conceptual inspirational art & photography
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I slowly take root in the bosom of the earth. As everything begins to lose its meaning now, all my senses of awareness, trapped in the dark corridors of my mind, begin to cry out in agony. In this phase of total darkness, I am walking towards the horizon of metaphysics. Now I see, hear and feel. After this stage, am I reading the book or is the book reading me?
Atakurt's Lost Book
Photos and contest are protected by copyright, Gio F. Copyright © 2015 - All rights reserved For any use need my written permission
Two amber beads on a rough wooden table. Manipulation of color in Lightroom. The beads are 1/2cm round. Inspired by Cuba Gallery - Andrew.
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Moving, shifting, changing the world? What was I thinking?
Edited in Fuji's Raw Converter 3 which is now compatible with Apple's iOS 10.15 (Catalina).
Ob wir wollen oder nicht, wir handeln und nehmen dabei unsere riskante Freiheit in Anspruch. Dabei wird man auf Zuversicht kaum verzichten können. In prekären Situationen, sagt Kant einmal, gibt es eine Art Pflicht zur Zuversicht. Sie ist der kleine Lichtkegel inmitten der Dunkelheit, aus der man kommt und in die man geht. Eingedenk des Bösen, das man tut und das einem angetan werden kann, kann man immerhin versuchen, so zu handeln, als ob ein Gott oder unsere eigene Natur es gut mit uns gemeint hätten.
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Queramos o no, actuamos y, por ello mismo, reivindicamos nuestra libertad arriesgada. Y al actuar, apenas podremos renunciar a la confianza. En situaciones precarias, señalo Kant en una ocasión, hay una especie de deber de confiar. Este deber es la pequeña esfera de luz en medio de las tinieblas, en medio de un fondo de oscuridad que es el horizonte de donde procedemos y al que nos dirigimos. Sin borrar de nuestra memoria las huellas del mal – del que hacemos y del que nos pueden hacer a nosotros -, está en nuestras manos actuar como si un Dios o nuestra propia naturaleza tuviera buenas intenciones para con nosotros.
Rüdiger Safranski, Das Böse/ El Mal
„Cant be true” and „Postcard from Callisto” in section Creative (Experimental) photograhy were accepted by the jury organized by Unlimited Photo Association, Podgorica, Montenegro, the 8th International Salon Capodimonte 2026.
The event was held under the patronage of: FIAP 2026/212; GPU L260031; MAPA 2026
The series of 3 photographs entitled "Farewell" (Postcard from Callisto; Samsara; Cant be true) has been qualified for the post-competition exhibition "XLIII Konfrontacje Fotograficzne," organized by the Photographic Society Gorzów Wlkp. in Poland, 2026. After viewing 69 sets containing 265 photos by 40 authors, the jury qualified 39 sets consisting of 133 photos by 33 authors for the exhibition.