חסד של אמת Hessed shel Emet lit. "True Kindness" – איתור חילוץ והצלה), is a community emergency response team in the State of Israel, officially recognized by the government. The organization was founded in 1989. Members of ZAKA, most of whom are Orthodox, assist ambulance crews, identify the victims of terrorism, road accidents and other disasters and, where necessary, gather body parts and spilled blood for proper burial. They also provide first aid and rescue services, and help with the search for missing persons. In the past they have responded in the aftermath of disasters around the world.
[edit]Hebrew Free Burial Association (HFBA)
Tombstone of victim of Triangle Shirtwaist Fire at the Hebrew Free Burial Association's Mount Richmond Cemetery.
Main article: Hebrew Free Burial Association
The Hebrew Free Burial Association is a non-profit agency whose mission is to ensure that all Jews receive a proper Jewish burial, regardless of their financial ability. Since 1888, more than 55,000 Jews have been buried by HFBA in their cemeteries located on Staten Island, New York, Silver Lake Cemetery and Mount Richmond Cemetery.
[edit]Hebrew Benevolent Society of Los Angeles
Formed in 1854 for the purpose of "…procuring a piece of ground suitable for the purpose of a burying ground for the deceased of their own faith, and also to appropriate a portion of their time and means to the holy cause of benevolence…," the Hebrew Benevolent Society of Los Angeles established the first Jewish cemetery in Los Angeles at Lilac Terrace and Lookout Drive[18] in Chavez Ravine (current home to Dodger Stadium). In 1968, a plaque was installed at the original site, identifying it as California Historical Landmark #822.[19]
In 1902, because of poor environmental conditions due to the unchecked expansion of the oil industry in the area, it was proposed by Congregation B'nai B'rith to secure a new plot of land in what is now East LA, and to move the buried remains to the new site, with a continued provision for burial of indigent people. This site, the Home of Piece Memorial Park,[20] remains operational and is the oldest Jewish cemetery in Los Angeles. The original society is now known as the "Jewish Family Service of Los Angeles".[21][19]
[edit]Controversy following death
[edit]Donating organs
Being an organ donor is permitted, in principle, according to all Jewish denominations once death has been clearly established, provided that instructions have been left in a written living will. However, there are a number of practical difficulties for those who wish to adhere strictly to Jewish law. For example, someone who is dead by clinical standards may not yet be dead according to Jewish law. Jewish law does not permit donation of organs that are vital for survival from a donor who is in a near-dead state but who is not yet dead according to Jewish law. Orthodox and Haredi Jews may need to consult their rabbis on a case by case basis.
[edit]Jewish view of cremation
Halakha (Jewish law) forbids cremation. Burial is considered the only proper form of disposal for a Jew who has died (and is the only method used in the Tanakh), and is seen in Judaism as providing a final measure of atonement for the deceased.
From a philosophical and ritual standpoint, as with a geniza, Jews bury things as an honorable "interment," and would only burn things as a means of destruction.
[edit]Suicide
See the section on Judaism on the main article, Religious views of suicide.
As Judaism considers suicide to be a form of murder, a Jew who commits suicide is denied some important after-death privileges: No eulogies should be given for the deceased, and burial in the main section of the Jewish cemetery is normally not allowed.
In recent times, most people who die by suicide have been deemed to be the unfortunate victims of depression or of a serious mental illness. Under this interpretation, their act of "self-murder" is not deemed to be a voluntary act of self-destruction, but rather the result of an involuntary condition. They have therefore been looked upon as having died of causes beyond their control.
Additionally, the Talmud (in Semakhot, one of the minor tractates) recognizes that many elements of the mourning ritual exist as much for the living survivors as for the dead, and that these elements ought to be carried out even in the case of the suicide.
Furthermore, if reasonable doubt exists that the death may not have been suicide or that the deceased might have changed her mind and repented at the last moment (e.g., if it is unknown whether the victim fell or jumped from a building, or if the person falling changed her mind mid-fall), the benefit of the doubt is given and regular burial and mourning rituals take place. Lastly, the suicide of a minor is considered a result of a lack of understanding ("da'at"), and in such a case, regular mourning is observed.
[edit]Tattoos
Halakha (Jewish law) forbids tattoos, and there is a persistent myth that this prevents burial in a Jewish cemetery, but this is not true.[22][23][24] A small minority of burial societies will not accept a corpse with a tattoo, but Jewish law does not mention burial of tattooed Jews, and nearly all burial societies have no such restriction.[25] Removing the tattoo of a deceased Jew would be completely forbidden as it would be considered damaging the body. It should be pointed out that if this were true, it would cause difficulties for the survivors of Auschwitz who had numbers tattooed on their arms. The only people that would have a difficulty would be those who put a tattoo on voluntarily as they can be considered apostates. However, it can be considered that they repented before their deaths and were unable to remove the tattoos.
[edit]Death of an apostate Jew
There is no mourning for an Apostate Jew according to Jewish law. (See that article for a discussion of precisely what actions and motivations render a Jew an "apostate.")
In the past several centuries, the custom developed among Ashkenazic Orthodox Jews (including Hassidic and Haredi Jews), that the family would "sit shiva" if and when one of their relatives would leave the fold of traditional Judaism. The definition of "leaving the fold" varies within communities; some would sit shiva if a family member married a non-Jew; others would only sit shiva if the individual actually converted to another faith, and even then, some would make a distinction between those who chose to do so of their own will, and those who were pressured into conversion. (In Sholom Aleichem's Tevye, when the title character's daughter converts to Christianity to marry a Christian, Tevye sits shiva for her and generally refers to her as "dead.") At the height of the Mitnagdim (anti-Hassidic) movement, in the early-to-mid nineteenth century, some Mitnagdim even sat shiva if a family member joined Hassidism. (It is said that when Leibel Eiger joined Hassidism, his father, Rabbi Shlomo Eiger sat shiva, but his grandfather, the famed Rabbi Akiva Eiger, did not. It is also said that Leibel Eiger came to be menachem avel [console the mourner]). By the mid-twentieth century, however, Hassidism was recognized[citation needed] as a valid form of Orthodox Judaism, and thus the (controversial) practice of sitting shiva for those who realign to Hassidism ceased to exist.
Today, some Orthodox Jews, particularly the more traditional ones (such as many Haredi and Hassidic communities), continue the practice of sitting shiva for a family member who has left the religious community. More liberal Jews, however, may question the practice, eschewing it as a very harsh act that could make it much more difficult for the family member to return to traditional practice if/when s/he would consider doing so.
[edit]After death in Judaism
Honorifics for the dead in Judaism
Main article: Honorifics for the dead in Judaism
The afterlife according to Judaism
Main article: Jewish eschatology
The final redemption according to Judaism
Main article: Jewish Messiah
[edit]Days of remembrance
Tisha B'Av
(Day of mourning for the destruction of both the First and Second Temple in Jerusalem and other events.)
Yom Kippur, Shemini Atzeret, Final day of Pesach, Shavuot
(the four days on which Yizkor is recited)
Tenth of Tevet
(a fast day on which it has become a custom for some to say Kaddish for those whose yahrzeits are unknown or died in the Holocaust)
Yom HaShoah
(national day of remembrance in Israel (and by many Jews worldwide) for those murdered in the Holocaust as well as righteous gentiles)
Yom Hazikaron
(national day of remembrance to those who died in service of Israel or killed in terrorist attacks)
[edit]The Holocaust
Main article: The Holocaust
During the Holocaust, massive crematoria were constructed and operated round-the-clock by the Nazis within their concentration and extermination camps to dispose of the bodies of thousands of Jews and others. The bodies of thousands of Jews were thus disposed of in a manner deeply offensive to Judaism. Since then, cremation has carried an extremely negative connotation for many Jews, even more so than it had previously.
14 The Holocaust
I made myself a salad today, and true to my fashion, I ruined its 'healthy' connotation and turned it into junk because I used bbq sauce as dressing!
Then I was spontaneously inspired by the idea that 'you are what you eat', and this image came into fruition.
The end.
Salavador Dali: Elephant with pyramid, Southbank
The elephant represents the the dimension midway between heaven and earth. The pyramid has sexual connotations.
It’s old news that plastic bags, aluminum cans and fishing debris not only clutter our beaches, but accumulate in open-ocean areas such as the “Great Pacific Rubbish Patch” (basically a giant vortex of plastic soup, roughly twice the size of Texas.)
So much for the myth of the beautiful, natural ocean, stretching off towards the horizon.
Now, a paper by researchers at the Monterey Bay Aquarium Research Institute (MBARI) shows that trash is also accumulating in the deep sea, particularly in Monterey Canyon, off the coast of California.
The horrific report was produced using over 18,000 hours of footage from deep sea remotely-operated vehicles, over a period of 22 years; cameras examined the ocean floor as deep as 13,000 feet and found human-made Rubbish everywhere.
The Pacific Ocean, which for many carries connotations of beauty and romance, is in fact a huge underwater Rubbish dump.
Number 11 in my Flotsam and Jetsam set.
Once was home.......
An apartment (in American English) or a flat (in British English) is a self-contained housing unit (a type of residential real estate) that occupies only part of a building. Such a building may be called an apartment building, apartment house (in American English), block of flats, tower block, high-rise or, occasionally mansion block (in British English), especially if it consists of many apartments for rent. In Scotland it is called a block of flats or if it's a traditional sandstone building a tenement, which has a pejorative connotation elsewhere. Apartments may be owned by an owner/occupier by leasehold tenure or rented by tenants (two types of housing tenure).
Jellyfish, also known sea jellies, are the medusa-phase of certain gelatinous members of the subphylum Medusozoa, which is a major part of the phylum Cnidaria.
Jellyfish are mainly free-swimming marine animals with umbrella-shaped bells and trailing tentacles, although a few are anchored to the seabed by stalks rather than being mobile. The bell can pulsate to provide propulsion for highly efficient locomotion. The tentacles are armed with stinging cells and may be used to capture prey and defend against predators. Jellyfish have a complex life cycle. The medusa is normally the sexual phase, which produces planula larvae; these then disperse widely and enter a sedentary polyp phase, before reaching sexual maturity.
Jellyfish are found all over the world, from surface waters to the deep sea. Scyphozoans (the "true jellyfish") are exclusively marine, but some hydrozoans with a similar appearance live in freshwater. Large, often colorful, jellyfish are common in coastal zones worldwide. The medusae of most species are fast-growing, and mature within a few months then die soon after breeding, but the polyp stage, attached to the seabed, may be much more long-lived. Jellyfish have been in existence for at least 500 million years, and possibly 700 million years or more, making them the oldest multi-organ animal group.
Jellyfish are eaten by humans in certain cultures. They are considered a delicacy in some Asian countries, where species in the Rhizostomeae order are pressed and salted to remove excess water. Australian researchers have described them as a "perfect food": sustainable and protein-rich but relatively low in food energy.
They are also used in research, where the green fluorescent protein used by some species to cause bioluminescence has been adapted as a fluorescent marker for genes inserted into other cells or organisms.
The stinging cells used by jellyfish to subdue their prey can injure humans. Thousands of swimmers worldwide are stung every year, with effects ranging from mild discomfort to serious injury or even death. When conditions are favourable, jellyfish can form vast swarms, which can be responsible for damage to fishing gear by filling fishing nets, and sometimes clog the cooling systems of power and desalination plants which draw their water from the sea.
Names
The name jellyfish, in use since 1796, has traditionally been applied to medusae and all similar animals including the comb jellies (ctenophores, another phylum). The term jellies or sea jellies is more recent, having been introduced by public aquaria in an effort to avoid use of the word "fish" with its modern connotation of an animal with a backbone, though shellfish, cuttlefish and starfish are not vertebrates either. In scientific literature, "jelly" and "jellyfish" have been used interchangeably. Many sources refer to only scyphozoans as "true jellyfish".
A group of jellyfish is called a "smack" or a "smuck".
Definition
The term jellyfish broadly corresponds to medusae, that is, a life-cycle stage in the Medusozoa. The American evolutionary biologist Paulyn Cartwright gives the following general definition:
Typically, medusozoan cnidarians have a pelagic, predatory jellyfish stage in their life cycle; staurozoans are the exceptions [as they are stalked].
The Merriam-Webster dictionary defines jellyfish as follows:
A free-swimming marine coelenterate that is the sexually reproducing form of a hydrozoan or scyphozoan and has a nearly transparent saucer-shaped body and extensible marginal tentacles studded with stinging cells.
Given that jellyfish is a common name, its mapping to biological groups is inexact. Some authorities have called the comb jellies and certain salps jellyfish, though other authorities state that neither of these are jellyfish, which they consider should be limited to certain groups within the medusozoa.
The non-medusozoan clades called jellyfish by some but not all authorities (both agreeing and disagreeing citations are given in each case) are indicated with on the following cladogram of the animal kingdom:
Jellyfish are not a clade, as they include most of the Medusozoa, barring some of the Hydrozoa. The medusozoan groups included by authorities are indicated on the following phylogenetic tree by the presence of citations. Names of included jellyfish, in English where possible, are shown in boldface; the presence of a named and cited example indicates that at least that species within its group has been called a jellyfish.
Taxonomy
The subphylum Medusozoa includes all cnidarians with a medusa stage in their life cycle. The basic cycle is egg, planula larva, polyp, medusa, with the medusa being the sexual stage. The polyp stage is sometimes secondarily lost. The subphylum include the major taxa, Scyphozoa (large jellyfish), Cubozoa (box jellyfish) and Hydrozoa (small jellyfish), and excludes Anthozoa (corals and sea anemones). This suggests that the medusa form evolved after the polyps. Medusozoans have tetramerous symmetry, with parts in fours or multiples of four.
The four major classes of medusozoan Cnidaria are:
Scyphozoa are sometimes called true jellyfish, though they are no more truly jellyfish than the others listed here. They have tetra-radial symmetry. Most have tentacles around the outer margin of the bowl-shaped bell, and long, oral arms around the mouth in the center of the subumbrella.
Cubozoa (box jellyfish) have a (rounded) box-shaped bell, and their velarium assists them to swim more quickly. Box jellyfish may be related more closely to scyphozoan jellyfish than either are to the Hydrozoa.
Hydrozoa medusae also have tetra-radial symmetry, nearly always have a velum (diaphragm used in swimming) attached just inside the bell margin, do not have oral arms, but a much smaller central stalk-like structure, the manubrium, with terminal mouth opening, and are distinguished by the absence of cells in the mesoglea. Hydrozoa show great diversity of lifestyle; some species maintain the polyp form for their entire life and do not form medusae at all (such as Hydra, which is hence not considered a jellyfish), and a few are entirely medusal and have no polyp form.
Staurozoa (stalked jellyfish) are characterized by a medusa form that is generally sessile, oriented upside down and with a stalk emerging from the apex of the "calyx" (bell), which attaches to the substrate. At least some Staurozoa also have a polyp form that alternates with the medusoid portion of the life cycle. Until recently, Staurozoa were classified within the Scyphozoa.
There are over 200 species of Scyphozoa, about 50 species of Staurozoa, about 50 species of Cubozoa, and the Hydrozoa includes about 1000–1500 species that produce medusae, but many more species that do not.
Fossil history
Since jellyfish have no hard parts, fossils are rare. The oldest unambiguous fossil of a free-swimming medusa is Burgessomedusa from the mid Cambrian Burgess Shale of Canada, which is likely either a stem group of box jellyfish (Cubozoa) or Acraspeda (the clade including Staurozoa, Cubozoa, and Scyphozoa). Other claimed records from the Cambrian of China and Utah in the United States are uncertain, and possibly represent ctenophores instead.
Anatomy
The main feature of a true jellyfish is the umbrella-shaped bell. This is a hollow structure consisting of a mass of transparent jelly-like matter known as mesoglea, which forms the hydrostatic skeleton of the animal. 95% or more of the mesogloea consists of water, but it also contains collagen and other fibrous proteins, as well as wandering amoebocytes which can engulf debris and bacteria. The mesogloea is bordered by the epidermis on the outside and the gastrodermis on the inside. The edge of the bell is often divided into rounded lobes known as lappets, which allow the bell to flex. In the gaps or niches between the lappets are dangling rudimentary sense organs known as rhopalia, and the margin of the bell often bears tentacles.
Anatomy of a scyphozoan jellyfish
On the underside of the bell is the manubrium, a stalk-like structure hanging down from the centre, with the mouth, which also functions as the anus, at its tip. There are often four oral arms connected to the manubrium, streaming away into the water below. The mouth opens into the gastrovascular cavity, where digestion takes place and nutrients are absorbed. This is subdivided by four thick septa into a central stomach and four gastric pockets. The four pairs of gonads are attached to the septa, and close to them four septal funnels open to the exterior, perhaps supplying good oxygenation to the gonads. Near the free edges of the septa, gastric filaments extend into the gastric cavity; these are armed with nematocysts and enzyme-producing cells and play a role in subduing and digesting the prey. In some scyphozoans, the gastric cavity is joined to radial canals which branch extensively and may join a marginal ring canal. Cilia in these canals circulate the fluid in a regular direction.
Discharge mechanism of a nematocyst
The box jellyfish is largely similar in structure. It has a squarish, box-like bell. A short pedalium or stalk hangs from each of the four lower corners. One or more long, slender tentacles are attached to each pedalium. The rim of the bell is folded inwards to form a shelf known as a velarium which restricts the bell's aperture and creates a powerful jet when the bell pulsates, allowing box jellyfish to swim faster than true jellyfish. Hydrozoans are also similar, usually with just four tentacles at the edge of the bell, although many hydrozoans are colonial and may not have a free-living medusal stage. In some species, a non-detachable bud known as a gonophore is formed that contains a gonad but is missing many other medusal features such as tentacles and rhopalia. Stalked jellyfish are attached to a solid surface by a basal disk, and resemble a polyp, the oral end of which has partially developed into a medusa with tentacle-bearing lobes and a central manubrium with four-sided mouth.
Most jellyfish do not have specialized systems for osmoregulation, respiration and circulation, and do not have a central nervous system. Nematocysts, which deliver the sting, are located mostly on the tentacles; true jellyfish also have them around the mouth and stomach. Jellyfish do not need a respiratory system because sufficient oxygen diffuses through the epidermis. They have limited control over their movement, but can navigate with the pulsations of the bell-like body; some species are active swimmers most of the time, while others largely drift. The rhopalia contain rudimentary sense organs which are able to detect light, water-borne vibrations, odour and orientation. A loose network of nerves called a "nerve net" is located in the epidermis. Although traditionally thought not to have a central nervous system, nerve net concentration and ganglion-like structures could be considered to constitute one in most species. A jellyfish detects stimuli, and transmits impulses both throughout the nerve net and around a circular nerve ring, to other nerve cells. The rhopalial ganglia contain pacemaker neurones which control swimming rate and direction.
In many species of jellyfish, the rhopalia include ocelli, light-sensitive organs able to tell light from dark. These are generally pigment spot ocelli, which have some of their cells pigmented. The rhopalia are suspended on stalks with heavy crystals at one end, acting like gyroscopes to orient the eyes skyward. Certain jellyfish look upward at the mangrove canopy while making a daily migration from mangrove swamps into the open lagoon, where they feed, and back again.
Box jellyfish have more advanced vision than the other groups. Each individual has 24 eyes, two of which are capable of seeing colour, and four parallel information processing areas that act in competition, supposedly making them one of the few kinds of animal to have a 360-degree view of its environment.
Box jellyfish eye
The study of jellyfish eye evolution is an intermediary to a better understanding of how visual systems evolved on Earth. Jellyfish exhibit immense variation in visual systems ranging from photoreceptive cell patches seen in simple photoreceptive systems to more derived complex eyes seen in box jellyfish. Major topics of jellyfish visual system research (with an emphasis on box jellyfish) include: the evolution of jellyfish vision from simple to complex visual systems), the eye morphology and molecular structures of box jellyfish (including comparisons to vertebrate eyes), and various uses of vision including task-guided behaviors and niche specialization.
Evolution
Experimental evidence for photosensitivity and photoreception in cnidarians antecedes the mid 1900s, and a rich body of research has since covered evolution of visual systems in jellyfish. Jellyfish visual systems range from simple photoreceptive cells to complex image-forming eyes. More ancestral visual systems incorporate extraocular vision (vision without eyes) that encompass numerous receptors dedicated to single-function behaviors. More derived visual systems comprise perception that is capable of multiple task-guided behaviors.
Although they lack a true brain, cnidarian jellyfish have a "ring" nervous system that plays a significant role in motor and sensory activity. This net of nerves is responsible for muscle contraction and movement and culminates the emergence of photosensitive structures. Across Cnidaria, there is large variation in the systems that underlie photosensitivity. Photosensitive structures range from non-specialized groups of cells, to more "conventional" eyes similar to those of vertebrates. The general evolutionary steps to develop complex vision include (from more ancestral to more derived states): non-directional photoreception, directional photoreception, low-resolution vision, and high-resolution vision. Increased habitat and task complexity has favored the high-resolution visual systems common in derived cnidarians such as box jellyfish.
Basal visual systems observed in various cnidarians exhibit photosensitivity representative of a single task or behavior. Extraocular photoreception (a form of non-directional photoreception), is the most basic form of light sensitivity and guides a variety of behaviors among cnidarians. It can function to regulate circadian rhythm (as seen in eyeless hydrozoans) and other light-guided behaviors responsive to the intensity and spectrum of light. Extraocular photoreception can function additionally in positive phototaxis (in planula larvae of hydrozoans), as well as in avoiding harmful amounts of UV radiation via negative phototaxis. Directional photoreception (the ability to perceive direction of incoming light) allows for more complex phototactic responses to light, and likely evolved by means of membrane stacking. The resulting behavioral responses can range from guided spawning events timed by moonlight to shadow responses for potential predator avoidance. Light-guided behaviors are observed in numerous scyphozoans including the common moon jelly, Aurelia aurita, which migrates in response to changes in ambient light and solar position even though they lack proper eyes.
The low-resolution visual system of box jellyfish is more derived than directional photoreception, and thus box jellyfish vision represents the most basic form of true vision in which multiple directional photoreceptors combine to create the first imaging and spatial resolution. This is different from the high-resolution vision that is observed in camera or compound eyes of vertebrates and cephalopods that rely on focusing optics. Critically, the visual systems of box jellyfish are responsible for guiding multiple tasks or behaviors in contrast to less derived visual systems in other jellyfish that guide single behavioral functions. These behaviors include phototaxis based on sunlight (positive) or shadows (negative), obstacle avoidance, and control of swim-pulse rate.
Box jellyfish possess "proper eyes" (similar to vertebrates) that allow them to inhabit environments that lesser derived medusae cannot. In fact, they are considered the only class in the clade Medusozoa that have behaviors necessitating spatial resolution and genuine vision. However, the lens in their eyes are more functionally similar to cup-eyes exhibited in low-resolution organisms, and have very little to no focusing capability. The lack of the ability to focus is due to the focal length exceeding the distance to the retina, thus generating unfocused images and limiting spatial resolution. The visual system is still sufficient for box jellyfish to produce an image to help with tasks such as object avoidance.
Utility as a model organism
Box jellyfish eyes are a visual system that is sophisticated in numerous ways. These intricacies include the considerable variation within the morphology of box jellyfishes' eyes (including their task/behavior specification), and the molecular makeup of their eyes including: photoreceptors, opsins, lenses, and synapses. The comparison of these attributes to more derived visual systems can allow for a further understanding of how the evolution of more derived visual systems may have occurred, and puts into perspective how box jellyfish can play the role as an evolutionary/developmental model for all visual systems.
Characteristics
Box jellyfish visual systems are both diverse and complex, comprising multiple photosystems. There is likely considerable variation in visual properties between species of box jellyfish given the significant inter-species morphological and physiological variation. Eyes tend to differ in size and shape, along with number of receptors (including opsins), and physiology across species of box jellyfish.
Box jellyfish have a series of intricate lensed eyes that are similar to those of more derived multicellular organisms such as vertebrates. Their 24 eyes fit into four different morphological categories. These categories consist of two large, morphologically different medial eyes (a lower and upper lensed eye) containing spherical lenses, a lateral pair of pigment slit eyes, and a lateral pair of pigment pit eyes. The eyes are situated on rhopalia (small sensory structures) which serve sensory functions of the box jellyfish and arise from the cavities of the exumbrella (the surface of the body) on the side of the bells of the jellyfish. The two large eyes are located on the mid-line of the club and are considered complex because they contain lenses. The four remaining eyes lie laterally on either side of each rhopalia and are considered simple. The simple eyes are observed as small invaginated cups of epithelium that have developed pigmentation. The larger of the complex eyes contains a cellular cornea created by a mono ciliated epithelium, cellular lens, homogenous capsule to the lens, vitreous body with prismatic elements, and a retina of pigmented cells. The smaller of the complex eyes is said to be slightly less complex given that it lacks a capsule but otherwise contains the same structure as the larger eye.
Box jellyfish have multiple photosystems that comprise different sets of eyes. Evidence includes immunocytochemical and molecular data that show photopigment differences among the different morphological eye types, and physiological experiments done on box jellyfish to suggest behavioral differences among photosystems. Each individual eye type constitutes photosystems that work collectively to control visually guided behaviors.
Box jellyfish eyes primarily use c-PRCs (ciliary photoreceptor cells) similar to that of vertebrate eyes. These cells undergo phototransduction cascades (process of light absorption by photoreceptors) that are triggered by c-opsins. Available opsin sequences suggest that there are two types of opsins possessed by all cnidarians including an ancient phylogenetic opsin, and a sister ciliary opsin to the c-opsins group. Box jellyfish could have both ciliary and cnidops (cnidarian opsins), which is something not previously believed to appear in the same retina. Nevertheless, it is not entirely evident whether cnidarians possess multiple opsins that are capable of having distinctive spectral sensitivities.
Comparison with other organisms
Comparative research on genetic and molecular makeup of box jellyfishes' eyes versus more derived eyes seen in vertebrates and cephalopods focuses on: lenses and crystallin composition, synapses, and Pax genes and their implied evidence for shared primordial (ancestral) genes in eye evolution.
Box jellyfish eyes are said to be an evolutionary/developmental model of all eyes based on their evolutionary recruitment of crystallins and Pax genes. Research done on box jellyfish including Tripedalia cystophora has suggested that they possess a single Pax gene, PaxB. PaxB functions by binding to crystallin promoters and activating them. PaxB in situ hybridization resulted in PaxB expression in the lens, retina, and statocysts. These results and the rejection of the prior hypothesis that Pax6 was an ancestral Pax gene in eyes has led to the conclusion that PaxB was a primordial gene in eye evolution, and that the eyes of all organisms likely share a common ancestor.
The lens structure of box jellyfish appears very similar to those of other organisms, but the crystallins are distinct in both function and appearance. Weak reactions were seen within the sera and there were very weak sequence similarities within the crystallins among vertebrate and invertebrate lenses. This is likely due to differences in lower molecular weight proteins and the subsequent lack of immunological reactions with antisera that other organisms' lenses exhibit.
All four of the visual systems of box jellyfish species investigated with detail (Carybdea marsupialis, Chiropsalmus quadrumanus, Tamoya haplonema and Tripedalia cystophora) have invaginated synapses, but only in the upper and lower lensed eyes. Different densities were found between the upper and lower lenses, and between species. Four types of chemical synapses have been discovered within the rhopalia which could help in understanding neural organization including: clear unidirectional, dense-core unidirectional, clear bidirectional, and clear and dense-core bidirectional. The synapses of the lensed eyes could be useful as markers to learn more about the neural circuit in box jellyfish retinal areas.
Evolution as a response to natural stimuli
The primary adaptive responses to environmental variation observed in box jellyfish eyes include pupillary constriction speeds in response to light environments, as well as photoreceptor tuning and lens adaptations to better respond to shifts between light environments and darkness. Interestingly, some box jellyfish species' eyes appear to have evolved more focused vision in response to their habitat.
Pupillary contraction appears to have evolved in response to variation in the light environment across ecological niches across three species of box jellyfish (Chironex fleckeri, Chiropsella bronzie, and Carukia barnesi). Behavioral studies suggest that faster pupil contraction rates allow for greater object avoidance, and in fact, species with more complex habitats exhibit faster rates. Ch. bronzie inhabit shallow beach fronts that have low visibility and very few obstacles, thus, faster pupil contraction in response to objects in their environment is not important. Ca. barnesi and Ch. fleckeri are found in more three-dimensionally complex environments like mangroves with an abundance of natural obstacles, where faster pupil contraction is more adaptive. Behavioral studies support the idea that faster pupillary contraction rates assist with obstacle avoidance as well as depth adjustments in response to differing light intensities.
Light/dark adaptation via pupillary light reflexes is an additional form of an evolutionary response to the light environment. This relates to the pupil's response to shifts between light intensity (generally from sunlight to darkness). In the process of light/dark adaptation, the upper and lower lens eyes of different box jellyfish species vary in specific function. The lower lens-eyes contain pigmented photoreceptors and long pigment cells with dark pigments that migrate on light/dark adaptation, while the upper-lens eyes play a concentrated role in light direction and phototaxis given that they face upward towards the water surface (towards the sun or moon). The upper lens of Ch. bronzie does not exhibit any considerable optical power while Tr. cystophora (a box jellyfish species that tends to live in mangroves) does. The ability to use light to visually guide behavior is not of as much importance to Ch. bronzie as it is to species in more obstacle-filled environments. Differences in visually guided behavior serve as evidence that species that share the same number and structure of eyes can exhibit differences in how they control behavior.
Largest and smallest
Jellyfish range from about one millimeter in bell height and diameter, to nearly 2 metres (6+1⁄2 ft) in bell height and diameter; the tentacles and mouth parts usually extend beyond this bell dimension.
The smallest jellyfish are the peculiar creeping jellyfish in the genera Staurocladia and Eleutheria, which have bell disks from 0.5 millimetres (1⁄32 in) to a few millimeters in diameter, with short tentacles that extend out beyond this, which these jellyfish use to move across the surface of seaweed or the bottoms of rocky pools; many of these tiny creeping jellyfish cannot be seen in the field without a hand lens or microscope. They can reproduce asexually by fission (splitting in half). Other very small jellyfish, which have bells about one millimeter, are the hydromedusae of many species that have just been released from their parent polyps; some of these live only a few minutes before shedding their gametes in the plankton and then dying, while others will grow in the plankton for weeks or months. The hydromedusae Cladonema radiatum and Cladonema californicum are also very small, living for months, yet never growing beyond a few mm in bell height and diameter.
The lion's mane jellyfish, Cyanea capillata, was long-cited as the largest jellyfish, and arguably the longest animal in the world, with fine, thread-like tentacles that may extend up to 36.5 m (119 ft 9 in) long (though most are nowhere near that large). They have a moderately painful, but rarely fatal, sting. The increasingly common giant Nomura's jellyfish, Nemopilema nomurai, found in some, but not all years in the waters of Japan, Korea and China in summer and autumn is another candidate for "largest jellyfish", in terms of diameter and weight, since the largest Nomura's jellyfish in late autumn can reach 2 m (6 ft 7 in) in bell (body) diameter and about 200 kg (440 lb) in weight, with average specimens frequently reaching 0.9 m (2 ft 11 in) in bell diameter and about 150 kg (330 lb) in weight. The large bell mass of the giant Nomura's jellyfish can dwarf a diver and is nearly always much greater than the Lion's Mane, whose bell diameter can reach 1 m (3 ft 3 in).
The rarely encountered deep-sea jellyfish Stygiomedusa gigantea is another candidate for "largest jellyfish", with its thick, massive bell up to 100 cm (3 ft 3 in) wide, and four thick, "strap-like" oral arms extending up to 6 m (19+1⁄2 ft) in length, very different from the typical fine, threadlike tentacles that rim the umbrella of more-typical-looking jellyfish, including the Lion's Mane.
Desmonema glaciale, which lives in the Antarctic region, can reach a very large size (several meters). Purple-striped jelly (Chrysaora colorata) can also be extremely long (up to 15 feet).
Life history and behavior
Life cycle
Jellyfish have a complex life cycle which includes both sexual and asexual phases, with the medusa being the sexual stage in most instances. Sperm fertilize eggs, which develop into larval planulae, become polyps, bud into ephyrae and then transform into adult medusae. In some species certain stages may be skipped.
Upon reaching adult size, jellyfish spawn regularly if there is a sufficient supply of food. In most species, spawning is controlled by light, with all individuals spawning at about the same time of day; in many instances this is at dawn or dusk. Jellyfish are usually either male or female (with occasional hermaphrodites). In most cases, adults release sperm and eggs into the surrounding water, where the unprotected eggs are fertilized and develop into larvae. In a few species, the sperm swim into the female's mouth, fertilizing the eggs within her body, where they remain during early development stages. In moon jellies, the eggs lodge in pits on the oral arms, which form a temporary brood chamber for the developing planula larvae.
The planula is a small larva covered with cilia. When sufficiently developed, it settles onto a firm surface and develops into a polyp. The polyp generally consists of a small stalk topped by a mouth that is ringed by upward-facing tentacles. The polyps resemble those of closely related anthozoans, such as sea anemones and corals. The jellyfish polyp may be sessile, living on the bottom, boat hulls or other substrates, or it may be free-floating or attached to tiny bits of free-living plankton or rarely, fish or other invertebrates. Polyps may be solitary or colonial. Most polyps are only millimetres in diameter and feed continuously. The polyp stage may last for years.
After an interval and stimulated by seasonal or hormonal changes, the polyp may begin reproducing asexually by budding and, in the Scyphozoa, is called a segmenting polyp, or a scyphistoma. Budding produces more scyphistomae and also ephyrae. Budding sites vary by species; from the tentacle bulbs, the manubrium (above the mouth), or the gonads of hydromedusae. In a process known as strobilation, the polyp's tentacles are reabsorbed and the body starts to narrow, forming transverse constrictions, in several places near the upper extremity of the polyp. These deepen as the constriction sites migrate down the body, and separate segments known as ephyra detach. These are free-swimming precursors of the adult medusa stage, which is the life stage that is typically identified as a jellyfish. The ephyrae, usually only a millimeter or two across initially, swim away from the polyp and grow. Limnomedusae polyps can asexually produce a creeping frustule larval form, which crawls away before developing into another polyp. A few species can produce new medusae by budding directly from the medusan stage. Some hydromedusae reproduce by fission.
Lifespan
Little is known of the life histories of many jellyfish as the places on the seabed where the benthic forms of those species live have not been found. However, an asexually reproducing strobila form can sometimes live for several years, producing new medusae (ephyra larvae) each year.
An unusual species, Turritopsis dohrnii, formerly classified as Turritopsis nutricula, might be effectively immortal because of its ability under certain circumstances to transform from medusa back to the polyp stage, thereby escaping the death that typically awaits medusae post-reproduction if they have not otherwise been eaten by some other organism. So far this reversal has been observed only in the laboratory.
Locomotion
Jellyfish locomotion is highly efficient. Muscles in the jellylike bell contract, setting up a start vortex and propelling the animal. When the contraction ends, the bell recoils elastically, creating a stop vortex with no extra energy input.
Using the moon jelly Aurelia aurita as an example, jellyfish have been shown to be the most energy-efficient swimmers of all animals. They move through the water by radially expanding and contracting their bell-shaped bodies to push water behind them. They pause between the contraction and expansion phases to create two vortex rings. Muscles are used for the contraction of the body, which creates the first vortex and pushes the animal forward, but the mesoglea is so elastic that the expansion is powered exclusively by relaxing the bell, which releases the energy stored from the contraction. Meanwhile, the second vortex ring starts to spin faster, sucking water into the bell and pushing against the centre of the body, giving a secondary and "free" boost forward. The mechanism, called passive energy recapture, only works in relatively small jellyfish moving at low speeds, allowing the animal to travel 30 percent farther on each swimming cycle. Jellyfish achieved a 48 percent lower cost of transport (food and oxygen intake versus energy spent in movement) than other animals in similar studies. One reason for this is that most of the gelatinous tissue of the bell is inactive, using no energy during swimming.
Ecology
Diet
Jellyfish are, like other cnidarians, generally carnivorous (or parasitic), feeding on planktonic organisms, crustaceans, small fish, fish eggs and larvae, and other jellyfish, ingesting food and voiding undigested waste through the mouth. They hunt passively using their tentacles as drift lines, or sink through the water with their tentacles spread widely; the tentacles, which contain nematocysts to stun or kill the prey, may then flex to help bring it to the mouth. Their swimming technique also helps them to capture prey; when their bell expands it sucks in water which brings more potential prey within reach of the tentacles.
A few species such as Aglaura hemistoma are omnivorous, feeding on microplankton which is a mixture of zooplankton and phytoplankton (microscopic plants) such as dinoflagellates. Others harbour mutualistic algae (Zooxanthellae) in their tissues; the spotted jellyfish (Mastigias papua) is typical of these, deriving part of its nutrition from the products of photosynthesis, and part from captured zooplankton. The upside-down jellyfish (Cassiopea andromeda) also has a symbiotic relationship with microalgae, but captures tiny animals to supplement their diet. This is done by releasing tiny balls of living cells composed of mesoglea. These use cilia to drive them through water and stinging cells which stun the prey. The blobs also seems to have digestive capabilities.
Predation
Other species of jellyfish are among the most common and important jellyfish predators. Sea anemones may eat jellyfish that drift into their range. Other predators include tunas, sharks, swordfish, sea turtles and penguins. Jellyfish washed up on the beach are consumed by foxes, other terrestrial mammals and birds. In general however, few animals prey on jellyfish; they can broadly be considered to be top predators in the food chain. Once jellyfish have become dominant in an ecosystem, for example through overfishing which removes predators of jellyfish larvae, there may be no obvious way for the previous balance to be restored: they eat fish eggs and juvenile fish, and compete with fish for food, preventing fish stocks from recovering.
Symbiosis
Some small fish are immune to the stings of the jellyfish and live among the tentacles, serving as bait in a fish trap; they are safe from potential predators and are able to share the fish caught by the jellyfish. The cannonball jellyfish has a symbiotic relationship with ten different species of fish, and with the longnose spider crab, which lives inside the bell, sharing the jellyfish's food and nibbling its tissues.
Main article: Jellyfish bloom
Jellyfish form large masses or blooms in certain environmental conditions of ocean currents, nutrients, sunshine, temperature, season, prey availability, reduced predation and oxygen concentration. Currents collect jellyfish together, especially in years with unusually high populations. Jellyfish can detect marine currents and swim against the current to congregate in blooms. Jellyfish are better able to survive in nutrient-rich, oxygen-poor water than competitors, and thus can feast on plankton without competition. Jellyfish may also benefit from saltier waters, as saltier waters contain more iodine, which is necessary for polyps to turn into jellyfish. Rising sea temperatures caused by climate change may also contribute to jellyfish blooms, because many species of jellyfish are able to survive in warmer waters. Increased nutrients from agricultural or urban runoff with nutrients including nitrogen and phosphorus compounds increase the growth of phytoplankton, causing eutrophication and algal blooms. When the phytoplankton die, they may create dead zones, so-called because they are hypoxic (low in oxygen). This in turn kills fish and other animals, but not jellyfish, allowing them to bloom. Jellyfish populations may be expanding globally as a result of land runoff and overfishing of their natural predators. Jellyfish are well placed to benefit from disturbance of marine ecosystems. They reproduce rapidly; they prey upon many species, while few species prey on them; and they feed via touch rather than visually, so they can feed effectively at night and in turbid waters. It may be difficult for fish stocks to re-establish themselves in marine ecosystems once they have become dominated by jellyfish, because jellyfish feed on plankton, which includes fish eggs and larvae.
As suspected at the turn of this century, jellyfish blooms are increasing in frequency. Between 2013 and 2020 the Mediterranean Science Commission monitored on a weekly basis the frequency of such outbreaks in coastal waters from Morocco to the Black Sea, revealing a relatively high frequency of these blooms nearly all year round, with peaks observed from March to July and often again in the autumn. The blooms are caused by different jellyfish species, depending on their localisation within the Basin: one observes a clear dominance of Pelagia noctiluca and Velella velella outbreaks in the western Mediterranean, of Rhizostoma pulmo and Rhopilema nomadica outbreaks in the eastern Mediterranean, and of Aurelia aurita and Mnemiopsis leidyi outbreaks in the Black Sea.
Some jellyfish populations that have shown clear increases in the past few decades are invasive species, newly arrived from other habitats: examples include the Black Sea, Caspian Sea, Baltic Sea, central and eastern Mediterranean, Hawaii, and tropical and subtropical parts of the West Atlantic (including the Caribbean, Gulf of Mexico and Brazil).
Jellyfish blooms can have significant impact on community structure. Some carnivorous jellyfish species prey on zooplankton while others graze on primary producers. Reductions in zooplankton and ichthyoplankton due to a jellyfish bloom can ripple through the trophic levels. High-density jellyfish populations can outcompete other predators and reduce fish recruitment. Increased grazing on primary producers by jellyfish can also interrupt energy transfer to higher trophic levels.
During blooms, jellyfish significantly alter the nutrient availability in their environment. Blooms require large amounts of available organic nutrients in the water column to grow, limiting availability for other organisms. Some jellyfish have a symbiotic relationship with single-celled dinoflagellates, allowing them to assimilate inorganic carbon, phosphorus, and nitrogen creating competition for phytoplankton. Their large biomass makes them an important source of dissolved and particulate organic matter for microbial communities through excretion, mucus production, and decomposition. The microbes break down the organic matter into inorganic ammonium and phosphate. However, the low carbon availability shifts the process from production to respiration creating low oxygen areas making the dissolved inorganic nitrogen and phosphorus largely unavailable for primary production.
These blooms have very real impacts on industries. Jellyfish can outcompete fish by utilizing open niches in over-fished fisheries. Catch of jellyfish can strain fishing gear and lead to expenses relating to damaged gear. Power plants have been shut down due to jellyfish blocking the flow of cooling water. Blooms have also been harmful for tourism, causing a rise in stings and sometimes the closure of beaches.
Jellyfish form a component of jelly-falls, events where gelatinous zooplankton fall to the seafloor, providing food for the benthic organisms there. In temperate and subpolar regions, jelly-falls usually follow immediately after a bloom.
Habitats
Most jellyfish are marine animals, although a few hydromedusae inhabit freshwater. The best known freshwater example is the cosmopolitan hydrozoan jellyfish, Craspedacusta sowerbii. It is less than an inch (2.5 cm) in diameter, colorless and does not sting. Some jellyfish populations have become restricted to coastal saltwater lakes, such as Jellyfish Lake in Palau. Jellyfish Lake is a marine lake where millions of golden jellyfish (Mastigias spp.) migrate horizontally across the lake daily.
Although most jellyfish live well off the ocean floor and form part of the plankton, a few species are closely associated with the bottom for much of their lives and can be considered benthic. The upside-down jellyfish in the genus Cassiopea typically lie on the bottom of shallow lagoons where they sometimes pulsate gently with their umbrella top facing down. Even some deep-sea species of hydromedusae and scyphomedusae are usually collected on or near the bottom. All of the stauromedusae are found attached to either seaweed or rocky or other firm material on the bottom.
Some species explicitly adapt to tidal flux. In Roscoe Bay, jellyfish ride the current at ebb tide until they hit a gravel bar, and then descend below the current. They remain in still waters until the tide rises, ascending and allowing it to sweep them back into the bay. They also actively avoid fresh water from mountain snowmelt, diving until they find enough salt.
Parasites
Jellyfish are hosts to a wide variety of parasitic organisms. They act as intermediate hosts of endoparasitic helminths, with the infection being transferred to the definitive host fish after predation. Some digenean trematodes, especially species in the family Lepocreadiidae, use jellyfish as their second intermediate hosts. Fish become infected by the trematodes when they feed on infected jellyfish.
Relation to humans
Jellyfish have long been eaten in some parts of the world. Fisheries have begun harvesting the American cannonball jellyfish, Stomolophus meleagris, along the southern Atlantic coast of the United States and in the Gulf of Mexico for export to Asia.
Jellyfish are also harvested for their collagen, which is being investigated for use in a variety of applications including the treatment of rheumatoid arthritis.
Aquaculture and fisheries of other species often suffer severe losses – and so losses of productivity – due to jellyfish.
Products
Main article: Jellyfish as food
In some countries, including China, Japan, and Korea, jellyfish are a delicacy. The jellyfish is dried to prevent spoiling. Only some 12 species of scyphozoan jellyfish belonging to the order Rhizostomeae are harvested for food, mostly in southeast Asia. Rhizostomes, especially Rhopilema esculentum in China (海蜇 hǎizhé, 'sea stingers') and Stomolophus meleagris (cannonball jellyfish) in the United States, are favored because of their larger and more rigid bodies and because their toxins are harmless to humans.
Traditional processing methods, carried out by a jellyfish master, involve a 20- to 40-day multi-phase procedure in which, after removing the gonads and mucous membranes, the umbrella and oral arms are treated with a mixture of table salt and alum, and compressed. Processing makes the jellyfish drier and more acidic, producing a crisp texture. Jellyfish prepared this way retain 7–10% of their original weight, and the processed product consists of approximately 94% water and 6% protein. Freshly processed jellyfish has a white, creamy color and turns yellow or brown during prolonged storage.
In China, processed jellyfish are desalted by soaking in water overnight and eaten cooked or raw. The dish is often served shredded with a dressing of oil, soy sauce, vinegar and sugar, or as a salad with vegetables. In Japan, cured jellyfish are rinsed, cut into strips and served with vinegar as an appetizer. Desalted, ready-to-eat products are also available.
Biotechnology
The hydromedusa Aequorea victoria was the source of green fluorescent protein, studied for its role in bioluminescence and later for use as a marker in genetic engineering.
Pliny the Elder reported in his Natural History that the slime of the jellyfish "Pulmo marinus" produced light when rubbed on a walking stick.
In 1961, Osamu Shimomura extracted green fluorescent protein (GFP) and another bioluminescent protein, called aequorin, from the large and abundant hydromedusa Aequorea victoria, while studying photoproteins that cause bioluminescence in this species. Three decades later, Douglas Prasher sequenced and cloned the gene for GFP. Martin Chalfie figured out how to use GFP as a fluorescent marker of genes inserted into other cells or organisms. Roger Tsien later chemically manipulated GFP to produce other fluorescent colors to use as markers. In 2008, Shimomura, Chalfie and Tsien won the Nobel Prize in Chemistry for their work with GFP. Man-made GFP became widely used as a fluorescent tag to show which cells or tissues express specific genes. The genetic engineering technique fuses the gene of interest to the GFP gene. The fused DNA is then put into a cell, to generate either a cell line or (via IVF techniques) an entire animal bearing the gene. In the cell or animal, the artificial gene turns on in the same tissues and the same time as the normal gene, making a fusion of the normal protein with GFP attached to the end, illuminating the animal or cell reveals what tissues express that protein—or at what stage of development. The fluorescence shows where the gene is expressed.
Aquarium display
Jellyfish are displayed in many public aquariums. Often the tank's background is blue and the animals are illuminated by side light, increasing the contrast between the animal and the background. In natural conditions, many jellies are so transparent that they are nearly invisible. Jellyfish are not adapted to closed spaces. They depend on currents to transport them from place to place. Professional exhibits as in the Monterey Bay Aquarium feature precise water flows, typically in circular tanks to avoid trapping specimens in corners. The outflow is spread out over a large surface area and the inflow enters as a sheet of water in front of the outflow, so the jellyfish do not get sucked into it. As of 2009, jellyfish were becoming popular in home aquariums, where they require similar equipment.
Stings
Jellyfish are armed with nematocysts, a type of specialized stinging cell. Contact with a jellyfish tentacle can trigger millions of nematocysts to pierce the skin and inject venom, but only some species' venom causes an adverse reaction in humans. In a study published in Communications Biology, researchers found a jellyfish species called Cassiopea xamachana which when triggered will release tiny balls of cells that swim around the jellyfish stinging everything in their path. Researchers described these as "self-propelling microscopic grenades" and named them cassiosomes.
The effects of stings range from mild discomfort to extreme pain and death. Most jellyfish stings are not deadly, but stings of some box jellyfish (Irukandji jellyfish), such as the sea wasp, can be deadly. Stings may cause anaphylaxis (a form of shock), which can be fatal. Jellyfish kill 20 to 40 people a year in the Philippines alone. In 2006 the Spanish Red Cross treated 19,000 stung swimmers along the Costa Brava.
Vinegar (3–10% aqueous acetic acid) may help with box jellyfish stings but not the stings of the Portuguese man o' war. Clearing the area of jelly and tentacles reduces nematocyst firing. Scraping the affected skin, such as with the edge of a credit card, may remove remaining nematocysts. Once the skin has been cleaned of nematocysts, hydrocortisone cream applied locally reduces pain and inflammation. Antihistamines may help to control itching. Immunobased antivenins are used for serious box jellyfish stings.
In Elba Island and Corsica dittrichia viscosa is now used by residents and tourists to heal stings from jellyfish, bees and wasps pressing fresh leaves on the skin with quick results.
Mechanical issues
Jellyfish in large quantities can fill and split fishing nets and crush captured fish. They can clog cooling equipment, having disabled power stations in several countries; jellyfish caused a cascading blackout in the Philippines in 1999, as well as damaging the Diablo Canyon Power Plant in California in 2008. They can also stop desalination plants and ships' engines.
I didn’t have to travel far to capture this immaculate Volkswagen T3 Camper Van: it was parked in the street opposite our house. It proclaims itself as ‘The Ark’ - a plate that has ironic connotations in the aftermath of Hurricane Helene, whose storm surge floods caused much devastation locally.
In October 1981, flying tiger ancient human remains from Guizhou Provincial Museum trial excavation, the accumulation of complex, broadly divided into early and late phases. Early formation of yellow or grayish yellow, unearthed panda, Stegodon fossils, stone products are made for the late Paleolithic culture era. Advanced formation is black, black, unearthed animal genetic pulp for extant species, and human mandibular and chipped stone, grinding stone, grinding bone, pottery and other large, geological time for the Holocene, culture in the age of the Neolithic age, that about 4000 years ago to 6000 years.
Unearthed stone products made a total of 532 pieces of raw materials, mainly to flint stone, there is, nuclear, stone etc.. The stone to stone, with the forward direction of processing processing, types of hit device, a scraper, tip like device and dolabriform etc.. The scraper accounted for 76%, tip like device is small but fine processing. The axe is a symbol of the transformation of Neolithic culture. 27 pieces of polished stone, delicate process, a stone axe, stone adzes, stone spinning wheels, stone scraper, stone arrow head, small stones (spear) 8. The number of stone adzes, regular shape, with long oblique cutting tool representative. 79 pieces of bone, in addition to the 1 pieces of grinding residual bone scraper, are making bone, bone and bone shovel cone. The three notches in the teeth may be scratching the porcupine symbol. In addition to pottery and ball spinning round round cake 1, the rest are all pieces of artifacts. 1494 tablets. The uneven thickness, thickness of 1.2 cm, thickness of only 0.2 cm, high temperature, hard texture. About 70% of sand pottery, pottery sand shale pottery class accounted for 30%, very little. Sand and sand are mainly sand. Pottery ornamentation is complicated, there are thick rope lines and Fang Gewen cone, tattoo, carved lines and lines and other additional cone. There are 3 pieces of pottery pottery, which has 1 pieces of orange powder is subjected to pottery coating inside and outside the grey clay, on the exterior is painted with two parallel red bands. This is the first time in Guizhou, Guizhou is also the earliest pottery record.
The site has a new and old stone formation, and the cultural connotation is rich. Pottery appear more attractive, but considerable differences in advanced culture. These have great significance to the study of the relationship between the new and the old stone culture in Guizhou and the time continuity of the times.
In February 23, 1982, the Guizhou Provincial People's Government approved the publication of the provincial cultural relics protection units. 1981年10月,飞虎山古人类遗址由贵州省博物馆试掘,洞内堆积复杂,大致分早、晚两期。早期地层呈黄色或灰黄色,出土大熊猫、剑齿象等化石,石制品均为打制,文化时代为旧石器时代晚期。晚期地层呈黑色、灰黑色,出土动物遗髓为现生属种,并出人类下颌件和打制石器、磨制石器、磨制骨器、大量的陶片等,地质时代为全新世,文化时代属新石器时代,推测距今约4000年至6000年。
遗址出土打制的石制品共532件,原料以燧石为主,有是核、石片、石器等。石器以石片为主,加工方向以正向加工为主,类型有砸器、刮削器、尖状器和斧形器等。其中刮削器占76%,尖状器虽少但加工精细。斧形器似为向新石器文化转化的象征。磨制石器27件,加工精致,有石斧、石锛、石纺轮、石刮刀、石箭(矛)头、小石块等8种。石锛数量多,形制规整,以长形斜刃具代表性。骨器79件,除1件残的磨制骨刮刀外,均为打制骨器,有骨锥和骨铲。其中豪猪牙上的三道刻痕可能是刻划符。陶器除圆饼式及圆珠纺轮各1件外,其余全是器物碎片。计1494片。其厚度不匀,厚者达1.2厘米,薄者仅0.2厘米,火候高,质地坚硬。夹砂灰陶约占70%,夹砂黑陶占30%,泥质类陶极少。夹砂陶以夹细砂为主。陶片纹饰复杂多样,有粗细绳纹、方格纹、锥刺纹、刻划纹和附加锥纹等。陶片中有3片彩陶,其中有1片是在泥质灰陶的内外施以粉澄色陶衣,再于外表绘有两条平行的红色条带。这是贵州首次发现,也是贵州迄今最早的彩陶记录。
遗址具有新、旧石器地层叠压,文化内涵丰富。彩陶的出现更引人瞩目,但中、晚期文化差异颇大。这些对研究贵州新、旧石器文化的相互关系和时代延续问题具有重要的意义。
1982年2月23日,经贵州省人民政府批准公布为省级文物保护单位。
Kālī, also known as Kālikā (Sanskrit: कालिका), is the Hindu goddess associated with empowerment, shakti. She is the fierce aspect of the goddess Durga (Parvati). The name Kali comes from kāla, which means black, time, death, lord of death: Shiva. Since Shiva is called Kāla— the eternal time — the name of Kālī, his consort, also means "Time" or "Death" (as in "time has come"). Hence, Kāli is the Goddess of Time and Change. Although sometimes presented as dark and violent, her earliest incarnation as a figure of annihilation of evil forces still has some influence. Various Shakta Hindu cosmologies, as well as Shākta Tantric beliefs, worship her as the ultimate reality or Brahman. Comparatively recent devotional movements largely conceive Kāli as a benevolent mother goddess. Kālī is represented as the consort of Lord Shiva, on whose body she is often seen standing. Shiva lies in the path of Kali, whose foot on Shiva subdues her anger.
ETYMOLOGY
Kālī is the feminine form of kālam ("black, dark coloured"). Kāla primarily means "time" but also means "black" in honor of being the first creation before light itself. Kālī means "the black one" and refers to her being the entity of "time" or "beyond time." Kāli is strongly associated with Shiva, and Shaivas derive the masculine Kāla (an epithet of Shiva) to come from her feminine name. A nineteenth-century Sanskrit dictionary, the Shabdakalpadrum, states: कालः शिवः। तस्य पत्नीति - काली। kālaḥ śivaḥ। tasya patnīti kālī - "Shiva is Kāla, thus, his consort is Kāli" referring to Devi Parvathi being a manifestation of Devi MahaKali.
Other names include Kālarātri ("black night"), as described above, and Kālikā ("relating to time"). Coburn notes that the name Kālī can be used as a proper name, or as a description of color.
Kāli's association with darkness stands in contrast to her consort, Shiva, who manifested after her in creation, and who symbolises the rest of creation after Time is created. In his supreme awareness of Maya, his body is covered by the white ashes of the cremation ground (Sanskrit: śmaśāna) where he meditates, and with which Kāli is also associated, as śmaśāna-kālī.
ORIGINS
Hugh Urban notes that although the word Kālī appears as early as the Atharva Veda, the first use of it as a proper name is in the Kathaka Grhya Sutra (19.7). Kali is the name of one of the seven tongues of Agni, the [Rigvedic] God of Fire, in the Mundaka Upanishad (2:4), but it is unlikely that this refers to the goddess. The first appearance of Kāli in her present form is in the Sauptika Parvan of the Mahabharata (10.8.64). She is called Kālarātri (literally, "black night") and appears to the Pandava soldiers in dreams, until finally she appears amidst the fighting during an attack by Drona's son Ashwatthama. She most famously appears in the sixth century Devi Mahatmyam as one of the shaktis of Mahadevi, and defeats the demon Raktabija ("Bloodseed"). The tenth-century Kalika Purana venerates Kāli as the ultimate reality.
According to David Kinsley, Kāli is first mentioned in Hinduism as a distinct goddess around 600 CE, and these texts "usually place her on the periphery of Hindu society or on the battlefield." She is often regarded as the Shakti of Shiva, and is closely associated with him in various Puranas. The Kalika Purana depicts her as the "Adi Shakti" (Fundamental Power) and "Para Prakriti" or beyond nature.
WORSHIP & MANTRA
Kali could be considered a general concept, like Durga, and is mostly worshiped in the Kali Kula sect of worship. The closest way of direct worship is Maha Kali or Bhadra Kali (Bhadra in Sanskrit means 'gentle'). Kali is worshiped as one of the 10 Mahavidya forms of Adi Parashakti (Goddess Durga) or Bhagavathy according to the region. The mantra for worship is called Devi Argala Stotram.
Sanskrit: सर्वमङ्गलमाङ्गल्ये शिवे सर्वार्थसाधिके । शरण्ये त्र्यम्बके गौरि नारायणि नमोऽस्तु ते ॥
ॐ जयंती मंगल काली भद्रकाली कपालिनी । दुर्गा क्षमा शिवा धात्री स्वाहा स्वधा नमोऽस्तुते ॥
(Sarvamaṅgalamāṅgalyē śivē sarvārthasādhikē . śaraṇyē tryambakē gauri nārāyaṇi namō'stu tē.
Oṃ jayantī mangala kālī bhadrakālī kapālinī . durgā kṣamā śivā dhātrī svāhā svadhā namō'stutē.)
TANTRA
Goddesses play an important role in the study and practice of Tantra Yoga, and are affirmed to be as central to discerning the nature of reality as are the male deities. Although Parvati is often said to be the recipient and student of Shiva's wisdom in the form of Tantras, it is Kāli who seems to dominate much of the Tantric iconography, texts, and rituals. In many sources Kāli is praised as the highest reality or greatest of all deities. The Nirvana-tantra says the gods Brahma, Vishnu, and Shiva all arise from her like bubbles in the sea, ceaselessly arising and passing away, leaving their original source unchanged. The Niruttara-tantra and the Picchila-tantra declare all of Kāli's mantras to be the greatest and the Yogini-tantra, Kamakhya-tantra and the Niruttara-tantra all proclaim Kāli vidyas (manifestations of Mahadevi, or "divinity itself"). They declare her to be an essence of her own form (svarupa) of the Mahadevi.
In the Mahanirvana-tantra, Kāli is one of the epithets for the primordial sakti, and in one passage Shiva praises her:
At the dissolution of things, it is Kāla [Time] Who will devour all, and by reason of this He is called Mahākāla [an epithet of Lord Shiva], and since Thou devourest Mahākāla Himself, it is Thou who art the Supreme Primordial Kālika. Because Thou devourest Kāla, Thou art Kāli, the original form of all things, and because Thou art the Origin of and devourest all things Thou art called the Adya [the Primordial One]. Re-assuming after Dissolution Thine own form, dark and formless, Thou alone remainest as One ineffable and inconceivable. Though having a form, yet art Thou formless; though Thyself without beginning, multiform by the power of Maya, Thou art the Beginning of all, Creatrix, Protectress, and Destructress that Thou art.
The figure of Kāli conveys death, destruction, and the consuming aspects of reality. As such, she is also a "forbidden thing", or even death itself. In the Pancatattva ritual, the sadhaka boldly seeks to confront Kali, and thereby assimilates and transforms her into a vehicle of salvation. This is clear in the work of the Karpuradi-stotra, a short praise of Kāli describing the Pancatattva ritual unto her, performed on cremation grounds. (Samahana-sadhana)
He, O Mahākāli who in the cremation-ground, naked, and with dishevelled hair, intently meditates upon Thee and recites Thy mantra, and with each recitation makes offering to Thee of a thousand Akanda flowers with seed, becomes without any effort a Lord of the earth. Oh Kāli, whoever on Tuesday at midnight, having uttered Thy mantra, makes offering even but once with devotion to Thee of a hair of his Shakti [his energy/female companion] in the cremation-ground, becomes a great poet, a Lord of the earth, and ever goes mounted upon an elephant.
The Karpuradi-stotra clearly indicates that Kāli is more than a terrible, vicious, slayer of demons who serves Durga or Shiva. Here, she is identified as the supreme mistress of the universe, associated with the five elements. In union with Lord Shiva, she creates and destroys worlds. Her appearance also takes a different turn, befitting her role as ruler of the world and object of meditation. In contrast to her terrible aspects, she takes on hints of a more benign dimension. She is described as young and beautiful, has a gentle smile, and makes gestures with her two right hands to dispel any fear and offer boons. The more positive features exposed offer the distillation of divine wrath into a goddess of salvation, who rids the sadhaka of fear. Here, Kali appears as a symbol of triumph over death.
BENGALI TRADITION
Kali is also a central figure in late medieval Bengali devotional literature, with such devotees as Ramprasad Sen (1718–75). With the exception of being associated with Parvati as Shiva's consort, Kāli is rarely pictured in Hindu legends and iconography as a motherly figure until Bengali devotions beginning in the early eighteenth century. Even in Bengāli tradition her appearance and habits change little, if at all.
The Tantric approach to Kāli is to display courage by confronting her on cremation grounds in the dead of night, despite her terrible appearance. In contrast, the Bengali devotee appropriates Kāli's teachings adopting the attitude of a child, coming to love her unreservedly. In both cases, the goal of the devotee is to become reconciled with death and to learn acceptance of the way that things are. These themes are well addressed in Rāmprasād's work. Rāmprasād comments in many of his other songs that Kāli is indifferent to his wellbeing, causes him to suffer, brings his worldly desires to nothing and his worldly goods to ruin. He also states that she does not behave like a mother should and that she ignores his pleas:
Can mercy be found in the heart of her who was born of the stone? [a reference to Kali as the daughter of Himalaya]
Were she not merciless, would she kick the breast of her lord?
Men call you merciful, but there is no trace of mercy in you, Mother.
You have cut off the heads of the children of others, and these you wear as a garland around your neck.
It matters not how much I call you "Mother, Mother." You hear me, but you will not listen.
To be a child of Kāli, Rāmprasād asserts, is to be denied of earthly delights and pleasures. Kāli is said to refrain from giving that which is expected. To the devotee, it is perhaps her very refusal to do so that enables her devotees to reflect on dimensions of themselves and of reality that go beyond the material world.
A significant portion of Bengali devotional music features Kāli as its central theme and is known as Shyama Sangeet ("Music of the Night"). Mostly sung by male vocalists, today even women have taken to this form of music. One of the finest singers of Shyāma Sāngeet is Pannalal Bhattacharya.
In Bengal, Kāli is venerated in the festival Kali Puja, the new moon day of Ashwin month which coincides with Diwali festival.
In a unique form of Kāli worship, Shantipur worships Kāli in the form of a hand painted image of the deity known as Poteshwari (meaning the deity drawn on a piece of cloth).
LEGENDS
SLAYER OF RAKTABIJA
In Kāli's most famous legend, Devi Durga (Adi Parashakti) and her assistants, the Matrikas, wound the demon Raktabija, in various ways and with a variety of weapons in an attempt to destroy him. They soon find that they have worsened the situation for with every drop of blood that is dripped from Raktabija he reproduces a clone of himself. The battlefield becomes increasingly filled with his duplicates. Durga, in need of help, summons Kāli to combat the demons. It is said, in some versions, that Goddess Durga actually assumes the form of Goddess Kāli at this time. The Devi Mahatmyam describes:
Out of the surface of her (Durga's) forehead, fierce with frown, issued suddenly Kali of terrible countenance, armed with a sword and noose. Bearing the strange khatvanga (skull-topped staff ), decorated with a garland of skulls, clad in a tiger's skin, very appalling owing to her emaciated flesh, with gaping mouth, fearful with her tongue lolling out, having deep reddish eyes, filling the regions of the sky with her roars, falling upon impetuously and slaughtering the great asuras in that army, she devoured those hordes of the foes of the devas.
Kali destroys Raktabija by sucking the blood from his body and putting the many Raktabija duplicates in her gaping mouth. Pleased with her victory, Kali then dances on the field of battle, stepping on the corpses of the slain. In the Devi Mahatmya version of this story, Kali is also described as a Matrika and as a Shakti or power of Devi. She is given the epithet Cāṃuṇḍā (Chamunda), i.e. the slayer of the demons Chanda and Munda. Chamunda is very often identified with Kali and is very much like her in appearance and habit.
DAKSHINA KALI
In her most famous pose as Daksinakali, popular legends say that Kali, becoming drunk on the blood of her victims on the battlefield, dances with destructive frenzy. She is about to destroy the whole universe when, urged by all the gods, Shiva lies in her way to stop her. In her fury, she fails to see the body of Shiva lying amongst the corpses on the battlefield and steps upon his chest. Realizing Shiva lies beneath her feet, her anger is pacified and she calms her fury. Though not included in any of the puranas, popular legends state that Kali was ashamed at the prospect of keeping her husband beneath her feet and thus stuck her tongue out in shame. The Devi-Bhagavata Purana, which goes into great depths about the goddess Kali, reveals the tongue's actual symbolism.
The characteristic icons that depict Kali are the following; unbridled matted hair, open blood shot eyes, open mouth and a drooping tongue; in her hands, she holds a Khadga (bent sword or scimitar) and a human head; she has a girdle of human hands across her waist and an enchanted Shiva lies beneath her feet. Each of these icons represent a deep philosophical epithet. The drooping out-stuck tongue represents her blood-thirst. Lord Shiva beneath her feet represents matter, as Kali is undoubtedly the primeval energy. The depiction of Kali on Shiva shows that without energy, matter lies "dead". This concept has been simplified to a folk-tale depicting a wife placing her foot on her husband and sticking her tongue out in shame. In tantric contexts, the tongue is seen to denote the element (guna) of rajas (energy and action) controlled by sattva.
If Kali steps on Shiva with her right foot and holds the sword in her left hand, she is considered to be Dakshina Kali. The Dakshina Kali Temple has important religious associations with the Jagannath Temple and it is believed that Daksinakali is the guardian of the kitchen of the Lord Jagannath Temple. Puranic tradition says that in Puri, Lord Jagannath is regarded as Daksinakalika. Goddess Dakshinakali plays an important role in the 'Niti' of Saptapuri Amavasya.
One South Indian tradition tells of a dance contest between Shiva and Kali. After defeating the two demons Sumbha and Nisumbha, Kali takes up residence in the forest of Thiruvalankadu or Thiruvalangadu. She terrorizes the surrounding area with her fierce, disruptive nature. One of Shiva's devotees becomes distracted while performing austerities, and asks Shiva to rid the forest of the destructive goddess. When Shiva arrives, Kali threatens him, claiming the territory as her own. Shiva challenges Kali to a dance contest; both of them dance and Kali matches Shiva in every step that he takes until Shiva takes the "Urdhvatandava" step, by vertically raising his right leg. Kali refuses to perform this step, which would not befit her as a woman, and became pacified.
SMASHAN KALI
If the Kali steps out with the left foot and holds the sword in her right hand, she is the terrible form of Mother, the Smashan Kali of the cremation ground. She is worshiped by tantrics, the followers of Tantra, who believe that one's spiritual discipline practiced in a smashan (cremation ground) brings success quickly. Sarda Devi, the consort of Ramakrishna Paramhansa, worshipped Smashan Kali at Dakshineshwar.
MATERNAL KALI
Another legend depicts the infant Shiva calming Kali. In this similar story, Kali has defeated her enemies on the battlefield and begun to dance out of control, drunk on the blood of the slain. To calm her down and to protect the stability of the world, Shiva is sent to the battlefield, as an infant, crying aloud. Seeing the child's distress, Kali ceases dancing to care for the helpless infant. She picks him up, kisses his head, and proceeds to breast feed the infant Shiva. This legend is notable because it shows Kali in her benevolent, maternal aspect, with which she is not usually identified.
MAHAKALI
Mahakali (Sanskrit: Mahākālī, Devanagari: महाकाली), literally translated as Great Kali, is sometimes considered as a greater form of Kali, identified with the Ultimate reality of Brahman. It can also be used as an honorific of the Goddess Kali, signifying her greatness by the prefix "Mahā-". Mahakali, in Sanskrit, is etymologically the feminized variant of Mahakala or Great Time (which is interpreted also as Death), an epithet of the God Shiva in Hinduism. Mahakali is the presiding Goddess of the first episode of the Devi Mahatmya. Here she is depicted as Devi in her universal form as Shakti. Here Devi serves as the agent who allows the cosmic order to be restored.
Kali is depicted in the Mahakali form as having ten heads, ten arms, and ten legs. Each of her ten hands is carrying a various implement which vary in different accounts, but each of these represent the power of one of the Devas or Hindu Gods and are often the identifying weapon or ritual item of a given Deva. The implication is that Mahakali subsumes and is responsible for the powers that these deities possess and this is in line with the interpretation that Mahakali is identical with Brahman. While not displaying ten heads, an "ekamukhi" or one headed image may be displayed with ten arms, signifying the same concept: the powers of the various Gods come only through Her grace.
ICONOGRAPHY
Kali is portrayed mostly in two forms: the popular four-armed form and the ten-armed Mahakali form. In both of her forms, she is described as being black in color but is most often depicted as blue in popular Indian art. Her eyes are described as red with intoxication, and in absolute rage, her hair is shown disheveled, small fangs sometimes protrude out of her mouth, and her tongue is lolling. She is often shown naked or just wearing a skirt made of human arms and a garland of human heads. She is also accompanied by serpents and a jackal while standing on a seemingly dead Shiva, usually right foot forward to symbolize the more popular Dakshinamarga or right-handed path, as opposed to the more infamous and transgressive Vamamarga or left-handed path.
In the ten-armed form of Mahakali she is depicted as shining like a blue stone. She has ten faces and ten feet and three eyes. She has ornaments decked on all her limbs. There is no association with Shiva.
The Kalika Purana describes Kali as possessing a soothing dark complexion, as perfectly beautiful, riding a lion, four-armed, holding a sword and blue lotuses, her hair unrestrained, body firm and youthful.
In spite of her seemingly terrible form, Kali Ma is often considered the kindest and most loving of all the Hindu goddesses, as she is regarded by her devotees as the Mother of the whole Universe. And because of her terrible form, she is also often seen as a great protector. When the Bengali saint Ramakrishna once asked a devotee why one would prefer to worship Mother over him, this devotee rhetorically replied, "Maharaj, when they are in trouble your devotees come running to you. But, where do you run when you are in trouble?"
According to Ramakrishna, darkness is the Ultimate Mother, or Kali:
My Mother is the principle of consciousness. She is Akhanda Satchidananda; indivisible Reality, Awareness, and Bliss. The night sky between the stars is perfectly black. The waters of the ocean depths are the same; The infinite is always mysteriously dark. This inebriating darkness is my beloved Kali.
SRI RAMAKRISHNA
This is clear in the works of such contemporary artists as Charles Wish, and Tyeb Mehta, who sometimes take great liberties with the traditional, accepted symbolism, but still demonstrate a true reverence for the Shakta sect.
POPULAR FORM
Classic depictions of Kali share several features, as follows:
Kali's most common four armed iconographic image shows each hand carrying variously a sword, a trishul (trident), a severed head and a bowl or skull-cup (kapala) catching the blood of the severed head.
Two of these hands (usually the left) are holding a sword and a severed head. The Sword signifies Divine Knowledge and the Human Head signifies human Ego which must be slain by Divine Knowledge in order to attain Moksha. The other two hands (usually the right) are in the abhaya (fearlessness) and varada (blessing) mudras, which means her initiated devotees (or anyone worshipping her with a true heart) will be saved as she will guide them here and in the hereafter.
She has a garland consisting of human heads, variously enumerated at 108 (an auspicious number in Hinduism and the number of countable beads on a Japa Mala or rosary for repetition of Mantras) or 51, which represents Varnamala or the Garland of letters of the Sanskrit alphabet, Devanagari. Hindus believe Sanskrit is a language of dynamism, and each of these letters represents a form of energy, or a form of Kali. Therefore she is generally seen as the mother of language, and all mantras.
She is often depicted naked which symbolizes her being beyond the covering of Maya since she is pure (nirguna) being-consciousness-bliss and far above prakriti. She is shown as very dark as she is brahman in its supreme unmanifest state. She has no permanent qualities - she will continue to exist even when the universe ends. It is therefore believed that the concepts of color, light, good, bad do not apply to her - she is the pure, un-manifested energy, the Adi-shakti.
SHIVA IN KALI ICONOGRAPHY
In both these images she is shown standing on the prone, inert or dead body of Shiva. There is a legend for the reason behind her standing on what appears to be Shiva's corpse, which translates as follows:
Once Kali had destroyed all the demons in battle, she began a terrific dance out of the sheer joy of victory. All the worlds or lokas began to tremble and sway under the impact of her dance. So, at the request of all the Gods, Shiva himself asked her to desist from this behavior. However, she was too intoxicated to listen. Hence, Shiva lay like a corpse among the slain demons in order to absorb the shock of the dance into himself. When Kali eventually stepped upon Shiva, she realized she was trampling and hurting her husband and bit her tongue in shame.
The story described here is a popular folk tale and not described or hinted in any of the puranas. The puranic interpretation is as follows:
Once, Parvati asks Shiva to chose the one form among her 10 forms which he likes most. To her surprise, Shiva reveals that he is most comfortable with her Kali form, in which she is bereft of her jewellery, her human-form, her clothes, her emotions and where she is only raw, chaotic energy, where she is as terrible as time itself and even greater than time. As Parvati takes the form of Kali, Shiva lies at her feet and requests her to place her foot on his chest, upon his heart. Once in this form, Shiva requests her to have this place, below her feet in her iconic image which would be worshiped throughout.
This idea has been explored in the Devi-Bhagavata Purana and is most popular in the Shyama Sangeet, devotional songs to Kali from the 12th to 15th centuries.
The Tantric interpretation of Kali standing on top of her husband is as follows:
The Shiv tattava (Divine Consciousness as Shiva) is inactive, while the Shakti tattava (Divine Energy as Kali) is active. Shiva and Kali represent Brahman, the Absolute pure consciousness which is beyond all names, forms and activities. Kali, on the other hand, represents the potential (and manifested) energy responsible for all names, forms and activities. She is his Shakti, or creative power, and is seen as the substance behind the entire content of all consciousness. She can never exist apart from Shiva or act independently of him, just as Shiva remains a mere corpse without Kali i.e., Shakti, all the matter/energy of the universe, is not distinct from Shiva, or Brahman, but is rather the dynamic power of Brahman. Hence, Kali is Para Brahman in the feminine and dynamic aspect while Shiva is the male aspect and static. She stands as the absolute basis for all life, energy and beneath her feet lies, Shiva, a metaphor for mass, which cannot retain its form without energy.
While this is an advanced concept in monistic Shaktism, it also agrees with the Nondual Trika philosophy of Kashmir, popularly known as Kashmir Shaivism and associated most famously with Abhinavagupta. There is a colloquial saying that "Shiva without Shakti is Shava" which means that without the power of action (Shakti) that is Mahakali (represented as the short "i" in Devanagari) Shiva (or consciousness itself) is inactive; Shava means corpse in Sanskrit and the play on words is that all Sanskrit consonants are assumed to be followed by a short letter "a" unless otherwise noted. The short letter "i" represents the female power or Shakti that activates Creation. This is often the explanation for why She is standing on Shiva, who is either Her husband and complement in Shaktism or the Supreme Godhead in Shaivism.
To properly understand this complex Tantric symbolism it is important to remember that the meaning behind Shiva and Kali does not stray from the non-dualistic parlance of Shankara or the Upanisads. According to both the Mahanirvana and Kularnava Tantras, there are two distinct ways of perceiving the same absolute reality. The first is a transcendental plane which is often described as static, yet infinite. It is here that there is no matter, there is no universe and only consciousness exists. This form of reality is known as Shiva, the absolute Sat-Chit-Ananda - existence, knowledge and bliss. The second is an active plane, an immanent plane, the plane of matter, of Maya, i.e., where the illusion of space-time and the appearance of an actual universe does exist. This form of reality is known as Kali or Shakti, and (in its entirety) is still specified as the same Absolute Sat-Chit-Ananda. It is here in this second plane that the universe (as we commonly know it) is experienced and is described by the Tantric seer as the play of Shakti, or God as Mother Kali.
From a Tantric perspective, when one meditates on reality at rest, as absolute pure consciousness (without the activities of creation, preservation or dissolution) one refers to this as Shiva or Brahman. When one meditates on reality as dynamic and creative, as the Absolute content of pure consciousness (with all the activities of creation, preservation or dissolution) one refers to it as Kali or Shakti. However, in either case the yogini or yogi is interested in one and the same reality - the only difference being in name and fluctuating aspects of appearance. It is this which is generally accepted as the meaning of Kali standing on the chest of Shiva.
Although there is often controversy surrounding the images of divine copulation, the general consensus is benign and free from any carnal impurities in its substance. In Tantra the human body is a symbol for the microcosm of the universe; therefore sexual process is responsible for the creation of the world. Although theoretically Shiva and Kali (or Shakti) are inseparable, like fire and its power to burn, in the case of creation they are often seen as having separate roles. With Shiva as male and Kali as female it is only by their union that creation may transpire. This reminds us of the prakrti and purusa doctrine of Samkhya wherein prakāśa- vimarśa has no practical value, just as without prakrti, purusa is quite inactive. This (once again) stresses the interdependencies of Shiva and Shakti and the vitality of their union.
Gopi Krishna proposed that Kali standing on the dead Shiva or Shava (Sanskrit for dead body) symbolised the helplessness of a person undergoing the changing process (psychologically and physiologically) in the body conducted by the Kundalini Shakti.
DEVELOPMENT
In the later traditions, Kali has become inextricably linked with Shiva. The unleashed form of Kali often becomes wild and uncontrollable, and only Shiva is able to tame her just as only Kali can tame Shiva. This is both because she is often a transformed version of one of his consorts and because he is able to match her wildness.
The ancient text of Kali Kautuvam describes her competition with Shiva in dance, from which the sacred 108 Karanas appeared. Shiva won the competition by acting the urdva tandava, one of the Karanas, by raising his feet to his head. Other texts describe Shiva appearing as a crying infant and appealing to her maternal instincts. While Shiva is said to be able to tame her, the iconography often presents her dancing on his fallen body, and there are accounts of the two of them dancing together, and driving each other to such wildness that the world comes close to unravelling.
Shiva's involvement with Tantra and Kali's dark nature have led to her becoming an important Tantric figure. To the Tantric worshippers, it was essential to face her Curse, the terror of death, as willingly as they accepted Blessings from her beautiful, nurturing, maternal aspect. For them, wisdom meant learning that no coin has only one side: as death cannot exist without life, so life cannot exist without death. Kali's role sometimes grew beyond that of a chaos - which could be confronted - to that of one who could bring wisdom, and she is given great metaphysical significance by some Tantric texts. The Nirvāna-tantra clearly presents her uncontrolled nature as the Ultimate Reality, claiming that the trimurti of Brahma, Vishnu and Rudra arise and disappear from her like bubbles from the sea. Although this is an extreme case, the Yogini-tantra, Kamakhya-tantra and the Niruttara-tantra declare her the svarupa (own-being) of the Mahadevi (the great Goddess, who is in this case seen as the combination of all devis).
The final stage of development is the worshipping of Kali as the Great Mother, devoid of her usual violence. This practice is a break from the more traditional depictions. The pioneers of this tradition are the 18th century Shakta poets such as Ramprasad Sen, who show an awareness of Kali's ambivalent nature. Ramakrishna, the 19th century Bengali saint, was also a great devotee of Kali; the western popularity of whom may have contributed to the more modern, equivocal interpretations of this Goddess. Rachel McDermott's work, however, suggests that for the common, modern worshipper, Kali is not seen as fearful, and only those educated in old traditions see her as having a wrathful component. Some credit to the development of Devi must also be given to Samkhya. Commonly referred to as the Devi of delusion, Mahamaya or Durga, acting in the confines of (but not being bound by) the nature of the three gunas, takes three forms: Maha-Kali, Maha-Lakshmi and Maha-Saraswati, being her tamas-ika, rajas-ika and sattva-ika forms. In this sense, Kali is simply part of a larger whole.
Like Sir John Woodroffe and Georg Feuerstein, many Tantric scholars (as well as sincere practitioners) agree that, no matter how propitious or appalling you describe them, Shiva and Devi are simply recognizable symbols for everyday, abstract (yet tangible) concepts such as perception, knowledge, space-time, causation and the process of liberating oneself from the confines of such things. Shiva, symbolizing pure, absolute consciousness, and Devi, symbolizing the entire content of that consciousness, are ultimately one and the same - totality incarnate, a micro-macro-cosmic amalgamation of all subjects, all objects and all phenomenal relations between the "two." Like man and woman who both share many common, human traits yet at the same time they are still different and, therefore, may also be seen as complementary.
Worshippers prescribe various benign and horrific qualities to Devi simply out of practicality. They do this so they may have a variety of symbols to choose from, symbols which they can identify and relate with from the perspective of their own, ever-changing time, place and personal level of unfolding. Just like modern chemists or physicists use a variety of molecular and atomic models to describe what is unperceivable through rudimentary, sensory input, the scientists of ontology and epistemology must do the same. One of the underlying distinctions of Tantra, in comparison to other religions, is that it allows the devotee the liberty to choose from a vast array of complementary symbols and rhetoric which suit one's evolving needs and tastes. From an aesthetic standpoint, nothing is interdict and nothing is orthodox. In this sense, the projection of some of Devi's more gentle qualities onto Kali is not sacrilege and the development of Kali really lies in the practitioner, not the murthi.
A TIME magazine article of October 27, 1947, used Kali as a symbol and metaphor for the human suffering in British India during its partition that year.
Swami Vivekananda wrote his favorite poem Kali the Mother in 1898.
IN NEW AGE & NEOPAGANISM
An academic study of Western Kali enthusiasts noted that, "as shown in the histories of all cross-cultural religious transplants, Kali devotionalism in the West must take on its own indigenous forms if it is to adapt to its new environment." The adoption of Kali by the West has raised accusations of cultural appropriation:
A variety of writers and thinkers have found Kali an exciting figure for reflection and exploration, notably feminists and participants in New Age spirituality who are attracted to goddess worship. Kali is a symbol of wholeness and healing, associated especially with repressed female power and sexuality. [However, such interpretations often exhibit] confusion and misrepresentation, stemming from a lack of knowledge of Hindu history among these authors, draw upon materials written by scholars of the Hindu religious tradition. The majority instead rely chiefly on other popular feminist sources, almost none of which base their interpretations on a close reading of Kali's Indian background. The most important issue arising from this discussion - even more important than the question of 'correct' interpretation - concerns the adoption of other people's religious symbols. It is hard to import the worship of a goddess from another culture: religious associations and connotations have to be learned, imagined or intuited when the deep symbolic meanings embedded in the native culture are not available.
WIKIPEDIA
Darling Harbor, Sydney. The bright yellow inflatable is five storeys high and five storeys wide and has been shown cities including Osaka, Auckland and Sao Paulo since 2007. Talking about the piece Hofman said: 'it doesn't discriminate and has no political connotation. It relieves everyday tensions, as well as defining them. its purpose is to do no more than amaze.'
Bali is an island and province of Indonesia. The province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan. It is located at the westernmost end of the Lesser Sunda Islands, between Java to the west and Lombok to the east. Its capital of Denpasar is located at the southern part of the island.
With a population of 3,890,757 in the 2010 census, and 4,225,000 as of January 2014, the island is home to most of Indonesia's Hindu minority. According to the 2010 Census, 83.5% of Bali's population adhered to Balinese Hinduism, followed by 13.4% Muslim, Christianity at 2.5%, and Buddhism 0.5%.
Bali is a popular tourist destination, which has seen a significant rise in numbers since the 1980s. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bali.
Bali is part of the Coral Triangle, the area with the highest biodiversity of marine species. In this area alone over 500 reef building coral species can be found. For comparison, this is about 7 times as many as in the entire Caribbean. There is a wide range of dive sites with high quality reefs, all with their own specific attractions. Many sites can have strong currents and swell, so diving without a knowledgeable guide is inadvisable. Most recently, Bali was the host of the 2011 ASEAN Summit, 2013 APEC and Miss World 2013.
HISTORY
ANCIENT
Bali was inhabited around 2000 BC by Austronesian people who migrated originally from Southeast Asia and Oceania through Maritime Southeast Asia. Culturally and linguistically, the Balinese are closely related to the people of the Indonesian archipelago, Malaysia, the Philippines, and Oceania. Stone tools dating from this time have been found near the village of Cekik in the island's west.
In ancient Bali, nine Hindu sects existed, namely Pasupata, Bhairawa, Siwa Shidanta, Waisnawa, Bodha, Brahma, Resi, Sora and Ganapatya. Each sect revered a specific deity as its personal Godhead.
Inscriptions from 896 and 911 don't mention a king, until 914, when Sri Kesarivarma is mentioned. They also reveal an independent Bali, with a distinct dialect, where Buddhism and Sivaism were practiced simultaneously. Mpu Sindok's great granddaughter, Mahendradatta (Gunapriyadharmapatni), married the Bali king Udayana Warmadewa (Dharmodayanavarmadeva) around 989, giving birth to Airlangga around 1001. This marriage also brought more Hinduism and Javanese culture to Bali. Princess Sakalendukirana appeared in 1098. Suradhipa reigned from 1115 to 1119, and Jayasakti from 1146 until 1150. Jayapangus appears on inscriptions between 1178 and 1181, while Adikuntiketana and his son Paramesvara in 1204.
Balinese culture was strongly influenced by Indian, Chinese, and particularly Hindu culture, beginning around the 1st century AD. The name Bali dwipa ("Bali island") has been discovered from various inscriptions, including the Blanjong pillar inscription written by Sri Kesari Warmadewa in 914 AD and mentioning "Walidwipa". It was during this time that the people developed their complex irrigation system subak to grow rice in wet-field cultivation. Some religious and cultural traditions still practised today can be traced to this period.
The Hindu Majapahit Empire (1293–1520 AD) on eastern Java founded a Balinese colony in 1343. The uncle of Hayam Wuruk is mentioned in the charters of 1384-86. A mass Javanese emigration occurred in the next century.
PORTUGUESE CONTACTS
The first known European contact with Bali is thought to have been made in 1512, when a Portuguese expedition led by Antonio Abreu and Francisco Serrão sighted its northern shores. It was the first expedition of a series of bi-annual fleets to the Moluccas, that throughout the 16th century usually traveled along the coasts of the Sunda Islands. Bali was also mapped in 1512, in the chart of Francisco Rodrigues, aboard the expedition. In 1585, a ship foundered off the Bukit Peninsula and left a few Portuguese in the service of Dewa Agung.
DUTCH EAST INDIA
In 1597 the Dutch explorer Cornelis de Houtman arrived at Bali, and the Dutch East India Company was established in 1602. The Dutch government expanded its control across the Indonesian archipelago during the second half of the 19th century (see Dutch East Indies). Dutch political and economic control over Bali began in the 1840s on the island's north coast, when the Dutch pitted various competing Balinese realms against each other. In the late 1890s, struggles between Balinese kingdoms in the island's south were exploited by the Dutch to increase their control.
In June 1860 the famous Welsh naturalist, Alfred Russel Wallace, travelled to Bali from Singapore, landing at Buleleng on the northcoast of the island. Wallace's trip to Bali was instrumental in helping him devise his Wallace Line theory. The Wallace Line is a faunal boundary that runs through the strait between Bali and Lombok. It has been found to be a boundary between species of Asiatic origin in the east and a mixture of Australian and Asian species to the west. In his travel memoir The Malay Archipelago, Wallace wrote of his experience in Bali:
I was both astonished and delighted; for as my visit to Java was some years later, I had never beheld so beautiful and well-cultivated a district out of Europe. A slightly undulating plain extends from the seacoast about ten or twelve miles inland, where it is bounded by a fine range of wooded and cultivated hills. Houses and villages, marked out by dense clumps of coconut palms, tamarind and other fruit trees, are dotted about in every direction; while between them extend luxurious rice-grounds, watered by an elaborate system of irrigation that would be the pride of the best cultivated parts of Europe.
The Dutch mounted large naval and ground assaults at the Sanur region in 1906 and were met by the thousands of members of the royal family and their followers who fought against the superior Dutch force in a suicidal puputan defensive assault rather than face the humiliation of surrender. Despite Dutch demands for surrender, an estimated 200 Balinese marched to their death against the invaders. In the Dutch intervention in Bali, a similar massacre occurred in the face of a Dutch assault in Klungkung.
AFTERWARD THE DUTCH GOVERNORS
exercised administrative control over the island, but local control over religion and culture generally remained intact. Dutch rule over Bali came later and was never as well established as in other parts of Indonesia such as Java and Maluku.
n the 1930s, anthropologists Margaret Mead and Gregory Bateson, artists Miguel Covarrubias and Walter Spies, and musicologist Colin McPhee all spent time here. Their accounts of the island and its peoples created a western image of Bali as "an enchanted land of aesthetes at peace with themselves and nature." Western tourists began to visit the island.
Imperial Japan occupied Bali during World War II. It was not originally a target in their Netherlands East Indies Campaign, but as the airfields on Borneo were inoperative due to heavy rains, the Imperial Japanese Army decided to occupy Bali, which did not suffer from comparable weather. The island had no regular Royal Netherlands East Indies Army (KNIL) troops. There was only a Native Auxiliary Corps Prajoda (Korps Prajoda) consisting of about 600 native soldiers and several Dutch KNIL officers under command of KNIL Lieutenant Colonel W.P. Roodenburg. On 19 February 1942 the Japanese forces landed near the town of Senoer [Senur]. The island was quickly captured.
During the Japanese occupation, a Balinese military officer, Gusti Ngurah Rai, formed a Balinese 'freedom army'. The harshness of war requisitions made Japanese rule more resented than Dutch rule. Following Japan's Pacific surrender in August 1945, the Dutch returned to Indonesia, including Bali, to reinstate their pre-war colonial administration. This was resisted by the Balinese rebels, who now used recovered Japanese weapons. On 20 November 1946, the Battle of Marga was fought in Tabanan in central Bali. Colonel I Gusti Ngurah Rai, by then 29 years old, finally rallied his forces in east Bali at Marga Rana, where they made a suicide attack on the heavily armed Dutch. The Balinese battalion was entirely wiped out, breaking the last thread of Balinese military resistance.
INDIPENDENCE FROM THE DUTCH
In 1946, the Dutch constituted Bali as one of the 13 administrative districts of the newly proclaimed State of East Indonesia, a rival state to the Republic of Indonesia, which was proclaimed and headed by Sukarno and Hatta. Bali was included in the "Republic of the United States of Indonesia" when the Netherlands recognised Indonesian independence on 29 December 1949.
CONTEMPORARY
The 1963 eruption of Mount Agung killed thousands, created economic havoc and forced many displaced Balinese to be transmigrated to other parts of Indonesia. Mirroring the widening of social divisions across Indonesia in the 1950s and early 1960s, Bali saw conflict between supporters of the traditional caste system, and those rejecting this system. Politically, the opposition was represented by supporters of the Indonesian Communist Party (PKI) and the Indonesian Nationalist Party (PNI), with tensions and ill-feeling further increased by the PKI's land reform programs. An attempted coup in Jakarta was put down by forces led by General Suharto.
The army became the dominant power as it instigated a violent anti-communist purge, in which the army blamed the PKI for the coup. Most estimates suggest that at least 500,000 people were killed across Indonesia, with an estimated 80,000 killed in Bali, equivalent to 5% of the island's population. With no Islamic forces involved as in Java and Sumatra, upper-caste PNI landlords led the extermination of PKI members.
As a result of the 1965/66 upheavals, Suharto was able to manoeuvre Sukarno out of the presidency. His "New Order" government reestablished relations with western countries. The pre-War Bali as "paradise" was revived in a modern form. The resulting large growth in tourism has led to a dramatic increase in Balinese standards of living and significant foreign exchange earned for the country. A bombing in 2002 by militant Islamists in the tourist area of Kuta killed 202 people, mostly foreigners. This attack, and another in 2005, severely reduced tourism, producing much economic hardship to the island.
GEOGRAPHY
The island of Bali lies 3.2 km east of Java, and is approximately 8 degrees south of the equator. Bali and Java are separated by the Bali Strait. East to west, the island is approximately 153 km wide and spans approximately 112 km north to south; administratively it covers 5,780 km2, or 5,577 km2 without Nusa Penida District, its population density is roughly 750 people/km2.
Bali's central mountains include several peaks over 3,000 metres in elevation. The highest is Mount Agung (3,031 m), known as the "mother mountain" which is an active volcano rated as one of the world's most likely sites for a massive eruption within the next 100 years. Mountains range from centre to the eastern side, with Mount Agung the easternmost peak. Bali's volcanic nature has contributed to its exceptional fertility and its tall mountain ranges provide the high rainfall that supports the highly productive agriculture sector. South of the mountains is a broad, steadily descending area where most of Bali's large rice crop is grown. The northern side of the mountains slopes more steeply to the sea and is the main coffee producing area of the island, along with rice, vegetables and cattle. The longest river, Ayung River, flows approximately 75 km.
The island is surrounded by coral reefs. Beaches in the south tend to have white sand while those in the north and west have black sand. Bali has no major waterways, although the Ho River is navigable by small sampan boats. Black sand beaches between Pasut and Klatingdukuh are being developed for tourism, but apart from the seaside temple of Tanah Lot, they are not yet used for significant tourism.
The largest city is the provincial capital, Denpasar, near the southern coast. Its population is around 491,500 (2002). Bali's second-largest city is the old colonial capital, Singaraja, which is located on the north coast and is home to around 100,000 people. Other important cities include the beach resort, Kuta, which is practically part of Denpasar's urban area, and Ubud, situated at the north of Denpasar, is the island's cultural centre.
Three small islands lie to the immediate south east and all are administratively part of the Klungkung regency of Bali: Nusa Penida, Nusa Lembongan and Nusa Ceningan. These islands are separated from Bali by the Badung Strait.
To the east, the Lombok Strait separates Bali from Lombok and marks the biogeographical division between the fauna of the Indomalayan ecozone and the distinctly different fauna of Australasia. The transition is known as the Wallace Line, named after Alfred Russel Wallace, who first proposed a transition zone between these two major biomes. When sea levels dropped during the Pleistocene ice age, Bali was connected to Java and Sumatra and to the mainland of Asia and shared the Asian fauna, but the deep water of the Lombok Strait continued to keep Lombok Island and the Lesser Sunda archipelago isolated.
CLIMATE
Being just 8 degrees south of the equator, Bali has a fairly even climate year round.
Day time temperatures at low elevations vary between 20-33⁰ C although it can be much cooler than that in the mountains. The west monsoon is in place from approximately October to April and this can bring significant rain, particularly from December to March. Outside of the monsoon period, humidity is relatively low and any rain unlikely in lowland areas.
ECOLOGY
Bali lies just to the west of the Wallace Line, and thus has a fauna that is Asian in character, with very little Australasian influence, and has more in common with Java than with Lombok. An exception is the yellow-crested cockatoo, a member of a primarily Australasian family. There are around 280 species of birds, including the critically endangered Bali myna, which is endemic. Others Include barn swallow, black-naped oriole, black racket-tailed treepie, crested serpent-eagle, crested treeswift, dollarbird, Java sparrow, lesser adjutant, long-tailed shrike, milky stork, Pacific swallow, red-rumped swallow, sacred kingfisher, sea eagle, woodswallow, savanna nightjar, stork-billed kingfisher, yellow-vented bulbul and great egret.
Until the early 20th century, Bali was home to several large mammals: the wild banteng, leopard and the endemic Bali tiger. The banteng still occurs in its domestic form, whereas leopards are found only in neighbouring Java, and the Bali tiger is extinct. The last definite record of a tiger on Bali dates from 1937, when one was shot, though the subspecies may have survived until the 1940s or 1950s. The relatively small size of the island, conflict with humans, poaching and habitat reduction drove the Bali tiger to extinction. This was the smallest and rarest of all tiger subspecies and was never caught on film or displayed in zoos, whereas few skins or bones remain in museums around the world. Today, the largest mammals are the Javan rusa deer and the wild boar. A second, smaller species of deer, the Indian muntjac, also occurs. Saltwater crocodiles were once present on the island, but became locally extinct sometime during the last century.
Squirrels are quite commonly encountered, less often is the Asian palm civet, which is also kept in coffee farms to produce Kopi Luwak. Bats are well represented, perhaps the most famous place to encounter them remaining the Goa Lawah (Temple of the Bats) where they are worshipped by the locals and also constitute a tourist attraction. They also occur in other cave temples, for instance at Gangga Beach. Two species of monkey occur. The crab-eating macaque, known locally as "kera", is quite common around human settlements and temples, where it becomes accustomed to being fed by humans, particularly in any of the three "monkey forest" temples, such as the popular one in the Ubud area. They are also quite often kept as pets by locals. The second monkey, endemic to Java and some surrounding islands such as Bali, is far rarer and more elusive is the Javan langur, locally known as "lutung". They occur in few places apart from the Bali Barat National Park. They are born an orange colour, though by their first year they would have already changed to a more blackish colouration. In Java however, there is more of a tendency for this species to retain its juvenile orange colour into adulthood, and so you can see a mixture of black and orange monkeys together as a family. Other rarer mammals include the leopard cat, Sunda pangolin and black giant squirrel.
Snakes include the king cobra and reticulated python. The water monitor can grow to at least 1.5 m in length and 50 kg and can move quickly.
The rich coral reefs around the coast, particularly around popular diving spots such as Tulamben, Amed, Menjangan or neighbouring Nusa Penida, host a wide range of marine life, for instance hawksbill turtle, giant sunfish, giant manta ray, giant moray eel, bumphead parrotfish, hammerhead shark, reef shark, barracuda, and sea snakes. Dolphins are commonly encountered on the north coast near Singaraja and Lovina.
A team of scientists conducted a survey from 29 April 2011 to 11 May 2011 at 33 sea sites around Bali. They discovered 952 species of reef fish of which 8 were new discoveries at Pemuteran, Gilimanuk, Nusa Dua, Tulamben and Candidasa, and 393 coral species, including two new ones at Padangbai and between Padangbai and Amed. The average coverage level of healthy coral was 36% (better than in Raja Ampat and Halmahera by 29% or in Fakfak and Kaimana by 25%) with the highest coverage found in Gili Selang and Gili Mimpang in Candidasa, Karangasem regency.
Many plants have been introduced by humans within the last centuries, particularly since the 20th century, making it sometimes hard to distinguish what plants are really native.[citation needed] Among the larger trees the most common are: banyan trees, jackfruit, coconuts, bamboo species, acacia trees and also endless rows of coconuts and banana species. Numerous flowers can be seen: hibiscus, frangipani, bougainvillea, poinsettia, oleander, jasmine, water lily, lotus, roses, begonias, orchids and hydrangeas exist. On higher grounds that receive more moisture, for instance around Kintamani, certain species of fern trees, mushrooms and even pine trees thrive well. Rice comes in many varieties. Other plants with agricultural value include: salak, mangosteen, corn, kintamani orange, coffee and water spinach.
ENVIRONMENT
Some of the worst erosion has occurred in Lebih Beach, where up to 7 metres of land is lost every year. Decades ago, this beach was used for holy pilgrimages with more than 10,000 people, but they have now moved to Masceti Beach.
From ranked third in previous review, in 2010 Bali got score 99.65 of Indonesia's environmental quality index and the highest of all the 33 provinces. The score measured 3 water quality parameters: the level of total suspended solids (TSS), dissolved oxygen (DO) and chemical oxygen demand (COD).
Because of over-exploitation by the tourist industry which covers a massive land area, 200 out of 400 rivers on the island have dried up and based on research, the southern part of Bali would face a water shortage up to 2,500 litres of clean water per second by 2015. To ease the shortage, the central government plans to build a water catchment and processing facility at Petanu River in Gianyar. The 300 litres capacity of water per second will be channelled to Denpasar, Badung and Gianyar in 2013.
ECONOMY
Three decades ago, the Balinese economy was largely agriculture-based in terms of both output and employment. Tourism is now the largest single industry in terms of income, and as a result, Bali is one of Indonesia's wealthiest regions. In 2003, around 80% of Bali's economy was tourism related. By end of June 2011, non-performing loan of all banks in Bali were 2.23%, lower than the average of Indonesian banking industry non-performing loan (about 5%). The economy, however, suffered significantly as a result of the terrorist bombings 2002 and 2005. The tourism industry has since recovered from these events.
AGRICULTURE
Although tourism produces the GDP's largest output, agriculture is still the island's biggest employer; most notably rice cultivation. Crops grown in smaller amounts include fruit, vegetables, Coffea arabica and other cash and subsistence crops. Fishing also provides a significant number of jobs. Bali is also famous for its artisans who produce a vast array of handicrafts, including batik and ikat cloth and clothing, wooden carvings, stone carvings, painted art and silverware. Notably, individual villages typically adopt a single product, such as wind chimes or wooden furniture.
The Arabica coffee production region is the highland region of Kintamani near Mount Batur. Generally, Balinese coffee is processed using the wet method. This results in a sweet, soft coffee with good consistency. Typical flavours include lemon and other citrus notes. Many coffee farmers in Kintamani are members of a traditional farming system called Subak Abian, which is based on the Hindu philosophy of "Tri Hita Karana". According to this philosophy, the three causes of happiness are good relations with God, other people and the environment. The Subak Abian system is ideally suited to the production of fair trade and organic coffee production. Arabica coffee from Kintamani is the first product in Indonesia to request a Geographical Indication.
TOURISM
The tourism industry is primarily focused in the south, while significant in the other parts of the island as well. The main tourist locations are the town of Kuta (with its beach), and its outer suburbs of Legian and Seminyak (which were once independent townships), the east coast town of Sanur (once the only tourist hub), in the center of the island Ubud, to the south of the Ngurah Rai International Airport, Jimbaran, and the newer development of Nusa Dua and Pecatu.
The American government lifted its travel warnings in 2008. The Australian government issued an advice on Friday, 4 May 2012. The overall level of the advice was lowered to 'Exercise a high degree of caution'. The Swedish government issued a new warning on Sunday, 10 June 2012 because of one more tourist who was killed by methanol poisoning. Australia last issued an advice on Monday, 5 January 2015 due to new terrorist threats.
An offshoot of tourism is the growing real estate industry. Bali real estate has been rapidly developing in the main tourist areas of Kuta, Legian, Seminyak and Oberoi. Most recently, high-end 5 star projects are under development on the Bukit peninsula, on the south side of the island. Million dollar villas are being developed along the cliff sides of south Bali, commanding panoramic ocean views. Foreign and domestic (many Jakarta individuals and companies are fairly active) investment into other areas of the island also continues to grow. Land prices, despite the worldwide economic crisis, have remained stable.
In the last half of 2008, Indonesia's currency had dropped approximately 30% against the US dollar, providing many overseas visitors value for their currencies. Visitor arrivals for 2009 were forecast to drop 8% (which would be higher than 2007 levels), due to the worldwide economic crisis which has also affected the global tourist industry, but not due to any travel warnings.
Bali's tourism economy survived the terrorist bombings of 2002 and 2005, and the tourism industry has in fact slowly recovered and surpassed its pre-terrorist bombing levels; the longterm trend has been a steady increase of visitor arrivals. In 2010, Bali received 2.57 million foreign tourists, which surpassed the target of 2.0–2.3 million tourists. The average occupancy of starred hotels achieved 65%, so the island is still able to accommodate tourists for some years without any addition of new rooms/hotels, although at the peak season some of them are fully booked.
Bali received the Best Island award from Travel and Leisure in 2010. The island of Bali won because of its attractive surroundings (both mountain and coastal areas), diverse tourist attractions, excellent international and local restaurants, and the friendliness of the local people. According to BBC Travel released in 2011, Bali is one of the World's Best Islands, ranking second after Santorini, Greece.
In August 2010, the film Eat Pray Love was released in theatres. The movie was based on Elizabeth Gilbert's best-selling memoir Eat, Pray, Love. It took place at Ubud and Padang-Padang Beach at Bali. The 2006 book, which spent 57 weeks at the No. 1 spot on the New York Times paperback nonfiction best-seller list, had already fuelled a boom in Eat, Pray, Love-related tourism in Ubud, the hill town and cultural and tourist center that was the focus of Gilbert's quest for balance through traditional spirituality and healing that leads to love.
In January 2016, after music icon David Bowie died, it was revealed that in his will, Bowie asked for his ashes to be scattered in Bali, conforming to Buddhist rituals. He had visited and performed in a number of Southest Asian cities early in his career, including Bangkok and Singapore.
Since 2011, China has displaced Japan as the second-largest supplier of tourists to Bali, while Australia still tops the list. Chinese tourists increased by 17% from last year due to the impact of ACFTA and new direct flights to Bali. In January 2012, Chinese tourists year on year (yoy) increased by 222.18% compared to January 2011, while Japanese tourists declined by 23.54% yoy.
Bali reported that it has 2.88 million foreign tourists and 5 million domestic tourists in 2012, marginally surpassing the expectations of 2.8 million foreign tourists. Forecasts for 2013 are at 3.1 million.
Based on Bank Indonesia survey in May 2013, 34.39 percent of tourists are upper-middle class with spending between $1,286 to $5,592 and dominated by Australia, France, China, Germany and the US with some China tourists move from low spending before to higher spending currently. While 30.26 percent are middle class with spending between $662 to $1,285.
SEX TOURISM
In the twentieth century the incidence of tourism specifically for sex was regularly observed in the era of mass tourism in Indonesia In Bali, prostitution is conducted by both men and women. Bali in particular is notorious for its 'Kuta Cowboys', local gigolos targeting foreign female tourists.
Tens of thousands of single women throng the beaches of Bali in Indonesia every year. For decades, young Balinese men have taken advantage of the louche and laid-back atmosphere to find love and lucre from female tourists—Japanese, European and Australian for the most part—who by all accounts seem perfectly happy with the arrangement.
By 2013, Indonesia was reportedly the number one destination for Australian child sex tourists, mostly starting in Bali but also travelling to other parts of the country. The problem in Bali was highlighted by Luh Ketut Suryani, head of Psychiatry at Udayana University, as early as 2003. Surayani warned that a low level of awareness of paedophilia in Bali had made it the target of international paedophile organisations. On 19 February 2013, government officials announced measures to combat paedophilia in Bali.
TRANSPORTATION
The Ngurah Rai International Airport is located near Jimbaran, on the isthmus at the southernmost part of the island. Lt.Col. Wisnu Airfield is found in north-west Bali.
A coastal road circles the island, and three major two-lane arteries cross the central mountains at passes reaching to 1,750m in height (at Penelokan). The Ngurah Rai Bypass is a four-lane expressway that partly encircles Denpasar. Bali has no railway lines.
In December 2010 the Government of Indonesia invited investors to build a new Tanah Ampo Cruise Terminal at Karangasem, Bali with a projected worth of $30 million. On 17 July 2011 the first cruise ship (Sun Princess) anchored about 400 meters away from the wharf of Tanah Ampo harbour. The current pier is only 154 meters but will eventually be extended to 300–350 meters to accommodate international cruise ships. The harbour here is safer than the existing facility at Benoa and has a scenic backdrop of east Bali mountains and green rice fields. The tender for improvement was subject to delays, and as of July 2013 the situation remained unclear with cruise line operators complaining and even refusing to use the existing facility at Tanah Ampo.
A Memorandum of Understanding has been signed by two ministers, Bali's Governor and Indonesian Train Company to build 565 kilometres of railway along the coast around the island. As of July 2015, no details of this proposed railways have been released.
On 16 March 2011 (Tanjung) Benoa port received the "Best Port Welcome 2010" award from London's "Dream World Cruise Destination" magazine. Government plans to expand the role of Benoa port as export-import port to boost Bali's trade and industry sector. The Tourism and Creative Economy Ministry has confirmed that 306 cruise liners are heading for Indonesia in 2013 – an increase of 43 percent compared to the previous year.
In May 2011, an integrated Areal Traffic Control System (ATCS) was implemented to reduce traffic jams at four crossing points: Ngurah Rai statue, Dewa Ruci Kuta crossing, Jimbaran crossing and Sanur crossing. ATCS is an integrated system connecting all traffic lights, CCTVs and other traffic signals with a monitoring office at the police headquarters. It has successfully been implemented in other ASEAN countries and will be implemented at other crossings in Bali.
On 21 December 2011 construction started on the Nusa Dua-Benoa-Ngurah Rai International Airport toll road which will also provide a special lane for motorcycles. This has been done by seven state-owned enterprises led by PT Jasa Marga with 60% of shares. PT Jasa Marga Bali Tol will construct the 9.91 kilometres toll road (totally 12.7 kilometres with access road). The construction is estimated to cost Rp.2.49 trillion ($273.9 million). The project goes through 2 kilometres of mangrove forest and through 2.3 kilometres of beach, both within 5.4 hectares area. The elevated toll road is built over the mangrove forest on 18,000 concrete pillars which occupied 2 hectares of mangroves forest. It compensated by new planting of 300,000 mangrove trees along the road. On 21 December 2011 the Dewa Ruci 450 meters underpass has also started on the busy Dewa Ruci junction near Bali Kuta Galeria with an estimated cost of Rp136 billion ($14.9 million) from the state budget. On 23 September 2013, the Bali Mandara Toll Road is opened and the Dewa Ruci Junction (Simpang Siur) underpass is opened before. Both are ease the heavy traffic congestion.
To solve chronic traffic problems, the province will also build a toll road connecting Serangan with Tohpati, a toll road connecting Kuta, Denpasar and Tohpati and a flyover connecting Kuta and Ngurah Rai Airport.
DEMOGRAPHICS
The population of Bali was 3,890,757 as of the 2010 Census; the latest estimate (for January 2014) is 4,225,384. There are an estimated 30,000 expatriates living in Bali.
ETHNIC ORIGINS
A DNA study in 2005 by Karafet et al. found that 12% of Balinese Y-chromosomes are of likely Indian origin, while 84% are of likely Austronesian origin, and 2% of likely Melanesian origin. The study does not correlate the DNA samples to the Balinese caste system.
CASTE SYSTEM
Bali has a caste system based on the Indian Hindu model, with four castes:
- Sudra (Shudra) – peasants constituting close to 93% of Bali's population.
- Wesia (Vaishyas) – the caste of merchants and administrative officials
- Ksatrias (Kshatriyas) – the kingly and warrior caste
- Brahmana (Bramhin) – holy men and priests
RELIGION
Unlike most of Muslim-majority Indonesia, about 83.5% of Bali's population adheres to Balinese Hinduism, formed as a combination of existing local beliefs and Hindu influences from mainland Southeast Asia and South Asia. Minority religions include Islam (13.3%), Christianity (1.7%), and Buddhism (0.5%). These figures do not include immigrants from other parts of Indonesia.
Balinese Hinduism is an amalgam in which gods and demigods are worshipped together with Buddhist heroes, the spirits of ancestors, indigenous agricultural deities and sacred places. Religion as it is practised in Bali is a composite belief system that embraces not only theology, philosophy, and mythology, but ancestor worship, animism and magic. It pervades nearly every aspect of traditional life. Caste is observed, though less strictly than in India. With an estimated 20,000 puras (temples) and shrines, Bali is known as the "Island of a Thousand Puras", or "Island of the Gods". This is refer to Mahabarata story that behind Bali became island of god or "pulau dewata" in Indonesian language.
Balinese Hinduism has roots in Indian Hinduism and Buddhism, and adopted the animistic traditions of the indigenous people. This influence strengthened the belief that the gods and goddesses are present in all things. Every element of nature, therefore, possesses its own power, which reflects the power of the gods. A rock, tree, dagger, or woven cloth is a potential home for spirits whose energy can be directed for good or evil. Balinese Hinduism is deeply interwoven with art and ritual. Ritualizing states of self-control are a notable feature of religious expression among the people, who for this reason have become famous for their graceful and decorous behaviour.
Apart from the majority of Balinese Hindus, there also exist Chinese immigrants whose traditions have melded with that of the locals. As a result, these Sino-Balinese not only embrace their original religion, which is a mixture of Buddhism, Christianity, Taoism and Confucianism, but also find a way to harmonise it with the local traditions. Hence, it is not uncommon to find local Sino-Balinese during the local temple's odalan. Moreover, Balinese Hindu priests are invited to perform rites alongside a Chinese priest in the event of the death of a Sino-Balinese. Nevertheless, the Sino-Balinese claim to embrace Buddhism for administrative purposes, such as their Identity Cards.
LANGUAGE
Balinese and Indonesian are the most widely spoken languages in Bali, and the vast majority of Balinese people are bilingual or trilingual. The most common spoken language around the tourist areas is Indonesian, as many people in the tourist sector are not solely Balinese, but migrants from Java, Lombok, Sumatra, and other parts of Indonesia. There are several indigenous Balinese languages, but most Balinese can also use the most widely spoken option: modern common Balinese. The usage of different Balinese languages was traditionally determined by the Balinese caste system and by clan membership, but this tradition is diminishing. Kawi and Sanskrit are also commonly used by some Hindu priests in Bali, for Hinduism literature was mostly written in Sanskrit.
English and Chinese are the next most common languages (and the primary foreign languages) of many Balinese, owing to the requirements of the tourism industry, as well as the English-speaking community and huge Chinese-Indonesian population. Other foreign languages, such as Japanese, Korean, French, Russian or German are often used in multilingual signs for foreign tourists.
CULTURE
Bali is renowned for its diverse and sophisticated art forms, such as painting, sculpture, woodcarving, handcrafts, and performing arts. Balinese cuisine is also distinctive. Balinese percussion orchestra music, known as gamelan, is highly developed and varied. Balinese performing arts often portray stories from Hindu epics such as the Ramayana but with heavy Balinese influence. Famous Balinese dances include pendet, legong, baris, topeng, barong, gong keybar, and kecak (the monkey dance). Bali boasts one of the most diverse and innovative performing arts cultures in the world, with paid performances at thousands of temple festivals, private ceremonies, or public shows.
The Hindu New Year, Nyepi, is celebrated in the spring by a day of silence. On this day everyone stays at home and tourists are encouraged to remain in their hotels. On the day before New Year, large and colourful sculptures of ogoh-ogoh monsters are paraded and finally burned in the evening to drive away evil spirits. Other festivals throughout the year are specified by the Balinese pawukon calendrical system.
Celebrations are held for many occasions such as a tooth-filing (coming-of-age ritual), cremation or odalan (temple festival). One of the most important concepts that Balinese ceremonies have in common is that of désa kala patra, which refers to how ritual performances must be appropriate in both the specific and general social context. Many of the ceremonial art forms such as wayang kulit and topeng are highly improvisatory, providing flexibility for the performer to adapt the performance to the current situation. Many celebrations call for a loud, boisterous atmosphere with lots of activity and the resulting aesthetic, ramé, is distinctively Balinese. Often two or more gamelan ensembles will be performing well within earshot, and sometimes compete with each other to be heard. Likewise, the audience members talk amongst themselves, get up and walk around, or even cheer on the performance, which adds to the many layers of activity and the liveliness typical of ramé.
Kaja and kelod are the Balinese equivalents of North and South, which refer to ones orientation between the island's largest mountain Gunung Agung (kaja), and the sea (kelod). In addition to spatial orientation, kaja and kelod have the connotation of good and evil; gods and ancestors are believed to live on the mountain whereas demons live in the sea. Buildings such as temples and residential homes are spatially oriented by having the most sacred spaces closest to the mountain and the unclean places nearest to the sea.
Most temples have an inner courtyard and an outer courtyard which are arranged with the inner courtyard furthest kaja. These spaces serve as performance venues since most Balinese rituals are accompanied by any combination of music, dance and drama. The performances that take place in the inner courtyard are classified as wali, the most sacred rituals which are offerings exclusively for the gods, while the outer courtyard is where bebali ceremonies are held, which are intended for gods and people. Lastly, performances meant solely for the entertainment of humans take place outside the walls of the temple and are called bali-balihan. This three-tiered system of classification was standardised in 1971 by a committee of Balinese officials and artists to better protect the sanctity of the oldest and most sacred Balinese rituals from being performed for a paying audience.
Tourism, Bali's chief industry, has provided the island with a foreign audience that is eager to pay for entertainment, thus creating new performance opportunities and more demand for performers. The impact of tourism is controversial since before it became integrated into the economy, the Balinese performing arts did not exist as a capitalist venture, and were not performed for entertainment outside of their respective ritual context. Since the 1930s sacred rituals such as the barong dance have been performed both in their original contexts, as well as exclusively for paying tourists. This has led to new versions of many of these performances which have developed according to the preferences of foreign audiences; some villages have a barong mask specifically for non-ritual performances as well as an older mask which is only used for sacred performances.
Balinese society continues to revolve around each family's ancestral village, to which the cycle of life and religion is closely tied. Coercive aspects of traditional society, such as customary law sanctions imposed by traditional authorities such as village councils (including "kasepekang", or shunning) have risen in importance as a consequence of the democratisation and decentralisation of Indonesia since 1998.
WIKIPEDIA
Bali is an island and province of Indonesia. The province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan. It is located at the westernmost end of the Lesser Sunda Islands, between Java to the west and Lombok to the east. Its capital of Denpasar is located at the southern part of the island.
With a population of 3,890,757 in the 2010 census, and 4,225,000 as of January 2014, the island is home to most of Indonesia's Hindu minority. According to the 2010 Census, 83.5% of Bali's population adhered to Balinese Hinduism, followed by 13.4% Muslim, Christianity at 2.5%, and Buddhism 0.5%.
Bali is a popular tourist destination, which has seen a significant rise in numbers since the 1980s. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bali.
Bali is part of the Coral Triangle, the area with the highest biodiversity of marine species. In this area alone over 500 reef building coral species can be found. For comparison, this is about 7 times as many as in the entire Caribbean. There is a wide range of dive sites with high quality reefs, all with their own specific attractions. Many sites can have strong currents and swell, so diving without a knowledgeable guide is inadvisable. Most recently, Bali was the host of the 2011 ASEAN Summit, 2013 APEC and Miss World 2013.
HISTORY
ANCIENT
Bali was inhabited around 2000 BC by Austronesian people who migrated originally from Southeast Asia and Oceania through Maritime Southeast Asia. Culturally and linguistically, the Balinese are closely related to the people of the Indonesian archipelago, Malaysia, the Philippines, and Oceania. Stone tools dating from this time have been found near the village of Cekik in the island's west.
In ancient Bali, nine Hindu sects existed, namely Pasupata, Bhairawa, Siwa Shidanta, Waisnawa, Bodha, Brahma, Resi, Sora and Ganapatya. Each sect revered a specific deity as its personal Godhead.
Inscriptions from 896 and 911 don't mention a king, until 914, when Sri Kesarivarma is mentioned. They also reveal an independent Bali, with a distinct dialect, where Buddhism and Sivaism were practiced simultaneously. Mpu Sindok's great granddaughter, Mahendradatta (Gunapriyadharmapatni), married the Bali king Udayana Warmadewa (Dharmodayanavarmadeva) around 989, giving birth to Airlangga around 1001. This marriage also brought more Hinduism and Javanese culture to Bali. Princess Sakalendukirana appeared in 1098. Suradhipa reigned from 1115 to 1119, and Jayasakti from 1146 until 1150. Jayapangus appears on inscriptions between 1178 and 1181, while Adikuntiketana and his son Paramesvara in 1204.
Balinese culture was strongly influenced by Indian, Chinese, and particularly Hindu culture, beginning around the 1st century AD. The name Bali dwipa ("Bali island") has been discovered from various inscriptions, including the Blanjong pillar inscription written by Sri Kesari Warmadewa in 914 AD and mentioning "Walidwipa". It was during this time that the people developed their complex irrigation system subak to grow rice in wet-field cultivation. Some religious and cultural traditions still practised today can be traced to this period.
The Hindu Majapahit Empire (1293–1520 AD) on eastern Java founded a Balinese colony in 1343. The uncle of Hayam Wuruk is mentioned in the charters of 1384-86. A mass Javanese emigration occurred in the next century.
PORTUGUESE CONTACTS
The first known European contact with Bali is thought to have been made in 1512, when a Portuguese expedition led by Antonio Abreu and Francisco Serrão sighted its northern shores. It was the first expedition of a series of bi-annual fleets to the Moluccas, that throughout the 16th century usually traveled along the coasts of the Sunda Islands. Bali was also mapped in 1512, in the chart of Francisco Rodrigues, aboard the expedition. In 1585, a ship foundered off the Bukit Peninsula and left a few Portuguese in the service of Dewa Agung.
DUTCH EAST INDIA
In 1597 the Dutch explorer Cornelis de Houtman arrived at Bali, and the Dutch East India Company was established in 1602. The Dutch government expanded its control across the Indonesian archipelago during the second half of the 19th century (see Dutch East Indies). Dutch political and economic control over Bali began in the 1840s on the island's north coast, when the Dutch pitted various competing Balinese realms against each other. In the late 1890s, struggles between Balinese kingdoms in the island's south were exploited by the Dutch to increase their control.
In June 1860 the famous Welsh naturalist, Alfred Russel Wallace, travelled to Bali from Singapore, landing at Buleleng on the northcoast of the island. Wallace's trip to Bali was instrumental in helping him devise his Wallace Line theory. The Wallace Line is a faunal boundary that runs through the strait between Bali and Lombok. It has been found to be a boundary between species of Asiatic origin in the east and a mixture of Australian and Asian species to the west. In his travel memoir The Malay Archipelago, Wallace wrote of his experience in Bali:
I was both astonished and delighted; for as my visit to Java was some years later, I had never beheld so beautiful and well-cultivated a district out of Europe. A slightly undulating plain extends from the seacoast about ten or twelve miles inland, where it is bounded by a fine range of wooded and cultivated hills. Houses and villages, marked out by dense clumps of coconut palms, tamarind and other fruit trees, are dotted about in every direction; while between them extend luxurious rice-grounds, watered by an elaborate system of irrigation that would be the pride of the best cultivated parts of Europe.
The Dutch mounted large naval and ground assaults at the Sanur region in 1906 and were met by the thousands of members of the royal family and their followers who fought against the superior Dutch force in a suicidal puputan defensive assault rather than face the humiliation of surrender. Despite Dutch demands for surrender, an estimated 200 Balinese marched to their death against the invaders. In the Dutch intervention in Bali, a similar massacre occurred in the face of a Dutch assault in Klungkung.
AFTERWARD THE DUTCH GOVERNORS
exercised administrative control over the island, but local control over religion and culture generally remained intact. Dutch rule over Bali came later and was never as well established as in other parts of Indonesia such as Java and Maluku.
n the 1930s, anthropologists Margaret Mead and Gregory Bateson, artists Miguel Covarrubias and Walter Spies, and musicologist Colin McPhee all spent time here. Their accounts of the island and its peoples created a western image of Bali as "an enchanted land of aesthetes at peace with themselves and nature." Western tourists began to visit the island.
Imperial Japan occupied Bali during World War II. It was not originally a target in their Netherlands East Indies Campaign, but as the airfields on Borneo were inoperative due to heavy rains, the Imperial Japanese Army decided to occupy Bali, which did not suffer from comparable weather. The island had no regular Royal Netherlands East Indies Army (KNIL) troops. There was only a Native Auxiliary Corps Prajoda (Korps Prajoda) consisting of about 600 native soldiers and several Dutch KNIL officers under command of KNIL Lieutenant Colonel W.P. Roodenburg. On 19 February 1942 the Japanese forces landed near the town of Senoer [Senur]. The island was quickly captured.
During the Japanese occupation, a Balinese military officer, Gusti Ngurah Rai, formed a Balinese 'freedom army'. The harshness of war requisitions made Japanese rule more resented than Dutch rule. Following Japan's Pacific surrender in August 1945, the Dutch returned to Indonesia, including Bali, to reinstate their pre-war colonial administration. This was resisted by the Balinese rebels, who now used recovered Japanese weapons. On 20 November 1946, the Battle of Marga was fought in Tabanan in central Bali. Colonel I Gusti Ngurah Rai, by then 29 years old, finally rallied his forces in east Bali at Marga Rana, where they made a suicide attack on the heavily armed Dutch. The Balinese battalion was entirely wiped out, breaking the last thread of Balinese military resistance.
INDIPENDENCE FROM THE DUTCH
In 1946, the Dutch constituted Bali as one of the 13 administrative districts of the newly proclaimed State of East Indonesia, a rival state to the Republic of Indonesia, which was proclaimed and headed by Sukarno and Hatta. Bali was included in the "Republic of the United States of Indonesia" when the Netherlands recognised Indonesian independence on 29 December 1949.
CONTEMPORARY
The 1963 eruption of Mount Agung killed thousands, created economic havoc and forced many displaced Balinese to be transmigrated to other parts of Indonesia. Mirroring the widening of social divisions across Indonesia in the 1950s and early 1960s, Bali saw conflict between supporters of the traditional caste system, and those rejecting this system. Politically, the opposition was represented by supporters of the Indonesian Communist Party (PKI) and the Indonesian Nationalist Party (PNI), with tensions and ill-feeling further increased by the PKI's land reform programs. An attempted coup in Jakarta was put down by forces led by General Suharto.
The army became the dominant power as it instigated a violent anti-communist purge, in which the army blamed the PKI for the coup. Most estimates suggest that at least 500,000 people were killed across Indonesia, with an estimated 80,000 killed in Bali, equivalent to 5% of the island's population. With no Islamic forces involved as in Java and Sumatra, upper-caste PNI landlords led the extermination of PKI members.
As a result of the 1965/66 upheavals, Suharto was able to manoeuvre Sukarno out of the presidency. His "New Order" government reestablished relations with western countries. The pre-War Bali as "paradise" was revived in a modern form. The resulting large growth in tourism has led to a dramatic increase in Balinese standards of living and significant foreign exchange earned for the country. A bombing in 2002 by militant Islamists in the tourist area of Kuta killed 202 people, mostly foreigners. This attack, and another in 2005, severely reduced tourism, producing much economic hardship to the island.
GEOGRAPHY
The island of Bali lies 3.2 km east of Java, and is approximately 8 degrees south of the equator. Bali and Java are separated by the Bali Strait. East to west, the island is approximately 153 km wide and spans approximately 112 km north to south; administratively it covers 5,780 km2, or 5,577 km2 without Nusa Penida District, its population density is roughly 750 people/km2.
Bali's central mountains include several peaks over 3,000 metres in elevation. The highest is Mount Agung (3,031 m), known as the "mother mountain" which is an active volcano rated as one of the world's most likely sites for a massive eruption within the next 100 years. Mountains range from centre to the eastern side, with Mount Agung the easternmost peak. Bali's volcanic nature has contributed to its exceptional fertility and its tall mountain ranges provide the high rainfall that supports the highly productive agriculture sector. South of the mountains is a broad, steadily descending area where most of Bali's large rice crop is grown. The northern side of the mountains slopes more steeply to the sea and is the main coffee producing area of the island, along with rice, vegetables and cattle. The longest river, Ayung River, flows approximately 75 km.
The island is surrounded by coral reefs. Beaches in the south tend to have white sand while those in the north and west have black sand. Bali has no major waterways, although the Ho River is navigable by small sampan boats. Black sand beaches between Pasut and Klatingdukuh are being developed for tourism, but apart from the seaside temple of Tanah Lot, they are not yet used for significant tourism.
The largest city is the provincial capital, Denpasar, near the southern coast. Its population is around 491,500 (2002). Bali's second-largest city is the old colonial capital, Singaraja, which is located on the north coast and is home to around 100,000 people. Other important cities include the beach resort, Kuta, which is practically part of Denpasar's urban area, and Ubud, situated at the north of Denpasar, is the island's cultural centre.
Three small islands lie to the immediate south east and all are administratively part of the Klungkung regency of Bali: Nusa Penida, Nusa Lembongan and Nusa Ceningan. These islands are separated from Bali by the Badung Strait.
To the east, the Lombok Strait separates Bali from Lombok and marks the biogeographical division between the fauna of the Indomalayan ecozone and the distinctly different fauna of Australasia. The transition is known as the Wallace Line, named after Alfred Russel Wallace, who first proposed a transition zone between these two major biomes. When sea levels dropped during the Pleistocene ice age, Bali was connected to Java and Sumatra and to the mainland of Asia and shared the Asian fauna, but the deep water of the Lombok Strait continued to keep Lombok Island and the Lesser Sunda archipelago isolated.
CLIMATE
Being just 8 degrees south of the equator, Bali has a fairly even climate year round.
Day time temperatures at low elevations vary between 20-33⁰ C although it can be much cooler than that in the mountains. The west monsoon is in place from approximately October to April and this can bring significant rain, particularly from December to March. Outside of the monsoon period, humidity is relatively low and any rain unlikely in lowland areas.
ECOLOGY
Bali lies just to the west of the Wallace Line, and thus has a fauna that is Asian in character, with very little Australasian influence, and has more in common with Java than with Lombok. An exception is the yellow-crested cockatoo, a member of a primarily Australasian family. There are around 280 species of birds, including the critically endangered Bali myna, which is endemic. Others Include barn swallow, black-naped oriole, black racket-tailed treepie, crested serpent-eagle, crested treeswift, dollarbird, Java sparrow, lesser adjutant, long-tailed shrike, milky stork, Pacific swallow, red-rumped swallow, sacred kingfisher, sea eagle, woodswallow, savanna nightjar, stork-billed kingfisher, yellow-vented bulbul and great egret.
Until the early 20th century, Bali was home to several large mammals: the wild banteng, leopard and the endemic Bali tiger. The banteng still occurs in its domestic form, whereas leopards are found only in neighbouring Java, and the Bali tiger is extinct. The last definite record of a tiger on Bali dates from 1937, when one was shot, though the subspecies may have survived until the 1940s or 1950s. The relatively small size of the island, conflict with humans, poaching and habitat reduction drove the Bali tiger to extinction. This was the smallest and rarest of all tiger subspecies and was never caught on film or displayed in zoos, whereas few skins or bones remain in museums around the world. Today, the largest mammals are the Javan rusa deer and the wild boar. A second, smaller species of deer, the Indian muntjac, also occurs. Saltwater crocodiles were once present on the island, but became locally extinct sometime during the last century.
Squirrels are quite commonly encountered, less often is the Asian palm civet, which is also kept in coffee farms to produce Kopi Luwak. Bats are well represented, perhaps the most famous place to encounter them remaining the Goa Lawah (Temple of the Bats) where they are worshipped by the locals and also constitute a tourist attraction. They also occur in other cave temples, for instance at Gangga Beach. Two species of monkey occur. The crab-eating macaque, known locally as "kera", is quite common around human settlements and temples, where it becomes accustomed to being fed by humans, particularly in any of the three "monkey forest" temples, such as the popular one in the Ubud area. They are also quite often kept as pets by locals. The second monkey, endemic to Java and some surrounding islands such as Bali, is far rarer and more elusive is the Javan langur, locally known as "lutung". They occur in few places apart from the Bali Barat National Park. They are born an orange colour, though by their first year they would have already changed to a more blackish colouration. In Java however, there is more of a tendency for this species to retain its juvenile orange colour into adulthood, and so you can see a mixture of black and orange monkeys together as a family. Other rarer mammals include the leopard cat, Sunda pangolin and black giant squirrel.
Snakes include the king cobra and reticulated python. The water monitor can grow to at least 1.5 m in length and 50 kg and can move quickly.
The rich coral reefs around the coast, particularly around popular diving spots such as Tulamben, Amed, Menjangan or neighbouring Nusa Penida, host a wide range of marine life, for instance hawksbill turtle, giant sunfish, giant manta ray, giant moray eel, bumphead parrotfish, hammerhead shark, reef shark, barracuda, and sea snakes. Dolphins are commonly encountered on the north coast near Singaraja and Lovina.
A team of scientists conducted a survey from 29 April 2011 to 11 May 2011 at 33 sea sites around Bali. They discovered 952 species of reef fish of which 8 were new discoveries at Pemuteran, Gilimanuk, Nusa Dua, Tulamben and Candidasa, and 393 coral species, including two new ones at Padangbai and between Padangbai and Amed. The average coverage level of healthy coral was 36% (better than in Raja Ampat and Halmahera by 29% or in Fakfak and Kaimana by 25%) with the highest coverage found in Gili Selang and Gili Mimpang in Candidasa, Karangasem regency.
Many plants have been introduced by humans within the last centuries, particularly since the 20th century, making it sometimes hard to distinguish what plants are really native.[citation needed] Among the larger trees the most common are: banyan trees, jackfruit, coconuts, bamboo species, acacia trees and also endless rows of coconuts and banana species. Numerous flowers can be seen: hibiscus, frangipani, bougainvillea, poinsettia, oleander, jasmine, water lily, lotus, roses, begonias, orchids and hydrangeas exist. On higher grounds that receive more moisture, for instance around Kintamani, certain species of fern trees, mushrooms and even pine trees thrive well. Rice comes in many varieties. Other plants with agricultural value include: salak, mangosteen, corn, kintamani orange, coffee and water spinach.
ENVIRONMENT
Some of the worst erosion has occurred in Lebih Beach, where up to 7 metres of land is lost every year. Decades ago, this beach was used for holy pilgrimages with more than 10,000 people, but they have now moved to Masceti Beach.
From ranked third in previous review, in 2010 Bali got score 99.65 of Indonesia's environmental quality index and the highest of all the 33 provinces. The score measured 3 water quality parameters: the level of total suspended solids (TSS), dissolved oxygen (DO) and chemical oxygen demand (COD).
Because of over-exploitation by the tourist industry which covers a massive land area, 200 out of 400 rivers on the island have dried up and based on research, the southern part of Bali would face a water shortage up to 2,500 litres of clean water per second by 2015. To ease the shortage, the central government plans to build a water catchment and processing facility at Petanu River in Gianyar. The 300 litres capacity of water per second will be channelled to Denpasar, Badung and Gianyar in 2013.
ECONOMY
Three decades ago, the Balinese economy was largely agriculture-based in terms of both output and employment. Tourism is now the largest single industry in terms of income, and as a result, Bali is one of Indonesia's wealthiest regions. In 2003, around 80% of Bali's economy was tourism related. By end of June 2011, non-performing loan of all banks in Bali were 2.23%, lower than the average of Indonesian banking industry non-performing loan (about 5%). The economy, however, suffered significantly as a result of the terrorist bombings 2002 and 2005. The tourism industry has since recovered from these events.
AGRICULTURE
Although tourism produces the GDP's largest output, agriculture is still the island's biggest employer; most notably rice cultivation. Crops grown in smaller amounts include fruit, vegetables, Coffea arabica and other cash and subsistence crops. Fishing also provides a significant number of jobs. Bali is also famous for its artisans who produce a vast array of handicrafts, including batik and ikat cloth and clothing, wooden carvings, stone carvings, painted art and silverware. Notably, individual villages typically adopt a single product, such as wind chimes or wooden furniture.
The Arabica coffee production region is the highland region of Kintamani near Mount Batur. Generally, Balinese coffee is processed using the wet method. This results in a sweet, soft coffee with good consistency. Typical flavours include lemon and other citrus notes. Many coffee farmers in Kintamani are members of a traditional farming system called Subak Abian, which is based on the Hindu philosophy of "Tri Hita Karana". According to this philosophy, the three causes of happiness are good relations with God, other people and the environment. The Subak Abian system is ideally suited to the production of fair trade and organic coffee production. Arabica coffee from Kintamani is the first product in Indonesia to request a Geographical Indication.
TOURISM
The tourism industry is primarily focused in the south, while significant in the other parts of the island as well. The main tourist locations are the town of Kuta (with its beach), and its outer suburbs of Legian and Seminyak (which were once independent townships), the east coast town of Sanur (once the only tourist hub), in the center of the island Ubud, to the south of the Ngurah Rai International Airport, Jimbaran, and the newer development of Nusa Dua and Pecatu.
The American government lifted its travel warnings in 2008. The Australian government issued an advice on Friday, 4 May 2012. The overall level of the advice was lowered to 'Exercise a high degree of caution'. The Swedish government issued a new warning on Sunday, 10 June 2012 because of one more tourist who was killed by methanol poisoning. Australia last issued an advice on Monday, 5 January 2015 due to new terrorist threats.
An offshoot of tourism is the growing real estate industry. Bali real estate has been rapidly developing in the main tourist areas of Kuta, Legian, Seminyak and Oberoi. Most recently, high-end 5 star projects are under development on the Bukit peninsula, on the south side of the island. Million dollar villas are being developed along the cliff sides of south Bali, commanding panoramic ocean views. Foreign and domestic (many Jakarta individuals and companies are fairly active) investment into other areas of the island also continues to grow. Land prices, despite the worldwide economic crisis, have remained stable.
In the last half of 2008, Indonesia's currency had dropped approximately 30% against the US dollar, providing many overseas visitors value for their currencies. Visitor arrivals for 2009 were forecast to drop 8% (which would be higher than 2007 levels), due to the worldwide economic crisis which has also affected the global tourist industry, but not due to any travel warnings.
Bali's tourism economy survived the terrorist bombings of 2002 and 2005, and the tourism industry has in fact slowly recovered and surpassed its pre-terrorist bombing levels; the longterm trend has been a steady increase of visitor arrivals. In 2010, Bali received 2.57 million foreign tourists, which surpassed the target of 2.0–2.3 million tourists. The average occupancy of starred hotels achieved 65%, so the island is still able to accommodate tourists for some years without any addition of new rooms/hotels, although at the peak season some of them are fully booked.
Bali received the Best Island award from Travel and Leisure in 2010. The island of Bali won because of its attractive surroundings (both mountain and coastal areas), diverse tourist attractions, excellent international and local restaurants, and the friendliness of the local people. According to BBC Travel released in 2011, Bali is one of the World's Best Islands, ranking second after Santorini, Greece.
In August 2010, the film Eat Pray Love was released in theatres. The movie was based on Elizabeth Gilbert's best-selling memoir Eat, Pray, Love. It took place at Ubud and Padang-Padang Beach at Bali. The 2006 book, which spent 57 weeks at the No. 1 spot on the New York Times paperback nonfiction best-seller list, had already fuelled a boom in Eat, Pray, Love-related tourism in Ubud, the hill town and cultural and tourist center that was the focus of Gilbert's quest for balance through traditional spirituality and healing that leads to love.
In January 2016, after music icon David Bowie died, it was revealed that in his will, Bowie asked for his ashes to be scattered in Bali, conforming to Buddhist rituals. He had visited and performed in a number of Southest Asian cities early in his career, including Bangkok and Singapore.
Since 2011, China has displaced Japan as the second-largest supplier of tourists to Bali, while Australia still tops the list. Chinese tourists increased by 17% from last year due to the impact of ACFTA and new direct flights to Bali. In January 2012, Chinese tourists year on year (yoy) increased by 222.18% compared to January 2011, while Japanese tourists declined by 23.54% yoy.
Bali reported that it has 2.88 million foreign tourists and 5 million domestic tourists in 2012, marginally surpassing the expectations of 2.8 million foreign tourists. Forecasts for 2013 are at 3.1 million.
Based on Bank Indonesia survey in May 2013, 34.39 percent of tourists are upper-middle class with spending between $1,286 to $5,592 and dominated by Australia, France, China, Germany and the US with some China tourists move from low spending before to higher spending currently. While 30.26 percent are middle class with spending between $662 to $1,285.
SEX TOURISM
In the twentieth century the incidence of tourism specifically for sex was regularly observed in the era of mass tourism in Indonesia In Bali, prostitution is conducted by both men and women. Bali in particular is notorious for its 'Kuta Cowboys', local gigolos targeting foreign female tourists.
Tens of thousands of single women throng the beaches of Bali in Indonesia every year. For decades, young Balinese men have taken advantage of the louche and laid-back atmosphere to find love and lucre from female tourists—Japanese, European and Australian for the most part—who by all accounts seem perfectly happy with the arrangement.
By 2013, Indonesia was reportedly the number one destination for Australian child sex tourists, mostly starting in Bali but also travelling to other parts of the country. The problem in Bali was highlighted by Luh Ketut Suryani, head of Psychiatry at Udayana University, as early as 2003. Surayani warned that a low level of awareness of paedophilia in Bali had made it the target of international paedophile organisations. On 19 February 2013, government officials announced measures to combat paedophilia in Bali.
TRANSPORTATION
The Ngurah Rai International Airport is located near Jimbaran, on the isthmus at the southernmost part of the island. Lt.Col. Wisnu Airfield is found in north-west Bali.
A coastal road circles the island, and three major two-lane arteries cross the central mountains at passes reaching to 1,750m in height (at Penelokan). The Ngurah Rai Bypass is a four-lane expressway that partly encircles Denpasar. Bali has no railway lines.
In December 2010 the Government of Indonesia invited investors to build a new Tanah Ampo Cruise Terminal at Karangasem, Bali with a projected worth of $30 million. On 17 July 2011 the first cruise ship (Sun Princess) anchored about 400 meters away from the wharf of Tanah Ampo harbour. The current pier is only 154 meters but will eventually be extended to 300–350 meters to accommodate international cruise ships. The harbour here is safer than the existing facility at Benoa and has a scenic backdrop of east Bali mountains and green rice fields. The tender for improvement was subject to delays, and as of July 2013 the situation remained unclear with cruise line operators complaining and even refusing to use the existing facility at Tanah Ampo.
A Memorandum of Understanding has been signed by two ministers, Bali's Governor and Indonesian Train Company to build 565 kilometres of railway along the coast around the island. As of July 2015, no details of this proposed railways have been released.
On 16 March 2011 (Tanjung) Benoa port received the "Best Port Welcome 2010" award from London's "Dream World Cruise Destination" magazine. Government plans to expand the role of Benoa port as export-import port to boost Bali's trade and industry sector. The Tourism and Creative Economy Ministry has confirmed that 306 cruise liners are heading for Indonesia in 2013 – an increase of 43 percent compared to the previous year.
In May 2011, an integrated Areal Traffic Control System (ATCS) was implemented to reduce traffic jams at four crossing points: Ngurah Rai statue, Dewa Ruci Kuta crossing, Jimbaran crossing and Sanur crossing. ATCS is an integrated system connecting all traffic lights, CCTVs and other traffic signals with a monitoring office at the police headquarters. It has successfully been implemented in other ASEAN countries and will be implemented at other crossings in Bali.
On 21 December 2011 construction started on the Nusa Dua-Benoa-Ngurah Rai International Airport toll road which will also provide a special lane for motorcycles. This has been done by seven state-owned enterprises led by PT Jasa Marga with 60% of shares. PT Jasa Marga Bali Tol will construct the 9.91 kilometres toll road (totally 12.7 kilometres with access road). The construction is estimated to cost Rp.2.49 trillion ($273.9 million). The project goes through 2 kilometres of mangrove forest and through 2.3 kilometres of beach, both within 5.4 hectares area. The elevated toll road is built over the mangrove forest on 18,000 concrete pillars which occupied 2 hectares of mangroves forest. It compensated by new planting of 300,000 mangrove trees along the road. On 21 December 2011 the Dewa Ruci 450 meters underpass has also started on the busy Dewa Ruci junction near Bali Kuta Galeria with an estimated cost of Rp136 billion ($14.9 million) from the state budget. On 23 September 2013, the Bali Mandara Toll Road is opened and the Dewa Ruci Junction (Simpang Siur) underpass is opened before. Both are ease the heavy traffic congestion.
To solve chronic traffic problems, the province will also build a toll road connecting Serangan with Tohpati, a toll road connecting Kuta, Denpasar and Tohpati and a flyover connecting Kuta and Ngurah Rai Airport.
DEMOGRAPHICS
The population of Bali was 3,890,757 as of the 2010 Census; the latest estimate (for January 2014) is 4,225,384. There are an estimated 30,000 expatriates living in Bali.
ETHNIC ORIGINS
A DNA study in 2005 by Karafet et al. found that 12% of Balinese Y-chromosomes are of likely Indian origin, while 84% are of likely Austronesian origin, and 2% of likely Melanesian origin. The study does not correlate the DNA samples to the Balinese caste system.
CASTE SYSTEM
Bali has a caste system based on the Indian Hindu model, with four castes:
- Sudra (Shudra) – peasants constituting close to 93% of Bali's population.
- Wesia (Vaishyas) – the caste of merchants and administrative officials
- Ksatrias (Kshatriyas) – the kingly and warrior caste
- Brahmana (Bramhin) – holy men and priests
RELIGION
Unlike most of Muslim-majority Indonesia, about 83.5% of Bali's population adheres to Balinese Hinduism, formed as a combination of existing local beliefs and Hindu influences from mainland Southeast Asia and South Asia. Minority religions include Islam (13.3%), Christianity (1.7%), and Buddhism (0.5%). These figures do not include immigrants from other parts of Indonesia.
Balinese Hinduism is an amalgam in which gods and demigods are worshipped together with Buddhist heroes, the spirits of ancestors, indigenous agricultural deities and sacred places. Religion as it is practised in Bali is a composite belief system that embraces not only theology, philosophy, and mythology, but ancestor worship, animism and magic. It pervades nearly every aspect of traditional life. Caste is observed, though less strictly than in India. With an estimated 20,000 puras (temples) and shrines, Bali is known as the "Island of a Thousand Puras", or "Island of the Gods". This is refer to Mahabarata story that behind Bali became island of god or "pulau dewata" in Indonesian language.
Balinese Hinduism has roots in Indian Hinduism and Buddhism, and adopted the animistic traditions of the indigenous people. This influence strengthened the belief that the gods and goddesses are present in all things. Every element of nature, therefore, possesses its own power, which reflects the power of the gods. A rock, tree, dagger, or woven cloth is a potential home for spirits whose energy can be directed for good or evil. Balinese Hinduism is deeply interwoven with art and ritual. Ritualizing states of self-control are a notable feature of religious expression among the people, who for this reason have become famous for their graceful and decorous behaviour.
Apart from the majority of Balinese Hindus, there also exist Chinese immigrants whose traditions have melded with that of the locals. As a result, these Sino-Balinese not only embrace their original religion, which is a mixture of Buddhism, Christianity, Taoism and Confucianism, but also find a way to harmonise it with the local traditions. Hence, it is not uncommon to find local Sino-Balinese during the local temple's odalan. Moreover, Balinese Hindu priests are invited to perform rites alongside a Chinese priest in the event of the death of a Sino-Balinese. Nevertheless, the Sino-Balinese claim to embrace Buddhism for administrative purposes, such as their Identity Cards.
LANGUAGE
Balinese and Indonesian are the most widely spoken languages in Bali, and the vast majority of Balinese people are bilingual or trilingual. The most common spoken language around the tourist areas is Indonesian, as many people in the tourist sector are not solely Balinese, but migrants from Java, Lombok, Sumatra, and other parts of Indonesia. There are several indigenous Balinese languages, but most Balinese can also use the most widely spoken option: modern common Balinese. The usage of different Balinese languages was traditionally determined by the Balinese caste system and by clan membership, but this tradition is diminishing. Kawi and Sanskrit are also commonly used by some Hindu priests in Bali, for Hinduism literature was mostly written in Sanskrit.
English and Chinese are the next most common languages (and the primary foreign languages) of many Balinese, owing to the requirements of the tourism industry, as well as the English-speaking community and huge Chinese-Indonesian population. Other foreign languages, such as Japanese, Korean, French, Russian or German are often used in multilingual signs for foreign tourists.
CULTURE
Bali is renowned for its diverse and sophisticated art forms, such as painting, sculpture, woodcarving, handcrafts, and performing arts. Balinese cuisine is also distinctive. Balinese percussion orchestra music, known as gamelan, is highly developed and varied. Balinese performing arts often portray stories from Hindu epics such as the Ramayana but with heavy Balinese influence. Famous Balinese dances include pendet, legong, baris, topeng, barong, gong keybar, and kecak (the monkey dance). Bali boasts one of the most diverse and innovative performing arts cultures in the world, with paid performances at thousands of temple festivals, private ceremonies, or public shows.
The Hindu New Year, Nyepi, is celebrated in the spring by a day of silence. On this day everyone stays at home and tourists are encouraged to remain in their hotels. On the day before New Year, large and colourful sculptures of ogoh-ogoh monsters are paraded and finally burned in the evening to drive away evil spirits. Other festivals throughout the year are specified by the Balinese pawukon calendrical system.
Celebrations are held for many occasions such as a tooth-filing (coming-of-age ritual), cremation or odalan (temple festival). One of the most important concepts that Balinese ceremonies have in common is that of désa kala patra, which refers to how ritual performances must be appropriate in both the specific and general social context. Many of the ceremonial art forms such as wayang kulit and topeng are highly improvisatory, providing flexibility for the performer to adapt the performance to the current situation. Many celebrations call for a loud, boisterous atmosphere with lots of activity and the resulting aesthetic, ramé, is distinctively Balinese. Often two or more gamelan ensembles will be performing well within earshot, and sometimes compete with each other to be heard. Likewise, the audience members talk amongst themselves, get up and walk around, or even cheer on the performance, which adds to the many layers of activity and the liveliness typical of ramé.
Kaja and kelod are the Balinese equivalents of North and South, which refer to ones orientation between the island's largest mountain Gunung Agung (kaja), and the sea (kelod). In addition to spatial orientation, kaja and kelod have the connotation of good and evil; gods and ancestors are believed to live on the mountain whereas demons live in the sea. Buildings such as temples and residential homes are spatially oriented by having the most sacred spaces closest to the mountain and the unclean places nearest to the sea.
Most temples have an inner courtyard and an outer courtyard which are arranged with the inner courtyard furthest kaja. These spaces serve as performance venues since most Balinese rituals are accompanied by any combination of music, dance and drama. The performances that take place in the inner courtyard are classified as wali, the most sacred rituals which are offerings exclusively for the gods, while the outer courtyard is where bebali ceremonies are held, which are intended for gods and people. Lastly, performances meant solely for the entertainment of humans take place outside the walls of the temple and are called bali-balihan. This three-tiered system of classification was standardised in 1971 by a committee of Balinese officials and artists to better protect the sanctity of the oldest and most sacred Balinese rituals from being performed for a paying audience.
Tourism, Bali's chief industry, has provided the island with a foreign audience that is eager to pay for entertainment, thus creating new performance opportunities and more demand for performers. The impact of tourism is controversial since before it became integrated into the economy, the Balinese performing arts did not exist as a capitalist venture, and were not performed for entertainment outside of their respective ritual context. Since the 1930s sacred rituals such as the barong dance have been performed both in their original contexts, as well as exclusively for paying tourists. This has led to new versions of many of these performances which have developed according to the preferences of foreign audiences; some villages have a barong mask specifically for non-ritual performances as well as an older mask which is only used for sacred performances.
Balinese society continues to revolve around each family's ancestral village, to which the cycle of life and religion is closely tied. Coercive aspects of traditional society, such as customary law sanctions imposed by traditional authorities such as village councils (including "kasepekang", or shunning) have risen in importance as a consequence of the democratisation and decentralisation of Indonesia since 1998.
WIKIPEDIA
Bali is an island and province of Indonesia. The province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan. It is located at the westernmost end of the Lesser Sunda Islands, between Java to the west and Lombok to the east. Its capital of Denpasar is located at the southern part of the island.
With a population of 3,890,757 in the 2010 census, and 4,225,000 as of January 2014, the island is home to most of Indonesia's Hindu minority. According to the 2010 Census, 83.5% of Bali's population adhered to Balinese Hinduism, followed by 13.4% Muslim, Christianity at 2.5%, and Buddhism 0.5%.
Bali is a popular tourist destination, which has seen a significant rise in numbers since the 1980s. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bali.
Bali is part of the Coral Triangle, the area with the highest biodiversity of marine species. In this area alone over 500 reef building coral species can be found. For comparison, this is about 7 times as many as in the entire Caribbean. There is a wide range of dive sites with high quality reefs, all with their own specific attractions. Many sites can have strong currents and swell, so diving without a knowledgeable guide is inadvisable. Most recently, Bali was the host of the 2011 ASEAN Summit, 2013 APEC and Miss World 2013.
HISTORY
ANCIENT
Bali was inhabited around 2000 BC by Austronesian people who migrated originally from Southeast Asia and Oceania through Maritime Southeast Asia. Culturally and linguistically, the Balinese are closely related to the people of the Indonesian archipelago, Malaysia, the Philippines, and Oceania. Stone tools dating from this time have been found near the village of Cekik in the island's west.
In ancient Bali, nine Hindu sects existed, namely Pasupata, Bhairawa, Siwa Shidanta, Waisnawa, Bodha, Brahma, Resi, Sora and Ganapatya. Each sect revered a specific deity as its personal Godhead.
Inscriptions from 896 and 911 don't mention a king, until 914, when Sri Kesarivarma is mentioned. They also reveal an independent Bali, with a distinct dialect, where Buddhism and Sivaism were practiced simultaneously. Mpu Sindok's great granddaughter, Mahendradatta (Gunapriyadharmapatni), married the Bali king Udayana Warmadewa (Dharmodayanavarmadeva) around 989, giving birth to Airlangga around 1001. This marriage also brought more Hinduism and Javanese culture to Bali. Princess Sakalendukirana appeared in 1098. Suradhipa reigned from 1115 to 1119, and Jayasakti from 1146 until 1150. Jayapangus appears on inscriptions between 1178 and 1181, while Adikuntiketana and his son Paramesvara in 1204.
Balinese culture was strongly influenced by Indian, Chinese, and particularly Hindu culture, beginning around the 1st century AD. The name Bali dwipa ("Bali island") has been discovered from various inscriptions, including the Blanjong pillar inscription written by Sri Kesari Warmadewa in 914 AD and mentioning "Walidwipa". It was during this time that the people developed their complex irrigation system subak to grow rice in wet-field cultivation. Some religious and cultural traditions still practised today can be traced to this period.
The Hindu Majapahit Empire (1293–1520 AD) on eastern Java founded a Balinese colony in 1343. The uncle of Hayam Wuruk is mentioned in the charters of 1384-86. A mass Javanese emigration occurred in the next century.
PORTUGUESE CONTACTS
The first known European contact with Bali is thought to have been made in 1512, when a Portuguese expedition led by Antonio Abreu and Francisco Serrão sighted its northern shores. It was the first expedition of a series of bi-annual fleets to the Moluccas, that throughout the 16th century usually traveled along the coasts of the Sunda Islands. Bali was also mapped in 1512, in the chart of Francisco Rodrigues, aboard the expedition. In 1585, a ship foundered off the Bukit Peninsula and left a few Portuguese in the service of Dewa Agung.
DUTCH EAST INDIA
In 1597 the Dutch explorer Cornelis de Houtman arrived at Bali, and the Dutch East India Company was established in 1602. The Dutch government expanded its control across the Indonesian archipelago during the second half of the 19th century (see Dutch East Indies). Dutch political and economic control over Bali began in the 1840s on the island's north coast, when the Dutch pitted various competing Balinese realms against each other. In the late 1890s, struggles between Balinese kingdoms in the island's south were exploited by the Dutch to increase their control.
In June 1860 the famous Welsh naturalist, Alfred Russel Wallace, travelled to Bali from Singapore, landing at Buleleng on the northcoast of the island. Wallace's trip to Bali was instrumental in helping him devise his Wallace Line theory. The Wallace Line is a faunal boundary that runs through the strait between Bali and Lombok. It has been found to be a boundary between species of Asiatic origin in the east and a mixture of Australian and Asian species to the west. In his travel memoir The Malay Archipelago, Wallace wrote of his experience in Bali:
I was both astonished and delighted; for as my visit to Java was some years later, I had never beheld so beautiful and well-cultivated a district out of Europe. A slightly undulating plain extends from the seacoast about ten or twelve miles inland, where it is bounded by a fine range of wooded and cultivated hills. Houses and villages, marked out by dense clumps of coconut palms, tamarind and other fruit trees, are dotted about in every direction; while between them extend luxurious rice-grounds, watered by an elaborate system of irrigation that would be the pride of the best cultivated parts of Europe.
The Dutch mounted large naval and ground assaults at the Sanur region in 1906 and were met by the thousands of members of the royal family and their followers who fought against the superior Dutch force in a suicidal puputan defensive assault rather than face the humiliation of surrender. Despite Dutch demands for surrender, an estimated 200 Balinese marched to their death against the invaders. In the Dutch intervention in Bali, a similar massacre occurred in the face of a Dutch assault in Klungkung.
AFTERWARD THE DUTCH GOVERNORS
exercised administrative control over the island, but local control over religion and culture generally remained intact. Dutch rule over Bali came later and was never as well established as in other parts of Indonesia such as Java and Maluku.
n the 1930s, anthropologists Margaret Mead and Gregory Bateson, artists Miguel Covarrubias and Walter Spies, and musicologist Colin McPhee all spent time here. Their accounts of the island and its peoples created a western image of Bali as "an enchanted land of aesthetes at peace with themselves and nature." Western tourists began to visit the island.
Imperial Japan occupied Bali during World War II. It was not originally a target in their Netherlands East Indies Campaign, but as the airfields on Borneo were inoperative due to heavy rains, the Imperial Japanese Army decided to occupy Bali, which did not suffer from comparable weather. The island had no regular Royal Netherlands East Indies Army (KNIL) troops. There was only a Native Auxiliary Corps Prajoda (Korps Prajoda) consisting of about 600 native soldiers and several Dutch KNIL officers under command of KNIL Lieutenant Colonel W.P. Roodenburg. On 19 February 1942 the Japanese forces landed near the town of Senoer [Senur]. The island was quickly captured.
During the Japanese occupation, a Balinese military officer, Gusti Ngurah Rai, formed a Balinese 'freedom army'. The harshness of war requisitions made Japanese rule more resented than Dutch rule. Following Japan's Pacific surrender in August 1945, the Dutch returned to Indonesia, including Bali, to reinstate their pre-war colonial administration. This was resisted by the Balinese rebels, who now used recovered Japanese weapons. On 20 November 1946, the Battle of Marga was fought in Tabanan in central Bali. Colonel I Gusti Ngurah Rai, by then 29 years old, finally rallied his forces in east Bali at Marga Rana, where they made a suicide attack on the heavily armed Dutch. The Balinese battalion was entirely wiped out, breaking the last thread of Balinese military resistance.
INDIPENDENCE FROM THE DUTCH
In 1946, the Dutch constituted Bali as one of the 13 administrative districts of the newly proclaimed State of East Indonesia, a rival state to the Republic of Indonesia, which was proclaimed and headed by Sukarno and Hatta. Bali was included in the "Republic of the United States of Indonesia" when the Netherlands recognised Indonesian independence on 29 December 1949.
CONTEMPORARY
The 1963 eruption of Mount Agung killed thousands, created economic havoc and forced many displaced Balinese to be transmigrated to other parts of Indonesia. Mirroring the widening of social divisions across Indonesia in the 1950s and early 1960s, Bali saw conflict between supporters of the traditional caste system, and those rejecting this system. Politically, the opposition was represented by supporters of the Indonesian Communist Party (PKI) and the Indonesian Nationalist Party (PNI), with tensions and ill-feeling further increased by the PKI's land reform programs. An attempted coup in Jakarta was put down by forces led by General Suharto.
The army became the dominant power as it instigated a violent anti-communist purge, in which the army blamed the PKI for the coup. Most estimates suggest that at least 500,000 people were killed across Indonesia, with an estimated 80,000 killed in Bali, equivalent to 5% of the island's population. With no Islamic forces involved as in Java and Sumatra, upper-caste PNI landlords led the extermination of PKI members.
As a result of the 1965/66 upheavals, Suharto was able to manoeuvre Sukarno out of the presidency. His "New Order" government reestablished relations with western countries. The pre-War Bali as "paradise" was revived in a modern form. The resulting large growth in tourism has led to a dramatic increase in Balinese standards of living and significant foreign exchange earned for the country. A bombing in 2002 by militant Islamists in the tourist area of Kuta killed 202 people, mostly foreigners. This attack, and another in 2005, severely reduced tourism, producing much economic hardship to the island.
GEOGRAPHY
The island of Bali lies 3.2 km east of Java, and is approximately 8 degrees south of the equator. Bali and Java are separated by the Bali Strait. East to west, the island is approximately 153 km wide and spans approximately 112 km north to south; administratively it covers 5,780 km2, or 5,577 km2 without Nusa Penida District, its population density is roughly 750 people/km2.
Bali's central mountains include several peaks over 3,000 metres in elevation. The highest is Mount Agung (3,031 m), known as the "mother mountain" which is an active volcano rated as one of the world's most likely sites for a massive eruption within the next 100 years. Mountains range from centre to the eastern side, with Mount Agung the easternmost peak. Bali's volcanic nature has contributed to its exceptional fertility and its tall mountain ranges provide the high rainfall that supports the highly productive agriculture sector. South of the mountains is a broad, steadily descending area where most of Bali's large rice crop is grown. The northern side of the mountains slopes more steeply to the sea and is the main coffee producing area of the island, along with rice, vegetables and cattle. The longest river, Ayung River, flows approximately 75 km.
The island is surrounded by coral reefs. Beaches in the south tend to have white sand while those in the north and west have black sand. Bali has no major waterways, although the Ho River is navigable by small sampan boats. Black sand beaches between Pasut and Klatingdukuh are being developed for tourism, but apart from the seaside temple of Tanah Lot, they are not yet used for significant tourism.
The largest city is the provincial capital, Denpasar, near the southern coast. Its population is around 491,500 (2002). Bali's second-largest city is the old colonial capital, Singaraja, which is located on the north coast and is home to around 100,000 people. Other important cities include the beach resort, Kuta, which is practically part of Denpasar's urban area, and Ubud, situated at the north of Denpasar, is the island's cultural centre.
Three small islands lie to the immediate south east and all are administratively part of the Klungkung regency of Bali: Nusa Penida, Nusa Lembongan and Nusa Ceningan. These islands are separated from Bali by the Badung Strait.
To the east, the Lombok Strait separates Bali from Lombok and marks the biogeographical division between the fauna of the Indomalayan ecozone and the distinctly different fauna of Australasia. The transition is known as the Wallace Line, named after Alfred Russel Wallace, who first proposed a transition zone between these two major biomes. When sea levels dropped during the Pleistocene ice age, Bali was connected to Java and Sumatra and to the mainland of Asia and shared the Asian fauna, but the deep water of the Lombok Strait continued to keep Lombok Island and the Lesser Sunda archipelago isolated.
CLIMATE
Being just 8 degrees south of the equator, Bali has a fairly even climate year round.
Day time temperatures at low elevations vary between 20-33⁰ C although it can be much cooler than that in the mountains. The west monsoon is in place from approximately October to April and this can bring significant rain, particularly from December to March. Outside of the monsoon period, humidity is relatively low and any rain unlikely in lowland areas.
ECOLOGY
Bali lies just to the west of the Wallace Line, and thus has a fauna that is Asian in character, with very little Australasian influence, and has more in common with Java than with Lombok. An exception is the yellow-crested cockatoo, a member of a primarily Australasian family. There are around 280 species of birds, including the critically endangered Bali myna, which is endemic. Others Include barn swallow, black-naped oriole, black racket-tailed treepie, crested serpent-eagle, crested treeswift, dollarbird, Java sparrow, lesser adjutant, long-tailed shrike, milky stork, Pacific swallow, red-rumped swallow, sacred kingfisher, sea eagle, woodswallow, savanna nightjar, stork-billed kingfisher, yellow-vented bulbul and great egret.
Until the early 20th century, Bali was home to several large mammals: the wild banteng, leopard and the endemic Bali tiger. The banteng still occurs in its domestic form, whereas leopards are found only in neighbouring Java, and the Bali tiger is extinct. The last definite record of a tiger on Bali dates from 1937, when one was shot, though the subspecies may have survived until the 1940s or 1950s. The relatively small size of the island, conflict with humans, poaching and habitat reduction drove the Bali tiger to extinction. This was the smallest and rarest of all tiger subspecies and was never caught on film or displayed in zoos, whereas few skins or bones remain in museums around the world. Today, the largest mammals are the Javan rusa deer and the wild boar. A second, smaller species of deer, the Indian muntjac, also occurs. Saltwater crocodiles were once present on the island, but became locally extinct sometime during the last century.
Squirrels are quite commonly encountered, less often is the Asian palm civet, which is also kept in coffee farms to produce Kopi Luwak. Bats are well represented, perhaps the most famous place to encounter them remaining the Goa Lawah (Temple of the Bats) where they are worshipped by the locals and also constitute a tourist attraction. They also occur in other cave temples, for instance at Gangga Beach. Two species of monkey occur. The crab-eating macaque, known locally as "kera", is quite common around human settlements and temples, where it becomes accustomed to being fed by humans, particularly in any of the three "monkey forest" temples, such as the popular one in the Ubud area. They are also quite often kept as pets by locals. The second monkey, endemic to Java and some surrounding islands such as Bali, is far rarer and more elusive is the Javan langur, locally known as "lutung". They occur in few places apart from the Bali Barat National Park. They are born an orange colour, though by their first year they would have already changed to a more blackish colouration. In Java however, there is more of a tendency for this species to retain its juvenile orange colour into adulthood, and so you can see a mixture of black and orange monkeys together as a family. Other rarer mammals include the leopard cat, Sunda pangolin and black giant squirrel.
Snakes include the king cobra and reticulated python. The water monitor can grow to at least 1.5 m in length and 50 kg and can move quickly.
The rich coral reefs around the coast, particularly around popular diving spots such as Tulamben, Amed, Menjangan or neighbouring Nusa Penida, host a wide range of marine life, for instance hawksbill turtle, giant sunfish, giant manta ray, giant moray eel, bumphead parrotfish, hammerhead shark, reef shark, barracuda, and sea snakes. Dolphins are commonly encountered on the north coast near Singaraja and Lovina.
A team of scientists conducted a survey from 29 April 2011 to 11 May 2011 at 33 sea sites around Bali. They discovered 952 species of reef fish of which 8 were new discoveries at Pemuteran, Gilimanuk, Nusa Dua, Tulamben and Candidasa, and 393 coral species, including two new ones at Padangbai and between Padangbai and Amed. The average coverage level of healthy coral was 36% (better than in Raja Ampat and Halmahera by 29% or in Fakfak and Kaimana by 25%) with the highest coverage found in Gili Selang and Gili Mimpang in Candidasa, Karangasem regency.
Many plants have been introduced by humans within the last centuries, particularly since the 20th century, making it sometimes hard to distinguish what plants are really native.[citation needed] Among the larger trees the most common are: banyan trees, jackfruit, coconuts, bamboo species, acacia trees and also endless rows of coconuts and banana species. Numerous flowers can be seen: hibiscus, frangipani, bougainvillea, poinsettia, oleander, jasmine, water lily, lotus, roses, begonias, orchids and hydrangeas exist. On higher grounds that receive more moisture, for instance around Kintamani, certain species of fern trees, mushrooms and even pine trees thrive well. Rice comes in many varieties. Other plants with agricultural value include: salak, mangosteen, corn, kintamani orange, coffee and water spinach.
ENVIRONMENT
Some of the worst erosion has occurred in Lebih Beach, where up to 7 metres of land is lost every year. Decades ago, this beach was used for holy pilgrimages with more than 10,000 people, but they have now moved to Masceti Beach.
From ranked third in previous review, in 2010 Bali got score 99.65 of Indonesia's environmental quality index and the highest of all the 33 provinces. The score measured 3 water quality parameters: the level of total suspended solids (TSS), dissolved oxygen (DO) and chemical oxygen demand (COD).
Because of over-exploitation by the tourist industry which covers a massive land area, 200 out of 400 rivers on the island have dried up and based on research, the southern part of Bali would face a water shortage up to 2,500 litres of clean water per second by 2015. To ease the shortage, the central government plans to build a water catchment and processing facility at Petanu River in Gianyar. The 300 litres capacity of water per second will be channelled to Denpasar, Badung and Gianyar in 2013.
ECONOMY
Three decades ago, the Balinese economy was largely agriculture-based in terms of both output and employment. Tourism is now the largest single industry in terms of income, and as a result, Bali is one of Indonesia's wealthiest regions. In 2003, around 80% of Bali's economy was tourism related. By end of June 2011, non-performing loan of all banks in Bali were 2.23%, lower than the average of Indonesian banking industry non-performing loan (about 5%). The economy, however, suffered significantly as a result of the terrorist bombings 2002 and 2005. The tourism industry has since recovered from these events.
AGRICULTURE
Although tourism produces the GDP's largest output, agriculture is still the island's biggest employer; most notably rice cultivation. Crops grown in smaller amounts include fruit, vegetables, Coffea arabica and other cash and subsistence crops. Fishing also provides a significant number of jobs. Bali is also famous for its artisans who produce a vast array of handicrafts, including batik and ikat cloth and clothing, wooden carvings, stone carvings, painted art and silverware. Notably, individual villages typically adopt a single product, such as wind chimes or wooden furniture.
The Arabica coffee production region is the highland region of Kintamani near Mount Batur. Generally, Balinese coffee is processed using the wet method. This results in a sweet, soft coffee with good consistency. Typical flavours include lemon and other citrus notes. Many coffee farmers in Kintamani are members of a traditional farming system called Subak Abian, which is based on the Hindu philosophy of "Tri Hita Karana". According to this philosophy, the three causes of happiness are good relations with God, other people and the environment. The Subak Abian system is ideally suited to the production of fair trade and organic coffee production. Arabica coffee from Kintamani is the first product in Indonesia to request a Geographical Indication.
TOURISM
The tourism industry is primarily focused in the south, while significant in the other parts of the island as well. The main tourist locations are the town of Kuta (with its beach), and its outer suburbs of Legian and Seminyak (which were once independent townships), the east coast town of Sanur (once the only tourist hub), in the center of the island Ubud, to the south of the Ngurah Rai International Airport, Jimbaran, and the newer development of Nusa Dua and Pecatu.
The American government lifted its travel warnings in 2008. The Australian government issued an advice on Friday, 4 May 2012. The overall level of the advice was lowered to 'Exercise a high degree of caution'. The Swedish government issued a new warning on Sunday, 10 June 2012 because of one more tourist who was killed by methanol poisoning. Australia last issued an advice on Monday, 5 January 2015 due to new terrorist threats.
An offshoot of tourism is the growing real estate industry. Bali real estate has been rapidly developing in the main tourist areas of Kuta, Legian, Seminyak and Oberoi. Most recently, high-end 5 star projects are under development on the Bukit peninsula, on the south side of the island. Million dollar villas are being developed along the cliff sides of south Bali, commanding panoramic ocean views. Foreign and domestic (many Jakarta individuals and companies are fairly active) investment into other areas of the island also continues to grow. Land prices, despite the worldwide economic crisis, have remained stable.
In the last half of 2008, Indonesia's currency had dropped approximately 30% against the US dollar, providing many overseas visitors value for their currencies. Visitor arrivals for 2009 were forecast to drop 8% (which would be higher than 2007 levels), due to the worldwide economic crisis which has also affected the global tourist industry, but not due to any travel warnings.
Bali's tourism economy survived the terrorist bombings of 2002 and 2005, and the tourism industry has in fact slowly recovered and surpassed its pre-terrorist bombing levels; the longterm trend has been a steady increase of visitor arrivals. In 2010, Bali received 2.57 million foreign tourists, which surpassed the target of 2.0–2.3 million tourists. The average occupancy of starred hotels achieved 65%, so the island is still able to accommodate tourists for some years without any addition of new rooms/hotels, although at the peak season some of them are fully booked.
Bali received the Best Island award from Travel and Leisure in 2010. The island of Bali won because of its attractive surroundings (both mountain and coastal areas), diverse tourist attractions, excellent international and local restaurants, and the friendliness of the local people. According to BBC Travel released in 2011, Bali is one of the World's Best Islands, ranking second after Santorini, Greece.
In August 2010, the film Eat Pray Love was released in theatres. The movie was based on Elizabeth Gilbert's best-selling memoir Eat, Pray, Love. It took place at Ubud and Padang-Padang Beach at Bali. The 2006 book, which spent 57 weeks at the No. 1 spot on the New York Times paperback nonfiction best-seller list, had already fuelled a boom in Eat, Pray, Love-related tourism in Ubud, the hill town and cultural and tourist center that was the focus of Gilbert's quest for balance through traditional spirituality and healing that leads to love.
In January 2016, after music icon David Bowie died, it was revealed that in his will, Bowie asked for his ashes to be scattered in Bali, conforming to Buddhist rituals. He had visited and performed in a number of Southest Asian cities early in his career, including Bangkok and Singapore.
Since 2011, China has displaced Japan as the second-largest supplier of tourists to Bali, while Australia still tops the list. Chinese tourists increased by 17% from last year due to the impact of ACFTA and new direct flights to Bali. In January 2012, Chinese tourists year on year (yoy) increased by 222.18% compared to January 2011, while Japanese tourists declined by 23.54% yoy.
Bali reported that it has 2.88 million foreign tourists and 5 million domestic tourists in 2012, marginally surpassing the expectations of 2.8 million foreign tourists. Forecasts for 2013 are at 3.1 million.
Based on Bank Indonesia survey in May 2013, 34.39 percent of tourists are upper-middle class with spending between $1,286 to $5,592 and dominated by Australia, France, China, Germany and the US with some China tourists move from low spending before to higher spending currently. While 30.26 percent are middle class with spending between $662 to $1,285.
SEX TOURISM
In the twentieth century the incidence of tourism specifically for sex was regularly observed in the era of mass tourism in Indonesia In Bali, prostitution is conducted by both men and women. Bali in particular is notorious for its 'Kuta Cowboys', local gigolos targeting foreign female tourists.
Tens of thousands of single women throng the beaches of Bali in Indonesia every year. For decades, young Balinese men have taken advantage of the louche and laid-back atmosphere to find love and lucre from female tourists—Japanese, European and Australian for the most part—who by all accounts seem perfectly happy with the arrangement.
By 2013, Indonesia was reportedly the number one destination for Australian child sex tourists, mostly starting in Bali but also travelling to other parts of the country. The problem in Bali was highlighted by Luh Ketut Suryani, head of Psychiatry at Udayana University, as early as 2003. Surayani warned that a low level of awareness of paedophilia in Bali had made it the target of international paedophile organisations. On 19 February 2013, government officials announced measures to combat paedophilia in Bali.
TRANSPORTATION
The Ngurah Rai International Airport is located near Jimbaran, on the isthmus at the southernmost part of the island. Lt.Col. Wisnu Airfield is found in north-west Bali.
A coastal road circles the island, and three major two-lane arteries cross the central mountains at passes reaching to 1,750m in height (at Penelokan). The Ngurah Rai Bypass is a four-lane expressway that partly encircles Denpasar. Bali has no railway lines.
In December 2010 the Government of Indonesia invited investors to build a new Tanah Ampo Cruise Terminal at Karangasem, Bali with a projected worth of $30 million. On 17 July 2011 the first cruise ship (Sun Princess) anchored about 400 meters away from the wharf of Tanah Ampo harbour. The current pier is only 154 meters but will eventually be extended to 300–350 meters to accommodate international cruise ships. The harbour here is safer than the existing facility at Benoa and has a scenic backdrop of east Bali mountains and green rice fields. The tender for improvement was subject to delays, and as of July 2013 the situation remained unclear with cruise line operators complaining and even refusing to use the existing facility at Tanah Ampo.
A Memorandum of Understanding has been signed by two ministers, Bali's Governor and Indonesian Train Company to build 565 kilometres of railway along the coast around the island. As of July 2015, no details of this proposed railways have been released.
On 16 March 2011 (Tanjung) Benoa port received the "Best Port Welcome 2010" award from London's "Dream World Cruise Destination" magazine. Government plans to expand the role of Benoa port as export-import port to boost Bali's trade and industry sector. The Tourism and Creative Economy Ministry has confirmed that 306 cruise liners are heading for Indonesia in 2013 – an increase of 43 percent compared to the previous year.
In May 2011, an integrated Areal Traffic Control System (ATCS) was implemented to reduce traffic jams at four crossing points: Ngurah Rai statue, Dewa Ruci Kuta crossing, Jimbaran crossing and Sanur crossing. ATCS is an integrated system connecting all traffic lights, CCTVs and other traffic signals with a monitoring office at the police headquarters. It has successfully been implemented in other ASEAN countries and will be implemented at other crossings in Bali.
On 21 December 2011 construction started on the Nusa Dua-Benoa-Ngurah Rai International Airport toll road which will also provide a special lane for motorcycles. This has been done by seven state-owned enterprises led by PT Jasa Marga with 60% of shares. PT Jasa Marga Bali Tol will construct the 9.91 kilometres toll road (totally 12.7 kilometres with access road). The construction is estimated to cost Rp.2.49 trillion ($273.9 million). The project goes through 2 kilometres of mangrove forest and through 2.3 kilometres of beach, both within 5.4 hectares area. The elevated toll road is built over the mangrove forest on 18,000 concrete pillars which occupied 2 hectares of mangroves forest. It compensated by new planting of 300,000 mangrove trees along the road. On 21 December 2011 the Dewa Ruci 450 meters underpass has also started on the busy Dewa Ruci junction near Bali Kuta Galeria with an estimated cost of Rp136 billion ($14.9 million) from the state budget. On 23 September 2013, the Bali Mandara Toll Road is opened and the Dewa Ruci Junction (Simpang Siur) underpass is opened before. Both are ease the heavy traffic congestion.
To solve chronic traffic problems, the province will also build a toll road connecting Serangan with Tohpati, a toll road connecting Kuta, Denpasar and Tohpati and a flyover connecting Kuta and Ngurah Rai Airport.
DEMOGRAPHICS
The population of Bali was 3,890,757 as of the 2010 Census; the latest estimate (for January 2014) is 4,225,384. There are an estimated 30,000 expatriates living in Bali.
ETHNIC ORIGINS
A DNA study in 2005 by Karafet et al. found that 12% of Balinese Y-chromosomes are of likely Indian origin, while 84% are of likely Austronesian origin, and 2% of likely Melanesian origin. The study does not correlate the DNA samples to the Balinese caste system.
CASTE SYSTEM
Bali has a caste system based on the Indian Hindu model, with four castes:
- Sudra (Shudra) – peasants constituting close to 93% of Bali's population.
- Wesia (Vaishyas) – the caste of merchants and administrative officials
- Ksatrias (Kshatriyas) – the kingly and warrior caste
- Brahmana (Bramhin) – holy men and priests
RELIGION
Unlike most of Muslim-majority Indonesia, about 83.5% of Bali's population adheres to Balinese Hinduism, formed as a combination of existing local beliefs and Hindu influences from mainland Southeast Asia and South Asia. Minority religions include Islam (13.3%), Christianity (1.7%), and Buddhism (0.5%). These figures do not include immigrants from other parts of Indonesia.
Balinese Hinduism is an amalgam in which gods and demigods are worshipped together with Buddhist heroes, the spirits of ancestors, indigenous agricultural deities and sacred places. Religion as it is practised in Bali is a composite belief system that embraces not only theology, philosophy, and mythology, but ancestor worship, animism and magic. It pervades nearly every aspect of traditional life. Caste is observed, though less strictly than in India. With an estimated 20,000 puras (temples) and shrines, Bali is known as the "Island of a Thousand Puras", or "Island of the Gods". This is refer to Mahabarata story that behind Bali became island of god or "pulau dewata" in Indonesian language.
Balinese Hinduism has roots in Indian Hinduism and Buddhism, and adopted the animistic traditions of the indigenous people. This influence strengthened the belief that the gods and goddesses are present in all things. Every element of nature, therefore, possesses its own power, which reflects the power of the gods. A rock, tree, dagger, or woven cloth is a potential home for spirits whose energy can be directed for good or evil. Balinese Hinduism is deeply interwoven with art and ritual. Ritualizing states of self-control are a notable feature of religious expression among the people, who for this reason have become famous for their graceful and decorous behaviour.
Apart from the majority of Balinese Hindus, there also exist Chinese immigrants whose traditions have melded with that of the locals. As a result, these Sino-Balinese not only embrace their original religion, which is a mixture of Buddhism, Christianity, Taoism and Confucianism, but also find a way to harmonise it with the local traditions. Hence, it is not uncommon to find local Sino-Balinese during the local temple's odalan. Moreover, Balinese Hindu priests are invited to perform rites alongside a Chinese priest in the event of the death of a Sino-Balinese. Nevertheless, the Sino-Balinese claim to embrace Buddhism for administrative purposes, such as their Identity Cards.
LANGUAGE
Balinese and Indonesian are the most widely spoken languages in Bali, and the vast majority of Balinese people are bilingual or trilingual. The most common spoken language around the tourist areas is Indonesian, as many people in the tourist sector are not solely Balinese, but migrants from Java, Lombok, Sumatra, and other parts of Indonesia. There are several indigenous Balinese languages, but most Balinese can also use the most widely spoken option: modern common Balinese. The usage of different Balinese languages was traditionally determined by the Balinese caste system and by clan membership, but this tradition is diminishing. Kawi and Sanskrit are also commonly used by some Hindu priests in Bali, for Hinduism literature was mostly written in Sanskrit.
English and Chinese are the next most common languages (and the primary foreign languages) of many Balinese, owing to the requirements of the tourism industry, as well as the English-speaking community and huge Chinese-Indonesian population. Other foreign languages, such as Japanese, Korean, French, Russian or German are often used in multilingual signs for foreign tourists.
CULTURE
Bali is renowned for its diverse and sophisticated art forms, such as painting, sculpture, woodcarving, handcrafts, and performing arts. Balinese cuisine is also distinctive. Balinese percussion orchestra music, known as gamelan, is highly developed and varied. Balinese performing arts often portray stories from Hindu epics such as the Ramayana but with heavy Balinese influence. Famous Balinese dances include pendet, legong, baris, topeng, barong, gong keybar, and kecak (the monkey dance). Bali boasts one of the most diverse and innovative performing arts cultures in the world, with paid performances at thousands of temple festivals, private ceremonies, or public shows.
The Hindu New Year, Nyepi, is celebrated in the spring by a day of silence. On this day everyone stays at home and tourists are encouraged to remain in their hotels. On the day before New Year, large and colourful sculptures of ogoh-ogoh monsters are paraded and finally burned in the evening to drive away evil spirits. Other festivals throughout the year are specified by the Balinese pawukon calendrical system.
Celebrations are held for many occasions such as a tooth-filing (coming-of-age ritual), cremation or odalan (temple festival). One of the most important concepts that Balinese ceremonies have in common is that of désa kala patra, which refers to how ritual performances must be appropriate in both the specific and general social context. Many of the ceremonial art forms such as wayang kulit and topeng are highly improvisatory, providing flexibility for the performer to adapt the performance to the current situation. Many celebrations call for a loud, boisterous atmosphere with lots of activity and the resulting aesthetic, ramé, is distinctively Balinese. Often two or more gamelan ensembles will be performing well within earshot, and sometimes compete with each other to be heard. Likewise, the audience members talk amongst themselves, get up and walk around, or even cheer on the performance, which adds to the many layers of activity and the liveliness typical of ramé.
Kaja and kelod are the Balinese equivalents of North and South, which refer to ones orientation between the island's largest mountain Gunung Agung (kaja), and the sea (kelod). In addition to spatial orientation, kaja and kelod have the connotation of good and evil; gods and ancestors are believed to live on the mountain whereas demons live in the sea. Buildings such as temples and residential homes are spatially oriented by having the most sacred spaces closest to the mountain and the unclean places nearest to the sea.
Most temples have an inner courtyard and an outer courtyard which are arranged with the inner courtyard furthest kaja. These spaces serve as performance venues since most Balinese rituals are accompanied by any combination of music, dance and drama. The performances that take place in the inner courtyard are classified as wali, the most sacred rituals which are offerings exclusively for the gods, while the outer courtyard is where bebali ceremonies are held, which are intended for gods and people. Lastly, performances meant solely for the entertainment of humans take place outside the walls of the temple and are called bali-balihan. This three-tiered system of classification was standardised in 1971 by a committee of Balinese officials and artists to better protect the sanctity of the oldest and most sacred Balinese rituals from being performed for a paying audience.
Tourism, Bali's chief industry, has provided the island with a foreign audience that is eager to pay for entertainment, thus creating new performance opportunities and more demand for performers. The impact of tourism is controversial since before it became integrated into the economy, the Balinese performing arts did not exist as a capitalist venture, and were not performed for entertainment outside of their respective ritual context. Since the 1930s sacred rituals such as the barong dance have been performed both in their original contexts, as well as exclusively for paying tourists. This has led to new versions of many of these performances which have developed according to the preferences of foreign audiences; some villages have a barong mask specifically for non-ritual performances as well as an older mask which is only used for sacred performances.
Balinese society continues to revolve around each family's ancestral village, to which the cycle of life and religion is closely tied. Coercive aspects of traditional society, such as customary law sanctions imposed by traditional authorities such as village councils (including "kasepekang", or shunning) have risen in importance as a consequence of the democratisation and decentralisation of Indonesia since 1998.
WIKIPEDIA
. . . this is how a tropical garden should look like -
time for a cocktail at the pool
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Bali is an island and province of Indonesia. The province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan. It is located at the westernmost end of the Lesser Sunda Islands, between Java to the west and Lombok to the east. Its capital of Denpasar is located at the southern part of the island.
With a population of 3,890,757 in the 2010 census, and 4,225,000 as of January 2014, the island is home to most of Indonesia's Hindu minority. According to the 2010 Census, 83.5% of Bali's population adhered to Balinese Hinduism, followed by 13.4% Muslim, Christianity at 2.5%, and Buddhism 0.5%.
Bali is a popular tourist destination, which has seen a significant rise in numbers since the 1980s. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bali.
Bali is part of the Coral Triangle, the area with the highest biodiversity of marine species. In this area alone over 500 reef building coral species can be found. For comparison, this is about 7 times as many as in the entire Caribbean. There is a wide range of dive sites with high quality reefs, all with their own specific attractions. Many sites can have strong currents and swell, so diving without a knowledgeable guide is inadvisable. Most recently, Bali was the host of the 2011 ASEAN Summit, 2013 APEC and Miss World 2013.
HISTORY
ANCIENT
Bali was inhabited around 2000 BC by Austronesian people who migrated originally from Southeast Asia and Oceania through Maritime Southeast Asia. Culturally and linguistically, the Balinese are closely related to the people of the Indonesian archipelago, Malaysia, the Philippines, and Oceania. Stone tools dating from this time have been found near the village of Cekik in the island's west.
In ancient Bali, nine Hindu sects existed, namely Pasupata, Bhairawa, Siwa Shidanta, Waisnawa, Bodha, Brahma, Resi, Sora and Ganapatya. Each sect revered a specific deity as its personal Godhead.
Inscriptions from 896 and 911 don't mention a king, until 914, when Sri Kesarivarma is mentioned. They also reveal an independent Bali, with a distinct dialect, where Buddhism and Sivaism were practiced simultaneously. Mpu Sindok's great granddaughter, Mahendradatta (Gunapriyadharmapatni), married the Bali king Udayana Warmadewa (Dharmodayanavarmadeva) around 989, giving birth to Airlangga around 1001. This marriage also brought more Hinduism and Javanese culture to Bali. Princess Sakalendukirana appeared in 1098. Suradhipa reigned from 1115 to 1119, and Jayasakti from 1146 until 1150. Jayapangus appears on inscriptions between 1178 and 1181, while Adikuntiketana and his son Paramesvara in 1204.
Balinese culture was strongly influenced by Indian, Chinese, and particularly Hindu culture, beginning around the 1st century AD. The name Bali dwipa ("Bali island") has been discovered from various inscriptions, including the Blanjong pillar inscription written by Sri Kesari Warmadewa in 914 AD and mentioning "Walidwipa". It was during this time that the people developed their complex irrigation system subak to grow rice in wet-field cultivation. Some religious and cultural traditions still practised today can be traced to this period.
The Hindu Majapahit Empire (1293–1520 AD) on eastern Java founded a Balinese colony in 1343. The uncle of Hayam Wuruk is mentioned in the charters of 1384-86. A mass Javanese emigration occurred in the next century.
PORTUGUESE CONTACTS
The first known European contact with Bali is thought to have been made in 1512, when a Portuguese expedition led by Antonio Abreu and Francisco Serrão sighted its northern shores. It was the first expedition of a series of bi-annual fleets to the Moluccas, that throughout the 16th century usually traveled along the coasts of the Sunda Islands. Bali was also mapped in 1512, in the chart of Francisco Rodrigues, aboard the expedition. In 1585, a ship foundered off the Bukit Peninsula and left a few Portuguese in the service of Dewa Agung.
DUTCH EAST INDIA
In 1597 the Dutch explorer Cornelis de Houtman arrived at Bali, and the Dutch East India Company was established in 1602. The Dutch government expanded its control across the Indonesian archipelago during the second half of the 19th century (see Dutch East Indies). Dutch political and economic control over Bali began in the 1840s on the island's north coast, when the Dutch pitted various competing Balinese realms against each other. In the late 1890s, struggles between Balinese kingdoms in the island's south were exploited by the Dutch to increase their control.
In June 1860 the famous Welsh naturalist, Alfred Russel Wallace, travelled to Bali from Singapore, landing at Buleleng on the northcoast of the island. Wallace's trip to Bali was instrumental in helping him devise his Wallace Line theory. The Wallace Line is a faunal boundary that runs through the strait between Bali and Lombok. It has been found to be a boundary between species of Asiatic origin in the east and a mixture of Australian and Asian species to the west. In his travel memoir The Malay Archipelago, Wallace wrote of his experience in Bali:
I was both astonished and delighted; for as my visit to Java was some years later, I had never beheld so beautiful and well-cultivated a district out of Europe. A slightly undulating plain extends from the seacoast about ten or twelve miles inland, where it is bounded by a fine range of wooded and cultivated hills. Houses and villages, marked out by dense clumps of coconut palms, tamarind and other fruit trees, are dotted about in every direction; while between them extend luxurious rice-grounds, watered by an elaborate system of irrigation that would be the pride of the best cultivated parts of Europe.
The Dutch mounted large naval and ground assaults at the Sanur region in 1906 and were met by the thousands of members of the royal family and their followers who fought against the superior Dutch force in a suicidal puputan defensive assault rather than face the humiliation of surrender. Despite Dutch demands for surrender, an estimated 200 Balinese marched to their death against the invaders. In the Dutch intervention in Bali, a similar massacre occurred in the face of a Dutch assault in Klungkung.
AFTERWARD THE DUTCH GOVERNORS
exercised administrative control over the island, but local control over religion and culture generally remained intact. Dutch rule over Bali came later and was never as well established as in other parts of Indonesia such as Java and Maluku.
n the 1930s, anthropologists Margaret Mead and Gregory Bateson, artists Miguel Covarrubias and Walter Spies, and musicologist Colin McPhee all spent time here. Their accounts of the island and its peoples created a western image of Bali as "an enchanted land of aesthetes at peace with themselves and nature." Western tourists began to visit the island.
Imperial Japan occupied Bali during World War II. It was not originally a target in their Netherlands East Indies Campaign, but as the airfields on Borneo were inoperative due to heavy rains, the Imperial Japanese Army decided to occupy Bali, which did not suffer from comparable weather. The island had no regular Royal Netherlands East Indies Army (KNIL) troops. There was only a Native Auxiliary Corps Prajoda (Korps Prajoda) consisting of about 600 native soldiers and several Dutch KNIL officers under command of KNIL Lieutenant Colonel W.P. Roodenburg. On 19 February 1942 the Japanese forces landed near the town of Senoer [Senur]. The island was quickly captured.
During the Japanese occupation, a Balinese military officer, Gusti Ngurah Rai, formed a Balinese 'freedom army'. The harshness of war requisitions made Japanese rule more resented than Dutch rule. Following Japan's Pacific surrender in August 1945, the Dutch returned to Indonesia, including Bali, to reinstate their pre-war colonial administration. This was resisted by the Balinese rebels, who now used recovered Japanese weapons. On 20 November 1946, the Battle of Marga was fought in Tabanan in central Bali. Colonel I Gusti Ngurah Rai, by then 29 years old, finally rallied his forces in east Bali at Marga Rana, where they made a suicide attack on the heavily armed Dutch. The Balinese battalion was entirely wiped out, breaking the last thread of Balinese military resistance.
INDIPENDENCE FROM THE DUTCH
In 1946, the Dutch constituted Bali as one of the 13 administrative districts of the newly proclaimed State of East Indonesia, a rival state to the Republic of Indonesia, which was proclaimed and headed by Sukarno and Hatta. Bali was included in the "Republic of the United States of Indonesia" when the Netherlands recognised Indonesian independence on 29 December 1949.
CONTEMPORARY
The 1963 eruption of Mount Agung killed thousands, created economic havoc and forced many displaced Balinese to be transmigrated to other parts of Indonesia. Mirroring the widening of social divisions across Indonesia in the 1950s and early 1960s, Bali saw conflict between supporters of the traditional caste system, and those rejecting this system. Politically, the opposition was represented by supporters of the Indonesian Communist Party (PKI) and the Indonesian Nationalist Party (PNI), with tensions and ill-feeling further increased by the PKI's land reform programs. An attempted coup in Jakarta was put down by forces led by General Suharto.
The army became the dominant power as it instigated a violent anti-communist purge, in which the army blamed the PKI for the coup. Most estimates suggest that at least 500,000 people were killed across Indonesia, with an estimated 80,000 killed in Bali, equivalent to 5% of the island's population. With no Islamic forces involved as in Java and Sumatra, upper-caste PNI landlords led the extermination of PKI members.
As a result of the 1965/66 upheavals, Suharto was able to manoeuvre Sukarno out of the presidency. His "New Order" government reestablished relations with western countries. The pre-War Bali as "paradise" was revived in a modern form. The resulting large growth in tourism has led to a dramatic increase in Balinese standards of living and significant foreign exchange earned for the country. A bombing in 2002 by militant Islamists in the tourist area of Kuta killed 202 people, mostly foreigners. This attack, and another in 2005, severely reduced tourism, producing much economic hardship to the island.
GEOGRAPHY
The island of Bali lies 3.2 km east of Java, and is approximately 8 degrees south of the equator. Bali and Java are separated by the Bali Strait. East to west, the island is approximately 153 km wide and spans approximately 112 km north to south; administratively it covers 5,780 km2, or 5,577 km2 without Nusa Penida District, its population density is roughly 750 people/km2.
Bali's central mountains include several peaks over 3,000 metres in elevation. The highest is Mount Agung (3,031 m), known as the "mother mountain" which is an active volcano rated as one of the world's most likely sites for a massive eruption within the next 100 years. Mountains range from centre to the eastern side, with Mount Agung the easternmost peak. Bali's volcanic nature has contributed to its exceptional fertility and its tall mountain ranges provide the high rainfall that supports the highly productive agriculture sector. South of the mountains is a broad, steadily descending area where most of Bali's large rice crop is grown. The northern side of the mountains slopes more steeply to the sea and is the main coffee producing area of the island, along with rice, vegetables and cattle. The longest river, Ayung River, flows approximately 75 km.
The island is surrounded by coral reefs. Beaches in the south tend to have white sand while those in the north and west have black sand. Bali has no major waterways, although the Ho River is navigable by small sampan boats. Black sand beaches between Pasut and Klatingdukuh are being developed for tourism, but apart from the seaside temple of Tanah Lot, they are not yet used for significant tourism.
The largest city is the provincial capital, Denpasar, near the southern coast. Its population is around 491,500 (2002). Bali's second-largest city is the old colonial capital, Singaraja, which is located on the north coast and is home to around 100,000 people. Other important cities include the beach resort, Kuta, which is practically part of Denpasar's urban area, and Ubud, situated at the north of Denpasar, is the island's cultural centre.
Three small islands lie to the immediate south east and all are administratively part of the Klungkung regency of Bali: Nusa Penida, Nusa Lembongan and Nusa Ceningan. These islands are separated from Bali by the Badung Strait.
To the east, the Lombok Strait separates Bali from Lombok and marks the biogeographical division between the fauna of the Indomalayan ecozone and the distinctly different fauna of Australasia. The transition is known as the Wallace Line, named after Alfred Russel Wallace, who first proposed a transition zone between these two major biomes. When sea levels dropped during the Pleistocene ice age, Bali was connected to Java and Sumatra and to the mainland of Asia and shared the Asian fauna, but the deep water of the Lombok Strait continued to keep Lombok Island and the Lesser Sunda archipelago isolated.
CLIMATE
Being just 8 degrees south of the equator, Bali has a fairly even climate year round.
Day time temperatures at low elevations vary between 20-33⁰ C although it can be much cooler than that in the mountains. The west monsoon is in place from approximately October to April and this can bring significant rain, particularly from December to March. Outside of the monsoon period, humidity is relatively low and any rain unlikely in lowland areas.
ECOLOGY
Bali lies just to the west of the Wallace Line, and thus has a fauna that is Asian in character, with very little Australasian influence, and has more in common with Java than with Lombok. An exception is the yellow-crested cockatoo, a member of a primarily Australasian family. There are around 280 species of birds, including the critically endangered Bali myna, which is endemic. Others Include barn swallow, black-naped oriole, black racket-tailed treepie, crested serpent-eagle, crested treeswift, dollarbird, Java sparrow, lesser adjutant, long-tailed shrike, milky stork, Pacific swallow, red-rumped swallow, sacred kingfisher, sea eagle, woodswallow, savanna nightjar, stork-billed kingfisher, yellow-vented bulbul and great egret.
Until the early 20th century, Bali was home to several large mammals: the wild banteng, leopard and the endemic Bali tiger. The banteng still occurs in its domestic form, whereas leopards are found only in neighbouring Java, and the Bali tiger is extinct. The last definite record of a tiger on Bali dates from 1937, when one was shot, though the subspecies may have survived until the 1940s or 1950s. The relatively small size of the island, conflict with humans, poaching and habitat reduction drove the Bali tiger to extinction. This was the smallest and rarest of all tiger subspecies and was never caught on film or displayed in zoos, whereas few skins or bones remain in museums around the world. Today, the largest mammals are the Javan rusa deer and the wild boar. A second, smaller species of deer, the Indian muntjac, also occurs. Saltwater crocodiles were once present on the island, but became locally extinct sometime during the last century.
Squirrels are quite commonly encountered, less often is the Asian palm civet, which is also kept in coffee farms to produce Kopi Luwak. Bats are well represented, perhaps the most famous place to encounter them remaining the Goa Lawah (Temple of the Bats) where they are worshipped by the locals and also constitute a tourist attraction. They also occur in other cave temples, for instance at Gangga Beach. Two species of monkey occur. The crab-eating macaque, known locally as "kera", is quite common around human settlements and temples, where it becomes accustomed to being fed by humans, particularly in any of the three "monkey forest" temples, such as the popular one in the Ubud area. They are also quite often kept as pets by locals. The second monkey, endemic to Java and some surrounding islands such as Bali, is far rarer and more elusive is the Javan langur, locally known as "lutung". They occur in few places apart from the Bali Barat National Park. They are born an orange colour, though by their first year they would have already changed to a more blackish colouration. In Java however, there is more of a tendency for this species to retain its juvenile orange colour into adulthood, and so you can see a mixture of black and orange monkeys together as a family. Other rarer mammals include the leopard cat, Sunda pangolin and black giant squirrel.
Snakes include the king cobra and reticulated python. The water monitor can grow to at least 1.5 m in length and 50 kg and can move quickly.
The rich coral reefs around the coast, particularly around popular diving spots such as Tulamben, Amed, Menjangan or neighbouring Nusa Penida, host a wide range of marine life, for instance hawksbill turtle, giant sunfish, giant manta ray, giant moray eel, bumphead parrotfish, hammerhead shark, reef shark, barracuda, and sea snakes. Dolphins are commonly encountered on the north coast near Singaraja and Lovina.
A team of scientists conducted a survey from 29 April 2011 to 11 May 2011 at 33 sea sites around Bali. They discovered 952 species of reef fish of which 8 were new discoveries at Pemuteran, Gilimanuk, Nusa Dua, Tulamben and Candidasa, and 393 coral species, including two new ones at Padangbai and between Padangbai and Amed. The average coverage level of healthy coral was 36% (better than in Raja Ampat and Halmahera by 29% or in Fakfak and Kaimana by 25%) with the highest coverage found in Gili Selang and Gili Mimpang in Candidasa, Karangasem regency.
Many plants have been introduced by humans within the last centuries, particularly since the 20th century, making it sometimes hard to distinguish what plants are really native.[citation needed] Among the larger trees the most common are: banyan trees, jackfruit, coconuts, bamboo species, acacia trees and also endless rows of coconuts and banana species. Numerous flowers can be seen: hibiscus, frangipani, bougainvillea, poinsettia, oleander, jasmine, water lily, lotus, roses, begonias, orchids and hydrangeas exist. On higher grounds that receive more moisture, for instance around Kintamani, certain species of fern trees, mushrooms and even pine trees thrive well. Rice comes in many varieties. Other plants with agricultural value include: salak, mangosteen, corn, kintamani orange, coffee and water spinach.
ENVIRONMENT
Some of the worst erosion has occurred in Lebih Beach, where up to 7 metres of land is lost every year. Decades ago, this beach was used for holy pilgrimages with more than 10,000 people, but they have now moved to Masceti Beach.
From ranked third in previous review, in 2010 Bali got score 99.65 of Indonesia's environmental quality index and the highest of all the 33 provinces. The score measured 3 water quality parameters: the level of total suspended solids (TSS), dissolved oxygen (DO) and chemical oxygen demand (COD).
Because of over-exploitation by the tourist industry which covers a massive land area, 200 out of 400 rivers on the island have dried up and based on research, the southern part of Bali would face a water shortage up to 2,500 litres of clean water per second by 2015. To ease the shortage, the central government plans to build a water catchment and processing facility at Petanu River in Gianyar. The 300 litres capacity of water per second will be channelled to Denpasar, Badung and Gianyar in 2013.
ECONOMY
Three decades ago, the Balinese economy was largely agriculture-based in terms of both output and employment. Tourism is now the largest single industry in terms of income, and as a result, Bali is one of Indonesia's wealthiest regions. In 2003, around 80% of Bali's economy was tourism related. By end of June 2011, non-performing loan of all banks in Bali were 2.23%, lower than the average of Indonesian banking industry non-performing loan (about 5%). The economy, however, suffered significantly as a result of the terrorist bombings 2002 and 2005. The tourism industry has since recovered from these events.
AGRICULTURE
Although tourism produces the GDP's largest output, agriculture is still the island's biggest employer; most notably rice cultivation. Crops grown in smaller amounts include fruit, vegetables, Coffea arabica and other cash and subsistence crops. Fishing also provides a significant number of jobs. Bali is also famous for its artisans who produce a vast array of handicrafts, including batik and ikat cloth and clothing, wooden carvings, stone carvings, painted art and silverware. Notably, individual villages typically adopt a single product, such as wind chimes or wooden furniture.
The Arabica coffee production region is the highland region of Kintamani near Mount Batur. Generally, Balinese coffee is processed using the wet method. This results in a sweet, soft coffee with good consistency. Typical flavours include lemon and other citrus notes. Many coffee farmers in Kintamani are members of a traditional farming system called Subak Abian, which is based on the Hindu philosophy of "Tri Hita Karana". According to this philosophy, the three causes of happiness are good relations with God, other people and the environment. The Subak Abian system is ideally suited to the production of fair trade and organic coffee production. Arabica coffee from Kintamani is the first product in Indonesia to request a Geographical Indication.
TOURISM
The tourism industry is primarily focused in the south, while significant in the other parts of the island as well. The main tourist locations are the town of Kuta (with its beach), and its outer suburbs of Legian and Seminyak (which were once independent townships), the east coast town of Sanur (once the only tourist hub), in the center of the island Ubud, to the south of the Ngurah Rai International Airport, Jimbaran, and the newer development of Nusa Dua and Pecatu.
The American government lifted its travel warnings in 2008. The Australian government issued an advice on Friday, 4 May 2012. The overall level of the advice was lowered to 'Exercise a high degree of caution'. The Swedish government issued a new warning on Sunday, 10 June 2012 because of one more tourist who was killed by methanol poisoning. Australia last issued an advice on Monday, 5 January 2015 due to new terrorist threats.
An offshoot of tourism is the growing real estate industry. Bali real estate has been rapidly developing in the main tourist areas of Kuta, Legian, Seminyak and Oberoi. Most recently, high-end 5 star projects are under development on the Bukit peninsula, on the south side of the island. Million dollar villas are being developed along the cliff sides of south Bali, commanding panoramic ocean views. Foreign and domestic (many Jakarta individuals and companies are fairly active) investment into other areas of the island also continues to grow. Land prices, despite the worldwide economic crisis, have remained stable.
In the last half of 2008, Indonesia's currency had dropped approximately 30% against the US dollar, providing many overseas visitors value for their currencies. Visitor arrivals for 2009 were forecast to drop 8% (which would be higher than 2007 levels), due to the worldwide economic crisis which has also affected the global tourist industry, but not due to any travel warnings.
Bali's tourism economy survived the terrorist bombings of 2002 and 2005, and the tourism industry has in fact slowly recovered and surpassed its pre-terrorist bombing levels; the longterm trend has been a steady increase of visitor arrivals. In 2010, Bali received 2.57 million foreign tourists, which surpassed the target of 2.0–2.3 million tourists. The average occupancy of starred hotels achieved 65%, so the island is still able to accommodate tourists for some years without any addition of new rooms/hotels, although at the peak season some of them are fully booked.
Bali received the Best Island award from Travel and Leisure in 2010. The island of Bali won because of its attractive surroundings (both mountain and coastal areas), diverse tourist attractions, excellent international and local restaurants, and the friendliness of the local people. According to BBC Travel released in 2011, Bali is one of the World's Best Islands, ranking second after Santorini, Greece.
In August 2010, the film Eat Pray Love was released in theatres. The movie was based on Elizabeth Gilbert's best-selling memoir Eat, Pray, Love. It took place at Ubud and Padang-Padang Beach at Bali. The 2006 book, which spent 57 weeks at the No. 1 spot on the New York Times paperback nonfiction best-seller list, had already fuelled a boom in Eat, Pray, Love-related tourism in Ubud, the hill town and cultural and tourist center that was the focus of Gilbert's quest for balance through traditional spirituality and healing that leads to love.
In January 2016, after music icon David Bowie died, it was revealed that in his will, Bowie asked for his ashes to be scattered in Bali, conforming to Buddhist rituals. He had visited and performed in a number of Southest Asian cities early in his career, including Bangkok and Singapore.
Since 2011, China has displaced Japan as the second-largest supplier of tourists to Bali, while Australia still tops the list. Chinese tourists increased by 17% from last year due to the impact of ACFTA and new direct flights to Bali. In January 2012, Chinese tourists year on year (yoy) increased by 222.18% compared to January 2011, while Japanese tourists declined by 23.54% yoy.
Bali reported that it has 2.88 million foreign tourists and 5 million domestic tourists in 2012, marginally surpassing the expectations of 2.8 million foreign tourists. Forecasts for 2013 are at 3.1 million.
Based on Bank Indonesia survey in May 2013, 34.39 percent of tourists are upper-middle class with spending between $1,286 to $5,592 and dominated by Australia, France, China, Germany and the US with some China tourists move from low spending before to higher spending currently. While 30.26 percent are middle class with spending between $662 to $1,285.
SEX TOURISM
In the twentieth century the incidence of tourism specifically for sex was regularly observed in the era of mass tourism in Indonesia In Bali, prostitution is conducted by both men and women. Bali in particular is notorious for its 'Kuta Cowboys', local gigolos targeting foreign female tourists.
Tens of thousands of single women throng the beaches of Bali in Indonesia every year. For decades, young Balinese men have taken advantage of the louche and laid-back atmosphere to find love and lucre from female tourists—Japanese, European and Australian for the most part—who by all accounts seem perfectly happy with the arrangement.
By 2013, Indonesia was reportedly the number one destination for Australian child sex tourists, mostly starting in Bali but also travelling to other parts of the country. The problem in Bali was highlighted by Luh Ketut Suryani, head of Psychiatry at Udayana University, as early as 2003. Surayani warned that a low level of awareness of paedophilia in Bali had made it the target of international paedophile organisations. On 19 February 2013, government officials announced measures to combat paedophilia in Bali.
TRANSPORTATION
The Ngurah Rai International Airport is located near Jimbaran, on the isthmus at the southernmost part of the island. Lt.Col. Wisnu Airfield is found in north-west Bali.
A coastal road circles the island, and three major two-lane arteries cross the central mountains at passes reaching to 1,750m in height (at Penelokan). The Ngurah Rai Bypass is a four-lane expressway that partly encircles Denpasar. Bali has no railway lines.
In December 2010 the Government of Indonesia invited investors to build a new Tanah Ampo Cruise Terminal at Karangasem, Bali with a projected worth of $30 million. On 17 July 2011 the first cruise ship (Sun Princess) anchored about 400 meters away from the wharf of Tanah Ampo harbour. The current pier is only 154 meters but will eventually be extended to 300–350 meters to accommodate international cruise ships. The harbour here is safer than the existing facility at Benoa and has a scenic backdrop of east Bali mountains and green rice fields. The tender for improvement was subject to delays, and as of July 2013 the situation remained unclear with cruise line operators complaining and even refusing to use the existing facility at Tanah Ampo.
A Memorandum of Understanding has been signed by two ministers, Bali's Governor and Indonesian Train Company to build 565 kilometres of railway along the coast around the island. As of July 2015, no details of this proposed railways have been released.
On 16 March 2011 (Tanjung) Benoa port received the "Best Port Welcome 2010" award from London's "Dream World Cruise Destination" magazine. Government plans to expand the role of Benoa port as export-import port to boost Bali's trade and industry sector. The Tourism and Creative Economy Ministry has confirmed that 306 cruise liners are heading for Indonesia in 2013 – an increase of 43 percent compared to the previous year.
In May 2011, an integrated Areal Traffic Control System (ATCS) was implemented to reduce traffic jams at four crossing points: Ngurah Rai statue, Dewa Ruci Kuta crossing, Jimbaran crossing and Sanur crossing. ATCS is an integrated system connecting all traffic lights, CCTVs and other traffic signals with a monitoring office at the police headquarters. It has successfully been implemented in other ASEAN countries and will be implemented at other crossings in Bali.
On 21 December 2011 construction started on the Nusa Dua-Benoa-Ngurah Rai International Airport toll road which will also provide a special lane for motorcycles. This has been done by seven state-owned enterprises led by PT Jasa Marga with 60% of shares. PT Jasa Marga Bali Tol will construct the 9.91 kilometres toll road (totally 12.7 kilometres with access road). The construction is estimated to cost Rp.2.49 trillion ($273.9 million). The project goes through 2 kilometres of mangrove forest and through 2.3 kilometres of beach, both within 5.4 hectares area. The elevated toll road is built over the mangrove forest on 18,000 concrete pillars which occupied 2 hectares of mangroves forest. It compensated by new planting of 300,000 mangrove trees along the road. On 21 December 2011 the Dewa Ruci 450 meters underpass has also started on the busy Dewa Ruci junction near Bali Kuta Galeria with an estimated cost of Rp136 billion ($14.9 million) from the state budget. On 23 September 2013, the Bali Mandara Toll Road is opened and the Dewa Ruci Junction (Simpang Siur) underpass is opened before. Both are ease the heavy traffic congestion.
To solve chronic traffic problems, the province will also build a toll road connecting Serangan with Tohpati, a toll road connecting Kuta, Denpasar and Tohpati and a flyover connecting Kuta and Ngurah Rai Airport.
DEMOGRAPHICS
The population of Bali was 3,890,757 as of the 2010 Census; the latest estimate (for January 2014) is 4,225,384. There are an estimated 30,000 expatriates living in Bali.
ETHNIC ORIGINS
A DNA study in 2005 by Karafet et al. found that 12% of Balinese Y-chromosomes are of likely Indian origin, while 84% are of likely Austronesian origin, and 2% of likely Melanesian origin. The study does not correlate the DNA samples to the Balinese caste system.
CASTE SYSTEM
Bali has a caste system based on the Indian Hindu model, with four castes:
- Sudra (Shudra) – peasants constituting close to 93% of Bali's population.
- Wesia (Vaishyas) – the caste of merchants and administrative officials
- Ksatrias (Kshatriyas) – the kingly and warrior caste
- Brahmana (Bramhin) – holy men and priests
RELIGION
Unlike most of Muslim-majority Indonesia, about 83.5% of Bali's population adheres to Balinese Hinduism, formed as a combination of existing local beliefs and Hindu influences from mainland Southeast Asia and South Asia. Minority religions include Islam (13.3%), Christianity (1.7%), and Buddhism (0.5%). These figures do not include immigrants from other parts of Indonesia.
Balinese Hinduism is an amalgam in which gods and demigods are worshipped together with Buddhist heroes, the spirits of ancestors, indigenous agricultural deities and sacred places. Religion as it is practised in Bali is a composite belief system that embraces not only theology, philosophy, and mythology, but ancestor worship, animism and magic. It pervades nearly every aspect of traditional life. Caste is observed, though less strictly than in India. With an estimated 20,000 puras (temples) and shrines, Bali is known as the "Island of a Thousand Puras", or "Island of the Gods". This is refer to Mahabarata story that behind Bali became island of god or "pulau dewata" in Indonesian language.
Balinese Hinduism has roots in Indian Hinduism and Buddhism, and adopted the animistic traditions of the indigenous people. This influence strengthened the belief that the gods and goddesses are present in all things. Every element of nature, therefore, possesses its own power, which reflects the power of the gods. A rock, tree, dagger, or woven cloth is a potential home for spirits whose energy can be directed for good or evil. Balinese Hinduism is deeply interwoven with art and ritual. Ritualizing states of self-control are a notable feature of religious expression among the people, who for this reason have become famous for their graceful and decorous behaviour.
Apart from the majority of Balinese Hindus, there also exist Chinese immigrants whose traditions have melded with that of the locals. As a result, these Sino-Balinese not only embrace their original religion, which is a mixture of Buddhism, Christianity, Taoism and Confucianism, but also find a way to harmonise it with the local traditions. Hence, it is not uncommon to find local Sino-Balinese during the local temple's odalan. Moreover, Balinese Hindu priests are invited to perform rites alongside a Chinese priest in the event of the death of a Sino-Balinese. Nevertheless, the Sino-Balinese claim to embrace Buddhism for administrative purposes, such as their Identity Cards.
LANGUAGE
Balinese and Indonesian are the most widely spoken languages in Bali, and the vast majority of Balinese people are bilingual or trilingual. The most common spoken language around the tourist areas is Indonesian, as many people in the tourist sector are not solely Balinese, but migrants from Java, Lombok, Sumatra, and other parts of Indonesia. There are several indigenous Balinese languages, but most Balinese can also use the most widely spoken option: modern common Balinese. The usage of different Balinese languages was traditionally determined by the Balinese caste system and by clan membership, but this tradition is diminishing. Kawi and Sanskrit are also commonly used by some Hindu priests in Bali, for Hinduism literature was mostly written in Sanskrit.
English and Chinese are the next most common languages (and the primary foreign languages) of many Balinese, owing to the requirements of the tourism industry, as well as the English-speaking community and huge Chinese-Indonesian population. Other foreign languages, such as Japanese, Korean, French, Russian or German are often used in multilingual signs for foreign tourists.
CULTURE
Bali is renowned for its diverse and sophisticated art forms, such as painting, sculpture, woodcarving, handcrafts, and performing arts. Balinese cuisine is also distinctive. Balinese percussion orchestra music, known as gamelan, is highly developed and varied. Balinese performing arts often portray stories from Hindu epics such as the Ramayana but with heavy Balinese influence. Famous Balinese dances include pendet, legong, baris, topeng, barong, gong keybar, and kecak (the monkey dance). Bali boasts one of the most diverse and innovative performing arts cultures in the world, with paid performances at thousands of temple festivals, private ceremonies, or public shows.
The Hindu New Year, Nyepi, is celebrated in the spring by a day of silence. On this day everyone stays at home and tourists are encouraged to remain in their hotels. On the day before New Year, large and colourful sculptures of ogoh-ogoh monsters are paraded and finally burned in the evening to drive away evil spirits. Other festivals throughout the year are specified by the Balinese pawukon calendrical system.
Celebrations are held for many occasions such as a tooth-filing (coming-of-age ritual), cremation or odalan (temple festival). One of the most important concepts that Balinese ceremonies have in common is that of désa kala patra, which refers to how ritual performances must be appropriate in both the specific and general social context. Many of the ceremonial art forms such as wayang kulit and topeng are highly improvisatory, providing flexibility for the performer to adapt the performance to the current situation. Many celebrations call for a loud, boisterous atmosphere with lots of activity and the resulting aesthetic, ramé, is distinctively Balinese. Often two or more gamelan ensembles will be performing well within earshot, and sometimes compete with each other to be heard. Likewise, the audience members talk amongst themselves, get up and walk around, or even cheer on the performance, which adds to the many layers of activity and the liveliness typical of ramé.
Kaja and kelod are the Balinese equivalents of North and South, which refer to ones orientation between the island's largest mountain Gunung Agung (kaja), and the sea (kelod). In addition to spatial orientation, kaja and kelod have the connotation of good and evil; gods and ancestors are believed to live on the mountain whereas demons live in the sea. Buildings such as temples and residential homes are spatially oriented by having the most sacred spaces closest to the mountain and the unclean places nearest to the sea.
Most temples have an inner courtyard and an outer courtyard which are arranged with the inner courtyard furthest kaja. These spaces serve as performance venues since most Balinese rituals are accompanied by any combination of music, dance and drama. The performances that take place in the inner courtyard are classified as wali, the most sacred rituals which are offerings exclusively for the gods, while the outer courtyard is where bebali ceremonies are held, which are intended for gods and people. Lastly, performances meant solely for the entertainment of humans take place outside the walls of the temple and are called bali-balihan. This three-tiered system of classification was standardised in 1971 by a committee of Balinese officials and artists to better protect the sanctity of the oldest and most sacred Balinese rituals from being performed for a paying audience.
Tourism, Bali's chief industry, has provided the island with a foreign audience that is eager to pay for entertainment, thus creating new performance opportunities and more demand for performers. The impact of tourism is controversial since before it became integrated into the economy, the Balinese performing arts did not exist as a capitalist venture, and were not performed for entertainment outside of their respective ritual context. Since the 1930s sacred rituals such as the barong dance have been performed both in their original contexts, as well as exclusively for paying tourists. This has led to new versions of many of these performances which have developed according to the preferences of foreign audiences; some villages have a barong mask specifically for non-ritual performances as well as an older mask which is only used for sacred performances.
Balinese society continues to revolve around each family's ancestral village, to which the cycle of life and religion is closely tied. Coercive aspects of traditional society, such as customary law sanctions imposed by traditional authorities such as village councils (including "kasepekang", or shunning) have risen in importance as a consequence of the democratisation and decentralisation of Indonesia since 1998.
WIKIPEDIA
Title: Love Your Beans
Artist: Cosimo Cavallaro (b. 1961, Canada)
Medium: Fibreglass resin
Dimensions: 274 x 18 x 122 cm (108 x 7 x 48 in)
Weight: 320 kg (705 lbs) each
Location: Vancouver, Charleson Park
Located in Charleson Park, Love Your Beans comes as a turning point for Cosimo Cavallaro. His earlier artworks were constructed from perishables, such as covering a room with melted cheese in Cheese Room and the use of chocolate as a medium for sculpture in Chocolate Jesus. He also sought beauty in destruction by using pillow cases and bedding as an outlet for his anger (Birth, Pillows). After working in this medium for many years, Cavallaro experienced a sudden shift in perspective: he realized that he had no more anger left to express.
“Love your bean” was a mantra that Cavallaro told himself while he worked on the highly polished fibreglass resin of Love Your Beans. To him, it meant “not to give up.” The inspiration came from a deeper focus on the nature of love, shape and colour. According to Cavallaro, the bean is the truest shape to create, a shape that occurs naturally through process. Unlike a perfect circle that can be traced, a bean is an organic shape, one that cannot be easily duplicated and one that changes with each person that creates it. The whimsical and childish characteristic that Love Your Beans presents is increased with the bold and joyful presentation of colours. Upon reflecting on his earlier works, Cavallaro considers that it is fairly easy to demolish existing materials in pursuit of beauty, but it is much more “difficult to build the beauty that you search for in life.”
“The sculptures in Love Your Beans break the boundaries that exist between objects and humans. They compel one to touch them, crossing borders when you allow yourself to be led by your senses. Love Your Beans is a simple shape that is easily understood as a womb, a place of comfort where one seeks solace. Open borders is an acceptance of one’s self, allowing yourself to exist without judgement.” – Cosimo Cavallaro
“… the pop conceit of [Love Your Beans] deliberately super-sweet connotation allows them to transcend both their medium and the pop culture box, rising into whichever cortex of our brain houses the perfect combination of oral and visual desire. It’s enough to make your mouth, if not your eyes, water.” – MS, ArtScene
The Hmong (RPA: Hmoob/Moob, IPA: [m̥ɔ̃ŋ]) are an ethnic group from the mountainous regions of China, Vietnam, Laos, and Thailand. Hmong are also one of the sub-groups of the Miao ethnicity (苗族) in southern China. Hmong groups began a gradual southward migration in the 18th century due to political unrest and to find more arable land.
During the first and second Indochina Wars, France and the United States recruited thousands of Hmong people in Laos to fight against forces from north and south Vietnam and communist Pathet Lao insurgents, known as the Secret War, during the Vietnam War and the Laotian Civil War. Hundreds of thousands of Hmong refugees fled to Thailand seeking political asylum. Thousands of these refugees have resettled in Western countries since the late 1970s, mostly the United States, but also in Australia, France, French Guiana, Canada, and Argentina. Others have returned to Laos under United Nations-sponsored repatriation programs.
SUBCULTURES
Hmong people have their own terms for their subcultural divisions. Hmong Der and Hmong Leng are the terms for two of the largest groups in America and Southeast Asia. In the Romanized Popular Alphabet, developed in the 1950s in Laos, these terms are written Hmoob Dawb (White Hmong) and Moob Leeg/Moob Ntsuab (Blue/Green Mong). The final consonants indicate with which of the eight lexical tones the word is pronounced.
White Hmong and Green Hmong speak mutually intelligible dialects of the Hmong language with some differences in pronunciation and vocabulary. One of the most characteristic differences is the use of the voiceless /m̥/ in White Hmong, indicated by a preceding "H" in Romanized Popular Alphabet. Voiceless nasals are not found in the Green Hmong dialect. Hmong groups are often named after the dominant colors or patterns of their traditional clothing, style of head-dress, or the provinces from which they come.
VIETNAM
Vietnamese Hmong women continuing to wear 'traditional' clothing tend to source much of their clothing as 'ready to wear' cotton (as opposed to traditional hemp) from markets, though some add embroidery as a personal touch. In SaPa, now with a 'standardised' clothing look, Black Hmong sub-groups have differentiated themselves by adopting different headwear; those with a large comb embedded in their long hair (but without a hat) call themselves Tao, those with a pillbox hat name themselves Giay, and those with a checked headscarf are Yao. For many, such as Flower Hmong, the heavily beaded skirts and jackets are manufactured in China.
NOMENCLATURE
In Southeast Asia, Hmong people are referred to by other names, including: Vietnamese: Mèo or H'Mông; Lao: ແມ້ວ (Maew) or ມົ້ງ (Mong); Thai: แม้ว (Maew) or ม้ง (Mong); Burmese: မုံလူမျိုး (mun lu-myo). The xenonym, "Mèo", and variants thereof, are considered highly derogatory by many Hmong people and are infrequently used today outside of Southeast Asia.
The Hmong people were also referred to by some European writers as the "Kings of the Jungle," because they used to live in the jungle of Laos. Because the Hmong lived mainly in the highland areas of Southeast Asia and China, the French occupiers of Southeast Asia gave them the name Montagnards or "mountain people", but this should not be confused with the Degar people of Vietnam, who were also referred to as Montagnards.
HMONG, MONG AND MIAO
Some non-Chinese Hmong advocate that the term Hmong be used not only for designating their dialect group, but also for the other Miao groups living in China. They generally claim that the word "Miao" or "Meo" is a derogatory term, with connotations of barbarism, that probably should not be used at all. The term was later adapted by Tai-speaking groups in Southeast Asia where it took on especially insulting associations for Hmong people despite its official status.
In modern China, the term "Miao" does not carry these negative associations and people of the various sub-groups that constitute this officially recognized nationality freely identify themselves as Miao or Chinese, typically reserving more specific ethnonyms for intra-ethnic communication. During the struggle for political recognition after 1949, it was actually members of these ethnic minorities who campaigned for identification under the umbrella term "Miao"-taking advantage of its familiarity and associations of historical political oppression.
Contemporary transnational interactions between Hmong in the West and Miao groups in China, following the 1975 Hmong diaspora, have led to the development of a global Hmong identity that includes linguistically and culturally related minorities in China that previously had no ethnic affiliation. Scholarly and commercial exchanges, increasingly communicated via the Internet, have also resulted in an exchange of terminology, including Hmu and A Hmao people identifying as Hmong and, to a lesser extent, Hmong people accepting the designation "Miao," within the context of China. Such realignments of identity, while largely the concern of economically elite community leaders, reflect a trend towards the interchangeability of the terms "Hmong" and "Miao."
HISTORY
The Hmong claim an origin in the Yellow River region of China. According to Ratliff, there is linguistic evidence to suggest that they have occupied the same areas of southern China for at least the past 2,000 years. Evidence from mitochondrial DNA in Hmong-Mien-speaking populations supports the southern origins of maternal lineages even further back in time, although Hmong-speaking populations show more contact with Han than Mien populations. Chinese sources describe that area being inhabited by 'Miao' people, a group with whom Hmong people are often identified.
The ancient town of Zhuolu, is considered to be the legendary birthplace of the Miao. Today, a statue of Chi You, widely proclaimed as the first Hmong king, has been erected in the town. The Guoyu book, considers Chi You’s Jui Li tribe to be related to the ancient ancestors of the Hmong, the San Miao people
CULTURE
The Hmong culture usually consists of a dominant hierarchy within the family. Males hold dominance over females and thus, a father is considered the head in each household. Courtships take place during the night when a man goes to visit a woman at her house and tries to woo her with sweet-talks through the thin walls of the house where the woman's bedroom may be located. If a man kidnaps an unwilling woman as a bride, she would have to marry him or risk having a tarnished reputation.
Today, bridenapping is uncommon because those marriages can end in divorce since women are no longer afraid of a tarnished reputation. During a marriage, the man pays the woman's family for taking away a daughter who is economically essential to her parents. Hmong women retain their own maiden names following marriage, but attends to the ancestors of their husbands. The children they bear take their husbands' clan names. Consequently, the Hmong favour having sons over daughters because sons perpetuate the clan.
The Hmong practice shamanism and ancestor worship. Like other animists, they also believe that all things are endowed with spiritual beings and so should be respected.
See Anne Fadiman's ethnography: The Spirit Catches You and You Fall Down for more info.
Hmong families in Thailand, Vietnam, and Laos practice subsistence agriculture, supplemented by hunting and some foraging. Although they have chickens, pigs and cows, the traditional staple of the Hmong consists mostly of vegetable dishes and rice. Domestic animals are highly valued and killed for consumption only during special events such as the New Year's Festival or during events such as a birth, marriage, or funeral ritual.
GEOGRAPHY
Roughly 95% of the Hmong live in Asia. Linguistic data show that the Hmong of the Peninsula stem from the Miao of southern China as one among a set of ethnic groups belonging to the Hmong–Mien language family. Linguistically and culturally speaking, the Hmong and the other sub-groups of the Miao have little in common.
In China the majority of the Hmong today live in Guizhou, Sichuan and Yunnan. The Hmong population is estimated at 3 million. No precise census data exist on the Hmong in China since China does not officially recognise the ethnonym Hmong and instead, clusters that group within the wider Miao group (8,940,116 in 2000). A few centuries ago, the lowland Chinese started moving into the mountain ranges of China's southwest. This migration, combined with major social unrest in southern China in the 18th and 19th century, served to cause some minorities of Guizhou, Sichuan and Yunnan to migrate south. A number of Hmong thus settled in the ranges of the Indochina Peninsula to practise subsistence agriculture.
Vietnam, where their presence is attested from the late 18th century onwards, is likely to be the first Indochinese country into which the Hmong migrated. During the colonization of 'Tonkin' (north Vietnam) between 1883 and 1954, a number of Hmong decided to join the Vietnamese Nationalists and Communists, while many Christianized Hmong sided with the French. After the Viet Minh victory, numerous pro-French Hmong had to fall back to Laos and South Vietnam.
At the 2009 national census, there were 1,068,189 Hmong living in Vietnam, the vast majority of them in the north of the country. The traditional trade in coffin wood with China and the cultivation of the opium poppy – both prohibited only in 1993 in Vietnam – long guaranteed a regular cash income. Today, converting to cash cropping is the main economic activity. As in China and Laos, there is a certain degree of participation of Hmong in the local and regional administration. In the late 1990s, several thousands of Hmong have started moving to the Central Highlands and some have crossed the border into Cambodia, constituting the first attested presence of Hmong settlers in that country.
In 2005, the Hmong in Laos numbered 460,000. Hmong settlement there is nearly as ancient as in Vietnam. After decades of distant relations with the Lao kingdoms, closer relations between the French military and some Hmong on the Xieng Khouang plateau were set up after World War II. There, a particular rivalry between members of the Lo and Ly clans developed into open enmity, also affecting those connected with them by kinship. Clan leaders took opposite sides and as a consequence, several thousand Hmong participated in the fighting against the Pathet Lao Communists, while perhaps as many were enrolled in the People's Liberation Army. As in Vietnam, numerous Hmong in Laos also genuinely tried to avoid getting involved in the conflict in spite of the extremely difficult material conditions under which they lived during wartime.
After the 1975 Communist victory, thousands of Hmong from Laos had to seek refuge abroad. Approximately 30 percent of the Hmong left, although the only concrete figure we have is that of 116,000 Hmong from Laos and Vietnam together seeking refuge in Thailand up to 1990.
In 2002 the Hmong in Thailand numbered 151,080. The presence of Hmong settlements there is documented from the end of the 19th century. Initially, the Siamese paid little attention to them. But in the early 1950s, the state suddenly took a number of initiatives aimed at establishing links. Decolonization and nationalism were gaining momentum in the Peninsula and wars of independence were raging. Armed opposition to the state in northern Thailand, triggered by outside influence, started in 1967 while here again, many Hmong refused to take sides in the conflict. Communist guerrilla warfare stopped by 1982 as a result of an international concurrence of events that rendered it pointless. Priority is since given by the Thai state to sedentarizing the mountain population, introducing commercially viable agricultural techniques and national education, with the aim of integrating these non-Tai animists within the national identity.
Burma most likely includes a modest number of Hmong (perhaps around 2,500) but no reliable census has been conducted there recently.
As result of refugee movements in the wake of the Indochina Wars (1946–1975), in particular in Laos, the largest Hmong community to settle outside Asia went to the United States where approximately 100,000 individuals had already arrived by 1990. California became home to half this group, while the remainder went to Minnesota, Wisconsin, Washington, Pennsylvania, Montana, and North Carolina. By the same date, 10,000 Hmong had migrated to France, including 1,400 in French Guyana. Canada admitted 900 individuals, while another 360 went to Australia, 260 to China, and 250 to Argentina. Over the following years and until the definitive closure of the last refugee camps in Thailand in 1998, additional numbers of Hmong have left Asia, but the definitive figures are still to be produced.
WIKIPEDIA
A country to Visit
Is a country in central and southeastern Europe, at the crossroads of the Pannonian Plain, the Balkans, and the Adriatic Sea. Its capital (and largest city) is Zagreb. Croatia borders Slovenia and Hungary to the north, Bosnia and Herzegovina to the southeast, and Serbia and Montenegro to the east.
The Croats arrived in the early seventh century in what is Croatia today. They organized the state into two dukedoms. The first king, King Tomislav was crowned in AD 925 and Croatia was elevated into the status of a kingdom. The Kingdom of Croatia retained its sovereignty for almost two centuries, reaching its peak during the rule of Kings Peter Krešimir IV and Demetrius Zvonimir. Croatia entered a union with Hungary in 1102. In 1526, the Croatian Parliament elected Ferdinand from the House of Habsburg to the Croatian throne. In 1918, Croatia declared independence from Austria–Hungary and co-founded the Kingdom of Yugoslavia. An independent Croatian state briefly existed during World War II, during which Croatia was a dependency of Nazi Germany during 1941–1945. After World War II, Croatia became a founding member of the Second Yugoslavia. On 25 June 1991, Croatia declared independence and became a sovereign state.
Croatia is a member of the United Nations, the Council of Europe, the Organization for Security and Co-operation in Europe, NATO, the World Trade Organization and CEFTA. The country is a candidate for European Union membership and is a founding member of the Union for the Mediterranean. Croatia is classified as an emerging and developing economy by the International Monetary Fund and a high income economy by the World Bank.
History
Early History
The area known as Croatia today was inhabited throughout the prehistoric period. Fossils of Neanderthals dating to the middle Paleolithic have been unearthed in the area of Krapina and Vindija. More recent (late Mousterian) Neanderthal remains have been discovered in Mujina pećina near the coast.
In the early Neolithic period, the Starčevo, Vučedol and Hvar cultures were scattered around the region. The Iron Age left traces of the Hallstatt culture (early Illyrians) and the La Tène culture (Celts).
Much later the region was settled by Liburnians, Dacians and Illyrians, and Greek colonies were established on the islands of Vis (by Dionysius I of Syracuse) and Hvar. In 9 AD the territory of today's Croatia became part of the Roman Empire. Emperor Diocletian built a massive palace in Split where he retired from politics in AD 305. During the 5th century the last Roman Emperor Julius Nepos ruled his small empire from Diocletian's Palace before he was killed in AD 480. The early history of Croatia ends with the Avar invasion in the first half of the 7th century and the destruction of almost all Roman towns. Roman survivors retreated to strategically better defended points on the coast, islands and mountains. The modern city of Dubrovnik was founded by those survivors.
Kingdom of Croatia
The Croats arrived in what is today Croatia probably in the early 7th century. They organized into two dukedoms; the duchy of Pannonia in the north and the duchy of Littoral Croatia in the south. Emperor Constantine Porphyrogenitus wrote that Porga, duke of the Dalmatian Croats, who had been invited into Dalmatia by Byzantine Emperor Heraclius, sent to Heraclius for Christian teachers. According to Constantine, at the request of Heraclius, Pope John IV (640–642) sent Christian teachers and missionaries to the Croatian Provinces. These missionaries converted Porga, and also a great many of the clan that was under his immediate authority, to the Christian faith in 640. The Christianization of the Croats was mostly complete by the 9th century. Both duchies became Frankish vassals in late 8th century, and eventually became independent in the following century.
The first native Croatian ruler recognized by the Pope was duke Branimir, whom Pope John VIII called dux Croatorum ("duke of Croats") in 879. Duke Tomislav of Littoral Croatia was one of the most prominent members of the House of Trpimirović. He united the Croats of Dalmatia and Pannonia into a single Kingdom in 925. Traditionally it's stated that Tomislav's state extended from the Adriatic Sea to the Drava river, and from the Raša river to the Drina river, but the precise borders are unknown. Under his rule, Croatia became one of the most powerful kingdoms in Medieval Europe. Tomislav defeated the invasions of the Arpads in battle and forced them across the Drava. He also annexed a part of Pannonia. This included the area between the rivers Drava, Sava and Kupa, so his Duchy bordered with Bulgaria for a period of time. This was the first time that the two Croatian Realms were united, and all Croats were in one state. The union was later recognised by Byzantium, which gave the royal crown to Stjepan Držislav and papal crown to king Zvonimir. The medieval Croatian kingdom reached its peak during the reign of Kings Petar Krešimir IV (1058–1074) and Zvonimir (1075–1089).
Kingdom of Croatia existed ever since it's foundation in 925 till the end of WWI, first as an indeprndent kingdom and later as a crown in different multietnic empires such as Kingdom of Hungary, Habsburg monarchy or Austria-Hungary.
Personal union with Hungary
Following the extinction of the Croatian ruling dynasty in 1091, Ladislaus I of Hungary, the brother of Jelena Lijepa, the last Croatian queen, became the king of Croatia. Croatian nobility of the Littoral opposed this crowning, which led to 10 years of war and the recognition of the Hungarian ruler Coloman as the king of Croatia and Hungary in the treaty of 1102 (often referred to as the Pacta conventa). In return, Coloman promised to maintain Croatia as a separate kingdom, not to settle Croatia with Hungarians, to guarantee Croatia's self-governance under a Ban, and to respect all the rights, laws and privileges of the Croatian Kingdom. During this union, the Kingdom of Croatia never lost the right to elect its own king, had the ruling dynasty become extinct. In 1293 and 1403 Croatia chose its own king, but in both cases the Kingdom of Hungary declared war and the union was reestablished.
For the next four centuries, the Kingdom of Croatia was ruled by the Sabor and Bans appointed by the Hungarian king. The Kingdom of Croatia and Slavonia remained a legally distinct constitutional entity, but the advent of a Hungarian king brought about other consequences such as: the introduction of feudalism and the rise of native noble families such as the Frankopans and the Šubićs. The 1273 Congregatio Regni tocius Sclavonie Generalis, the oldest surviving document written by the Croatian parliament, dates from this period. Subsequent kings sought to restore some of their previously lost influence by granting certain privileges to towns.
The first period of personal union between Croatia and Hungary ended in 1526 with the Battle of Mohács and the defeat of Hungarian forces by the Ottomans. After the death of King Louis II, Croatian nobles at the Cetingrad assembly chose the Habsburgs as new rulers of the Kingdom of Croatia, under the condition that they provide the troops and finances required to protect Croatia against the Ottoman Empire.
Republic of Ragusa
The city of Dubrovnik/Ragusa was founded in 7th century after Avar and Slavic raiders destroyed the Roman city of Epidaurum. The surviving Roman population escaped to a small island near the coast where they founded a new settlement. During the Fourth Crusade the city fell under control of the Republic of Venice until the 1358 Zadar treaty when Venice, defeated by the Hungarian kingdom, lost control of Dalmatia and the Republic of Ragusa became a tributary of that kingdom. Through the next 450 years the Republic of Ragusa would be a tributary Republic protected by Ottomans and Habsburgs until the Napoleon abolished in 1808 when Ragusa, Croatia, Slovenia and Bosnia was briefly the Illyrian Provinces. During this time the republic became rich through trade.
The republic became the most important publisher of Croatian literature during the Renaissance and Baroque periods. Aside from poets and writers like Marin Držić and Ivan Gundulić, whose works were important for Croat literature development, the most famous person from the Republic of Dubrovnik was the scientist Ruđer Josip Bošković, who was a member of the Royal Society and the Russian Academy of Sciences. The republic would survive until 1808 when it was annexed by Napoleon. Today the city of Dubrovnik features on the UNESCO World Heritage Site list and is a famous tourist destination.
Ottoman wars
Shortly after the Battle of Mohács, the Habsburgs unsuccessfully sought to stabilise the borders between the Ottoman Empire and the Kingdom of Croatia by creating a captaincy in Bihać. However, in 1529, the Ottoman army swept through the area and captured Buda and besieged Vienna; an event which brought violence and turmoil to the Croatian border areas (see Ottoman wars in Europe). After the failure of the first military operations, the Kingdom of Croatia was split into civilian and military units in 1553. The latter became Croatian Krajina and Slavonian Krajina and both eventually became parts of the Croatian Military Frontier which was directly under the control of Vienna. Ottoman raids on Croatian territory continued until the Battle of Sisak in 1593, after which the borders stabilised for some time. The kingdom of that time became known as the Reliquiae reliquiarum olim inclyti Regni Croatiae ("The remains of the remains of the once famous Kingdom of Croatia"). An important battle during this time was the Battle of Szigetvár (1566), when 2,300 soldiers under the leadership of ban Nikola Šubić Zrinski held back for two months 100,000 Ottoman soldiers led by Sultan Suleiman the Magnificent, fighting to the last man. Cardinal Richelieu was reported to have called the event "the battle that saved civilization."
During the Great Turkish War (1667–1698), Slavonia was regained but hilly western Bosnia, which had been a part of Croatia until the Ottoman conquest, remained outside Croatian control and the current border, which resembles a crescent or a horseshoe, is a remnant of this historical outcome. The southern part of the 'horseshoe' was created by the Venetian conquest following the Siege of Zara and was defined by the 17–18th century wars with the Ottomans. The de jure reason for Venetian expansion was the decision of the king of Croatia, Ladislas of Naples, to sell his rights on Dalmatia to Venice in 1409.
During more than two centuries of Ottoman wars, Croatia underwent great demographic changes. The Croats left the riverland areas of Gacka, Lika and Krbava, Moslavina in Slavonia, and an area in present day north-western Bosnia to move towards Austria where they remained and the present day Burgenland Croats are direct descendants of these settlers. To replace the fleeing Croats, the Habsburgs called on the Orthodox populations of Bosnia and Serbia to provide military service in Croatian and Slavonian Krajina. Serbian migration into this region, which had started in the 16th century, peaked during the Great Serb Migrations of 1690 and 1737–39. The rights and obligations of new populace of the Military frontier were decided with the Statuta Valachorum in 1630.
National Revival
National revival in Croatia started in 1813 when the bishop of Zagreb Maksimilijan Vrhovac issued a plea for the collection of "national treasures". At the beginning of the 1830s, a group of young Croatian writers gathered in Zagreb and established the Illyrian movement for national renewal and unity of all South Slavs within the Habsburg Monarchy. The most important focus of the Illyrians was the establishment of a standard language as a counter-weight to Hungarian, and the promotion of Croatian literature and official culture. Important members of this movement were Count Janko Drašković, who initiated the movement by writing a pamphlet in 1832, Ljudevit Gaj who received permission from the royal government of Habsburg for printing the first newspaper in the Croatian language, Antun Mihanović, who wrote the lyrics for the Croatian national anthem, Vatroslav Lisinski, composer of the first Croatian language opera, "Ljubav i zloba" ("Love and Malice", 1846), and many others.
Fearful first of Hungarian and then Habsburg (Austrian) pressure of assimilation, the Kingdom of Croatia had always refused to change the status of Latin as its official language until the middle of the 19th century. Only on 2 May 1843 the Croatian language was first spoken in parliament, finally gaining official status in 1847 due to the popularity of the Illyrian movement.
Even with a large Slavic (Croatian) majority, Dalmatia retained large Italian communities in the coast (in the cities and the islands, largest concentration in Istria). According to the 1816 Austro-Hungarian census, 22% of the Dalmatian population was Italian-speaking. Starting in the 19th century, most Dalmatian Italians and Morlachs with an Istro-Romanian language gradually assimilated to the prevailing Croatian culture and language.
Austria–Hungary
On January 1, 1527, Croatian noblemen gathered in the Cetin fortress in the city of Cetingrad for the Parliament on Cetin and elected Ferdinand, Archduke of Austria as the new king of the Croatian kingdom. Croatia of that time was carring a name triune kingdom; Kingdom of Croatia, Kingdom of Dalmatia and Kingdom of Slavonia. Kingdom of Croatia and kingdom of Slavonia united in 1868, creating Kingdom of Croatia-Slavonia.
The Croatian answer to the Hungarian revolution of 1848 was a declaration of war. Austrian, Croatian and Russian forces together defeated the Hungarian army in 1849 and the following 17 years were remembered in Croatia and Hungary for the policy of Germanization. The eventual failure of this policy resulted in the Austro-Hungarian Compromise of 1867 and the creation of a monarchic union between the crowns of the Austrian Empire and the Kingdom of Hungary. The treaty left unanswered the question of the status of Croatia. The following year the Croatian and Hungarian parliaments created a constitution for union of the Kingdom of Croatia-Slavonia and the Kingdom of Hungary.
After the Ottoman Empire lost military control over Bosnia and Herzegovina, Austria-Hungary abolished Croatian Krajina and Slavonian Krajina, restoring the territories to Croatia in 1881. During the second half of the 19th century pro-Hungarian and pro-Austrian political parties played Croats against Serbs with the aim of controlling the parliament. This policy failed in 1906 when a Croat-Serb coalition won the elections. The newly created political situation remained unchanged until the advent of World War I.
Kingdom of Yugoslavia
On 29 October 1918, the Croatian Sabor (parliament) declared independence, creating the new State of Slovenes, Croats and Serbs. Pressured by the Italian army, which was entering its territory from south and west, the National Council (Narodno vijeće) started expedient negotiations with the Kingdom of Serbia and on November 23, 1918, a delegation was sent to Belgrade with the aim of a proclamation of union. The National Council delegation delivered 11 points which needed to be fulfilled for the creation of a future state.[25] The most important of these points was the first, which referred to the need of a constitution for the new state, a proposal that was passed with a two thirds majority. Eventually, a constitution for a centralized state was passed with a majority of 50% + 1 vote and caused the end of state autonomy. On 1 December 1918, the new Kingdom of Serbs, Croats, and Slovenes, colloquially known as Kingdom of Yugoslavia, was created. This decision created public outcry among Croats, which started a political upheaval for the restoration of state autonomy by the leadership of the Croatian Peasant Party.
The unhealthy political situation in Yugoslavia became much worse after Stjepan Radić, the president of CPP, was killed in the Yugoslav parliament building in 1928 by Serbian ultranationalist Puniša Račić.
The ensuing chaotic period ended the next year when King Alexander abolished the Constitution, prorogued the Parliament and introduced a personal dictatorship. The next four years of the Yugoslav regime were described by Albert Einstein in 1931 as a "horrible brutality which is being practised upon the Croatian People". During the dictatorship, Vladko Maček, leader of the Croatian Peasant Party, was imprisoned, only becoming free after king Alexander was killed in a plot organized by the Internal Macedonian Revolutionary Organization. Upon Maček's release, the political situation was restored to that before the murder of Stjepan Radić, continuing Croatian demands for autonomy. The Croatian question was solved only on August 26, 1939 by the Cvetković-Maček Agreement, when Croatia received autonomy and an extension of its borders and Maček became Yugoslav vice-prime minister. The ensuing peace was terminated by the German invasion of 1941.
Geography
Croatia is located between South-Central Europe and Middle Europe. Its shape resembles that of a crescent or a horseshoe, which flanks its neighbours Serbia, Bosnia and Herzegovina and Montenegro. To the north lie Slovenia and Hungary; Italy lies across the Adriatic Sea. Its mainland territory is split in two non-contiguous parts by the short coastline of Bosnia and Herzegovina around Neum.
Its terrain is diverse, including:
plains, lakes and rolling hills in the continental north and northeast (Central Croatia and Slavonia, part of the Pannonian Basin);
densely wooded mountains in Lika and Gorski Kotar, part of the Dinaric Alps;
rocky coastlines on the Adriatic Sea (Istria, Northern Seacoast and Dalmatia).
Phytogeographically, Croatia belongs to the Boreal Kingdom and is shared between the Central European and Illyrian provinces of the Circumboreal Region and the Adriatic province of the Mediterranean Region. According to the WWF, the territory of Croatia can be subdivided into three ecoregions: the Pannonian mixed forests, Dinaric Mountains mixed forests and Illyrian deciduous forests.
The country is famous for its many national parks. Croatia has a mixture of climates. In the north and east it is continental, Mediterranean along the coast and a semi-highland and highland climate in the south-central region. Istra has a temperate climate, while the Palagruža archipelago is home to a subtropical climate.
Insular Croatia consists of over one thousand islands varying in size. The largest islands in Croatia are Cres and Krk which are located in the Adriatic Sea. The Danube, Europe's second longest river, runs through the city of Vukovar. Dinara, the eponym of the Dinaric Alps, is the highest peak of Croatia at 1,831 metres (6,007 ft) above sea level.
Karst topography makes up more than 50% of Croatia and is especially obvious in the area south of Karlovac. There are 49 caves deeper than 250 m (820.21 ft) in Croatia, 14 of them are deeper than 500 m (1,640.42 ft) and three deeper than 1,000 m (3,280.84 ft) (the Lukina jama-Trojama, Slovacka jama and Velebita cave systems). The deepest Croatian pits are mostly found in two regions – Mt. Velebit and Mt. Biokovo.
Other Info
Oficial name:
Republika Hrvatska
Establishment:
Founded First half of 7th century
- Medieval duchy March 4, 852
- Independence May 21, 879
- Elevated to kingdom 925
- Union with Hungary 1102
- Joined Habsburg Empire January 1, 1527
- Independence from Austria-Hungary, October 29, 1918
- Joined Yugoslavia (co-creator), December 1, 1918
- Declared independence June 25, 1991
Area:
56.542 km2
Inhabitants:
5.250.000
Languages
Croatian [hrv] 4,800,000 in Croatia (1995). Population total all countries: 6,214,643. Also spoken in Austria, Bosnia and Herzegovina, Germany, Hungary, Italy, Slovakia, Slovenia. Alternate names: Hrvatski. Dialects: Kaykavski, Chakavski, Shtokavski (Ijekavski). Shtokavski is the official dialect, but the others are recognized as valid dialects, with a large body of literature. Other dialects in other countries, like Burgenland Croatian in Austria, are less intelligible. Classification: Indo-European, Slavic, South, Western
More information.
Istriot [ist] 1,000 (2000 Salminen). Western coast of Istrian Peninsula, now only in the towns of Rovinj (Rovigno) and Vodnjan (Dignano). Dialects: Reported to be an archaic Romance language, often confused with Istro-Rumanian. Perhaps closer to Friulian or Dalmatian than to Istro-Rumanian. Classification: Indo-European, Italic, Romance, Italo-Western, Italo-Dalmatian
More information.
Italian [ita] 70,000 in Croatia whose first language is Italian or Venetian (1998 Eugen Marinov). Population includes 30,000 ethnic Italian and 40,000 ethnic Croats and Istrian people. Ethnic population: 30,000 (1998). Istria. Classification: Indo-European, Italic, Romance, Italo-Western, Italo-Dalmatian
More information.
Romanian, Istro [ruo] 555 to 1,500 (1994). Northeast Istrian Peninsula, Zejane village and a few villages to the south. Alternate names: Istro-Romanian. Dialects: Structurally a separate language from Romanian (F. B. Agard). Split from the other 3 Romanian languages between 500 and 1000 A.D. Not the same as the Istriot language. Classification: Indo-European, Italic, Romance, Eastern
More information.
Venetian [vec] 100,000 in Croatia and Slovenia (1994 Tapani Salminen). See also Italian in Croatia. Istrian Peninsula and Dalmatia. Dialects: Istrian, Tretine, Venetian Proper. Classification: Indo-European, Italic, Romance, Italo-Western, Western, Gallo-Iberian, Gallo-Romance, Gallo-Italian
More information.
Capital city:
Zagreb
Meaning country name:
Latinization of the Croatian name Hrvatska, derived from Hrvat (Croat): a word of unknown origin, possibly from a Sarmatian word for "herdsman" or "cowboy"[citation needed]. May be related to an aboriginal tribe of Alans.
Description Flag:
The Croatian flag consists of three equal size, horizontal stripes in the pan-Slavic colours red, white and blue. In the middle is the Coat of Arms of Croatia.
The red-white-blue tricolour has been used as the Croatian flag since 1848, symbolising the Pan-Slavic colours. While Croatia was part of Yugoslavia its tricolour was the same, but it had a five-pointed red star with a yellow border in place of the coat of arms. The star was replaced by the coat in May of 1990, shortly after the first multi-party elections. The current flag and the coat of arms were formally adopted on December 21, 1990, about ten months before the proclamation of independence from Yugoslavia.
Coat of arms:
The Coat of arms of Croatia consists of one main shield and five smaller shields which form a crown over the main shield. The main coat of arms is a checkerboard (chequy) that consists of 13 red and 12 silver (white) fields. It's commonly known as šahovnica ("chessboard", from šah, "chess" in Croatian). The five smaller shields represent five different geographical regions that comprise Croatia.
History
The red and white checkerboard has been a symbol of Croatian kings since at least the 10th century, ranging in size from 3×3 to 8×8, but most commonly 5×5, like the current coat. It was traditionally conjenctured that the colours originally represented two ancient Croat tribes, Red Croats and White Croats, but there is no generally accepted proof for this theory. The oldest source confirming the coat as an official symbol is a genealogy of the Habsburgs, dated from 1512 to 1518. In 1525 it was used on a votive medal.
The oldest known example of the šahovnica in Croatia is to be found on the wings of four falcons on a baptismal font donated by king Petar Krešimir IV of Croatia (1058–1074) to the Archbishop of Split.
The oldest known coat of arms of Croatia (six-pointed star over a moon), coat of arms of Dalmatia and coat of arms of Slavonia (as well as the šahovnica) were all at times used as the Coat of Arms to represent the whole Croatia, especially in early heraldic period. Towards the Late Middle Ages the distinction for the three crown lands (Croatia 'proper', Dalmatia, Slavonia) was made. The šahovnica was used as the coat of arms of Croatia proper & together with the shields for Slavonia and Dalmatia was often used to represent the whole of Croatia in Austria-Hungary. An example of where the Croatian coat of arms was constituted of the šahovnica & Dalmatian (top half of coat of arms), & Slavonian (bottom half of coat of arms) crests include the:
Kingdom of Croatia, Slavonia and Dalmatia in Habsburg Empire (1848-1852) - as depicted on the roof of St Mark's Church in Zagreb;
Triune Kingdom of Dalmatia, Croatia and Slavonia (1867 - 1918).
The two are the same except for the position of the šahovnica & Dalmatian coat of arms which are switched around & with different crowns used above the shield - the later employing St Stephen's crown (associated with Hungarian kings).
By late 19th century šahovnica had come to be considered a generally recognized symbol for Croats and Croatia and in 1919, it was included in the coat of arms of the Kingdom of Serbs, Croats and Slovenes (later the Kingdom of Yugoslavia) to represent Croats. When the Banovina of Croatia was formed, the šahovnica (chequy gules and argent) was retained as the official symbol.
The Ustashe regime which had ruled Croatia during the World War II superimposed their ideological symbol, the letter "U" above or around the šahovnica (upper left square white) as the official national symbol during their rule.
After the Second World War, the new Socialist Republic of Croatia became a part of the federal Second Yugoslavia. The šahovnica was included in the new socialist coat of arms which like the Ustashe before them, superimposed their ideological symbols. It was designed in the socialist tradition, including symbols like wheat for peasants and an anvil for workers, as well as a rising sun to symbolize a new morning and a red star for communism.
During the change to multiparty elections in Croatia (as part of the collapse of Communist rule in Eastern Europe from the late 1980s), and prior to the establishment of the current design, the šahovnica, shedding the communist symbols that were the hallmark of Croatia in the second Yugoslavia, reappeared as a stand-alone symbol as both the 'upper left square red' and 'upper left square white' variants.
The current design
On 21 December 1990, the post-communist government of Croatia, passed a law prescribing the design created by the graphic designer Miroslav Šutej, under the aegis of a commission chaired by Nikša Stančić, then head of the Department of Croatian History at the Faculty of Philosophy, University of Zagreb.
The new design added the five crowning shields which represent the historical regions from which Croatia originated. They are, from left to right:
the oldest known Croatian coat of arms: a golden six-pointed star (representing the morning star) over a silver moon on a blue shield. It represents the capital city Zagreb and central Croatia in general.
an older coat of arms of the Republic of Dubrovnik: two red stripes on a dark blue shield. The coat of arms on the flags and stone portals of Dubrovnik were painted black as a sign of grief by Dubrovnik' s citizens after the invasion by Napoleon.
the coat of arms of Dalmatia: three golden, crowned leopards, two over one, on a blue shield. This coat of arms originates from the Roman Emperor Diocletian who made his palace (the core of city of Split) the capital of the Western Roman Empire. His palace, to this day, still stands in Split.
the coat of arms of Istria: a golden goat with red hooves and horns, on a dark blue shield.
the coat of arms of Slavonia: two silver stripes on blue shield (representing the rivers Drava and Sava that mark the northern and the southern border of Slavonia), between them on a red field a black, running marten (kuna in Croatian - note national currency is related to the marten - Croatian kuna), above a six-pointed, golden star. This coat was to Slavonia was officially recognised by king Ladislaus Jagiello in 1496.
Some of the more traditional heraldic pundits have criticized the latest design for various unorthodox solutions, such as adding a crown to the coat, varying shades of blue in its even fields, and adding the red border around the coat. The government has accepted their criticism insofar as not accepting further non-traditional designs for the county coats of arms, but the national symbol has remained intact.
Unlike in many countries, Croatian design more commonly uses symbolism from the coat-of-arms, rather than from the Croatian flag. This is partly due to the geometric design of the shield which makes it appropriate for use in many graphic contexts (e.g. the insignia of Croatia Airlines or the design of the shirt for the Croatia national football team), and partly due to the fact that neighbouring countries like Slovenia and Serbia use the same Pan-Slavic colours on their flags as Croatia.
Trivia
The pattern of šahovnica resembles an autochthonous flower called kockavica, which is sometimes associated with the coat of arms.
Some right-wing Croats claimed that the colour of the top left square is a mark of whether Croatia is independent or ruled by foreigners, white or red respectively. However, this notion is contradicted by the coat of arms during the quisling Independent State of Croatia, periods of the Habsburg rule & domination by the Magyar monarchs - all with an upper left square white. In the case of Republic of Croatia the first square is red. The preferred design also varies by geography with 'upper left square white' historically preferred by Croats in Bosnia and Herzegovina and 'upper left square red' by those in Hrvatsko Zagorje and parts of Dalmatia. The stand-alone 'upper left square white' design being associated with nationalists is a red herring because of its adoption by politically neutral groups and that existing on many historic buildings and cultural artifacts in Croatia and other parts of the former Austro-Hungarian Empire, is the šahovnica in both its 'upper left square red' and 'upper left square white' variants; stand-alone or with other crests and predate the perceived political connotations of the modern era. The choice of 'upper left square red' or 'upper left square white' is more often dictated by heraldic laws and aesthetic requirements.
On the issue of whether the upper left square should be white or red, the following is stated on a 'vexillology and heraldry' website ("Croatia - History of the National Flag" - by Željko Heimer)
"What does heraldry say on that? Heraldic definition of chequered red and white does not say anything on which one goes first. However, most of books refer that if the shield stands for its own, it should have red first, mainly for aestethical purposes, making the borders of the shield more visible. If the shield stands together with others, e.g. in the trierced shield of Croatia, Dalmatia and Slavonia, or the one of Kingdom of Yugoslavia, it is better to have the white one first, so that more metal (white) than colour (red) is against the coloured fields (red, blue) of the other two."
In heraldry sources, the šahovnica is often referred to as chequy arms.
The Croatian Coat of arms bears a strong resemblance with the flag of the Dutch province of Noord-Brabant
National Anthem: Lijepa naša domovino
Croatian Official
Lijepa naša domovino,
Oj junačka zemljo mila,
Stare slave djedovino,
Da bi vazda sretna bila!
Mila, kano si nam slavna,
Mila si nam ti jedina.
Mila, kuda si nam ravna,
Mila, kuda si planina!
Teci Dravo, Savo teci,
Nit ti Dunav silu gubi,
Sinje more svijetu reci,
Da svoj narod Hrvat ljubi.
Dok mu njive sunce grije,
Dok mu hrašće bura vije,
Dok mu mrtve grobak krije,
Dok mu živo srce bije!
English Translation
Our beautiful homeland,
O so fearless and gracious,
Our fathers' ancient glory,
May you be blessed forever.
Dear, you are our only glory,
Dear, you are our only one,
Dear, we love your plains,
Dear, we love your mountains.
Drava, Sava, keep on flowing,
Danube, do not lose your vigor,
Deep blue sea, tell the world,
That a Croat loves his homeland.
Whilst his fields are kissed by sunshine,
Whilst his oaks are whipped by wild winds,
Whilst his dear ones go to heaven,
Whilst his live heart beats.
Internet Page:http://www.croatia.com
Croatia in diferent languages
eng | cym | ina | rup: Croatia
bre | fao | fin | kal | nor | swa: Kroatia
arg | ita | lld | roh: Croazia
ast | glg | spa: Croacia
deu | ltz | nds: Kroatien / Kroatien
cat | oci: Croàcia
dan | swe: Kroatien
dsb | hsb: Chorwatska
fra | jnf: Croatie
jav | lin: Kroasia
kaa | uzb: Xorvatiya / Хорватия
lim | nld: Kroatië
afr: Kroasië
aze: Xorvatıstan / Хорватыстан; Xorvatiya / Хорватија
bam: Kɔrɔwasi
bos: Hrvatska / Хрватска
ces: Chorvatsko; Charvátsko
cor: Kroati
crh: Hırvatistan / Хырватистан
csb: Chòrwackô
epo: Kroatujo; Kroatio
est: Horvaatia; Kroaatia
eus: Kroazia
frp: Croacie
fry: Kroaasje
fur: Cravuazie
gag: Horvatiya / Хорватия
gla: Croàisia
gle: An Chróit / An Ċróit
glv: Yn Chroit
hat: Kroasi
hrv: Hrvatska
hun: Horvátország
ibo: Kroetia
ind: Kroasia / كرواسيا
isl: Króatía
kmr: Xorvatî / Хорвати / خۆرڤاتی
kur: Xirvatistan / خرڤاتستان; Krovatya / کرۆڤاتیا
lat: Croatia; Crovatia; Chorbatia; Chrobatia; Liburnia
lav: Horvātija
lit: Kroatija
mlg: Krôasia
mlt: Kroazja
mol: Croaţia / Кроация
mri: Koroātia
msa: Croatia / كرواتيا
nrm: Croassie
pol: Chorwacja
por: Croácia
que: Hurwatsuyu
rmy: Kroatiya / क्रोआतिया
ron: Croaţia
scn: Croazzia
slk: Chorvátsko
slo: Horvatia / Хорватиа; Horvatzem / Хорватзем
slv: Hrvaška
sme: Kroátia
smg: Kroatėjė
som: Korweeshiya
sqi: Kroacia
srd: Croàtzia
szl: Chorwacyjo
tet: Kroásia
ton: Koloēsia
tuk: Horwatiýa / Хорватия
tur: Hırvatistan
vie: Crô-a-ti-a
vol: Kroatän
vor: Horvaatia
wln: Crowåceye
wol: Korwaasi
zza: Xırvatıstan
chu: Хръватія (Ĥrŭvatīja); Хръватьска (Ĥrŭvatĭska)
abq | alt | kir | kjh | kom | krc | kum | rus | tyv | udm: Хорватия (Ĥorvatija)
che | chv | oss: Хорвати (Ĥorvati)
mon | xal: Хорват (Ĥorvat)
bak: Хорватия / Ĥorvatiya
bel: Харватыя / Charvatyja
bul: Хърватия (Ĥǎrvatija); Хърватско (Ĥǎrvatsko)
chm: Хорватий (Ĥorvatij)
kaz: Хорватия / Xorvatïya / حورۆاتيا
kbd: Хорватие (Ĥorvatie)
mkd: Хрватска (Hrvatska)
srp: Хрватска / Hrvatska
tat: Хорватия / Xorvatiä
tgk: Хорватия / خاروتیه / Xorvatija
ukr: Хорватія (Ĥorvatija)
ara: كرواتيا (Kurwātiyā)
ckb: کرواتیا / Kirwatya; کرواتسان / Kirwatistan
fas: کرواسی (Koroāsī)
prs: کروویشیا (Krōvēšiyā); کروشیا (Krōšiyā)
pus: کرووېشيا (Krowešiyā); کروشيا (Krošiyā)
uig: كرودىيە / Krodiye / Кродия; خورۋاتىيە / Xorwatiye / Хорватия
urd: کروشیا (Karošiyā); کروایشیا (Kroʾešiyā)
div: ކްރޮއޭށިއާ (Kro'ēŝi'ā); ކުރޮއޭޝިއާ (Kuro'ēši'ā)
syr: ܟܪܘܬܝܐ (Krōtiyā)
heb: קרואטיה (Qrôʾaṭyah)
lad: קרואסיה / Kroasia
yid: קראָאַטיע (Kroatye)
amh: ክሮኤሽያ (Kro'ešya); ክሮዌሺያ (Krowešiya)
ell: Κροατία (Kroatía)
hye: Խորվաթիա (Ĥorvaṭia); Հորվաթիա (Horvaṭia)
kat: ხორვატია (Ĥorvatia); ჰორვატია (Horvatia)
hin: क्रोशिया (Krošiyā); क्रोएशिया (Kroešiyā)
nep: क्रोएसिया (Kroesiyā)
ben: ক্রোয়েশিয়া (Kroyešiyā)
pan: ਕਰੋਟੀਆ (Kroṭīā)
kan: ಕ್ರೊಯೇಶಿಯ (Kroyēšiya)
mal: ക്രൊയേഷ്യ (Kroyēṣya)
tam: குரோசியா (Kurōčiyā)
tel: క్రొయేషియా (Kroyēṣiyā)
zho: 克羅地亞/克罗地亚 (Kèluódìyà)
jpn: クロアチア (Kuroachia)
kor: 크로아티아 (Keuroatia)
mya: ခရုိအေးရ္ဟား (Kʰáẏo'èšà)
tha: โครเอเชีย (Kʰrō'ēčʰiya)
khm: ក្រូអាត (Krū'āt)
In October 1981, flying tiger ancient human remains from Guizhou Provincial Museum trial excavation, the accumulation of complex, broadly divided into early and late phases. Early formation of yellow or grayish yellow, unearthed panda, Stegodon fossils, stone products are made for the late Paleolithic culture era. Advanced formation is black, black, unearthed animal genetic pulp for extant species, and human mandibular and chipped stone, grinding stone, grinding bone, pottery and other large, geological time for the Holocene, culture in the age of the Neolithic age, that about 4000 years ago to 6000 years.
Unearthed stone products made a total of 532 pieces of raw materials, mainly to flint stone, there is, nuclear, stone etc.. The stone to stone, with the forward direction of processing processing, types of hit device, a scraper, tip like device and dolabriform etc.. The scraper accounted for 76%, tip like device is small but fine processing. The axe is a symbol of the transformation of Neolithic culture. 27 pieces of polished stone, delicate process, a stone axe, stone adzes, stone spinning wheels, stone scraper, stone arrow head, small stones (spear) 8. The number of stone adzes, regular shape, with long oblique cutting tool representative. 79 pieces of bone, in addition to the 1 pieces of grinding residual bone scraper, are making bone, bone and bone shovel cone. The three notches in the teeth may be scratching the porcupine symbol. In addition to pottery and ball spinning round round cake 1, the rest are all pieces of artifacts. 1494 tablets. The uneven thickness, thickness of 1.2 cm, thickness of only 0.2 cm, high temperature, hard texture. About 70% of sand pottery, pottery sand shale pottery class accounted for 30%, very little. Sand and sand are mainly sand. Pottery ornamentation is complicated, there are thick rope lines and Fang Gewen cone, tattoo, carved lines and lines and other additional cone. There are 3 pieces of pottery pottery, which has 1 pieces of orange powder is subjected to pottery coating inside and outside the grey clay, on the exterior is painted with two parallel red bands. This is the first time in Guizhou, Guizhou is also the earliest pottery record.
The site has a new and old stone formation, and the cultural connotation is rich. Pottery appear more attractive, but considerable differences in advanced culture. These have great significance to the study of the relationship between the new and the old stone culture in Guizhou and the time continuity of the times.
In February 23, 1982, the Guizhou Provincial People's Government approved the publication of the provincial cultural relics protection units. 1981年10月,飞虎山古人类遗址由贵州省博物馆试掘,洞内堆积复杂,大致分早、晚两期。早期地层呈黄色或灰黄色,出土大熊猫、剑齿象等化石,石制品均为打制,文化时代为旧石器时代晚期。晚期地层呈黑色、灰黑色,出土动物遗髓为现生属种,并出人类下颌件和打制石器、磨制石器、磨制骨器、大量的陶片等,地质时代为全新世,文化时代属新石器时代,推测距今约4000年至6000年。
遗址出土打制的石制品共532件,原料以燧石为主,有是核、石片、石器等。石器以石片为主,加工方向以正向加工为主,类型有砸器、刮削器、尖状器和斧形器等。其中刮削器占76%,尖状器虽少但加工精细。斧形器似为向新石器文化转化的象征。磨制石器27件,加工精致,有石斧、石锛、石纺轮、石刮刀、石箭(矛)头、小石块等8种。石锛数量多,形制规整,以长形斜刃具代表性。骨器79件,除1件残的磨制骨刮刀外,均为打制骨器,有骨锥和骨铲。其中豪猪牙上的三道刻痕可能是刻划符。陶器除圆饼式及圆珠纺轮各1件外,其余全是器物碎片。计1494片。其厚度不匀,厚者达1.2厘米,薄者仅0.2厘米,火候高,质地坚硬。夹砂灰陶约占70%,夹砂黑陶占30%,泥质类陶极少。夹砂陶以夹细砂为主。陶片纹饰复杂多样,有粗细绳纹、方格纹、锥刺纹、刻划纹和附加锥纹等。陶片中有3片彩陶,其中有1片是在泥质灰陶的内外施以粉澄色陶衣,再于外表绘有两条平行的红色条带。这是贵州首次发现,也是贵州迄今最早的彩陶记录。
遗址具有新、旧石器地层叠压,文化内涵丰富。彩陶的出现更引人瞩目,但中、晚期文化差异颇大。这些对研究贵州新、旧石器文化的相互关系和时代延续问题具有重要的意义。
1982年2月23日,经贵州省人民政府批准公布为省级文物保护单位。
In October 1981, flying tiger ancient human remains from Guizhou Provincial Museum trial excavation, the accumulation of complex, broadly divided into early and late phases. Early formation of yellow or grayish yellow, unearthed panda, Stegodon fossils, stone products are made for the late Paleolithic culture era. Advanced formation is black, black, unearthed animal genetic pulp for extant species, and human mandibular and chipped stone, grinding stone, grinding bone, pottery and other large, geological time for the Holocene, culture in the age of the Neolithic age, that about 4000 years ago to 6000 years.
Unearthed stone products made a total of 532 pieces of raw materials, mainly to flint stone, there is, nuclear, stone etc.. The stone to stone, with the forward direction of processing processing, types of hit device, a scraper, tip like device and dolabriform etc.. The scraper accounted for 76%, tip like device is small but fine processing. The axe is a symbol of the transformation of Neolithic culture. 27 pieces of polished stone, delicate process, a stone axe, stone adzes, stone spinning wheels, stone scraper, stone arrow head, small stones (spear) 8. The number of stone adzes, regular shape, with long oblique cutting tool representative. 79 pieces of bone, in addition to the 1 pieces of grinding residual bone scraper, are making bone, bone and bone shovel cone. The three notches in the teeth may be scratching the porcupine symbol. In addition to pottery and ball spinning round round cake 1, the rest are all pieces of artifacts. 1494 tablets. The uneven thickness, thickness of 1.2 cm, thickness of only 0.2 cm, high temperature, hard texture. About 70% of sand pottery, pottery sand shale pottery class accounted for 30%, very little. Sand and sand are mainly sand. Pottery ornamentation is complicated, there are thick rope lines and Fang Gewen cone, tattoo, carved lines and lines and other additional cone. There are 3 pieces of pottery pottery, which has 1 pieces of orange powder is subjected to pottery coating inside and outside the grey clay, on the exterior is painted with two parallel red bands. This is the first time in Guizhou, Guizhou is also the earliest pottery record.
The site has a new and old stone formation, and the cultural connotation is rich. Pottery appear more attractive, but considerable differences in advanced culture. These have great significance to the study of the relationship between the new and the old stone culture in Guizhou and the time continuity of the times.
In February 23, 1982, the Guizhou Provincial People's Government approved the publication of the provincial cultural relics protection units. 1981年10月,飞虎山古人类遗址由贵州省博物馆试掘,洞内堆积复杂,大致分早、晚两期。早期地层呈黄色或灰黄色,出土大熊猫、剑齿象等化石,石制品均为打制,文化时代为旧石器时代晚期。晚期地层呈黑色、灰黑色,出土动物遗髓为现生属种,并出人类下颌件和打制石器、磨制石器、磨制骨器、大量的陶片等,地质时代为全新世,文化时代属新石器时代,推测距今约4000年至6000年。
遗址出土打制的石制品共532件,原料以燧石为主,有是核、石片、石器等。石器以石片为主,加工方向以正向加工为主,类型有砸器、刮削器、尖状器和斧形器等。其中刮削器占76%,尖状器虽少但加工精细。斧形器似为向新石器文化转化的象征。磨制石器27件,加工精致,有石斧、石锛、石纺轮、石刮刀、石箭(矛)头、小石块等8种。石锛数量多,形制规整,以长形斜刃具代表性。骨器79件,除1件残的磨制骨刮刀外,均为打制骨器,有骨锥和骨铲。其中豪猪牙上的三道刻痕可能是刻划符。陶器除圆饼式及圆珠纺轮各1件外,其余全是器物碎片。计1494片。其厚度不匀,厚者达1.2厘米,薄者仅0.2厘米,火候高,质地坚硬。夹砂灰陶约占70%,夹砂黑陶占30%,泥质类陶极少。夹砂陶以夹细砂为主。陶片纹饰复杂多样,有粗细绳纹、方格纹、锥刺纹、刻划纹和附加锥纹等。陶片中有3片彩陶,其中有1片是在泥质灰陶的内外施以粉澄色陶衣,再于外表绘有两条平行的红色条带。这是贵州首次发现,也是贵州迄今最早的彩陶记录。
遗址具有新、旧石器地层叠压,文化内涵丰富。彩陶的出现更引人瞩目,但中、晚期文化差异颇大。这些对研究贵州新、旧石器文化的相互关系和时代延续问题具有重要的意义。
1982年2月23日,经贵州省人民政府批准公布为省级文物保护单位。
Haridwar is an ancient city and municipality in the Haridwar district of Uttarakhand, India. The River Ganges, after flowing for 253 kilometres from its source at Gaumukh at the edge of the Gangotri Glacier, enters the Indo-Gangetic Plains of North India for the first time at Haridwar, which gave the city its ancient name, Gangadwára.
Haridwar is regarded as one of the seven holiest places (Sapta Puri) to Hindus. According to the Samudra manthan, Haridwar along with Ujjain, Nashik and Prayag (Allahabad) is one of four sites where drops of Amrit, the elixir of immortality, accidentally spilled over from the pitcher while being carried by the celestial bird Garuda. This is manifested in the Kumbha Mela being celebrated every 3 years in one of the 4 places, and thus every 12 years in Haridwar. Amidst the Kumbha Mela, millions of pilgrims, devotees, and tourists congregate in Haridwar to perform ritualistic bathing on the banks of the river Ganges to wash away their sins to attain Moksha. Brahma Kund, the spot where the Amrit fell, is located at Har ki Pauri (literally, "footsteps of the Lord") and is considered to be the most sacred ghat of Haridwar.
Haridwar is the headquarters and the largest city of the district. Today, the city is developing beyond its religious importance, with the fast developing industrial estate of State Industrial Development Corporation of Uttarakhand (SIDCUL) and the close by township of Bharat Heavy Electricals Limited in Ranipur, Uttarakhand as well as its affiliated ancillaries.
ETYMOLOGY
The name of the town has two spellings: Hardwar and Haridwar. Each of these names has its own connotation.
In Sanskrit, Hara means "Lord Shiva" and Dwara means "gate" or "gateway". Hence, Hardwar stands for "Gateway to Lord Shiva". Hardwar has been a typical place to start a pilgrim's journey in order to reach Mount Kailash, the eternal abode of Lord Shiva, Kedarnath, the northernmost Jyotirlinga and one of the sites of the smaller Char Dham pilgrimage circuit and Gaumukh, the source of River Ganga. Har ki Pauri or footsteps of Lord Shiva is considered the most sacred site in Hardwar.
On the other hand, Hari means "Lord Vishnu". So, Haridwar stands for "Gateway to Lord Vishnu". In order to reach Badrinath, one of the four Char Dhams, with a temple of Lord Vishnu, Haridwar is a typical place to start a pilgrim's journey. Therefore, the name Haridwar.
Haridwar is also known as the home of Devi Sati and the palace of her father Daksha. In ancient times, the town was also referred to as Gangadwára (गंगाद्वार), the place where the Ganges descends to the plains.
SEVEN HOLY PLACES
Haridwar (purnaic name Maya) is one of the seven most holy Hindu places in India, with Varanasi usually considered the holiest.
“ Ayodhyā Mathurā Māyā Kāśī Kāñcī Avantikā I
Purī Dvārāvatī caiva saptaitā mokṣadāyikāḥII – Garuḍa Purāṇa I XVI .14”
HISTORY
In the scriptures, Haridwar has been variously mentioned as Kapilasthana, Gangadwara and Mayapuri. It is also an entry point to the Char Dham (the four main centres of pilgrimage in Uttarakhand viz, Badrinath, Kedarnath, Gangotri, and Yamunotri), hence, Shaivaites (followers of Lord Shiva) and Vaishnavites (followers of Lord Vishnu) call this place Hardwar and Haridwar respectively, corresponding to Hara being Shiv and Hari being Vishnu.
In the Vanaparva of the Mahabharat, where sage Dhaumya tells Yudhisthira about the tirthas of India, Gangadwar, i.e., Haridwar and Kankhal, have been referred to, the text also mentions that Agastya Rishi did penance here, with the help of his wife, Lopamudra (the princess of Vidharba).
Sage Kapila is said to have an ashram here giving it, its ancient name, Kapila or Kapilasthana.
The legendary King, Bhagiratha, the great-grandson of the Suryavanshi King Sagar (an ancestor of Rama), is said to have brought the river Ganges down from heaven, through years of penance in Satya Yuga, for the salvation of 60,000 of his ancestors from the curse of the saint Kapila, a tradition continued by thousands of devout Hindus, who brings the ashes of their departed family members, in hope of their salvation. Lord Vishnu is said to have left his footprint on the stone that is set in the upper wall of Har Ki Pauri, where the Holy Ganges touches it at all times.
Haridwar came under the rule of the Maurya Empire (322–185 BCE), and later under the Kushan Empire (c. 1st–3rd centuries). Archaeological findings have proved that terra cotta culture dating between 1700 BCE and 1200 BCE existed in this region. First modern era written evidence of Haridwar is found in the accounts of a Chinese traveller, Huan Tsang, who visited India in 629 AD. during the reign of King Harshavardhan (590–647) records Haridwar as 'Mo-yu-lo', the remains of which still exist at Mayapur, a little to the south of the modern town. Among the ruins are a fort and three temples, decorated with broken stone sculptures, he also mentions the presence of a temple, north of Mo-yu-lo called 'Gangadwara', Gateway of the Ganges.
The city also fell to the Central Asian conqueror Timur Lang (1336–1405) on 13 January 1399.
During his visit to Haridwar, first Sikh Guru, Guru Nanak (1469–1539) bathed at 'Kushawart Ghat', wherein the famous, 'watering the crops' episode took place, his visit is today commemorated by a gurudwara (Gurudwara Nanakwara), according to two Sikh Janamsakhis, this visit took place on the Baisakhi day in 1504 AD, he later also visited Kankhal en route to Kotdwara in Garhwal. Pandas of the Haridwar have been known to keep genealogy records of most of the Hindu population. Known as vahis, these records are updated on each visit to the city, and are a repository of vast family trees of family in North India.
Ain-e-Akbari, written by Abul Fazal in the 16th century during the reign of Mughal Emperor Akbar, refers to it as Maya (Mayapur), known as Hardwar on the Ganges”, as seven sacred cities of Hindus. It further mentions it is eighteen kos (each approx. 2 km) in length, and large numbers of pilgrims assemble on the 10th of Chaitra. It also mentions that during his travels and also while at home, Mughal Emperor, Akbar drank water from the Ganges river, which he called 'the water of immortality'. Special people were stationed at Sorun and later Haridwar to dispatch water, in sealed jars, to wherever he was stationed
During the Mughal period, there was mint for Akbar's copper coinage at Haridwar. It is said that Raja Man Singh of Amber, laid that foundation of the present day city of Haridwar and also renovated the ghats at Hark Ki Pauri. After his death, his ashes are also said to have been immersed at Brahma Kund by Mughal emperor Akbar himself. Thomas Coryat, an English traveller, who visited the city in the reign of Emperor Jahangir (1596–1627) mentions it as 'Haridwara', the capital of Shiva.
Being one of the oldest living cities, Haridwar finds its mention in the ancient Hindu scriptures as it weaves through the life and time stretching from the period of the Buddha, to the more recent British advent. Haridwar has a rich and ancient religious and cultural heritage. It still has many old havelis and mansions bearing exquisite murals and intricate stonework.
One of the two major dams on the river Ganges, the Bhimgoda, is situated here. Built in 1840s, it diverts the waters of the Ganges to the Upper Ganges Canal, which irrigated the surrounding lands. Though this caused severe deterioration to the Ganges water flow, and is a major cause for the decay of the Ganges as an inland waterway, which till 18th century was used heavily by the ships of the East India Company, and a town as high up as Tehri, was considered a port city The headworks of the Ganges Canal system are located in Haridwar. The Upper Ganges Canal was opened in 1854 after the work began in April 1842, prompted by the famine of 1837–38. The unique feature of the canal is the half-kilometre-long aqueduct over Solani river at Roorkee, which raises the canal 25 metres above the original river.
'Haridwar Union Municipality' was constituted in 1868, which included the then villages of Mayapur and Kankhal. Haridwar was first connected with railways, via Laksar, through branch line in 1886, when the Awadh and Rohilakhand Railway line was extended through Roorkee to Saharanpur, this was later extended to Dehradun in 1900.
In 1901, it had a population of 25,597 and was a part of the Roorkee tehsil, in Saharanpur district of the United Province,[10] and remained so till the creation of Uttar Pradesh in 1947.
Haridwar has been an abode of the weary in body, mind and spirit. It has also been a centre of attraction for learning various arts, science, and culture. The city has a long-standing position as a great source of Ayurvedic medicines and herbal remedies and is home to the unique Gurukul (school of traditional education), including the Gurukul Kangri Vishwavidyalaya, which has a vast campus, and has been providing traditional education of its own kind, since 1902. Development of Haridwar took an upturn in the 1960s, with the setting up of a temple of modern civilisation, BHEL, a 'Navratna PSU' in 1962, which brought along not just a its own township of BHEL, Ranipur, close to the existing Ranipur village, but also a set of ancillaries in the region. The University of Roorkee, now IIT Roorkee, is one of the oldest and most prestigious institutes of learning in the fields of science and engineering.
GEOGRAPHY
The Ganges emerges from the mountains to touch the plains. The water in the river Ganges is mostly clear and generally cold, except in the rainy season, during which soil from the upper regions flows down into it.
The river Ganges flows in a series of channels separated from each other called aits, most of which are well wooded. Other minor seasonal streams are Ranipur Rao, Pathri Rao, Ravi Rao, Harnaui Rao, Begham Nadi etc. A large part of the district is forested, and Rajaji National Park is within the bounds of the district, making it an ideal destination for wildlife and adventure lovers. Rajaji is accessible through different gates; the Ramgarh Gate and Mohand Gate are within 25 km of Dehradun, while the Motichur, Ranipur and Chilla Gates are just about 9 km from Haridwar. Kunaon Gate is 6 km from Rishikesh, and Laldhang gate is 25 km from Kotdwara.
Haridwar district, covering an area of about 2360 km², is in the southwestern part of Uttarakhand state of India.
Haridwar is situated at height of 314 metres from the sea level, between Shivalik Hills in the North and Northeast and the Ganges River in the South.
HINDU GENEALOGY REGISTERS AT HARIDWAR
Something that is not well known today to Indians and to those settled abroad, in an ancient custom detailed family genealogies of Hindu families for the past several generations are kept by professional Hindu Brahmins popularly known as Pandas, at the Hindu holy city of Haridwar in hand written registers passed down to them over generations by their Brahmin ancestors which are classified according to original districts and villages of ones ancestors, with special designated Brahmin families being in charge of designated district registers, even for cases where ancestral districts and villages that have been left behind in Pakistan after Partition of India with Hindus having to migrate to India. In several cases present day decedents are now Sikhs and many maybe Muslims or even Christians. It is common for one to find details of up to, or even more than, ones seven past generations in these genealogy registers kept by the Pandas of Haridwar.
For centuries when Hindu ancestors visited the holy town of Haridwar for any purpose which may have mostly been for pilgrimage purposes or/and for cremation of their dead or for immersion of ashes and bones of their kin after cremation into the waters of the holy river Ganges as required by Hindu religious custom, it has been an ancient custom to go to the Pandit who is in charge of ones family register and update the family's genealogical family tree with details of all marriages, births and deaths from ones extended joint family.
In present day India people visiting Haridwar are dumbfounded when Pandas out of the blue solicit them to come and update their very own ancestral genealogical family tree, news travels like wildfire among the Pandas with ones family's designated Panda being quickly notified of ones visit. Nowadays with Hindu joint family system having broken down with people preferring more nuclear families, record keeping Pandits prefer visitors to Haridwar to come prepared after getting in touch with all of ones extended family and bringing all relevant details regarding ones ancestral district and village, names of grand parents and great grand parents and marriages, births and deaths that have occurred in the extended family, even with as much details as possible of the families married into. A visiting family member is required to personally sign the family genealogical register furnished by ones Family Panda after updating it for future family visitors and generations to see and to authenticate the updated entries, friends and other family members accompanying on the visit may also be requested to sign as witnesses. However it is preferable to visit one's family pandas before immerson of ashes of one's kin as they will help properly in this rituals.
PLACES OF INTEREST
In Hindu traditions, the 'Panch Tirth' (Five Pilgrimages) within Haridwar, are "Gangadwar" (Har ki Pauri), Kushawart (Ghat in Kankhal), Bilwa Tirtha (Mansa Devi Temple) and Neel Parvat (Chandi Devi Temple). There are several other temples and ashrams located in and around the city. Also, alcohol and non-vegetarian food is not permitted in Haridwar.
HAR KI PAURI
This sacred Ghat was constructed by King Vikramaditya (1st century BC) in memory of his brother Bharthari. It is believed that Bharthari came to Haridwar and meditated on the banks of the holy Ganges. When he died, his brother constructed a Ghat in his name, which later came to be known as Har Ki Pauri. The most sacred ghat within Har Ki Pauri is Brahmakund. The evening prayer (Aarti) at dusk offered to Goddess Ganga at Har Ki Pauri (steps of God Hara or Shiva) is an enchanting experience for any visitor. A spectacle of sound and colour is seen when, after the ceremony, pilgrims float Diyas (floral floats with lamps) and incense on the river, commemorating their deceased ancestors. Thousands of people from all around the world do make a point to attend this prayer on their visit to Haridwar. A majority of present ghats were largely developed in the 1800s. On the night of Dussehra or a few days before that the Ganga Canal is dried in Haridwar to clean the riverbed. The water is restored on Dewali. It is believed that on Dussera Maa Ganga goes to her father's house and returns after Bhai Duj or Bhai Phota. It is for this reason that the waters in the Ganga canal in Haridwar are partially dried on the night of Dussehra and the waters are restored on the day of Bhai Duj or Bhai Phota.
CHANDI DEVI TEMPLE
The temple is dedicated to Goddess Chandi, who sits atop the 'Neel Parvat' on the eastern bank of the river Ganges. It was constructed in 1929 A.D. by the king of Kashmir, Suchat Singh. Skanda Purana mentions a legend, in which Chanda-Munda, the Army Chief of a local Demon Kings Shumbha and Nishumbha were killed by goddess Chandi here, after which the place got the name Chandi Devi. It is believed that the main statue was established by the Adi Shankaracharya in 8th century A.D. The temple is a 3 km trek from Chandighat and can also be reached through a ropeway.
MAYA DEVI TEMPLE
Situated at the top of Bilwa Parwat, the temple of Goddess Mansa Devi, literally meaning the Goddess who fulfills desires (Mansa), is a popular tourist destination, especially because of the cable cars, which offer a picturesque view of the entire city. The main temple houses two idols of the Goddess, one with three mouths and five arms, while the other one has eight arms.
KANKHAL
The ancient temple of Daksha Mahadev also known as Daksheshwar Mahadev Temple, is situated in the south Kankhal town. According to Hindu texts, King Daksha Prajapati, father of Dakshayani, Lord Shiva's first wife, performed a yagña, to which he deliberately did not invite Lord Shiva. When she arrived uninvited, he was further insulted by the king, seeing which Sati felt infuriated and self-immolated herself in the yagna kund. King Daksha was later killed by the demon Virabhadra, born out of Shiva's anger. Later the king was brought to life and given a goat's head by Shiva. Daksha Mahadev temple is a tribute to this legend.
Sati Kund, another well-known mythological heritage worth a visit is situated in the Kankhal. Legend has it that Sati immolated herself in this kund.
PIRAN KALIYAR
Piran Kaliyar Sharif, built by Ibrahim Lodhi, a ruler of Delhi, this 'Dargah' of Hazrat Alauddin Sabir Kaliyari, a 13th-century, Sufi Saint of Chishti Order (also known as Sarkar Sabir Pak), in Kaliyar village, 7 km. from Roorkee, is visited by devotees from all over the world, during the annual 'Urs' festival, which is celebrated from 1st day of sighting the moon to 16th day of Rabi al-awwal month, in the Islamic calendar.
NEEL DHARA PAKSHI VIHAR
This Bird Sanctuary is situated on the main Ganges river, or Neel Dhara, at the Bhimgoda Barrage, it is a paradise for bird watchers and home to many migratory birds during the winter season.
BHIMGODA TANK
This tank is situated at a distance of about 1 km from Har Ki Pauri. It is said that while Pandavas were going to Himalayas through Haridwar, prince Bhima drew water from the rocks here by thrusting his knee (goda), to the very ground.
DUHADHARI BARFANI TEMPLE
Part of the ashram of Dudhadhari Barfani Baba, this temple complex in white marble is one of most beautiful temples in Haridwar, especially the temples of Rama-Sita and Hanumana.
SUREHVARA DEVI TEMPLE
Temple of Goddess Sureshwari, situated in midst of Rajaji National Park. Serene and religious makes this temple abode of worshipers, saints etc. Located at outskirts of Haridwar in Ranipur and permission from forest rangers is necessary. The location of the temple is beyond the boundary of Bharat Heavy Electricals Limited, Haridwar.
PAWAN DHAM
A modern temple, made entirely of glass pieces, Pawan Dham is now a popular tourist destination. The temple complex was constructed by the effort of Swami Vedantanand Maharaj and the institute located there is growing under the leadership of Swami Sahaj Prakash Maharaj. People from Moga in Punjab have put considerable efforts and money to erect this place.
BHARAT MATA MANDIR
Bharat Mata Mandir is a multi-storey temple dedicated to Bharat Mata (Mother India). Bharat Mata Mandir was inaugurated on 15 May 1983 by Indira Gandhi on the banks of the river Ganges. It is situated adjacent to the Samanvaya Ashram, and stands eight stories tall to a height of 55 m. Each floor depicts an era in the Indian history, from the days of Ramayana until India's independence.
On the first floor is the statue of Bharat Mata. The second floor, Shur Mandir, is dedicated to the well renowned heroes of India. The third floor Matri Mandir is dedicated to the achievements of India's revered women, such as Radha, Mira, Savitri, Draupadi, Ahilya, Anusuya, Maitri, Gargi etc. The great saints from various religions, including Jainism, Sikhism, and Buddhism are featured on the fourth floor Sant Mandir. The assembly hall with walls depicting symbolic coexistence of all religions practised in India and paintings portraying history and beauty in various provinces, is situated on the fifth floor. The various forms of the Goddess Shakti can be seen on the sixth floor, whilst the seventh floor is devoted to all incarnations of Lord Vishnu. The eighth floor holds the shrine of Lord Shiva from which devotees can gain a panoramic view of Himalayas, Haridwar, and the splendour of the entire campus of Sapta Sarovar.
The temple was built under the former Shankaracharya Maha-Mandleshwar Swami Satyamitranand Giri Maharaj. Since the inception of the Swami Satyamitranand foundation in 1998, several other branches have been opened, namely in Renukut, Jabalpur, Jodhpur, Indore, and Ahmedabad.
绍兴的一片老城,虽然只有很短的路,但走在那里,让人感觉似乎回到了清朝民国,很悠闲,看着小桥流水人家回味无穷.
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Lying to the south of the Yangtze Delta and in the north of the centrally located Zhejiang Province, Shaoxing, like a pearl with simple but elegant light, stands in the line between Hangzhou and Ningbo. Covering an area of 8256 square kilometers (3187.7 square miles), Shaoxing has a population of 4,340,000. The city proper is 339 square kilometers (131 square miles) with a population of 640,000. Two counties, three county-level cities and a district compose the whole of Shaoxing prefecture.
Shaoxing is one of the famous historical cities in China. Numerous accomplished scholars or figures were born or lived here such as Yu the Great in the far ancient China and the famous writer Lu Xun in modern times. This city thus boasts the title of 'City of Personages.' It was also the seat of the ancient Yue Kingdom during the Spring and Autumn Period (770 BC-476 BC) and quite prosperous during that time. Owing to its long history, this old city reveals less vanity and tinsel than some modern metropolis. What's commonly seen and felt here is a kind of leisurely and peaceful ambience.
Although the city appears quite simple and peaceful, the economy here has been developing rapidly, especially with regards to the textile industry. Thanks to the advanced silkworm rearing over thousands of years, silk products from Shaoxing are famous all over China for their high quality as well as a large quantity. Every year, there are various textile exhibitions and fairs featuring silk goods production. The China Light & Textile Industrial City in Keqiao Town of Shaoxing City is one of the largest professional marketers of light and textile products and the largest marketers of cloth in Asia.
With a history of thousands of years, Shaoxing is renowned for the abundant tourism resources including cultural relics like the Yu the Great Mausoleum and many residences of famous figures in Chinese history. In fact, Shaoxing is recognized as one of the Famous Historical and Cultural Cities in China. Moreover, as a city to the south of the Yangtze Delta, the natural scenery in Shaoxing is totally charming and varied with an intriguing landscape of numerous green hills and clean waters.
A highlight on tour of Shaoxing is surely the delicacies here. As an important branch of Zhejiang Cuisine, Shaoxing dishes are famous for their rural style in ingredients, such as duck fed with vinasse-the sweet residue of the distillery process- and the pollution-free local chickens. Owing to this raw material, Shaoxing dishes serve up a fresh taste teeming with nutrition.
Shaoxing is also known variously as the 'City of Waters,' 'City of Bridges,' 'City of Calligraphy,' 'City of Tea,' and 'City of Scholars.' It gives off an image of an elegant and peaceful locale with deep cultural connotations, south of the Yangtze River.
A mandala map of the Shingon Buddhist Mantra School's cosmology.
There are three universal truths found in Shingon Buddhism, the universal essence, universal form, and universal function.
The universal essence is in regard to the chakra body, otherwise known as the wheel body. The chakra body is a circle composed of elemental circles which encompass the nature of all phenomena including the dharma, the law of universal norms, Buddhist teachings, karmic consequences, thought and all things. There are three Buddha bodies or three chakra bodies for three types of listeners. The first chakra body exists in its own nature, this body manifests in the form of Buddhas who read the innate original nature by meditation. The second is the right dharma chakra body which connects the Bodhisattva to those who search for liberation by right dharma. The third is the doctrine command chakra body which exists in wrathful forms that must command those difficult to convert. Each chakra body is made up five chakras into a Stupa which creates the Matrix world.
The first chakra is the earth chakra found just below the naval and represented by the yellow square. This is the root chakra which roots the lower body into the `yoga throne of indestructible diamond` This is the throne of Indra which casts light brilliantly onto all beings cultivating Ji. This chakra acts as support and ultimately resembles the uncreated. The mantra for this chakra is Namah a
The second chakra is the water chakra found at the naval which changes into the white circle. The water chakra, also known as the lotus throne, radiates like a clear moon and irrigates all things with the water of great compassion, nourishing all in Samadhi. This chakra acts as an agent of quickening and ultimately resembles ineffableness. The mantra for this chakra is Namah VA
The third chakra is the fire chakra found at the heart which changes into a red pyramid. This chakra shines like the red rising sun and emits a fire of knowledge to burn all defilements. This is a seal of the dharma world which acts as maturation and ultimately resembles a freedom of defilement. The mantra for this chakra is Namah ram
The fourth chakra is the air chakra found in between the eyes which changes into a black half moon. This chakra exercises the power of freedom and exorcises maleficent and demonic influences. This is the seal of turning the wheel functioning as growth and ultimately meaning freedom from causality. The mantra for this chakra is Namah ham
The fifth chakra is the space chakra found at the top of the head which changes to a blue jewel. This chakra is the great space, the great void and seal of the great wisdom sword. This chakra acts as all pervasive and ultimately resembles the attributes of space. The mantra for this chakra is Namah kham
The sixth Chakra is the consciousness existing above and beyond the head which changes to white or all colours. This is the chakra of perception and determination, formless in nature. This chakra is ungraspable and ultimately void. The first five physical chakras pervade the sixth and yet the sixth pervades all five. The mantra for this chakra is Namah Hum
These chakras are made of the primary colours including white, which is all colours, and black which is void of colour. All together these chakras colour and shade all things. These are the six eternal, omnipresent and indestructible elements which are irreducible components of all three dharma bodies, that of desire, form, and formless worlds.
The universal form is in regard to four Mandalas. The all pervading oneness which Shingon calls Mahaivairocana is the dharma body fused with form in the conditioned cosmos, equivalent to the virtues of one of the Buddhist faith. This dharma body is Mandala, the form of all encompassing and complete circle. The first of the four mandalas is the great mandala. This is the universe of form composed of the six elements and colours made up of images. The second mandala is the Samaya mandala which is the universe of symbolic form which identifies the Buddha’s powers and the bodhisattva’s vows through symbols such as the vajra, sword, jewels and such. The Samaya mandala is activated with the coming together of hand gestures called mudras. The third mandala is the dharma mandala which contains all sounds of the universe and identifies with the original vow. All sounds are resembled by their Sanskrit seed sound, the seed which flowers into all words. The fourth mandala is the action mandala which is composed of all actions and is uncoloured where as form is forgotten and form is seeing. In the center of the four mandalas is the great radiating light of the sun, of Mahiavairocana, all the mandalas existing as attributes of Mahaivairocana. The four mandalas within the being interpenetrate each other without hindrance uniting body and mind with Buddha body and mind in a universal form of suchness.
The Buddha said `Mandala is what gives birth to all Buddhas, incomparable excellent flavor` Firstly, the mandala means circle, wheel, or chakra, a totality of the whole, completeness. Totality is formed by its parts, like a wheel is formed of a hub, spokes and empty space. A circle is an assembly, such as a circle of friends, or bodhisattvas. Secondly what gives birth to all Buddha`s and awakens the Buddha nature within? In Buddhism this is the seed, the bodhicitta. The citta is planted in the earth of the mind of all knowledge, than moistened by the water of great compassion, warmed by the sun of great wisdom, animated by air of great method and obstructed in space of great void, the citta develops into the dharma world as a sprout of inconceivable dharma nature. Thirdly the most excellent flavor is that in referring to the dharma world as a sea of milk, oceans of unformed chaos with unobstructed potentiality. Churned, the milk solidifies and the most refined, the most pure part rises to the surface. Condensing, unchanging, firm, without residue, we find a concentration of the dharma.
Mandala is a circle, birth to Buddha and concentration. A mandala is a circle of ritual enclosure contained within is a field free of distractions. Mandala is a platform for awakening a place of the way. Way or `do` is synonymous with awakening, a dojo is a place of the way, of awakening. Mandala is a map of the cosmos, a representational domain for self realization through the purifying of karmas. The domain is entered or `yoked` to through universal functioning of the three mysteries.
The universal function is the truth of the three interpenetrating mysteries. Actions of men are of three types which are physical actions of the body, speech and functions of the mind. These three functions are adorned as mysteries because unless awakened are truly inconceivable.
The first mystery is the mystery of the body which is activated through hand gestures called mudras. These mudras are bodily interpenetration with phenomenon and the Dharma body which consists of five bodies. These being the precept body a perfection of precepts beyond moral conditioning, the meditation body free from illusion, The wisdom body of prajna and perfected knowledge, the liberation body of unconditioned nirvana and the knowledge of liberation where clear perception abides in liberation. The left hand resembles these five dharma bodies where as the right hand resembles the five elements. The performer of these gestures is really affirming a vow and performing a seal of faith.
The second mystery is the mystery of speech which is activated through invocations called mantras or dharanis. Dharani is a verbal formula to invoke Buddha, a calling for oneness. Dharani is a support which sustains. Mantra stems from the Sanskrit seeds of `man` which means thought and `tra` which means liberates or container. Thus mantra means container of thought. This is the container for the essence of doctrine and the Dharma bodies. One syllable can contain all dharmas beyond which conceptualizing, illusory words are able to convey the dharmas unconditioned suchness beyond causality and the limitations of space and time. Although Mantras contain powers capable of miracles, the true aim is that of liberation.
The third mystery is the mystery of the mind activated through visualizations. The mind lies in a formless void, and it is important to note here that Esotericism does not aim at the void but to interpenetrate form. Visualization manifests through a one pointed concentration that brings the image into the mind-heart within the chakra body which forms a seal of entry. The mind`s eye sees that true form is emptiness. There is no grasping here, no differentiating the illusory of the symbol or to see real by cutting the unreal but to just see things as they are in their non-duality.
The external formal mandala is not the true mandala but a meditational support consisting of externalized rites for a realization of an internal yoke to the true mandala. To realize this inner mandala satisfies all desires. Mandala abides in the mind and knowing this one can receive full fruition of the Bodhi-citta tree and recognize god`s eye view. Mandala does not differ from consciousness nor consciousness differs from mandala, they are identical. The outward painted mandala is both a schema of Dharma world made up phenomenal dharmas and a schema, the underlying organizational framework, of the mind of being. The mandala is an energy grid that represents the constant flow of the divine and demonic, the human and animal. These are impulses that interact in constructive or deconstructive patterns that are a mesocosm consisting of the macrocosm with the microcosm, the mundane with sublime. The Mandala purges the body of demons and embodies the divine through the cleansing of the elements. Mandala is a template for the divine. The energy flows into the center of the mandala, rather implodes to the source which is a reversal of the original cosmology. The energy flows through channels (nadis) into energy centers composed of concentric circles (chakras) to reach unity with the `godhead`. The mandala wholly contained within mind interpenetrates all phenomena.
The Buddhist Cosmology
The Buddhist Cosmos is instructionally approached in my mandala from the sides with visual guides for the mantras and mudras to be used in approaching the center to stimulate the three mysteries and seal one into the mandala. Following the chakra bodies is the mudra for the golden turtle which arises out of the sea of samsara. The golden turtle is untarnished and is free to roam between nirvana and samsara as earth and water. On top of the golden turtle is the jewel palace of Mt. Sumeru, the immoveable resides here. Following these embodiments one is to hold their hands in J-Yin and chant the seed syllables of the elements `Ah Vi Ra Hum Kham` and embody Mahavairocana, the body of all form. Earth supports one where water is necessary in welfare as fire is to burn away false assumptions and delusions while the air blows away the dust of passions and space remains non-discriminating without distinctions. This Dharani destroys hindrances. Ah enters Nirvana through cessation, Vi is the bondless Samadhi, Ra is the dust of defilements wiped away, Ha+U+M is the three liberation gates which severe distinctions of formlessness and finally Kham which is space and void, the negation of negation and void of void, Buddha hood. This is the stupa of the body and when perfected all bad karma vanishes.
Following the chakra chain is the Heaven realms. This begins with the six heavens of the world of desire. The first heaven exists on earth which consists of the four kings of the directions, protector, wide-eyed, renowned and virtuous. Following the first heaven is the last earthly heaven which is on the summit of Mt. Sumeru in Indra`s palace located in the center of heaven. The third heaven exists in the realm of the sky and is the heaven of `Yama` or time. This is the heaven of the king of the world of the dead where the season is always good and inhabitants enjoy occasional pleasures. The next heaven is the heaven of commitment where inhabitants are content with their pleasures. This is the pureland of Miroku, the future Buddha, and the realm where bodhisattvas dwell before born on earth. The fifth heaven is the joy in transformations where inhabitants enjoy pleasures which the create themselves. The sixth heaven is the free enjoyment of transformation and pleasure created by others. King Mara the tempter reins in this heaven.
Following the heavens of the world of desire are the heavens of the world of form which consists of heavens belonging to four meditations. All forms of existence until now constitute the world of desire and now inhabitants are free of passion and desire. The heavens of the first meditation have transcended smell and taste but are still hindered in meditation, however not of sexual desire. There are five mental functions in this heaven which are investigation, reflection, joy, bliss and Samadhi. This is the abode of Brahma where one believes not to be bound of causation and can transform heaven and earth at will. There are no Buddhist inhabitants in this Hindu realm. The Heavens of the second meditation have transcended the five senses and types of consciousness. Thought, joy, and renunciation are all that remain. There is no pleasure or pain and attraction. True identity is recognized. The heavens of the third meditation are like the second but contain only one thought. The heavens of the fourth meditation are cloudless in that they need no support. There is an auspicious birth as the result of an abundance of merit. Here exists the heaven without thought that is without mental, perceptive and feeling functions, a warm resemblance of death. This is a heaven without Buddhist inhabitants for non returners, although they have not escaped the wheel of being. The non-returner has reached three fourths of the level of attainment. That is they have first entered the stream by turning against the stream of samsara. Secondly is the once-returner who has one more birth on earth to attain nirvana and the non-returner does not return to the desire realms of false practices and views. Finally one may become an Arhat to be unborn and escape rebirth.
Following the heavens of the world of form are the heavens of the formless world. These heavens are without form, beyond spatiality and subjection to causality. There are no longer the five physical aggregates but only aggregates of the mind/function. These again are perception, connotation, volition and consciousness. This is an ecstatic state of pure spiritual existence consisting of four meditations of the void. The first is infinite space in which the mind severed of form. Next is infinite consciousness which severs the mind of infinite space into infinite consciousness. Next we find non-existence which severs the mind of infinite consciousness to not exist. Finally we reach neither thought nor non-thought which severs the mind from thought contained in consciousness and non-thought of non-existence. Beyond this is the unconditioned immutable eternal world of the Buddhas.
Following the heavens are the ten stations of Buddha hood which are not hierarchical but horizontal identities, that is virtues that occur instantaneously upon attaining the realization of Buddha mind. The first station is of the dharma cloud, the perfection of the paramita of knowledge, whence wisdom and compassion has been perfected the bodhisattvas virtue permeates like a cloud and rains the elixir of Dharma to nourish and irrigate all sentient beings. The second is the station of wisdom of skills is where the paramita of power is perfected, powers and eloquence have been mastered which gives freedom to aid all beings with versatility of powers being paramitas, vows, supernatural faculties, mind, faith, compassion, love, dharanis and such things of suchness. The third station is of immovability, the perfection of the paramita of vows which is immutable in wisdom, immoveable in formless and fulfills the liberation of all beings. The third station is overcoming the supremely difficult, that is the perfection of the paramita of patience, the non-duality of mundane and absolute. The fourth station is of being face to face with wisdom, the paramita of wisdom consists of the immediate presence of wisdom, that is perceives absolute identity with the eyes. The fifth station is overcoming the supremely difficult, that is the perfection of the paramita of patience, the non-duality of mundane and absolute. The sixth station is that of blazing wisdom, the paramita of exertion where knowledge burns brilliantly and burns away illusion. The seventh station is that of manifesting light, the paramita of patience where the delusions of practice has been cut and one has the patience to understand. The eighth station is the freedom from defilements and union of body-mind which is the paramita of precepts where the delusion of practice is cut by removing improper action from beginningless time. The ninth station is the station of joy, the giving paramita which is the single thought of non discriminating knowledge. The tenth station is of far-reaching practice, the perfection to the paramita of method, this is a great compassion which is entirely selfless and consists of spiritual aims toward all sentient beings.
Descending from the center is the realm of man and the eight disasters which befall him. These consist of a world of secular views, deformed senses, remote places, the heavens of long life without thought, and of the world of mappo where no Buddha appears. The last three disasters are hungry ghosts, animals and hells which will soon be covered. Next is the realm of the Asuras which are figures of Hindu mythology that are `without wine or beauty` and are false gods seeing in Buddhism as belligerent beings whom make war on Indra and when they gain supremacy in this endless battle evil and chaos prevail. Following this is the realm of animals consisting of living creatures such as the birds, bees, beasts, dragons, shells and insects that are all suffering of mutual slaughter. This is the realm of the blind sheepman whom are spiritually blind and trapped in samsara by illusion.
The realm of the hungry ghosts consists of three classes of ghosts, each with three subclasses. The first class is ghosts with no possessions which consist of torch mouthed ghosts, needle thin throat ghosts and ghosts with foul breath. The Second class is ghosts with few possessions which consist of needle-haired ghosts, ghosts with rank hair and ghosts with large ulcers. The third class is ghosts with many possessions consisting of ghosts who receive discards and live on food after being used in offerings, ghosts who receive lost food that is left wayside by travelers and powerful ghosts.
There are than single isolated hells in mountains and deserts and neighboring hells which are smaller progressive hells which lay in close proximity to each hell. I have added a hell to the Shingon cosmology and that is the suicidal hell, this realm where one selfishly throws away their gift of life. There are also radical hells which consist of eight cold and eight hot hells.
The cold hells cause inhabitants to suffer by degrees of coldness. The arbuda hell is so cold that it causes blisters. The nirarbuda hell is even colder causing blisters to burst. Atata is the hell of chattering teeth. Hahaua is the hell and sound made by sufferers. Huhuua is the hell and sound of the breath of sufferers. The blue lotus hell is so cold that it causes patches on the skin to look like blue lotus. The red lotus hell is even colder and causes patches of red lotus on the skin. The great red lotus hell consists of the skin being entirely covered by red lotus.
The hot hells cause suffering to inhabitants in karmic retribution. The rebirth hell contains inhabitants who are repeatedly put to death and immediately brought back by a cold wind, renewed to torture. The hell of black ropes has sufferers bound with ropes and chopped to pieces. The hell of multitudinous combinations consists of combinations of instruments used to torture. The wailing hell`s inhabitants wail in anguish. The great wailing hell`s inhabitants wail in great suffering. The hell of scorching heat is self explanatory. Finally there is the hell of non-intervals which is for the worst of the five deadly offences that are patricide, matricide, killing an Arhat, doing injury to the body of a Buddha or cause disunity in the Sangha. There is no interval of suffering in between death and rebirth here, no interval in hell, in life. There is no part of body-mind that does not suffer.
Ascending from the center is the three stages of awakening which is permeated by the three mysteries. These stages are the three kalpas which are false tenets to be destroyed. These objective cuttings of false tenets consist of stages of fearlessness which relate to subjective attainment of mental tranquility. These stages of fearlessness are states of rest that are free of anxiety and suffering which escapes turning the karmic wheel. These are not just `absences` of fear but total regeneration of being which directly correspond to the ten stages of mind. The ascension of these stages of mind is a centrifugal expansion that is outward flowing from the center to periphery which is then followed by a centripetal return back to the center.
The first kalpa is the delusion to the nature of man, that there is permanent individuality and that the ego is real and not a temporary composition of the five aggregates which are form, perception, conception, volition, and consciousness. This kalpa is removed by meditating on the voidness of aggregates as well as the twelve linked chain of dependent co-origination which gives rise to birth and suffering. The links of the chain are ignorance (the cause of all illusion), actions produced by ignorance, consciousness which arises in the womb, name and form, the six sense organs, contact, perception/ sensation, desire, the attachment of grasping, existence, birth and death.
There are four fearlessnesses which belong to the first Kalpa. The first fearlessness is the fearlessness of virtue which is the result of good karma in previous lives. This fearlessness takes refuge in the three jewels which are the Buddha, Dharma and Sangha. One who has attained this level of fearlessness has turned from the worldly life by taking the five precepts which are to not kill, steal, be promiscuous, use immoderate language and abuse intoxicants. Thus one has removed fear of three paths being the hells, ghosts and animals. This commences the first practices of the three mysteries and awakens the bodhicitta. This stage of fearlessness consists of the first three stages of mind. The first stage is the mind of sheep life and profane which consists of an endless cycle of rebirths for those lacking spiritual awareness. Those at this level of mind are uncontrolled and entrapped in illusion. They work on the animal level and are trapped in a fight or flight response. The second level of mind is of the foolish child who abstains. Those at this level of mind are ignorant and naïve but ethical. They live a profane life and do not hurt man. The third level of mind is of the fearlessness of a baby where one has faith in the gods and rebirth but the ego is still attached and one remains a worldly being.
The Second fearlessness belonging to the first Kalpa is the fearlessness of body. One meditates on their body and realizing impurity thus eliminates desire and greed. Those at this level of fearlessness experience heat, forms of Samadhi and honzen`s wondrous form body. The fourth stage of mind resides at this level of fearlessness which is the mind that understands an atman and the five aggregates. This is the first Buddhist stage of mind where all being are recognized as a temporary link or flux of the aggregates.
The third level of fearlessness belonging to the first kalpa is that of the non self. This is the recognition that the body-mind is composed temporarily of the five aggregates and thus lacks any true existence and permanent self. This severs attachments and cools the mind in union or yoga with honzen that cuts desire and pride which leads to tranquility. The fourth level of fearlessness belonging to the first kalpa is fearlessness of the Dharmas. Having realized the non-existing self one severs Dharma attachments by analyzing them and seeing that they too are composed of five aggregates and arise by co-dependent origination without self nature. One at this level of fearlessness knows the twelve link chain and meditates on the ten illusions arising of environmental conditions. These illusions consist of sleight of hand, mirage, dreams, reflections and shadows, echoes, moon reflected on water, floating bubbles, dust, and fire wheels. The stage of mind corresponding to these two levels of fearlessness is the fifth level where the seeds of karma have been eradicated and the truth of the twelve linked chain is realized but cannot be taught.
The second Kalpa is to eradicate the false tenet that dharmas have a true and permanent nature that underlies the five aggregates. This kalpa removes the duality and therefore existence of nirvana and samsara. Forms in yogic practices are realized to be merely illusory forms arising in the mind and that not a single dharma exists outside of mind.
Belonging to the second Kalpa is the fifth level of fearlessness, that of the non-self of the dharmas. Having meditated on essential voidness all dharmas are realized to be formed by the linking of the five aggregates and thus exist in the store-consciousness. Essentially void, nothing exists outside of mind; there is no dichotomy between subject and object. Through this subtle union all things are undifferentiated in their self-nature.
Two levels of mind belong to the fifth fearlessness of the second kalpa. The sixth stage of mind seeks the welfare of others as a bodhisattva of the Mahayana branch of Buddhism. All dharmas and the three worlds are known in the storehouse. The seventh stage of mind has awakened to the truth that the mind is unborn. Prior to now objects had been voided and now the mind is voided as unconditional and timeless. This is achieved through eight negations being non… birth, extinction, cessation, permanence, uniformity, diversity, coming and going. The removal of these erroneous views equates in the right view.
The final Kalpa is to discard the false tenet that dharmas are separate and that subject and object are different. Identity and suchness is revealed. All dharmas are in the one true middle way. The stage of fearlessness associated to this kalpa is the fearlessness of the identity of the self-nature of all dharmas. 10,000 dharmas are suchness and suchness is the 10,000 dharmas. Prior the non-duality of dharmas, mind and voidness (sunyata) has been realized. Now voidness is itself void, the self nature of dharma is without nature and one discovers the reality of the phenomenal. Nothing can have context and therefore the self is nullified by nullifying the ground it has to stand on.
The final three stages of mind belong to this final level of fearlessness of the third Kalpa. The eighth stage of mind is of the one-way of non-action and suchness. The voidness of mind is…void. All dharmas and all thought are contained in one thought. The three truths of voidness, provisional existence and middle existence are realized. The truth of `middle existence` is the middle way of the first two truths. All dharmas are co-dependent and thus temporary causal relation and void, yet experienced and not denied which equates in provisional existence. Dharmas and existence are on the same two-sided coin as voidness. Reality is thus the middle way of the non duality of existence and voidness and forms are known to be nothing but manifestations of suchness. The ninth stage of mind realizes the absence of self-nature and full reality as is without the distinctions of phenomenon and real. This can best be described as the interdependent nature of Indra`s net of phenomenal and real where each thing is in the universe and the universe is in each thing. The tenth stage of mind is adorned by mysteries. This is the unobstructed view of all reality. Whereas the ninth stage is the expression of identity the tenth puts this in practice through body, mind and speech becoming Buddha.
A final important thing to note is that although all dharmas are ephemeral and changing they are real just as they are. The phenomenal and the void are equally real and codependent. This being said these symbols are and are not what they signify. Though they signify emptiness they are in fact empty. The signified and signifier are both dual and non-dual. The emphasis is form, not minor or universal but all forms inner-reflecting the interdependent nature of reality which is not to be seeing as an illusion but real as is. The body of the Buddha is all things and the body of all beings is Buddha.
Prospekt Mira (Russian: Проспе́кт Ми́ра) is a station of the Moscow Metro's Koltsevaya Line. Opened on 30 January 1952 as part of the second stage of the line, it is a pylon design by architects Vladimir Gelfreykh and Mikhail Minkus.
Originally called Botanichesky Sad (Ботанический Сад) after the Botanical Garden of Moscow State University which are located nearby, the theme of this station develops the connotation of the name in the overall colour tone. The pylons are faced with flared white marble, and are topped with ceramic bas-relief frieze made of floral elements. In the centre are medallion bas-reliefs (work of G.Motovilov) featuring the different aspects in the development of agriculture in the Soviet Union. The station walls are laid with dark red Ural marble and chessboard floor pattern is made of grey and black granite. The ceiling vault is decorated with casts, and lighting comes from several cylindrical chandeliers.
The station's vestibule is built into the ground floor of a multi-story building on the corner of Mira Avenue and Protopopovsky lane. Designed by A.Arkin, its façade features sculptures and an original clock over the two archways. Inside, opposite the escalator hall is a large smalt artwork Mothers of the World by A.Kuznetsov.
In 1958, the wall at the end of the station was dismantled to make way for a transfer to the new station Botanichesky Sad on the Rizhskaya Line. In 1966 both stations were renamed after to avoid confusion with the larger Moscow Botanical Garden of Academy of Sciences, which would eventually see the station Botanichesky Sad be named after that in 1978 [Wikipedia.org]
In October 1981, flying tiger ancient human remains from Guizhou Provincial Museum trial excavation, the accumulation of complex, broadly divided into early and late phases. Early formation of yellow or grayish yellow, unearthed panda, Stegodon fossils, stone products are made for the late Paleolithic culture era. Advanced formation is black, black, unearthed animal genetic pulp for extant species, and human mandibular and chipped stone, grinding stone, grinding bone, pottery and other large, geological time for the Holocene, culture in the age of the Neolithic age, that about 4000 years ago to 6000 years.
Unearthed stone products made a total of 532 pieces of raw materials, mainly to flint stone, there is, nuclear, stone etc.. The stone to stone, with the forward direction of processing processing, types of hit device, a scraper, tip like device and dolabriform etc.. The scraper accounted for 76%, tip like device is small but fine processing. The axe is a symbol of the transformation of Neolithic culture. 27 pieces of polished stone, delicate process, a stone axe, stone adzes, stone spinning wheels, stone scraper, stone arrow head, small stones (spear) 8. The number of stone adzes, regular shape, with long oblique cutting tool representative. 79 pieces of bone, in addition to the 1 pieces of grinding residual bone scraper, are making bone, bone and bone shovel cone. The three notches in the teeth may be scratching the porcupine symbol. In addition to pottery and ball spinning round round cake 1, the rest are all pieces of artifacts. 1494 tablets. The uneven thickness, thickness of 1.2 cm, thickness of only 0.2 cm, high temperature, hard texture. About 70% of sand pottery, pottery sand shale pottery class accounted for 30%, very little. Sand and sand are mainly sand. Pottery ornamentation is complicated, there are thick rope lines and Fang Gewen cone, tattoo, carved lines and lines and other additional cone. There are 3 pieces of pottery pottery, which has 1 pieces of orange powder is subjected to pottery coating inside and outside the grey clay, on the exterior is painted with two parallel red bands. This is the first time in Guizhou, Guizhou is also the earliest pottery record.
The site has a new and old stone formation, and the cultural connotation is rich. Pottery appear more attractive, but considerable differences in advanced culture. These have great significance to the study of the relationship between the new and the old stone culture in Guizhou and the time continuity of the times.
In February 23, 1982, the Guizhou Provincial People's Government approved the publication of the provincial cultural relics protection units. 1981年10月,飞虎山古人类遗址由贵州省博物馆试掘,洞内堆积复杂,大致分早、晚两期。早期地层呈黄色或灰黄色,出土大熊猫、剑齿象等化石,石制品均为打制,文化时代为旧石器时代晚期。晚期地层呈黑色、灰黑色,出土动物遗髓为现生属种,并出人类下颌件和打制石器、磨制石器、磨制骨器、大量的陶片等,地质时代为全新世,文化时代属新石器时代,推测距今约4000年至6000年。
遗址出土打制的石制品共532件,原料以燧石为主,有是核、石片、石器等。石器以石片为主,加工方向以正向加工为主,类型有砸器、刮削器、尖状器和斧形器等。其中刮削器占76%,尖状器虽少但加工精细。斧形器似为向新石器文化转化的象征。磨制石器27件,加工精致,有石斧、石锛、石纺轮、石刮刀、石箭(矛)头、小石块等8种。石锛数量多,形制规整,以长形斜刃具代表性。骨器79件,除1件残的磨制骨刮刀外,均为打制骨器,有骨锥和骨铲。其中豪猪牙上的三道刻痕可能是刻划符。陶器除圆饼式及圆珠纺轮各1件外,其余全是器物碎片。计1494片。其厚度不匀,厚者达1.2厘米,薄者仅0.2厘米,火候高,质地坚硬。夹砂灰陶约占70%,夹砂黑陶占30%,泥质类陶极少。夹砂陶以夹细砂为主。陶片纹饰复杂多样,有粗细绳纹、方格纹、锥刺纹、刻划纹和附加锥纹等。陶片中有3片彩陶,其中有1片是在泥质灰陶的内外施以粉澄色陶衣,再于外表绘有两条平行的红色条带。这是贵州首次发现,也是贵州迄今最早的彩陶记录。
遗址具有新、旧石器地层叠压,文化内涵丰富。彩陶的出现更引人瞩目,但中、晚期文化差异颇大。这些对研究贵州新、旧石器文化的相互关系和时代延续问题具有重要的意义。
1982年2月23日,经贵州省人民政府批准公布为省级文物保护单位。
The red-crowned crane (Grus japonensis), also called the Manchurian crane (traditional Chinese: 丹頂鶴; simplified Chinese: 丹顶鹤; pinyin: dāndǐng hè; Japanese: 丹頂鶴 or タンチョウヅル; rōmaji: tanchōzuru; Korean: 두루미; romaja: durumi; the Chinese character '丹' means 'red', '頂/顶' means 'crown' and '鶴/鹤' means 'crane'), is a large East Asian crane among the rarest cranes in the world. In some parts of its range, it is known as a symbol of luck, longevity, and fidelity.
Adult red-crowned cranes are named for a patch of red bare skin on the crown, which becomes brighter during the mating season. Overall, they are snow white in color with black on the wing secondaries, which can appear almost like a black tail when the birds are standing, but the real tail feathers are actually white. Males are black on the cheeks, throat, and neck, while females are pearly gray in these spots. The bill is olive green to a greenish horn, the legs are slate to grayish black, and the iris is dark brown.
Juveniles are a combination of white, partly tawny, cinnamon brown, and rusty or grayish. The neck collar is grayish to coffee brown, the secondaries are dull black and brown, and the crown and forehead are covered with gray and tawny feathers. The primaries are white, tipped with black, as are the upper primary coverts. The legs and bill are similar to those of adults but lighter in color. This species is among the largest and heaviest cranes, typically measuring about 150 to 158 cm (4 ft 11 in to 5 ft 2 in) tall and 101.2–150 cm (3 ft 4 in – 4 ft 11 in) in length (from bill to tail tip). Across the large wingspan, the red-crowned crane measures 220–250 cm (7 ft 3 in – 8 ft 2 in). Typical body weight can range from 4.8 to 10.5 kg (11 to 23 lb), with males being slightly larger and heavier than females and weight ranging higher just prior to migration. On average, it is the heaviest crane species, although both the sarus and wattled crane can grow taller and exceed this species in linear measurements.
On average, adult males from Hokkaidō weighed around 8.2 kg (18 lb) and adult females there averaged around 7.3 kg (16 lb), while a Russian study found males averaged 10 kg (22 lb) and females averaged 8.6 kg (19 lb); in some cases, females could outweigh their mates despite the males' slightly larger average body weight. Another study found the average weight of the species to be 8.9 kg (20 lb). The maximum known weight of the red-crowned crane is 15 kg (33 lb 1 oz). Among standard measurements, the wing chord measures 50.2–74 cm (19.8–29.1 in), the exposed culmen measures 13.5–17.7 cm (5.3–7.0 in), tail length is 21.5–30 cm (8.5–11.8 in), and the tarsus measures 23.7–31.9 cm (9.3–12.6 in).
In the spring and summer, the migratory populations of the red-crowned crane breed in Siberia (far eastern Russia), Northeast China and occasionally in north-eastern Mongolia (i.e., Mongol Daguur Strictly Protected Area). The breeding range centers in Lake Khanka, on the border of China and Russia. Later, in the fall, they migrate in flocks to the Korean Peninsula and east-central China to spend the winter. Vagrants have also been recorded in Taiwan. In addition to the migratory populations, a resident population is found in eastern Hokkaidō, Japan. This species nests in wetlands, marshes and rivers. In the wintering range, their habitat consists mainly of paddy fields, grassy tidal flats, and mudflats. In the flats, the birds feed on aquatic invertebrates, and, in cold, snowy conditions, the birds switch to mainly living on rice gleanings from the paddy fields.
Red-crowned cranes have a highly omnivorous diet, though the dietary preferences have not been fully studied. They eat rice, parsley, carrots, corn, redbuds, heath berries, acorns, buckwheat, grasses and a variety of water plants such as reeds. The animal matter in their diet consists of fish, including carp and goldfish, amphibians, especially salamanders, snails, crabs, dragonflies, other insects, small reptiles, shrimp, small birds and rodents. The daily food requirement of adult red-crowned cranes is 750 g (26 oz).
They seem to prefer a carnivorous diet, although rice is now essential to survival for wintering birds in Japan and grass seeds are another important food source. While all cranes are omnivorous, per Johnsgard, the two most common crane species today (the sandhill and common cranes) are among the most herbivorous species while the two rarest species (the red-crowned and whooping cranes) are perhaps the most carnivorous species. When feeding on plants, red-crowned cranes exhibit a preference for plants with a high content of crude protein and low content of crude fiber. In Hokkaido, fish such as Tribolodon, Pungitius, Sculpin and flatfish was major prey of adults, while chicks mostly feed on various insects. In Zhalong Nature Reserve, small fish less than 10 cm (3.9 in), such as common carps, pond loach, and Chinese sleeper was mainly taken as well as aquatic invertebreas like pond snails, dragonflies, water beetles and large amount of plant matter. Elsewhere, mudflat crabs are locally important food source in Yellow River Delta.
They typically forage by keeping their heads close to the ground, jabbing their beaks into mud when they encounter something edible. When capturing fish or other slippery prey, they strike rapidly by extending their necks outward, a feeding style similar to that of the heron. Although animal prey can be swallowed whole, red-crowned cranes more often tear up large prey by grasping with their beaks and shaking it vigorously, eating pieces as they fall apart. Most foraging occurs in wet grasslands, cultivated fields, shallow rivers, or on the shores of lakes.
The population of red-crowned cranes in Japan is mostly non-migratory, with the race in Hokkaidō moving only 150 km (93 mi) to its wintering grounds. Only the mainland population experiences a long-distance migration. They leave their wintering grounds in spring by February and are established on territories by April. In fall, they leave their breeding territories in October and November, with the migration fully over by mid-December.
Flock sizes are affected by the small numbers of the red-crowned crane, and given their largely carnivorous diet, some feeding dispersal is needed in natural conditions. Wintering cranes have been observed foraging, variously, in family groups, pairs, and singly, although all roosting is in larger groups (up to 80 individuals) with unrelated cranes. By the early spring, pairs begin to spend more time together, with nonbreeding birds and juveniles dispersing separately. Even while not nesting, red-crowned cranes tend to be aggressive towards conspecifics and maintain a minimum distance of 2 to 3 m (6.6 to 9.8 ft) to keep out of pecking range of other cranes while roosting nocturnally during winter. In circumstances where a crane violates these boundaries, it may be violently attacked.
The red-crowned crane is monogamous and long-lived, with stable pair-bonding both within and between years, and believed to mate for life. The breeding maturity is thought to be reached at 3–4 years of age. All mating and egg-laying are largely restricted to April and early May. A red-crowned crane pair duets in various situations, helping to establish the formation and maintenance of the pair bond, as well as territorial advertisement and agonistic signaling. Both males and females may start a duet with the production of a start call, but the main part of the duet always began with a long male call. The pair moves rhythmically until they are standing close, throwing their heads back and letting out a fluting call in unison, often triggering other pairs to start duetting, as well. As it occurs year-round, the social implications of dancing are complex in meaning. However, dancing behavior is generally thought to show excitement in the species. Also, the performance of duet displays increased the probability of staying in a favorable area, supporting the hypothesis that duet displays function as a signal of joint resource defense in the flock.
Pairs are territorial during the breeding season. Nesting territories range from 1 to 7 km2 (0.39 to 2.70 sq mi) and are often the same year after year. Most nesting territories are characterized by flat terrain, access to wetland habitat, and tall grasses. Nest sites are selected by females, but built by both sexes and are frequently in a small clearing made by the cranes, either on wet ground or shallow water over waters no more than 20 to 50 cm (7.9 to 19.7 in) deep. Sometimes, nests are built on the frozen surface of water, as frigid temperatures may persist well into nesting season. Nest building takes about a week. A majority of nests contains two eggs, though one to three have been recorded.
Both sexes incubate the eggs for at least 30 days. They also both feed the young when they hatch. Staying in the nest for the first few weeks, the young start to follow their parents as they forage in marshes by around 3 months of age. New hatchlings weigh about 150 g (5.3 oz) and are covered in yellow natal down for two weeks. By early fall, about 95 days after hatching, the young are fledged and are assured fliers by migration time. Although they can fly well, crane young remain together with their parents for around 9 months. Young cranes maintain a higher-pitched voice that may serve to distinguish them from outwardly similar mature birds, this stage lasting until the leave parental care. The average adult lifespan is around 30 to 40 years, with some specimens living to 75 years of age in captivity. It is one of the longest-living species of bird.
The red-crowned crane is a big-sized bird and there are no natural predators within their wintering ground. With their height averaging 1.5 m (5 ft), their large size deters most predators. As a result, red-crowned cranes often react indifferently to the presence of other birds such as small raptors; with harriers, falcons, owls, and usually buzzards being allowed to hunt small prey near a crane nest without any of these parties harassing each other. However, birds more likely to be egg or nest predators, such as corvids, some buzzards, and various eagles, are treated aggressively and are threatened until they leave the crane's territory. Mammalian carnivores, including small Siberian weasels (Mustela sibirica) to large red foxes (Vulpes vulpes), Asian badgers (Meles leucurus), common raccoon dogs (Nyctereutes viverrinus), and domestic dogs (Canis familiaris) which pose a threat to eggs and chicks, are attacked immediately, with the parent cranes attempting to jab them in the flanks until the predators leave the vicinity. These predators generally do not present any danger to chicks in the presence of adults and are chased away by the crane without difficulty. Larger predators such as gray wolves (Canis lupus) and large dogs can be repelled by aggressive crane pairs.
Occasionally, losses at the nest occur to some of the above predators. Introduced American mink on Hokkaidō are one of the most successful predators of eggs and nestlings. Also, immature and unwary subadult or even adult cranes may be ambushed killed by red foxes in Japan and leopard cats in South Korea, though this is rare reports, especially with adults. More often, these birds can easily defend themselves by using sharp beak or just fly away from danger.
Smaller white-naped cranes often nest near red-crowned cranes, but competition between these species for food in a common nesting area is lessened due to the greater portion of vegetation in the white-naped crane's diet. In cases where interactions turn aggressive between white-naped and red-crowned cranes, red-crowned cranes are dominant, as expected due to their considerably larger size. As reported researchers trying to band or examine the cranes or their nest, this powerful species is considered mildly hazardous and prone to respond quickly with considerable aggression to being approached or handled by humans and are able to inflict painful injuries using both its kicking feet and dagger-like beak.
The population of red-crowned cranes is split into a migratory continental population in Korea, China, Mongolia and Russia (with all birds wintering in Korea and China), and a resident Japanese population in Hokkaidō. In 2020, winter counts recorded more than 3,800 red-crowned cranes (adults and immatures), including about 1,900 in Japan, more than 1,600 in Korea and about 350 in China. This indicates that there are around 2,300 adults overall. Whereas both the resident Japanese population and the migratory population that winters in Korea have increased in recent decades, the migratory population that winters in China has rapidly decreased. The main threats are habitat loss and fragmentation, but to a lesser extent also human disturbances near their nesting grounds, poisoning and poaching. The red crowned crane is listed as endangered by the International Union for Conservation of Nature.
The National Aviary in Pittsburgh, Pennsylvania, ran a program where U.S. zoos donated eggs which were flown to Russia and raised in the Khinganski Nature Reserve and released into the wild. This program sent 150 eggs between 1995 and 2005. The program has been put on hold to concentrate on different crane conservation programs in Russia, such as education and fire suppression. Several hundred red-crowned cranes are kept in zoos around the world.[46] Assuredly, the international efforts of Russia, China, Japan, and Korea are needed to keep the species from extinction. The most pressing threat is habitat destruction, with a general lack of remaining pristine wetland habitats for the species to nest. In Japan, little proper nesting habitat remains and the local breeding population is close to the saturation point.
In South Korea, it has been designated natural monument and a first-class endangered species.
In China, the red-crowned crane is often featured in myths and legends. In Taoism, the red-crowned crane is a symbol of longevity and immortality. In art and literature, immortals are often depicted riding on cranes. A mortal who attains immortality is similarly carried off by a crane. Reflecting this association, red-crowned cranes are called xian he (traditional Chinese: 仙鶴; simplified Chinese: 仙鹤; pinyin: xiānhè; "fairy crane" or "crane of the immortals""). The red-crowned crane is also a symbol of nobility. Depictions of the crane have been found in Shang dynasty tombs and Zhou dynasty ceremonial bronzeware. A common theme in later Chinese art is the reclusive scholar who cultivates bamboo and keeps cranes. Some literati even reared cranes and trained them to dance to guqin music.
The Ming and Qing dynasties endowed the red crowned crane with the cultural connotation of loyalty, uprightness and noble morality. red crowned crane is embroidered on the clothes of a civil servant. It is listed as an important symbol next only to the Loong and Fenghuang used by the royal family. Therefore, people also regard the crane as a symbol of a high official.
The image of red crowned crane generally appears in Chinese cultural relics and works of art.
Because of its importance in Chinese culture, the red-crowned crane was selected by the National Forestry Bureau of the People's Republic of China as a candidate for the title of national animal of China. This decision was deferred due to the red-crowned crane's Latin name translation as "Japanese crane".
Robert Kuok's Kerry/Kuok Group also uses the red-crowned crane as its logo for operations in Hong Kong, Singapore, mainland China, and overseas.
In Japan, this crane is known as the tanchōzuru and is said to live for 1,000 years. A pair of red-crowned cranes was used in the design for the Series D 1000-yen note (reverse side). In the Ainu language, the red-crowned crane is known as sarurun kamuy or "marsh kamuy". At Tsurui, they are one of the 100 Soundscapes of Japan. Cranes are said to grant favours in return for acts of sacrifice, as in Tsuru no Ongaeshi ("crane's return of a favor").
Given its reputation, Jerry Huff, an American branding expert, recommended it as the international logo of Japan Airlines, after seeing a representation of it in a gallery of samurai crests. Huff wrote "I had faith that it was the perfect symbol for Japan Air Lines. I found that the crane myth was all positive—it mates for life (loyalty), and flies high for miles without tiring (strength).”
In Korea, the red-crowned crane is called durumi or hak and it is considered a symbol of longevity, purity, and peace. Korean seonbis regarded the bird as an icon of their constancy. The red-crowned crane is depicted on the South Korean 500 won coin and is the symbol of Incheon.
The term "migrant worker" has different official meanings and connotations in different parts of the world. The United Nations' definition is broad, including any people working outside of their home country. Some of these are called expatriates. Several countries have millions of foreign workers. Some have millions of illegal immigrants, most of them being workers also.
The term can also be used to describe someone who migrates within a country, possibly their own, in order to pursue work such as seasonal work.
The Palace of Westminster is the meeting place of the House of Commons and the House of Lords, the two houses of the Parliament of the United Kingdom. Commonly known as the Houses of Parliament after its occupants, it is also known as the 'heart of British politics'.[by whom?] The Palace lies on the north bank of the River Thames in the City of Westminster, in central London.
Its name, which derives from the neighbouring Westminster Abbey, may refer to either of two structures: the Old Palace, a medieval building complex destroyed by fire in 1834, and its replacement, the New Palace that stands today. The palace is owned by the monarch in right of the Crown and, for ceremonial purposes, retains its original status as a royal residence. The building is managed by committees appointed by both houses, which report to the Speaker of the House of Commons and the Lord Speaker.
The first royal palace was built on the site in the 11th century, and Westminster was the primary residence of the Kings of England until fire destroyed much of the complex in 1512. After that, it served as the home of the Parliament of England, which had been meeting there since the 13th century, and also as the seat of the Royal Courts of Justice, based in and around Westminster Hall. In 1834, an even greater fire ravaged the heavily rebuilt Houses of Parliament, and the only significant medieval structures to survive were Westminster Hall, the Cloisters of St Stephen's, the Chapel of St Mary Undercroft, and the Jewel Tower.
The subsequent competition for the reconstruction of the Palace was won by the architect Charles Barry, whose design was for new buildings in the Gothic Revival style, specifically inspired by the English Perpendicular Gothic style of the 14th–16th centuries. The remains of the Old Palace (with the exception of the detached Jewel Tower) were incorporated into its much larger replacement, which contains over 1,100 rooms organised symmetrically around two series of courtyards and has a floor area of 112,476m2.[1] Part of the New Palace's area of 3.24 hectares (8 acres) was reclaimed from the Thames, which is the setting of its nearly 300m long façade,[1] called the River Front. Barry was assisted by Augustus Pugin, a leading authority on Gothic architecture and style, who designed the interior of the Palace. Construction started in 1840 and lasted for 30 years, suffering great delays and cost overruns, as well as the death of both leading architects; works for the interior decoration continued intermittently well into the 20th century. Major conservation work has been carried out since then to reverse the effects of London's air pollution, and extensive repairs took place after the Second World War, including the reconstruction of the Commons Chamber following its bombing in 1941.
The Palace is one of the centres of political life in the United Kingdom; "Westminster" has become a metonym for the UK Parliament, and the Westminster system of government has taken its name after it. The Elizabeth Tower, in particular, which is often referred to by the name of its main bell, Big Ben, is an iconic landmark of London and the United Kingdom in general, one of the most popular tourist attractions in the city, and an emblem of parliamentary democracy. The Palace of Westminster has been a Grade I listed building since 1970 and part of a UNESCO World Heritage Site since 1987.
The Palace of Westminster site was strategically important during the Middle Ages, as it was located on the banks of the River Thames. Known in medieval times as Thorney Island, the site may have been first-used for a royal residence by Canute the Great during his reign from 1016 to 1035. St Edward the Confessor, the penultimate Anglo-Saxon monarch of England, built a royal palace on Thorney Island just west of the City of London at about the same time as he built Westminster Abbey (1045–50). Thorney Island and the surrounding area soon became known as Westminster (a contraction of the words West Minster). Neither the buildings used by the Anglo-Saxons nor those used by William I survive. The oldest existing part of the Palace (Westminster Hall) dates from the reign of William I's successor, King William II.
The Palace of Westminster was the monarch's principal residence in the late Medieval period. The predecessor of Parliament, the Curia Regis (Royal Council), met in Westminster Hall (although it followed the King when he moved to other palaces). Simon de Montfort's parliament, the first to include representatives of the major towns, met at the Palace in 1265. The "Model Parliament", the first official Parliament of England, met there in 1295,[6] and almost all subsequent English Parliaments and then, after 1707, all British Parliaments have met at the Palace.
In 1512, during the early years of the reign of King Henry VIII, fire destroyed the royal residential ("privy") area of the palace.[7] In 1534, Henry VIII acquired York Place from Cardinal Thomas Wolsey,[8] a powerful minister who had lost the King's favour. Renaming it the Palace of Whitehall, Henry used it as his principal residence. Although Westminster officially remained a royal palace, it was used by the two Houses of Parliament and by the various royal law courts.
Because it was originally a royal residence, the Palace included no purpose-built chambers for the two Houses. Important state ceremonies were held in the Painted Chamber which had been originally built in the 13th century as the main bedchamber for King Henry III. The House of Lords originally met in the Queen's Chamber, a modest Medieval hall towards the southern end of the complex, with the adjoining Prince's Chamber used as the robing room for peers and for the monarch during state openings. In 1801 the Upper House moved into the larger White Chamber (also known as the Lesser Hall), which had housed the Court of Requests; the expansion of the Peerage by King George III during the 18th century, along with the imminent Act of Union with Ireland, necessitated the move, as the original chamber could not accommodate the increased number of peers.
The House of Commons, which did not have a chamber of its own, sometimes held its debates in the Chapter House of Westminster Abbey. The Commons acquired a permanent home at the Palace in St Stephen's Chapel, the former chapel of the royal palace, during the reign of Edward VI. In 1547 the building became available for the Commons' use following the disbanding of St Stephen's College. Alterations were made to St Stephen's Chapel over the following three centuries for the convenience of the lower House, gradually destroying, or covering up, its original mediaeval appearance. A major renovation project undertaken by Christopher Wren in the late 17th century completely redesigned the building's interior.
The Palace of Westminster as a whole began to see significant alterations from the 18th century onwards, as Parliament struggled to carry out its business in the limited available space and ageing buildings. Calls for an entirely new palace went unheeded as instead more buildings of varying quality and style were added. A new west façade, known as the Stone Building, facing onto St Margaret's Street was designed by John Vardy built in the Palladian style between 1755 and 1770, providing more space for document storage and committee rooms. A new official residence for the Speaker of the House of Commons was built adjoining St Stephen's Chapel and completed in 1795. The neo-Gothic architect James Wyatt also carried out works on both the House of Lords and Commons between 1799 and 1801, including alterations to the exterior of St Stephen's Chapel and a much-derided new neo-Gothic building, referred to by Wyatt's critics as "The Cotton Mill" adjoining the House of Lords and facing onto Old Palace Yard.
The palace complex was substantially remodelled, this time by Sir John Soane, between 1824 and 1827. The medieval House of Lords chamber, which had been the target of the failed Gunpowder Plot of 1605, was demolished as part of this work in order to create a new Royal Gallery and ceremonial entrance at the southern end of the palace. Soane's work at the palace also included new library facilities for both Houses of Parliament and new law courts for the Chancery and King's Bench. Soane's alterations caused controversy owing to his use of neo-classical architectural styles, which conflicted with the Gothic style of the original buildings.
On 16 October 1834, a fire broke out in the Palace after an overheated stove used to destroy the Exchequer's stockpile of tally sticks set fire to the House of Lords Chamber. In the resulting conflagration both Houses of Parliament were destroyed, along with most of the other buildings in the palace complex. Westminster Hall was saved thanks to fire-fighting efforts and a change in the direction of the wind. The Jewel Tower, the Undercroft Chapel and the Cloisters and Chapter House of St Stephen's were the only other parts of the Palace to survive.[9]
Immediately after the fire, King William IV offered the almost-completed Buckingham Palace to Parliament, hoping to dispose of a residence he disliked. The building was considered unsuitable for parliamentary use, however, and the gift was rejected.[10] Proposals to move to Charing Cross or St James's Park had a similar fate; the allure of tradition and the historical and political associations of Westminster proved too strong for relocation, despite the deficiencies of that site.[11] In the meantime, the immediate priority was to provide accommodation for the next Parliament, and so the Painted Chamber and White Chamber were hastily repaired for temporary use by the Houses of Lords and Commons respectively, under the direction of the only remaining architect of the Office of Works, Sir Robert Smirke. Works proceeded quickly and the chambers were ready for use by February 1835.[12]
In his speech opening Parliament in 1835, the King assured the members that the fire was accidental, and left it to Parliament itself to make "plans for [its] permanent accommodation."[13] Each house created a committee[14][15] and a public debate over the proposed styles ensued. The neo-Classical approach, similar to that of the White House and the Federal Capitol in the United States, was popular at the time and had already been used by Soane in his additions to the old palace, but had connotations of revolution and republicanism, whereas Gothic design embodied conservative values. The committee in the House of Lords announced in June 1835 that "the style of the buildings should be either Gothic or Elizabethan".[16] On 14 July 1835 a Royal Commission was appointed.[17] The chairman was Charles Hanbury-Tracy and the other members were Edward Cust, Thomas Liddell, the poet Samuel Rogers and the artist George Vivian.[18] The Commission accepted the recommendation of a competition, and architects began submitting proposals following some basic criteria.
In February 1836, after studying 97 proposals, the Commission chose Charles Barry's plan for a Gothic-style palace, awarding him a prize (or "premium") of £1500. Premiums of £500 each were given to David Hamilton, J.C. Buckler and William Railton.[19] The Architectural Magazine summarised Barry's winning plan as "a quadrangular pile, with the principal front facing the Thames, and a tower in the centre, 170ft high".[20] Barry, whose own architectural style was more classical than Gothic, built the new palace upon the neo-classical principle of symmetry. Augustus Pugin was instrumental in helping Barry win the Commission. Pugin's contribution can be seen in the Gothic detail, the vanes and spires. Pugin also contributed greatly to the distinctive Gothic interiors, including wallpapers, carvings, stained glass, floor tiles, metalwork and furniture.[21]
The foundation stone was laid in 1840;[22] the Lords Chamber was completed in 1847, and the Commons Chamber in 1852 (at which point Barry received a knighthood). Although most of the work had been carried out by 1860, construction was not finished until a decade afterwards.
ith the building itself taking shape, it was time to think about its internal adornments.[23] In a process overseen by a Royal Fine Art Commission under the presidency of Prince Albert, a Select Committee which included Sir Robert Peel started to take witness accounts from experts in 1841. Those experts included Sir Martin Archer Shee, P.R.A., and Charles Lock Eastlake, painter and acknowledged authority on art history, soon to be first director of the National Gallery and de facto administrator of the whole Westminster decoration project. It was decided that the opportunity should be seized to encourage the development of a national British school of History Painting, and that the paintings should be done in fresco.
The call for artists to submit proposals resulted in a first exhibition in 1843 at Westminster Hall in which 140 cartoons were shown. Others followed but the progress was slow. Fresco proved to be a problematic technique for the English climate. The wall surfaces to be covered being vast, a number of paintings were in fact done in oil on canvas. With the death of Prince Albert in 1861 the scheme lost its driving force, but by then many paintings were completed or underway. William Dyce, who was the first to start fresco work in 1848, died in 1864, completing only five of seven commissioned works. The other major contributors were John Rogers Herbert, finishing in 1864 but having had some commissions cancelled, Charles West Cope who worked until 1869, Edward Matthew Ward until 1874, Edward Armitage, George Frederic Watts, John Callcott Horsley, John Tenniel and Daniel Maclise. In the 20th century, further paintings were commissioned from other artists.
CP: Steel Rose
I hadn't intended to do a cp for this model, but since it is quite conspicuously related to the Steel Cube tess, I figured I might as well make a cp for the rose as well. It is actually relatively simple in design. I think the cp is right, although there might be a few points that are off in regards to mountain/valley connotation.
Diagrammed on Inkscape.