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Committed to Ilford FP4+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Unos prestando servicio y otros saliendo a correr, pero todos con un mismo compromiso: ayudar a nuestros héroes heridos en combate.
#YoCreoEnLosHeroes #CarreraPorLosHéroes
#IBelieveInHeroes #RaceForTheHeroes
Committed to Film Ferrania P30 using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ pushed to 800 using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
After seeing the atrocities committed by Blacktron on the crew of the Horus Array, hearing the sound of clanking metal coming from an unknown source, Captain Knight feared the worse.
Opening the door to an adjacent room, blaster at the ready, he was pleased to find a lone red-shirt survivor from the array's crew. Telling security chief Erandis to stand down, Knight walks over to the fellow spaceman.
It's clear the poor fellow is in shock. He keeps rambling, "Blacktron! They, they came! They attacked! We weren't ready! They left it here! AHHHHH!"
Knight tries to assure the man he's safe, (and slightly lying himself) everything will be alright…
To learn more about Nova Team's other adventures visit their album: flic.kr/s/aHskpavQh5
Committed to Ilford HP5+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ using a Leica M3 and 50 mm Summilux ASPH lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Indeed, it is the only thing that ever has :-)
Margaret Meade
HBW!! Resist!!
fragrant wintersweet, 'Luteus', j c raulston arboretum, ncsu, Raleigh, north carolina
Dramatic light, flare, colour shifts and funny little glowy balls - the final roll of film I exposed on the day had a bit of everything. But I suppose that's part of the fun of expired film.
I can only think that Kandersteg enjoyed our visit as much as we did, if the heart in the final image is anything to go by. 😉
Either way, we had a very enjoyable day out amongst the mountains and can definitely recommend a day trip to Kandersteg and Oeschinensee.
Committed to expired Kodak Portra 160 using a Mamiya 6 and 50 mm lens. Developed using a C-41 kit from Ars-Imago and digitised with a digital camera. Positive conversion, colours and contrast done with Negative Lab Pro. Dust cleaning and final tweaks in Photoshop.
I committed to photographing sunrise from Dante’s View in Death Valley National Park one morning earlier this year. Badwater was flooded, and I hoped for an interesting morning. The clouds though, were almost exactly at the height of Dante’s View. Since there was nowhere else to go in time, I stuck it out, hoping to get a glimpse of some magic. And for a brief moment, the very temporary lake at Badwater was revealed through a hold in the roof. Warm sunlight colors can be seen reflecting in the lake’s imperfect surface, providing some insight into what was happening just out of view beneath the clouds. This is also one of the dustiest photos I’ve ever taken, with probably over 100 pieces of sensor dust that had to be removed. Suffice to say I cleaned the sensor thoroughly when I realized this. I hope the lake returns this winter.
Committed to Ilford FP4+ using a Hasselblad X-pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Fomapan 200 using a Hasselblad 500C and 100 mm lens with a 56 mm extension ring. Developed using Ars-Imago R9 (rodinal) 1:25 as per the Massive Dev chart (though I think the listed times are too short and will be adding at least a minute to them in the future) and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning, sharpening and final contrast in Photoshop.
Committed to Fomapan 200 using a Hasselblad 500C and 100 mm lens with a 56 mm extension ring. Developed using Ars-Imago R9 (rodinal) 1:25 as per the Massive Dev chart (though I think the listed times are too short and will be adding at least a minute to them in the future) and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning, sharpening and final contrast in Photoshop.
Listen to my Meet the iPhone Photographer interview here - itunes.apple.com/us/podcast/id993249071
The Buckriders, are a part of Dutch folklore, ghosts or demons, who rode through the sky on the back of flying goats provided to them by Satan. During the 18th century, groups of thieves and other criminals co-opted the belief to frighten the inhabitants of southern Limburg, a province in the southern part of the Netherlands. Using the name "Bokkenrijders", these criminal bands launched raids across a region that includes southern Limburg, and parts of Germany and Belgium (parts of which were a part of the Netherlands at the time). Commonly, the "Bokkenrijders" raided peaceful communities and farms. Several confessed "Bokkenrijders" were convicted and sentenced to death. Because of the link to the occult, authorities accused a large number of potentially innocent men of being "Bokkenrijders" and a number were tortured and subsequently convicted of crimes they denied having committed.
Committed to Lomography Fantome using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago R9 (rodinal) 1:50 as per the suggested times and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.
ICE remains committed to identifying and deporting threats of all sizes. 👶🚨✈️✅
www.nytimes.com/2025/04/25/us/politics/us-citizen-deporte...
Committed to Cinestill BwXX using a Leica M6 and 35 mm Summicron V3 lens. Developed using Ars-Imago FD as standard and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
since i committed myself to following through with this 52 week photo project, i sucked it up and did a camera toss. to make it nice and safe i did it over my bed and used my monitor as the light source. i put this picture on my monitor for the tosses.
assignment 52 week 14 - camera toss
Committed to expired Kodak Portra 160 and Kodak Ektar 100 using a Mamiya 6 with 75 and 50 mm lenses. Developed using a C-41 kit from Ars-Imago and digitised with a digital camera. Positive conversion, colours and contrast done with Negative Lab Pro. Dust cleaning and final tweaks in Photoshop.
Committed to Ilford Delta 400 using a Hasselblad 503 CX and 60 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ using a Leica M3 and 50 mm Summilux ASPH lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
One quick look back over my shoulder toward Baden and the setting sun and then I'm off on a path less travelled, wondering what awaits me and my camera in the few minutes of beautiful light that remain.
Committed to expired Kodak Gold 200 using a Leica M3 and 50 mm Summilux ASPH lens. Developed using a C-41 kit from Ars-Imago and scanned using an Epson V850 using Silverfast. Positive conversion, colour and levels done with Negative Lab Pro.
Committed to Ilford FP4+ using a Hasselblad X-pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Love says…
I’m committed to you
I’ll walk this difficult road with you
I’ll give of my time
I’ll be a listening ear
I’ll be there for you no matter what
I’ll pray for you
I’ll let go of my rights
I’ll watch your children so you can have some space
I’ll make you a meal
I’ll pay that bill that you can’t afford to pay
I’ll give you the best of me
I’ll stand up for you
I’ll be honest with you even if it hurts you
I’ll respect you
I’ll honour you
…ultimately I will die to my selfishness and give of my life to this world.
Committed to Ilford HP5+ pushed to 800 using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
My good friend Jim totally committed to capturing 'that' sunrise during an early morning excursion at Blackhall Rocks on the Durham coast. Although the long exposure gives the appearance of calm seas it was anything but, causing us to relocate constantly. The inside of my wellies will testify to that!
Committed to Rollei RPX 25 using a Mamiya 645 1000S and 80 mm f1.9 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
...to see if there was a crime committed.
Nope, the poor camera died of natural causes.
It simply quit on a walk.
I had planned for this and will send in a replacement to be modified.
Probably not until December?
The Little Soldiers really gave it a go.
This camera served me very well and took all the abuse I gave it over the years.
It even introduced me to the wonders of Infrared Photography.
Committed to expired Kodak Portra 160 and Kodak Ektar 100 using a Mamiya 6 with 75 and 50 mm lenses. Developed using a C-41 kit from Ars-Imago and digitised with a digital camera. Positive conversion, colours and contrast done with Negative Lab Pro. Dust cleaning and final tweaks in Photoshop.
Committed to Rollei RPX 25 using a Mamiya 645 1000S and 80 mm f1.9 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Can't lie - I'm not committed enough to get up FOR sunrise, but we've been lucky with some amazing morning's at Robin Hood's Bay on the North Yorkshire Coast. On this day I hadn't checked the tide times, so had a chance to play with the camera whilst Obi waited impatiently for the water to recede and open up the beach.
Robin Hood's bay has always been a busy, summer, day trip, so being based here out of season and right on the beach
was fantastic!
"She" (he) is absolutely committed...
(Do click the image to view large)
Yee Wo Street, Causeway Bay, Hong Kong
Committed to Ilford FP4+ using a Hasselblad X-pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford Delta 400 using a Hasselblad 503 CX and 60 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Although I am firmly committed to the wilder forms of nature - meadows, lakes, forests, wildflowers, I have to admit that when they're very well done (and that is rare), cultivated gardens can have a certain appeal.
There is one such place in Annapolis Royal - a world-class Historic Gardens - that, when "the light is right", is a dreamy and magical wonderland.
Frederick Law Olmstead, impressed by the gentle pastoral beauty he found in England..."greem. dripping, glistening, gorgeous..." recognized this aesthetic contrast between the truly wild and the gently cultivated. .
"The sublime in nature is much more rare in England, except on the sea-coast, than in America, but there is everywhere a great deal of quiet, peaceful, graceful beauty which the works of man have generally added to."
Frederick Law Olmstead, Speaking of Nature, 1885
" My name is Penny Oliver and I am committed to creating artwork that will inspire and reinvigorate you in your practice of medicine.
By interpreting and translating anatomic, histologic and diagnostic images, I seek to create art that is both beautiful to the layperson and meaningful to the medical professional.
Contact me to see how your work and passion can be transformed into a stunning piece of original art. "
Diagnosis ART, Custom Paintings for the Medical Professional
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