View allAll Photos Tagged clockwork
I found today's prompt, Chartreuse, one of the most restrictive this year in EDiF.
Chartreuse is an alcohol based herbal liqueur made by monks in southern France to a secret recipe. It sounded to me like an upmarket Buckfast, also made by monks to a secret recipe. The two main differences are the cost and the colour. Chartreuse is green or yellow and Buckfast is brown with red tinges (or so I'm told). I liked the idea of green wine, but not the cost.
The clock is in the picture because the first time I heard the word Chartreuse was in the track "Clockwork Chartreuse" on the Loudon Wainwright III album "Attempted Mustache" back in the early '70s. The lyrics are fairly violent and probably wouldn't be allowed in these PC days.
Palomino Blackwing soft pencil
Pigma Micron 02 black pen
Cass Art watercolours
Seawhite A4 sketch book
Hellbeast by Clockwork Creatures.
Kallitype on Arches Platine developed in sodium citrate and lightly gold toned. Digital negative using Inkpress film. I need to work on my curve, lost most of Zone 2.
Model: Hexcelle
Hat & Earrings: Hexcelle
Choker by Alchemy Gothic
www.alchemyengland.com/?id_lang=1
Socks by SockDreams
Photographer: Taeden Hall
Clothing by Gloomth & the Cult of Melancholy
BACK TO THE FACTORY: Revisiting Stories and Works From The Warhol Factory
CLOCKWORK REDUCTION LIVE
A Conceptual Project By Seattle School
Sponsored by Easy Street Records and KEXP 90.3 FM
FEATURING:
Virginia Bogert - "Tootie Pie"
Sue Corcoran - "She's a Dog"
Daniel Gildark - "Cthulhu"
Kris Kristensen - "Inheritance"
Christian Palmer - "Forcefields"
Lynn Shelton - "We Go Way Back"
WITH:
Rob Millis - Climax Golden Twins
Jacob Stone - Punch Drunk Productions
Kris Moon - Fourthcity
AND:
Aaron Allshouse, JD Barton, Kyle Bliss, Danielle Gibeson, Dustin Kemp, Abby Klein, Caitlin Ngo, and more ...
Six years before Stanley Kubrick’s A CLOCKWORK ORANGE, Andy Warhol adapted the Anthony Burgess novel for his classic, black and white Factory film, VINYL. In homage to Warhol, Seattle School will transform the entire Northwest Film Forum building for a unique Factory-style recreation of the film. This grand, live happening restages the film in parts, with simultaneous live performance, filming, and screening in our two cinemas and lobby. Northwest filmmakers Lynn Shelton, Daniel Gildark, Virginia Bogart, Sue Corcoran, Christian Palmer and Kris Kristensen will direct models cum actors in cinema 1. Their footage will be projected live in cinema 2, where the audience intervenes in the creative process and composers (including Rob Millis of Climax Golden Twins) perform an improvised score. In the lobby, VJs (including Jacob Stone of Opticlash and Kris Moon from the Decibel Festival) will merge and edit the video and audio feeds from both cinemas in real time, creating a live finished film projected onto a translucent screen. The audience can move around freely between rooms throughout the evening, witnessing the different stages of the event’s unique filmmaking process. The event ends when the final new interpretation of VINYL is complete.
DEC 16, Sunday at 8pm
SPECIAL SCREENING
Inspired in Andreas Konkoly's Big Man, this smaller one uses the Magic clockwork motor so I named it Little Big Man.
At first I thought this was failed, but the more I look at it, the more I like it. A try to make a look of Alec from A clockwork orange. Too bad I didn't have the time to make a prober photo, but we were in a hurry. but close enough I think
Old Hafner cast iron clockwork locomotive w/a New York Flyer coach car, Bilt E-Z construction buildings and old A.C. Gilbert Erector girders for an elevated "0 gauge" track.
the pretty rad view of downtown vancouver, the park, and lion's gate bridge from the first clearing on the way up hollyburn.