View allAll Photos Tagged committed
I may be just one part of just one onion plant, but I am fully committed to the continuance of my species.
Committed to Fomapan 200 using a Hasselblad 500C and 100 mm lens with a 56 mm extension ring. Developed using Ars-Imago R9 (rodinal) 1:25 as per the Massive Dev chart (though I think the listed times are too short and will be adding at least a minute to them in the future) and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning, sharpening and final contrast in Photoshop.
Committed to Fomapan 200 using a Hasselblad 500C and 100 mm lens with a 56 mm extension ring. Developed using Ars-Imago R9 (rodinal) 1:25 as per the Massive Dev chart (though I think the listed times are too short and will be adding at least a minute to them in the future) and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning, sharpening and final contrast in Photoshop.
. . . home.
Early morning light.
Only fishermen and committed hobbyists are up at this time.
. . . . .
Committed to Kodak Ektar 100 using a Hasselblad 503 CX, with Zeiss 100 mm f3.5 lens and 55 mm extension ring. Developed with a C-41 kit from Ars-Imago and scanned using an Epson V850 using Silverfast. Positive conversion and levels done with Negative Lab Pro.
Shchusev was not a committed Constructivist theorist, and is best known for his design of the Lenin Mausoleum. This building, however, is a particularly well preseved example from the Constructivist era, although the depth of Constructivist principles here is limited.
The Narkomsem is located on the Sadovaya Ring in a neighborhood that was redesigned according to the general plan for Moscow by Shchussev. Although the urban planning proposals were never executed in full, the Narkomsem is still one of the most distinctive buildings in this district and is located adjacent to Le Corbusier’s Tsentrosoyus building, two buildings that were built simultaneously.
Some of the most striking features are the cylindrical corner tower, the overall asymmetry, the ribbon windows (particularly on the top floor), and the corner details, where the glazing is continuous around both internal and external corners.
===
Minolta 17-35
Committed to Ilford HP5+ using a Leica M3 and 50 mm Summilux ASPH lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Had a couple ideas (and committed a few thefts), so I threw these together.
Back row:
Sinestro: Pretty sure I stole this one from ole Jonathan Wong
Grodd: An older model now, but I like him.
Grundy: Mostly stolen from Colby
Bizarro: 100% stolen from Andrew from his instagram.
Bottom row:
Riddler: A weirder take. Wanted to utilize that racer torso.
Giganta: Well, her hands are.
Toyman: Thought this head simulated a wood mask well.
Manta is Manta cause he's the only Manta I got.
Luthor: Wanted to go a different angle than the power armor, so here's Utilitarian, jumpsuit Luthor.
Brainiac: Some minor changes to another older fig. Head's from Onlinesailin.
Cheetah: Pretty self-explanatory.
Captain Cold: Wanted a more super-friends-y look, this is what I came up with. Thought about using the Frozone parts but that blue was just too Aqua.
Scarecrow: Still the same.
Lemme know what you think!
Committed to Ilford HP5+ using a Hasselblad X-Pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning in Photoshop.
Sponsors: LeLutka, Glam Affair
Tune ♫: The Bangles - Enteral Flame
Writer/s: Tom Kelly, Billy Steinberg, Susanna Hoffs
"...I believe it's meant to be, darling
I watch you when you are sleeping
You belong with me
Do you feel the same?
Am I only dreaming
Or is this burning An eternal flame?
Say my name
Sun shines through the rain
A whole life so lonely
And then you come and ease the pain
I don't want to lose this feeling, ohh..."
.L O T D.
Head: LeLutka Bento Head-KORINA @MAINSTORE
Skin: [Glam Affair] Lilly @MAINSTORE
Hair: TRUTH Taren @MAINSTORE
Lashes: LeLutka Bento Head (Included)
Brows: Bossie. miki eyebrows (LeLutka) @MAINSTORE
Eyes: [AG] Avi-Glam Grace Eyes (07) @MAINSTORE
Ears: LeLutka Bento Head ears (Included)
Eyeshadow: Ottilie Daily - Nude @MP
Lipstick: LeLutka (Pink) Bento Head (Included)
Body: Maitreya Lara @MAINSTORE
Clothing
Dress: Kaithleen's Paula Dress w/Sparkle @MAINSTORE
Accessories
Necklace: BUENO Committed Set @MAINSTORE
Setup
Pose: None.
Head/Neck Posing: LeLutka Axis HUD Face @MAINSTORE
Studio Lighting: LUMIPro 18
Post-processing: Adobe PS CC 2019, DxO 2019 Nik Collection
Copyright © 2019 Truth Wizardly. All Rights Reserved.
"The Best 4x4xFar"
Set number 6698 is probably the first Lego set I was given as a child, and to this day is one of my favourites. I knew I wanted to include an updated version in this series, and the 4x4 in it was clearly meant to be a Series 3.
But figuring out how to actually build a S3 in 6 studs and have it be recognizable turned out to be much harder than I expected.
7 studs would've been better, but I've already done the S1 and Defender at 6 studs, so I'm committed to that scale.
I have a LDD file with earlier versions that is dated 6 months ago, and in that time I have switched between trying to design it in LDD or with real bricks at least 4 times, periodically returning to it and giving up again soon after.
I'm fairly happy with the final result, even if the proportions of the nose is a little too cartoonish.
Committed to Lomography Babylon using a Leica M3 and 50 mm Summicron dual-range lens. Developed using Ars-Imago R9 (rodinal) 1:99 in a semi-stand process for 80 minutes and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ferrania P30 using a Nikon F3 and 24 mm f2.8 lens. Developed in Adox Silvermax developer and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.
Committed to Ferrania P30 using a Leica M6 and 50 mm Noctilux f1 lens. Developed using Ars-Imago FD as standard and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford FP4+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Some have committed to photography and making images for the long haul, but our visual journey is every second, minute, and hour of the here and now. It may be where we stand, walk, or travel. The Southern Alberta gravel roads are wide in generally good condition and seldom much problem through all seasons, but this day while driving along a muddy unmarked fence boundary one rut passage I hadn't seen much of any interest and the clumps were slapping the Jeep fenders. It's going to be an expensive car wash back in the city.
Then further on a horizon an orange dot resembling machinery or abandoned farming equipment was breaking up the flat green landscape. Another sampling of simpler living, with harder conditions and life without air conditioning. Another pristine outdoor museum to piece together the rural past. Please pass that Starbuck's vanilla latte while I ponder a possible composition.
*Please view LARGE for maximum rural detail
**Textures courtesy of skeletal mess and cleanser
***Thank You each and everyone for all your generous comments, group invitations, and visits.
Committed to Film Ferrania P30 using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Unos prestando servicio y otros saliendo a correr, pero todos con un mismo compromiso: ayudar a nuestros héroes heridos en combate.
#YoCreoEnLosHeroes #CarreraPorLosHéroes
#IBelieveInHeroes #RaceForTheHeroes
Committed to Ilford HP5+ pushed to 800 using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
"We're committed to dealing positively with the image problems the area has and to that end we've spent 100K on a new marketing slogan for the area." The council head showed the JT the new slogan "Sighthill's Smashing" emblazoned on the back of his nice new Volvo.
Committed to Ilford HP5+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ using a Leica M3 and 50 mm Summilux ASPH lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
There are levels to the crimes against humanity being committed by this Administration (and by everyone supporting them) in the raids in Mississippi. Perhaps the most heinous is that they rounded up parents without notifying the schools so that when the grade school kids went home at the end of the day they found themselves alone with their house locked and their parents nowhere to be found.
ll Führerbunker fu l'ltimo dei quartieri generali di Hitler. Il complesso, situato a Berlino ad 8 metri sotto il giardino della Cancelleria del Reich e protetto da pareti di calcestruzzo spesse 4 metri, venne costruito fra il 1936 e il 1943. Il Führer vi si trasferì nel gennaio 1945 con Eva Braun e alcuni componenti del governo quando le truppe dell'Armata Rossa ormai assediavano la capitale tedesca. All'interno della struttura Adolf Hitler si suicidò il 30 aprile 1945.
Dopo la fine della guerra la cancellerai del Reich fu distrutta dai sovietici, ma gran parte del bunker rimase intatto. Negli anni successivi, prima i sovietici e in seguito il governo della Germania Est tentarono inutilmente diverse volte di farlo saltare in aria. Alla caduta del Muro di Berlino, il sito rimase un'area abbandonata sino ai primi anni '90 quando, durante lavori di ricostruzione, vennero riscoperte altre parti del complesso che però furono nuovamente sigillate. Nel mese di giugno 2006, nel punto esatto in cui sorgeva il Führerbunker è stato messo un pannello commemorativo; oggi sul luogo sorge un parcheggio.
The Führerbunker was the last of Hitler's headquarters. The complex, located in Berlin, 8 meters below the garden of the Reich Chancellery and protected by 4-meter-thick concrete walls, was built between 1936 and 1943. The Führer moved there in January 1945 with Eva Braun and some members of the government when the Red Army troops were already besieging the German capital. Inside the structure, Adolf Hitler committed suicide on April 30, 1945. After the end of the war, the Reich Chancellery was destroyed by the Soviets, but much of the bunker remained intact. In the following years, first the Soviets and then the East German government made several unsuccessful attempts to blow it up. After the fall of the Berlin Wall, the site remained an abandoned area until the early 1990s when, during reconstruction work, other parts of the complex were rediscovered but were sealed off again. In June 2006, a memorial plaque was erected on the exact spot where the Führerbunker once stood; today, a car park stands on the site.
Committed to Cinestill BwXX using a Leica M6 and 35 mm Summicron V3 lens. Developed using Ars-Imago FD as standard and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
[NEWS FLASH, April 1, 2010: Two days ago, a young man who had graduated high school only last year committed suicide back in the state where we'd both grown up, Michigan. He had attended the same boarding school that I, his father (who was two classes behind me) and his father's cousin (who graduated with me) all had.
A tribute page has emerged on Facebook, replete with words of prayer and sympathy. And school and other photos of a young man seemingly having the time of his life with friends and loved ones while in the prime of his life.....
Zech must have been in pain. Pain that seemed to him to be too much. I find that tragic and nothing to minimize. But there is a horrific irony to his decision to end his pain. He won't be feeling the pain that so many of his young friends feel at burying one of their own. And yes, he will never himself feel the searing pain a father feels when he buries his son And just as sadly, he no longer can look back and TRY to grasp the amount of pain and suffering of others that HE had helped relieve - or give anyone who knew of his struggle time to intensify efforts to return the favor.
My heart aches. I never met Zech; but after spending only 10 minutes on the tribute page for him, I know I would have liked him. His father Mark is dealing with the situation I prayed I would never cause my Dad to endure during his lifetime.
And it has been a very long time since I have felt the message of this song as strongly as I do right now. Because, my God, I know for a fact that a piece of me is gone forever......
The funeral is Saturday. RIP Zech. And may those of us left behind find a different kind of rest and peace as we carry on.]
[Puzzle treatment done using fdtoys]
Our deaths remove pieces from others' lives,
And we don't have much control over that.
That's not always true of course
Especially when we force others to watch us hasten our own demise.
But in most other situations, we constantly face opportunities:
When we realize we've taken something from another, we can - if allowed -
Choose to put it BACK.
Babe, if we can't solve any problems
Why do we lose so many tears?
Oh, so you go again
When the leading man appears
Always the same theme
But can't you see we've got everything
going on and on and on
And every time you go away
You take a piece of me with you
Go on and go free
Maybe you're too close to me
I can feel your body move
But does it mean that much to me
I can't go on singing the same theme
Cause you can't see we've got everything
Baby, even though you know that
Every time you go away
You take a piece of me with you
You just don't care
Written by Daryl Hall
The ONLY version that matters performed by Hall & Oates.
Committed to Fomapan 200 using a Hasselblad 500C and 100 mm lens with a 56 mm extension ring. Developed using Ars-Imago R9 (rodinal) 1:25 as per the Massive Dev chart (though I think the listed times are too short and will be adding at least a minute to them in the future) and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning, sharpening and final contrast in Photoshop.
Committed to Lomography Fantome using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago R9 (rodinal) 1:50 as per the suggested times and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.
We are looking for committed Bloggers with a sense of style. Your blog needs to be at least 3 months old with a minimum of 1000 followers.
marketplace.secondlife.com/stores/178277
Join via Blogotex located at LM below:
maps.secondlife.com/secondlife/Sylvhara/45/150/3802
Thank you,
Azizaone
Blogger Manager
I committed to photographing sunrise from Dante’s View in Death Valley National Park one morning earlier this year. Badwater was flooded, and I hoped for an interesting morning. The clouds though, were almost exactly at the height of Dante’s View. Since there was nowhere else to go in time, I stuck it out, hoping to get a glimpse of some magic. And for a brief moment, the very temporary lake at Badwater was revealed through a hold in the roof. Warm sunlight colors can be seen reflecting in the lake’s imperfect surface, providing some insight into what was happening just out of view beneath the clouds. This is also one of the dustiest photos I’ve ever taken, with probably over 100 pieces of sensor dust that had to be removed. Suffice to say I cleaned the sensor thoroughly when I realized this. I hope the lake returns this winter.
Committed to Fomapan 200 using a Hasselblad 500C and 100 mm lens with a 56 mm extension ring. Developed using Ars-Imago R9 (rodinal) 1:25 as per the Massive Dev chart (though I think the listed times are too short and will be adding at least a minute to them in the future) and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning, sharpening and final contrast in Photoshop.
Committed to expired Kodak Portra 160 and Kodak Ektar 100 using a Mamiya 6 with 75 and 50 mm lenses. Developed using a C-41 kit from Ars-Imago and digitised with a digital camera. Positive conversion, colours and contrast done with Negative Lab Pro. Dust cleaning and final tweaks in Photoshop.
Committed to Ilford FP4+ using a Hasselblad X-pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.