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Explored on Nov 2, 2007 #477
Manyak matematikçi hesabıyla bütün sayılarla pencüse oluşturmuş bulunmaktayım :)
Whole number on the photo is a part of 5-3 ;5-3 is a special die group in Turkey ; it has tongue twister meaning : here is Pencüse ,we love the girl if she is young
Pencüse
severler güzeli genc üse
We are thrilled to announce that Dress Code, a new furniture collection from Italy, will be making its U.S. debut at Cantoni this September.
Robi Malerba and his family have worked with Cantoni founder (and Chief Energizing Officer) Michael Wilkov for years. They have conceived and crafted this new luxury line to add to the others they produce at their Italian factory, including Solitaire, One & Only, 5th Ave., and more. Not only is the Malerba family a top vendor for us, but they create furnishings for the likes of Harrod’s as well as a host of other internationally-renowned luxury retailers.
Inlaid horn, coplanar doors, mirrored glass, lacquer and chrome accents, and oversized seating are just a few of the distinguishing marks of this elegant and refined furniture collection.
Our showrooms have undergone major renovations to make way for this exciting new collection. Visit Cantoni today and see for yourself why Great Design is a Way of Life. More info 877.881.9191.
Do you have a mobile device? Like a smart phone? Download a QR Reader and scan this code!
A powerful tool I think...
Our library books are coded with stickers; green for mysteries, orange for romances, white with a UFO for science fiction, white with a cowboy hat and boots for westerns and yellow with YA for young adult fiction. Regular fiction has no stickers and, of course, non-fiction has a Dewey decimal number, a coding system in itself.
For the All New Scavenger Hunt #14 - Coded.
Try-out at E.ON Electriciteitsfabriek, The Hague 2015
Gwyneth Wentink, Wouter Snoei and Arnout Hulskamp present In Code, an audiovisual performance of Terry Riley’s ‘In C’ for harp, electronics and visuals.
Gwyneth Wentink, Wouter Snoei and Arnout Hulskamp’s interpretation of In C is inspired by its very first performance in 1964; a pioneering performance (with Steve Reich among others) where live electronics and “real-time” visuals were integrated into an ensemble of acoustic instruments. During the performance of In Code a custom made lens will join the ensemble on stage. It is a special structure on which visuals are shown. In Code investigates the coherence of sound and image, creating a mix of enthralling audible and visual textures. In Code revolves around the themes of embodiment and structure, creating surprising and unexpected connections between the senses.