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Dressed by
☼ Fluid
• Scarlett Dress
At @ DreamDay Event
maps.secondlife.com/secondlife/DreamDay%20Event/128/228/2000
Trying to satisfy my need to click the shutter.
Backyard photography
Pike County Georgia USA
Visible spectrum
Hot mirror filter
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. press L to enlarge;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi L per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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All the photos I present were taken in the town of Taormina;
I made photos related to "street photography";
I photographed people who, for the most part, I had never met before, performing their portraits, I thank them for their sympathy and availability;
The volcano Etna, in recent days has shown an intense eruptive activity, I photographed that spectacular eruptions from Taormina;
I tried to capture minimal photographic stories, collected walking down the street .. ... in search of fleeting moments ...
For some photographs I used a particular photographic technique at the time of shooting, which in addition to capturing the surrounding space, also "inserted" a temporal dimension, with photos characterized by being moved because the exposure times were deliberately lengthened, they are confused -focused-imprecise-undecided ... the Anglo-Saxon term that encloses this photographic genre with a single word is "blur", these images were thus created during the shooting phase, and not as an effect created subsequently, in retrospect, in the post-production.
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Tutte le foto che presento sono state realizzate nella cittadina di Taormina;
ho realizzato foto riconducibili alla “street photography”;
ho fotografato persone che, per la maggior parte, non avevo incontrato prima, eseguendo dei loro ritratti, le ringrazio per la loro simpatia e disponibilità;
il vulcano Etna, nei giorni scorsi ha mostrato una intensa attività eruttiva, anche con intensi fenomeni chiamati "fontane di lava", emissioni a getto continuo perdurate intensamente per molti minuti, di altissime "fontane" di magma incandescente, molto spettacolari e non comuni, le fotografie dell'Etna sono state realizzate da Taormina;
ho provato a cogliere storie fotografiche minime, raccolte camminando per la strada ... alla ricerca di attimi fugaci s-fuggenti ...
Ho utilizzato per alcune fotografie una tecnica fotografica particolare al momento dello scatto, che oltre a catturare lo spazio circostante, ha "inserito" anche una dimensione temporale, con foto caratterizzate dall’essere mosse poiché volutamente sono stati allungati i tempi di esposizione, sono confuse-sfocate-imprecise-indecise...il termine anglosassone che racchiude con una sola parola questo genere fotografico è "blur", queste immagini sono state così realizzate in fase di scatto, e non come un effetto creato successivamente, a posteriori, in fase di post-produzione.
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Mitt bidrag till veckans Fotosöndag med tema /My contribution to this week on Photosunday with theme /Färgklick /Color click
Fotos espontâneas, tiradas por mim (:
até que ficaram legais ...
são inesperadas =D
eles adoraram (:
Foto 1: Ítala e João
Foto 2: Kléber Veloso
This little click beetle repeatedly opened and closed its elytra (the hard, protective forewings, orange in this beetle), which I thought meant it was preparing to fly, but it never did take off while I was watching. I think it was actually getting its flight wings properly folded and stowed away. (Montana)
Taken at Kidwelly quay
Many thanks everyone who comments or fav. my shots, Regards Clayton
To see more of my images click this link
Camino. Faa, que buena puerta. Me prestás la cámara? miro, enfoco, click. Cruzo la vereda. Miro, enfoco, click. View. Que lindas quedaron. Me encanta el amarillo. Apago la camara....Crack. ops, ups, ouch, guaa.
Servicio técnico. 220. Click again. Puerta amarilla. Foto. Flickr. Ahora si, uff, que susto.
Click here to see my stream in the old layout www.flickr.com/photos/rigoan/?details=1
Comments are always welcome and favs most appreciated.
Comentarios y favs son siempre bienvenidos
© Fotografía de Ricardo Gomez Angel
Todos los derechos reservados. Todas las imágenes contenidas en este sitio web son propiedad de Ricardo Gomez Angel. Las imágenes no se pueden reproducir, copiar o utilizar de ninguna manera sin el permiso escrito.
© Photography by Ricardo Gomez Angel
All rights reserved. All images contained on this website remain the property of Ricardo Gomez Angel. Images may not be reproduced, copied, or used in any way without written permission.
Atala Hairstreak (Eumaeus atala) on Buttonsage (Lantana involucrata) - Butterfly Garden, Arthur R. Marshall Visitor Center, Loxahatchee National Wildlife Refuge, Boynton Beach, Florida
A rare little bugger that made my day.
Even on a hot day, it's always cool when you stumble across something you've never seen before.
I'm not sure whether this was the endangered Florida subspecies or an "import" from the Bahamas or Cuba. But a good lookin' little bugger either way.
Don't be afraid to use Flickr's Mag tool on this guy,
'cause there's some serious detail goin' on in this pic.
****Please Click on Image to view larger and on Black background****
I am so friggin’ pumped! I was fortunate enough to have one of my images selected for the Outdoor Photography 3rd Annual Nature’s Colors Finalists Gallery!!!!! I’m not sure that I’ve experienced this much of a high for photography ever!
I was excited to see also that Aaron and Jim had a couple in there too!
I’m in GREAT company. If you feel so inclined, you can vote for mine, Aaron’s, or Jim’s (or your favoriate whichever that may be) here:
www.outdoorphotographer.com/photo-contests/3rd-annual-nat...
Thanks for all your continued support! Cheers everyone and Cheers to Bootcamp Photography!!!
–jared r.
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. press L to enlarge;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi L per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
……………………………………………………………………….
All the photos I present were taken in the town of Taormina;
I made photos related to "street photography";
I photographed people who, for the most part, I had never met before, performing their portraits, I thank them for their sympathy and availability;
The volcano Etna, in recent days has shown an intense eruptive activity, I photographed that spectacular eruptions from Taormina;
I tried to capture minimal photographic stories, collected walking down the street .. ... in search of fleeting moments ...
For some photographs I used a particular photographic technique at the time of shooting, which in addition to capturing the surrounding space, also "inserted" a temporal dimension, with photos characterized by being moved because the exposure times were deliberately lengthened, they are confused -focused-imprecise-undecided ... the Anglo-Saxon term that encloses this photographic genre with a single word is "blur", these images were thus created during the shooting phase, and not as an effect created subsequently, in retrospect, in the post-production.
………………………………………………………
Tutte le foto che presento sono state realizzate nella cittadina di Taormina;
ho realizzato foto riconducibili alla “street photography”;
ho fotografato persone che, per la maggior parte, non avevo incontrato prima, eseguendo dei loro ritratti, le ringrazio per la loro simpatia e disponibilità;
il vulcano Etna, nei giorni scorsi ha mostrato una intensa attività eruttiva, anche con intensi fenomeni chiamati "fontane di lava", emissioni a getto continuo perdurate intensamente per molti minuti, di altissime "fontane" di magma incandescente, molto spettacolari e non comuni, le fotografie dell'Etna sono state realizzate da Taormina;
ho provato a cogliere storie fotografiche minime, raccolte camminando per la strada ... alla ricerca di attimi fugaci s-fuggenti ...
Ho utilizzato per alcune fotografie una tecnica fotografica particolare al momento dello scatto, che oltre a catturare lo spazio circostante, ha "inserito" anche una dimensione temporale, con foto caratterizzate dall’essere mosse poiché volutamente sono stati allungati i tempi di esposizione, sono confuse-sfocate-imprecise-indecise...il termine anglosassone che racchiude con una sola parola questo genere fotografico è "blur", queste immagini sono state così realizzate in fase di scatto, e non come un effetto creato successivamente, a posteriori, in fase di post-produzione.
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CLICK DAL PONTE VECCHIO ( FIRENZE)
BUONA SERATA AMICI...GRAZIE:-))
Do not use any of my photos without my permission
To view more of my images, Abbey Gardens, and St Edmundsbury Cathedral, please click "here" !
St Edmundsbury Cathedral is the cathedral for the Church of England's Diocese of St Edmundsbury and Ipswich. It is the seat of the Bishop of St Edmundsbury and Ipswich and is in Bury St Edmunds. A church has stood on the site of the cathedral since at least 1065, when St Denis's Church was built within the precincts of Bury St Edmunds Abbey. In the early 12th century the Abbot, Anselm had wanted to make a pilgrimage along the Way of St James to Santiago de Compostela. He was unsuccessful and instead rebuilt St Denis's and dedicated the new church to Saint James, which served as the parish church for the north side of Bury St Edmunds. This church was largely rebuilt, starting in 1503, with more alterations in the 18th and 19th centuries. When the Diocese of St Edmundsbury and Ipswich was created in 1914, St James Church was made the cathedral. In 1959 Benjamin Britten wrote the Fanfare for St Edmundsbury for a "Pageant of Magna Carta" held in the cathedral grounds. From 1960 onwards, there was renewed building work designed to transform the parish church into a cathedral building, with the rebuilding of the chancel and the creation of transepts and side chapels. The cathedral architect from 1943 to 1988 was Stephen Dykes Bower and he left £2 million for the completion of the cathedral. In the cathedral grounds a new choir school and visitor's centre were built which were opened in 1990. A Gothic revival tower was built between 2000 and 2005. The font was designed in 1870 by George Gilbert Scott, constructed on a medieval shaft, with a cover by F. E. Howard of Oxford. The decoration was added in 1960.
In addition to guided tours of the cathedral itself, visitors can view changing exhibits of art in the Edmund Gallery, and an exhibit of historic and religious regalia and artefacts in the Cathedral Treasures display. The painting "The Martyrdom of St Edmund" by Brian Whelan hangs in the Lady Chapel.
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. press L to enlarge;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi L per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
……………………………………………………………………….
All the photos I present were taken in the town of Taormina;
I made photos related to "street photography";
I photographed people who, for the most part, I had never met before, performing their portraits, I thank them for their sympathy and availability;
The volcano Etna, in recent days has shown an intense eruptive activity, I photographed that spectacular eruptions from Taormina;
I tried to capture minimal photographic stories, collected walking down the street .. ... in search of fleeting moments ...
For some photographs I used a particular photographic technique at the time of shooting, which in addition to capturing the surrounding space, also "inserted" a temporal dimension, with photos characterized by being moved because the exposure times were deliberately lengthened, they are confused -focused-imprecise-undecided ... the Anglo-Saxon term that encloses this photographic genre with a single word is "blur", these images were thus created during the shooting phase, and not as an effect created subsequently, in retrospect, in the post-production.
………………………………………………………
Tutte le foto che presento sono state realizzate nella cittadina di Taormina;
ho realizzato foto riconducibili alla “street photography”;
ho fotografato persone che, per la maggior parte, non avevo incontrato prima, eseguendo dei loro ritratti, le ringrazio per la loro simpatia e disponibilità;
il vulcano Etna, nei giorni scorsi ha mostrato una intensa attività eruttiva, anche con intensi fenomeni chiamati "fontane di lava", emissioni a getto continuo perdurate intensamente per molti minuti, di altissime "fontane" di magma incandescente, molto spettacolari e non comuni, le fotografie dell'Etna sono state realizzate da Taormina;
ho provato a cogliere storie fotografiche minime, raccolte camminando per la strada ... alla ricerca di attimi fugaci s-fuggenti ...
Ho utilizzato per alcune fotografie una tecnica fotografica particolare al momento dello scatto, che oltre a catturare lo spazio circostante, ha "inserito" anche una dimensione temporale, con foto caratterizzate dall’essere mosse poiché volutamente sono stati allungati i tempi di esposizione, sono confuse-sfocate-imprecise-indecise...il termine anglosassone che racchiude con una sola parola questo genere fotografico è "blur", queste immagini sono state così realizzate in fase di scatto, e non come un effetto creato successivamente, a posteriori, in fase di post-produzione.
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To view more of my images, of Belton House, please click "here" ! Click any image to view large!
Belton House is a Grade I listed country house in Belton near Grantham, Lincolnshire, England. The mansion is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, the only truly vernacular style of architecture that England had produced since the Tudor period. The house has also been described as the most complete example of a typical English country house; the claim has even been made that Belton's principal facade was the inspiration for the modern British motorway signs which give directions to stately homes. Only Brympton d'Evercy has been similarly lauded as the perfect English country house. For three hundred years, Belton House was the seat of the Brownlow and Cust family, who had first acquired land in the area in the late 16th century. Between 1685 and 1688 Sir John Brownlow and his wife had the present mansion built. Despite great wealth they chose to build a modest country house rather than a grand contemporary Baroque palace. The contemporary, if provincial, Carolean style was the selected choice of design. However, the new house was fitted with the latest innovations such as sash windows for the principal rooms, and more importantly completely separate areas for the staff. As the Brownlows rose from baronets to barons upward to earls and then once again became barons, successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. Following World War I (a period when the Machine Gun Corps was based in the park), the Brownlows, like many of their peers, were faced with mounting financial problems. In 1984 they gave the house away—complete with most of its contents. The recipients of their gift, the National Trust, today fully open Belton to the public. It is in a good state of repair and visited by many thousands of tourists each year The Brownlow family, a dynasty of lawyers, began accumulating land in the Belton area from approximately 1598. In 1609 they acquired the reversion of the manor of Belton itself from the Pakenham family, who finally sold the manor house to Sir John Brownlow I in 1619. The old house was situated near the church in the garden of the present house and remained largely unoccupied, since the family preferred their other houses elsewhere. John Brownlow had married an heiress but was childless. He became attached to two of his more distant blood relations: a great-nephew, also called John Brownlow, and a great-niece, Alice Sherard. The two cousins married each other in 1676 when both were aged 16; three years later, the couple inherited the Brownlow estates from their great-uncle together with an income of £9,000 per annum (about £ 1.17 million in present day terms) and £20,000 in cash (equivalent to about £ 2.59 million now). They immediately bought a town house in the newly fashionable Southampton Square in Bloomsbury, and decided to build a new country house at Belton. Work on the new house began in 1685. The architect thought to have been responsible for the initial design is William Winde, although the house has also been attributed to Sir Christopher Wren, while others believe the design to be so similar to Roger Pratt's Clarendon House, London, that it could have been the work of any talented draughtsman. The assumption popular today, that Winde was the architect, is based on the stylistic similarity between Belton and Coombe Abbey, which was remodelled by Winde between 1682 and 1685. Further evidence is a letter dated 1690, in which Winde recommends a plasterer who worked at Belton to another of his patrons. Whoever the architect, Belton follows closely the design of Clarendon House, completed in 1667. This great London town house (demolished circa 1683) has been one of the most admired buildings of its era due to "its elegant symmetry and confident and common-sensical design". Sir John Summerson described Clarendon House as "the most influential house of its time among those who aimed at the grand manner" and Belton as "much the finest surviving example of its class". John and Alice Brownlow assembled one of the finest teams of craftsmen available at the time to work on the project. This dream team was headed by the master mason William Stanton who oversaw the project. His second in command, John Thompson, had worked with Sir Christopher Wren on several of the latter's London churches, while the chief joiner John Sturges had worked at Chatsworth under William Talman. The wrought-ironworker John Warren worked under Stanton at Denham Place, Buckinghamshire, and the fine wrought iron gates and overthrow at Belton may be his. Thus so competent were the builders of Belton that Winde may have done little more than provide the original plans and drawings, leaving the interpretation to the on-site craftsmen. This theory is further demonstrated by the external appearance of the adjoining stable block. More provincial, and less masterful in proportion, it is known to have been entirely the work of Stanton.
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