View allAll Photos Tagged cms

River Clyde, Photographed from Dumbarton

 

"CMS Wrestler" on the Clyde Marine website (PDF Document)

Rare and endangered birds found only in a few places across the country. Sightings are prized by bird lovers and photographers. They behave like terns both in flight and roosting behaviour, but are larger around 40-45 cms. These birds are mainly found in rivers and estuaries and are impossible to miss due to their bright orange, white and black colors.

 

The distinctive feature is the bill, with a long lower mandible and a short upper mandible. The birds skim on the water with their beaks open and grab fish, shrimp and other crustaceans and larvae. They are a delight to watch and we were lucky to sight around 300+ of them and spent an hour on the mossy wet ground shooting them. This was one of the largest concentrations of the bird.

 

Habitat degradation such as fishing, transportation, irrigation schemes etc.. are the main reason for their endangered status. The colonies lie in the sandbars of the rivers on the estuaries making them very hard to protect as well. Feral dogs, crows and other predators are known to decimate breeding colonies.

 

Many thanks in advance for your views and feedback. Much appreciated.

At Eastham , on the back of one of the cargo ships going into the locks on the MSC .

I always thought the combination of CGSY and CMs in CFCLA corporate livery was a neat pairing, and this would be the last time I ever saw it. CM3304 and CM3316 work empty grain 9365 to Temora.

 

On the return trip for this train, 39 out of 41 wagons derailed whilst descending the Illawarra Escarpment, and destroyed them along with alot of rail infrastructure. The line was closed for 1 week, with full operations returning just a few days ago.

 

2020-12-13 Qube CM3304-CM3316 Moss Vale 9365

Copyright 2019 Harry Garland, All rights reserved.

Rayos Apl Saner Bain

CERN - Ginevra 2014

The Large Hadron Collider (LHC)

Detector CMS

 

more photos inside

I've had two rolls of Adox CMS 20 II sitting on the darkroom shelf, staring at me, for two plus years now, waiting for me to act. I have hesitated, since access to the Adotech developer Adox has made specifically for this film is often difficult, and it does need a special, low contrast developer to get "continuous tone" out of it.

 

But yesterday I decided to do some research and I found a couple recipes for copy films in Anchell & Troop's Darkroom Cookbook and gave two a try: TDLC-103* and a modified PMK dilution. This image is from one of the TDLC-103 negatives.

The PMK negs were usable as well, but created less highlight separation than the TDLC-103, so in the future, I will just use the TDLC-103.

 

Photographed with my Kodak Signet 35, which has a f3.5 Ektar lens (A Tessar formula), and the aperture used here was likely f11 or f16. Talk about sharp - click on the image to see the detail. Remember - this is a 35mm negative! (from a camera made in 1954: flic.kr/p/2mXJWBf)

 

* basically, TDLC-103 is a very dilute D-23 with Sodium bicarbonate.

Cms representando Venezuela 2012

 

Leased CFCL Australia units CM3308/CM3304, operated by Bowmans Rail, drop down through the curves at Huddlestone with the Cristal Mining containerised mineral sands train from Kanadah to Port Adelaide on 27 October 2016.

 

IMG_4214_733

VP-CMS Airbus A320-232 ex Qatar Airways @ Kemble Airfield 26/09/2020

Explore: Jul 27, 2008 #242. The new Centre for Mathematical Sciences, University of Cambridge.

As I wait for my ONDU Eikan Range / Panoramikku 4x5 and 4x10 combo camera to arrive, I figured I would take out the ONDU 6x12 Multiformat pinhole, which I’ve neglected. The Belford Seafood Co-op Fish Market seemed like a good subject. Adox CMS 100 II, Rodinal 1:50.

EI-CMS BAe 146-200 Cityjet @ Dublin International Airport (scanned from 35mm print / Canon EOS 50)

EI-CMS British Aerospace BAe-146-200 (E2044) CityJet - London City Airport / EGLC 31-03-1997

BAE 146-200A

KLM UK

Dublin 14/1/1999

It took longer than I wanted, but I finally have them all. Now it's time to do a proper photo with them all!

Accompanied by the intro to the fourth movement of Rachmaninoff's 1st symphony!

CMS Innovation Water Injection Dredger

 

Year of built ~ 1998

Rebuilt ~ 2013

Upgraded ~ 2016

Port of Registry ~ Cardiff

 

Seen working in Bristol docks

 

Taken with a Nikon D7000

Batting 100% 16 out of 16 packs bought to complete the set!

Acuarela sobre papel Fabriano Acquarello

36x48 cms

Watercolor on Fabriano paper 14"x19"

 

Centre for Mathematical Sciences, University of Cambridge. A "Sir Cam" abstraction of the ceiling of the Common Room (see previous photo:-) Photo by permission.

dedicated to nan,sid rip,,also dedicated to the staff at chrome an black,,,, rate, 2cold,olivia,cemo(paris),,,,,,sur,dis1,soma,dicer,colour,drift27,astec, and the rest of yds,cms,rfk familys,

Centre for Mathematical Sciences at Cambridge University

  

Nikon F80 -Adox CMS 20- Adotech III- 1+29-16 min,25° 10C 2min

Tre scatti HDR

Per ovviare alla bassa gamma tonale di questa pellicola ad alta risoluzione ho provato an fare una fusione di tre scatti digitalizzati , naturalmente non è possibile fare una stampa chimica.

A Cumberland FLF poses in the sun in Keswick bus station in Sept 1976.

CM3314 and CM3304 work 4MC7 away from Albury through Lavington as they head for Junee.

 

Wednesday 15th November 2017

CERN - Ginevra 2014

The Large Hadron Collider (LHC)

Detector CMS

Como me gusta la perra de HOLLY

McySide

Nikon F100, 50mm, Adox CMS 20, Developed & Scanned by Fotoimpex.

Alongside Clyde Marine Services Office at Victoria Harbour, Greenock.

 

Vessel Details:- Damen ASD TUG 2009.

Vessel Name:- CMS WRESTLER.

IMO:- 9768825.

MMSI:- 232022727.

Call Sign:- MFMN4.

Classification:- Lloyds Register.

Length:- 21.2m.

Beam:- 9.40m.

Draught:- 3.80m.

Builder:- Built in 2019 by Damen Shipyards Gorinchem, Netherlands.

Power Plant:- 2x Caterpillar 3512C TA Diesel Engines.

Propulsion:- 2 x SchottelSRP550.

Registration:- Greenock, UK.

Gross Tonnage:- 251t

 

Copyright 2020 Harry Garland, All rights reserved.

 

One of my wife’s favorite Cabernet Sauvignon (76%) blends from one of our a local wineries. We’re on our second glasses; seems like a beginning of a fun-filled Friday evening.

—

Voigtländer Nokton Classic VM 35mm f/1.4 MC II + Fujifilm X-E3.

Materials: Adobe Photoshop, Stock Images

 

Processes: I started this project by painting over a stock image of a forest I found online exactly how it was, with variation in realism. This in itself took me several days, but once this was done I came to the issue of what I wanted to do next, as my original idea was no longer sitting well with me. After some thinking and looking around online for artworks done similarly to my own for inspiration I decided to take a complete turn and scrap a main piece of my original idea, opting for something on a less realistic scale, aka the Japanese monsters. They were done relatively in the same way I did forest itself, with the mixer brush, and I believe they added a level of fun and creativity that I was looking for in my original idea that is just didn't quite grasp. I later did more revisions to finish the piece off, such as changing the placement of the main monster, added a noise filter to give it texture, then changed the hue to give everything a redder undertone.

 

Ideas: I wanted to manipulate and illustrate over an image and give it a more fantastical look while still maintaining the original picture beneath.

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