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By Catedrales e Iglesias
By Cathedrals and Churches
Diócesis de Morelia
Santa Iglesia Catedral
Av Madero Poniente
Col Centro
Apdo Postal 17
C.P.58000
Morelia,Estado de Michoacán
(443) 312-29-36
Horarios de Misa de Lunes a Sábado a las 6:00 am, 7:00 am, 8:00 am, 9:00 am, 12:00 pm, 5:00 pm, 7:00 pm y 8:00 pm. Domingos a las 6:00 am, 7:00 am, 8:00 am, 9:00 am, 10:30 am, 11:30 am, 12:30 pm, 5:00 pm, 6:00 pm, 7:30 pm y 8:30 pm. Horario de Rosario de Lunes a Viernes a las 6:00 pm. Hora de Confesión durante Misa. Confirmación los Domingos a las 12:30 pm. Bautizos Sábados y Domingos a las 12:00 pm.
La Catedral de Morelia es un recinto religioso sede de la Arquidiócesis de Morelia de la Iglesia católica en México. Se encuentra ubicada como su nombre propiamente lo dice en la ciudad de Morelia, capital del estado de Michoacán, México. La catedral se localiza en el primer cuadro de la ciudad, conformando la traza del Centro Histórico de Morelia. El edificio fue construido en el siglo XVIII en la época de la Colonia Española, es de estilo barroco y esta realizado en cantera rosada que le da un color peculiar y característico.
# Arquitectónicamente la Catedral de Morelia comparándose con otras Catedrales de México, es similar a la Catedral Metropolitana de la Ciudad de México, Catedral de Puebla, e inclusive en su interior a la Catedral de Guadalajara.
# La catedral es la edificación más emblemática y representativa de Morelia dada su altura, ya que cuenta con dos altas torres, que se divisan por todo el valle de la ciudad. Por su altura, las torres de la Catedral de Morelia (66.8 m) son las cuartas más altas de México, después de las torres del Santuario Guadalupano (Catedral Inconclusa) en Zamora de Hidalgo (105 m), de la catedral de Villahermosa (80 m) y del Santuario de Guadalupe, en San Luis Potosí (68 m).
# Cuenta con una Iluminación escénica de singular belleza colocada por la empresa que iluminó la Torre Eiffel de París. Los fines de semana la catedral ofrece un espectáculo de luz y sonido con esta iluminación.
# La catedral está dedicada a la Transfiguración y en su interior alberga dos imágenes muy veneradas, Sagrado Corazón de Jesús que es el santo patrono de la ciudad, y el Señor de la Sacristía un Cristo muy antiguo realizado en pasta de caña de maíz. El cual es muy visitado y querido por la feligresía.
# Su belleza arquitectónica y su historia son otras razones por las cuales se ha convertido en un icono de la ciudad.
# En su interior este recinto dada su belleza, sonorización acústica y espaciosidad, figura como escenario de diversos eventos artísticos y culturales como el Festival Internacional de Órgano de Morelia, y el Festival Internacional de Música de Morelia.
La actual catedral de Morelia no ha sido la única catedral que ha tenido la ciudad, ya que en 1580, cuando los poderes civiles y eclesiásticos de Michoacán fueron trasladados de Pátzcuaro a Valladolid (anterior nombre de Morelia), se inauguró una catedral, muy inferior a la actual en tamaño y valor artístico. Esa construcción se ubicaba en la esquina de las actuales calles de Corregidora y Abasolo. Sin embargo, debido al crecimiento que experimentó la ciudad a finales del s. XVI e inicios del XVII, así como por causa de un incendio que en 1584 afectó severamente el anterior edificio catedralicio, se hizo necesario pensar en otro templo, más grande, sólido e importante. Por ello es que a inicios del s. XVII el cabildo catedralicio comenzó las gestiones para la construcción de la nueva catedral.
Muchos proyectos fueron propuestos, pero hasta mediados de ese siglo fue aceptado el proyecto del arquitecto italiano Vicenzo Barrochio, también conocido como Vicente Barroso de la Escayola por parte del Virrey Francisco Fernández de la Cueva, Duque de Alburquerque el 22 de marzo de 1660 concluyendo continuos trámites y proyectos de construcción durante un largo período de casi 80 años.
El día 6 de mayo de 1660 la primera piedra de la construcción fue colocada por el obispo Fray Marcos Ramírez del Prado. La construcción estuvo a cargo del propio Vicenzo Barrochio hasta el año de su muerte, acaecida en 1692, razón por la cual el gran arquitecto no pudo ver concluida su obra monumental. Sin embargo, solo 52 años después del deceso del maestro, sus discípulos lograron terminar la titánica tarea arquitectónica, por lo que la magnífica obra fue concluida en 1744.
La catedral sufrió diversos saqueos por parte del ejército independentista, en el año de 1810. Hacia fines del siglo XIX se construyó la reja perimetral que delimita el atrio. A finales de los años 90 del siglo XX se efectuaron diversas obras de restauración exteriores e interiores, con lo cual se preservó mejor la belleza del edificio. También, en los primeros años del siglo XXI, se inauguró la nueva iluminación escénica de esta catedral de Morelia.
The Cathedral of Morelia is a religious compound headquarters of the Archdiocese of Morelia of the Catholic Church in Mexico. It is located as the name itself says it in the city of Morelia, capital of Michoacan, Mexico. The cathedral is located on the first frame of the city, forming the trace of the Historic Center of Morelia. The building was built in the eighteenth century the Spanish colonial times, is in Baroque style and is made of pink quarry which gives it a distinctive and characteristic color.
# Architecturally, the Cathedral of Morelia compared against other Cathedrals in Mexico is similar to the Metropolitan Cathedral in Mexico City, Puebla Cathedral, and even inside the Cathedral of Guadalajara.
# The cathedral is the most emblematic and representative buildings of Morelia given their height, since it has two tall towers that can be seen throughout the valley of the city. For his height, the towers of the Catedral de Morelia (66.8 m) are the fourth highest in Mexico after the towers of the Sanctuary of Guadalupe (Cathedral Unfinished) in Zamora de Hidalgo (105 m) of the cathedral in Villahermosa (80 m) and the Sanctuary of Guadalupe, San Luis Potosi (68 m).
# Has a unique scenic beauty lighting placed by the company that lit the Eiffel Tower in Paris. On weekends, the cathedral offers a sound and light show with this lighting.
# The cathedral is dedicated to the Transfiguration and its interior houses two highly venerated image, Sacred Heart of Jesus who is the patron saint of the city, and the Lord of the Sacristy a Christ very old paste made of cornstalks. Which is much visited and loved by the congregation.
# Its beautiful architecture and history are other reasons why it has become an icon of the city.
# Inside this enclosure because of its beauty, sound and spacious sound, set for a variety of artistic and cultural events as the International Organ Festival in Morelia, and the International Music Festival of Morelia.
The current cathedral of Morelia was not the only cathedral in the city has had since 1580, when civil and ecclesiastical powers were transferred from Patzcuaro Michoacan to Valladolid (Morelia previous name), opened a cathedral, much lower the current size and artistic value. That building was located on the corner of the present streets of Corregidor and Abasolo. However, due to growth experienced by the city at the end of s. Sixteenth and early seventeenth centuries, and because of a fire in 1584 severely affected the former cathedral building, it became necessary to think of another temple, larger, robust and important. That is why at the beginning of s. XVII the cathedral chapter began efforts to build the new cathedral.
Many projects were proposed, but until mid-century the project was accepted by the Italian architect Vincenzo Barrochio, also known as the Plaster Vicente Barroso by the Viceroy Francisco Fernandez de la Cueva, Duke of Albuquerque on March 22, 1660 concluding continuous procedures and construction projects over a long period of almost 80 years.
On May 6, 1660 the first stone of the building was laid by Bishop Fray Marcos Ramírez del Prado. The building itself was given by Vicenzo Barrochio until his death in 1692, why the great architect could not see completed his monumental work. However, only 52 years after the death of the teacher, his pupils got through the daunting task of architecture, so that the magnificent work was completed in 1744.
The cathedral suffered several raids by the army for independence, in the year 1810. By the end of the nineteenth century built the perimeter fence that marks the atrium. In the late 90s of the twentieth century restoration work carried out various internal and external, thereby better preserved the beauty of the building. Also, in the early twenty-first century, opened the new stage lighting of the cathedral of Morelia.
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Peace & Quiet
Photo and story by Bill Hughes
bhug82@yahoo.com
People will drive great distances to get away from the "rat race." From Canaan Valley, West Virginia to Potter County ("God's Country"), Pennsylvania, to Assateague Island, Maryland (all terrific destinations), the search for rest and relaxation in quiet places is a matter of preference. Usually it is a quest just to get away from it all.
Cecil County is no stranger to tourists from the east coast who travel hours just to bunk down or pitch a tent in an area that feels like backwoods.
Elk Neck State Park, south of North East, as many of you already know, feels like your not in Cecil County anymore. Your away from I-95, red lights and bumper to bumper traffic.
Last weekend, thousands fell asleep under the stars throughout the country during the Great American Backyard Campout that the Maryland Park Service partnered with the National Wildlife Federation, planned. The event was for all generations to connect with nature according to the Maryland Natural Resources web site.
Elk Neck had many programs ready for campers and visitors alike. For those who have never been to Elk Neck State Park, the stillness is inviting. One of the programs was a Canoe Adventure through an adventurously pleasant Pond Loop to Wipiti Pond.
"I always do a 10am and a 12:30pm," said Crystal Hudson, a Park Naturalist about the canoe trips. "We take 18 people out at a time. Today we saw two Bald Eagles and three juveniles, two Great Blue Herons and quite a number of painted turtles. People love canoeing. I try to do this once a month and on holidays."
Two people who took the canoe trip, came away with good memories. "This canoe trip really paid off," said an excited seven year old Nicholas Andino from Fairfax, Virginia who was visiting with his grandfather, Richard Walther from Baltimore. "We just had a guys weekend," said Richard. "We saw eagles and blue herons."
Crystal also provides guided hikes and animal programs and has plenty of experience working outdoors. "I worked with the Audubon Zoo in New Orleans and the Plumpton Park Zoo." She also does an Amazing Adaptation presentation using live insects and reptiles.
This 4th of July weekend, the park will have an array of activities for visitors to enjoy. "Their doing programs one right after another to go with the Great American Campout," said Area Manager Tina Bianca who knows along with the staff, how lucky they are. "We're biased here, but we think it's a pretty nice park. We think it's special."
"It's definitely a break from real life," said Tia Howard, Naturalist Assistant who changed careers recently and loves seeing the wildlife. "You can walk through the park and no one bothers you."
Crystal likes taking the guests out on Wikiti Pond for an outdoors classroom lesson. "They pay me to canoe," she said. "Can you believe that?"
This Saturday and Sunday at Elk Neck State Park, Canoe Adventures continues on Wipiti Pond for ages six and over at 10am & 12:30pm. Under 18 must have parent in the same boat. Pre-registration is strongly recommended. Register at Nature Center.
Also on Saturday, between 10am-2pm. Cool Crafts For Kids, 4pm are Beautiful Bugs and 8:30pm, the popular Park After Dark for Kids (night hike with an adult). Meet at park headquarters.
Other events on Sunday for the kids include a Nature Scavenger Hunt at 10am, Wild Crafts at 12pm, Wild Space Bingo at 2pm, Reptiles at 4pm. Admission is $3 into the park for Maryland residents and $4. out of state. Canoe price is $10. and crafts are $2. Some programs are free. For more info call 410-287-5333.
The park is located at 4395 Turkey Point Road in North East and has a Park Store and a Snack Bar which serves breakfast and lunch.
To learn more about our Maryland State Parks, go to, www.dnr.state.md.us
www.twitter.com/Memoire2cite #recherche #archives #Banlieue #socialhousing #logement #Collectif #Grands-Ensembles #city #Cité #Moderne #Zup #Habitat #HLM #Copropriété #Quartier #Béton #immeuble #Cités #Résidençe #Barre #Grand-Ensemble #Batiment #Tower #Bloc #Europe #Old #Building #CartePostale #VintagePostcards #RetroModernism #World #Mémoire2Cité #Postcards #Mémoire2Ville #30Glorieuses @ l' #Urbanisme d'Antan d'#Avant d' #Autrefois le #Logement #Collectif * 50,60,70's dans tous ses états.. #Histoire & #Mémoire de l' #Habitat / #Rétro - #Villes / #H.L.M. / #Banlieue / #Renouvellement #Urbain / #Urbaine ...@ Les #30Glorieuses . com les #vues #urbaines #Paysages de #Ville (s) d'Antan...S’imaginer Paris et le Grand Paris @ Les 50ans d'Apur (link: 50ans.apur.org/#intro) 50ans.apur.org/#intro @ Où en est l'histoire urbaine des sociétés contemporaines ? Cet ouvrage, inspiré par Annie Fourcaut, qui contribua de manière décisive à son développement, propose un état des lieux de ce champ et explore des pistes de recherche ouvrant l'histoire urbaine à une variété de " genres ". Où en est l'histoire urbaine des sociétés contemporaines ? Cet ouvrage, inspiré par Annie Fourcaut, qui contribua de manière décisive à son développement, propose un état des lieux de ce champ. De Femmes à l'usine (1981), Bobigny, banlieue rouge (1986), à La banlieue en morceaux (2000), en passant par les publications collectives qu'elle a coordonnées et les travaux qu'elle a encadrés, la trajectoire de cette historienne a conduit l'histoire sociale et politique – telle qu'on la pratiquait dans les années 1970 – vers une histoire urbaine renouvelée. Le livre revient sur cette évolution et explore des pistes de recherche ouvrant l'histoire urbaine à une variété de " genres ". Les auteurs, historiennes et historiens, sociologues, politistes, géographes, architectes, urbanistes et décideurs politiques proposent une histoire urbaine à la fois interdisciplinaire et ancrée dans la fabrique de la ville et ses représentations, portant la marque de sa dédicataire. Les quatre sections de l'ouvrage dessinent les chantiers qu'Annie Fourcaut a investis : " Du social à l'urbain " met en avant la conviction qu'étudier l'histoire des villes, c'est toujours faire de l'histoire sociale ; " Qu'elle était belle la banlieue " est centré sur les banlieues, son territoire d'étude de prédilection ; " Les habits neufs des politiques de la ville " interroge les politiques urbaines successives et leur transformation ; enfin, " Banc d'essai des modernités " propose une analyse historique de l'urbanisme, comme discipline et comme pratique.
Industrialiser la construction, par le biais de la préfabrication.Cette industrialisation a abouti, dans les années 1950, à un choix politique de l'Etat, la construction massive de G.E. pour résoudre la très forte crise du logement dont souffrait la France www.youtube.com/watch?v=zR_jxCANYac&fbclid=IwAR2IzWlM... … Le temps de l'urbanisme, 1962, Réalisation : Philippe Brunet www.dailymotion.com/video/xgj2zz?playlist=x34ije … … … … -Les grands ensembles en images Les ministères en charge du logement et leur production audiovisuelle (1944-1966) MASSY - Les films du MRU - La Cité des hommes, 1966, Réalisation : Fréderic Rossif, Albert Knobler www.dailymotion.com/video/xgiqzr?playlist=x34i - Les films du MRU @ les AUTOROUTES - Les liaisons moins dangereuses 1972 la construction des autoroutes en France - Le réseau autoroutier 1960 Histoire de France Transports et Communications - www.dailymotion.com/video/xxi0ae?playlist=x34ije … - A quoi servaient les films produits par le MRU ministère de la Reconstruction et de l'Urbanisme ? la réponse de Danielle Voldman historienne spécialiste de la reconstruction www.dailymotion.com/video/x148qu4?playlist=x34ije … -les films du MRU - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : la préfabrication en usine, le coffrage glissant... www.dailymotion.com/video/xyjudq?playlist=x34ije … - TOUT SUR LA CONSTRUCTION DE NOTRE DAME LA CATHEDRALE DE PARIS Içi www.notredamedeparis.fr/la-cathedrale/histoire/historique... -MRU Les films - Le Bonheur est dans le béton - 2015 Documentaire réalisé par Lorenz Findeisen produit par Les Films du Tambour de Soie içi www.dailymotion.com/video/x413amo?playlist=x34ije Noisy-le-Sec le laboratoire de la reconstruction, 1948 L'album cinématographique de la reconstruction maison préfabriquée production ministère de la Reconstruction et de l'Urbanisme, 1948 L'album cinématographique içi www.dailymotion.com/video/xwytke archipostcard.blogspot.com/search?updated-max=2009-02-13T... -Créteil.un couple à la niaiserie béate exalte les multiples bonheurs de la vie dans les new G.E. www.youtube.com/watch?v=FT1_abIteFE … La Ville bidon était un téléfilm d'1 heure intitulé La Décharge.Mais la censure de ces temps de présidence Pompidou en a interdit la diffusion télévisuelle - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - Hansjörg Schneider BAUNETZWOCHE 87 über Papiermoderne www.baunetz.de/meldungen/Meldungen_BAUNETZWOCHE_87_ueber_... … - ARCHITECTURE le blog de Claude LOTHIER içi leblogdeclaudelothier.blogspot.com/2006/ - - Le balnéaire en cartes postales autour de la collection de David Liaudet, et ses excellents commentaires.. www.dailymotion.com/video/x57d3b8 -Restaurants Jacques BOREL, Autoroute A 6, 1972 Canton d'AUXERRE youtu.be/LRNhNzgkUcY munchies.vice.com/fr/article/43a4kp/jacques-borel-lhomme-... … Celui qu'on appellera le « Napoléon du prêt-à-manger » se détourne d'ailleurs peu à peu des Wimpy, s'engueule avec la maison mère et fait péricliter la franchise ... museedelacartepostale.fr/blog/ -'être agent de gestion locative pour une office H.L.M. en 1958' , les Cités du soleil 1958 de Jean-Claude Sée- les films du MRU içi www.dailymotion.com/video/xgj74q présente les réalisations des HLM en France et la lutte contre l'habitat indigne insalubre museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
: Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije l'industrie dla Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/x1re3h5 via @Dailymotion - AMIENS les HLM C'était le 29 juillet 2010, à 11h02. En quelques secondes, cette tour d'habitation s'est effondrée, détruite par implosion. Construite en 1961, la tour avait été vidée de ses habitants quelques années auparavant. www.youtube.com/watch?v=ajz2xk5KBNo … … - Les habitants de Montreynaud parlent de leur quartier et de cette destruction entre nostalgie et soulagement içi en video www.dailymotion.com/video/xmiwfk - Les bâtiments de la région parisienne - Vidéo Ina.fr www.ina.fr/video/CAF96034508/les-batiments-de-la-region-p... … via @Inafr_officiel - Daprinski - George Michael (Plaisir de France remix) www.youtube.com/watch?v=sJeH-nzlj3I
Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije - www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte
www.youtube.com/watch?v=g7RwwkNzF68 - la dérive des continents youtu.be/kEeo8muZYJU Et la disparition des Mammouths - RILLIEUX LA PAPE & Dynacité - Le 23 février 2017, à 11h30, les tours Lyautey étaient foudroyées. www.youtube.com/watch?v=W---rnYoiQc 1956 en FRANCE - "Un jour on te demanda de servir de guide, à un architecte en voyage d etudes, ensemble vous parcourez la Françe visitant cité jardins, gratte ciel & pavillons d'HLM..." @ les archives filmées du MRU www.youtube.com/watch?v=zR_jxCANYac&fbclid=IwAR2IzWlM... … Villages de la Françe cité du Soleil
Le Goullon (LAHRA), auteur du livre "la genèse des grands ensembles",& Danièle Voldman (CHS, Centre d'Histoire Sociale), expliquent le processus qui a conduit l'Etat, et le ministère de l'urbanisme &de la reconstruction à mener des chantiers exp www.youtube.com/watch?v=zR_jxCANYac&fbclid=IwAR2IzWlM... mémoire2cité & l'A.U.A. - Jacques Simon (1929 - 26 septembre 2015) est un architecte paysagiste formé à l'École des beaux-arts de Montréal et à l'École nationale supérieure du paysage de Versailles. Fasciné par la campagne qui témoigne d'une histoire de labeur, celle des agriculteurs "ses amis", "les génies de la terre", Jacques SIMON, paysagiste dplg, Premier Grand Prix du Paysage en 1990*, réalise avec eux des installations paysagères éphémères principalement dans des champs et visibles du ciel. Avec sa palette d'artiste, Jacques SIMON réinvente des paysages comme les agriculteurs eux-aussi à leur façon les créent et les entretiennent. Le CAUE du Rhône vous invite à venir découvrir ses travaux au travers d'un kaléidoscope de photographies empreintes de spontanéité, de fraîcheur et d'humour. Cette exposition nous interpelle sur le caractère essentiel d'une nature changeante, fragile, sur l'importance d'une activité agricole diversifiée et sur la nécessaire évolution du métier de paysan. Elle nous amène aussi à voir et à interpréter ce que l'on voit, elle éveille en nous le sens de la beauté du paysage en conjuguant les différentes échelles de perception et de lecture; à pied et à vol d'oiseau, à la fois l'échelle humaine, terrestre, géologique, forestière, hydrologique, biologique mais aussi esthétique et symbolique. Jacques Simon, paysagiste cosmopolite est l'un des principaux acteurs du renouveau de la pensée paysagère en France dans les années 60 et 70 conjuguant avec cohérence sa pratique de paysagiste, de voyageur, d'éditeur, d'enseignant avec son approche plus artistique du paysage, subtile, sensible et humaine de la nature avec la réalisation de "performances". Ses projets paysagers comme ses interventions paysagères éphémères sont marqués par la mobilité, la fragilité, une empathie avec le lieu, par la dualité même du voyage : découverte / évanouissement, création / disparition. Jacques Simon dessine, écrit sur le paysage, "une surface", un peu à la manière du land'art avec les techniques et les outils du jardinier, du cultivateur. Il ne s'agit plus de représenter la nature mais de l'utiliser en créant avec et dans le paysage. L'intention de Jacques Simon n'est pas d'apposer sa marque sur le paysage mais de travailler instinctivement avec lui afin que ses travaux-installations manifestent même brièvement un contact en harmonie avec le monde naturel. "On dit qu'il a bouleversé l'esprit du paysage, il a remis les choses essentielles à leur place. Il rit de l'importance qu'on veut bien lui donner, fils de l'air, il ne veut rien de plus que passer dans les cerveaux pour les ventiler, les rafraîchir et non pour les modeler; son "importance", il l'a ailleurs et autrement; il est historique parce que dans son temps, dans celui qui s'écoule et non dans celui qui passe". Extrait de "Jacques Simon, tous azimuts", Jeanne-Marie Sens et Hubert Tonka, Pandora Editions, 1991. Il a introduit une nouvelle conception de l'art du paysage proche du Land art, Jacques Simon est l'auteur d'une série d'ouvrages sur différents aspects du paysage et abordés d'un point de vue technique. Il a travaillé de 1964 à 1966 en collaboration avec Michel Corajoud. Il a conçu le Parc de la Deûle (qui lui a valu le Grand Prix national du Paysage en 2006, après l'avoir reçu une première fois en 19901).
Il est mort le 29 septembre 20151 et a été incinéré à Auxerre Le paysagiste Jacques Simon s'est éteint le 26 septembre dernier à l'âge de 86 ans. Diplômé de Versailles en 1959, il fut sans doute l'une des figures les plus emblématiques, les plus géniales et les plus originales du paysagisme contemporain. Premier grand prix du paysage et prix du Conseil de l'Europe pour le parc de la Deule, on lui doit des principes de compositions très forts, autour du nivellement, du traitement du végétal ou de la place laissée au vide. Ses intuitions comme ses travaux ont inspiré tous les paysagistes avec lesquels il a travaillé, à commencer par Michel Corajoud ou Gilles Vexlard. On lui doit un profond renouvellement dans la composition des grands ensembles, ses réalisations -comme le parc Saint-John Perse à Reims- restant des modèles pour tous les professionnels. Jacques Simon développa également une production d'œuvres plus éphémères, attentif aux mouvements et aux transformations. Pédagogue talentueux et généreux, il le fut autant par les documents techniques et la revue qu'il publia, que par ses interventions en atelier devant plusieurs générations d'étudiants de l'école. Les paysagistes perdent un de leurs plus féconds inspirateurs. L'ENSP s'associe au deuil de sa famille et de ses proches. Témoignages à la mémoire de Jacques Simon
Dans les années 1990 à l'école du Paysage de Versailles, lorsque nous entrions en première année, la première satisfaction était d'acquérir du nouveau matériel d'expression plastique. Encre, feutres, supports en grand format et sur papier calque...mais aussi découvrir des livres de notre professeur Jacques Simon : des carnets de dessins et de croquis, des photomontages découpés aux ciseaux.
En amphithéâtre lors de conférences et séances de projections de diapositives, Jacques Simon évoquait surtout sa capacité à piloter un hélicoptère. Je viens de retrouver un extrait d'un article à ce sujet..« (...) Car depuis une dizaine d'années, le Bourguignon a trouvé une solution à son imagination en bourgeonnement permanent. Jacques Simon crée ‘pour lui tout seul'. Ni commande ni concours. Mais des messages géants écrits dans les champs et seulement visibles d'avion ou d'hélicoptère. Un art éphémère et privé dont il s'amuse, les veilles de moissons, tout autour de sa ferme de Turny, dans l'Yonne.Et là, plus rien ne l'arrête. Les agriculteurs du coin ont pris l'habitude de le voir faucher des allées entières de luzerne. De l'apercevoir écraser d'interminables chemins de phacelia, un graminé californien qui existe en trois couleurs (blanc, bleu, rouge). De l'observer dans son hélicoptère photographiant le résultat. Ses messages sont des hommages ou des avertissements. L'un prévient : ‘Hé, si tu n'as plus de forêt t'es foutu.' Un autre : 'Sans les paysans, je m'emmerde. Signé : la Terre.' Même l'hiver, Jacques Simon s'adonne à cette calligraphie paysagère. (...) ».
Extrait paru dans La Croix l'événement du dimanche 11 et lundi 12 juin 1995, par Frédéric Potet, rubrique Culture.
file:///C:/Users/user/Downloads/B_Blanchon_AUA.pdf Interview to Jacques Simon incleded on the dvd that accompanies book "Metropoles en Europe", from the exhibition "Lille - Metropoles en Europe". The French landscape architect Jacques Simon's love for nature first developed on his father's tree farm and then deepened when he traveled as a young man to Sweden and then Canada, where he attended art school in Montreal while working as a lumberjack. Between 1957 and 1959, Simon studied at the École Nationale de Horticulture. He has since become an important link in the renewal of French landscape architecture, combining the Anglo-Saxon and Scandinavian garden cultures he absorbed in his travels with classic Latin structures. He works as often as possible in situ, and does not shy away from driving the tractor himself.
www.youtube.com/watch?v=OyBnqrUlK9U turny.chez.com/A0archives/jSIMMON.htm Jacques Simon, Il crée la revue Espaces verts en 1968, l’anime jusqu’en 1982, publie des cahiers spéciaux dédiés à « l’Aménagement des espaces libres ». Même l'hiver, il s'adonne à cette calligraphie paysagère».La Croix dimanche 11 et lundi 12 juin 1995, simonpaysage.free.fr/ Jacques Simon écrit ses premiers articles dès la fin des années 1950 pour des revues comme Maison et Jardin et Urbanisme. En 1965, il signe l’un de ses premiers livres, L’Art de connaître les arbres. strabic.fr/Jacques-Simon-Gilles-Vexlard … jacques simon & Le parc des Coudrays - Élancourt-Maurepas, 1970 strabic.fr/Jacques-Simon-Gilles-Vexlard … simonpaysage.free.fr/ Jacques Simon - Espaces verts n° 27, avril-mai-juin 1971, p. 44-45 Fasciné par la campagne qui témoigne d'une histoire de labeur, celle des agriculteurs "ses amis", "les génies de la terre" paysagiste dplg, Premier Grand Prix du Paysage en 1990*, www.youtube.com/watch?v=OyBnqrUlK9U …ici es EDITIONS DU CABRI PRESENTE PARIS LA BANLIEUE 1960-1980 -La video Içi www.youtube.com/watch?v=lDEQOsdGjsg , A partir des années 1950, le trafic de la banlieue parisienne suit l’urbanisation galopante et les dessertes ferroviaires doivent s’adapter et se moderniser.Quelques amateurs ont su immortaliser un monde ferroviaire qui était alors en voie de disparition. Dans ce film, nous retrouvons les dessertes 750 volts par troisième rail en rames « Standard » sur les lignes de Versailles-RD, sur la ligne d’Auteuil et entre Puteaux et Issy-Plaine mais aussi les derniers trains à vapeur à St Lazare, à La Bastille et sur le Nord et quelques ultimes voyages sur les lignes de Ceinture.
:: TL: Thinking.
:: Size: Large
:: Link Pics: Here
::------------------------------------
:: A/M: ask me
:: T/R: Twitter
:: F/B: FaceBook
:: F/P: FaceBook Photography
::------------------------------------
:: Photographer: Abdulaziz M. ALKaNDaRi / © All rights reserved
:: E-box: Abdulaziz@inbox.com
::------------------------------------
:: Info:
- Camera: Nikon D700
- Lens: 105.0 mm f/2.8
- Exposure: 0.005 sec (1/200)
- Aperture: f/5.0
- Focal Length: 105 mm
- ISO Speed: 200
::------------------------------------
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90 FotografandoVIDA, na campanha "AJUDE a Abraçar com o seu OLHAR)
TEXTO DO ERNANIB:
Há o tempo de plantar e o tempo de colher. Todos nós temos presa para viver, nunca de morrer. Temos tempo para a internet, para um amigo, para brincar, para trabalhar, mas nunca temos tempo para parar e ajudar. Temos tempo para ver TV, ler jornais, um bom livro, mas nunca tempo para ler um pedido de ajuda.
Mas há quem não tem mais tempo. Quem não teve tempo de plantar. Quem mal tem tempo para brincar. Quem mal vai ter tempo de dizer: “Eu te amo mamãe, papai!!!”. Porque em algum lugar alguém não teve tempo para parar e ler essa mensagem, para procurar saber do que se tratava, sobre quem se estava falando, de procurar saber como poderia ajudar; já que quem deveria ajudar não acha tempo para isso, porque não acha importante, porque é um investimento que não tem retorno no curto espaço de tempo ou porque acha que seu tempo é valioso demais para gastar com quem não tem tanto tempo de vida assim.
Pare um momento. Procure se informar, ler, ajudar. Quem já conta os segundos para a despedida final vai agradecer de coração por esses poucos instantes de tempo, que você dedicou a elas.
Não deixe que o relógio das vidas delas pare só porque você não queria perder tempo. Ajude!!! Divulge!!! Dê corda nesses pequenos relógios de vida.
_____________________________________________________
There is a time for planting and a time for harvesting. We are all in a hurry to live, not to die.We have time for internet, for friends, for playing, for working and we never have time to stop and help others. We have time for watching TV, reading the papers or a good book but we never have time for reading a message asking for help.
But there are the ones who don’t have any more time to lose. The ones who didn’t have time to plant. That barely have time to play. That won’t have time to say “I love you, mom, dad”. Because someone, somewhere didn’t have time to read this message, to try to know what it means, to try to know how to help. Because many times who could help don’t have the time, because it’s not an investment with short term interest or because thinks its time is too valuable to spend with somenone who doesn’t have that much time.
Stop for a moment.Try to read and get informed. The children that are about to say their goodbyes to life will be thankful for these few moments you took to help them.. Don’t let their life clocks stop just because you didn’t want to waste your time. Help them! Spread the word! Wind up these little life clocks
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Hay momentos para sembrar, y otros para recoger la cosecha. Todos tenemos tiempo para vivir, nunca para morir. Tenemos tiempo para Internet, para un amigo, para jugar, para trabajar, pero nunca tenemos tiempo para detenernos y ayudar. Tenemos tiempo para ver Tele, leer periódicos, un buen libro, pero nunca tiempo para leer un pedido de ayuda.
Pero hay quienes ya no tienen más tiempo. Quien no tuvo tiempo para sembrar. Que apenas tiene tiempo para jugar, y que quizás tampoco no va a tener tiempo para decir "Yo te amo mamá! papá!
Porque en algún lugar alguien no tuvo tiempo para detenerse a leer este mensaje, para tratar de entender de qué se trataba, de quién se estaba hablando, de entender cómo se podía ayudar; ya que quien debería ajudar no consigue tiempo para esto, porque no lo considera importante, porque es una inversión que no tiene retorno en un corto espacio de tiempo o porque cree que su tiempo es mucho más valioso como para gastarlo con quien no tiene tanto tiempo de vida.
Detente un momento. Procura Informarte, leer, ayudar.
Quienes cuentan los segundos para la despedida final van agradecer de corazón por ese gesto, por haber leido éstas líneas.
No dejes que el reloj de la vida de esas personas pare porque no querías perder tiempo.
Ayuda! Divulga! Dale cuerda a esas pequeñas manecillas del reloj de la vida!
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FRENCH
AIDEZ LES ENFANTS séropositifs à Bahia, au Brésilè
Sans aide, ces enfants vont MOURIR
Il y a un temps pour planter et un temps pour récolter. Nous nous dépêchons tous de vivre, pas de mourir. Nous trouvons du temps pour l’Internet, pour nos amis, pour nous amuser, pour travailler mais jamais pour nous arrêter un instant et aider les autres. Nous trouvons le temps de regarder la télévision, de lire les journaux ou un bon livre mais jamais de lire un appel à l’aide.
Mais il y a ceux qui n’ont plus de temps à perdre. Ceux qui n’ont pas eu le temps de planter. Qui ont à peine le temps de jouer. Qui n’auront pas le temps de dire « Je vous aime, maman, papa » parce que quelqu’un, quelque part n’aura pas eu le temps de lire ce message, d’essayer de comprendre sa signification, de voir comment aider. Parce que beaucoup de gens qui pourraient aider n’ont pas le temps, parce que ce n’est pas un investissement rentable à court terme ou parce qu’ils pensent que leur temps est trop précieux pour le consacrer à des gens qui n’en ont plus pour longtemps.
Arrêtez-vous un instant. Essayez de lire, de vous informer. Les enfants qui sont sur le point de dire adieu à la vie vous seront reconnaissants des quelques moments que vous aurez pris pour les aider. Ne laissez pas le temps s’arrêter pour eux parce que vous ne vouliez pas perdre le votre. Aidez-les! Faites passer le message! Remontez les pendules de ces petites vies.
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Carta do Padre Alfredo
IBCM
Prezado Amigo,a,
Em nome das 39 crianças com AIDS da IBCM e das 250 famílias assistidas, agradeço-lhe de coração.
Somos mais de 22 voluntári@s, igualmente pesaros@s com o fechamento da creche.
Nesta segunda-feira, graças à generosidade de muitas pessoas como vc, estaremos abrindo provisoriamente a creche, em regime de 1/2 turno (das 14 às 17h). Ainda não é o ideal, mas já ameniza a fome e o sofrimento destas crianças em grave situação de risco.
Obrigado pela sua generosidade. Divulgue a nossa causas e conte sempre com nossa gratidão e reconhecimento.
Feliz Natal!
pe Alfredo
OBRIGADA, não se esqueçam do vosso donativo.
90amigos ABRAÇANDO!
(2 Anónimos)
2007jolie
21guilherme
Alberto Nogueira
Anabela Carvalho
A.Suther Photography
Adriana
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Ana Valeria
Ana Maria Santeiro
antinea
Arlete
@rmando
BB
Be Mattos
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Conceição Costa
Carla & Bruno
Claudia Pinelli
claudio.marcio2
claufogolin
Cristiano Soares
Dal Nunes
Daniela Duarte Moreira
Dario Sanchez
Dimas Benedict
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Dulce de V
Edgardo Balduccio
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Eliana Botan
eloisavh
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Ernanib
Eu M
FABIOLA MEDEIROS
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FIDALGO 72
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Graça Vargas - Flowers
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Messias Correia
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T Glow
TIO...
Um dia.Uma foto
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zillig
Mingle Media TV and our Red Carpet Report hosts Corinne Henneberry and Keetin Marchi were on the red carpet talking to the talent and creators at this summer's NBCUniversal Press Tour over two days at the Beverly Hilton Hotel to learn more about for their upcoming Fall and Winter programs.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
2016 NBCUniversal’s Summer Press Tour
We saw and spoke with the following actors from these NBCUniversal Networks and cable shows. For more info, please visit www.NBC.com
William Shatner - NBC’s “Better Late Than Never”
Jeff Dye - NBC’s “Better Late Than Never”
Jesse Lee Soffer - NBC’s “Chicago P.D.”
Jesse Spencer - NBC’s “Chicago Fire”
Harry Connick Jr. - TVD’s “Harry”
D’Arcy Carden & William Jackson Harper - NBC’s “The Good Place”
Brian Tee - NBC’s “Chicago Med”
JR Lemon & Robert Bailey Jr - NBC’s “The Night Shift”
Susan Kelechi Watson - NBC’s “This Is Us"
Mandy Moore - NBC’s “This is Us”
Milo Ventigmilia - NBC’s “This Is Us”
Gerina Piller - US Olympic Women's Golf Team
Lauren Ash & Mark McKinney - NBC’s “Superstore”
Matt Iseman, Kristine Leahy & Akbar Gbajabiamila - NBC’s “American Ninja Warrior”
Malcolm Barrett - NBC’s “Timeless”
Justin Hartley - NBC’s “This is Us”
Ron Cephas Jones - NBC’s “This Is Us"
Colton Dunn, Nico Santos & Nichole Bloom - NBC’s “Superstore”
Bonin Bough - CNBC's "Cleveland Hustles"
Melanie Collins - The Golf Channel's "Driver Vs Driver” -
Margaret Cho, Brad Goreski & Melissa Rivers - E!'s "Fashion Police”
Gale Anne Hurd - Executive Producer, USA Network's "Falling Water"
Will Yun Lee, Lizzie Brouchere & David Ajala - USA Network's "Falling Water” -
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
www.flickr.com/MingleMediaTVNetwork
Follow our host, Corinne on Twitter at twitter.com/CorinneMusic and Follow Keetin at twitter.com/KeetinMarchi
Bueno como todos hemos estado esperando en esta semana se estrena una de las películas más anheladas desde hace unos meses y como es de esperarse es la tercera entrega individual de Capitán América, en esta saga veremos la que dicen será la 3 etapa o fase de las entregas cinematográficas por parte del studio Marvel.
Les comparto este gráfico que he realizado sobre Capitán América: Civil War, espero que les guste, verla con la herramienta de zoom.
A UNIQUE DISPLAY OF ALLISON ELLIOTT'S IMAGES AS A MAKEUP ARTIST.
ALLISONELLIOTTMAKEUP.COM
PHOTOGRAPHY MY MIGUEL CRUZ
MIGUELCRUZ.COM
Watch this video on Vimeo. Video created by Miguel Cruz.
Taken on 13 December 2013 in Gabon around Nkolmengua Bitam Awoua
freewheely.com: Cycling Africa beyond mountains and deserts until Cape Town
1. Águas Frias - Cores de Outono, 2. Castelo na Penumbra, 3. Águas Frias - vista parcial, 4. Cavalo e o Castelo, 5. Águas Frias - Flor campestre, 6. Relógio de Sol, 7. Pedra Fálica, 8. Primavera, 9. A Igreja e o Castelo, 10. Castelo de Monforte do Rio Livre, 11. Igreja Matriz, 12. Castelo de Monforte do Rio Livre, 13. Castelo de Monforte do Rio Livre e os Cardos, 14. Vista geral de Águas Frias, 15. Águas Frias - Da janela ...., 16. Águas Frias, 17. Videira e Castelo, 18. Castanhas, 19. Águas Frias - Cores de Outono, 20. Águas Frias - Cores de Outono, 21. Águas Frias - Cores de Outono, 22. Águas Frias - Cores de Outono, 23. Águas Frias - Cores de Outono, 24. Águas Frias Neve, 25. Águas Frias - Batente, 26. Águas Frias (Chaves) - castelo Monforte do Rio Livre, 27. Águas Frias (Chaves) - Igreja, 28. Sr Clemente, 29. Águas Frias - rua Dr. Álvaro Gomes, 30. Águas Frias - Igreja, 31. Águas Frias e Castelo de Monforte do rio Livre, 32. Águas Frias - Chaves, 33. Águas Frias - Cores de Outono, 34. Capela, 35. Rua Dr Álvaro Gomes, 36. Flores campestres
Created with fd's Flickr Toys.
California USA Wrestling presents Kids Greco Roman and Cadet/Jr Freestyle State Championships. Held at Selland Arena in Fresno, California, USA. Photos by John Sachs for www.tech-fall.com
Fotos Nuevas Agosto 2012
www.facebook.com/catedraleseiglesias
© Álbum 0527
By Catedrales e Iglesias
By Cathedrals and Churches
Diócesis de Morelia
Santa Iglesia Catedral
Av Madero Poniente
Col Centro
Apdo Postal 17
C.P.58000
Morelia,Estado de Michoacán
(443) 312-29-36
Horarios de Misa de Lunes a Sábado a las 6:00 am, 7:00 am, 8:00 am, 9:00 am, 12:00 pm, 5:00 pm, 7:00 pm y 8:00 pm. Domingos a las 6:00 am, 7:00 am, 8:00 am, 9:00 am, 10:30 am, 11:30 am, 12:30 pm, 5:00 pm, 6:00 pm, 7:30 pm y 8:30 pm. Horario de Rosario de Lunes a Viernes a las 6:00 pm. Hora de Confesión durante Misa. Confirmación los Domingos a las 12:30 pm. Bautizos Sábados y Domingos a las 12:00 pm.
La Catedral de Morelia es un recinto religioso sede de la Arquidiócesis de Morelia de la Iglesia católica en México. Se encuentra ubicada como su nombre propiamente lo dice en la ciudad de Morelia, capital del estado de Michoacán, México. La catedral se localiza en el primer cuadro de la ciudad, conformando la traza del Centro Histórico de Morelia. El edificio fue construido en el siglo XVIII en la época de la Colonia Española, es de estilo barroco y esta realizado en cantera rosada que le da un color peculiar y característico.
# Arquitectónicamente la Catedral de Morelia comparándose con otras Catedrales de México, es similar a la Catedral Metropolitana de la Ciudad de México, Catedral de Puebla, e inclusive en su interior a la Catedral de Guadalajara.
# La catedral es la edificación más emblemática y representativa de Morelia dada su altura, ya que cuenta con dos altas torres, que se divisan por todo el valle de la ciudad. Por su altura, las torres de la Catedral de Morelia (66.8 m) son las cuartas más altas de México, después de las torres del Santuario Guadalupano (Catedral Inconclusa) en Zamora de Hidalgo (105 m), de la catedral de Villahermosa (80 m) y del Santuario de Guadalupe, en San Luis Potosí (68 m).
# Cuenta con una Iluminación escénica de singular belleza colocada por la empresa que iluminó la Torre Eiffel de París. Los fines de semana la catedral ofrece un espectáculo de luz y sonido con esta iluminación.
# La catedral está dedicada a la Transfiguración y en su interior alberga dos imágenes muy veneradas, Sagrado Corazón de Jesús que es el santo patrono de la ciudad, y el Señor de la Sacristía un Cristo muy antiguo realizado en pasta de caña de maíz. El cual es muy visitado y querido por la feligresía.
# Su belleza arquitectónica y su historia son otras razones por las cuales se ha convertido en un icono de la ciudad.
# En su interior este recinto dada su belleza, sonorización acústica y espaciosidad, figura como escenario de diversos eventos artísticos y culturales como el Festival Internacional de Órgano de Morelia, y el Festival Internacional de Música de Morelia.
La actual catedral de Morelia no ha sido la única catedral que ha tenido la ciudad, ya que en 1580, cuando los poderes civiles y eclesiásticos de Michoacán fueron trasladados de Pátzcuaro a Valladolid (anterior nombre de Morelia), se inauguró una catedral, muy inferior a la actual en tamaño y valor artístico. Esa construcción se ubicaba en la esquina de las actuales calles de Corregidora y Abasolo. Sin embargo, debido al crecimiento que experimentó la ciudad a finales del s. XVI e inicios del XVII, así como por causa de un incendio que en 1584 afectó severamente el anterior edificio catedralicio, se hizo necesario pensar en otro templo, más grande, sólido e importante. Por ello es que a inicios del s. XVII el cabildo catedralicio comenzó las gestiones para la construcción de la nueva catedral.
Muchos proyectos fueron propuestos, pero hasta mediados de ese siglo fue aceptado el proyecto del arquitecto italiano Vicenzo Barrochio, también conocido como Vicente Barroso de la Escayola por parte del Virrey Francisco Fernández de la Cueva, Duque de Alburquerque el 22 de marzo de 1660 concluyendo continuos trámites y proyectos de construcción durante un largo período de casi 80 años.
El día 6 de mayo de 1660 la primera piedra de la construcción fue colocada por el obispo Fray Marcos Ramírez del Prado. La construcción estuvo a cargo del propio Vicenzo Barrochio hasta el año de su muerte, acaecida en 1692, razón por la cual el gran arquitecto no pudo ver concluida su obra monumental. Sin embargo, solo 52 años después del deceso del maestro, sus discípulos lograron terminar la titánica tarea arquitectónica, por lo que la magnífica obra fue concluida en 1744.
La catedral sufrió diversos saqueos por parte del ejército independentista, en el año de 1810. Hacia fines del siglo XIX se construyó la reja perimetral que delimita el atrio. A finales de los años 90 del siglo XX se efectuaron diversas obras de restauración exteriores e interiores, con lo cual se preservó mejor la belleza del edificio. También, en los primeros años del siglo XXI, se inauguró la nueva iluminación escénica de esta catedral de Morelia.
The Cathedral of Morelia is a religious compound headquarters of the Archdiocese of Morelia of the Catholic Church in Mexico. It is located as the name itself says it in the city of Morelia, capital of Michoacan, Mexico. The cathedral is located on the first frame of the city, forming the trace of the Historic Center of Morelia. The building was built in the eighteenth century the Spanish colonial times, is in Baroque style and is made of pink quarry which gives it a distinctive and characteristic color.
# Architecturally, the Cathedral of Morelia compared against other Cathedrals in Mexico is similar to the Metropolitan Cathedral in Mexico City, Puebla Cathedral, and even inside the Cathedral of Guadalajara.
# The cathedral is the most emblematic and representative buildings of Morelia given their height, since it has two tall towers that can be seen throughout the valley of the city. For his height, the towers of the Catedral de Morelia (66.8 m) are the fourth highest in Mexico after the towers of the Sanctuary of Guadalupe (Cathedral Unfinished) in Zamora de Hidalgo (105 m) of the cathedral in Villahermosa (80 m) and the Sanctuary of Guadalupe, San Luis Potosi (68 m).
# Has a unique scenic beauty lighting placed by the company that lit the Eiffel Tower in Paris. On weekends, the cathedral offers a sound and light show with this lighting.
# The cathedral is dedicated to the Transfiguration and its interior houses two highly venerated image, Sacred Heart of Jesus who is the patron saint of the city, and the Lord of the Sacristy a Christ very old paste made of cornstalks. Which is much visited and loved by the congregation.
# Its beautiful architecture and history are other reasons why it has become an icon of the city.
# Inside this enclosure because of its beauty, sound and spacious sound, set for a variety of artistic and cultural events as the International Organ Festival in Morelia, and the International Music Festival of Morelia.
The current cathedral of Morelia was not the only cathedral in the city has had since 1580, when civil and ecclesiastical powers were transferred from Patzcuaro Michoacan to Valladolid (Morelia previous name), opened a cathedral, much lower the current size and artistic value. That building was located on the corner of the present streets of Corregidor and Abasolo. However, due to growth experienced by the city at the end of s. Sixteenth and early seventeenth centuries, and because of a fire in 1584 severely affected the former cathedral building, it became necessary to think of another temple, larger, robust and important. That is why at the beginning of s. XVII the cathedral chapter began efforts to build the new cathedral.
Many projects were proposed, but until mid-century the project was accepted by the Italian architect Vincenzo Barrochio, also known as the Plaster Vicente Barroso by the Viceroy Francisco Fernandez de la Cueva, Duke of Albuquerque on March 22, 1660 concluding continuous procedures and construction projects over a long period of almost 80 years.
On May 6, 1660 the first stone of the building was laid by Bishop Fray Marcos Ramírez del Prado. The building itself was given by Vicenzo Barrochio until his death in 1692, why the great architect could not see completed his monumental work. However, only 52 years after the death of the teacher, his pupils got through the daunting task of architecture, so that the magnificent work was completed in 1744.
The cathedral suffered several raids by the army for independence, in the year 1810. By the end of the nineteenth century built the perimeter fence that marks the atrium. In the late 90s of the twentieth century restoration work carried out various internal and external, thereby better preserved the beauty of the building. Also, in the early twenty-first century, opened the new stage lighting of the cathedral of Morelia.
> cambiar
Wow. 100 Strangers. It has been too long. This is my first stranger portrait in America. Woot! Oh yeah!
So yeah, went to a watering hole/waterfall today and met Sean and a couple of his friends. They were just chilling there and they had a cool dog named Remy. I immediately noticed Sean because of his tattoos and his personality. He seemed like a really nice guy. Once we were leaving I went up to him and we had a nice chat. My friend Bindaas Harris was also there talking to him, so when I was taking photos of him he was still talking so I got a nice candid shot of him. Quite lovely. Really nice getting back into portraiture photography and the world of meeting random people. Love it.
Cheers Sean, thanks for the shot!
Also, press L, the details are so bunched together on this tiny page.
If you want to find out more about what this project is all about check out these two sites -
PIPO M7Pro Tablet PC Android 4.2 RK3188 Quad Core 8.9 Inch 2GB RAM 16GB Bluetooth GPS
PIPO Tablet PC is a famous brand in China. PIPO main products are MP3/MP4 players, Digital Photo Frame and Tablet PCs.Through years of development, it has become one of the leading companies in Tablet PC business. It concerns much on product quality: it tests for ROHS Directive compliance by itself, and most of its products pass CE/FCC test by request. Private designs and strong support from suppliers all offer it a good opportunity to gain a better tomorrow.
Model:PIPO M7Pro Quad Core Tablet PC
CPU:Rockchip RK3188, Cortex A9 quad core, 1.8GHz
GPU: Mali 400 MP4
Operation System:Android 4.2.2
RAM:2GB (DDR 3)
ROM(Memory):16GB Nand Flash
Shell Material:Aluminum shell
PIPO M7Pro Screen:
Size:8.9 Inch
Type:Capacitive Screen, PLS
Display:LCD
Resolution:1920 x 1200px
Visible Angle:180°
Extend Card:Support TF card up to 32GB extended
Camera:Dual camera, front is 2.0 megapixels, back is 5.0 megapixels with a flashlight, AF
Gravity Sensor:Yes
Multi-Touch:Yes, 10 points touch
Play Store:Yes, built in
Bluetooth:Yes, bluetooth 4.0
GPS:Yes
Video:1080P, AVI/MOV/MP4/RMVB/FLV/MKV…
Music:MP3/WMA/WAV/APE/AAC/FLAC/OGG
Ebook:UMD, TXT, PDF, HTML, RTF, FB2…
OTG:Yes
WIFI:Yes, 802.11 b/g/n
3G:Not built in, support external 3G dongle: E1916, ZTE AC2736, HUAWEI E1750, HUAWEI EC122, HUAWEI EM770W
Earphone Interface:3.5mm
Work Time:Up to 6-7 hours
Battery:6300 MAh
Language:Czech, Dansk, German, English, Spanish, Russian, French, Italian, Dutch, Norwegian, Polski, Greek, Thai, Hebrew, Portuguese, Svenska, Turkey, Korean, Suomi, Tagalog, Magyar, Japanese, Arabic, Indonesian, Romanian, Bahasa Melayu, Simplified Chinese, Traditional Chinese
Other Applications:File Manager, OfficeSuite, Google Search, Task Manager, Browser, Gallery, Android Webkit, Clock, Calculator, Calendar, iReader, Gmail…
Product Size:218 x 161 x 10mm
Product Weight:470g
PIPO M7Pro Extend Port:
1 x TF card slot
1 x MINI HDMI port
1 x Micro USB port
1 x Micro USB host
1 x 3.5mm Earphone port
PIPO M7Pro Package including:
1 x Charger
1 x USB cable
1 x English User Manual
flickriver.com/photos/javier1949/popular-interesting/
“ENTRE CATEDRALES”
Calle Campo del Sur, entre la “catedral nueva” y la iglesia de la Santa Cruz “catedral vieja”. Cádiz.
Arquitecto: Alberto Campo Baeza.
Colaboradores: Emilio Delgado, Ignacio Aguirre y David Delgado, arquitectos; Miguel Ciria y Juan Yruela estudiantes, Manuel Cebada arquitecto técnico y Andrés Rubio y Jorge Conde, ingenieros
2000-2005 Proyecto 2007-2009 obras
Campo Baeza describe se obra:
El proyecto "Entre Catedrales" trata de crear una pieza de arquitectura capaz de acoger y proteger y poner en valor el lugar más significativo de la historia de Cádiz, la ciudad más antigua de occidente: el espacio vacío que existe entre la catedral nueva y la catedral vieja, frente al mar, y que está siendo motivo de una importante excavación arqueológica.
Los objetivos son los de cubrir y proteger la excavación. Además, querríamos que ese plano con el que se cubre sirviera de base para un espacio de estancia público frente al mar, con una altura tal que la visión sea limpia, sin ver los coches que pasan por la vía de circunvalación.
Se concibe como una blanca plataforma ligera, posada sobre la excavación, como de puntillas, a la que se accede por una rampa lateral. En ese plano se abrirán lucernarios para iluminar y permitir ver la excavación desde arriba. Arriba se construye un umbráculo que nos proteja del sol y de la lluvia, y al fondo, cubriendo la actual medianera, un paramento de piedra capaz de dar continuidad a las fachadas de piedra de las dos catedrales.
Todo ello construido con elementos ligeros, quizás metálicos como si de una construcción naval se tratara, todo pintado de blanco para acentuar su liviandad. La zona transitable se alfombra con mármol blanco.
En la construcción de la base, la memoria de los barcos. En la del umbráculo, como si de un palio con varales se tratara, la memoria de un paso.
Querríamos hacer una pieza de arquitectura bellísima, capaz de poner en valor ese lugar maravilloso, capaz de permanecer en la memoria de Cádiz.
La Estructura esta formada por un entramado de pilares metálicos de 3 x 3 metros, apoyados sobre la excavación para soportar a 2,50 metros de altura un plano horizontal metálico de platabanda gruesa sobre la que se apoyará a modo de alfombra el pavimento de mármol que evidenciará las zonas pisables. El acero está acabado en blanco y tratado como si del casco de un barco se tratara, tanto a efectos del fuego como de la corrosión. La zona situada bajo dicho plano se cierra mediante un cerramiento acristalado para preservar el yacimiento arqueológico que puede ser visitable.
El pavimento del plano horizontal se forma mediante adoquines cúbicos de 10 x 10 x 10 cm de mármol blanco de Macael, con sus bordes biselados de manera que se crean unas acanaladuras antideslizantes. Para recubrir el plano vertical del fondo en él se abren los huecos necesarios, la fachada lateral de la Casa del Obispo, se utiliza la característica piedra ostionera que cubre las dos catedrales, sirviendo para conectarlas visualmente.
En la zona estancial superior, un espacio público de 920 metros cuadrados desde el que se contempla el mar sin la interrupción de los vehículos que pasan por la vía de circunvalación del casco histórico, se incluyen bancos de acero lacado en blanco al igual que las barandillas metálicas. A ella se accede mediante una rampa que nace en la avenida. En el palio metálico, dar una mayor cantidad de sombra cuando fuere conveniente, se colgarán unas cortinas blancas a modo de velas de barco.
El mirador Entre Catedrales ha sido finalista en la LII edición de los Premios FAD de Arquitectura e Interiorismo. El jurado ha destacado la sofisticada naturalidad que consigue el mirador al enclavarse en esta nueva plaza, situada en la parte trasera de la Catedral nueva, mirando al mar. Es un espacio público con un carácter marcadamente sagrado. Además, subrayan, la colocación de la plaza elevada sobre valiosas ruinas permite hacer desaparecer el tránsito rodado entre nuestra mirada y el mar.
St Mary, Huntingfield, Suffolk
Follow these journeys as they happen at Last of England twitter.
It was the first day of the 2019 Easter holidays, and what better way to spend a Monday morning than heading off for a church-exploring bike ride rather than going to work? I caught the train up to Halesworth, and then cycled off out into the hills. The villages and their pretty parish churches come thick and fast around here, and almost all of them are open to pilgrims and strangers daily. There is a good mixture too, round towers, square towers, hardly-any-left towers, reed-thatched roofs, beflinted-porches, and all manner of treasures inside. A fair number of East Anglia's best small churches are in this area. But even given this variety, there is nowhere else in East Anglia quite like Huntingfield church.
This is one of Suffolk's more obscure villages, but the Huntingfield name was that of one of the county's most significant families. Huntingfield is the nearest village to the great pile of Heveningham Hall, with one of the largest Georgian frontages in England. It was rebuilt by the Huntingfields in the 18th Century. Standing on the road and looking across the sheep-scattered lawns to the great building, it is easy to imagine the gulf between the landed gentry and their poor workers in those days. Sandwiched between the traumas of the 17th Century and the energy of the 19th Century, it was the landowners of the 18th Century who had every reason to think that their world was permanent and unchanging, that it would always be as they knew it. Farming sheep, collecting art, patronising musicians, tinkering with primitive science and technology, dispensing benevolent largesse to the poor on their estate - it is a world that is at once attractive and appalling. For them, the Church of England was both an arm of the state dispensing laws, justice and charity, and the setting for the weekly liturgical reinforcement of the puritan-refracted Elizabethan settlement.
But the Industrial Revolution would bring it all to an end, and in more ways than one. In the second half of the latter century, many parish churches were drawn by the excitement of the age into major reconstructions and revisions. Their impulse came from Oxford, where the Tractarians had a vision of the Church of England as a national Church, no longer a protestant sect but restored to the catholicity of its roots, and from Cambridge, where the ecclesiologists decided what a building of the national Church should properly look like. As the young men graduated and were presented to parishes across the country, their ideas spread like wildfire. They had come from their univserities to churches fitted out for protestant worship, with whitewashed walls and box pews focused on the high pulpit, the rarely-used altar gathering dust in the chancel or even discarded. Preaching houses rather than sacramental spaces, and any surviving traces of the building's medieval life survived, perhaps, simply because they were not understood.
Essentially, what happened in England between about 1830 and 1870 was a cultural revolution, a new wave of ideas and the reaction to them. The litugical changes proposed by the Oxford Movement were, at first, objectionable, and then merely controversial. But gradually they seeped into the mainstream, until by about 1890 they had become as natural as the air we breathe. Galvanised by the ferment of ideas and the possibilities of the industrial age, these young men convinced their rich patrons, revolutionised their buildings, and in so doing altered their parishes forever. They often looked to London stars like Scott and Butterfield, or local plodders like Phipson, or else mavericks like Salvin. The demands of the new liturgical arrangements, coupled with a renewed sense of the need to glorify God, led them into what was often a rebuilding rather than a restoration.
Internal decorations were, perhaps, the bespoke work of the architect, Witness Phipson's meticulous attention to detail at St Mary le Tower, Ipswich. Other restorers relied on the big picture, a vision that encompassed walls and floors, but left the fittings to others. By the centenary of the movement in the 1930s, one Anglican clergyman could observe "It is as if the Reformation had never happened". Well, not quite. And now, the pendulum has swung the other way, leaving the ritualists high and dry. But the evidence of the energy of those days survives, especially at Huntingfield, where William Holland, the vicar, drove the Oxford Movement through the heart of the parish, like a motorway through a Site of Special Scientific Interest.
The Hollands were the patrons of the living, which gave them the authority and the money to reimagine Huntingfield church on a grand scale. Oxford and Cambridge universites were exclusively for men, of course, but it so happened that William Holland had an energetic and visionary wife. Between 1859 and 1866, Mrs Mildred Holland planned, designed and executed the most elaborate redecoration of a church this county had seen since the Reformation. For seven years, she lay on her back at the top of scaffolding, first in the chancel (angels) and then in the nave (saints on the ceilure, fine angels on the beam ends), gilding, lettering and painting this most glorious of small church roofs. Her husband kept a journal throughout this period, and there is no suggestion that she had any assistance, beyond that of workmen to raise the scaffolding, and a Mr E.L. Blackburne FSA, who was, apparently, an 'authority on medieval decoration'. J.P. St Aubyn was responsible for the structural restoration of this largely 15th century building, and it is very restrained and merciful. But you come here to see the painted roofs, which are perfectly splendid. You can activate the floodlighting with a pound coin in a box at the west end of the north aisle, and the illuminated work is breath-taking.
What else is there to see? Some 15th Century window borders in the east window of the south aisle depict hares and a little dog with a bell around his neck. And what is that at the bottom, a dragon, or a winged lion? Evidence of the church's continued High Church tradition into the 20th Century is in statues of the Blessed Virgin and child flanked by St Francis and St Dominic in a triple image niche set in a pillar of the north arcade. Was it originally for a rood group, perhaps above an altar? Any church is a palimpsest, history written and rewritten over its skin as a touchstone to changing liturgical imperatives and the long generations of its people. Across this canvas the enthusiasms and Huntingfield in Mildred Holland's time are writ large, and will last long.
And there is something else, and a great curiosity. Ann Owen, the Vicar's wife in the neighbouring parish of Heveningham, is also said to have been responsible for 19th Century work in the church there, this time in the form of stained glass. Visiting Heveningham, I am afraid it is difficult for me to find this convincing, although of course one likes to think it was so, and that the two women artists were friends, or possibly even rivals. But Mildred's story has been brilliantly captured in a recent novel, The Huntingfield Paintress by Pamela Holmes. Pamela tells me that 'it was a comment of yours about Mildred and Ann Owen which sparked my determination to write my first novel' which is very kind of her, although I am sure it was easy to be inspired when one stands here surrounded by Mildred Holland's work.
You might thnk that the towering font cover is also by her, but in fact it is her memorial, placed here by her husband, as is the art nouveau lectern. It is as if her art was a catalyst, inspiring others to acts of beauty. She died in the 1870s, predeceasing her husband by twenty years. They are both now buried by the churchyard gate. How fitting, that they should lie in the graveyard of the church they loved so much, and to which they gave so much of their time, energy and money.
Disfruta de un delicioso desayuno en Puerto Vallarta – Casa Velas Hotel Boutique.
Enjoy a delicious breakfast in Puerto Vallarta - Casa Velas Hotel Boutique
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Mingle Media TV and Red Carpet Report host Kaori Takee were invited to come out to cover the 30th Annual Artios Awards at the Beverly Hilton, hosted by Patton Oswalt.
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About The Casting Society of America’s Artios Awards
The 30th Annual Artios Awards honors the best in casting across film, television, theater and new media. For more info please visit www.castingsociety.com/awards/artios
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willowgrovedaycamp.com/willows/
The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly.
The children enjoyed this weeks theme of “We’re Too Cool”. The Willows had fun decorating bumblebee thermometers in Camper Creations. In Ceramics, each child enjoyed making their faces out of clay. Over the next two weeks, they will be painting their projects and then they will be sent home.
Our wonderful and exciting week finished on Friday with all our Willows family members joining us for visiting day. The children couldn’t wait to share their favorite activities with their parents, while the parents had fun pretending to be campers. Lunch together under the pavilion was a great way to end this special day. We hope you had as much fun as we did. Of course, swimming and sports are with us every day.
We look forward to continued fun over the remaining five weeks of camp. Next week’s exciting activity is Waterworld and this should be a terrific experience for all.
About Willow Grove Day Camp
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows at Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows/
Mingle Media TV and Red Carpet Report host Cathy Kelley were invited to come out to at the Save A Child’s Heart Celebration & Honorary Ceremony in at Sony’s The Commissary in Culver City.
Honorees
Judy & David Shore – International Leadership Award
Dr. Peter Shulman – International Humanitarian Award
Pastor Kim Clement & Jane Clement – International Founders Award
Jake Kornfeld – Lauren Winkler National Young Leadership Award
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About the Event
This fun-filled yet casual evening will be held on the Sony lot in Culver City at The Commissary. The food will be catered by Wolfgang Puck, and wine will be sponsored by Niven Family Wine Estates. There will be a live music performances, including a special performance by Canadian Artist, Francois Klark and the Band from TV.
About Save a Child’s Heart (SACH)
SACH saves children with congenital heart defects who have almost no chance of surviving to adulthood in their native countries, and saves their lives with no political, cultural, religious, or racial preference whatsoever. Based in Israel, our mission is to improve the quality of pediatric cardiac care for children from countries where the heart surgery they need is unobtainable. For more info please visit: saveachildsheartus.org
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Follow our host Cathy Kelley on Twitter at twitter.com/CatherineKelley
Week 5 beginning July 25, 2011 Week ending July 29, 2011 was another hot one! This week we celebrated the Phillies! Tuesday our campers wore their Phillies gear and lunch was called Phillies Deli Day! For lunch our campers had Turkey, roast beef, salami, bologna, lettuce, tomato, pickles, rolls, rye and white bread, tater tots, vanilla pudding, fruit juice drink and for a snack they had Cheese Its
The fourth week of camp was filled with more of our campers favorite summer activities! The campers at Willow Grove Day Camp participated in activities such as: archery, basketball, softball, and so much more! This week our Senior & Middle Camp went to Spring Mill Country Club for golf instructions Club, Glee club wen to Sesame place. Our CITs took a day trip to Seaside Heights, NJ! We hope everyone enjoyed their week! Rest up this weekend for a fun filled week to come!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: www.willowgrovedaycamp.com
Mingle Media TV and Red Carpet Report host Tamara Krinsky were on hand for The Academy’s press preview of the food and décor for the 87th Oscars® Governors Ball, which will immediately after follow the Oscars ceremony on Sunday, February 2nd, 2015.
Once again, Academy governor Jeffrey Kurland, event producer Cheryl Cecchetto and master chef Wolfgang Puck are at the helm to make this event a memorable one. This winning team were on hand today as we got to see all of the food, beverages and decor unveiled.
Master chef Wolfgang Puck and Matt Bencivenga, chef partner of Wolfgang Puck Catering, have created an amazing menu with more than 50 dishes, from one-bite hors d’oeuvres to small-plate entrees including signature Puck favorites like smoked salmon Oscars, chicken pot pie with shaved black truffles, and mini American Wagyu burgers with aged Cheddar. There will also be a lobster “BLT,” beet latkes with pastrami duck and apple mustard along with dover sole with orange miso vinaigrette. The chef will be sourcing local organic produce, for dishes like parsnip soup with white chocolate, pears and 24k gold and artichokes with asparagus, fava beans, baby beets and citrus vinaigrette.
The pastry team will have Della Gossett, Spago’s executive pastry chef, Kamel Guechida, corporate director of pastry for the Wolfgang Puck Fine Dining Group, and Jason Lemonnier, Los Angeles pastry chef for Wolfgang Puck Catering. These chefs will create elegant desserts for the guests like an apple millefeuille with cider jelly, peanut butter strawberry lollipop, and milk chocolate panna cotta with raspberry and cherry. Don’t worry, there will still be the traditional 24k gold chocolate Oscars that we all look forward to trying out each year.
There will be more than 900 event staff managed by CEO Carl Schuster ensuring that every detail and request is handled with care, which is why this is Wolfgang Puck’s 21st year creating the menu for the Governors Ball.
Not to be forgotten, but we did also get to see this year’s “envelope” designed and produced by Marc Friedland which will be ever so important as they will bear the names of the Oscar winners, but like everyone else, we will have to wait until February 22nd, and see who the winners are on Oscar Sunday!
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About the The Governors Ball
It will take place in the Ray Dolby Ballroom on the top level of the Hollywood & Highland Center® immediately following the Oscar telecast on Sunday, February 22, 2015. You can watch the live telecast on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars are once again produced by Craig Zadan and Neil Meron and will be broadcast in more than 225 countries and territories worldwide.
ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards–in which the members vote to select the nominees and winners-the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
FOLLOW THE ACADEMY
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
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Recipe (makes about 20 large cantuccini).
Ingredients:
2 cups plain white flour
1 cup caster sugar
2 tsp baking powder
1/4 tsp salt
3 eggs (~50g), lightly beaten
1 tsp almond extract
1 cup almonds, lightly toasted and thinly sliced
Method:
1. Preheat the oven to 150° C (300° F).
2. Line a baking tray with kitchen parchment.
3. In a bowl, combine the flour, sugar, baking powder and salt. Whisk to mix well.
4. Mix together the beaten eggs with the almond extract.
5. Add the egg mixture to the dry ingredients in the bowl and mix well with a spoon.
6. Stir in the toasted nuts.
7. Transfer the dough to a lightly floured work surface. Dust your hands with flour and gently knead it until it comes together, about 1 minute.
8. Transfer the dough to the lined baking tray and shape (with floured hands) into an even, flat rectangle about 15x23 centimeters (6 by 9 inches).
9. Transfer the baking tray to the oven (middle rack) and bake until the dough is lightly golden and feels firm when lightly touched in the center with your fingertip, about 50 minutes.
10. Remove the baking tray to a wire rack to cool for about 15 minutes.
11. Peel the dough rectangle from the parchment and transfer it to a cutting board.
12. Return the parchment to the baking tray and set aside.
13. Using a serrated knife, slice the rectangle into slices 2 centimeters wide (3/4 inches).
14. Lay the slices (with one of their cut side down), about 2.5 centimeters (1 inch) apart on the lined baking tray.
15. Return the baking tray to the oven and bake until the exposed cut sides of the slices are golden, about 20 minutes.
16. Then, turn the biscotti over, return the baking tray to the oven, and continue baking until the other exposed sides of the biscotti are golden, about 20 minutes.
17. Remove the baking tray to a wire rack to cool for a few minutes.
18. When the biscotti are cool enough to handle, transfer them directly to the rack to cool completely.
Remarks:
Instead of almonds, you can use hazelnuts, pistachios, pine nuts or any other nuts as long as you toast them first and replace the almond extract by 2 teaspoons pure vanilla extract.
To toast the nuts: place them on a baking tray and transfer to an oven that has been preheated to 190° C (350° F) and toast the nuts, stirring occasionally, until lightly browned and fragrant, about 10 minutes.
Once you've added the egg mixture to the dry ingredients and started mixing, the dough will be crumbly.
The kneaded dough should be sticky.
As the dough bakes, it will spread into a large, rounded rectangle.
The biscotti may be stored in an airtight container at room temperature for up to 2 weeks.
Cantuccini (Olasz mandulás kétszersültféle)
Hozzávalók:
1 csésze finomliszt
1 csésze cukor
1 csésze gyufaszálra vagy durvára vágott, előzőleg megpirított mandula
2 tk sütőpor
1/4 tk só
3 enyhén felvert tojás
1 tk mandulaaroma
A sütőt 180 fokra melegítem. A tészta összeállítását csak akkor kezdem, ha bemelegedett. Az alapanyagokat a mandulát leszámítva összegyúrom, majd beledolgozom azt is. Széles, laposabb hengert formálok belőle, majd a sütőbe tolom kb. 25-30 percre. Amikor halvány aranybarna, kiszedem, majd késsel ujjnyi vastag darabokra szeletelem. A felszeletelt cantucciniket lefektetem, és még 10 percig visszateszem a 160 fokos sütőbe, és tovább sütöm, míg egy kissé piros kérget kap.
A ropogós cantuccinik fémdobozban sokáig elállnak, ajándéknak is kiválóak.
Model: Natalia
Photo: Thomas Ohlsson Photography
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STROBIST: 580 camera left unbprella quantum 4i triggers
Hilo de la Fotohistoria en Pullip .es:
LENN AND SAWL SNEEK OUT(1 of 1) /
LA ESCAPADA DE LENN Y SAWL (1 de 1)
(Read in order, this is: SHOT/FOTO 40 of 49) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49.
FOTOSTORY: In English / En Español
Kuroi: HEEEEEY YOU TWO!!!!
Sawul: O_______O !!!
/
Kuroi: EEEEEEEEEH VOSOTROS!!!!
Sawul: O_______O !!!
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
2019 California USA Wrestling presents the Kids Folkstyle State Wrestling Championships. Held at Selland Arena, Fresno, California, USA. Photos by John Sachs www.tech-fall.com
plus de photos : flickr.com/gp/24633196@N00/19YHUs
Toshiko Oiwa , festival "Entrez Dans la Danse" 2009 au 104 ( rue d'Aubervilliers, Paris )
Chorégraphe : Toshiko Oiwa
Interprètes : Toshiko Oiwa, Charles Essombe et Emma Sylvain
Genre : Danse urbaine nomade
• Les Artistes
- Toshiko Oiwa : Elle est chorégraphe, interprète, enseignante, et masseuse
thérapeute. Elle a travaillé en Europe, en Amérique du Sud, en Asie, et en Afrique.
Née au Japon, elle a fait ses études de danse contemporaine à la Juilliard School de New York. Elle a été interprète de « THARP! » (Bill T. Jones/Arnie Zane Dance Company), et a dansé avec le Ballet Preljocaj de 1996 jusqu’en 2006.
• Le Spectacle
« 12 »
« 12 » est un jeu de méditation avec le corps, divisé en 12 parties. C’est une performance urbaine nomade, que Toshiko Oiwa fait voyager en la faisant évoluer au gré des climats urbains dans lesquels elle est représentée ; après San Paolo, Tokyo et Aix-en-Provence, ce sera une première à Paris.
Performance réalisée avec le soutien du CINQ – www.104.fr/lecinq
- Charles Essombe : Il entreprend une formation professionnelle en danse contemporaine avec la compagnie Coline en 2002-
2004. Il y traverse le répertoire d’Hervé Robbe, de Michel Kelemenis, de Merce Cunningham, de Dominique Bagouet, tout en interprétant également des créations. Il intègre en 2004 la compagnie Jean-Claude Gallotta, puis danse avec les compagnies « Aurélia », « Les gens d’Uterpan X-Event » et « Enfin le Jour ». Il se forme à la danse butô auprès de Richard Cayre, et
poursuit son cheminement artistique en collaborant avec Abou Lagraa, Jocelyne Danchick et Yann Lheureux.
- Emma Sylvain : Après avoir été formée à l’Institut de Formation Professionnelle Rick Odums, Emma Sylvain intègre les
Ballets Jazz Rick Odums. La rencontre de Cathy Grouet et de Jean-Claude Ramseyer lui permet d’aborder de nouvelles interprétations scéniques. Parallèlement à l’enseignement de la danse jazz, elle s’essaie à la chorégraphie.
Como se sabe que es una tarentola mauritanica y no una hemidactylus torcicus
la diferencia es que la esta la salamanquesa común , sólo tiene uñas en el 3º y 4º dedo de sus patas, por cierto en la quinta tiene un acaro (Hirstiella insignis o Geckobia latasti).
Men and Women's Freestyle wrestling at the 2020 USA Wrestling Senior Nationals. October 9-11, 2020 in Coralville, Iowa, USA. Photos by John Sachs, www.tech-fall.com
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Screencaps of Henry Cavill in his film Immortals, where he plays Theseus! This film opened nationwide on November 11, 2011. The film also stars Luke Evans, Freida Pinto, Kellan Lutz and many more!
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Join our Henry Cavill Photo sharing sites Flikr , Pinterest & Facebook albums & check out our annotated Henry Cavill Playlists on YouTube that are updated frequently!
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TRT-BA homenageia personalidades com a Comenda Coqueijo Costa
Uma cerimônia na noite desta quinta-feira (21) marcou a entrega, pelo Tribunal Regional do Trabalho da 5ª Região (TRT5), da sétima edição da tradicional Comenda Ministro Coqueijo Costa, da Ordem do Mérito Judiciário do Trabalho da Bahia. O evento, realizado no cerimonial Rainha Leonor (Pupileira), em Nazaré, reuniu ministros, autoridades políticas, juristas, procuradores, chefes do executivo, presidentes de outros tribunais, além de magistrados e servidores do próprio TRT5. Ao todos, 64 pessoas foram homenageadas (veja a relação abaixo), demonstrando o reconhecimento da Justiça do Trabalho por seus relevantes serviços.
''Sentimo-nos honrados em homenagear personalidades de tão elevado nível, que prestaram e continuam prestando um grande bem público não apenas para a instituição chamada Justiça do Trabalho, mas também à própria sociedade'', declarou o presidente do TRT5, desembargador Valtércio de Oliveira, ao fazer uso da palavra e agradecer a todos que compareceram. Entre os homenageados da noite estavam o governador do estado da Bahia, Rui Costa, e o procurador-chefe do Ministério Público do Trabalho na Bahia, Alberto Balazeiro, que foram condecorados no grau Grã-Cruz, o maior da homenagem.
A cerimônia transcorreu de forma simples, com a entrada dos desembargadores da Corte, seguida da execução do Hino Nacional, ao som da Orquestra Neojibá, e da entrega das medalhas por integrantes da Mesa Diretora do TRT - desembargadores Valtércio de Oliveira, Nélia Neves e Tadeu Vieira - além da desembargadora Lourdes Linhares, que integra o Conselho da Ordem do Mérito Judiciário do Trabalho da Bahia. A galeria de fotos poderá ser conferida no Flickr do TRT/BA a partir desta sexta-feira (22/5).
O presidente do Tribunal Superior do Trabalho, ministro Barros Levenhagen; o senador da república, Aécio Neves; o conselheiro do Conselho Nacional de Justiça, Rubens Curado; o ministro do TST, José Roberto Freire; e o desembargador do TRT da 6ª Região (PE), Ivanildo da Cunha Andrade, não puderam comparecer à solenidade, mas receberão a honraria em outra oportunidade.
HISTÓRIA - Criada em 2003 pelo TRT da Bahia, a Comenda Ministro Coqueijo Costa é uma homenagem a personalidades que prestaram relevantes serviços à Justiça do Trabalho, como magistrados, lideranças políticas, servidores públicos, personalidades do meio jurídico e outras instâncias. Homenageia ainda a memória do ministro Carlos Coqueijo Costa, que foi presidente do TRT5 de 1967 a 1971, e está constituída nos graus de Grã-Cruz, Grande Oficial, Comendador e Oficial.
Este ano, a escolha dos homenageados - que leva em conta, entre outros critérios, a atuação de personalidades e instituições na área do Direito ou em outra atividade sociocultural -, foi feita pelo Conselho da Ordem, composto pelos desembargadores Nélia Neves (vice-presidente), Tadeu Vieira (corregedor), Yara Trindade (vice-corregedora) e Lourdes Linhares.
Veja abaixo a relação completa dos agraciados:
GRAU GRÃ-CRUZ
RUI COSTA DOS SANTOS
Governador do Estado da Bahia
ANTONIO JOSÉ DE BARROS LEVENHAGEN
Presidente do Tribunal Superior do Trabalho
ALBERTO BASTOS BALAZEIRO
Procurador-Chefe do Ministério Público do Trabalho na Bahia
GRAU GRANDE OFICIAL
ADALBERTO SOUZA GALVÃO
Deputado Federal
AÉCIO NEVES DA CUNHA
Senador
AGUIBERTO LIMA DIAS
Prefeito do Município de Brumado/BA
ALTINO PEDROSO DOS SANTOS
Desembargador Presidente do Tribunal Regional do Trabalho da 9ª Região
ALVARO LUIZ PINTO
Ministro do Superior Tribunal Militar
ANTÔNIO GUILHERME DOS SANTOS
Prefeito do Município de Santa Luzia/BA
AUGUSTO DE LIMA BISPO
Desembargador do Tribunal de Justiça da Bahia
CARLOS ALBERTO ARAÚJO DRUMMOND
Desembargador do Tribunal Regional do Trabalho da 1ª Região
DENISE ALVES HORTA
Desembargadora Corregedora do Tribunal Regional do Trabalho da 3ª Região e Vice-Presidente do Colégio de Presidentes e Corregedores dos Tribunais do Trabalho
DERALDINO ALVES DE ARAÚJO
Prefeito do Município de Ipiaú/BA
EDSON BUENO DE SOUZA
Desembargador Presidente do Tribunal Regional do Trabalho da 23ª Região
EDUARDO BENEDITO DE OLIVEIRA ZANELLA
Desembargador do Tribunal Regional do Trabalho da 15ª Região
ELZA CÂNDIDA DA SILVEIRA
Desembargadora do Tribunal Regional do Trabalho da 18ª Região
EMÍLIO SALOMÃO PINTO RESEDÁ
Desembargador do Tribunal de Justiça da Bahia
ERIVELTON LIMA SANTANA
Deputado Federal
FÁTIMA TERESINHA LORO LEDRA MACHADO
Desembargadora Corregedora do Tribunal Regional do Trabalho da 9ª Região
FÉLIX DE ALMEIDA MENDONÇA JÚNIOR
Deputado Federal
FRANCISCO DE ASSIS ALVES DOS SANTOS
Prefeito do Município de Conceição do Coité/BA
ILSON ALVES PEQUENO JUNIOR
Desembargador Vice-Presidente do Tribunal Regional do Trabalho da 14ª Região
IVANILDO DA CUNHA ANDRADE
Desembargador do Tribunal Regional do Trabalho da 6ª Região
JOSÉ ÁLVARO FONSECA GOMES
Secretário do Trabalho, Emprego, Renda e Esporte do Governo da Bahia
JOSÉ ROBERTO FREIRE PIMENTA
Ministro do Tribunal Superior do Trabalho
LORIVAL FERREIRA DOS SANTOS
Desembargador Presidente do Tribunal Regional do Trabalho da 15ª Região
LUIZ COSMO DA SILVA JÚNIOR
Desembargador Presidente do Tribunal Regional do Trabalho da 16ª Região
LUIZ BARBOSA DE DEUS
Deputado Estadual
MANOEL JORGE E SILVA NETO
Subprocurador-Geral do Trabalho
PAULO MORENO CARVALHO
Procurador Geral do Estado da Bahia
PAULO SÉRGIO PARANHOS DE MAGALHÃES
Deputado Federal
ROGÉRIO FAVRETO
Desembargador do Tribunal Regional Federal da 4ª Região
RONALDO CARLETTO
Deputado Federal
ROSITA FALCÃO DE ALMEIDA MAIA
Desembargadora do Tribunal de Justiça da Bahia
RUBENS CURADO SILVEIRA
Juiz do Tribunal Regional do Trabalho da 10ª Região Conselheiro do CNJ
SAULO JOSÉ CASALI BAHIA
Juiz Federal Conselheiro do CNJ
WALMIR OLIVEIRA DA COSTA
Ministro do Tribunal Superior do Trabalho
WASHINGTON BOLÍVAR DE BRITO
Ministro do Superior Tribunal de Justiça
WASHINGTON BOLÍVAR DE BRITO JÚNIOR
Subprocurador-Geral da República
GRAU COMENDADOR
ANDRÉA PRESAS ROCHA
Juíza do Tribunal Regional do Trabalho da 5ª Região
ANTÔNIO WALTER PINHEIRO
Presidente do Jornal Tribuna da Bahia
CÁSSIO MEYER BARBUDA
Juiz do Tribunal Regional do Trabalho da 5ª Região
CLÁUDIO KELSCH TOURINHO COSTA
Juiz do Tribunal Regional do Trabalho da 5ª Região
EDUARDO LIMA SODRÉ
Advogado e Professor
FREI PAULO AVELINO
Frei
HUDSON ARAÚJO RESEDÁ
Advogado
ISA MARIA LÉLIS COSTA SIMÕES
Superintendente Regional do Trabalho no Estado da Bahia
JOANICE MARIA GUIMARÃES DE JESUS
Juíza do Tribunal de Justiça da Bahia
JORGE TEIXEIRA DE ALMEIDA
Advogado
JUSCELINO CAMPELO SIQUEIRA
Gerente Regional de Judiciário da Caixa Econômica Federal no Município de Salvador
LIGIA MARIA RAMOS CUNHA LIMA
Juíza de Direito do Estado da Bahia
NEMÉSIO LEAL ANDRADE SALLES
Advogado
RAIMUNDO CARLOS DE SOUZA CORREIA
Presidente do SINDHOSBA
ROSEMEIRE LOPES FERNANDES
Juíza do Tribunal Regional do Trabalho da 5ª Região e Presidente da Associação dos Magistrados da Justiça do Trabalho da 5ª Região
GRAU OFICIAL
ARMANDO DA COSTA MACEDO
Músico
JULIETA VIANA DE QUEIROZ MACHADO
Servidora do TRT5
LAULITO MENDES PORTO
Servidor do TRT5
MANOEL EVANGELISTA NETO
Servidor doTRT5
OROCIL PEDREIRA SANTOS JUNIOR
Servidor do TRT5
POLLYANA ALVES CARVALHO
Servidora do TRT5
RÔMULO SOARES POLARI FILHO
Servidor do Tribunal Regional Eleitoral da Paraíba
SUZANA DA SILVA PEREIRA
Servidora do TRT5
TACIANO BARBOSA VASCONCELOS
Servidor do Tribunal Regional do TRT5
TELMA MARIA SANTOS SOUZA DA CUNHA
Servidora do TRT5
Secom TRT5 - 21/5/2015 (Texto: Lázaro Britto | Fotos: Ailton Souto e Émille Cerqueira)