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These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
An early sketch.
www.underground-flash.com/2010/08/sketch1-fibonacci-with-...
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More of my artwork can be found in my online portfolio
and some prints are available
In recent decades, developments in software and hardware technologies have created dramatic shifts in design, manufacturing and research. Software technologies have facilitated automated process and new solutions for complex problems. Computation has also become a platform for creativity through generative art and design. New hardware platforms and digital fabrication technologies have similarly transformed manufacturing, offering more efficient production and mass customization. Such advances have helped catalyzed the maker-movement, democratizing design and maker culture. This influx of new capabilities to design, compute and fabricate like never before, has sparked a renewed interest in material performance.
We are now witnessing significant advances in active matter, 3D/4D Printing, materials science, synthetic biology, DNA nanotechnology and soft robotics, which have led to the convergence of software, hardware and material technologies and the growing field of programmable materials.
This conference was about the emerging field of active matter and programmable materials that bridges the worlds of art, science, engineering and design, demonstrating new perspectives for computation, transformation and dynamic material applications.
If over the past few decades we have experienced a software revolution, and more recently, a hardware revolution, this conference aims to discuss the premises, challenges and innovations brought by today’s materials revolution. We can now sense, compute, and actuate with materials alone, just as we could with software and hardware platforms previously. How does this shift influence materials research, and how does it shape the future of design, arts, and industrial applications? What tools and design processes do we need to advance, augment and invent new materials today? What are the key roles that industry, government, academic and public institutions can play in catalyzing the field of programmable materials?
This two-day conference consisted of a range of talks and lively discussion from leading researchers in materials science, art & design, synthetic biology and soft-robotics along with leaders from government, public institutions and industry.
Learn more at activemattersummit.com
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
The displacement of sediment due to coastal erosion, hurricane storm surge, flooding, rainfall, and other forms of continuous water flow can lead to substantial risk and damage to coastal and riveredge homes. These sediments are multilayered and often filled with chemically reactive constituents, such as in the case of deep water oil drilling. Here we show an example of an underwater hydrothermal vent forming over a couple of days (bottom left before, to bottom right after), due to the strong discharge of hot water and volcanic gases (upper right) from the ocean floor. The photo is of the Mariner vent site in the Pacific Ocean’s Eastern Lau Spreading Center, courtesy of Prof. G.W. Luther, University of Delaware.
On December 30, Ambassador Heidt and Minister of Education Hang Chuon Naron were on hand for a lecture at RUPP by world-famous scientist and entrepreneur Dr. Stephen Wolfram entitled “The Future of Computation and Knowledge.”
Dr. Wolfram is the founder and CEO of software company Wolfram Research, based in the United States, and the creator of the Wolfram Language, which powers the free “answer engine” Wolfram Alpha. The talk was organized by the Ministry of Education, Youth, and Sports; the U.S. Embassy; the Cambodia Science & Engineering Festival; and the Cambodian Mathematical Society.
In his introduction, Ambassador Heidt talked about the role of science, technology, and innovation in the American economy and challenged Cambodian youth to harness technology to build an “innovation society.” Click here to read his remarks.
[U.S. Embassy photo by Un Yarat]
Limited Edition Prints
Hahnemühle Matt Fine Art Paper
Mounted on Aluminium
600x400mm
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A series of limited edition prints signed and to be exhibited soon (I hope). I'm working on some of my original works when I started out some years back now. If I manage to scrape some pennies together I should be printing out fifteen original works. Five in a series of three, each series constitutes three very different techniques.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
School for Poetic Computation presents 're-coded' an installation at the Day for Night festival in Houston, Tx Dec. 2015.
photo credit: Yeseul Song / School for Poetic Computation
re-code project information: re-code on GitHub
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
pixelAche's Computational Photography seminars - Wolfgang Bittner (AT) & Stijn Belle (NL) presenting
from pixelAche 2011's computational photography thread organised by Miska Knapek and Markku Nousiainen
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
The Computation Center at Madrid University (CCUM) is an example of how computation centers, mathematicians and some private computer companies became generators of interaction between technology and other disciplines.
Credit: vog.photo
Neuroscience Professor Patrick Simen discusses computation and behavior with students in his winter term class.
Photo by Mike Crupi
pixelAche's Computational Photography seminars - Wolfgang Bittner (AT) & Stijn Belle (NL) presenting
from pixelAche 2011's computational photography thread organised by Miska Knapek and Markku Nousiainen
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
Computational layer transitioning from laminar-to-turbulent behind a roughness element.
- Computational Fluid Physics Laboratory (Goldstein Research Group)
pixelAche's Computational Photography seminars - Wolfgang Bittner (AT) & Stijn Belle (NL) presenting
from pixelAche 2011's computational photography thread organised by Miska Knapek and Markku Nousiainen
Pacific Place - Hong Kong, China
HDA : Consultant Design & Enginneer
Client : Swire Properties Inc.
Architect: Heatherwick Studio
Date : 2005 - 2012
See more at : www.hda-paris.com/
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
pixelAche's Computational Photography seminars - Wolfgang Bittner (AT) & Stijn Belle (NL) presenting
from pixelAche 2011's computational photography thread organised by Miska Knapek and Markku Nousiainen
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
Mio Matsueda (Center for Computational Sciences, University of Tsukuba) presenting 'Flow-dependent predictability of wintertime Euro-Atlantic weather regimes in medium-range forecasts' at ECMWF's workshop on Predictability, dynamics and applications research using the TIGGE and S2S ensembles, 2-5 April 2019.
Recordings and presentations available at Workshop on Predictability, dynamics and applications research using the TIGGE and S2S ensembles.
Institute for Computational Engineering and Sciences (ICES) Computational Hydraulics Group (CHG) creates models like these used by Texas’ emergency managers to plan coastal evacuations as hurricanes threaten. This image models the maximum storm surge from Hurricane Ike in the Houston/Galveston region. Only within the last few years have the algorithms, computational power, and resolution become available to begin to model these events with any reasonable degree of accuracy.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
(c. February 19, 1969)
Source: Saint Louis University Libraries Special Collections.
Do you know anything about this photograph? If so please leave us a comment!
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
La foto originale fa parte di una stereoscopia ed è riportata qui sotto. Sono riuscito a individuare (grazie E.) l'esatta posizione da cui fu scattata la foto originale: si trova nel giardino del Convento di S. Maria di Gesù. Purtroppo non è possibile replicare la stessa inquadratura perchè oggi gli alberi nascondono completamente il panorama.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.
These result images are from the first homework assignment of my Computational Photography class at Columbia University. For each image I applied a number of face detectors to the images and determined the best rotation give the number of faces. I also classified the image as having being individuals or group shots.