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Visiting Artist

2020, 2025

Dr. Merritt Moore’s residency was an investigation of choreographing a dance duet between a robot and a human. This residency included collaborators Alice Williamson and a UR10e robotic arm.

 

Merritt is a physicist and professional ballet dancer. Merritt graduated in physics from Harvard and with a PhD in Atomic and Laser Physics from the University of Oxford. She also danced professionally with the Zurich Ballet, Boston Ballet, English National Ballet, and, most recently, Norwegian National Ballet. Merritt was awarded Forbes 30 under 30, Michael von Clemm Fellowship from Harvard, and is featured in “Goodnight Stories for Rebel Girls”, alongside Ada Lovelace and Oprah.

 

Whether in the physics lab or ballet studio, Merritt is an experimentalist driven by curiosity to push the boundaries of scientific research through art. Her current work at the ArtLab, with her collaborator Alice Williamson, investigates a dance duet between a robot and a human choreographed by Artificial Intelligence. Their aim is to create a duet between a human and a robot that can ignite new conversations around tech, champion a female voice, and speak to fresh audiences through the voice of dance.

 

Merritt’s work has been featured at the Barbican, the Victoria and Albert Museum in London, and Imagine Film Festival in NY. She has been invited to talk to, most recently, the Forbes Women’s Summit in NY, the U.S. Embassy’s Women in STEM Panel in London, the Princeton Physics Dept, TEDx Oxford, and the University of Oslo on the intersection of science and art. She was also one of the 12 selected astronaut candidates to undergo a rigorous selection process on BBC Two “Astronauts: Do you have what it takes?” under the guidance of Commander Chris Hadfield and continues to pursue that dream.

 

Alice Williamson is a multidisciplinary artist and performer from London, England, who has led creative research and visual production during this residency. Williamson has performed as a professional ballet dancer working with Staatsballett Berlin, Hong Kong Ballet, and Royal Opera House, London. Williamson is also the founder of Designed by Alice fashion for ballet dancers.

 

February 2020 ArtLab event associated with this residency: Merritt Moore: work-in-progress

 

ArtLab podcast Works in Progress Episode 2 features Dr. Merritt Moore speaking about this residency.

 

Read about Merritt’s project in this featured article by Universal Robots, “Dancing Through the Pandemic: How a Quantum Physicist Taught a Cobot to Dance.”

 

Upcoming May 2025 ArtsThursdays event at ArtLab: Merritt Moore: Performance

  

Merritt Moore dancing with a robot. She is a light skinned person with long dark hair. She is bent forward on her tip toes, in her ballet shoes. She is leaning towards her robot, which is positioned to the right of her and looking up at her face.

ArtLab

Harvard University

140 N. Harvard Street

Allston, MA 02134

artlab@harvard.edu

This tiny castle atop Signal Hill is Cabot Tower, built in 1898 to honor both John Cabot's arrival in 1497 and Queen Victoria's Diamond Jubilee.

Visiting Artist

2020, 2025

Dr. Merritt Moore’s residency was an investigation of choreographing a dance duet between a robot and a human. This residency included collaborators Alice Williamson and a UR10e robotic arm.

 

Merritt is a physicist and professional ballet dancer. Merritt graduated in physics from Harvard and with a PhD in Atomic and Laser Physics from the University of Oxford. She also danced professionally with the Zurich Ballet, Boston Ballet, English National Ballet, and, most recently, Norwegian National Ballet. Merritt was awarded Forbes 30 under 30, Michael von Clemm Fellowship from Harvard, and is featured in “Goodnight Stories for Rebel Girls”, alongside Ada Lovelace and Oprah.

 

Whether in the physics lab or ballet studio, Merritt is an experimentalist driven by curiosity to push the boundaries of scientific research through art. Her current work at the ArtLab, with her collaborator Alice Williamson, investigates a dance duet between a robot and a human choreographed by Artificial Intelligence. Their aim is to create a duet between a human and a robot that can ignite new conversations around tech, champion a female voice, and speak to fresh audiences through the voice of dance.

 

Merritt’s work has been featured at the Barbican, the Victoria and Albert Museum in London, and Imagine Film Festival in NY. She has been invited to talk to, most recently, the Forbes Women’s Summit in NY, the U.S. Embassy’s Women in STEM Panel in London, the Princeton Physics Dept, TEDx Oxford, and the University of Oslo on the intersection of science and art. She was also one of the 12 selected astronaut candidates to undergo a rigorous selection process on BBC Two “Astronauts: Do you have what it takes?” under the guidance of Commander Chris Hadfield and continues to pursue that dream.

 

Alice Williamson is a multidisciplinary artist and performer from London, England, who has led creative research and visual production during this residency. Williamson has performed as a professional ballet dancer working with Staatsballett Berlin, Hong Kong Ballet, and Royal Opera House, London. Williamson is also the founder of Designed by Alice fashion for ballet dancers.

 

February 2020 ArtLab event associated with this residency: Merritt Moore: work-in-progress

 

ArtLab podcast Works in Progress Episode 2 features Dr. Merritt Moore speaking about this residency.

 

Read about Merritt’s project in this featured article by Universal Robots, “Dancing Through the Pandemic: How a Quantum Physicist Taught a Cobot to Dance.”

 

Upcoming May 2025 ArtsThursdays event at ArtLab: Merritt Moore: Performance

  

Merritt Moore dancing with a robot. She is a light skinned person with long dark hair. She is bent forward on her tip toes, in her ballet shoes. She is leaning towards her robot, which is positioned to the right of her and looking up at her face.

ArtLab

Harvard University

140 N. Harvard Street

Allston, MA 02134

artlab@harvard.edu

Visiting Artist

2020, 2025

Dr. Merritt Moore’s residency was an investigation of choreographing a dance duet between a robot and a human. This residency included collaborators Alice Williamson and a UR10e robotic arm.

 

Merritt is a physicist and professional ballet dancer. Merritt graduated in physics from Harvard and with a PhD in Atomic and Laser Physics from the University of Oxford. She also danced professionally with the Zurich Ballet, Boston Ballet, English National Ballet, and, most recently, Norwegian National Ballet. Merritt was awarded Forbes 30 under 30, Michael von Clemm Fellowship from Harvard, and is featured in “Goodnight Stories for Rebel Girls”, alongside Ada Lovelace and Oprah.

 

Whether in the physics lab or ballet studio, Merritt is an experimentalist driven by curiosity to push the boundaries of scientific research through art. Her current work at the ArtLab, with her collaborator Alice Williamson, investigates a dance duet between a robot and a human choreographed by Artificial Intelligence. Their aim is to create a duet between a human and a robot that can ignite new conversations around tech, champion a female voice, and speak to fresh audiences through the voice of dance.

 

Merritt’s work has been featured at the Barbican, the Victoria and Albert Museum in London, and Imagine Film Festival in NY. She has been invited to talk to, most recently, the Forbes Women’s Summit in NY, the U.S. Embassy’s Women in STEM Panel in London, the Princeton Physics Dept, TEDx Oxford, and the University of Oslo on the intersection of science and art. She was also one of the 12 selected astronaut candidates to undergo a rigorous selection process on BBC Two “Astronauts: Do you have what it takes?” under the guidance of Commander Chris Hadfield and continues to pursue that dream.

 

Alice Williamson is a multidisciplinary artist and performer from London, England, who has led creative research and visual production during this residency. Williamson has performed as a professional ballet dancer working with Staatsballett Berlin, Hong Kong Ballet, and Royal Opera House, London. Williamson is also the founder of Designed by Alice fashion for ballet dancers.

 

February 2020 ArtLab event associated with this residency: Merritt Moore: work-in-progress

 

ArtLab podcast Works in Progress Episode 2 features Dr. Merritt Moore speaking about this residency.

 

Read about Merritt’s project in this featured article by Universal Robots, “Dancing Through the Pandemic: How a Quantum Physicist Taught a Cobot to Dance.”

 

Upcoming May 2025 ArtsThursdays event at ArtLab: Merritt Moore: Performance

  

Merritt Moore dancing with a robot. She is a light skinned person with long dark hair. She is bent forward on her tip toes, in her ballet shoes. She is leaning towards her robot, which is positioned to the right of her and looking up at her face.

ArtLab

Harvard University

140 N. Harvard Street

Allston, MA 02134

artlab@harvard.edu

Einwohner: 45.777 - Stand 9. Januar 2017

www.filderstadt.de/

Entwicklung der Einwohnerzahlen

Landkreis: Esslingen am Neckar

Bundesland: Baden-Württemberg

Postleitzahl: 70794

KFZ-Kennzeichen: ES

Bonlanden 575 ha

 

Telefonvorwahl:

0711 für Bernhausen, Bonlanden, Plattenhardt

07158 für Harthausen und Sielmingen

 

Geographische Lage: 9 12' 50" östliche Länge und 48 40' 10" nördliche Breite.

Höchster Punkt: Wasserreservoir Stadtteil Plattenhardt - 474,1 m ü NN

Niedrigster Punkt: Bombachtal, Stadtteil Bonlanden - 327,0 m ü NN

 

Länge Stadtgrenze: 33,0 Kilometer

 

-

Stadtporträt

  

Filderstadt ist die zweitgrößte Stadt im Landkreis Esslingen und verkehrstechnisch sehr günstig gelegen: direkt an der B 27, Autobahn A 8, dem Flughafen Stuttgart, der Landesmesse und nahe der Landeshauptstadt Stuttgart.

 

-

Artefakt (aus lateinisch ars (ursprünglich) „Bearbeitung“ und facere „machen, herstellen“) bezeichnet in der Archäologie und der Anthropologie einen von Menschen hergestellten Zustand oder Gegenstand. (Sujet).

Artefakt (Fotografie), Bilddetails, die einen unbeabsichtigten Unterschied* zur Bildquelle darstellen.

 

Kinetic Art Photography

 

*Die kinetische Energie des schwarzen Autos verschwindet soeben in einem schwarzen Loch.

siehe notes

Panorama: Der Mitzieh-Effekt holt das Auto ein.

Das Vorderteil des Autos verschmilzt mit dem hinteren Drittel.

----------->

 

Was ist: 4.0? Industry 4.0 Value Chain?

-

de.wikipedia.org/wiki/Industrie_4.0

:

Im All sind wir schon bei Industrie 5.0, aber auch an Industrie 4.0 arbeiten wir natürlich.

 

Perfect Industry value chain - Die industrielle Wertschöpfungskette wird optimiert -

 

Industry 4.0 is the current trend

 

en.wikipedia.org/wiki/Industry_4.0

of automation and data exchange in manufacturing technologies.

It includes cyber-physical systems, the Internet of things and cloud computing.

The characteristics given for the German government's Industry 4.0 strategy are: the strong customization of products under the conditions of highly flexibilized (mass-) production.

  

--- gleichnamiges Projekt in der Hightech-Strategie ---

 

Die Plattform Industrie 4.0 hat zum Ziel, IT-Technologien mit Produktionstechnologien zu verschmelzen.

Es ergeben sich zahlreiche bis heute ungeklärte rechtliche Fragen.

 

Industrie 4.0 -> 5.0

„Industrie-4.0-ready“ - Next Generation 5.0

 

Deutschlands naiver Traum von der smarten Fabrik:

Zudem basiert Industrie 4.0 auf dem Denkfehler, dass ein nicht lineares und - soziales System wie eine Fabrik - mit Algorithmen steuerbar ist.

Wo bleibt der Mensch?

www.kuka.com/de-de/technologien/industrie-4-0/industrie-4...

 

Mensch-Roboter-Kollaboration (Cobotics) und Mobility an. Mobile Cobots reagieren bereits heute intelligent auf ihr Umfeld und sind universell einsetzbar. „Kollege Roboter“ wird bei KUKA Realität.

 

L'Industrie 4.0?

La robotique industrielle?

 

Ses bases technologiques sont l'Internet des objets et les systèmes cyber-physiques.

Les robots industriels sont très utilisés en automobile.

Constructeurs

 

Drapeau de la Suisse Suisse : Stäubli

Drapeau de la Suisse Suisse : ABB Robotics

Drapeau des États-Unis États-Unis : Adept Technology

Drapeau de l'Allemagne Allemagne : Bosch

Drapeau de l'Allemagne Allemagne : Cloos GmbH

Drapeau de l'Allemagne Allemagne : Festo

Drapeau de l'Allemagne Allemagne : Dürr (peinture)

Drapeau de l'Allemagne Allemagne : Roteg

Drapeau de l'Autriche Autriche : IGM

Drapeau de l'Italie Italie : Comau

Drapeau du Japon Japon : DENSO Robotics

Drapeau du Japon Japon : Epson Robots

Drapeau du Japon Japon : FANUC Robotics

Drapeau du Japon Japon : Fuji Yusoki Robotics

Drapeau de la Corée du Sud Corée du Sud : Hyundai Robotics

Drapeau du Japon Japon : Intelligent Actuator (IAI)

Drapeau des États-Unis États-Unis : Intelitek

Drapeau du Japon Japon : Janome

Drapeau du Japon Japon : Kawasaki Heavy Industries

Drapeau de l'Allemagne Allemagne : KUKA Robotics

En 2003, les robots industriels KUKA apparaissent dans Lara Croft Tomb Raider : Le berceau de la vie et en 2005 dans Les Sentinelles de l'air et dans Da Vinci Code avec Tom Hanks en 2006.

Vergeblich hatte die Bundesregierung versucht, eine Übernahme von Kuka durch die chinesische Firma Midea

(besitzt offizielle nur 48,5 %) abzuwehren und hatte dafür geworben, dass sich deutsche Unternehmen beteiligen.

 

Die Robotik gilt als Schlüsseltechnologie des 21. Jahrhunderts und man versuchte zu verhindern, dass zukunftsträchtige Technologie aus Deutschland nach China abwandert.

 

KUKA Systems (Maschinenbau seit 1898, Augsburg) ist ein internationaler Anbieter für Produkte und Dienstleistungen im Bereich der industriellen Verarbeitung von metallischen und nichtmetallischen Werkstoffen, bedient hier verschiedene Branchen (Automobil, Schienenverkehr, Luft- und Raumfahrt, Photovoltaik, Industrie) und zählt sich selbst zu den Marktführern auf diesem Gebiet.

 

(Midea (China) dürfte nach der Übernahme Patente, Daten und anderes Know-how aus Kuka herausziehen und selbst nutzen könnte - es fehlt ein europäisches Aussenwirtschaftsgesetz )

Umsatz

2,966 Mrd. Euro 2015

www.kuka.com/

"Es sind echte Charaktere, die bei KUKA die Zukunft der Automatisierung gestalten. Lernen Sie unsere Vordenker kennen!

 

Born for Industrie 4.0 - Die KUKA Stories"

"Die Industrie 4.0 wird vorangetrieben von Menschen, die die Fähigkeit haben, völlig neue Arten von Verbindungen herzustellen: zwischen realer und digitaler Welt, zwischen Mensch und Maschine, zwischen heute und morgen."

 

Drapeau de l'Espagne Espagne : Loxin

Drapeau de la France France : Chavériat Robotique

Drapeau de la France France : LUCAS France

Drapeau de la France France : MIP robotics

Drapeau du Japon Japon : Mitsubishi Electric

Drapeau du Japon Japon : Yaskawa-Motoman

Drapeau du Japon Japon : Nachi Robotic Systems Inc.

Drapeau du Japon Japon : Nidec Sankyo

Drapeau du Japon Japon : OTC-Daihen

Drapeau du Japon Japon : Panasonic Corporation

Drapeau de l'Allemagne Allemagne : Reis Robotics

Drapeau de la Corée du Sud Corée du Sud : Samsung

Drapeau de la France France : SCEMI (ex-filiale d'Alsthom) dont l'activité robotique a pris fin dans les années 1980

Drapeau de la France France : SEPRO Group

Drapeau de la Suisse Suisse: Stäubli Robotics

Drapeau des États-Unis États-Unis : ST Robotics

Drapeau du Japon Japon : Toshiba Machine

Drapeau du Japon Japon : Yamaha Motor Company

Drapeau de la France France Drapeau de la Slovaquie Slovaquie France Slovaquie : Robot-Delta

Video

4.0 by Kuka

 

www.youtube.com/KukaRobotGroup "Hello Industrie 4.0_we connect you," from April 24 to 28, 2017

CoBot Studio is a project by LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT); Center for Human-Computer Interaction, Universität Salzburg (AT); Joanneum Robotics JOANNEUM RESEARCH Forschungsgesellschaft mbH (AT); Polycular OG (AT); Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT); Blue Danube Robotics GmbH (AT) and Ars Electronica Futurelab (AT).

 

In CoBot Studio new standards for successful teamwork between humans and robots are developed. The Ars Electronica Center's Deep Space 8K will be used to create a unique, mixedreality environment that simulates future forms of collaboration. From robotics to psychology and virtual reality, to methods of nonverbal communication, the research project will draw on a wide variety of disciplines.

 

Photo: Ars Electronica - Robert Bauernhansl

Einwohner: 45.777 - Stand 9. Januar 2017

www.filderstadt.de/

Entwicklung der Einwohnerzahlen

Landkreis: Esslingen am Neckar

Bundesland: Baden-Württemberg

Postleitzahl: 70794

KFZ-Kennzeichen: ES

Bonlanden 575 ha

 

Telefonvorwahl:

0711 für Bernhausen, Bonlanden, Plattenhardt

07158 für Harthausen und Sielmingen

 

Geographische Lage: 9 12' 50" östliche Länge und 48 40' 10" nördliche Breite.

Höchster Punkt: Wasserreservoir Stadtteil Plattenhardt - 474,1 m ü NN

Niedrigster Punkt: Bombachtal, Stadtteil Bonlanden - 327,0 m ü NN

 

Länge Stadtgrenze: 33,0 Kilometer

 

-

Stadtporträt

  

Filderstadt ist die zweitgrößte Stadt im Landkreis Esslingen und verkehrstechnisch sehr günstig gelegen: direkt an der B 27, Autobahn A 8, dem Flughafen Stuttgart, der Landesmesse und nahe der Landeshauptstadt Stuttgart.

 

-

Artefakt (aus lateinisch ars (ursprünglich) „Bearbeitung“ und facere „machen, herstellen“) bezeichnet in der Archäologie und der Anthropologie einen von Menschen hergestellten Zustand oder Gegenstand. (Sujet).

Artefakt (Fotografie), Bilddetails, die einen unbeabsichtigten Unterschied* zur Bildquelle darstellen.

 

Kinetic Art Photography

 

*Die kinetische Energie des schwarzen Autos verschwindet soeben in einem schwarzen Loch.

siehe notes

Panorama: Der Mitzieh-Effekt holt das Auto ein.

Das Vorderteil des Autos verschmilzt mit dem hinteren Drittel.

----------->

 

Was ist: 4.0? Industry 4.0 Value Chain?

-

de.wikipedia.org/wiki/Industrie_4.0

:

Im All sind wir schon bei Industrie 5.0, aber auch an Industrie 4.0 arbeiten wir natürlich.

 

Perfect Industry value chain - Die industrielle Wertschöpfungskette wird optimiert -

 

Industry 4.0 is the current trend

 

en.wikipedia.org/wiki/Industry_4.0

of automation and data exchange in manufacturing technologies.

It includes cyber-physical systems, the Internet of things and cloud computing.

The characteristics given for the German government's Industry 4.0 strategy are: the strong customization of products under the conditions of highly flexibilized (mass-) production.

  

--- gleichnamiges Projekt in der Hightech-Strategie ---

 

Die Plattform Industrie 4.0 hat zum Ziel, IT-Technologien mit Produktionstechnologien zu verschmelzen.

Es ergeben sich zahlreiche bis heute ungeklärte rechtliche Fragen.

 

Industrie 4.0 -> 5.0

„Industrie-4.0-ready“ - Next Generation 5.0

 

Deutschlands naiver Traum von der smarten Fabrik:

Zudem basiert Industrie 4.0 auf dem Denkfehler, dass ein nicht lineares und - soziales System wie eine Fabrik - mit Algorithmen steuerbar ist.

Wo bleibt der Mensch?

www.kuka.com/de-de/technologien/industrie-4-0/industrie-4...

 

Mensch-Roboter-Kollaboration (Cobotics) und Mobility an. Mobile Cobots reagieren bereits heute intelligent auf ihr Umfeld und sind universell einsetzbar. „Kollege Roboter“ wird bei KUKA Realität.

 

L'Industrie 4.0?

La robotique industrielle?

 

Ses bases technologiques sont l'Internet des objets et les systèmes cyber-physiques.

Les robots industriels sont très utilisés en automobile.

Constructeurs

 

Drapeau de la Suisse Suisse : Stäubli

Drapeau de la Suisse Suisse : ABB Robotics

Drapeau des États-Unis États-Unis : Adept Technology

Drapeau de l'Allemagne Allemagne : Bosch

Drapeau de l'Allemagne Allemagne : Cloos GmbH

Drapeau de l'Allemagne Allemagne : Festo

Drapeau de l'Allemagne Allemagne : Dürr (peinture)

Drapeau de l'Allemagne Allemagne : Roteg

Drapeau de l'Autriche Autriche : IGM

Drapeau de l'Italie Italie : Comau

Drapeau du Japon Japon : DENSO Robotics

Drapeau du Japon Japon : Epson Robots

Drapeau du Japon Japon : FANUC Robotics

Drapeau du Japon Japon : Fuji Yusoki Robotics

Drapeau de la Corée du Sud Corée du Sud : Hyundai Robotics

Drapeau du Japon Japon : Intelligent Actuator (IAI)

Drapeau des États-Unis États-Unis : Intelitek

Drapeau du Japon Japon : Janome

Drapeau du Japon Japon : Kawasaki Heavy Industries

Drapeau de l'Allemagne Allemagne : KUKA Robotics

En 2003, les robots industriels KUKA apparaissent dans Lara Croft Tomb Raider : Le berceau de la vie et en 2005 dans Les Sentinelles de l'air et dans Da Vinci Code avec Tom Hanks en 2006.

Vergeblich hatte die Bundesregierung versucht, eine Übernahme von Kuka durch die chinesische Firma Midea

(besitzt offizielle nur 48,5 %) abzuwehren und hatte dafür geworben, dass sich deutsche Unternehmen beteiligen.

 

Die Robotik gilt als Schlüsseltechnologie des 21. Jahrhunderts und man versuchte zu verhindern, dass zukunftsträchtige Technologie aus Deutschland nach China abwandert.

 

KUKA Systems (Maschinenbau seit 1898, Augsburg) ist ein internationaler Anbieter für Produkte und Dienstleistungen im Bereich der industriellen Verarbeitung von metallischen und nichtmetallischen Werkstoffen, bedient hier verschiedene Branchen (Automobil, Schienenverkehr, Luft- und Raumfahrt, Photovoltaik, Industrie) und zählt sich selbst zu den Marktführern auf diesem Gebiet.

 

(Midea (China) dürfte nach der Übernahme Patente, Daten und anderes Know-how aus Kuka herausziehen und selbst nutzen könnte - es fehlt ein europäisches Aussenwirtschaftsgesetz )

Umsatz

2,966 Mrd. Euro 2015

www.kuka.com/

"Es sind echte Charaktere, die bei KUKA die Zukunft der Automatisierung gestalten. Lernen Sie unsere Vordenker kennen!

 

Born for Industrie 4.0 - Die KUKA Stories"

"Die Industrie 4.0 wird vorangetrieben von Menschen, die die Fähigkeit haben, völlig neue Arten von Verbindungen herzustellen: zwischen realer und digitaler Welt, zwischen Mensch und Maschine, zwischen heute und morgen."

 

Drapeau de l'Espagne Espagne : Loxin

Drapeau de la France France : Chavériat Robotique

Drapeau de la France France : LUCAS France

Drapeau de la France France : MIP robotics

Drapeau du Japon Japon : Mitsubishi Electric

Drapeau du Japon Japon : Yaskawa-Motoman

Drapeau du Japon Japon : Nachi Robotic Systems Inc.

Drapeau du Japon Japon : Nidec Sankyo

Drapeau du Japon Japon : OTC-Daihen

Drapeau du Japon Japon : Panasonic Corporation

Drapeau de l'Allemagne Allemagne : Reis Robotics

Drapeau de la Corée du Sud Corée du Sud : Samsung

Drapeau de la France France : SCEMI (ex-filiale d'Alsthom) dont l'activité robotique a pris fin dans les années 1980

Drapeau de la France France : SEPRO Group

Drapeau de la Suisse Suisse: Stäubli Robotics

Drapeau des États-Unis États-Unis : ST Robotics

Drapeau du Japon Japon : Toshiba Machine

Drapeau du Japon Japon : Yamaha Motor Company

Drapeau de la France France Drapeau de la Slovaquie Slovaquie France Slovaquie : Robot-Delta

Video

4.0 by Kuka

 

www.youtube.com/KukaRobotGroup "Hello Industrie 4.0_we connect you," from April 24 to 28, 2017

Newspaper ad from Sept 18, 1980 for Carl's Market in Osage Beach, Missouri.

  

When humans and robots work side by side, it isn’t always easy: How to communicate with a colleague who only consists of a gripper arm? How do you create a safe working relationship, even if humans and machines work physically closely together - and how can robots be more easily accepted in everyday work?

The nationwide CoBot Studio research project of the LIT Robopsychology Lab at the Johannes Kepler University of Linz, which is being implemented in cooperation with the Ars Electronica Futurelab and five other project partners, is concerned with this very issue. The aim is to create a unique mixed reality environment in which future forms of collaboration with CoBots, i.e. collaborative robots, can already be simulated today. Diverse disciplines, ranging from robotics to psychology and virtual reality to non-verbal communication, will be involved.

 

Credit: CoBot Studio

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots. A comprehensive presentation of the research in deep space 8K was part of this year's Ars Electronica Festival.

 

Read more: ars.electronica.art/newdigitaldeal/en/cobot-studio/

 

Photo showing: Roland Haring

 

Photo: Denise Hirtenfelder

The research study of the Robopsychology Lab of the Linz Institute of Technology at the JKU under the direction of Prof. Martina Mara is investigating the cooperation between humans and robots. Visitors to Deep Space 8K will encounter a real, mobile industrial robot, with which they can enter a virtual underwater laboratory, where they will work together to get a special submarine ready for launch. Nothing less is at stake than ridding the the oceans from plastic waste.

 

Photo: Ars Electronica - Birgit Cakir

LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT); Center for Human-Computer Interaction, Universität Salzburg (AT); Joanneum Robotics JOANNEUM RESEARCH Forschungsgesellschaft mbH (AT); Polycular OG (AT); Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT); Blue Danube Robotics GmbH (AT); Ars Electronica Futurelab (AT) text by Roland Haring and Birgit Cakir

 

When humans and robots work side by side, it’s not always easy: widespread skepticism and a lack of communication paradigms will create new challenges in future work environments. How can trust and acceptance be established in the workplace of the future? How can human-robot work environments be designed? In CoBot Studio — a collaborative research project funded by the program Ideen Lab 4.0 of the FFG — researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer- Interaction (Universität Salzburg), Johanneum Robotics (JOHANNEUM RESEARCH), Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots. Deep Space 8K will be used to create a unique, mixedreality environment that simulates future forms of collaboration. From robotics to psychology and virtual reality, to methods of nonverbal communication, the research project will draw on a wide variety of disciplines. The research takes place at the interface between psychology and technology. It creates new knowledge as a basis for improved communication between humans and CoBots — robots that can work together with humans in confined spaces without endangering their safety. Non-verbal communication and intention signals that facilitate the assessment of the interaction partner’s intention are being investigated. A virtual reality research environment was first used to investigate the relationship between signal intelligibility and trust. In Deep Space 8K, subjects will now encounter a real CoBot in the virtual environment and attempt to interpret its signals. The answers expected from this research project should provide important information for the development of future CoBots. The teamwork between man and machine can benefit greatly from the knowledge gained. CoBot Studio is therefore another important step towards reforming the working world of the future in the interests of people.

 

Credit: Robert Bauernhansl

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots. A comprehensive presentation of the research in deep space 8K was part of this year's Ars Electronica Festival.

 

Read more: ars.electronica.art/newdigitaldeal/en/cobot-studio/

 

Photo showing: Martina Mara

 

Photo: Denise Hirtenfelder

Research Insights into Human Robot Collaboration

 

With the „CoBot Studio“ research program, the LIT Robopsychology Lab of the JKU Linz, the Ars Electronica Futurelab and five other partners have been working on these and more questions for years now. After the final study in spring, immersing participants in the Deep Space 8K with a real robot co-worker, members of the research team now presented the findings of this unique research project on Sept. 8, Futurelab Day.

 

Photo: Ars Electronica Futurelab / Birgit Cakir

Photos showing impressions of the Deep Space 8K Event "CoBot Studio" by LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT), Center for Human-Computer Interaction, Universität Salzburg (AT), JOANNEUM RESEARCH – ROBOTICS (AT), Polycular OG (AT), Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT), Blue Danube Robotics GmbH (AT), Ars Electronica Futurelab (AT) at the Ars Electronica Festival 2021.

 

When humans and robots work side by side, it’s not always easy: widespread skepticism and a lack of communication paradigms will create new challenges in future work environments. How can trust and acceptance be established in the workplace of the future? How can human-robot work environments be designed?

 

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots.

 

Credit: vog.photo

View Large On Black

 

This abandoned relic can be seen in Wingfield Basin, just around the corner from the The Cabot Head Lighthouse . Wingfield Basin is the perfect shelter for any boat which can pass the shallow bar at the entrance. Steam tugs and small schooners, have found it to their liking and recreational sailors have always sought the Basin’s refuge.

The research study of the Robopsychology Lab of the Linz Institute of Technology at the JKU under the direction of Prof. Martina Mara is investigating the cooperation between humans and robots. Visitors to Deep Space 8K will encounter a real, mobile industrial robot, with which they can enter a virtual underwater laboratory, where they will work together to get a special submarine ready for launch. Nothing less is at stake than ridding the the oceans from plastic waste.

 

Credit: Ars Electronica / Martin Hieslmair

Day 3: 14 Febbraio 2020

@ Oval Lingotto, Torino

 

Tutti i diritti riservati - All rights reserved

Read more: carlo.granisso.it/tecnologia/

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots. A comprehensive presentation of the research in deep space 8K was part of this year's Ars Electronica Festival.

 

Read more: ars.electronica.art/newdigitaldeal/en/cobot-studio/

 

Photo: Denise Hirtenfelder

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots. A comprehensive presentation of the research in deep space 8K was part of this year's Ars Electronica Festival.

 

Read more: ars.electronica.art/newdigitaldeal/en/cobot-studio/

 

Photo showing:

 

Photo: Denise Hirtenfelder

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots. A comprehensive presentation of the research in deep space 8K was part of this year's Ars Electronica Festival.

 

Read more: ars.electronica.art/newdigitaldeal/en/cobot-studio/

 

Photo showing:

 

Photo: Denise Hirtenfelder

Photo showing Bernhard Reiter at the Deep Space 8K Event "CoBot Studio" by LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT), Center for Human-Computer Interaction, Universität Salzburg (AT), JOANNEUM RESEARCH – ROBOTICS (AT), Polycular OG (AT), Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT), Blue Danube Robotics GmbH (AT), Ars Electronica Futurelab (AT) at the Ars Electronica Festival 2021.

 

When humans and robots work side by side, it’s not always easy: widespread skepticism and a lack of communication paradigms will create new challenges in future work environments. How can trust and acceptance be established in the workplace of the future? How can human-robot work environments be designed?

 

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots.

 

Credit: vog.photo

Photo showing Michael Heiml (Project Lead) at the Deep Space 8K Event "CoBot Studio" by LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT), Center for Human-Computer Interaction, Universität Salzburg (AT), JOANNEUM RESEARCH – ROBOTICS (AT), Polycular OG (AT), Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT), Blue Danube Robotics GmbH (AT), Ars Electronica Futurelab (AT) at the Ars Electronica Festival 2021.

 

When humans and robots work side by side, it’s not always easy: widespread skepticism and a lack of communication paradigms will create new challenges in future work environments. How can trust and acceptance be established in the workplace of the future? How can human-robot work environments be designed?

 

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots.

 

Credit: vog.photo

Photos showing impressions of the Deep Space 8K Event "CoBot Studio" by LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT), Center for Human-Computer Interaction, Universität Salzburg (AT), JOANNEUM RESEARCH – ROBOTICS (AT), Polycular OG (AT), Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT), Blue Danube Robotics GmbH (AT), Ars Electronica Futurelab (AT) at the Ars Electronica Festival 2021.

 

When humans and robots work side by side, it’s not always easy: widespread skepticism and a lack of communication paradigms will create new challenges in future work environments. How can trust and acceptance be established in the workplace of the future? How can human-robot work environments be designed?

 

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots.

 

Credit: vog.photo

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots. A comprehensive presentation of the research in deep space 8K was part of this year's Ars Electronica Festival.

 

Read more: ars.electronica.art/newdigitaldeal/en/cobot-studio/

 

Photo showing: Martina Mara

 

Photo: Denise Hirtenfelder

Photos showing impressions of the Deep Space 8K Event "CoBot Studio" by LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT), Center for Human-Computer Interaction, Universität Salzburg (AT), JOANNEUM RESEARCH – ROBOTICS (AT), Polycular OG (AT), Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT), Blue Danube Robotics GmbH (AT), Ars Electronica Futurelab (AT) at the Ars Electronica Festival 2021.

 

When humans and robots work side by side, it’s not always easy: widespread skepticism and a lack of communication paradigms will create new challenges in future work environments. How can trust and acceptance be established in the workplace of the future? How can human-robot work environments be designed?

 

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots.

 

Credit: vog.photo

Photos showing impressions of the Deep Space 8K Event "CoBot Studio" by LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT), Center for Human-Computer Interaction, Universität Salzburg (AT), JOANNEUM RESEARCH – ROBOTICS (AT), Polycular OG (AT), Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT), Blue Danube Robotics GmbH (AT), Ars Electronica Futurelab (AT) at the Ars Electronica Festival 2021.

 

When humans and robots work side by side, it’s not always easy: widespread skepticism and a lack of communication paradigms will create new challenges in future work environments. How can trust and acceptance be established in the workplace of the future? How can human-robot work environments be designed?

 

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots.

 

Credit: vog.photo

All collaborators: LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT); Center for Human-Computer Interaction, Universität Salzburg (AT); Joanneum Robotics JOANNEUM RESEARCH Forschungsgesellschaft mbH (AT); Polycular OG (AT); Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT); Blue Danube Robotics GmbH (AT); Ars Electronica Futurelab (AT)

 

People already work closely with machines, often together with them. Many conventions have already been established in the use of a computer. Humans and robots increasingly work side by side, too, but cooperation and the communication required for that only work to a limited extent. In the future, more and more workplaces will be equipped with collaborative robots, so-called “CoBots”. For a team to work effectively, understanding, acceptance, and trust are needed – the certainty that the intentions of each other are correctly understood.

 

Photo: Martin Hieslmair

In CoBot Studio, researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics, are developing new standards for successful teamwork between humans and robots. A comprehensive presentation of the research in deep space 8K was part of this year's Ars Electronica Festival.

 

Project funded by the program Ideen Lab 4.0 of the FFG

 

Read more: ars.electronica.art/newdigitaldeal/en/cobot-studio/

 

Photo: Denise Hirtenfelder

Photos showing impressions of the Deep Space 8K Event "CoBot Studio" by LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT), Center for Human-Computer Interaction, Universität Salzburg (AT), JOANNEUM RESEARCH – ROBOTICS (AT), Polycular OG (AT), Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT), Blue Danube Robotics GmbH (AT), Ars Electronica Futurelab (AT) at the Ars Electronica Festival 2021.

 

When humans and robots work side by side, it’s not always easy: widespread skepticism and a lack of communication paradigms will create new challenges in future work environments. How can trust and acceptance be established in the workplace of the future? How can human-robot work environments be designed?

 

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots.

 

Credit: vog.photo

Welcome to Svaya Robotics - where robots augment human ability and integrate the real world with the virtual to unlock unlimited possibilities. Through our human-robot interaction & collaborations, the nature of businesses will fundamentally shift production from rigid standardization to flexible automation, individualization and autonomy. visit : svayarobotics.com/

 

Photos showing Brigitte Krenn (Head of Unit, Language and Interaction Technologies, Austrian Research Institute for Artificial Intelligence (OFAI)) at the Deep Space 8K Event "CoBot Studio" by LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT), Center for Human-Computer Interaction, Universität Salzburg (AT), JOANNEUM RESEARCH – ROBOTICS (AT), Polycular OG (AT), Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT), Blue Danube Robotics GmbH (AT), Ars Electronica Futurelab (AT) at the Ars Electronica Festival 2021.

 

When humans and robots work side by side, it’s not always easy: widespread skepticism and a lack of communication paradigms will create new challenges in future work environments. How can trust and acceptance be established in the workplace of the future? How can human-robot work environments be designed?

 

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots.

 

Credit: vog.photo

Photos showing impressions of the Deep Space 8K Event "CoBot Studio" by LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT), Center for Human-Computer Interaction, Universität Salzburg (AT), JOANNEUM RESEARCH – ROBOTICS (AT), Polycular OG (AT), Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT), Blue Danube Robotics GmbH (AT), Ars Electronica Futurelab (AT) at the Ars Electronica Festival 2021.

 

When humans and robots work side by side, it’s not always easy: widespread skepticism and a lack of communication paradigms will create new challenges in future work environments. How can trust and acceptance be established in the workplace of the future? How can human-robot work environments be designed?

 

In CoBot Studio – a collaborative research project funded by the program Ideen Lab 4.0 of the FFG – researchers from Ars Electronica Futurelab, LIT Robopsychology Lab (JKU Linz), Centre for Human-Computer-Interaction (Universität Salzburg), JOANNEUM RESEARCH – ROBOTICS, Polycular OG, Austrian Research Institute for Artificial Intelligence (OFAI) and Blue Danube Robotics are developing new standards for successful teamwork between humans and robots.

 

Credit: vog.photo

The research study of the Robopsychology Lab of the Linz Institute of Technology at the JKU under the direction of Prof. Martina Mara is investigating the cooperation between humans and robots. Visitors to Deep Space 8K will encounter a real, mobile industrial robot, with which they can enter a virtual underwater laboratory, where they will work together to get a special submarine ready for launch. Nothing less is at stake than ridding the the oceans from plastic waste.

 

Credit: Ars Electronica / Martin Hieslmair

The research study of the Robopsychology Lab of the Linz Institute of Technology at the JKU under the direction of Prof. Martina Mara is investigating the cooperation between humans and robots. Visitors to Deep Space 8K will encounter a real, mobile industrial robot, with which they can enter a virtual underwater laboratory, where they will work together to get a special submarine ready for launch. Nothing less is at stake than ridding the the oceans from plastic waste.

 

Credit: Ars Electronica / Martin Hieslmair

Il primo giorno della tredicesima edizione della RomeCup. Dal 2 al 5 aprile presso il Dipartimento di Ingegneria dell'Università Roma Tre e in Campidoglio.

  

In Aula Conferenze la performance di apertura del Dj bionico Michele Specchiale e i saluti istituzionali. Plenary lecture con Paolo Dario, professore di Robotica biomedica - Istituto di Biorobotica, Scuola Superiore S. Anna di Pisa -, e l’international guest speaker Michelle Jillian Johnson, Assistant Professor of Physical Medicine and Rehabilitation - University of Pennsylvania.

 

Plenary preview talks: Human Enhancement con Martina Caironi, campionessa paralimpica, e Monica Contraffatto, militare a atleta paralimpica italiana (interviste a cura di Sandro Fioravanti, giornalista sportivo); Donne e robotica con Maria Chiara Carrozza, direttore scientifico della Fondazione Don Gnocchi (intervista a cura di Federica Meta, giornalista CorCom), e Giovani talenti con Bruno Siciliano, Professor of Control and Robotics, Director of the Interdepartmental Center for Advanced Robotics in Surgery (ICAROS) - Università degli Studi di Napoli Federico II -, e Gaetano Capasso, CEO di ItalRobot Srl (intervista a cura di Federica Meta, giornalista CorCom).

 

Il Top talk La robotica delle donne con Cecilia Laschi, professore ordinario di bioingegneria industriale - Istituto di BioRobotica della Scuola Superiore Sant'Anna di Pisa -, Laura Margheri, Post Doc, Centro di Micro-BioRobotica - Istituto Italiano di Tecnologia -, Loredana Zollo, professore associato bioingegneria industriale - Università Campus Bio Medico di Roma -, Federica Pascucci, ricercatore dipartimento di Informatica e Automazione - Università degli studi di Roma Tre – (modera Claudia Voltattorni, giornalista).

 

Nella Sala del Carro Ponte il Top talk Giovani talenti con Alfonso Molina, direttore scientifico della Fondazione Mondo Digitale, Marco De Guzzis, responsabile Sviluppo Mercato e Servizi di Invitalia, Bruno Siciliano, Professor of Control and Robotics, Director of the Interdepartmental Center for Advanced Robotics in Surgery (ICAROS) - Università degli Studi di Napoli Federico II -, Gaetano Capasso, CEO di ItalRobot Srl (modera Giorgio Pacifici, giornalista Rai).

Il lancio della sfida “SuperConnected Robot” dell’Hackathon “I Giovani Talenti Italiani della Robotica” - in collaborazione con Invitalia e Scuola Superiore Sant’Anna di Pisa.

 

Aree dimostrative e allenamenti per Competizioni e Contest Creativi.

  

Foto di Rina Ciampolillo.

Research Insights into Human Robot Collaboration

 

With the „CoBot Studio“ research program, the LIT Robopsychology Lab of the JKU Linz, the Ars Electronica Futurelab and five other partners have been working on these and more questions for years now. After the final study in spring, immersing participants in the Deep Space 8K with a real robot co-worker, members of the research team now presented the findings of this unique research project on Sept. 8, Futurelab Day.

 

Photo showing: Kathrin Meyer (DE)

 

Photo: Ars Electronica Futurelab / Birgit Cakir

Photo showing the team members of the CoBot Studio - a research platform that was startet by the LIT Robopsychology Lab of JKU Linz with the Ars Electronica Futurelab.

 

Credit: vog.photo

Il secondo giorno della tredicesima edizione della RomeCup. Dal 2 al 5 aprile presso il Dipartimento di Ingegneria dell'Università Roma Tre e in Campidoglio.

  

Aree espositivi, laboratori, allenamenti e il lancio dell’Hackathon Robotica e Scienze della Vita - in collaborazione con Lazio Innova e Università Campus Bio Medico di Roma – a cura di Alfonso Molina, direttore scientifico della Fondazione Mondo Digitale, Luigi Campitelli, direttore Operations e Open Innovation Hubs Lazio Innova, e Eugenio Guglielmelli, prorettore alla ricerca dell’Università Campus Bio-Medico di Roma.

 

Fase finale, pitch elevator e premiazione Challenge 5G4School.

 

Pitch elevator e premiazione Hackathon Robotica e Scienze della Vita.

  

Foto di Rina Ciampolillo.

Research Insights into Human Robot Collaboration

 

With the „CoBot Studio“ research program, the LIT Robopsychology Lab of the JKU Linz, the Ars Electronica Futurelab and five other partners have been working on these and more questions for years now. After the final study in spring, immersing participants in the Deep Space 8K with a real robot co-worker, members of the research team now presented the findings of this unique research project on Sept. 8, Futurelab Day.

 

Photo: Ars Electronica Futurelab / Birgit Cakir

Il terzo giorno della tredicesima edizione della RomeCup. Dal 2 al 5 aprile presso il Dipartimento di Ingegneria dell'Università Roma Tre e in Campidoglio.

 

Proseguono i laboratori, i talk di orientamento, gli allenamenti per le competizioni, con le aree espositive da visitare.

 

I pitch e le premiazioni dei Contest Creativi - NonniBot, AgroBot, TirBot, CoBot, MareBot. I pitch e le premiazioni dell'Hackathon I giovani talenti italiani della robotica - Super Connecetd Robot.

  

Foto di Rina Ciampolillo.

Il quarto e ultimo giorno della tredicesima edizione della RomeCup. Dal 2 al 5 aprile presso il Dipartimento di Ingegneria dell'Università Roma Tre e in Campidoglio.

 

Siamo nella Sala della Protomoteca in Campidoglio, dove si svolgono le fasi finali delle competizioni.

Le categorie Soccer, On Stage, Rescue ed Explorer gareggiano per il 13° Trofeo Internazionale Città di Roma di Robotica e per le selezioni nazionali Robocup Junior.

 

Esibizione dei robot umanoidi NAO a cura dell’Università Sapienza di Roma, e premiazioni.

  

Foto di Rina Ciampolillo.

CAMP CASEY, South Korea – Pfc. Alexander J. Mclean, a Cobot, Arkansas native, assigned to 2nd Battalion, 18th Field Artillery Regiment, 210th Field Artillery Brigade, 2nd Infantry Division/ROK-US Combined Division, uses a lensatic compass to obtain his location in preparation of a range card for a machine gun during the Best Warrior Competition, March 30, 2017, on Camp Casey, South Korea. Competitors are assessed by their breadth and depth of knowledge on the areas such as survival, battle-focused training, weapons, land navigation, and a myriad of other focus areas. (U.S. Army photo by Cpl. Michelle U. Blesam, 210th FA BDE PAO)

 

Meet Alex from Cobot. He loves coworking because it makes work social.

Old Plimsoll House Office at Filton High School in Bristol (UK) on Fuji Finepix S5800 - Date 18.10.2009

Des images de l’exposition Innorobo aux Docks de Paris, du 24 au 26 Mai 2016, consacrées à la robotique et l’impression 3D

innorobo.com/fr/accueil/

Looking down the street after just leaving Cobot Square

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