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Light Medium All Hair4all Natural Lace
Free Phone: 0808 133 5151 Email: info@hair4all.com hair4all.com/
Client: ŠKODA
Projekt: ŠKODA Akcesoria
Agency: Opcom | Katarzyna Hoszowska | Łukasz Gręda
Photos: Michał Wilczek - Lupo Film | Grzegorz Pastuszak Photography
Koncepcja/Post: Lupo Film
Storyboard: Kuba Bieda
Production: Konrad Palkowski | Martyna Nurek | Grzegorz Pastuszak
Makijaż: Marta Hawro Krawczyk | Pan i Pani domu
Stylist: Kinga Janowska Pastuszak
Backstage: Marcin Wilczek | LUBU
Starring: Konrad Pondo | Magda Winiarek and others
for my business clients. I wanted to play off our website and used our little design element to creat snowflakes. I actually had to inkjet the pink dots behind because my cards are bigger than my Gocco surface and I wasn't able to burn a useable screen...but the rest is Gocco'd.
Pat Jullie
Model: Nadine Marques
Production Hair and Makeup: Fernanda Santos
Concept/Fashion: Vitorio Schneider
Photography / Post processing: Alex Justino
Light Medium All Hair4all Natural Lace
Free Phone: 0808 133 5151 Email: info@hair4all.com hair4all.com/
This one was a toughie. The client wanted a portrait made of herself and her best friend from an almost totally destroyed class photo.
European Hair System Hair4all Natural Lace Light Density Plus 10%
'Looking Good Just Got A Whole Lot Better'
Free Phone: 0808 133 5151 Email: info@hair4all.com hair4all.com/
Another fun Home with our highlighted spaces esthetically pleasing to boast of! The studio enjoyed working with this client! Thank you for Choosing studio Monaco.
The Midwife Center's Annual Client Picnic on Sunday, Sept. 14, 2014 at Avonworth Community Park.
Photo by Shawn Maceno
Want to support the work we do? Donate at www.midwifecenter.org
Light Density Plus 5% All Natural Lace Hair System with Euro Hair
Call 01454321335 for a Consultation
Email your contact details to info@hair4all.com
Cliente: Nicolás Fuchs
Créditos: ITEA Photo / A. Lino - R. De Quesada
Solo para uso exclusivo de prensa. Todos los derechos reservados.
Sicurezza, organizzazione, divertimento, rispetto dell’ambiente, esclusivo, differente…
Descrivere le escursioni da noi proposte con Siam Adventure World le parole non bastano, per questo ho creato un album con più di 200 foto, vostre foto, che mi avete inviato.
Grazie a tutti i clienti, amici, che hanno vissuto giornate intense, ricche d’emozioni, di colori e ci hanno lasciato questi feedback positivi.
Il Tour alle Phi Phi denominato Early Bird noi partiamo due ore prima degli altri, così Maya Bay la trovate spettacolarmente tranquilla senza barconi di cinesi!
Le nostre guide in Italiano che vi assistono, aiutano, divertono.
Koh Rok ultimo angolo di paradiso non contaminato dal turismo di massa, con Koh Haa dove si fa il migliore Snorkeling del sud est asiatico.
E poi la Baia di Phang-Nga con tour esclusivo in Kayak zona privata, con il motoscafo piccoli gruppi di 20 persone.
Ed ancora le Similan e tutte le isole al Nord di Phuket, con possibilità di dormire via una o più notti per vedere la spettacolare Koh Tachai sempre Early Bird al mattino prima di tutti gli altri!
Venite a trovarci allo Sky Caffè, contattateci potrete vivere anche voi un’esperienza positiva e ricca d’emozioni.
Il nostro sito Web: www.amicidiphuket.it/
My client wanted something simple and delicate to cover her scars from a recent surgery before her trip to Hawaii.
Boston Studio Photography West in Clinton, MA. 2000 sq ft studio with (2) 600 sq ft shooting bays, 12' ceilings, large windows for natural light, hardwood floors, 2 makeup/stylist stations, changing room, lounge, modern client meeting room, secure equipment storage, studio lighting and backdrops and wifi all included in your membership. Learn more about BSP West and our Boston studio at www.BostonStudioP.com
AFI Los Angeles screening and reception of
PEACE AFTER MARRIAGE
"Creative Promise Award" @ Tribeca Film Festival 2011
April 3, 2011
Nicolai Froehlich
Unterweg 81 Postfach 626
Bülach 8180
Switzerland
646-408-8137
nicolai@happynick.com
Faruk Özerten
Hostage International
“Peace After Marriage”
41 Schermerhorn Street, Suite 197
Brooklyn NY 11201
323-963-3243
Photographer Nicolai Froehlich owns the copyright to the still photography created on March 31st 2011 at the screening of “Peace After Marriage” at the American Film Institute in Los Angeles, and grants the Client “Peace After Marriage” film production / Hostage International an exclusive usage license for marketing, production, and promotional purposes across all media types, worldwide, for an unlimited time.
Terms & Conditions
[1] Definition: "Image(s)" means all visual representations furnished to Client by Photographer, whether captured, delivered, or stored in photographic, magnetic, optical, electronic, or any other media. Unless otherwise specified on the front of this document, Photographer may deliver, and Client agrees to accept, Images encoded in an industry-standard data format that Photographer may select, at a resolution that Photographer determines will be suitable to the subject matter of each Image and the reproduction technology and uses for which the Image is licensed. It is Client's responsibility to verify that the digital data (including color profile, if provided) are suitable for image
reproduction of the expected quality and color accuracy, and that all necessary steps are taken to ensure correct reproduction. If the data are not deemed suitable, Photographer's sole obligation will be to replace or repair the data, but in no event will Photographer be liable for poor reproduction quality, delays, or consequential damages. Unless otherwise specifically provided elsewhere in this document, Photographer has no obligation to retain or archive any of the Images after they have been delivered to Client. Client is responsible for sending an authorized representative to the assignment or for having an authorized representative review the images remotely during the assignment. If no review is made during the assignment, Client is obligated to accept Photographer's judgment as to the acceptability of the Images.
[2] Rights: All Images and rights relating to them, including copyright and ownership rights in the media in which the Images are stored, remain the sole and exclusive property of Photographer. Unless otherwise specifically provided elsewhere in this document, any grant of rights is limited to a term of one (1) year from the date hereof and to usage in print (conventional non-electronic and non-digital) media in North America.
Unless otherwise specifically provided elsewhere in this document, no image licensed for use on a cover of a publication may be used for promotional or advertising purposes without the express permission of Photographer and the payment of additional fees.
No rights are transferred to Client unless and until Photographer has received payment in full. The parties agree that any usage of any Image without the prior permission of Photographer will be invoiced at three times Photographer's customary fee for such usage. Client agrees to provide Photographer with three copies of each published use of each Image not later than 60 days after the date of first publication of each use. If any Image is being published only in an electronic medium, Client agrees to Provide Photographer with an electronic tearsheet, such as a PDF facsimile or URL of the published use of each such photograph, within fifteen (15) days after the date of first publication of each use. Unless otherwise specifically provided elsewhere in this document, all usage rights are limited to print media, and no digital usages of any kind are permitted. This prohibition includes any rights or privileges that may be claimed under §201(c) of the Copyright Act of 1976 or any similar provision of any applicable law.
Digital files may contain copyright and other information embedded in the header of the image file or elsewhere; removing and/or altering such information is strictly prohibited and constitutes violation of the Copyright Act.
All fees and expenses payable under this agreement are required irrespective of whether Client makes actual use of the Images or the licenses to use them. Unless specifically provided elsewhere in this document, no reprographic, reprint, republication or other secondary reproduction usages may be made, and usage rights are granted only for one-time, English language North American editorial print editions of the publication listed on the front of this document and six month searchable archive use on the website of that publication.
[3] Return and Removal of Images: Client assumes insurer's liability (a) to indemnify Photographer for loss, damage, or misuse of any Images, and (b) to return all Images prepaid and fully insured, safe and undamaged. Unless the right to archive Images has been specifically granted by Photographer on the front of this document, Client agrees to remove and return or destroy all digital copies of all Images. All Images shall be returned, and all digital files created by or on behalf of Client containing any Images shall be delivered to Photographer, deleted or destroyed, within thirty (30) days after the later of: (1) the final licensed use as provided in this document, and (2) if not used, within thirty (30) days after the date of the expiration of the license. Failure to return Images on time will result in loss to Photographer due to his resulting inability to license such Images. Client therefore agrees to pay a holding fee of five dollars and fifty cents ($5.50) per day for each image from the return date until the day on which the Images are actually received by Photographer. Client assumes full liability for its principals, employees, agents, affiliates, successors, and assigns (including without limitation independent contractors, messengers, and freelance researchers) for any loss, damage, delay in returning or deleting, failure to return, or misuse of the Images.
[4] Loss or Damage:
Reimbursement for loss or damage of each digital file shall be in the amount of Two Hundred Dollars ($200). Photographer and Client agree that said amount represents the fair and reasonable cost of the time and materials required to replace each item. Client understands that its acceptance of the stipulated value of the Images is a material consideration in Photographer's acceptance of the terms and prices in this agreement.
[5] Photo Credit: All published usages of Images will be accompanied by written credit to Photographer or copyright notice as specified on the reverse side. If no placement of a credit or copyright notice is specified on the reverse side, no credit or notice is required. If a credit is required but not actually provided, Client agrees that the amount of the invoiced fee will be subject to a three-times multiple as reasonable compensation to Photographer for the lost value of the credit line.
[6] Alterations:
Client may make or permit any alterations, including but not limited to additions, subtractions, or adaptations in respect of the Images alone or with any other material, including making digital scans, subject to the provisions as stated in [7] below.
[7] Indemnification: Client will indemnify and defend Photographer against all claims, liability, damages, costs, and expenses, including reasonable legal fees and expenses, arising out of the creation or any use of any Images or arising out of use of or relating to any materials furnished by Client. Unless delivered to Client by Photographer, no model or property release exists, and it is Client's responsibility to obtain the necessary permissions for usages that require any model or property releases not delivered by Photographer. It is Client's sole responsibility to determine whether any model or property releases delivered by Photographer are suitable for Client's purposes. Photographer's liability for all claims shall not exceed in any event the total amount paid under this invoice.
[8] Assumption of Risk: Client assumes full risk of loss or damage to or arising from materials furnished by Client and warrants that said materials are adequately insured against such loss, damage, or liability.
[9] Transfer and Assignment: Client may not assign or transfer this agreement or any rights granted under it. This agreement binds Client and inures to the benefit of Photographer, as well as their respective principals, employees, agents, and affiliates, heirs, legal representatives, successors, and assigns. Client and its principals, employees, agents, and affiliates are jointly and severally liable for the performance of all payments and other obligations hereunder. No amendment or waiver of any terms is binding unless set forth in writing and signed by the parties. However, the invoice may reflect, and Client is bound by, Client's oral authorizations for additional Images, fees and expenses that could not be confirmed in writing because of insufficient time or other practical considerations. This agreement incorporates by reference the Copyright Act of 1976, as amended. It also incorporates by reference those provisions of Article 2 of the Uniform Commercial Code that do not conflict with any specific provisions of this agreement; to the extent that any provision of this agreement may be in direct, indirect, or partial conflict with any provision of the Uniform Commercial Code, the terms of this agreement shall prevail. To the maximum extent permitted by law, the parties intend that this agreement shall not be governed by or subject to the UCITA of any state. Photographer is an independent contractor and not an employee. If photographer is deemed under any law to be an employee of Client, and if the Images are therefore considered works made for hire under the U.S. Copyright Act, Client hereby transfers the copyright to all such Images to Photographer. Client agrees to execute any documents reasonably requested by Photographer to accomplish, expedite or implement such transfer.
[10] Disputes: Except as provided in [11] below, any dispute regarding this agreement shall, at Photographer's sole discretion, either:
(1) be arbitrated in Bülach (Zurich), 8180, Switzerland, under rules of the American Arbitration Association and the laws of Switzerland, provided, however, that irrespective of any specific provision in the rules of the American Arbitration Association, the parties are not required to use the services of arbitrators participating in the American Arbitration Association or to pay the arbitrators in accordance with the fee schedules specified in those rules. Judgment on the arbitration award may be entered in any court having jurisdiction. Any dispute involving $5,000 or less may be submitted without arbitration to any court having jurisdiction thereof.
OR
(2) be adjudicated in Bülach (Zurich), 8180, Switzerland under the laws of the United States and/or of Switzerland.
(3) In the event of a dispute, Client shall pay all court costs, Photographer's reasonable legal fees, and expenses, and legal interest on any award or judgment in favor of Photographer.
[11] Federal Jurisdiction: Client hereby expressly consents to the jurisdiction of the Federal courts with respect to claims by Photographer under the Copyright Act of 1976, as amended, including subsidiary and related claims.
[12] Overtime: In the event a shoot extends beyond eight (8) consecutive hours, Photographer may charge for such excess time of assistants and freelance staff at the rate of 11/2 times their hourly rates.
[13] Reshoots: Client will be charged 100 percent fee and expenses for any reshoot required by Client. For any reshoot required because of any reason outside the control of Client, specifically including but not limited to acts of God, nature, war, terrorism, civil disturbance or the fault of a third party, Photographer will charge no additional fee, and Client will pay all expenses.
If Photographer charges for special contingency insurance and is paid in full for the shoot, Client will not be charged for any expenses covered by insurance. A list of exclusions from such insurance will be provided on request.
[14] Assignment Cancellations and Postponements: Cancellations: Client is responsible for payment of all expenses incurred up to the time of cancellation of the assignment, plus 50 percent of Photographer's fee; however, if notice of cancellation is given less than two (2) business days before the shoot date, Client will be charged 100 percent fee. Postponements: Unless otherwise agreed in writing, Client will be charged a 100 percent fee if postponement of the assignment occurs after photographer has departed for location, and 50 percent fee if postponement occurs before departure to location. Fees for cancellations and postponements will apply irrespective of the reasons for them, specifically including but not limited to weather conditions, acts of God, nature, war, terrorism, civil disturbance, and the fault of a third party.
Model for Skipton House
The collaboration between client London & Regional, structural engineers Heyne Tillet Steel, MEP Engineers Atelier 10, planning consultants SM Planning and architects Piercy&Company will transform the existing Skipton House building in Elephant and Castle.
An emphasis on sustainability and adaptive re-use led to the strategy of retaining six of the current seven storey steelwork structure and using this to support a six floor steel and cross laminated timber extension. The architecture reflects this structural stratification, with a raw and industrial aesthetic contrasted with warmer toned elements and tactile surfaces.
The 280,000 sqft uplift in area will allow the building to contribute 490,000 sqft of workspace to Elephant and Castle. The large work floors have been flexibly designed to accommodate both large and small businesses, and a triple height garden on the 7th floor provides a generous and distinctive amenity space to the building, with dramatic views over London.
The scheme will both enhance public space to the south of the building and create a new flexible exhibition, retail and foyer space within the building on the ground floor of a central atrium. Whilst the building is a commercially-led scheme, the ground level is conceived as a public platform for cultural events, exhibitions and performances. Inspired by the theories of Cedric Price, the space has been designed to be robust and completely flexible, with elements such as a gantry crane and a cascading stair to combine a theatricality with a calm pragmatism.
The project embraces the principles of a circular economy reusing and refurbishing rather than demolishing and building anew. The use of responsibly sourced CLT structure for the extension further supports this goal, while adding warmth and character to the building. The ambitious embodied carbon reduction agenda is supplemented by a new high-performance building envelope that will minimise operational energy use. Features such as the vertical fins on the extension will provide solar control and add texture to the building façade, while allowing expansive views and ample daylight into the office space.
“We designed the workspaces to be adaptable in terms of internal vertical connectivity and subdivision. We also worked to soften the distinction between tenant and landlord space so that tenants feel connected to the experience of the building as a whole. Workspaces are collected around the theatre like central atria,
cascading stair, gardens and events spaces creating a campus atmosphere. There is a purposeful modesty to the architecture in terms of structure, palette and detailing, reflecting on the direction of workspaces in the face of dramatic changes in both behaviour and economics.” Stuart Piercy, Founding Director.
[PiercyandCo.com]
Supermodels - an exhibition of super architectural models by the Piercy&Co studio - opens 25 November at Regent Quarter, Kings Cross. Piercy&Co will install eight moving and animated models across the eerie setting of an empty central London building site. Supermodels represents the distillation of 20 years of the studio’s design thinking around the importance of the haptic, sensorial and experiential in architecture.
The mechanical automata, projection mapping, sound, light and scent employed by Piercy&Co in Supermodels are not the everyday techniques and products of an architectural project. Rather, they are a creative body of work and an experiment in how far the model can be pushed as a tool for communicating architectural ideas. The models were made over a five year period in Piercy&Co's London studio by the architectural team, between and around projects.
Each super model is based on a building by Piercy&Co - some built, some unbuilt - and abstracted to capture the kernel of the idea behind the building. The ‘coming alive’ of the models through film, sound and movement plays into the mysterious allure of objects with a miniature life of their own - the dolls house, the cuckoo clock, the model railway. The evocation of delight is intentionally egalitarian - an exploration of a mode of architectural communication that is ageless and universal. Supermodels seek to reconnect digital and physical worlds through a childlike sense of wonder and unfiltered joy.
[piercyandco.com]
Images from the 2019 edition of Ultra Europe
Split, Croatia - July 12-14, 2019
Client: Ultra Europe
© 2019 www.rudgr.com
Check out my book on 20 years of dance music photography!
Inauguração da Anis, loja de roupas multimarcas localizada na Rua Martechal Deodoro da Fonseca 345 - Centro - Lagoa Santa - MG 20.11.2014 Na foto Anisia Soares
Foto: LEO LARA
Client : จรัญ ส้มปั่น ภูเก็ต
Photographer : Chutchai Wongketjai
Studio : Homemade Studio
( www.facebook.com/homemadestudio42 )
Foodstylist : Pimfun
(FB : www.facebook.com/pimfun.page
IG : #pimfunfoodstylist
Assistance Foodstylist : Korawut Neeparn
Noniko Handmade Jewelry Lifestyle Shoot at Burnside Skatepark and Macleay Park | Commercial, product, jewelry, fashion and lifestyle photography in Portland, Oregon www.BethOlsonCreative.com