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I hooked everything up here to do a last check to make sure everything works. It appears to. I'll have no idea how it actually sounds though until it's all in the box.
When the amp is put on the back of the box, I will connect the speaker wires to the outputs on the inside of the amp and ignore the screw terminals.
See the whole project here!
Dock-It B2B Kit (strut and mounting clamp for a threadless steerer), and Core Kit, along with the mounting plate for the bag.
Composants électroniques (focus stacking).
Image composée de 57 photos prises avec la bonnette Raynox DCR-250 et assemblées avec Zerene Stacker.
Aside from the A4 sheet of card all the mechanical components are cut from MDF. Dimensions are given on the drawing.
I've completely reworked the hadware board. The basics remain the FPGA module Terasic, the DE0-Nano. This board contains a lot of I / O lines and is super fast. Everything is on a single-sided PCB. The output transistor drivers ( 20 pieces 500 mA/ 45V outputs ) are in SMD to save board space. The DE0-nano FPGA board is as a Peggy-back board mounted on ther driver PCB. Via the USB connector, the FPGA program can be re-written.
What does this interface:
* 20 open collector outputs via JP10 and JP11.
- Camera meter
- Camera shutter
- X1 flash1 signaal ( manual or TTL mode flash1)
- Q1 flash1 signaal ( TTL mode flash1 ) or X3 flash3 manual mode.
- X2 flash2 signaal ( manual or TTL mode flash2)
- Q2 flash2 signaal ( TTL mode flash2 ) or X4 flash4 manual mode.
- DIR steppen motor board.
- Step steppen motor board.
- Enable steppen motor board.
- 1 Spare output.
- 4 outputs used to drive the color background module. Via JP12
- 6 outputs used to drive the Cree foreground module. Via JP9
Enc1 connector:
2 inputs from a rotary encode frontplate. Used as general digital input value.
Enc2 connector:
2 inputs from a rotary encode frontplate. Used to move the step motor of the lineaire stage module in manual mode.
Range switch input
4 input switches to change the analog sensitivity range of the color pot meters.
Drive of the H-Bridge color shutter module:
- 6 direct FPGA outputs via JP13 and JP17.
Matrix 5X8 keyboard 40 pushbuttons. via JP14 and JP18.
LCD1 display 4X20 chars via JP16.
LCD2 display 4X20 chars via JP15.
4 I/O connectors via JP2 still no assigned function.
Connection via the general GPIO3 connector from the top of the FPGA DE-Nano board.
2x13 pins connected to JP5 and JP6.
8 analog inputs 12 bit resolution via JP8.
- 4 inputs are used for the color setting.
- 1 input used for the stepper speed
- 3 free analog inputs, no function now.
Logic analyser signals:
- 8 levels out the FPGA module via JP3.
Encoder and micro switches from the lineaire stage as feedback position via JP4.
- EncA.
- EncB.
- Enc home.
- min end switch.
- max end switch.
3 I/O connectors via JP1 still no assigned function.
Power 5V and 3.3V connectors.
Last update 2 feb 2015
Our digitally manufactured components arrive on site. Each one has a number defining its location and type.
Components from the Finnish edition of The Mysteries of Old Peking. An overdose of the Chop Suey font, that's for sure.
Product photography experiment with an Aston Martin racing Vantage front upright. Taken using long exposure (20-30 seconds), ND64 filter and a light wand. Minimal editing in Lightroom.
Eco Smart provides Solar Panels of world top brands with UL listing, TUV certification and up to 25 year manufacturer warranty at wholesale prices. We offer you many advantages over our Solar Panel and Components which foremost brings you the long lasting value of our recommended components.For more information visit www.ecosmart-intl.com/solar-panels-and-components/
3/10 George St., Marrickville,
Sydney, Nsw, 2204,
Australia
Phone: +61-2-95605515
email id :contact@ecosmart-intl.com
Description: Soil Cutting Wheel
Application: Slurry Cutting Machine
Materials: Low Alloy Carbon Steel,45, C43
Specification: GB,UNI
Function:connection for harrows
Finish: precision machining.
Agricultural Machinery farm machine agricultural machine spares farm machine part farm machinery spares
A doll is a model.
It is available for purchase clothes.
Wear a costume Bunny (35cm).
Wearing pantyhose is not possible.
The other components are fit.
Owner : Nine9style
Photographer : i-an
Model type : Darak doll girl(MSD) Remi
Doll name : Remi
Sun Temple, Modhera
The Sun Temple is a Hindu temple dedicated to the solar deity Surya located at Modhera village of Mehsana district, Gujarat, India. It is situated on the bank of the river Pushpavati. It was built in 1026-27 AD during the reign of Bhima I of the Chaulukya dynasty. No worship is offered now and is protected monument maintained by Archaeological Survey of India. The temple complex has three components: Gudhamandapa, the shrine hall; Sabhamandapa, the assembly hall and Kunda, the reservoir. The halls have intricately carved exterior and pillars. The reservoir has steps to reach bottom and numerous small shrines.
The Sun Temple was built during the reign of Bhima I of Chaulukya dynasty in 1026-1027 (Vikram Samvat 1083). Earlier, during 1024-25, Mahmud of Ghazni had invaded Bhima's kingdom, and a force of around 20,000 soldiers had unsuccessfully tried to check his advance at Modhera. Historian A. K. Majumdar theorizes that the Sun Temple might have been built to commemorate this defence.
The temple is built on 23.6° latitude (approximately near Tropic of Cancer). The place was later known as Sita ni Chauri and Ramkund locally. No worship is offered here now. The temple is Monument of National Importance and is maintained by Archeological Survey of India.
The temple complex is built in Maru-Gurjara style (Chaulukya style). The temple complex has three axially aligned components; the shrine proper (garbhagriha) in a hall (gudhamandapa), the outer or assembly hall (sabhamandapa or rangamandapa) and a sacred reservoir (kunda).
The sabhamandapa is not in continuation with gudhamandapa but is placed little away as a separate structure. Both are built on paved platform. Their roofs have collapsed long ago leaving behind few lower-most courses. Both roofs are 15' 9" in diameter but are constructed differently. The platform or plinth is inverted lotus shaped.
Gudhamandapa and garbhagriha
The Gudhamandapa measures 51 feet 9 inches by 25 feet 8 inches. It is almost equally divided into Gudhamandapa, the hall and garbhgriha, the shrine proper. Both are rectangular in plan with one projection on each of the smaller sides and two projections on each of the longer sides. This projections on the smaller sides form the entrance and the back of shrine. The three projections of outer wall of Gudhamandapa had windows on each side and the east projection had the doorway. These windows had perforated stone screens; the northern is in ruins and the southern is missing. Pradakshinamarga is formed by the passage between the walls of garbhgriha and the outer walls of gudhamandapa. The roof of passage has stones slabs carved with rosettes. The Shikhara of the it no longer exists.
Garbhagriha
The Garbhagriha, the shrine proper or sanctum sanctorum is square measuring 11 feet from inside.
The shrine had two cells; a cell below the level of upper cell. The floor of upper cell is now fallen which once housed the image of deity. The seat of image is now in pit. The lower cell was probably used for storage.
The walls inside shrine is plain and outer wall is decorated. The doorway has carved figures of seated Surya in panels surrounded by dancers and amorous couples. All figures are mutilated and the images on the door-lintel is completely destroyed.
The sanctum sanctorum is designed in a way that the first rays of rising sun lit up the image of Surya during solar equinox days and on summer solstice day, the sun shines directly above the temple at noon casting no shadow.
Base mouldings
The outer walls of shrine is highly decorated. The base and walls of the shrine and hall are divided into several stretches with unique carvings. the pitha or adhisthana, base has the two square members called bhat followed by a cymarecta carving (lower part convex and upper part concave). It is followed by padma or padmaka, the moulding in form of inverted lotus. The next is antarita, a fillet or an astragal with a sharp edge between two recesses. Above this is patta having thin moulding called chhaja at its lower edge. The next is another chhaja separated by neck, alinga. The next broad band, patti, is gajathara carved with elephants. The following band narathara has figures of men in different attitudes.
Mandovara or wall mouldings
Mandovara, the wall mouldings starts with kumbha, a pitcher. It has a broad undecorated band at lower part while middle part is decorated with oval discs. It is followed by kalasha, a pitcher. The next is broad band with chaitya-windows called kevala followed by similar called manchi. These two bands are separated by a deep band. There is a thin fillet above which the major paneled face of wall called jangha exist. This panels are decorated with figures of gods but the figures of Surya are placed prominently than others as the temple is dedicated to him. Other panels are decorated with dancers and other figures.
The figures of Surya are prominently carved on three niches of shrine proper as well as on the each side of three windows in the outer wall of Gudhamandapa. The figures of Surya is in standing position with two arms holding lotuses and driven by seven horses. It has some Persian influences. The walls have 12 niches showing the different aspects of Surya in each month. Other figures include eight Dikpals, Vishwakarma, Varuna, Agni, Ganesha, Saraswati.
Every figure in panel has a small cornice over it surmounted with triangular pediment consisting of chaitya-window which is called udgam. The next projecting band with chaitya-window and kirtimukha is called malakval. The top most is the major cornice called chhajli.
This is followed by shikhara which no longer exist. The Vimana had horizontal geometrical and figurative bands which rising to create the Mount Meru-like shikhara. The central spire had Urushringa, the miniature shrines. It is judged by the shrines on the steps of Kunda.
Mandapa
The Mandapa, a hall was roofed by a dome which probably rose in concentric manner. It is supported by eight principal pillars below arranged in an octagon, four pillars in front of shrine proper and two each in the recesses of windows and door.
Sabhamandapa
Sabhamandapa or Rangamandapa, the assembly hall or dancing hall is parallelogram in plan with rows of pillars opening entrance on each side diagonally. The extensively carved exterior has series of recessed corners giving impression of the star like plan of it. There are 52 intricately carved pillars. Madhusudan Dhaky has suggested that the sabhamandapa may has been later addition based on style and construction.
Base mouldings
The pitha is almost similar to the Gudhamandapa but smaller as two courses of fillets are omitted. The padma is carved richly here with floral ornamentation.
Wall mouldings
Above the Narathara, there is a band with figures of dancers and gods known as rajasena. The next is vedi which correspond to jangha of mandovara decorated with large panels of gods, goddesses and floral designs. The next is cornice called asinot. It followed by kakshasana which slopes outwards and forms the back-rests of the bench, asana which runs round the hall. There are erotic figures on it interrupted by rail-patterns.
Ceiling and torana
The roof was in shape of stepped pyramid but it no longer exists. Inside, the walnut-shaped ceiling rises in tiers which has numerous floral girdles. It is 23 feet high. It is supported by pillars arranged in an octagon. These pillars have stilts which supports the lintels. Torana or the decorated cusped arches arise from the lower brackets of the pillars and touch the lintels in middle. There are two types; semicircular and triangular. The semicircular arches has cusped arches with tips while triangular arches has round apex and wavy sides. Both types has broad band decorated with figures and tips which are now defaced and damaged. The lower brackets has makara which gives the name of makara-torana while decoration gives name of chitra-torana.
Pillars
The pillars of Sabhamandapa and Gudhamandapa are of two types; short and tall. The short pillars rests on walls and supports the roof. The tall pillars rise from the floor.
Short pillars
The shaft is square in shape till half of its height followed by vase and then followed by octagonal shaft. It is surmounted by a capital and a bracket. The square part has floral design in circle on each side of faces. The vase is decorated similarly on its corners. The octagonal part have four bands; the top most has kirtimukha. The capital has three annulets.
Tall pillars
They arise from square or octagonal base, kumbhi, with triangular ornamentation on each face. Above it is kalasha. It is followed by a deep band and the next is kevala decorated with chaitya-windows. the next is kirtimukha. The next is triangular pediment with chaitya-windows.
The next is beginning of shaft. It is first decorated with standing figures, mostly dancers, on all eight faces enclosed in ringed pilasters. The next band with scenes of men and beasts is separated from it by round pillow-like band. It is followed by still smaller band with sixteen standing human figures separated by small annultet below. The next is band of leaves. Then the shaft becomes circular and had three or four bands having row of male warriors, lozenges, circles and kirtimukha at last. The kirtimukhas are separated by chain and bell ornamentation.
It follows capital similar to small pillars crowned with makara brackets if eight stilted pillar and dwarfs in the rests. the eight stilted pillars have one more shaft and similar type of capital which is crowned with brackets of volutes and pendant leaves.
Iconography
The panels on the Gudhamandapa is decorated with Surya centrally which indicates that the temple is dedicated to Surya. These images wears peculiar West Asian (Persian) boots and belt. The other corners and niches are decorated with figures of Shiva and Vishnu in various forms, Brahma, Nāga and goddesses. The depicted scenes on small flat ceilings and lintels of sabhamandapa are from epics like Ramayana.
Kirti-torana
There was a kirti-torana, the triumphant arch, in front of sabhamandapa. The pediment and torana no longer exists but two pillars remains. The moulding and decoration is similar to that of walls of sabhamandapa and pillars. There were two more kirti-torana on each side of the kunda of which only one exists without upper part.
Kunda, a tank or reservoir is known as Ramakunda or Suryakunda. The flight of steps through kirti-torana leads to the reservoir. It is rectangular. It measures 176 feet from north to south and 120 feet from east to west. It is paved with stones all around. There are four terraces and recessed steps to descend to reach the bottom of the tank. The main entrance lies on west. There are steps to reach from one terrace to another on right angle to terrace. These steps are rectangular or square except the first step of each flight of steps which is semicircular. Several miniature shrines and niches in front of terrace-wall have images of gods including many Vaishnavite deities and goddesses such as Shitala.
Stepwell
The stepwell on the west of Kunda has one entrance and two pavilion-towers. It is moderately ornamented. The door-frame has lotus and leaves and the ruchaka type pilasters indicate it belongs to 11th century. The small mandapa above the ground level and located on the second kuta of stepwell may belong to 10th century.
Modified body, M42 adapter to create a tread in the body. Helicoil, Lens with modified M42 lens cap to mount the lens.
One of the ceramic post insulators supporting the pantograph frame on the cab 1 end of 92023 has been replaced with a different type of insulator to the one it was originally fitted with.
Fotos de stands y productos de la edición de octubre 2015, donde se presentaron las novedades para Otoño-Invierno 2016
More info about these bad boys on my blog:
cyclingwmd.blogspot.com/2009/02/introducing-vallie-compon...
ISS028-E-005266 (25 May 2011) -- With various components of the International Space Station in the view, NASA astronaut Andrew Feustel is pictured during the STS-134 mission's third space walk (and Feustel's third, as well). Astronauts Feustel and Michael Fincke (out of frame), both mission specialists, coordinated their shared activity with NASA astronaut Greg Chamitoff (out of frame), who stayed in communication with the pair and with Mission Control Center in Houston from the shirt sleeve environment inside the ISS.
(www.excessparts.net/) - Office equipments are now mostly made up extensively of electronic parts. Some companies have their own team who do the repairs as well as the maintenance of office equipments. Others hire outside experts in fixing problems with electronic devices. Because technicians expect repetitive problems on equipments, they buy electronic components in wholesale.
Maple cabinetry in a chocolate stain paired with Cambria quarz in Canterbury. Wall color SW 6342 Spicy Hue. Yum!
What's inside a 16-inch (406 mm) shell.
US Battleship Iowa, a museum ship in the Port of Los Angeles, California. This battleship was launched in 1942, saw service in World War II, the Korean War and the later stages of the Cold War. She has been at this location as a museum ship since 2011. Visit of June 18, 2015.
RD7732. Inside the Railway Exhibition Hall at the Amberley Museum and Heritage Centre between Pulborough and Arundel in West Sussex is a fascinating display of narrow gauge track components.
Sunday, 14th October, 2012. Copyright © Ron Fisher.
All of the parts for this were off the shelf 1/2" vinyl pipe fixtures from Lowe's. n.b. the socket on the three way connector that you are looking down into is threaded...important for tripod head mounting.
"Eco Smart provides Solar Panels of world top brands with UL listing, TUV certification and up to 25 year manufacturer warranty at wholesale prices. We offer you many advantages over our Solar Panel and Components which foremost brings you the long lasting value of our recommended components.For more information visit www.ecosmart-intl.com
1st Floor, Al Riqqa Building,
Near Clock Tower, Deira,
Dubai, U.A.E.
Phone: +971 4 2669986
E-mail: dubai@ecosmart-intl.com"