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Computational Design-Architecture-Photography-Art-

Work by Rebal Jaber

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I went to a workshop today, and Pouria was there too!

This image, an example of epsilon photography, was produced by combining a series of 8 photographs with varying exposure times. The exposure times ranged from a few seconds to 30s. This manual process is similar to what a camera does when it creates a high dynamic range (HDR) photograph. The images were merged using OpenCV and Python.

 

There was a small visitor that appeared in one of the eight images in the exposure sequence. This is the reason for its ghostly appearance.

The SoC is a secret society of familiar people who have built things we love and have even made us dependent on.

the pixelAche Computational Photography wrap-up session

 

from pixelAche 2011's computational photography thread organised by Markku Nousiainen and Miska Knapek

playing with the "Artifical Smile" by Andreas Schmelas & Stefan Stubbe,

 

at the "Return of the Unexpected" Computational Photography exhibition, at Muu Galleria, Helsinki

 

from pixelAche 2011's computational photography thread organised by Miska Knapek and Markku Nousiainen

the back - with signatures and in-jokes

output from the "Artifical Smile" project by Andreas Schmelas & Stefan Stubbe,

 

at the "Return of the Unexpected" Computational Photography exhibition, at Muu Galleria, Helsinki

 

from pixelAche 2011's computational photography thread organised by Miska Knapek and Markku Nousiainen

the set-up (photo by david a. mellis)

another study this time with a change of "ground" colour using the computer language "processing" developed by Casey Reas and Ben Fry @ MIT the code for this "print" was adapted from a sample by them and is as follows

void setup() {

size(500, 500);

background (#8FFCE7);

}

 

void draw() {

float s = dist(mouseX, mouseY, pmouseX, pmouseY) + 1;

noStroke();

fill(0, 102);

ellipse(mouseX, mouseY, s, s);

stroke(255);

point(mouseX, mouseY);

}

this ties into my research as a third order simulacrum - as a print it has never existed physically only within digital space.

DXP #2: the theme is music. I shot through the Holga, he through his Mamiya. See unclescarMT's photostream here.

 

Holga 120CFN/Mamiya 645j

Fuji Velvia 400

drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing

output from the "Artifical Smile" project by Andreas Schmelas & Stefan Stubbe,

 

at the "Return of the Unexpected" Computational Photography exhibition, at Muu Galleria, Helsinki

 

from pixelAche 2011's computational photography thread organised by Miska Knapek and Markku Nousiainen

CSESI 2009: Computational Thinking

Computer Science Education Summer Institute 2009

Haverford College

Haverford, PA

 

June 29 - July 3, 2009

 

This photo is from June 29, 2009 with:

CS Unplugged

by Dr. Tom Cortina, CMU

 

CSTA - Computer Science Teachers Association

 

NECC National Conference

sponsored by the Int'l Society for Technology in Education (ISTE)

(A conference on using technology in K-12 in all types of classes)

drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing

Samsung note 9 with proprietary camera app in pro mode and night mode activation (is automatic if you set 1 second or more of exposure time).

 

No tripod used...this make the real challenge for today low light photography!

 

Out of camera jpeg.

the set-up (photo by david a. mellis)

This time I rotated the particle traces for each square of the Fibonacci visualization.

 

www.kickstarter.com/projects/1750978595/playing-with-part...

  

my art on facebook

  

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More of my artwork can be found in my online portfolio

kristinhenry.dunked.com/

and some prints are available

www.etsy.com/shop/ArtAtomic

Computational Complexity Editor-in-Chief Joachim van zur Gathen

the pixelAche Computational Photography wrap-up session

 

from pixelAche 2011's computational photography thread organised by Markku Nousiainen and Miska Knapek

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