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This is a velocity image from KNKX of "The Storm" over the San Diego County Desert on Saturday, September 5, 2009. The green colors represent movement toward the radar while the red colors represent movement away from the radar. Where the bright red and green colors meet... that is 95 knot rotational shear at cloud base!!! WOW!
The Great Smoky Mountains National Park
The most visited National Park in the USA.
This view was taken during a brief window in the cloud, looking into North Carolina. There is a line of three prominent peaks just touching the cloud base on the right of the photo.; just to the left of them is a more distant mountain, which is Mount Pisgah, 1744m, 69km away (information from the view indicator at the summit).
Thomas Lanier Clingman was a North Carolina Senator, a US Congressman, a Brigadier General in the Confederate army, and later a surveyor. The highest mountain in the Smokies, 2025m in altitude on the border between North Carolina and Tennessee, is named in his honour.
en.wikipedia.org/wiki/Great_Smoky_Mountains
The Red Arrows, officially known as the Royal Air Force Aerobatic Team, is the aerobatics display team of the Royal Air Force (RAF) based at RAF Waddington. The team was formed in late 1964 as an all-RAF team, replacing a number of unofficial teams that had been sponsored by RAF commands.
The Red Arrows have a prominent place in British popular culture, with their aerobatic displays a fixture of British summer events. The badge of the Red Arrows shows the aircraft in their trademark diamond nine formation, with the motto Éclat, a French word meaning "brilliance" or "excellence".
Initially, they were equipped with seven Folland Gnat trainers inherited from the RAF Yellowjacks display team. This aircraft was chosen because it was less expensive to operate than front-line fighters. In their first season, they flew at 65 shows across Europe. In 1966, the team was increased to nine members, enabling them to develop their Diamond Nine formation. In late 1979, they switched to the BAE Hawk trainer. The Red Arrows have performed over 4,800 displays in 57 countries worldwide.
History
Predecessors
In 1925, No. 32 Squadron RAF flew an air display six nights a week entitled "London Defended" at the British Empire Exhibition. Similar to the display they had done the previous year, when the aircraft were painted black, it consisted of a night-time air display over the Wembley Exhibition flying RAF Sopwith Snipes which were painted red for the display and fitted with white lights on the wings, tail, and fuselage. The display involved firing blank ammunition into the stadium crowds and dropping pyrotechnics from the aeroplanes to simulate shrapnel from guns on the ground. Explosions on the ground also produced the effect of bombs being dropped into the stadium by the aeroplanes. One of the pilots in the display was Flying Officer C. W. A. Scott, who later became famous for breaking three England–Australia solo flight records and winning the MacRobertson Air Race with co-pilot Tom Campbell Black in 1934.
In 1947, the first jet team of three de Havilland Vampires came from RAF Odiham Fighter Wing. Various teams flew the Vampire, and in 1950, No. 72 Squadron was flying a team of seven. No. 54 Squadron became the first RAF jet formation team to use smoke trails. Vampires were replaced by Gloster Meteors, No. 66 Squadron developing a formation team of six aircraft.
Hawker Hunter aircraft were first used for aerobatics teams in 1955, when No. 54 Squadron flew a formation of four.
The official RAF team was provided by No. 111 Squadron in 1956, and for the first time, the aircraft had a special colour scheme, which was an all-black finish. After a demonstration in France, they were hailed as "Les Fleches Noires" and from then on known as the Black Arrows. This team became the first team to fly a five-Hunter formation. In 1958, the Black Arrows performed a loop and barrel roll of 22 Hunters, a world record for the greatest number of aircraft looped in formation. The Black Arrows were the premier team until 1961, when the Blue Diamonds (No. 92 Squadron) continued their role, flying 16 blue Hunters.
In 1960, the Tigers (No. 74 Squadron) were re-equipped with the supersonic English Electric Lightning and performed wing-overs and rolls with nine aircraft in tight formation. They sometimes gave co-ordinated displays with the Blue Diamonds. Yet another aerobatics team was formed in 1960 by No. 56 Squadron, the Firebirds, with nine red and silver Lightnings.
In 1964, the Red Pelicans, flying six BAC Jet Provost T Mk 4s, assumed the role of the RAF's leading display team. In that same year, a team of five yellow Gnat trainers from No 4 Flying Training School displayed at the Farnborough Airshow. This team became known as the Yellowjacks after Flight Lieutenant Lee Jones's call sign, "Yellowjack".
In 1964, all the RAF display teams were amalgamated, as it was feared pilots were spending too much time practising formation aerobatics rather than operational training. The new team name took the word "red" from the fact that the Red Pelicans' planes had been painted red (for safety reasons, as it was a far clearer and more visible colour in the sky) and "arrows" after the Black Arrows.
Establishment
The Royal Air Force Aerobatic Team, the formal name of the Red Arrows, began life at RAF Little Rissington in Gloucestershire, then the Central Flying School. The Red Arrows moved to RAF Kemble, now Cotswold Airport, in 1966 after RAF Fairford became the place of choice for BAC to run test flights for the Concorde supersonic airliner. When RAF Scampton became the CFS headquarters in 1983, the Red Arrows moved there. As an economy measure, Scampton closed in 1995, so the Red Arrows moved just 20 miles to RAF Cranwell; however, as they still used the air space above Scampton, the emergency facilities and runways had to be maintained. Since 21 December 2000, the Red Arrows have been based again at RAF Scampton, near Lincoln. On 13 October 2022, the Red Arrows moved to their new base at RAF Waddington.
The first team, led by Squadron Leader Lee Jones, had seven display pilots and flew the Folland Gnat T1 jet trainer. The first display in the UK was on 6 May 1965, at Little Rissington for a press day. At the subsequent National Air Day display, three days later, at Clermont Ferrand in France, one French journalist described the team as "Les Fleches Rouges", confirming the name "The Red Arrows". By the end of their first season, the Red Arrows had displayed 65 times in Britain, France, Italy, the Netherlands, Germany, and Belgium and were awarded the Britannia Trophy by the Royal Aero Club for their contribution to aviation.
In 1968, the then team leader (Sqn Ldr Ray Hanna) expanded the team from seven to nine jets, as he wanted to expand the team's capabilities and the permutations of formation patterns. During this season, the 'Diamond Nine' pattern was formed and it has remained the team's trademark pattern ever since. Ray Hanna served as Red Leader for three consecutive years until 1968 and was recalled to supersede Squadron Leader Timothy Nelson for the 1969 display season, a record four seasons as Leader, which still stands. For his considerable achievements of airmanship with the team, Ray Hanna was awarded a bar to his existing Air Force Cross.
After displaying 1,292 times in the Folland Gnat, the Red Arrows took delivery of the BAE Hawk in 1979. Since being introduced into service with the Red Arrows, the Hawk has performed with the Red Arrows in 50 countries.
Later years
In July 2004, speculation surfaced in the British media that the Red Arrows would be disbanded, after a defence spending review, due to running costs between £5 million and £6 million. The Arrows were not disbanded and their expense has been justified through their public relations benefit of helping to develop business in the defence industry and promoting recruitment for the RAF. According to the BBC, disbanding the Red Arrows will be highly unlikely, as they are a considerable attraction throughout the world. This was reiterated by Prime Minister David Cameron on 20 February 2013, when he guaranteed the estimated £9m per annum costs while visiting India to discuss a possible sale of Hawk aircraft to be used by India's military aerobatics team, the Surya Kiran.
With the planned closure of RAF Scampton, the future home of the Red Arrows became uncertain. On 20 May 2008, months of speculation were ended when it was revealed that the Ministry of Defence (MoD) were moving the Red Arrows to nearby RAF Waddington. However, in December 2011, those plans were put under review. The MoD confirmed in June 2012 that the Red Arrows would remain at RAF Scampton until at least the end of the decade. Scampton's runway was resurfaced as a result.
In July 2018 the RAF announced that RAF Scampton, the wartime base of No. 617 Squadron also known as The Dambusters, would close by 2022. In March 2019, the MoD indicated that RAF Waddington, alongside RAF Leeming and RAF Wittering, was being considered as their future home. It was confirmed in May 2020 that Waddington had been selected. The move was completed on 13 October 2022. The Red Arrows will continue to use airspace above RAF Scampton for their training.
Misconduct inquiry
In December 2021, Chief of the Air Staff Mike Wigston ordered an RAF inquiry into the Red Arrows, which The Times later reported related to allegations of bullying, misogyny, sexual harassment and drunkenness. Up to 40 personnel on the squadron, many of whom were female, described the culture as "toxic". While the inquiry was ongoing some pilots left, leaving a smaller display team. An inquiry delivered in November 2022 concluded that at least two pilots from the team had enough of a service case against them to warrant their discharge from the service. In November 2022 it was announced that the commanding officer had been suspended for investigations. The whole team were required to attend courses on "unacceptable behaviour" and "active bystander" training after one former female member claimed that newly arrived females on the team were seen as "fresh meat", and would be inundated with unwanted WhatsApp messages.
A further formal investigation into the command, leadership, and management of the squadron was conducted in 2023, and redacted versions of both reports were published on 1 November 2023. Chief of the Air Staff Sir Richard Knighton apologised and stated "I was appalled when I read the investigations’ findings" and that few serving at that time were still in the squadron and he had confidence in the current command. Four of the victims who made formal complainants subsequently criticised the inquiry in a Sky News documentary, and stated that the RAF had falsely told a parliamentary committee that the sexism allegations did not meet a criminal threshold.
Pilots
Since 1966, the team has had nine display pilots each year, all volunteers. Pilots must have completed one or more operational tours on a fast jet such as the Tornado, Harrier, or Typhoon, have accumulated at least 1,500 flying hours, and have been assessed as above average in their operational role to be eligible. Even then, more than ten pilots apply for each place on the team. Pilots stay with the Red Arrows for a three-year tour of duty. Three pilots are changed every year, such that normally three first-year pilots, three second-year pilots, and three in their final year are on the team. The team leader also spends three years with the team. The 'Boss', as he is known to the rest of the team, is always a pilot who has previously completed a three-year tour with the Red Arrows, often (although not always) including a season as the leader of the Synchro Pair.
During the second half of each display, the Red Arrows split into two sections. Reds 1 to 5 are known as 'Enid' (named after Enid Blyton, author of the Famous Five books) and Reds 6 to 9 are known as 'Gypo' (the nickname of one of the team's pilots back in the 1960s). Enid continue to perform close-formation aerobatics, while Gypo perform more dynamic manoeuvres. Red 6 (Syncro Leader) and Red 7 (Synchro 2) make up the Synchro Pair and they perform a series of opposition passes during this second half. At the end of each season, one of that year's new pilots will be chosen to be Red 7 for the following season, with that year's Red 7 taking over as Red 6.
The Reds have no reserve pilots, as spare pilots would not perform often enough to fly to the standard required, nor would they be able to learn the intricacies of each position in the formation. If one of the pilots is not able to fly, the team flies an eight-plane formation. However, if the Team Leader, 'Red 1', is unable to fly, then the team does not display at all. Each pilot always flies the same position in the formation during a season. The pilots spend six months from October to April practising for the display season. Pilots wear green flying suits during training, and are only allowed to wear their red flying suits once they are awarded their Public Display Authority at the end of winter training.
The new pilots joining the team spend their first season flying at the front of the formation near the team leader. As their experience and proficiency improve, they move to positions further back in the formation in their second and third seasons. Pilots who start on the left of the formation stay on that side for the duration of their three-year tour; the pilots on the right side stay on the right. The exception to this are Reds 6 and 7 (the Synchro Pair), who fly in the 'stem' of the formation - the two positions behind the team leader.
During an aerobatics display, Red Arrows pilots experience forces up to five times that of gravity (1g), and when performing the aerobatic manoeuvre 'Vixen Break', forces up to 7g can be reached, close to the 8g structural limit of the aircraft.
As well as the nine pilots, 'Red 10', who is the team supervisor, is a fully qualified Hawk pilot who flies the tenth aircraft when the Red Arrows are away from base. This means the team have a reserve aircraft at the display site. Red 10's duties include co-ordination of all practices and displays and acting as the team's ground safety officer. Red 10 often flies TV cameramen and photographers for air-to-air pictures of the Red Arrows and also provides the commentary for all of the team's displays.
On 13 May 2009, it was announced that the Red Arrows would include their first female display pilot. Flt Lt Kirsty Moore (née Stewart) joined for the 2010 season. Flt Lt Moore was not the first female to apply to become a Red Arrow, but was the first to be taken forward to the intense final selection process. She joined the RAF in 1998 and was a qualified flying instructor on the Hawk aircraft at RAF Valley. Prior to joining the team, she flew the Tornado GR4 at RAF Marham.
The 'Blues'
The engineering team that supports the Red Arrows is known as "The Blues" and consists of 85 members drawn from various technical and support trades in the RAF. Each season nine members of the Blues are selected to be members of the 'Circus'. The position of "Circus 1" (the engineer who accompanies the "Boss", Red 1) is normally occupied by the Junior Engineering Officer. Similarly, the position of Circus leader (Red 6 or 7) is occupied by a technician of sergeant rank; the other slots being filled by technicians holding corporal or senior aircraftman rank. Each member of the Circus works with the same pilot for the duration of the season and is responsible for servicing their aircraft and preparing their flying kit prior to each display. Circus members fly in the back seats of the jets during transit flights.
Aircraft
The team use the same two-seat training aircraft used for advanced pilot training, at first the Folland Gnat which was replaced in 1979 by the BAE Systems Hawk T1. The Hawks are modified with an uprated engine and a modification to enable smoke to be generated; diesel is mixed with a coloured dye and ejected into the jet exhaust to produce either red, white or blue smoke.
Displays
The first display by the Red Arrows was at RAF Little Rissington on 6 May 1965. The display was to introduce the Royal Air Force Aerobatic Team to the media. However, the first public display was on 9 May 1965 in France, at the French National Air Day in Clermont-Ferrand. The first public display in the UK was on 15 May 1965 at the Biggin Hill International Air Fair. The first display with nine aircraft was on 8 July 1966 at RAF Little Rissington.
The first display in Germany was at RAF Laarbruch on 6 August 1965. The Red Arrows performed in Germany a further 170 times before formation aerobatics were banned in Germany following the Ramstein airshow disaster in 1988.
During displays, the aircraft do not fly directly over the crowd apart from entering the display area by flying over the crowd from behind; any manoeuvres in front of and parallel to the audience can be as low as 300 feet (91 m), the 'synchro pair' can go as low as 100-foot (30 m) straight and level, or 150-foot (46 m) when in inverted flight. To carry out a full looping display the cloud base must be above 5,500 feet (1,700 m) to avoid the team entering the cloud while looping. If the cloud base is less than 5,500-foot (1,700 m) but more than 2,500-foot (760 m) the Team will perform the Rolling Display, substituting wing-overs and rolls for the loops. If the cloud base is less than 2,500-foot (760 m) the Team will fly the Flat Display, which consists of a series of fly-pasts and steep turns.
The greatest number of displays flown in any year was in 1995, when the Red Arrows performed 136 times. The smallest number of displays in one year was in 1975, after the 1973 oil crisis limited their appearances. At a charity auction in 2008, a British woman paid £1.5 million to fly with them.
By the end of the 2009 season, the Red Arrows had performed a total of 4,269 displays in 53 countries. The 4,000th display was at RAF Leuchars during the Battle of Britain Airshow in September 2006.
Following the accidents during the 2011 season, the Red Arrows retained Red 8 and moved the original Red 10 to the Red 5 position to enable them to continue displaying with nine aircraft. In March 2012, the MoD announced that the Red Arrows would fly aerobatic displays with seven aircraft during the 2012 display season as Flt Lt Kirsty Stewart had moved into a ground-based role with the team. It is believed this was due to the emotional stress she had been suffering over the loss of her two Red Arrows colleagues the previous year. As a consequence of this, Red 8 also dropped out of the display team to enable an odd number of aircraft to perform and thus maintain formation symmetry. However, the team carried out official flypasts with nine aircraft by utilising Red 8 as well as ex-Red Arrow display pilot and then Red 10 Mike Ling. The Red Arrows returned to a full aerobatic formation of nine aircraft in 2013.
In 2014, The Red Arrows celebrated 50 years of Aerobatic history as a display team returning to RAF Fairford for the Royal International Air Tattoo (RIAT). For the entirety of the 2014 display season, the aircraft carried special 50th Anniversary markings on their tails instead of just the red, white and blue stripes.
After the 2016 display season, the Red Arrows embarked on an Asia-Pacific and Middle East Tour. They performed flypasts or displays in Karachi in Pakistan; Hindon and Hyderabad in India; Dhaka in Bangladesh; Singapore; Kuala Lumpur in Malaysia; Danang in Vietnam; Beijing, Shanghai, Wuhan, Guangzhou, Hong Kong and Zhuhai in China; Muscat in Oman; Manama in Bahrain; Abu Dhabi and Kuwait. The programme was the first time the team had displayed in China, and the first time a British military aircraft had deployed to Vietnam.
The summer 2019 display season took the team on a tour of North America, known as Western Hawk 19. After performing at RIAT, the team departed across the Atlantic at the end of July. As well as performing at US and Canadian air shows, they promoted the UK through school visits and meetings with business leaders. This was the Red Arrows' biggest-ever tour, flying to more than 25 cities, 21 displays and 30 flypasts. On 2 June 2022 Trooping the Colour, as part of Platinum Jubilee of Elizabeth II, closed with the Queen and Royal Family observing a flypast from the balcony of Buckingham Palace.
For the 2022 display season, The Red Arrows are flying a seven aircraft display, due to "2 formation pilots moving to other roles within the RAF". Flypasts are still intended to be performed with nine aircraft, with experienced Red Arrows pilots flying the remaining 2 aircraft. On 2 June 2022 Trooping the Colour, as part of Platinum Jubilee of Elizabeth II, closed with the Queen and Royal Family observing a flypast from the balcony of Buckingham Palace.
Display charges
In 1977, a charge of £200 was introduced by the MoD for a Red Arrows display. By 2000, the charge had risen to £2,000 (including VAT and insurance). In 2011 the team manager quoted the charge as £9,000.
Transits
On a transit flight (getting to or from a display location) the team may fly at the relatively low altitude of 1,000 feet (300 m). This avoids the complication of moving through the cloud base in formation, and also avoids much controlled air space. Jets are more efficient at higher altitude, so longer flights are made at 35,000 to 42,000 feet (11,000 to 13,000 m). On transit flights, the formation can include spare planes. Sometimes a C-130 Hercules or an Atlas C.1 accompanies them, carrying spare parts. They often provide flypasts and brief displays to smaller events if they are already passing over or it is a small detour.
Air Base in Greece
As the fuel capacity of the Hawk sets a limit to nonstop flight distance, and the Hawk is incapable of air-to-air refuelling, very long flights between display sites may need landings on the way to refuel. For example, a flight from RAF Scampton to Quebec for an international air display team competition had to be done in seven hops: RAF Scampton, RAF Kinloss (Scotland), Keflavík (Iceland), Kangerlussuaq (west Greenland), Narsarsuaq (south tip of Greenland), Goose Bay (Newfoundland) and Bagotville (Quebec).
For the same reason, Red Arrows displays in New Zealand are unlikely because there is no land near enough for a Hawk to land and refuel to reach New Zealand on the most fuel that it can carry.
Smoke
The smoke trails left by the team are made by releasing diesel into the exhaust; this vaporises in the hot exhaust flow, then re-condenses into very fine droplets that give the appearance of a white smoke trail. Dyes can be added to produce the red and blue colour. The diesel is stored in the pod on the underside of the plane; it houses three tanks: one 50-imperial-gallon (230 L) tank of pure diesel and two 10-imperial-gallon (45 L) tanks of blue and red dyed diesel. The smoke system uses 10 imperial gallons (45 L) per minute; therefore each plane can trail smoke for a total of seven minutes: – five minutes of white smoke, a minute of blue and a minute of red.
In 2021, the MoD asked the civil sector to help develop an environmentally friendly smoke system for the team's aircraft. This is part of its drive to make the RAF net-zero by 2040.
Incidents and accidents
Data from: Ejection History – Red Arrows
26 March 1969
Gnat XR573 hit trees while joining formation during a practice at RAF Kemble. Flt Lt Jerry Bowler did not activate the ejection seat and was killed.
16 December 1969
Two Gnats crashed, XR995 at Kemble, on fire and XR992 in a field near Chelworth. The pilots both ejected safely although a fire warning from air traffic was intended for XR995.
20 January 1971
Gnats XR986 and XR545, collided during the cross-over manoeuvre over the runway at Kemble, with four fatalities.
13 December 1971
Gnat XR567 crashed on approach to RAF Upper Heyford. Flt Lt Clem Longdon and Flt Lt Richard "Dick" Michael Storr did not eject and were killed.
16 February 1976
Gnat XP531 struck a cable and made emergency landing at RAF Kemble; damaged beyond repair. Both crew ejected safely.
June 1976
Gnat XR987 – Flight instrument technician in the rear seat ejected during check flight to investigate uncommanded control movements. Pilot Flt Lt Dudley Carvell – Cpl Ginger Whelan ejected through the canopy from the back seat when he thought control of aircraft had been lost. "No-one was hurt and we had the aircraft flying again the next week"
24 June 1976
Gnat Red 1 XS111 – The undercarriage collapsed when the aircraft ran into the overrun area after the brakes failed on landing at RAF Kemble, Gloucestershire; Sqn Ldr Richard "Dickie" Duckett was unhurt.
3 March 1978
Gnat Red 4 XR981 – Struck ground whilst practising Vic rollback aerobatics at RAF Kemble. Pilot Flt Lt Stephen Edward Noble and Wg. Cdr. Dennis George Hazell AFC died;[65] XR981 happened during pre-season practice, specifically while the team were practicing roll-backs at low altitude. The aircraft ended up inverted and neither occupant left the aircraft. One seat fired, but I can't remember which, but couldn't go anywhere. Steve Noble survived initially but died later that day. Quote: "3 Mar 1978, in the footnote you are not sure which ejection seat fired. It was the rear seat (Wg Cdr Hazell). The aircraft had hit the ground and then bounced back into the air, one wing then dug in and the aircraft cartwheeled eventually ending up upside down. During this time it was still travelling at some speed and as the rear seat was a little higher and the canopy was broken, it made contact with the ground pulling the top handle of the seat and setting off the ejection sequence, but as you say the seat could not go anywhere and so the seat rails came out through the bottom of the floor. Sadly I witnessed this crash from start to finish, with many others, as it was a families day for the Red Arrows and many people were there to watch the practice".
22 May 1979
Gnat XP539 had a fuel blockage that caused engine problems and aircraft was abandoned at RAF Leeming, Yorkshire. Wg Cdr Ernie Jones ejected OK (XP539 actually belonged to the Red Arrows, but was a reserve ship not fitted with smoke. It was flown by Wg Cdr Ernie Jones, who was the only person on board, and was visiting Training Command HQ. The accident was due to asymmetric fuelling of the aircraft – when one side ran out of fuel the flow proportioner, which equalised usage from both sides, cut the fuel flow off from the other side, causing embarrassment).
17 May 1980
Hawk XX262 hit a yacht mast at an air show in Brighton, Sussex. The pilot, Sqn Ldr Steve Johnson, ejected safely.
21 March 1984
A Hawk hit the ground at RAF Akrotiri, Cyprus, while practising a loop. The pilot, Flt Lt Chris Hirst, suffered serious injuries when the impact with the ground forced the ejection seat through the canopy and deployed the drogue chute, dragging him out.
31 August 1984
Hawk XX257 crashed into the sea 3 miles off Sidmouth, Devon after the engine suffered a failure of a rotor blade in the low pressure compressor. Pilot, Flt Lt P.D. Lees was rescued by a Sidmouth independent inshore rescue boat.
1986
A Hawk rammed into the back of another on a runway.
3 November 1986
Hawk XX297 flown by Flt Lt Dan Findlay flew into the jet wash of the leading aircraft during a practice display at RAF Scampton and was unable to relight the Hawk's engine. The pilot ejected safely after unsuccessfully attempting an emergency landing back at RAF Scampton.
16 November 1987
Hawks XX241 & XX259 collided during a winter training practice with one aircraft crashing into a house in the village of Welton, Lincolnshire. The aircraft of Flt Lt Spike Newbery struck the aircraft of new Team Leader Sqn Ldr Tim Miller from behind, knocking off the tail. Both pilots ejected successfully. Flt Lt Newbery suffered a broken leg and had to leave the team.
24 June 1988
Hawk XX304 crashed whilst attempting to take off, and the fuel tanks exploded. The pilot Sqn Ldr Pete J. Collins, Red Arrows' deputy leader, ejected safely.
22 January 1988
Hawk XX243 crashed practising a "roll back" at RAF Scampton. The pilot Flt Lt Neil Duncan MacLachlan was killed.
17 October 1998
Flt Lt R. Edwards landed short of the runway after a practice run at the Red Arrows then home base, RAF Cranwell, and ejected safely at low altitude.
9 September 2003
A Hawk overshot the runway while landing at Jersey Airport in advance of an air display. The pilot Flt Lt Jez Griggs ran the jet into a gravel pile and little damage was sustained.
12 January 2007
The wingtip of a Hawk hit the tail of another during a practice flight near RAF Scampton.
23 March 2010
Two Hawks were involved in a mid-air collision. The synchro pair were practising one of their manoeuvres when the two aircraft collided. Red 7 (Flt Lt David Montenegro) landed his plane safely, but Red 6 (Flt Lt Mike Ling) ejected and suffered a dislocated shoulder. The incident took place during pre-season training in Crete. Due to his injuries, Flt Lt Ling was unable to participate in the forthcoming display season and was replaced by 2008's Red 6, Flt Lt Paul O'Grady.
20 August 2011
Stone base with three gently twisting steel trails rising upwards, each topped with a red glass aircraft
Memorial to Flt Lt John Egging at East Cliff, Bournemouth
A Hawk aircraft crashed into a field near Throop Mill, one mile from Bournemouth Airport following a display at the Bournemouth Air Festival. Flt Lt Jon Egging, pilot of Red 4 (XX179), died in the accident. The investigation into the incident determined that Flt Lt Egging was incapacitated due to the effects of g-force induced loss of consciousness until very shortly before impact. A memorial to Egging was originally unveiled in 2012 at East Cliff, Bournemouth, before being moved to a new location nearby in 2017 following a landslip. His widow Emma Egging was made an OBE in the 2021 Birthday Honours.
8 November 2011
Pilot Flt Lt Sean Cunningham was ejected from his aircraft while it was on the ground at RAF Scampton and subsequently died from his injuries. He was shot 220 feet (67 m) into the air and received fatal injuries when his parachute failed to open. The UK Health and Safety Executive announced in 2016 that it would be prosecuting the ejection seat manufacturer Martin-Baker for breach of Health and Safety law. The company has since pleaded guilty to breaching Section 3(1) of the Health and Safety at Work Act 1974.
20 March 2018
A Hawk crashed at RAF Valley. Two people, the pilot and an engineer, were on board at the time. The pilot of Red 3, Flt Lt David Stark, was hospitalised with non-life-threatening injuries whilst the engineer, Cpl Jonathan Bayliss, was killed. According to the coroner the crash could have been avoided. Flt Lt Stark was unable to resume his place in the 2018 display team and was replaced by Sqn Ldr Mike Ling, outgoing Red 10.
28 August 2022
A bird strike smashed the cockpit canopy of Red 6 during the closing display at Rhyl Air Show. As a result the display was cut short and the Red Arrows returned to Hawarden airfield where they were based for the weekend. The pilot, Sqn Ldr Gregor Ogston was unharmed. Images shared on The Red Arrows social media accounts showed his helmet had taken the impact force of the bird strike.
Video game
In 1985, Database Software released a flight simulator called Red Arrows, made in cooperation with the flight team. In the simulator, stunts have to be performed while flying in formation. It was available for the ZX Spectrum, Commodore 64, Amstrad CPC, Acorn Electron, BBC Micro and Atari.[93]
407_GHP_SoireeCandids_2019.JPG -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
***DOWNLOAD INSTRUCTIONS***
Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.
This cloud based gallery will be available for three months in order to enable you to download all of the photos to your computer for safe long term storage. While the gallery may be in the cloud for longer than this time you should endeavor to file and secure the photos for future use in whatever manner you deem appropriate.
100_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
***DOWNLOAD INSTRUCTIONS***
Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.
This cloud based gallery will be available for three months in order to enable you to download all of the photos to your computer for safe long term storage. While the gallery may be in the cloud for longer than this time you should endeavor to file and secure the photos for future use in whatever manner you deem appropriate.
A prova de doutoramento em Ciências e Tecnologias da Informação, "Towards a New Cloud-based Planning & Optimisation Methodology for Mobile Communication Networks", por Daniel Fernandes, teve lugar na sala C2.05 do Iscte - Instituto Universitário de Lisboa, a 6 de janeiro de 2021.
Fotografia de Hugo Alexandre Cruz.
The weekend of the Weston Air Festival this year follows a week of unsettled weather. The result is an overcast air show, restricting many displays with a low cloud base, and fierce wind coming from offshore. This photograph, taken between displays of the broken tape at the crowd line, demonstrates the ferocity of the wind against which the pilots performed.
My son photographed these 29 seconds apart on the date above. The large light on the left in the second shot moved towards the pair of small lights, they then all disappeared up into the cloud base.
Pix taken on an iPhone at 8.24 pm, ergo the different exposures.
When enlarged the lights can be seen to be behind the tree in the second shot.
No faking, to tweaking, just a tight crop.
Only mentioned tonight for the first time.
The Immaculate Conception / Purisima Concepcion
Early 17th Century
FILIPINO
Solid ivory
A solid ivory image of the Virgin shown in the avocation of the Immaculate Conception (Purisima Concepcion). The Virgin is depicted covered with a veil which is a very rare imagery in Philippine iconography. The Virgin's wavy, long hair, parted in the middle as is customary in Philippine images of the Purisima, falls in two cascading tresses on the sides and framing the face terminating at her chest.
Contrary to typical Philippine depictions of the Immaculate Conception, the Virgin is not shown standing on an cloud base. Her handsare folded together in an attitude of prayer and is carved as part of the image. The Virgin's robe falls in simple vertical fold allowing the outline of the knees to show and for the Virgin's single foot to peep through. The dress is cinched with a belt tied in a simple bow at the waist. The Virgin's mantle is decoratively folded over both arms of the image.
Most interestingly, the Virgin's collar and the edges of her mantle are ornamented with a design of diamond-shaped rhomboid decorative detail. The rhomboid pattern decoration is a feature of Philippine images of the Virgin found only in the earliest examples of the 17th century. A similar decorative detail can be found on an ivory image of the Virgin in the Juan Ignacio Moreno collection in Mexico City (Navarro de Pintado, 1985; pl. 50). The back of the Virgin's robe is tucked into a pursed fold. This "tuck" is callade a suksuk and is found only in 17th and 18th century images of the Virgin.
The most interesting feature of all, however, can be found on top of the Virgin's head. Notice the flat surface rendering of the veil near the Virgin's forehead. This flat surface is known colloquially as the uka. According to Gatbonton (1979, 1982), that "flat surface" recalls -- and in fact maybe a reference to -- the "bump" found on many images of the Buddha called the Usnisha, the symbol of enlightenment. The Usnisha would later evolve into the top knot found on the forehead of images of Christ and other male saints in Philippine iconography.
The condition is fine considering its age. Missing hands and maybe part of the left arm. The image retains a beautiful amber patina. This patina is the effect of oxidation resulting from the fact that the image may have been painted at one time. All traces of polychromy now lost.
High. 14 cm or 5.6 in.
______________________________
Gatbonton, E. B. 1979. A heritage of saints: Colonial santos in the Philippines. Hong Kong: Editorial Associates.
Navarro de Pintado, B. 1985. Marfiles cristianos del Oriente en Mexico [Christian oriental ivories in Mexico]. Mexico City: Fomento Cultural Banamex. pl. 50.
WFreeform (2016, #parametric #data-driven #3Dprinting bracelet)
Part of data-driven project for @Freeform (formerly ABC Family) brand relaunch, commissioned by Deep Local. WFreeform is my personal execution and constitutes one of 5 parametric designs, the entire project being a collaboration with Madeline Gannon and Deep Local creatives.
Coded in Processing using Modelbuilder, Hemesh and Toxiclibs libraries for scaling to headless cloud-based model generation. Data input consists of users' Twitter feeds, with 5000 total users picked via online sweepstakes.
Eurocopter 135
The Dorset and Somerset Air Ambulance flies a Eurocopter EC 135 T2+. It is a twin-engine helicopter produced by Eurocopter and is widely used amongst police and air ambulances services across the country.
Useful Information:
Made in Donauworth, Bavaria, S Germany
The helicopter is leased from Bond Helicopters and includes all servicing, spare parts, an onsite engineer and pilot. The benefits of leasing an air ambulance includes the guarantee that a replacement helicopter is available if the need should arise
The Euro 135 has 2 jet engines, but can fly on just one should an engine fail
Speed – 130 knots – Approx 150 mph
Flying minima – 300ft cloud base – 3,000m horizontal visibility
Fuel Cons. 200 litres/ hr (44 gallons ) of AVTUR (paraffin)
In addition to 1 pilot and 2 paramedics, the aircraft has facilities to carry 2 patients on stretchers, or 1 patient and relative (important if carrying a small child)
Helicopter Servicing
50hrs1 engineer3 hours
150hrs2 “6 hours
300hrs4 “4 days
600hrs4-5 “5-7 days
Engine life 25,000 cycles 1 cycle = 1 start up + 1 shut down
Registration
G-DORS “Golf Delta Oscar Romeo Sierra”
The first letter denotes country of origin (G for UK) – followed by four letters for individual identity.
Call Sign
“Helimed One Zero” – A rapid means of identifying an aircraft and its purpose during radio transmission.
Medical Equipment aboard the Euro 135
We carry all the latest medical and resuscitation equipment on board our helicopter including 2 stretchers, blankets, splints, dressings, intravenous transfusion fluids, oxygen, an ECG monitor, defibrillator, Lucas resuscitator, mechanical ventilator, vital signs monitor, respiratory CO2 monitor, plus additional items for airway control and numerous medicines.
These items enable us to save lives and manage a patient’s condition at the scene and during their journey to hospital.
Salvador Prieto gets nearly ground level to see how well this micro-sprinkler is working under one of his avocado trees, in Somis, CA, on Nov 15, 2018.
Salvador Prieto grew up watching and helping his father grow corn and beans on a small farm in Mexico. The journey from bean fields to 20-acre orchard owner with his wife Martha Romero was not a straight and narrow path to Somis, Calif. In fact, it was music that brought him to the United States. Today the passion is agriculture.
Similarly, Romero didn’t follow a career in agriculture to her beautiful and healthy avocado and lemon orchard. Romero grew up a city girl in the heart of Los Angeles. Now sharing this farm with her husband and two children, she quickly credits her success to the support and assistance from her family to navigate the learning curve.
Constantly seeking improvement on the family’s orchard, Romero discovered the local Farm Bureau and the Ventura County Agricultural Irrigated Land Group (VCAILG) coalition. VCAILG put Romero in touch with the USDA Natural Resources Conservation Service (NRCS) and the Ventura Resource Conservation District, for technical and financial assistance to implement conservation and management practices.
NRCS California District Conservationist Dawn Afman, Soil Conservationist Elizabeth Keith, and Resource Conservationist Brooks Engelhardt, have all provided technical assistance and invested their time and expertise in helping Prieto and Romero incorporate conservation practices in their orchard. Prieto and Romero were immediately intrigued by NRCS’s efforts to improve soil health.
“At first it was overwhelming, but many other farmers I know are members, so it is comforting to know that I am not alone,” said Romero. “We need to make a profit, obviously, but, for me, I want to do it while protecting mother nature and precious resources like water. I am able to do this with NRCS’s help.”
Prieto and Romero learned a lot from trial and error. Romero admits that she even bought her trees before the land was ready. But learning opportunities, like an early community garden project, gave them critical knowledge and experience.
A big first conservation practice they learned was mulching to save water and reduce weeds. NRCS helped Prieto and Romero with this, through an Environmental Quality Incentives Program (EQIP) contract, to apply mulch to their orchard floor to conserve soil moisture and improve soil health in the Fall of 2018.
“Every time we have a question or need assistance, NRCS has been nothing but helpful,” added Romero. “They let us know about other programs out in the community and invited us to their annual Latino Farmer Conference, where my husband and I learned about other helpful resources.”
Recently, Prieto and Romero entered into a new NRCS contract to implement Irrigation Water Management (IWM) to their orchard. The IWM plan includes installing moisture sensors into the ground, which transmit continuous data to cloud-based storage, and accessed through a smart device app on their phones. The information lets them know when, where and how long to irrigate. This knowledge will help them toward their goal of producing 6,000 pounds of produce per acre.
Looking toward the future, Romero expressed that knowledge is key. “Before we plant further, we need to get educated on how to do it best,” concluded Romero. “From the planting of a seed or planting of a tree, we need the entire process to be profitable. It's not just about planting it. It's about preparing the land and using the resources wisely.”
In the meantime, Romero enjoys the weekends because she does not need to be worried about picking up the kids from school or rushing around. She just wants to be out in the orchard, making it better From mulching to pruning or irrigating and weeding. The family’s goal is to make the farm “better tomorrow than it was today.”
—
Farm Production and Conservation (FPAC) is the Department’s focal point for the nation’s farmers and ranchers and other stewards of private agricultural lands and non-industrial private forest lands. FPAC agencies implement programs designed to mitigate the significant risks of farming through crop insurance services, conservation programs, and technical assistance, and commodity, lending, and disaster programs.
The agencies and services supporting FPAC are Farm Service Agency (FSA), Natural Resources Conservation Service (NRCS), and Risk Management Agency (RMA).
NRCS has a proud history of supporting America’s farmers, ranchers, and forest landowners for more than 80 years. USDA helps people make investments in their operations and local communities to keep working lands working, boost rural economies, increase the competitiveness of American agriculture, and improve the quality of our air, water, soil, and habitat.
From weather to pests, and from a lack of time to markets, each American farmer faces a unique set of challenges. The Environmental Quality Incentives Program (EQIP) helps agricultural producers confront those challenges – all while conserving natural resources like soil, water, and air.
This voluntary conservation program helps producers make conservation work for them. Together, NRCS and producers invest in solutions that conserve natural resources for the future while also improving agricultural operations.
Through EQIP, NRCS provides agricultural producers with financial resources and one-on-one help to plan and implement improvements, or what NRCS calls conservation practices. Using these practices can lead to cleaner water and air, healthier soil and better wildlife habitat, all while improving agricultural operations. Through EQIP, you can voluntarily implement conservation practices and NRCS co-invests in these practices with you.
USDA Photo by Lance Cheung.
For more information, please see:
USDA
FPAC
www.usda.gov/our-agency/about-usda/mission-areas
NRCS
www.nrcs.usda.gov/wps/portal/nrcs/site/national/home/
EQIP
www.nrcs.usda.gov/wps/portal/nrcs/detail/national/program...
The Prieto family of Salvador Prieto, wife Martha Romero, daughter Nadya Prieto; and son Salvador Prieto, Jr., attending college and not seen, in their Hass avocado and Meyer lemon orchards, have all been challenged by each of their roles and new learning curves for farming, but each day, they can see the rewards of their work surrounding their home, in Somis, CA, on Nov 15, 2018.
Salvador Prieto grew up watching and helping his father grow corn and beans on a small farm in Mexico. The journey from bean fields to 20-acre orchard owner with his wife Martha Romero was not a straight and narrow path to Somis, Calif. In fact, it was music that brought him to the United States. Today the passion is agriculture.
Similarly, Romero didn’t follow a career in agriculture to her beautiful and healthy avocado and lemon orchard. Romero grew up a city girl in the heart of Los Angeles. Now sharing this farm with her husband and two children, she quickly credits her success to the support and assistance from her family to navigate the learning curve.
Constantly seeking improvement on the family’s orchard, Romero discovered the local Farm Bureau and the Ventura County Agricultural Irrigated Land Group (VCAILG) coalition. VCAILG put Romero in touch with the USDA Natural Resources Conservation Service (NRCS) and the Ventura Resource Conservation District, for technical and financial assistance to implement conservation and management practices.
NRCS California District Conservationist Dawn Afman, Soil Conservationist Elizabeth Keith, and Resource Conservationist Brooks Engelhardt, have all provided technical assistance and invested their time and expertise in helping Prieto and Romero incorporate conservation practices in their orchard. Prieto and Romero were immediately intrigued by NRCS’s efforts to improve soil health.
“At first it was overwhelming, but many other farmers I know are members, so it is comforting to know that I am not alone,” said Romero. “We need to make a profit, obviously, but, for me, I want to do it while protecting mother nature and precious resources like water. I am able to do this with NRCS’s help.”
Prieto and Romero learned a lot from trial and error. Romero admits that she even bought her trees before the land was ready. But learning opportunities, like an early community garden project, gave them critical knowledge and experience.
A big first conservation practice they learned was mulching to save water and reduce weeds. NRCS helped Prieto and Romero with this, through an Environmental Quality Incentives Program (EQIP) contract, to apply mulch to their orchard floor to conserve soil moisture and improve soil health in the Fall of 2018.
“Every time we have a question or need assistance, NRCS has been nothing but helpful,” added Romero. “They let us know about other programs out in the community and invited us to their annual Latino Farmer Conference, where my husband and I learned about other helpful resources.”
Recently, Prieto and Romero entered into a new NRCS contract to implement Irrigation Water Management (IWM) to their orchard. The IWM plan includes installing moisture sensors into the ground, which transmit continuous data to cloud-based storage, and accessed through a smart device app on their phones. The information lets them know when, where and how long to irrigate. This knowledge will help them toward their goal of producing 6,000 pounds of produce per acre.
Looking toward the future, Romero expressed that knowledge is key. “Before we plant further, we need to get educated on how to do it best,” concluded Romero. “From the planting of a seed or planting of a tree, we need the entire process to be profitable. It's not just about planting it. It's about preparing the land and using the resources wisely.”
In the meantime, Romero enjoys the weekends because she does not need to be worried about picking up the kids from school or rushing around. She just wants to be out in the orchard, making it better From mulching to pruning or irrigating and weeding. The family’s goal is to make the farm “better tomorrow than it was today.”
—
Farm Production and Conservation (FPAC) is the Department’s focal point for the nation’s farmers and ranchers and other stewards of private agricultural lands and non-industrial private forest lands. FPAC agencies implement programs designed to mitigate the significant risks of farming through crop insurance services, conservation programs, and technical assistance, and commodity, lending, and disaster programs.
The agencies and services supporting FPAC are Farm Service Agency (FSA), Natural Resources Conservation Service (NRCS), and Risk Management Agency (RMA).
NRCS has a proud history of supporting America’s farmers, ranchers, and forest landowners for more than 80 years. USDA helps people make investments in their operations and local communities to keep working lands working, boost rural economies, increase the competitiveness of American agriculture, and improve the quality of our air, water, soil, and habitat.
From weather to pests, and from a lack of time to markets, each American farmer faces a unique set of challenges. The Environmental Quality Incentives Program (EQIP) helps agricultural producers confront those challenges – all while conserving natural resources like soil, water, and air.
This voluntary conservation program helps producers make conservation work for them. Together, NRCS and producers invest in solutions that conserve natural resources for the future while also improving agricultural operations.
Through EQIP, NRCS provides agricultural producers with financial resources and one-on-one help to plan and implement improvements, or what NRCS calls conservation practices. Using these practices can lead to cleaner water and air, healthier soil and better wildlife habitat, all while improving agricultural operations. Through EQIP, you can voluntarily implement conservation practices and NRCS co-invests in these practices with you.
USDA Photo by Lance Cheung.
For more information, please see:
USDA
FPAC
www.usda.gov/our-agency/about-usda/mission-areas
NRCS
www.nrcs.usda.gov/wps/portal/nrcs/site/national/home/
EQIP
www.nrcs.usda.gov/wps/portal/nrcs/detail/national/program...
Spherical panorama of the Prieto (Romero) family farm's orchards, in Somis, Calif., on Nov. 15, 2018.
Salvador Prieto grew up watching and helping his father grow corn and beans on a small farm in Mexico. The journey from bean fields to 20-acre orchard owner with his wife Martha Romero was not a straight and narrow path. In fact, it was music that brought him to the United States. Today the passion is agriculture.
Similarly, Romero didn’t follow a career in agriculture to her beautiful and healthy avocado and lemon orchard. Romero grew up a city girl in the heart of Los Angeles. Now sharing this farm with her husband and two children, she quickly credits her success to the support and assistance from her family to navigate the learning curve.
Constantly seeking improvement on the family’s orchard, Romero discovered the local Farm Bureau and the Ventura County Agricultural Irrigated Land Group (VCAILG) coalition. VCAILG put Romero in touch with the USDA Natural Resources Conservation Service (NRCS) and the Ventura Resource Conservation District, for technical and financial assistance to implement conservation and management practices.
NRCS California District Conservationist Dawn Afman, Soil Conservationist Elizabeth Keith, and Resource Conservationist Brooks Engelhardt, have all provided technical assistance and invested their time and expertise in helping Prieto and Romero incorporate conservation practices in their orchard. Prieto and Romero were immediately intrigued by NRCS’s efforts to improve soil health.
“At first it was overwhelming, but many other farmers I know are members, so it is comforting to know that I am not alone,” said Romero. “We need to make a profit, obviously, but, for me, I want to do it while protecting mother nature and precious resources like water. I am able to do this with NRCS’s help.”
Prieto and Romero learned a lot from trial and error. Romero admits that she even bought her trees before the land was ready. But learning opportunities, like an early community garden project, gave them critical knowledge and experience.
A big first conservation practice they learned was mulching to save water and reduce weeds. NRCS helped Prieto and Romero with this, through an Environmental Quality Incentives Program (EQIP) contract, to apply mulch to their orchard floor to conserve soil moisture and improve soil health in the Fall of 2018.
“Every time we have a question or need assistance, NRCS has been nothing but helpful,” added Romero. “They let us know about other programs out in the community and invited us to their annual Latino Farmer Conference, where my husband and I learned about other helpful resources.”
Recently, Prieto and Romero entered into a new NRCS contract to implement Irrigation Water Management (IWM) to their orchard. The IWM plan includes installing moisture sensors into the ground, which transmit continuous data to cloud-based storage, and accessed through a smart device app on their phones. The information lets them know when, where and how long to irrigate. This knowledge will help them toward their goal of producing 6,000 pounds of produce per acre.
Looking toward the future, Romero expressed that knowledge is key. “Before we plant further, we need to get educated on how to do it best,” concluded Romero. “From the planting of a seed or planting of a tree, we need the entire process to be profitable. It's not just about planting it. It's about preparing the land and using the resources wisely.”
In the meantime, Romero enjoys the weekends because she does not need to be worried about picking up the kids from school or rushing around. She just wants to be out in the orchard, making it better From mulching to pruning or irrigating and weeding. The family’s goal is to make the farm “better tomorrow than it was today.”
Farm Production and Conservation (FPAC) is the Department’s focal point for the nation’s farmers and ranchers and other stewards of private agricultural lands and non-industrial private forest lands. FPAC agencies implement programs designed to mitigate the significant risks of farming through crop insurance services, conservation programs, and technical assistance, and commodity, lending, and disaster programs.
The agencies and services supporting FPAC are Farm Service Agency (FSA), Natural Resources Conservation Service (NRCS), and Risk Management Agency (RMA).
NRCS has a proud history of supporting America’s farmers, ranchers, and forest landowners for more than 80 years. USDA helps people make investments in their operations and local communities to keep working lands working, boost rural economies, increase the competitiveness of American agriculture, and improve the quality of our air, water, soil, and habitat.
From weather to pests, and from a lack of time to markets, each American farmer faces a unique set of challenges. The Environmental Quality Incentives Program (EQIP) helps agricultural producers confront those challenges – all while conserving natural resources like soil, water, and air.
This voluntary conservation program helps producers make conservation work for them. Together, NRCS and producers invest in solutions that conserve natural resources for the future while also improving agricultural operations.
Through EQIP, NRCS provides agricultural producers with financial resources and one-on-one help to plan and implement improvements, or what NRCS calls conservation practices. Using these practices can lead to cleaner water and air, healthier soil and better wildlife habitat, all while improving agricultural operations. Through EQIP, you can voluntarily implement conservation practices and NRCS co-invests in these practices with you.
USDA Photo by Lance Cheung.
For more information, please see:
USDA
FPAC
www.usda.gov/our-agency/about-usda/mission-areas
NRCS
www.nrcs.usda.gov/wps/portal/nrcs/site/national/home/
EQIP
www.nrcs.usda.gov/wps/portal/nrcs/detail/national/program...
I've posted this for the "photo you photo me" group... the other-side being here....
it's the suspension bridge, crossing the Torrent de Bionnassay, below the Bionassay Glacier, with ronet on the otherside. It was a misty rainy day and somehow, despite deliberately taking a low route to keep below the cloud base (forecast for 3000m), we managed to stay in clouds for most of the day....
(requires Google Earth)
Supercell east of Denver producing marginally severe hail. The unique thing about this storm is its LP nature and the fact that for much of its life its base was level with the bottom of the anvil. It was probably one of the neater storms I've seen though it didn't really do a lot on the weather side of things.
Rotation was pronounced at the cloud base at several points in its life however.
Martha Romero gives Salvador Prieto a kiss after a delivery of mulch to their Hass avocado trees, in Somis, CA, on Nov 15, 2018.
Salvador Prieto grew up watching and helping his father grow corn and beans on a small farm in Mexico. The journey from bean fields to 20-acre orchard owner with his wife Martha Romero was not a straight and narrow path to Somis, Calif. In fact, it was music that brought him to the United States. Today the passion is agriculture.
Similarly, Romero didnât follow a career in agriculture to her beautiful and healthy avocado and lemon orchard. Romero grew up a city girl in the heart of Los Angeles. Now sharing this farm with her husband and two children, she quickly credits her success to the support and assistance from her family to navigate the learning curve.
Constantly seeking improvement on the familyâs orchard, Romero discovered the local Farm Bureau and the Ventura County Agricultural Irrigated Land Group (VCAILG) coalition. VCAILG put Romero in touch with the USDA Natural Resources Conservation Service (NRCS) and the Ventura Resource Conservation District, for technical and financial assistance to implement conservation and management practices.
NRCS California District Conservationist Dawn Afman, Soil Conservationist Elizabeth Keith, and Resource Conservationist Brooks Engelhardt, have all provided technical assistance and invested their time and expertise in helping Prieto and Romero incorporate conservation practices in their orchard. Prieto and Romero were immediately intrigued by NRCSâs efforts to improve soil health.
âAt first it was overwhelming, but many other farmers I know are members, so it is comforting to know that I am not alone,â said Romero. âWe need to make a profit, obviously, but, for me, I want to do it while protecting mother nature and precious resources like water. I am able to do this with NRCSâs help.â
Prieto and Romero learned a lot from trial and error. Romero admits that she even bought her trees before the land was ready. But learning opportunities, like an early community garden project, gave them critical knowledge and experience.
A big first conservation practice they learned was mulching to save water and reduce weeds. NRCS helped Prieto and Romero with this, through an Environmental Quality Incentives Program (EQIP) contract, to apply mulch to their orchard floor to conserve soil moisture and improve soil health in the Fall of 2018.
âEvery time we have a question or need assistance, NRCS has been nothing but helpful,â added Romero. âThey let us know about other programs out in the community and invited us to their annual Latino Farmer Conference, where my husband and I learned about other helpful resources.â
Recently, Prieto and Romero entered into a new NRCS contract to implement Irrigation Water Management (IWM) to their orchard. The IWM plan includes installing moisture sensors into the ground, which transmit continuous data to cloud-based storage, and accessed through a smart device app on their phones. The information lets them know when, where and how long to irrigate. This knowledge will help them toward their goal of producing 6,000 pounds of produce per acre.
Looking toward the future, Romero expressed that knowledge is key. âBefore we plant further, we need to get educated on how to do it best,â concluded Romero. âFrom the planting of a seed or planting of a tree, we need the entire process to be profitable. It's not just about planting it. It's about preparing the land and using the resources wisely.â
In the meantime, Romero enjoys the weekends because she does not need to be worried about picking up the kids from school or rushing around. She just wants to be out in the orchard, making it better From mulching to pruning or irrigating and weeding. The familyâs goal is to make the farm âbetter tomorrow than it was today.â
Farm Production and Conservation (FPAC) is the Departmentâs focal point for the nationâs farmers and ranchers and other stewards of private agricultural lands and non-industrial private forest lands. FPAC agencies implement programs designed to mitigate the significant risks of farming through crop insurance services, conservation programs, and technical assistance, and commodity, lending, and disaster programs.
The agencies and services supporting FPAC are Farm Service Agency (FSA), Natural Resources Conservation Service (NRCS), and Risk Management Agency (RMA).
NRCS has a proud history of supporting Americaâs farmers, ranchers, and forest landowners for more than 80 years. USDA helps people make investments in their operations and local communities to keep working lands working, boost rural economies, increase the competitiveness of American agriculture, and improve the quality of our air, water, soil, and habitat.
From weather to pests, and from a lack of time to markets, each American farmer faces a unique set of challenges. The Environmental Quality Incentives Program (EQIP) helps agricultural producers confront those challenges â all while conserving natural resources like soil, water, and air.
This voluntary conservation program helps producers make conservation work for them. Together, NRCS and producers invest in solutions that conserve natural resources for the future while also improving agricultural operations.
Through EQIP, NRCS provides agricultural producers with financial resources and one-on-one help to plan and implement improvements, or what NRCS calls conservation practices. Using these practices can lead to cleaner water and air, healthier soil and better wildlife habitat, all while improving agricultural operations. Through EQIP, you can voluntarily implement conservation practices and NRCS co-invests in these practices with you.
USDA Photo by Lance Cheung.
For more information, please see:
USDA
FPAC
www.usda.gov/our-agency/about-usda/mission-areas
NRCS
www.nrcs.usda.gov/wps/portal/nrcs/site/national/home/
EQIP
www.nrcs.usda.gov/wps/portal/nrcs/detail/national/program...
020_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
***DOWNLOAD INSTRUCTIONS***
Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.
This cloud based gallery will be available for three months in order to enable you to download all of the photos to your computer for safe long term storage. While the gallery may be in the cloud for longer than this time you should endeavor to file and secure the photos for future use in whatever manner you deem appropriate.
Dalwhinnie Distillery taken from the car window as we passed it on our way home. We'd had great weather all week and this was the first wet one, but it did mean the cloud base was down and the mist was coyly wrapping around the sides of the hills. I liked the way the smoke from the chimney was mingling with the mist too.
017_GHP_SoireeCandids_2019.JPG -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
***DOWNLOAD INSTRUCTIONS***
Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.
This cloud based gallery will be available for three months in order to enable you to download all of the photos to your computer for safe long term storage. While the gallery may be in the cloud for longer than this time you should endeavor to file and secure the photos for future use in whatever manner you deem appropriate.
Low-altitude stratocumulus clouds are backlit by sunset, with the sun just above the horizon. These clouds were just above the Marin Headlands, and perhaps touching the peaks. So the cloud base was around 1000 ft (300 m) and their tops were probably under 2000 ft (600m).
Clouds were present only along the ridges around San Francisco Bay; the rest of the sky was clear. So, at first glance, it looked like it was going to be a boring sunset. But this telephoto lens revealed lots of drama and excitement when pointed at the brightest part, right where the sun setting was behind these clouds.
Seen just a few minutes before sunset at César Chávez Park in Berkeley, CA, which offers excellent views of the Bay, etc.
252_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
***DOWNLOAD INSTRUCTIONS***
Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.
This cloud based gallery will be available for three months in order to enable you to download all of the photos to your computer for safe long term storage. While the gallery may be in the cloud for longer than this time you should endeavor to file and secure the photos for future use in whatever manner you deem appropriate.
161_GHP_SoireeCandids_2019.JPG -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
***DOWNLOAD INSTRUCTIONS***
Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.
This cloud based gallery will be available for three months in order to enable you to download all of the photos to your computer for safe long term storage. While the gallery may be in the cloud for longer than this time you should endeavor to file and secure the photos for future use in whatever manner you deem appropriate.
043_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
***DOWNLOAD INSTRUCTIONS***
Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.
This cloud based gallery will be available for three months in order to enable you to download all of the photos to your computer for safe long term storage. While the gallery may be in the cloud for longer than this time you should endeavor to file and secure the photos for future use in whatever manner you deem appropriate.
Still digging into my plethora of Dark Ride shots from my past trip to WDW *smile*. May is here and I am hoping nicer evening light is too. *bigger smile*
BTW, this is from 'The Great Movie' ride at Disney's Hollywood Studios. In real life this scene is almost totally DARK! ;-) Yep, the 'Lord of Darkness' strikes again. (I am referring to my camera with the Lord of Darkness reference *wink*)
**You may wonder about the title to this post...This week Adobe announced that they will no longer sell 'boxed stand alone CS products'. ALL of their CS products will be up on their "CLOUD" and be sold for a monthly subscription.
I don't know about you, but I do not like cloud computing for one major reason...I am TIRED of monthly subscriptions for EVERYTHING!
I am in my late 40's and I think about my future, which means my retirement future. I am hoping that when I decide to leave Dominion that I can turn towards my photography to supplement some income. But even if I don't do that I still plan on having photography as a reason to get up every day, a nice hobby. So I plan on making sure just prior to my retirement time that I upgrade my equipment, including software, one last time while I can afford it. But as of Adobe's announcement, I may be on my last upgrade since I bought a Nikon D800 a couple of months ago and own a Nikon D3S and I am not planning on an upgrade for (hopefully) 5-10 years. I am sure inside of the next 10-14 years there will be some major improvements with digital cameras that will leave me wanting the latest when the time comes, but if I have to "go backwards" with software then would it be wise to buy a newer camera?? So this leaves me wondering who will fill the void left by Adobe if I decide to but "one last camera" and want stand alone software that I don't have to pay for on a monthly basis. Augh! Too much to digest!
One good thing (at least right now) is that Adobe will continue to make Lightroom a stand alone product. So I guess I will be focusing my attention on REALLY learning the Lightroom interface and getting as comfortable with it as I am with ACR/CS5 until they decide to make Lightroom a cloud based product too, in which case I will say good-bye to Adobe.
If you want to read more about the whole Adobe issue I would suggest Thom Hogan
Thanks!
013_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
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131_GHP_SoireeCandids_2019.JPG -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
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018_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
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050_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
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461_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
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038_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
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The Immaculate Conception / Purisima Concepcion
Early 17th Century
FILIPINO
Solid ivory
A highly important solid ivory image of the Virgin shown in the avocation of the Immaculate Conception (Purisima Concepcion). The Virgin is depicted covered with a veil which is a very rare imagery in Philippine iconography. The Virgin's wavy, long hair, parted in the middle as is customary in Philippine images of the Purisima, falls in two cascading tresses on the sides of the face terminating at her chest.
The Virgin is shown standing on an ensaimada (brioche) cloud base supported by a single cherubim. Her hands, which would have been folded in an attitude of prayer and pegged-in (you can still see the holes for the pegs), are now missing. The Virgin's robe falls in simple vertical fold allowing the outline of the knees to show and for the Virgin's single foot to peep through. The dress is cinched with a belt tied in a simple bow at the waist. The Virgin's mantle is decoratively folded over both arms of the image. This may have been the original source of the "palikpik" more commonly found on 19th century "over-dressed" type images of the Virgin.
Most interestingly, the Virgin's collar is ornamented with a design of diamond-shaped rhomboid decorative detail. The rhomboid pattern decoration is a feature of Philippine images of the Virgin found only in the earliest examples of the 17th century. A similar decorative detail can be found on an ivory image of the Virgin in the Juan Ignacio Moreno collection in Mexico City (Navarro de Pintado, 1985; pl. 50). The back of the Virgin's robe is tucked into a pursed fold. This "tuck" is callade a suksuk and is found only in 17th and 18th century images of the Virgin.
The most interesting feature of all, however, can be found on top of the Virgin's head. Notice the flat surface rendering of the veil near the Virgin's forehead. This flat surface is known colloquially as the uka. According to Gatbonton (1979, 1982), that "flat surface" recalls -- and in fact maybe a reference to -- the "bump" found on many images of the Buddha called the Usnisha, the symbol of enlightenment. The Usnisha would later evolve into the top knot found on the forehead of images of Christ and other male saints in Philippine iconography.
The condition is fine considering its age. Missing hands and maybe part of the left arm. The image retains a beautiful amber patina. This patina is the effect of oxidation resulting from the fact that the image may have been painted at one time. All traces of polychromy now lost.
High. 21.5 cm or 8.6 in.
Provenance:
Collection of Dr, Porfirio J. and Mrs. Socorro Rodriguez Callo
Purchased from Tajan Auctioneers, Paris
Collection of Madame B
Correctly attributed as Spanish colonial work, may be Philippines, beginning of the 17th century.
References:
Gatbonton, E. B. 1979. A heritage of saints: Colonial santos in the Philippines. Hong Kong: Editorial Associates.
Navarro de Pintado, B. 1985. Marfiles cristianos del Oriente en Mexico [Christian oriental ivories in Mexico]. Mexico City: Fomento Cultural Banamex. pl. 50.
470_GHP_SoireeCandids_2019.JPG -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
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168_GHP_SoireeCandids_2019.JPG -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
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Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.
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T23-10 '31-30' Airbus A400M Ala30 AME, on approach for runway 05, arriving with groundcrew and armament for the forthcoming EF2000 deployment. Cloud base was around 200 feet so broke through late on approach.
347_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
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SCE_0366 Dunnet Head Harbour, north east Scotland.
Visited on a very overcast day as can be seen in the cloud base.
Small harbour off the B855 2.4 miles from Dunnet Head.
More general photographs at www.flickr.com/photos/staneastwood/sets
As the Sun shines down on our clear or cloudy planet, its light is processed and changed as a result of the interaction with the clear air and watery clouds.
Gazing up at the sky, we might wonder how the blues, greys and whites arise.
This plot of the visible spectrum illustrates the three different sources of light that we can see in the daytime:
1. The direct sunlight that paints the shadows.
2. The blue sky, changing in brightness and saturation as we sweep the horizon and the space above our heads.
3. The hugely varied colours of the clouds ranging from the puffy cotton-wool — the definition of 'white' — through all the tinted greys to the lowering, sickly grey-green beneath a towering thunderstorm.
The incoming sunlight outside our atmosphere is represented by the pale grey line spectrum at the top, peaking at a little more than two of the units of power. The complex smattering of dips in the light are the absorption of the radiation in the atmosphere of the Sun as it emerges into space.
These dips are commonly known as 'Fraunhofer lines' after the Bavarian physicist Joseph von Fraunhofer ( en.wikipedia.org/wiki/Joseph_von_Fraunhofer ) whose historic workplaces I used to haunt when I lived within his landscape in and around Munich. The process of understanding the origin of these spectral features over the last couple of centuries has taught us a very substantial fraction of what we know about the Universe.
As the sunlight enters our atmosphere, a fraction of the light is removed from the incoming beam to be diverted into the air and the particles of water and 'dust' that exist within it. Some of this light is scattered — bounced from a molecule or a particle — to continue in another direction and reach the ground as skylight, and some is removed by a process of absorption to become the heat that warms the air.
It is these processes of scattering and absorption that determine the colours of the sky and the clouds while also changing the colour of the Sun as seen from the ground. The combination of these two effects is known as atmospheric extinction.
The thin, continuous orange and blue lines in the plot
(labelled Sun for overcast and blue sky) show the sunlight that would reach the ground through a normal clear (blue) sky with the sun at altitudes of 31° and 40° respectively.
The model I use to compute these spectra includes the scattering of light by air molecules (predominantly nitrogen) and by aerosols (tiny water droplets and dust particles). The only true absorption process it includes is from ozone gas which acts as a rather weak — when the Sun is well above the horizon — blue filter. Ozone has a much bigger role to play at twilight!
In a clear sky, much of the light diverted from the incoming sunlight ends up as the 'blue sky' since the dominant scattering process from air molecules (Rayleigh scattering) strongly favours blue light over the longer wavelengths. The zenith (directly overhead) skylight resulting from the 40° high sun results in the spectrum plotted as the thick continuous blue line (Blue sky, zenith).
The colour of this can be represented as a Coordinated Colour Temperature (CCT) of 25,730K which is represented by the Planck curve shown as the dashed blue line. [An LED light bulb in your sitting room probably has a CCT of around 3000K].
The patch of blue sky that I measured is a lot fainter than the Sun of course and here I have scaled it up by a factor of 155 to match the sunlight at a wavelength of 460nm.
In a heavy, complete overcast, the light reaching the ground traverses a thick layer of cloud. What does this do to its colour? Inside the cloud, the light is scattered, not only by air molecules, but by water drops of a large range of sizes along with dust, pollen grains, salt crystals and all sorts of other stuff, sometimes including volcanic ash. Some of, but by no means all, these interactions result in absorption and conversion into heat, i.e., the light is lost. Also, clouds, that appear white from above, reflect a lot of sunlight back into space.
You can see that this process can be quite complicated and hard to model in detail. The particulate matter outside of clouds, called aerosols, are usually modelled in a simple fashion to produce a scattering that, while preferentially somewhat blue, is not nearly as blue as the Rayleigh process. Consequently, an aerosol-rich but non-cloudy atmosphere appears less saturated and 'milky' in appearance.
Within the clouds, where water drops exist in much larger sizes, the scattering process becomes less coloured and is usually considered to be grey, meaning that the light emerging from a cloud varies in brightness depending on the direction from which it is viewed, but is changed little in hue.
The light measured under a heavy overcast with illumination from the sunlight represented by the thin orange line is shown as the thick dark-red line (Overcast sky, zenith). This is characterised by a CCT of only 6,635K, slightly hotter that sunlight but considerably cooler than the blue sky.
This is a lot fainter than the blue sky (by a factor of about 14) and I have scaled it up in the plot by a factor of 2,232.
The simplest way to think about the colour of this overcast light is to consider the way the cloud layer is illuminated from above. It is receiving the direct sunlight (thin orange line) but also light from the entire hemisphere of blue sky. The light in the cloud retains no memory of its original direction and both sources get mixed together as they diffuse within it. When a fraction of this emerges from the cloud base it will be much dimmer but significantly bluer than the Sun would appear without the clouds. In fact it is quite similar to the colour the Sun would appear in space to an astronaut.
In fact, this in not so surprising since it consists of the sum of the sunlight that has been reddened by extinction and the blue sky that resulted from the major contributor to the reddening process. That is, the red and the blue components have been remixed within the clouds.
Satisfying though this idea appears, it is only a very approximate picture of what happens and the light emerging from clouds under different conditions does vary somewhat in colour (see the comment below for an example image).
There are two other significant effects that are apparent in these plots.
The first is the presence of strong absorption dips, especially towards the red end of the spectrum where there are broad absorption bands that are not included in my extinction model, notably around 590, 690, 730 and 760nm. These are due to absorption in the Earth's atmosphere by molecules of oxygen and water. These are known as 'telluric' bands and they are valuable diagnostics of the state of the atmosphere used by meteorologists and planetary scientists. The stronger ones are, however, too deep in the red to have much effect on the perceived colour.
Secondly, it is clear from the spectrum of the overcast sky (thick dark red line) that the intensity increases dramatically above about 720nm. This is not apparent at all in the solar spectra and it is perhaps only weakly present on the blue sky spectrum.
It is due to radiation from the ground reflecting from the cloud base. Green vegetation has a very high reflectivity in the near infrared arising from the very high transparency of chlorophyll at these wavelengths. Plant leaves appear green to us. However, if our visual sensitivity extended even quite modestly towards redder wavelengths, the vegetated landscape would appear a brilliant red, and very much brighter than the dim green reflection that we actually see. If there is a high fraction of green, vegetated ground cover under the cloud, this deep red reflection can become very strong.
This marked increase in reflectivity is known in the trade as 'the chlorophyll red-edge' and it will be a crucial tool in investigating the presence of life on other planets. The signature of the Amazon rainforest has already been detected on Earth from distant spacecraft looking back at our home planet.
Understanding the appearance of the sky in daylight is fascinating, however as evening twilight approaches, the palette of colours grows in richness. It becomes an increasingly saturated spectrum from a red sunset through a range in the sky from orange, yellow, apple-green and a pale and deepening blue to to reach a strange 'metallic' grey-purple in the Earth-shadow above the eastern horizon. How this happens forms a richer and more complex story.
We had some stunning optical effects visible on our way back from Limoges to Stanstead on 25th September 2017. This was the first time I'd ever seen optics reflected on the cloud base below; that was quite a special experience!
Barnard 352 complex
Credit: Giuseppe Donatiello
The complex system of dark nebulae and molecular clouds north of NGC 7000 also known as Barnard 352 or LDN 941.
In reality, the region is home to a large number of individual compact structures, often only perspectively aligned and backlit against the star fields or plasma that makes up the larger NGC 7000.
PGCC G086.46+00.19 is a molecular cloud home to low mass star formation [A&A 594, A28 (2016)]. PGCC stands for Planck Catalog of Galactic Cold Clumps.
DOBASHI objects are dark nebulae reported in the Atlas and Catalog of Dark Clouds Based on the 2 Micron All Sky Survey compiled by Kazuhito Dobashi [Publications of the Astronomical Society of Japan, Volume 63, Issue sp1, 25 January 2011].
[DBY94] 086.4+00.4 is another molecular cloud occupying a small dense region.
[DB2002b] G86.20+0.00 is the characteristic backlit dark ring over North America and appears to surround NGC 6996, a small OB stellar association, reported by E. Barnard in 1927 in his A photographic Atlas of selected regions of the Milky Way. As a region of recent star formation, there are a number of YSOs, i.e. still shrinking young stellar objects.
E26 is a bubble associated with the young star V2713 Cyg with a clear shock front.
The image is part of a large mosaic obtained with a 300mm telephoto lens array from Piano Visitone in the Pollino National Park.
PLAYHOUSE/SWILLBURGER
bar - burger spot - arcade
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a gargantuan wheatpaste mural, "Bollywood Sugar," on The Playhouse/Swillburger building by Amsterdam-based artist Handiedan. The striking digital collage of bold imagery — which includes many flourishes, flowers, and architectural bits surrounding a large central pin-up figure www.rochestercitynewspaper.com/rochester/wonder-walls/Con...
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Wonder walls
WALL\THERAPY 2015
By Rebecca Rafferty @rsrafferty
WALL\THERAPY 2015 informally kicked off over the holiday weekend with the installation of a gargantuan wheatpaste mural, "Bollywood Sugar," on The Playhouse/Swillburger building by Amsterdam-based artist Handiedan. The striking digital collage of bold imagery — which includes many flourishes, flowers, and architectural bits surrounding a large central pin-up figure — earned cheers and honks from people crossing the busy intersection at South Clinton and Meigs.
"It was a great warm up to everything, and really set a nice tone for this year," says Erich Lehman, WALL\THERAPY co-curator and lead organizer. "The response has been pretty overwhelmingly positive.
Amsterdam-based artist Handiedan installed a massive wheatpaste mural for WALL\THERAPY over the holiday weekend at 820 South Clinton Avenue. The 2015 mural festival takes place July 17 through 26, with a theme of surrealism and the fantastic.
Handiedan and her partner, who spent four days painstakingly pasting the precisely-cut paper around the windows of the former church, were this year's early birds, as scheduling conflicts prevented them from joining the rest of the artists during the festival proper later this month (July 17 through July 26).
Though any art exposed to the weather is vulnerable, paper is especially so. But this hardy work has been sealed against the elements, and the artist estimates that the mural will last up to two years.
Earlier this year, WALL\THERAPY organizers announced a partnership with URBAN NATION — a Berlin-based organization that supports street art and aims to create the world's first museum dedicated to the form — for the launch of an international exchange program between Rochester and Berlin. Lehman says the group will be doing a WALL\THERAPY-curated show in Berlin in early 2016.
The connection was made last summer when URBAN NATION director Yasha Young visited Rochester to check out Berlin-based artist Addison Karl's in-progress mural at the Fedder Industrial Complex. After learning more about WALL\THERAPY and its sister project, IMPACT! (IMProving Access to Care by Teleradiology), Young extended an invite for collaboration.
IMPACT! seeks to provide easier access to medical care for people in underdeveloped and underserved regions of the world through cloud-based x-ray services and a network of volunteer radiologists. Both WALL\THERAPY and IMPACT! are projects of The Synthesis Collaborative.
The festival theme for this year is surrealism and the fantastic. In addition to Handiedan, Young has invited Stockholm-based artist Andreas Englund, Switzerland-based artists Onur and Wes21, Switzerland-based duo NEVERCREW, New York-based Australian artist Vexta, and Brooklyn-based Canadian artist Li Hill.
The other half of the participating artists are curated by Lehman and WALL\THERAPY founder and co-curator Ian Wilson. They have invited old-school graffiti artist Daze, who is based in New York City and returns to Rochester after participating in the 2013 festival; Jeff Soto and Maxx242, who are both based in California; and Eder Muniz, who is based in Brazil but has painted many vibrant murals in Rochester over the years.
This year's local artist selections include Nate Hodge, Brittany Williams, Matthew Roberts, and Joe Guy Allard. New York City-based painter and illustrator, Tara McPherson, was set to participate as well, but due to unexpected circumstances will not be able to attend this year.
WALL\THERAPY 2015 will kick off on July 17, with an art show titled "IMPACT!" held at 1975 Gallery featuring the work of all participating artists. A percentage of all sales from the exhibition will go directly to support the mural fest's philanthropic sister project.
In addition to the opportunity to watch the progress of the murals, the week will feature a movie night hosted by Brooklyn Street Art founders Jaime Rojo and Steve Harrington, and the annual FLOOR THERAPY dance party, hosted by The Lobby at Bug Jar.
Lehman says this year's murals will be clustered around downtown, returning to past areas, such as the Public Market, and adding some new sites as well. But the exact locations won't be revealed until closer to the start of the festival. "It's not so much a targeted neighborhood this year," Lehman says. "With the topic being 'surrealism and the fantastic,' it's better served spread out, so that it's not a concentration of so much of that kind of work."
This is the fourth WALL\THERAPY festival, but the fifth year since the project's birth. "It's really exciting to see that people's enthusiasm for the event is still strong," Lehman says.
An upgraded, and mobile-friendly WALL\THERAPY website launched this week, featuring up-to-date artist bios and photographs from the past years, and an easier to navigate, searchable map of the murals. A printable PDF guide of this year's mural locations is coming soon.
City Newspaper will post more information as it's released. Follow @WallTherapyNY and @roccitynews on Twitter and Instagram for updates, and visit the online version of this article for links to preview the work of this year's artists.
accessed July 13, 2015 www.rochestercitynewspaper.com/rochester/wonder-walls/Con...
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image by Photo George
copyrighted: ©2015 GCheatle
all rights reserved
locator: GAC_1856_tonemapped
Madonna and Child
FILIPINO
17th Century
Solid Ivory with traces of gilding and polychromy.
Heads of Virgin and child replaced. Repair to arm of Nino.
Provenance: Collection of Dr. Porfirio J. and Mrs. Socorro Rodriguez Callo
Purchased from Likhâ Antiques.
A solid ivory figure of the Madonna and Child carved during the 17th century. The Madonna stands on an "Ensaymada" (brioche) cloud base typical of early renditions of the Mother and Child. On this image, there is no angel or putti present. The Virgin's gown crosses her body laterally at the knees, folds gracefully backwards and falls in agitated folds at her feet. The Virgin is shown clasping the foot of the child typical of Philippine images of the Virgin and Child carved during the period. This feature shows the influence of the Spanish sculptor Juan Martinez Montanes.
The slight hint of knee, the toes peeping out of the Madonna's voluminous gown and the "suksuk" present in the back are clear indications of this image's Philippine provenance.
Many similar renditions of the Madonna and Child made during the 17th century are published in: Jose, R. T. (1990). Images of faith: Religious ivory carvings from the Philippines. Pacific Asia Museum: Pasadena, CA, pp 65 - 70, 114 - 115.
087_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
***DOWNLOAD INSTRUCTIONS***
Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.
This cloud based gallery will be available for three months in order to enable you to download all of the photos to your computer for safe long term storage. While the gallery may be in the cloud for longer than this time you should endeavor to file and secure the photos for future use in whatever manner you deem appropriate.
Took this photo after dressing up as the cloud based private eye - strange looks all round :-)
Here's my little tribute drawing of the fantastic Mr Jonathan Edwards 'INSPECTOR CUMULUS' - scribbled on paper and coloured in photoshop :-)
01. Who Drew This and Where Can people find you?
My name is [rich] and you can find me at:
and of course
02. What is the name of your drawing?
TIME FOR A MURDER.
03. What is it's story? (no more than 100 words please)
I thought I'd do a little something different for this one - took a couple of photos dressed up as Mr Cumulus drew some details in illustrator and added them up in photoshop :-)
Aerial Storm Chasing
Showers and thunderstorms (Convection) are giant waterfalls in the sky when viewed from the air that come out of the base of their parent convective cloud. Usually the base they come out of is bounded by clouds and sometimes these bounding clouds take on an organized almost vault-like look or rugged look and can produce strong winds as the rain cooled air pushes outward and the convection takes in warmer air-creating a gustfront or shelf cloud. Everything you need to know about what is going on with a storm (convective) cell is located at and below its cloud base level. Going to mid levels of a storm and just above the base is good and fun for structure images but has no applications to helping people know what’s going on with the storm because all that is way lower in altitude below its cloud base level. Aerial chasing is something just a few people in the world diligently have pursued, it’s a unique hobby.
#aerial #cloudscience #cloudphysics #meteorology #physics #aerospace #engineering #storm #cumulus #thunderstorm #wx #clouds #otherworld #aboveclouds #air #watervapor #science #cloudscape #cottonball #blanket #meteorology
#kywx #ilwx #mowx #tnwx #aerialstormresearch #aerialstorm #aerialimaging #convection #raincore
The United States Air Force's demonstration team, The Thunderbirds, make a four-ship pass at the Royal International Air Tattoo 2017. It was touch and go whether or not the team could display or not due to the low cloud base but, happily, the conditions were good enough for the F-16's to display.
083_GHP_SoireePortraits_2019.jpg -- Greater Houston Partnership “Emerald City” Soiree 2019 with photography sponsored by Conoco Phillips at Hotel ZaZa August 24, 2019. (Photo by Richard Carson)
***DOWNLOAD INSTRUCTIONS***
Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.
This cloud based gallery will be available for three months in order to enable you to download all of the photos to your computer for safe long term storage. While the gallery may be in the cloud for longer than this time you should endeavor to file and secure the photos for future use in whatever manner you deem appropriate.
See my Aviation Art Album for my paintings of the aircraft concerned.
Why when the UK and most of Europe was "socked in" did this flight take place?
The Noorduyn Norseman 44-70285
The line between the grey and olive drab was always a wavy line, at least
that was how it left the plant. However it is not believed that the Glenn
Miller Norseman had the O.D. (olive drab) camouflage colour scheme.
The Glenn Miller Norseman, specifically number 44-70285, according to
records, was accepted by USAAF at the Noorduyn plant on June 28, 1944. It
was delivered to New York on July 5th departing the U.S.A. on July 17th and
would not have arrived in England until after the invasion of Europe (June
6th) and therefore would not likely have had any "Invasion Stripes" put on
it. Also, the olive drab or camouflage colour scheme was replaced in
production earlier in March 1944 with overall aluminum.
There is no photo of the Glenn Miller Norseman, but pictures of others of
the same period, would confirm that it probably was just overall aluminum
with blue and white USAAF markings, black tail numbers, and black anti-glare
paint over the nose.
Without an actual photo of the specific aircraft, or any other information,
it is not known if the Glenn Miller Norseman might have been painted again
in the field, which is highly unlikely, or had any other markings.
In conclusion I might add that subsequently in going through files on the
Glenn Miller story I found that others had mentioned that this particular
Norseman was probably all "silver" like some others of the same vintage with
just the basic USAAF markings. They also mentioned the "dropping" by USAAF
of the camouflage colour scheme.
Also, the Norseman was assigned to U.S. Air Station 547 which was a base for
the 35th Depot Repair Squadron and would not have been going into war zones
and needed any invasion stripes anyway.
Credit for above information: Mr. Roy Dishlevoy
The pilot:-Flying Officer John R. S. Morgan who is recorded as being with
the 35th DRS (Depot Repair Squadron), 35th ADG (Air Depot Group). Station
547 (Abbots Ripton) and Station 102 (Alconbury) were one and the same.
The two names were so that there was no confusion between Combat Groups and
Support Groups Bases.
The reason and recorded course:- The 35th ADG , "Squadron: Repair"
;"Detachment: 2nd Strategic Air Depot"; "Place of Departure: Abbotts
Ripton"; "Course: Bordeaux Via A-42" . (not Villacoublay, I wonder if this
was down to poor visibility?)
While it seems most aircraft in the UK and Europe were fog bound, perhaps it
was youthfulness and inexperience, or the chance to show superiors that he
was an "okay" pilot, or the chance to fly Glenn Miller, or just plain orders
to fly that day.
The weather for the route looks to be gradually worse from Twinwood to
Paris. The Norseman would have been almost heading into wind for the whole
route, while visibility may have improved slightly, over the Channel it
would have remained at 500yds - 2,000yds worsening considerably nearer
Paris. Cloud was thickening and getting lower towards the Channel while
France had a cloud base of 800ft and poor ground visibility of around 500yds
- 1,000yds .
Weather information: H.M. Meteorological Office, Ref: AF/ML074/69/Met 0 7a
Pilot Flying Officer John R.S. Morgan flew into Twinwood, Bedfordshire, UK
to collect Lt. Col. Norman F. Baessell and by invitation Maj. Alton Glenn
Miller who both boarded the aircraft at the end of the runway after being
driven from the officer's mess in a Humber Snipe along with Miller's manager
Don Haynes. The weather was foggy (visibility 500yds - 2,000yds) and a
temperature of 24F or -4C, cloud base was at 2,000ft. Wind was 180 degrees
at 12 knots. The plane was recorded as "wheels left ground" at 1:55pm (12:55
GMT - the USAAF used local time and this was still British Summer Time) and
headed to Villacoublay (near Paris). The route most likely to have been
taken (SHAEF Route) would have been to the west of London then out over
Beachy Head. The pilot who gained his wings around 16 weeks before, carrying
aboard "The" Glenn Miller and a Lt. Col. (I feel) would not have dared
deviate from the SHAEF Route. Personally I would have thought that he would
not have had the confidence to fly off route............ but would he have
had the experience to stay on route?
We will never know what happened
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