View allAll Photos Tagged commedesgarcons

Rokin 12/04/2018 15h28

Rain in the city, sunshine within people...

 

More AmsterdamPeople (album with candid and non-candid shot of people in Amsterdam)

Centraal Station 17/01/2018 15h22

Let's take the long way home!...

 

More AmsterdamPeople (album with candid and non-candid shot of people in Amsterdam)

Prinses Irenestraat 23/08/2019 16h04

We don't have it easy either...

 

More AmsterdamPeople (album with candid and non-candid shot of people in Amsterdam)

Dam 26/02/2019 16h29

Post shopping walk...

 

More AmsterdamPeople (album with candid and non-candid shot of people in Amsterdam)

Rokin 25/03/2020 11h24

Walking into the sunlight...

 

More AmsterdamPeople (album with candid and non-candid shot of people in Amsterdam)

For information on these particular designs, see the Met program at

 

www.metmuseum.org/-/media/Files/Exhibitions/2017/Rei%20Ka...

 

These are 9.1.2, 9.1.3 and 9.1.4

Westblaak 17/11/2018 13h13

Comme des Garçons...

 

More people in Rotterdam, candid or posed: People of Rotterdam

 

Rotterdam

Rotterdam is the second-largest city in the Netherlands and one of the largest ports in the world.

Nickname(s): Rotown, Roffa, Rotjeknor

Motto: Sterker door strijd (Stronger by struggle)

Coördinates: 51°55′N 4°30′E

Population: 618,000 (Municipality) - 1,013,000 (metro)

Demonym: Rotterdammer

Post code: 3000–3099

Area code: 010

[ Source and much more information: Wikipedia - Rotterdam ]

  

The top poster is signed Du Da. The bottom one may be as well, but it's hard to see

I cannot find any reference.

COMME DES GARÇONS HONEVO CAMPAIGN

Honevo Photography

www.honevo.com

visit my blog

Shirt : comme des garçons for H&M

Top : Et vous

Pants : Zara

Bots : vintage

The Comme des Garcons Moncler 365 yearlong popup shop in the Aoyama area of Tokyo. The shop has been there a while, but now that the temperature in Tokyo is dropping (9C today), this shop is looking better and better! :-)

18th Century Punk

The collection of Rei Kawakubo's 18th Century Punk, conflates the pneumatic structures and hyperbolic silhouettes of the 1700s with the leitmotifs of 1970s punk, including fetishistic hardware, harness, fastenings, and materials such as plastic in Pepto-Bismol pink. Their anachronistic employment of multicolored floral jacquards (not available until the 1800s), often paced and collaged together, recalls an earlier punk-inspired collection, Adult Delinquent. At the tine of its making, Kawakubo declared, "I am an adult delinquent to the end."

 

The Metropolitan Museum of Art’s Costume Institute spring 2017 exhibition, Rei Kawakubo/Comme des Garçons: Art of the In-Between, on view from May 4 through September 4, examines Kawakubo’s fascination with interstitiality, or the space between boundaries. In Kawakubo’s work, this in-between space is revealed as an aesthetic sensibility, establishing an unsettling zone of oscillating visual ambiguity that challenges conventional notions of beauty, good taste, and fashionability. A thematic exhibition, rather than a traditional retrospective, this is The Costume Institute’s first monographic show on a living designer since the Yves Saint Laurent exhibition in 1983.

--- Metropolitan Museum of Art

A woman wearing Rei Kawakubo clothing at the Met Museum's Costume Institute's exhibition featuring the work of the designer.

Leidseplein 21/03/2020 14h48

Unisex Converse...

 

More AmsterdamPeople (album with candid and non-candid shot of people in Amsterdam)

@"Comme des GARCONS" Flagship Shop/Aoyama/Tokyo

Comme des Garçons

Giant billboards on the side of the still-under-construction H&M Harajuku building. The shop is opening next month (November 2008).

Rembrandtplein 11/02/2021 14h51

"In the cold of the moment..."

 

More AmsterdamPeople (album with candid and non-candid shot of people in Amsterdam)

PA_1424 [50 points]

A multi coloured 3D space invader in an alley in the 11ème arrondissement of Paris. In morning light but not without the shadows of the trees.

Onscreen FlashInvaders message: I WAS HERE

 

All my photos of PA_1424:

PA_1424 (Close-up, September 2019)

PA_1424 (Wide shot 1, September 2019)

PA_1424 (Wide shot 2, September 2020)

 

Date of invasion: 11/09/2019

 

[ "I was here" as well, 9 days after invasion ]

Desfile da semana de moda de Paris.

 

Para mais informações, www.vistase.net/?p=792

 

Fotos do site da Vogue Inglesa.

The Future of Silhouette

Autumn / Winter 2017 - 2018

Dresses of white synthetic wadding.

 

The Metropolitan Museum of Art’s Costume Institute spring 2017 exhibition, Rei Kawakubo/Comme des Garçons: Art of the In-Between, on view from May 4 through September 4, examines Kawakubo’s fascination with interstitiality, or the space between boundaries. In Kawakubo’s work, this in-between space is revealed as an aesthetic sensibility, establishing an unsettling zone of oscillating visual ambiguity that challenges conventional notions of beauty, good taste, and fashionability. A thematic exhibition, rather than a traditional retrospective, this is The Costume Institute’s first monographic show on a living designer since the Yves Saint Laurent exhibition in 1983.

 

The exhibition concludes with two "objects for the body" from Kawakubo's most recent collection, The Future of Silhouette, made from what the designer describes as "non-fabrics," or non-woven, non-fashion materials. Here, white synthetic wadding recalls her earlier crinoline-like ensembles featured in Then/Now. While the shapes of those garments have their origins in the mid-19th century, however, the forms of these pieces — distorted, malformed hourglasses—have no historical or, for that matter, social or cultural referents. This links them to the eccentric, engorged creations from Body Meets Dress—Dress Meets Body, except that these works notably lack openings for the arms.

 

Despite the fact that these pieces bind the body physically, they unbind and liberate it culturally. Fashion, by its very nature, is defined by a society's idealized representation of the female form. These two "objects for the body," however, not only dismiss but also contest and subvert accepted canons. Early in her career, Kawakubo explained, "I work around the figure, but I am never limited by what the figure has to be." In her hands, the dressed body is freed from bounded notions of place, period, and purpose, fully occupying and expressing an "art of the in-between."

--- Metropolitan Museum of Art

"I want to rethink the body, so the body and dress become one" - 1997

 

The Metropolitan Museum of Art’s Costume Institute spring 2017 exhibition, Rei Kawakubo/Comme des Garçons: Art of the In-Between, on view from May 4 through September 4, examines Kawakubo’s fascination with interstitiality, or the space between boundaries. In Kawakubo’s work, this in-between space is revealed as an aesthetic sensibility, establishing an unsettling zone of oscillating visual ambiguity that challenges conventional notions of beauty, good taste, and fashionability. A thematic exhibition, rather than a traditional retrospective, this is The Costume Institute’s first monographic show on a living designer since the Yves Saint Laurent exhibition in 1983.

--- METROPOLITAN MUSEUM OF ART

  

Gas as Interface will release GASBOOK 29 with work by the maverick hair designer 'KATSUYA KAMO: 100HEADPIECES' on Nov 2nd. I've been photographing Kamo over the last month documenting the lead up to his first solo exhibition in Laforet Harajuku in conjunction with the book release.

 

More info in the press release here.

 

He's created some truly inspirational work for CHANEL, FENDI, JUNYA WATANABE COMME des GARÇONS, UNDERCOVER and has featured in VOGUE PARIS, VOGUE ITALIA, DAZED & CONFUSED and WALLPAPER.

  

Gasbook will be releasing the first book of his work to coincide with the exhibition.

  

「加茂克也展‘100 HEADPIECES'」ラフォーレミュージアム原宿 - 2013年11月2日(土)〜 11月18日(月)

その創造性の奥深さに圧倒される加茂克也さんの作品の魅力が満載の展覧会。日常では味わうことのできない、刺激的な時間と空間です。

 

同時にgasbookシリーズとして、作品集も発売中

Linda Evangelista, right

Nadja Auermann, top left

Nadege du Bospertus, lower left

"The problem is I'm not a good photographer. To be perfectly honest, I'm too shy. Not aggressive enough. Well, I'm not aggressive at all. I just loved to see wonderfully dressed women, and I still do. That's all there is to it."

- Bill Cunningham (1929 - 2016)

....some exciting news I had to share .

In Oct. I received an e-mail from a Mr. Yoichi Imai graphic designer at a clothing company called Comme des Garcons in Tokyo Japan asking if I was willing to sell my rose mosaic image as they would like to use it as their christmas campaign on paper and fabric.

This past Thursday I received a package from Comme des Garcons a sample of few of the items they used my image on.

I was overwhelmed at the contents of the package and especially the Barbie doll...my image on Barbies dress...how cool is that!!!!!!

I had no idea exactly how the image was going to be used and this took me totally by surprise.

 

I wish you all a wonderful holiday season:))

 

Links to the complete range of how my image was used:

  

www.bebarbie.net/2009/12/comme-des-garcons-barbie.html

 

www.urb.com/2009/12/07/comme-des-garcons-x-barbie

 

slamxhype.com/fashion/comme-des-garcons-jingle-flowers-ho...

  

www.blogcatalog.com/search/frame?term=barbie jingle f...

  

Chris ...do you remember the comment you left on my rose mosaic "What a wonderful collection of roses Shams ....... and they make a beautiful collage. This would look lovely as a greetings card or wrapping paper!"

Never in my wildest dreams I imagined that my image would attract this kind of attention.

 

Hair & Makeup by Andrew Ly

Style by The Powerhaus

Photography by Thomas Lillo

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