View allAll Photos Tagged committed
Committed to Ilford HP5+ using a Hasselblad X-Pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning in Photoshop.
Committed to Fomapan 200 using a Hasselblad 500C and 100 mm lens with a 56 mm extension ring. Developed using Ars-Imago R9 (rodinal) 1:25 as per the Massive Dev chart (though I think the listed times are too short and will be adding at least a minute to them in the future) and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning, sharpening and final contrast in Photoshop.
As we walked around King Gillette Ranch I suddenly heard this beautiful bird song that made me think of a Mockingbird ! Eventually tracked it down to this California Thrasher who was fully committed to singing its heart out - a very impressive songster !
Committed to Kodak Ektar 100 using a Hasselblad 503 CX, with Zeiss 100 mm f3.5 lens and 55 mm extension ring. Developed with a C-41 kit from Ars-Imago and scanned using an Epson V850 using Silverfast. Positive conversion and levels done with Negative Lab Pro.
Had a couple ideas (and committed a few thefts), so I threw these together.
Back row:
Sinestro: Pretty sure I stole this one from ole Jonathan Wong
Grodd: An older model now, but I like him.
Grundy: Mostly stolen from Colby
Bizarro: 100% stolen from Andrew from his instagram.
Bottom row:
Riddler: A weirder take. Wanted to utilize that racer torso.
Giganta: Well, her hands are.
Toyman: Thought this head simulated a wood mask well.
Manta is Manta cause he's the only Manta I got.
Luthor: Wanted to go a different angle than the power armor, so here's Utilitarian, jumpsuit Luthor.
Brainiac: Some minor changes to another older fig. Head's from Onlinesailin.
Cheetah: Pretty self-explanatory.
Captain Cold: Wanted a more super-friends-y look, this is what I came up with. Thought about using the Frozone parts but that blue was just too Aqua.
Scarecrow: Still the same.
Lemme know what you think!
Committed to Ilford FP4+ using a Hasselblad X-pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Genio de la pintura y narrativa gráfica. Domina multitud de técnicas. Comprometido con la revolución social. Gran amigo.
Genius of painting and graphic narrative. Master many techniques. Committed to the social revolution. Great friend.
Sponsors: LeLutka, Glam Affair
Tune ♫: The Bangles - Enteral Flame
Writer/s: Tom Kelly, Billy Steinberg, Susanna Hoffs
"...I believe it's meant to be, darling
I watch you when you are sleeping
You belong with me
Do you feel the same?
Am I only dreaming
Or is this burning An eternal flame?
Say my name
Sun shines through the rain
A whole life so lonely
And then you come and ease the pain
I don't want to lose this feeling, ohh..."
.L O T D.
Head: LeLutka Bento Head-KORINA @MAINSTORE
Skin: [Glam Affair] Lilly @MAINSTORE
Hair: TRUTH Taren @MAINSTORE
Lashes: LeLutka Bento Head (Included)
Brows: Bossie. miki eyebrows (LeLutka) @MAINSTORE
Eyes: [AG] Avi-Glam Grace Eyes (07) @MAINSTORE
Ears: LeLutka Bento Head ears (Included)
Eyeshadow: Ottilie Daily - Nude @MP
Lipstick: LeLutka (Pink) Bento Head (Included)
Body: Maitreya Lara @MAINSTORE
Clothing
Dress: Kaithleen's Paula Dress w/Sparkle @MAINSTORE
Accessories
Necklace: BUENO Committed Set @MAINSTORE
Setup
Pose: None.
Head/Neck Posing: LeLutka Axis HUD Face @MAINSTORE
Studio Lighting: LUMIPro 18
Post-processing: Adobe PS CC 2019, DxO 2019 Nik Collection
Copyright © 2019 Truth Wizardly. All Rights Reserved.
Committed to Lomography Babylon using a Leica M3 and 50 mm Summicron dual-range lens. Developed using Ars-Imago R9 (rodinal) 1:99 in a semi-stand process for 80 minutes and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ferrania P30 using a Leica M6 and 50 mm Noctilux f1 lens. Developed using Ars-Imago FD as standard and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Film Ferrania P30 using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford FP4+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Poem.
Most heralded, stark and infamous of valleys.
The northern and southern slopes produce an outstanding symmetry in this shallow reed-laden lake.
What devilish, deadly deeds were committed where “X” marks the spot, treachery and massacre.
And yet, for all its credentials, to chill the blood with gruesome acts, even when the clouds and temperature fall, the sheer awesome magnificence of this place can not be overstated.
THIS IS GLENCOE!
Some have committed to photography and making images for the long haul, but our visual journey is every second, minute, and hour of the here and now. It may be where we stand, walk, or travel. The Southern Alberta gravel roads are wide in generally good condition and seldom much problem through all seasons, but this day while driving along a muddy unmarked fence boundary one rut passage I hadn't seen much of any interest and the clumps were slapping the Jeep fenders. It's going to be an expensive car wash back in the city.
Then further on a horizon an orange dot resembling machinery or abandoned farming equipment was breaking up the flat green landscape. Another sampling of simpler living, with harder conditions and life without air conditioning. Another pristine outdoor museum to piece together the rural past. Please pass that Starbuck's vanilla latte while I ponder a possible composition.
*Please view LARGE for maximum rural detail
**Textures courtesy of skeletal mess and cleanser
***Thank You each and everyone for all your generous comments, group invitations, and visits.
Committed to Ilford HP5+ pushed to 800 using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ using a Leica M3 and 50 mm Summilux ASPH lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
I committed to photographing sunrise from Dante’s View in Death Valley National Park one morning earlier this year. Badwater was flooded, and I hoped for an interesting morning. The clouds though, were almost exactly at the height of Dante’s View. Since there was nowhere else to go in time, I stuck it out, hoping to get a glimpse of some magic. And for a brief moment, the very temporary lake at Badwater was revealed through a hold in the roof. Warm sunlight colors can be seen reflecting in the lake’s imperfect surface, providing some insight into what was happening just out of view beneath the clouds. This is also one of the dustiest photos I’ve ever taken, with probably over 100 pieces of sensor dust that had to be removed. Suffice to say I cleaned the sensor thoroughly when I realized this. I hope the lake returns this winter.
ICE remains committed to identifying and deporting threats of all sizes. 👶🚨✈️✅
www.nytimes.com/2025/04/25/us/politics/us-citizen-deporte...
Committed to Fomapan 200 using a Hasselblad 500C and 100 mm lens with a 56 mm extension ring. Developed using Ars-Imago R9 (rodinal) 1:25 as per the Massive Dev chart (though I think the listed times are too short and will be adding at least a minute to them in the future) and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning, sharpening and final contrast in Photoshop.
Committed to Cinestill BwXX using a Leica M6 and 35 mm Summicron V3 lens. Developed using Ars-Imago FD as standard and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
3. Canada recently committed 650,000,000$ to third world "women's reproductive rights" which made for a great photo op but nothing left in the piggy bank for these kids on the streets of Vancouver. "Charity begins at home"!
[NEWS FLASH, April 1, 2010: Two days ago, a young man who had graduated high school only last year committed suicide back in the state where we'd both grown up, Michigan. He had attended the same boarding school that I, his father (who was two classes behind me) and his father's cousin (who graduated with me) all had.
A tribute page has emerged on Facebook, replete with words of prayer and sympathy. And school and other photos of a young man seemingly having the time of his life with friends and loved ones while in the prime of his life.....
Zech must have been in pain. Pain that seemed to him to be too much. I find that tragic and nothing to minimize. But there is a horrific irony to his decision to end his pain. He won't be feeling the pain that so many of his young friends feel at burying one of their own. And yes, he will never himself feel the searing pain a father feels when he buries his son And just as sadly, he no longer can look back and TRY to grasp the amount of pain and suffering of others that HE had helped relieve - or give anyone who knew of his struggle time to intensify efforts to return the favor.
My heart aches. I never met Zech; but after spending only 10 minutes on the tribute page for him, I know I would have liked him. His father Mark is dealing with the situation I prayed I would never cause my Dad to endure during his lifetime.
And it has been a very long time since I have felt the message of this song as strongly as I do right now. Because, my God, I know for a fact that a piece of me is gone forever......
The funeral is Saturday. RIP Zech. And may those of us left behind find a different kind of rest and peace as we carry on.]
[Puzzle treatment done using fdtoys]
Our deaths remove pieces from others' lives,
And we don't have much control over that.
That's not always true of course
Especially when we force others to watch us hasten our own demise.
But in most other situations, we constantly face opportunities:
When we realize we've taken something from another, we can - if allowed -
Choose to put it BACK.
Babe, if we can't solve any problems
Why do we lose so many tears?
Oh, so you go again
When the leading man appears
Always the same theme
But can't you see we've got everything
going on and on and on
And every time you go away
You take a piece of me with you
Go on and go free
Maybe you're too close to me
I can feel your body move
But does it mean that much to me
I can't go on singing the same theme
Cause you can't see we've got everything
Baby, even though you know that
Every time you go away
You take a piece of me with you
You just don't care
Written by Daryl Hall
The ONLY version that matters performed by Hall & Oates.
Committed to Fomapan 200 using a Hasselblad 500C and 100 mm lens with a 56 mm extension ring. Developed using Ars-Imago R9 (rodinal) 1:25 as per the Massive Dev chart (though I think the listed times are too short and will be adding at least a minute to them in the future) and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning, sharpening and final contrast in Photoshop.
Committed to Lomography Fantome using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago R9 (rodinal) 1:50 as per the suggested times and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.
Committed to expired Kodak Portra 160 and Kodak Ektar 100 using a Mamiya 6 with 75 and 50 mm lenses. Developed using a C-41 kit from Ars-Imago and digitised with a digital camera. Positive conversion, colours and contrast done with Negative Lab Pro. Dust cleaning and final tweaks in Photoshop.
The Heart of England Forest is a charity committed to helping reverse centuries of woodland decline by planting a 30,000 acre (122 km2) joined up forest of entirely native broadleaf trees. At 12% of their planting goal, they have already planted England’s largest new native forest.
Located principally in South Warwickshire with some woodland in Worcestershire the forest stretches from the ancient borders of Shakespeare’s Forest of Arden south to the edge of the Vale of Evesham.
To date, the charity has planted more than 1.3 million trees across 3,000 acres of new woodland between Honeybourne (Worcestershire) to the south and the Spernall Estate (Warwickshire) to the north. Additionally, they have protected and manage a further 600 acres of ancient woodland.
The charity was founded by Felix Dennis, and is now headed by a board of five trustees, led by the chairman, Jon Snow who was appointed in June 2014.
100% of the trees planted are native broadleaf including English Oak, Alder, Birch, Sycamore, Hornbeam, Wild Service and Rowan.
The design of the woodland includes wide paths to ensure a beautiful accessible forest, full of light and air.
English oak Quercus robur
Sessile oak Quercus petraea
Birch Betula pendula
Alder Alnus glutinosa
Sycamore Acer pseudoplatanus
Aspen Populus tremula
Small-leaved lime Tilia cordata
Sweet chestnut Castanea sativa
Hornbeam Carpinus betulus
HollyIlex aquifolium
Wild service tree Sorbus torminalis
Beech Fagus sylvatica
Rowan Sorbus aucuparia
Field maple Acer campestre
Cherry Prunus avium
Whitebeam Sorbus aria
White poplar Populus alba
Willow (mixed) Salix cinerea
Salix purpurea
Salix viminalis
Hazel Corylus avellana
Dogwood Cornus sanguinea
Common prive tLigustrum vulgare
Guelder rose Viburnum opulus
Wayfaring tree Viburnum lantana
Spindle Euonymus europaeus
Buckthorn Rhamnus cathartica
Committed to Ilford FP4+ using a Hasselblad X-pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Kodak Ektar 100 using a Hasselblad 503 CX, with Zeiss 100 mm f3.5 lens and 55 mm extension ring. Developed with a C-41 kit from Ars-Imago and scanned using an Epson V850 using Silverfast. Positive conversion and levels done with Negative Lab Pro.
Happy Rezz Day to Me!
__________________________________________________________
- Happy Rezz Day to Me! The longest committed relationship I’ve ever been in is the one I have with my @secondlife avatar. 15 years ago I saw people fighting over land on an episode of Judge Judy and I had to try it out. Over the years we’ve been on again and off again. I’ve been through countless heartbreaks, scandals and name changes 😂 I went from embarrassed to tell people I played to a successful content creator. Along the way I’ve forged so many life changing relationships and friendships and I’m so grateful for those people. Without Second Life, my real life would be so boring LOL so here’s to 15 and 15 more! As long as SL’s around, I will be too!
__________________________________________________________
georgia hair by punklist - maps.secondlife.com/secondlife/PUNKLIST/161/132/2506
hermosa hairbase and bangs by studio exposure - maps.secondlife.com/secondlife/Stone%20Diamond/123/128/20
ziva earrings by yorke - maps.secondlife.com/secondlife/Valhalla%20Estates%20Manag...
tahir latex dress by rowne - maps.secondlife.com/secondlife/Rowne/89/107/2006
party balloons (round balloons, tinted by me) by bijou - maps.secondlife.com/secondlife/BIJOU%20BLUE/91/113/24
gigi balloons (number balloons, tinted by me) by legna - maps.secondlife.com/secondlife/Dream%20Lake/91/113/24
Listen to my Meet the iPhone Photographer interview here - itunes.apple.com/us/podcast/id993249071
Committed to Ilford FP4+ using a Hasselblad X-pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ pushed to 800 using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
My good friend Jim totally committed to capturing 'that' sunrise during an early morning excursion at Blackhall Rocks on the Durham coast. Although the long exposure gives the appearance of calm seas it was anything but, causing us to relocate constantly. The inside of my wellies will testify to that!
Can't lie - I'm not committed enough to get up FOR sunrise, but we've been lucky with some amazing morning's at Robin Hood's Bay on the North Yorkshire Coast. On this day I hadn't checked the tide times, so had a chance to play with the camera whilst Obi waited impatiently for the water to recede and open up the beach.
Robin Hood's bay has always been a busy, summer, day trip, so being based here out of season and right on the beach
was fantastic!
Committed to Ilford Delta 400 using a Hasselblad 503 CX and 60 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford FP4+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.