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Try-out at E.ON Electriciteitsfabriek, The Hague 2015
Gwyneth Wentink, Wouter Snoei and Arnout Hulskamp present In Code, an audiovisual performance of Terry Riley’s ‘In C’ for harp, electronics and visuals.
Gwyneth Wentink, Wouter Snoei and Arnout Hulskamp’s interpretation of In C is inspired by its very first performance in 1964; a pioneering performance (with Steve Reich among others) where live electronics and “real-time” visuals were integrated into an ensemble of acoustic instruments. During the performance of In Code a custom made lens will join the ensemble on stage. It is a special structure on which visuals are shown. In Code investigates the coherence of sound and image, creating a mix of enthralling audible and visual textures. In Code revolves around the themes of embodiment and structure, creating surprising and unexpected connections between the senses.
CODE 2014 is the Eric Hamber Fashion Department's 23rd annual fashion show held on May 8, 2014 at Eric Hamber Secondary School.
Eric Hamber Fashion Department is one of the leading secondary level programs for fashion design and construction in British Columbia.
The department features intensive programs for high school students, ranging from construction techniques, pattern drafting, draping, merchandising, design, and more.
Students emerging from the programs have moved on to jobs internationally within the fashion world, as well as to prestigious schools internationally. Hamber Fashion is also the home base for the VSB Fashion District Program.
Hestair Puzzle (England, 1970's) Code M2001.
2.000 pcs (50x40), 96,5 x 71,1 cm.
Found on eBay.UK. Worn box but sealed bag.
A most satisfying but difficult puzzle.
Interestingly enough this has a different cut than the version son2307ic has presented.
Wikipedia:
"The Garden of Love is produced around 1633 and now in the Prado Museum in Madrid. The work was first listed in 1666, when it was hung in the Royal Palace of Madrid, in the Spanish king's bedroom. In early inventories, the painting was called The Garden Party.
It is the apotheosis of the outdoor courtly Merry Company genre painting. The subject of this piece is common in Baroque paintings, which used exaggerated motion and clear, easily interpreted detail to produce drama, tension, and grandeur. Rubens uses multi-layer allegory and symbolism to his paintings.
In this 286 x 199 cm piece, a large group of well-dressed persons in the style of the 17th century lounge about, picnicking in an idyllic garden. Everyone is finely dressed, exercising their wealth and high class status. This demonstrates the depth of a full court scene in a recessional manner. Cupids interact with the individuals, bringing mythological figures into a realistic garden scene to produce a fantastical painting.
All around the group, symbols of matrimonial love can be found including: the cupids, a pair of doves, flower crowns, music making, and Juno’s peacock. The dogs represent loyalty and fealty. The garden represents Paradise, but also fertility. This painting is an allegory and exaltation of love and marriage, as well as the merry company.
In the far-left corner, a male gentleman escorts a woman in all-black towards the entourage. The man is believed to be Rubens, which led to the early identification of this painting to be a self-portrait with friends. The Garden of Love is believed to be celebration of his marriage to Hélène Fourment.
Helena Fourment was the second wife of Rubens. She was the subject of a few portraits by Rubens, and modeled for other religious and mythological paintings.
The fountains of the Three Graces and the Venus represent marital happiness. The Three Graces fountains are three Rubenesque nude females—soft bodied, voluptuous, and highly sexualized beings. These forms emphasize fertility and physical beauty, mirroring the beautiful garden scene. Directly below the Graces, an unsuspecting group of individuals getting sprayed by the fountain. The second fountain also depicts a nude female—this time having the nude Venus sitting on the back of a fish and producing a stream of water from her breasts. This is known as the Nursing Venus and is meant to symbolize child bearing and rearing.
The full-figured woman in the upper right corner is identified by the peacock (not seen on the puzzle) to be the goddess Juno, who is the goddess of marriage. Rubens plays on recognizable themes that his contemporary audience would recognize.
Rubens uses motifs from Renaissance sculptures, but sets the scene in the mannerist portico of his own house in Antwerp."
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A PHP framework for rapidly creating classes that mirror MySQL tables. The Simpl framework comes with the basic functions to list, display and edit records from the database. With this framework a simple manager and front of a site can be created within a few minutes. An example database, manager and front end are included with the framework.
The 3-day coding contest #Hackathon4Justice brought together teenagers from across the globe in Silicon Valley.
Young talents between the ages of 13 and 18 battled it out at the keyboard creating mobile apps that promote justice the rule of law.
The coding competition organized by UNODC, Symantec and Africa Teen Geeks allows teens to be creators and ultimate consumers of educational apps that contribute to achieving the Global Goals.
Reference code:
All Special Collections access is by appointment. Researchers should e-mail a request for an appointment to fitlibrary.sparc@gmail.com as far in advance as possible. For more info, please visit our FIT website.
The Department of Special Collections and FIT Archives does not own copyright for all material held in its physical custody. It is the researcher's obligation to satisfy copyright law (www.copyright.gov/title17/92chap1.html#108) when copying or using materials (including digital materials) found in or made available from the department.
Euphemia by Mara chans Cosplays & Arts
Suzaku by BritishRiot-Cosplay
Cleo's Cos and more
Source: Code Geass
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