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Committed to Kodak Ektar 100 using a Hasselblad 503 CX, with Zeiss 100 mm f3.5 lens and 55 mm extension ring. Developed with a C-41 kit from Ars-Imago and scanned using an Epson V850 using Silverfast. Positive conversion and levels done with Negative Lab Pro.
Committed to Ilford FP4+ using a Hasselblad X-pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford FP4+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ using a Hasselblad X-Pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning in Photoshop.
Stanage Edge • Peak District National Park • 15th January 2022
It was a photography filled weekend with two sunrises up at Higger Tor and sunset at Stanage Edge. This was the cream of the crop though.
I headed out into the Peaks mid-afternoon to find all of Hope Valley in this beautifully lit, misty haze. As I drove round Surprise View I considered stopping off at Bolehill Quarry, but decided to keep myself committed to getting to Stanage Edge early and getting a prime spot for sunset. However, when I arrived it seemed my gamble hadn’t paid off. As I parked up you could barely see the Edge through the cloud that was sweeping through the valley.
Despite this I decided to head up anyway and I think it’s fair to say it paid off. As the sun sank it cut through the mist, burning it away and creating this absolutely stunning scene, before disappearing behind the large bank of cloud covering the horizon.
Committed to Lomography Babylon using a Leica M3 and 50 mm Summicron dual-range lens. Developed using Ars-Imago R9 (rodinal) 1:99 in a semi-stand process for 80 minutes and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ferrania P30 using a Nikon F3 and 24 mm f2.8 lens. Developed in Adox Silvermax developer and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.
Committed to Ferrania P30 using a Leica M6 and 50 mm Noctilux f1 lens. Developed using Ars-Imago FD as standard and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford FP4+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Some have committed to photography and making images for the long haul, but our visual journey is every second, minute, and hour of the here and now. It may be where we stand, walk, or travel. The Southern Alberta gravel roads are wide in generally good condition and seldom much problem through all seasons, but this day while driving along a muddy unmarked fence boundary one rut passage I hadn't seen much of any interest and the clumps were slapping the Jeep fenders. It's going to be an expensive car wash back in the city.
Then further on a horizon an orange dot resembling machinery or abandoned farming equipment was breaking up the flat green landscape. Another sampling of simpler living, with harder conditions and life without air conditioning. Another pristine outdoor museum to piece together the rural past. Please pass that Starbuck's vanilla latte while I ponder a possible composition.
*Please view LARGE for maximum rural detail
**Textures courtesy of skeletal mess and cleanser
***Thank You each and everyone for all your generous comments, group invitations, and visits.
Committed to Film Ferrania P30 using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Unos prestando servicio y otros saliendo a correr, pero todos con un mismo compromiso: ayudar a nuestros héroes heridos en combate.
#YoCreoEnLosHeroes #CarreraPorLosHéroes
#IBelieveInHeroes #RaceForTheHeroes
After seeing the atrocities committed by Blacktron on the crew of the Horus Array, hearing the sound of clanking metal coming from an unknown source, Captain Knight feared the worse.
Opening the door to an adjacent room, blaster at the ready, he was pleased to find a lone red-shirt survivor from the array's crew. Telling security chief Erandis to stand down, Knight walks over to the fellow spaceman.
It's clear the poor fellow is in shock. He keeps rambling, "Blacktron! They, they came! They attacked! We weren't ready! They left it here! AHHHHH!"
Knight tries to assure the man he's safe, (and slightly lying himself) everything will be alright…
To learn more about Nova Team's other adventures visit their album: flic.kr/s/aHskpavQh5
Committed to Ilford HP5+ pushed to 800 using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ using a Leica M3 and 50 mm Summilux ASPH lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
There are levels to the crimes against humanity being committed by this Administration (and by everyone supporting them) in the raids in Mississippi. Perhaps the most heinous is that they rounded up parents without notifying the schools so that when the grade school kids went home at the end of the day they found themselves alone with their house locked and their parents nowhere to be found.
Committed to Cinestill BwXX using a Leica M6 and 35 mm Summicron V3 lens. Developed using Ars-Imago FD as standard and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
[NEWS FLASH, April 1, 2010: Two days ago, a young man who had graduated high school only last year committed suicide back in the state where we'd both grown up, Michigan. He had attended the same boarding school that I, his father (who was two classes behind me) and his father's cousin (who graduated with me) all had.
A tribute page has emerged on Facebook, replete with words of prayer and sympathy. And school and other photos of a young man seemingly having the time of his life with friends and loved ones while in the prime of his life.....
Zech must have been in pain. Pain that seemed to him to be too much. I find that tragic and nothing to minimize. But there is a horrific irony to his decision to end his pain. He won't be feeling the pain that so many of his young friends feel at burying one of their own. And yes, he will never himself feel the searing pain a father feels when he buries his son And just as sadly, he no longer can look back and TRY to grasp the amount of pain and suffering of others that HE had helped relieve - or give anyone who knew of his struggle time to intensify efforts to return the favor.
My heart aches. I never met Zech; but after spending only 10 minutes on the tribute page for him, I know I would have liked him. His father Mark is dealing with the situation I prayed I would never cause my Dad to endure during his lifetime.
And it has been a very long time since I have felt the message of this song as strongly as I do right now. Because, my God, I know for a fact that a piece of me is gone forever......
The funeral is Saturday. RIP Zech. And may those of us left behind find a different kind of rest and peace as we carry on.]
[Puzzle treatment done using fdtoys]
Our deaths remove pieces from others' lives,
And we don't have much control over that.
That's not always true of course
Especially when we force others to watch us hasten our own demise.
But in most other situations, we constantly face opportunities:
When we realize we've taken something from another, we can - if allowed -
Choose to put it BACK.
Babe, if we can't solve any problems
Why do we lose so many tears?
Oh, so you go again
When the leading man appears
Always the same theme
But can't you see we've got everything
going on and on and on
And every time you go away
You take a piece of me with you
Go on and go free
Maybe you're too close to me
I can feel your body move
But does it mean that much to me
I can't go on singing the same theme
Cause you can't see we've got everything
Baby, even though you know that
Every time you go away
You take a piece of me with you
You just don't care
Written by Daryl Hall
The ONLY version that matters performed by Hall & Oates.
The coastline at the end of ReykjavÃk's peninsula to the west, Seltjarnarnes. A wonderful place where to take a walk, cycle, roller skate, or just walk the dog. Or photo shooting in great weather.
Exif: ISO 100 ; f/5.6 ; 1/100 ; @14mm
I've had my fun with the silly photos I just posted. And of course I was given a reminder that I might be falling off the wagon. I'm not. The sissy days are long gone.
This passing hasn't worked yet. I can obviously get the clothes right. Like this for example. I could wear this out. I have something on now. I will take some photos in a bit. Cute and passable and I can wear it pretty much anywhere at anytime. But the makeup? I have spent at least six hours today on and off and on again and I simply am terrible at it. My awful posture isn't as bad anymore. My walking has improved. But the makeup is sooo difficult and until that piece clicks in...
I'm a pretender. For those of you who are "real", I get it. Pretenders are disrespectful to the hardship of actually being committed, transitioning, full time etc. and I am sensitive to the messages that are sent by how we present ourselves. I'm trying. I really am. I am fully aware that just putting a dress on, a wig and some lipstick just makes you a hairy pig with lipstick. I am sensitive to the message being sent by how we present ourselves. There's soooo much more to this. I'm struggling with it. Hard. Think I probably ruined what was otherwise a cute dress with those boots. But it's out there and hopefully I'll see a progression. It's not always forward. Sometimes there are steps back too.
The people who know me know this is where I make some proclamation about the end of the world or something. That's not the case. In fact the opposite. The utmost respect to people who live the life with no apologies and all in. I can't be all in so maybe that's the problem. Doesn't matter. I just have to overcome it.
I'm sorry I wrote all this. If you read it thank you for listening. I do feel better. Actually fine and a little more energized. Some photos, some wine and finish the ceiling tonight. Have a good night to the poor souls who read and got through this.
Committed to Fomapan 200 using a Hasselblad 500C and 100 mm lens with a 56 mm extension ring. Developed using Ars-Imago R9 (rodinal) 1:25 as per the Massive Dev chart (though I think the listed times are too short and will be adding at least a minute to them in the future) and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning, sharpening and final contrast in Photoshop.
Committed to Lomography Fantome using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago R9 (rodinal) 1:50 as per the suggested times and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.
6º Republic Event: Blogger and Decorator Applications are officially open from October 17th - October 20th.
We are looking for passionate and creative bloggers / decorators that feature interior / exterior designs in their photos. If you are interested in joining our Team and are committed to providing the best coverage possible for this event, then please fill this app.
BLOGGERS
Please fill out the application here:
DECORATORS (Do not own a blog. Their main source of publication is flickr.)
Please fill out the application here:
Make sure you understand which category suits you before applying.
Only one app per person.
You’ll be contacted upon acceptance.
Any questions please send a NC inworld only to Mikaela Carpaccio.
Thank you for your interest,
6R Team
Committed to expired Kodak Portra 160 and Kodak Ektar 100 using a Mamiya 6 with 75 and 50 mm lenses. Developed using a C-41 kit from Ars-Imago and digitised with a digital camera. Positive conversion, colours and contrast done with Negative Lab Pro. Dust cleaning and final tweaks in Photoshop.
🌈 🌈 🌈
"Off-Line" and Roslyn. have joined forces this Pride Month with a shared vision of driving meaningful change. Together, we are committed to making a difference in the lives of LGBTQ+ individuals. In a heartfelt effort, we pledge to donate a remarkable 75% of the net proceeds generated from our Pride items to the Trevor Project.
The Trevor Project, a leading organization in LGBTQ+ mental health and suicide prevention, provides crucial support to young people in need. With their 24/7 helpline, online community, and educational resources, they create a safe space for LGBTQ+ youth facing adversity. By directing our support towards the Trevor Project, we aim to amplify their life-saving work and empower individuals to embrace their true selves.
This collaboration signifies our unwavering commitment to fostering inclusivity and celebrating the diversity of the LGBTQ+ community. Through our partnership, we hope to make a tangible impact by not only raising awareness but also contributing to the vital services offered by the Trevor Project. Join us this Pride Month as we come together, stand proud, and work towards a brighter, more inclusive future for all.
Committed to Ilford FP4+ using a Hasselblad X-pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
How committed am I to this 365? Enough to drink this wine and save the corks so that on a Sunday when I didn't have anything else to shoot I could haul them out, shoot them, and sit back and relax.
7.14.13
Committed to Ilford FP4+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
since i committed myself to following through with this 52 week photo project, i sucked it up and did a camera toss. to make it nice and safe i did it over my bed and used my monitor as the light source. i put this picture on my monitor for the tosses.
assignment 52 week 14 - camera toss
Committed to Kodak Ektar 100 using a Hasselblad 503 CX, with Zeiss 100 mm f3.5 lens and 55 mm extension ring. Developed with a C-41 kit from Ars-Imago and scanned using an Epson V850 using Silverfast. Positive conversion and levels done with Negative Lab Pro.
Happy Rezz Day to Me!
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- Happy Rezz Day to Me! The longest committed relationship I’ve ever been in is the one I have with my @secondlife avatar. 15 years ago I saw people fighting over land on an episode of Judge Judy and I had to try it out. Over the years we’ve been on again and off again. I’ve been through countless heartbreaks, scandals and name changes 😂 I went from embarrassed to tell people I played to a successful content creator. Along the way I’ve forged so many life changing relationships and friendships and I’m so grateful for those people. Without Second Life, my real life would be so boring LOL so here’s to 15 and 15 more! As long as SL’s around, I will be too!
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georgia hair by punklist - maps.secondlife.com/secondlife/PUNKLIST/161/132/2506
hermosa hairbase and bangs by studio exposure - maps.secondlife.com/secondlife/Stone%20Diamond/123/128/20
ziva earrings by yorke - maps.secondlife.com/secondlife/Valhalla%20Estates%20Manag...
tahir latex dress by rowne - maps.secondlife.com/secondlife/Rowne/89/107/2006
party balloons (round balloons, tinted by me) by bijou - maps.secondlife.com/secondlife/BIJOU%20BLUE/91/113/24
gigi balloons (number balloons, tinted by me) by legna - maps.secondlife.com/secondlife/Dream%20Lake/91/113/24
Listen to my Meet the iPhone Photographer interview here - itunes.apple.com/us/podcast/id993249071
Committed to Ilford FP4+ using a Hasselblad X-pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.