View allAll Photos Tagged colourised

That beautiful infrared glow with the early light in the hill top woodland.

Infrared 720 colourised

(same scene as previously but different shot and processing)

Taken above Idsworth in the South Downs National Park, England

Group of New York City? policemen posed in front of police station. New York, 1909.

 

Original photograph. www.loc.gov/item/95501724.

 

Restored and colourised by Ian Betley (April 2023).

These white chairs were under a tree at an outdoor wedding and I loved the way they were dappled by the dark shadows and bright sunlight

Infrared 720 colourised

Another view of the beautiful Wolfscotedale and river Dove in the spring sunshine.

Infrared 720 colourised

Tullecombe forest in the South Downs National Park

Infrared 720 colourised

Durford in the South Downs National Park

Infrared 720 colourised

The South Downs National Park

Infrared IR720 colourised

Hat Hill in the South Downs National Park

Infrared 720 colourised.

Canon 750D converted.

Cobalt blue skies over a lone pine in the New Forest National Park, England

Photograph shows an unidentified Japanese American woman mixing evaporated milk and water into a thermos as a Japanese American woman and man observe at the Santa Anita Assembly Center, a makeshift detention facility and race track, where they were incarcerated before being transferred to a concentration camp during World War II.

 

Published: April 1942.

 

Photographer: Albers, Clem.

Restored and colourised by Ian Betley (April 2023).

 

Original photograph: www.loc.gov/item/2021647280/

Canon converted IR720 colourised infrared.

Turbulent skies above the site of a medieval settlement high on a moor in the Exmoor National Park, England.

Infrared 720 colourised

Infrared colourised. Canon converted 720.

Heathland stand of Silver Birch bathed in the early summer light.

Chapel Common in the South Downs National Park.

Photograph shows pianists Victor Arden and Phil Ohman looking at Radio World magazine. (Source: Flickr Commons project, 2022)

 

Bain News Service, Publisher. Arden & Ohman. , . [No Date Recorded on Caption Card] Photograph.

 

Victor Arden was the stage name for an American pianist named Lewis John Fuiks (8 March 1893 — 31 July 1962). Phil Ohman (October 7, 1896 – August 8, 1954) was an American film composer and pianist.

 

Original photograph. www.loc.gov/item/2014717764.

 

Restored and colourised by Ian Betley (April 2023).

Rain burnished leaves glistening in the forest.

The delicate pastel hues of the morning's soft light reaching down into Wolfscotedale and the river Dove.

Infrared IR720 colourised

Lange, Dorothea, photographer. Family of ex-sharecroppers from Arkansas, near Little Rock, on California highway. Tehachapi grade.

 

United States Kern County California, 1937. May.

 

Photograph. www.loc.gov/item/2017769906/.

 

Photographer Dorothea Lange (born Dorothea Margaretta Nutzhorn; May 26, 1895 – October 11, 1965) was an American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration (FSA). Lange's photographs influenced the development of documentary photography and humanized the consequences of the Great Depression.

 

Restored and colourised by Ian Betley (March 2023).

All baggage is inspected before newcomers enter the Santa Anita Park Assembly Center at Arcadia, California, for evacuees of Japanese ancestry. Evacuees are transferred later to War Relocation Authority centers for the duration.

 

Published: April-July 1942.

 

Photographer: Lange, Dorothea.

Restored and colourised by Ian Betley (April 2023).

 

Original photograph: www.loc.gov/item/2017699962/

 

I love the small details of these old photographs, sometime only apparent after several glances. What about: the bulldog brooch on the lady, or the two plasters on the fingers of the officer. Or his neatly arranged pocket pens? Maybe the best feature is the relief of the lady through her smile that she, albeit incarcerated, is where she wants to be: safe.

Infrared colourised

Canon converted IR720

Rogate wood in the South Downs National Park

Canon converted IR720 colourised infrared.

High moorland in Exmoor National Park, England.

The weather conditions were not conducive to good colour photography. So this shot from the Frankland Beaches at the southern end of Lake St Clair made another obvious opportunity to try a little colourisation.

 

What I am doing here through layering and the application of digital colour toning, is to synthesise how photographic artists worked in the second half of the 19th century. They literally hand coloured their monochrome prints with ink or watercolours. I imagine this is how the scene might have looked had Piguenit decided to colourise one of his photographs instead of painting award winning landscapes in oils.

Colourised and textured using a variegated piece of slate.

Infrared colourised

Canon 750d converted IR720

Summer's early light penetrating the woodland.

Infrared 720 colourised

Durford in the South Downs National Park

Members of the Shibuya family are pictured at home before evacuation. The father and the mother were born in Japan and came to this country in 1904. At that time the father had sixty dollars cash and a basket of clothes. He later built a prosperous business of raising select varieties of chrysanthemums, which he shipped to Eastern markets under his own name. Six children in the family were born in the United States. The four older children attended leading California universities. Evacuees of Japanese ancestry will be housed in the War Relocation Authority centers for the duration.

 

United States Office Of War Information. United States Mountain View California Santa Clara County.

 

Published: July 1942.

 

Photographer: Lange, Dorothea.

Restored and colourised by Ian Betley (April 2023).

 

Original photograph: www.loc.gov/resource/ppmsca.74857/

Infrared colourised / painted.

IR720 converted Canon 750D.

A lone Ash tree high on the South Downs Way.

Infrared colourised

Canon converted IR720

Rogate wood in the South Downs National Park

Monochrome infrared 720

Canon converted IR720 colourised

Infrared colourised Canon converted IR720

Upper reaches of the Beaulieu River in the New Forest National Park

Infrared colourised

Canon 750D converted IR720

Lone Scots Pine on the South Downs

Tulip.

 

This is a focus stack of a tulip, partially colourised in blue for the ME/CFS and Fibromyalgia International Awareness Day, as part of the Smile on Saturday theme today.

 

I love this view of tulips, although it’s a tricky one to take handheld on a breezy day :) This one was taken in my garden in March.

 

Thank you for taking the time to look. I hope you enjoy the image. Happy Smile on Saturday :)

 

[Handheld in sunlight.

A 13-image focus stack processed in Affinity Photo. DeNoised in Topaz’s software. Colours changed using a Curves adjustment in LAB mode as well as a low opacity Recolour adjustment to leave some of the original colour (changed from the red/yellow of the flower).]

 

Woodburgh Hill from the summit of Knap Hill in the Vale of Pewsey

Early summer tall stemmed barley

Infrared colourised

Canon 750D converted IR720

Golden light at the edge of the forest. Canon converted IR720 Infrared, colourised.

Deep into a Covid restricted winter, it's nice to remember better times.

Infrared IR720 colourised.

Colourised infrared IR720

Canon 750D converted

Infrared colourised

Canon converted IR720

Natures Iced art, colourised to show textures

 

Feathers of the ice maiden

Colourised infrared IR720

Canon 750D converted

The rocks that formed the Cataract Gorge are mainly Dolerite from the Jurassic era (180 million years ago). In fact most of Tasmania is Dolerite rock, which was produced during a period of extreme volcanic activity. For those interested, this article will give you all the available information about the geology of Tasmania.

en.wikipedia.org/wiki/Geology_of_Tasmania

 

But the Cataract Gorge is specifically a fault line caused some 80 million years ago from a series of massive earthquakes. In the following article Geologist Peter Manchester explains what happened.

www.abc.net.au/local/photos/2015/09/02/4304727.htm

 

PHOTO NOTE: This is a black and white image colourised using colour toning. They are not the natural colours, but an artistic impression. I am finding experimenting with these older techniques (albeit using digital technology) really interesting and artistically liberating from the tyranny of ordinary appearances. Traditional black and white is great at getting us to see things in tones. But colour toning allows for truly impressionistic photography.

Infrared IR720 colourised

Canon 750D converted

 

A stand of Silver Birch bathed in the soft velvety light of the infrared rays.

Canon converted 720

Iping common in the South Downs National Park, England

Infrared colourised

Canon 750D converted IR720

Forest glade under the summer sun in the South Downs National Park

Of this picture I have created several versions. I believe that this one should be shown too.

this is the last picture of the Perth series for now. I enjoyed the experiments with colourising b&w pictures. and I enjoyed working with the fully functional NIK software that DOX has taken over and updated.

How the Tees Newport Bridge looks riding into 2020.

 

I wonder if you colourised one of the old photos of this bridge from the 1930s how things would have changed..

 

www.steveniceton.co.uk

To create this I layered together 4 or 5 totally random shots. With the resulting shapes, and after a lot of colourising and contrast tweaking they formed whatever this is!

 

HSS!

Since I've been back in Italy, I've been devoting myself to colourised, minimalist architectural photography again. Like last year, I'm trying to make pictures digitally rather than photographing them. Here is a laundry display from a window in Imperia (Italy). Below a digital art addition.

“Colourise” by Mild Orange

 

www.youtube.com/watch?v=-jB3WANBDBo

 

Happy Valentine’s Day...

 

Count on light

Count on love

But don’t always believe

All that you’ve seen

 

Colourise

 

Trust the waves

And where you’ll go

’Cause you never know

What it may hold

 

And if you never try

You’ll never grow

’Cause you never know

What you don’t know

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