Pentacon auto 50mm f1.8

French postcard by Travelling Editions, Paris, no. CP 116.

 

English actress Charlotte Rampling (1946) became a legend with her ice-blue eyes, diamond-cut diction and much-remarked-upon cheekbones in such controversial classics like La Caduta degli dei/The Damned (1969) and Il Portiere di note/The Night Porter (Liliana Cavani, 1974). In Hollywood, she worked successfully with Woody Allen and Sidney Lumet, and this century she returned spectacularly to the A-list of the cinema in François Ozon’s Sous le sable/Under the Sand (2000), and Swimming Pool (2003).

 

Charlotte Rampling was born Tessa Charlotte Rampling in Sturmer, Great Britain, in 1946. She is the daughter of Anne Isabelle Rampling-Gurteen, a painter, and Godfrey Rampling, an army officer. Her father had won silver in the athletics track event 4x400m relay at the 1932 Olympics, and gold in the 4x400m relay at the 1936 Olympics. Charlotte attended the Jeanne d'Arc Académie in Versailles, France and the exclusive St. Hilda's School, Bushey, England. At 17 she was spotted on the street and asked to appear in a Cadbury television commercial. She enjoyed a successful modelling career before she made her first, uncredited screen appearance as a water skier in the comedy The Knack ...and How to Get It (Richard Lester, 1965). The film won the Palme d'Or at the 1965 Cannes Film Festival and was nominated for the Golden Bear at the 15th Berlin International Film Festival. Later that year she played the female lead in the comedy Rotten to the Core (John Boulting, 1965) with Anton Rodgers and Eric Sykes. At the time London was swinging and the 20-year-old Rampling was one of the city’s ‘it’ girls. She played Meredith, the bitchy but beautiful roommate of Georgy (Lynn Redgrave) in the successful comedy-drama Georgy Girl (Silvio Narizzano, 1966). But that year, a traumatic event occurred, when her elder sister Sarah shot herself in Argentina after giving birth prematurely and losing her child. Charlotte was devastated by this loss, which she experienced as an abandonment by her sister. She and her father lied to her mother, telling her that Sarah had died of a stroke. Charlotte seemingly overcame this trauma and was able to continue acting. In 1967 she played the gunfighter Hana Wilde in The Superlative Seven, an episode of the hit series The Avengers with Patrick Macnee and Diana Rigg. After this, her acting career blossomed in both English and French cinema. Among the early roles were the female leads in the British adventure film The Long Duel (Ken Annakin, 1967) starring Yul Brynner and Trevor Howard, and the thriller Target: Harry (Roger Corman, 1969).

 

Charlotte Rampling has performed controversial roles. In Luchino Visconti's classic, she played a young wife sent to a Nazi concentration camp. Critics praised her performance, and it cast her in a whole new image: mysterious, sensitive and ultimately tragic. ‘The Look’ as co-star Dirk Bogarde called it, became her trademark. She played Anne Boleyn in the film adaptation of Henry VIII and His Six Wives (Waris Hussein, 1972), with Keith Michell as Henry VIII. In the US, she played the wife of Robert Blake in the drama Corky (Leonard Horn, 1972). In 1972, Rampling also married the actor and publicist Bryan Southcombe and had one child, Barnaby Southcombe, (1972) now a television and film director. They were widely reported to be living in a ménage à trois with a male model, Randall Laurence, although she always denied there was ever any sexual relationship. She co-starred with Sean Connery in the science fiction/fantasy film Zardoz (John Boorman, 1974). In Il Portiere di notte/The Night Porter (Liliana Cavani, 1974). she portrayed a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her and resumes their ambiguous relationship. In France, she offered a passionate rendering of a violent heiress confined to a mental institution in La Chair de l'orchidée/The Flesh of the Orchid (1975), an adaptation of the pulp novel, The Flesh of the Orchid (1948) by James Hadley Chase. The film was the directorial debut of French author and stage director Patrice Chéreau, and also stars Simone Signoret, Bruno Cremer and Edwige Feuillère. Other interesting European films were Un taxi mauve/The Purple Taxi (Yves Boisset, 1977) with Peter Ustinov, Philippe Noiret and Fred Astaire, and Max mon amour/Max, My Love (Nagisa Oshima, 1986), in which she played a woman who fell in love with a chimpanzee. Rampling gained recognition from American audiences in a remake of Raymond Chandler's detective story Farewell, My Lovely (Dirk Richards, 1975) with Robert Mitchum as Philip Marlowe. Later she stole the show with her part in Stardust Memories (Woody Allen, 1980) as a beautiful but emotionally fragile depressive. She had again success in Hollywood as the deceitful Laura in the acclaimed courtroom drama The Verdict (Sidney Lumet, 1982), starring Paul Newman. Five years later she appeared with Mickey Rourke and Robert De Niro. in the American voodoo-themed thriller Angel Heart (Alan Parker, 1987), as an ill-fated woman whose heart is irrevocably extracted from her body.

 

In the following decade, Charlotte Rampling mainly worked for TV, such as in Great Expectations (Julian Jarrold, 1999), BBC's BAFTA award-winning adaptation of the Charles Dickens novel. She played the decayed spinster Miss Havisham opposite Ioan Gruffudd as Pip. Charlotte Rampling credits François Ozon with drawing her back to film in the 2000s, a period when she came to terms with the death of her eldest sister Sarah. Ozon gave her the lead role in his French drama Sous le sable/Under the Sand (François Ozon, 2000), which was nominated for three César Awards and was critically well received. Bob Mastrangelo at AllMovie: “Sous le Sable belongs to Charlotte Rampling. Delivering a commanding, devastating, and nuanced performance, Rampling portrays Marie Drillon, a middle-aged professor who goes through an emotional roller coaster after the sudden disappearance of her husband. Rampling beautifully handles Marie's various transformations, making it appear outwardly as if she is coping with reality, while inwardly she is collapsing.” The character she played in Ozon's Swimming Pool (François Ozon, 2003), Sarah Morton, was named in her sister's honour. For most of Rampling's life, she would say only that her sister had died of a brain haemorrhage; when she and her father heard the news, they agreed they would never let her mother know the truth. They kept their secret until Rampling's mother died in 2001. A year later, Rampling became a Dame of France's Legion. At 59, Rampling appeared in Vers le Sud/Heading South (Laurent Cantet, 2005), a film about sexual tourism. She plays Ellen, a professor of French literature and single Englishwoman, who holidays in 1970s Haiti to get the sexual attention she does not get at home. Ozon directed her in the costume drama Angel (François Ozon, 2007) She portrayed the mother of Keira Knightley's character in The Duchess (Saul Dibb, 2008), and she appeared in the terrorist thriller Cleanskin (Hadi Hajaig, 2010), starring Sean Bean and James Fox. Very interesting is the Polish-Swedish co-production The Mill and the Cross (Lech Majewski, 2011) starring Rutger Hauer as Pieter Bruegel the Elder, on whose 1564 painting The Procession to Calvary the film is inspired. She also was among the cast of Lars von Trier’s Melancholia (2011) starring Kirsten Dunst and Charlotte Gainsbourg. Charlotte Rampling married twice. She played the title role in the noir thriller I, Anna (2012) written and directed by her son, Barnaby Southcombe. In 1976, Rampling met French composer Jean Michel Jarre at a dinner party; and left her first husband Bryan Southcombe the next day. Two years later she married Jarre and had a second son, magician and singer David Jarre. She also brought up stepdaughter Émilie Jarre, now a fashion designer. For 20 years, she accompanied Jarre on his worldwide music and light shows. Then the marriage was publicly dissolved in 1997 when she learned from tabloid newspaper stories about Jarre's affairs with other women and had a nervous breakdown. Since 1998, she has been engaged to Jean-Noël Tassez, a French communications tycoon. Charlotte Rampling stays very active on the screen. In 2013 she played Dr. Evelyn Vogel in the American hit series Dexter, had a small part as the elderly Adriana do Prado in Night Train to Lisbon (Bille August 2013) and she appeared as Alice in Francois Ozon’s drama Jeune & jolie/Young & Beautiful (2013). In 2012 she was nominated for a Primetime Emmy Award and a Screen Actors Guild Award, both for her performance in the miniseries Restless (Edward Hall, 2012). For her performance in the film 45 Years (Edward Haigh, 2015), she won the Berlin Film Festival Award for Best Actress, the European Film Award for Best Actress, and was nominated for the Academy Award for Best Actress. In 2017, she won the Volpi Cup for Best Actress at the 74th Venice International Film Festival for Hannah (Andrea Pallaoror, 2017). She received an Honorary César in 2001 and France's Legion of Honour in 2002. She was made an OBE in 2000 for her services to the arts and received the 2015 Lifetime Achievement Award from the European Film Awards. In 2015, she released her autobiography, which she wrote in French, titled 'Qui Je Suis'. She later worked on an English translation, 'Who I Am', which was published in 2017. Recently, she appeared in the films Benedetta (Paul Verhoeven, 2021), Dune (Denis Villeneuve film, 2021) and Juniper (Matthew J. Saville, 2021)

 

Sources: Tracie Cooper (AllMovie), Bob Mastrangelo (AllMovie), Sholto Byrnes (The Independent), Pete Stampede, David K. Smith and Alan Hayes (The Avengers), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

French postcard by Cart a Pub / Festival du Film de Paris, in the series Les plus belles jambes du cinéma, 2001. Photo: André Rau.

 

English actress Charlotte Rampling (1946) became a legend with her ice-blue eyes, diamond-cut diction and much-remarked-upon cheekbones in such controversial classics like La Caduta degli dei/The Damned (1969) and Il Portiere di note/The Night Porter (Liliana Cavani, 1974). In Hollywood, she worked successfully with Woody Allen and Sidney Lumet, and this century she returned spectacularly to the A-list of the cinema in François Ozon’s Sous le sable/Under the Sand (2000), and Swimming Pool (2003).

 

Charlotte Rampling was born Tessa Charlotte Rampling in Sturmer, Great Britain, in 1946. She is the daughter of Anne Isabelle Rampling-Gurteen, a painter, and Godfrey Rampling, an army officer. Her father had won silver in the athletics track event 4x400m relay at the 1932 Olympics, and gold in the 4x400m relay at the 1936 Olympics. Charlotte attended the Jeanne d'Arc Académie in Versailles, France and the exclusive St. Hilda's School, Bushey, England. At 17 she was spotted on the street and asked to appear in a Cadbury television commercial. She enjoyed a successful modelling career before she made her first, uncredited screen appearance as a water skier in the comedy The Knack ...and How to Get It (Richard Lester, 1965). The film won the Palme d'Or at the 1965 Cannes Film Festival and was nominated for the Golden Bear at the 15th Berlin International Film Festival. Later that year she played the female lead in the comedy Rotten to the Core (John Boulting, 1965) with Anton Rodgers and Eric Sykes. At the time London was swinging and the 20-year-old Rampling was one of the city’s ‘it’ girls. She played Meredith, the bitchy but beautiful roommate of Georgy (Lynn Redgrave) in the successful comedy-drama Georgy Girl (Silvio Narizzano, 1966). But that year, a traumatic event occurred, when her elder sister Sarah shot herself in Argentina after giving birth prematurely and losing her child. Charlotte was devastated by this loss, which she experienced as an abandonment by her sister. She and her father lied to her mother, telling her that Sarah had died of a stroke. Charlotte seemingly overcame this trauma and was able to continue acting. In 1967 she played the gunfighter Hana Wilde in The Superlative Seven, an episode of the hit series The Avengers with Patrick Macnee and Diana Rigg. After this, her acting career blossomed in both English and French cinema. Among the early roles were the female leads in the British adventure film The Long Duel (Ken Annakin, 1967) starring Yul Brynner and Trevor Howard, and the thriller Target: Harry (Roger Corman, 1969).

 

Charlotte Rampling has performed controversial roles. In Luchino Visconti's classic, she played a young wife sent to a Nazi concentration camp. Critics praised her performance, and it cast her in a whole new image: mysterious, sensitive and ultimately tragic. ‘The Look’ as co-star Dirk Bogarde called it, became her trademark. She played Anne Boleyn in the film adaptation of Henry VIII and His Six Wives (Waris Hussein, 1972), with Keith Michell as Henry VIII. In the US, she played the wife of Robert Blake in the drama Corky (Leonard Horn, 1972). In 1972, Rampling also married the actor and publicist Bryan Southcombe and had one child, Barnaby Southcombe, (1972) now a television and film director. They were widely reported to be living in a ménage à trois with a male model, Randall Laurence, although she always denied there was ever any sexual relationship. She co-starred with Sean Connery in the science fiction/fantasy film Zardoz (John Boorman, 1974). In Il Portiere di notte/The Night Porter (Liliana Cavani, 1974). she portrayed a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her and resumes their ambiguous relationship. In France, she offered a passionate rendering of a violent heiress confined to a mental institution in La Chair de l'orchidée/The Flesh of the Orchid (1975), an adaptation of the pulp novel, The Flesh of the Orchid (1948) by James Hadley Chase. The film was the directorial debut of French author and stage director Patrice Chéreau, and also stars Simone Signoret, Bruno Cremer and Edwige Feuillère. Other interesting European films were Un taxi mauve/The Purple Taxi (Yves Boisset, 1977) with Peter Ustinov, Philippe Noiret and Fred Astaire, and Max mon amour/Max, My Love (Nagisa Oshima, 1986), in which she played a woman who fell in love with a chimpanzee. Rampling gained recognition from American audiences in a remake of Raymond Chandler's detective story Farewell, My Lovely (Dirk Richards, 1975) with Robert Mitchum as Philip Marlowe. Later she stole the show with her part in Stardust Memories (Woody Allen, 1980) as a beautiful but emotionally fragile depressive. She had again success in Hollywood as the deceitful Laura in the acclaimed courtroom drama The Verdict (Sidney Lumet, 1982), starring Paul Newman. Five years later she appeared with Mickey Rourke and Robert De Niro. in the American voodoo-themed thriller Angel Heart (Alan Parker, 1987), as an ill-fated woman whose heart is irrevocably extracted from her body.

 

In the following decade, Charlotte Rampling mainly worked for TV, such as in Great Expectations (Julian Jarrold, 1999), BBC's BAFTA award-winning adaptation of the Charles Dickens novel. She played the decayed spinster Miss Havisham opposite Ioan Gruffudd as Pip. Charlotte Rampling credits François Ozon with drawing her back to film in the 2000s, a period when she came to terms with the death of her eldest sister Sarah. Ozon gave her the lead role in his French drama Sous le sable/Under the Sand (François Ozon, 2000), which was nominated for three César Awards and was critically well received. Bob Mastrangelo at AllMovie: “Sous le Sable belongs to Charlotte Rampling. Delivering a commanding, devastating, and nuanced performance, Rampling portrays Marie Drillon, a middle-aged professor who goes through an emotional roller coaster after the sudden disappearance of her husband. Rampling beautifully handles Marie's various transformations, making it appear outwardly as if she is coping with reality, while inwardly she is collapsing.” The character she played in Ozon's Swimming Pool (François Ozon, 2003), Sarah Morton, was named in her sister's honour. For most of Rampling's life, she would say only that her sister had died of a brain haemorrhage; when she and her father heard the news, they agreed they would never let her mother know the truth. They kept their secret until Rampling's mother died in 2001. A year later, Rampling became a Dame of France's Legion. At 59, Rampling appeared in Vers le Sud/Heading South (Laurent Cantet, 2005), a film about sexual tourism. She plays Ellen, a professor of French literature and single Englishwoman, who holidays in 1970s Haiti to get the sexual attention she does not get at home. Ozon directed her in the costume drama Angel (François Ozon, 2007) She portrayed the mother of Keira Knightley's character in The Duchess (Saul Dibb, 2008), and she appeared in the terrorist thriller Cleanskin (Hadi Hajaig, 2010), starring Sean Bean and James Fox. Very interesting is the Polish-Swedish co-production The Mill and the Cross (Lech Majewski, 2011) starring Rutger Hauer as Pieter Bruegel the Elder, on whose 1564 painting The Procession to Calvary the film is inspired. She also was among the cast of Lars von Trier’s Melancholia (2011) starring Kirsten Dunst and Charlotte Gainsbourg. Charlotte Rampling married twice. She played the title role in the noir thriller I, Anna (2012) written and directed by her son, Barnaby Southcombe. In 1976, Rampling met French composer Jean Michel Jarre at a dinner party; and left her first husband Bryan Southcombe the next day. Two years later she married Jarre and had a second son, magician and singer David Jarre. She also brought up stepdaughter Émilie Jarre, now a fashion designer. For 20 years, she accompanied Jarre on his worldwide music and light shows. Then the marriage was publicly dissolved in 1997 when she learned from tabloid newspaper stories about Jarre's affairs with other women and had a nervous breakdown. Since 1998, she has been engaged to Jean-Noël Tassez, a French communications tycoon. Charlotte Rampling stays very active on the screen. In 2013 she played Dr. Evelyn Vogel in the American hit series Dexter, had a small part as the elderly Adriana do Prado in Night Train to Lisbon (Bille August 2013) and she appeared as Alice in Francois Ozon’s drama Jeune & jolie/Young & Beautiful (2013). In 2012 she was nominated for a Primetime Emmy Award and a Screen Actors Guild Award, both for her performance in the miniseries Restless (Edward Hall, 2012). For her performance in the film 45 Years (Edward Haigh, 2015), she won the Berlin Film Festival Award for Best Actress, the European Film Award for Best Actress, and was nominated for the Academy Award for Best Actress. In 2017, she won the Volpi Cup for Best Actress at the 74th Venice International Film Festival for Hannah (Andrea Pallaoror, 2017). She received an Honorary César in 2001 and France's Legion of Honour in 2002. She was made an OBE in 2000 for her services to the arts and received the 2015 Lifetime Achievement Award from the European Film Awards. In 2015, she released her autobiography, which she wrote in French, titled 'Qui Je Suis'. She later worked on an English translation, 'Who I Am', which was published in 2017. Recently, she appeared in the films Benedetta (Paul Verhoeven, 2021), Dune (Denis Villeneuve film, 2021) and Juniper (Matthew J. Saville, 2021).

 

Sources: Tracie Cooper (AllMovie), Bob Mastrangelo (AllMovie), Sholto Byrnes (The Independent), Pete Stampede, David K. Smith and Alan Hayes (The Avengers), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

www.clippix.co.uk

French postcard by Équilibres et populations, Paris, in the series "Stars en Perles de Tahiti", 2003. Photo: Jean-Daniel Lorieux.

 

English actress Charlotte Rampling (1946) became a legend with her ice-blue eyes, diamond-cut diction and much-remarked-upon cheekbones in such controversial classics like La Caduta degli dei/The Damned (1969) and Il Portiere di note/The Night Porter (Liliana Cavani, 1974). In Hollywood, she worked successfully with Woody Allen and Sidney Lumet, and this century she returned spectacularly to the A-list of the cinema in François Ozon’s Sous le sable/Under the Sand (2000), and Swimming Pool (2003).

 

Charlotte Rampling was born Tessa Charlotte Rampling in Sturmer, Great Britain, in 1946. She is the daughter of Anne Isabelle Rampling-Gurteen, a painter, and Godfrey Rampling, an army officer. Her father had won silver in the athletics track event 4x400m relay at the 1932 Olympics, and gold in the 4x400m relay at the 1936 Olympics. Charlotte attended the Jeanne d'Arc Académie in Versailles, France and the exclusive St. Hilda's School, Bushey, England. At 17 she was spotted on the street and asked to appear in a Cadbury television commercial. She enjoyed a successful modelling career before she made her first, uncredited screen appearance as a water skier in the comedy The Knack ...and How to Get It (Richard Lester, 1965). The film won the Palme d'Or at the 1965 Cannes Film Festival and was nominated for the Golden Bear at the 15th Berlin International Film Festival. Later that year she played the female lead in the comedy Rotten to the Core (John Boulting, 1965) with Anton Rodgers and Eric Sykes. At the time London was swinging and the 20-year-old Rampling was one of the city’s ‘it’ girls. She played Meredith, the bitchy but beautiful roommate of Georgy (Lynn Redgrave) in the successful comedy-drama Georgy Girl (Silvio Narizzano, 1966). But that year, a traumatic event occurred, when her elder sister Sarah shot herself in Argentina after giving birth prematurely and losing her child. Charlotte was devastated by this loss, which she experienced as an abandonment by her sister. She and her father lied to her mother, telling her that Sarah had died of a stroke. Charlotte seemingly overcame this trauma and was able to continue acting. In 1967 she played the gunfighter Hana Wilde in The Superlative Seven, an episode of the hit series The Avengers with Patrick Macnee and Diana Rigg. After this, her acting career blossomed in both English and French cinema. Among the early roles were the female leads in the British adventure film The Long Duel (Ken Annakin, 1967) starring Yul Brynner and Trevor Howard, and the thriller Target: Harry (Roger Corman, 1969).

 

Charlotte Rampling has performed controversial roles. In Luchino Visconti's classic, she played a young wife sent to a Nazi concentration camp. Critics praised her performance, and it cast her in a whole new image: mysterious, sensitive and ultimately tragic. ‘The Look’ as co-star Dirk Bogarde called it, became her trademark. She played Anne Boleyn in the film adaptation of Henry VIII and His Six Wives (Waris Hussein, 1972), with Keith Michell as Henry VIII. In the US, she played the wife of Robert Blake in the drama Corky (Leonard Horn, 1972). In 1972, Rampling also married the actor and publicist Bryan Southcombe and had one child, Barnaby Southcombe, (1972) now a television and film director. They were widely reported to be living in a ménage à trois with a male model, Randall Laurence, although she always denied there was ever any sexual relationship. She co-starred with Sean Connery in the science fiction/fantasy film Zardoz (John Boorman, 1974). In Il Portiere di notte/The Night Porter (Liliana Cavani, 1974). she portrayed a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her and resumes their ambiguous relationship. In France, she offered a passionate rendering of a violent heiress confined to a mental institution in La Chair de l'orchidée/The Flesh of the Orchid (1975), an adaptation of the pulp novel, The Flesh of the Orchid (1948) by James Hadley Chase. The film was the directorial debut of French author and stage director Patrice Chéreau, and also stars Simone Signoret, Bruno Cremer and Edwige Feuillère. Other interesting European films were Un taxi mauve/The Purple Taxi (Yves Boisset, 1977) with Peter Ustinov, Philippe Noiret and Fred Astaire, and Max mon amour/Max, My Love (Nagisa Oshima, 1986), in which she played a woman who fell in love with a chimpanzee. Rampling gained recognition from American audiences in a remake of Raymond Chandler's detective story Farewell, My Lovely (Dirk Richards, 1975) with Robert Mitchum as Philip Marlowe. Later she stole the show with her part in Stardust Memories (Woody Allen, 1980) as a beautiful but emotionally fragile depressive. She had again success in Hollywood as the deceitful Laura in the acclaimed courtroom drama The Verdict (Sidney Lumet, 1982), starring Paul Newman. Five years later she appeared with Mickey Rourke and Robert De Niro. in the American voodoo-themed thriller Angel Heart (Alan Parker, 1987), as an ill-fated woman whose heart is irrevocably extracted from her body.

 

In the following decade, Charlotte Rampling mainly worked for TV, such as in Great Expectations (Julian Jarrold, 1999), BBC's BAFTA award-winning adaptation of the Charles Dickens novel. She played the decayed spinster Miss Havisham opposite Ioan Gruffudd as Pip. Charlotte Rampling credits François Ozon with drawing her back to film in the 2000s, a period when she came to terms with the death of her eldest sister Sarah. Ozon gave her the lead role in his French drama Sous le sable/Under the Sand (François Ozon, 2000), which was nominated for three César Awards and was critically well received. Bob Mastrangelo at AllMovie: “Sous le Sable belongs to Charlotte Rampling. Delivering a commanding, devastating, and nuanced performance, Rampling portrays Marie Drillon, a middle-aged professor who goes through an emotional roller coaster after the sudden disappearance of her husband. Rampling beautifully handles Marie's various transformations, making it appear outwardly as if she is coping with reality, while inwardly she is collapsing.” The character she played in Ozon's Swimming Pool (François Ozon, 2003), Sarah Morton, was named in her sister's honour. For most of Rampling's life, she would say only that her sister had died of a brain haemorrhage; when she and her father heard the news, they agreed they would never let her mother know the truth. They kept their secret until Rampling's mother died in 2001. A year later, Rampling became a Dame of France's Legion. At 59, Rampling appeared in Vers le Sud/Heading South (Laurent Cantet, 2005), a film about sexual tourism. She plays Ellen, a professor of French literature and single Englishwoman, who holidays in 1970s Haiti to get the sexual attention she does not get at home. Ozon directed her in the costume drama Angel (François Ozon, 2007) She portrayed the mother of Keira Knightley's character in The Duchess (Saul Dibb, 2008), and she appeared in the terrorist thriller Cleanskin (Hadi Hajaig, 2010), starring Sean Bean and James Fox. Very interesting is the Polish-Swedish co-production The Mill and the Cross (Lech Majewski, 2011) starring Rutger Hauer as Pieter Bruegel the Elder, on whose 1564 painting The Procession to Calvary the film is inspired. She also was among the cast of Lars von Trier’s Melancholia (2011) starring Kirsten Dunst and Charlotte Gainsbourg. Charlotte Rampling married twice. She played the title role in the noir thriller I, Anna (2012) written and directed by her son, Barnaby Southcombe. In 1976, Rampling met French composer Jean Michel Jarre at a dinner party; and left her first husband Bryan Southcombe the next day. Two years later she married Jarre and had a second son, magician and singer David Jarre. She also brought up stepdaughter Émilie Jarre, now a fashion designer. For 20 years, she accompanied Jarre on his worldwide music and light shows. Then the marriage was publicly dissolved in 1997 when she learned from tabloid newspaper stories about Jarre's affairs with other women and had a nervous breakdown. Since 1998, she has been engaged to Jean-Noël Tassez, a French communications tycoon. Charlotte Rampling stays very active on the screen. In 2013 she played Dr. Evelyn Vogel in the American hit series Dexter, had a small part as the elderly Adriana do Prado in Night Train to Lisbon (Bille August 2013) and she appeared as Alice in Francois Ozon’s drama Jeune & jolie/Young & Beautiful (2013). In 2012 she was nominated for a Primetime Emmy Award and a Screen Actors Guild Award, both for her performance in the miniseries Restless (Edward Hall, 2012). For her performance in the film 45 Years (Edward Haigh, 2015), she won the Berlin Film Festival Award for Best Actress, the European Film Award for Best Actress, and was nominated for the Academy Award for Best Actress. In 2017, she won the Volpi Cup for Best Actress at the 74th Venice International Film Festival for Hannah (Andrea Pallaoror, 2017). She received an Honorary César in 2001 and France's Legion of Honour in 2002. She was made an OBE in 2000 for her services to the arts and received the 2015 Lifetime Achievement Award from the European Film Awards. In 2015, she released her autobiography, which she wrote in French, titled 'Qui Je Suis'. She later worked on an English translation, 'Who I Am', which was published in 2017. Recently, she appeared in the films Benedetta (Paul Verhoeven, 2021), Dune (Denis Villeneuve film, 2021) and Juniper (Matthew J. Saville, 2021)

 

Sources: Tracie Cooper (AllMovie), Bob Mastrangelo (AllMovie), Sholto Byrnes (The Independent), Pete Stampede, David K. Smith and Alan Hayes (The Avengers), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

Small German collectors card. Charlotte Rampling in Hammers Over The Anvil (Ann Turner, 1993).

 

English actress Charlotte Rampling (1946) became a legend with her ice-blue eyes, diamond-cut diction and much-remarked-upon cheekbones in such controversial classics like La Caduta degli dei/The Damned (1969) and Il Portiere di note/The Night Porter (Liliana Cavani, 1974). In Hollywood, she worked successfully with Woody Allen and Sidney Lumet, and this century she returned spectacularly to the A-list of the cinema in François Ozon’s Sous le sable/Under the Sand (2000), and Swimming Pool (2003).

 

Charlotte Rampling was born Tessa Charlotte Rampling in Sturmer, Great Britain, in 1946. She is the daughter of Anne Isabelle Rampling-Gurteen, a painter, and Godfrey Rampling, an army officer. Her father had won silver in the athletics track event 4x400m relay at the 1932 Olympics, and gold in the 4x400m relay at the 1936 Olympics. Charlotte attended the Jeanne d'Arc Académie in Versailles, France and the exclusive St. Hilda's School, Bushey, England. At 17 she was spotted on the street and asked to appear in a Cadbury television commercial. She enjoyed a successful modelling career before she made her first, uncredited screen appearance as a water skier in the comedy The Knack ...and How to Get It (Richard Lester, 1965). The film won the Palme d'Or at the 1965 Cannes Film Festival and was nominated for the Golden Bear at the 15th Berlin International Film Festival. Later that year she played the female lead in the comedy Rotten to the Core (John Boulting, 1965) with Anton Rodgers and Eric Sykes. At the time London was swinging and the 20-year-old Rampling was one of the city’s ‘it’ girls. She played Meredith, the bitchy but beautiful roommate of Georgy (Lynn Redgrave) in the successful comedy-drama Georgy Girl (Silvio Narizzano, 1966). But that year, a traumatic event occurred, when her elder sister Sarah shot herself in Argentina after giving birth prematurely and losing her child. Charlotte was devastated by this loss, which she experienced as an abandonment by her sister. She and her father lied to her mother, telling her that Sarah had died of a stroke. Charlotte seemingly overcame this trauma and was able to continue acting. In 1967 she played the gunfighter Hana Wilde in The Superlative Seven, an episode of the hit series The Avengers with Patrick Macnee and Diana Rigg. After this, her acting career blossomed in both English and French cinema. Among the early roles were the female leads in the British adventure film The Long Duel (Ken Annakin, 1967) starring Yul Brynner and Trevor Howard, and the thriller Target: Harry (Roger Corman, 1969).

 

Charlotte Rampling has performed controversial roles. In Luchino Visconti's classic, she played a young wife sent to a Nazi concentration camp. Critics praised her performance, and it cast her in a whole new image: mysterious, sensitive and ultimately tragic. ‘The Look’ as co-star Dirk Bogarde called it, became her trademark. She played Anne Boleyn in the film adaptation of Henry VIII and His Six Wives (Waris Hussein, 1972), with Keith Michell as Henry VIII. In the US, she played the wife of Robert Blake in the drama Corky (Leonard Horn, 1972). In 1972, Rampling also married the actor and publicist Bryan Southcombe and had one child, Barnaby Southcombe, (1972) now a television and film director. They were widely reported to be living in a ménage à trois with a male model, Randall Laurence, although she always denied there was ever any sexual relationship. She co-starred with Sean Connery in the science fiction/fantasy film Zardoz (John Boorman, 1974). In Il Portiere di notte/The Night Porter (Liliana Cavani, 1974). she portrayed a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her and resumes their ambiguous relationship. In France, she offered a passionate rendering of a violent heiress confined to a mental institution in La Chair de l'orchidée/The Flesh of the Orchid (1975), an adaptation of the pulp novel, The Flesh of the Orchid (1948) by James Hadley Chase. The film was the directorial debut of French author and stage director Patrice Chéreau, and also stars Simone Signoret, Bruno Cremer and Edwige Feuillère. Other interesting European films were Un taxi mauve/The Purple Taxi (Yves Boisset, 1977) with Peter Ustinov, Philippe Noiret and Fred Astaire, and Max mon amour/Max, My Love (Nagisa Oshima, 1986), in which she played a woman who fell in love with a chimpanzee. Rampling gained recognition from American audiences in a remake of Raymond Chandler's detective story Farewell, My Lovely (Dirk Richards, 1975) with Robert Mitchum as Philip Marlowe. Later she stole the show with her part in Stardust Memories (Woody Allen, 1980) as a beautiful but emotionally fragile depressive. She had again success in Hollywood as the deceitful Laura in the acclaimed courtroom drama The Verdict (Sidney Lumet, 1982), starring Paul Newman. Five years later she appeared with Mickey Rourke and Robert De Niro. in the American voodoo-themed thriller Angel Heart (Alan Parker, 1987), as an ill-fated woman whose heart is irrevocably extracted from her body.

 

In the following decade, Charlotte Rampling mainly worked for TV, such as in Great Expectations (Julian Jarrold, 1999), BBC's BAFTA award-winning adaptation of the Charles Dickens novel. She played the decayed spinster Miss Havisham opposite Ioan Gruffudd as Pip. Charlotte Rampling credits François Ozon with drawing her back to film in the 2000s, a period when she came to terms with the death of her eldest sister Sarah. Ozon gave her the lead role in his French drama Sous le sable/Under the Sand (François Ozon, 2000), which was nominated for three César Awards and was critically well received. Bob Mastrangelo at AllMovie: “Sous le Sable belongs to Charlotte Rampling. Delivering a commanding, devastating, and nuanced performance, Rampling portrays Marie Drillon, a middle-aged professor who goes through an emotional roller coaster after the sudden disappearance of her husband. Rampling beautifully handles Marie's various transformations, making it appear outwardly as if she is coping with reality, while inwardly she is collapsing.” The character she played in Ozon's Swimming Pool (François Ozon, 2003), Sarah Morton, was named in her sister's honour. For most of Rampling's life, she would say only that her sister had died of a brain haemorrhage; when she and her father heard the news, they agreed they would never let her mother know the truth. They kept their secret until Rampling's mother died in 2001. A year later, Rampling became a Dame of France's Legion. At 59, Rampling appeared in Vers le Sud/Heading South (Laurent Cantet, 2005), a film about sexual tourism. She plays Ellen, a professor of French literature and single Englishwoman, who holidays in 1970s Haiti to get the sexual attention she does not get at home. Ozon directed her in the costume drama Angel (François Ozon, 2007) She portrayed the mother of Keira Knightley's character in The Duchess (Saul Dibb, 2008), and she appeared in the terrorist thriller Cleanskin (Hadi Hajaig, 2010), starring Sean Bean and James Fox. Very interesting is the Polish-Swedish co-production The Mill and the Cross (Lech Majewski, 2011) starring Rutger Hauer as Pieter Bruegel the Elder, on whose 1564 painting The Procession to Calvary the film is inspired. She also was among the cast of Lars von Trier’s Melancholia (2011) starring Kirsten Dunst and Charlotte Gainsbourg. Charlotte Rampling married twice. She played the title role in the noir thriller I, Anna (2012) written and directed by her son, Barnaby Southcombe. In 1976, Rampling met French composer Jean Michel Jarre at a dinner party; and left her first husband Bryan Southcombe the next day. Two years later she married Jarre and had a second son, magician and singer David Jarre. She also brought up stepdaughter Émilie Jarre, now a fashion designer. For 20 years, she accompanied Jarre on his worldwide music and light shows. Then the marriage was publicly dissolved in 1997 when she learned from tabloid newspaper stories about Jarre's affairs with other women and had a nervous breakdown. Since 1998, she has been engaged to Jean-Noël Tassez, a French communications tycoon. Charlotte Rampling stays very active on the screen. In 2013 she played Dr. Evelyn Vogel in the American hit series Dexter, had a small part as the elderly Adriana do Prado in Night Train to Lisbon (Bille August 2013) and she appeared as Alice in Francois Ozon’s drama Jeune & jolie/Young & Beautiful (2013). In 2012 she was nominated for a Primetime Emmy Award and a Screen Actors Guild Award, both for her performance in the miniseries Restless (Edward Hall, 2012). For her performance in the film 45 Years (Edward Haigh, 2015), she won the Berlin Film Festival Award for Best Actress, the European Film Award for Best Actress, and was nominated for the Academy Award for Best Actress. In 2017, she won the Volpi Cup for Best Actress at the 74th Venice International Film Festival for Hannah (Andrea Pallaoror, 2017). She received an Honorary César in 2001 and France's Legion of Honour in 2002. She was made an OBE in 2000 for her services to the arts and received the 2015 Lifetime Achievement Award from the European Film Awards. In 2015, she released her autobiography, which she wrote in French, titled 'Qui Je Suis'. She later worked on an English translation, 'Who I Am', which was published in 2017. Recently, she appeared in the films Benedetta (Paul Verhoeven, 2021), Dune (Denis Villeneuve film, 2021) and Juniper (Matthew J. Saville, 2021)

 

Sources: Tracie Cooper (AllMovie), Bob Mastrangelo (AllMovie), Sholto Byrnes (The Independent), Pete Stampede, David K. Smith and Alan Hayes (The Avengers), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

Spanish postcard by Productas Compactos S.A. Sent by mail in 1993.

 

English actress Charlotte Rampling (1946) became a legend with her ice-blue eyes, diamond-cut diction and much-remarked-upon cheekbones in such controversial classics like La Caduta degli dei/The Damned (1969) and Il Portiere di note/The Night Porter (Liliana Cavani, 1974). In Hollywood, she worked successfully with Woody Allen and Sidney Lumet, and this century she returned spectacularly to the A-list of the cinema in François Ozon’s Sous le sable/Under the Sand (2000), and Swimming Pool (2003).

 

Charlotte Rampling was born Tessa Charlotte Rampling in Sturmer, Great Britain, in 1946. She is the daughter of Anne Isabelle Rampling-Gurteen, a painter, and Godfrey Rampling, an army officer. Her father had won silver in the athletics track event 4x400m relay at the 1932 Olympics, and gold in the 4x400m relay at the 1936 Olympics. Charlotte attended the Jeanne d'Arc Académie in Versailles, France and the exclusive St. Hilda's School, Bushey, England. At 17 she was spotted on the street and asked to appear in a Cadbury television commercial. She enjoyed a successful modelling career before she made her first, uncredited screen appearance as a water skier in the comedy The Knack ...and How to Get It (Richard Lester, 1965). The film won the Palme d'Or at the 1965 Cannes Film Festival and was nominated for the Golden Bear at the 15th Berlin International Film Festival. Later that year she played the female lead in the comedy Rotten to the Core (John Boulting, 1965) with Anton Rodgers and Eric Sykes. At the time London was swinging and the 20-year-old Rampling was one of the city’s ‘it’ girls. She played Meredith, the bitchy but beautiful roommate of Georgy (Lynn Redgrave) in the successful comedy-drama Georgy Girl (Silvio Narizzano, 1966). But that year, a traumatic event occurred, when her elder sister Sarah shot herself in Argentina after giving birth prematurely and losing her child. Charlotte was devastated by this loss, which she experienced as an abandonment by her sister. She and her father lied to her mother, telling her that Sarah had died of a stroke. Charlotte seemingly overcame this trauma and was able to continue acting. In 1967 she played the gunfighter Hana Wilde in The Superlative Seven, an episode of the hit series The Avengers with Patrick Macnee and Diana Rigg. After this, her acting career blossomed in both English and French cinema. Among the early roles were the female leads in the British adventure film The Long Duel (Ken Annakin, 1967) starring Yul Brynner and Trevor Howard, and the thriller Target: Harry (Roger Corman, 1969).

 

Charlotte Rampling has performed controversial roles. In Luchino Visconti's classic, she played a young wife sent to a Nazi concentration camp. Critics praised her performance, and it cast her in a whole new image: mysterious, sensitive and ultimately tragic. ‘The Look’ as co-star Dirk Bogarde called it, became her trademark. She played Anne Boleyn in the film adaptation of Henry VIII and His Six Wives (Waris Hussein, 1972), with Keith Michell as Henry VIII. In the US, she played the wife of Robert Blake in the drama Corky (Leonard Horn, 1972). In 1972, Rampling also married the actor and publicist Bryan Southcombe and had one child, Barnaby Southcombe, (1972) now a television and film director. They were widely reported to be living in a ménage à trois with a male model, Randall Laurence, although she always denied there was ever any sexual relationship. She co-starred with Sean Connery in the science fiction/fantasy film Zardoz (John Boorman, 1974). In Il Portiere di note/The Night Porter (Liliana Cavani, 1974). she portrayed a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her and resumes their ambiguous relationship. In France, she offered a passionate rendering of a violent heiress confined to a mental institution in La Chair de l'orchidée/The Flesh of the Orchid (1975), an adaptation of the pulp novel, The Flesh of the Orchid (1948) by James Hadley Chase. The film was the directorial debut of French author and stage director Patrice Chéreau, and also stars Simone Signoret, Bruno Cremer and Edwige Feuillère. Other interesting European films were Un taxi mauve/The Purple Taxi (Yves Boisset, 1977) with Peter Ustinov, Philippe Noiret and Fred Astaire, and Max mon amour/Max, My Love (Nagisa Oshima, 1986), in which she played a woman who fell in love with a chimpanzee. Rampling gained recognition from American audiences in a remake of Raymond Chandler's detective story Farewell, My Lovely (Dirk Richards, 1975) with Robert Mitchum as Philip Marlowe. Later she stole the show with her part in Stardust Memories (Woody Allen, 1980) as a beautiful but emotionally fragile depressive. She had again success in Hollywood as the deceitful Laura in the acclaimed courtroom drama The Verdict (Sidney Lumet, 1982), starring Paul Newman. Five years later she appeared with Mickey Rourke and Robert De Niro. in the American voodoo-themed thriller Angel Heart (Alan Parker, 1987), as an ill-fated woman whose heart is irrevocably extracted from her body.

 

In the following decade, Charlotte Rampling mainly worked for TV, such as in Great Expectations (Julian Jarrold, 1999), BBC's BAFTA award-winning adaptation of the Charles Dickens novel. She played the decayed spinster Miss Havisham opposite Ioan Gruffudd as Pip. Charlotte Rampling credits François Ozon with drawing her back to film in the 2000s, a period when she came to terms with the death of her eldest sister Sarah. Ozon gave her the lead role in his French drama Sous le sable/Under the Sand (François Ozon, 2000), which was nominated for three César Awards and was critically well received. Bob Mastrangelo at AllMovie: “Sous le Sable belongs to Charlotte Rampling. Delivering a commanding, devastating, and nuanced performance, Rampling portrays Marie Drillon, a middle-aged professor who goes through an emotional roller coaster after the sudden disappearance of her husband. Rampling beautifully handles Marie's various transformations, making it appear outwardly as if she is coping with reality, while inwardly she is collapsing.” The character she played in Ozon's Swimming Pool (François Ozon, 2003), Sarah Morton, was named in her sister's honour. For most of Rampling's life, she would say only that her sister had died of a brain haemorrhage; when she and her father heard the news, they agreed they would never let her mother know the truth. They kept their secret until Rampling's mother died in 2001. A year later, Rampling became a Dame of France's Legion. At 59, Rampling appeared in Vers le Sud/Heading South (Laurent Cantet, 2005), a film about sexual tourism. She plays Ellen, a professor of French literature and single Englishwoman, who holidays in 1970s Haiti to get the sexual attention she does not get at home. Ozon directed her in the costume drama Angel (François Ozon, 2007) She portrayed the mother of Keira Knightley's character in The Duchess (Saul Dibb, 2008), and she appeared in the terrorist thriller Cleanskin (Hadi Hajaig, 2010), starring Sean Bean and James Fox. Very interesting is the Polish-Swedish co-production The Mill and the Cross (Lech Majewski, 2011) starring Rutger Hauer as Pieter Bruegel the Elder, on whose 1564 painting The Procession to Calvary the film is inspired. She also was among the cast of Lars von Trier’s Melancholia (2011) starring Kirsten Dunst and Charlotte Gainsbourg. Charlotte Rampling married twice. She played the title role in the noir thriller I, Anna (2012) written and directed by her son, Barnaby Southcombe. In 1976, Rampling met French composer Jean Michel Jarre at a dinner party; and left her first husband Bryan Southcombe the next day. Two years later she married Jarre and had a second son, magician and singer David Jarre. She also brought up stepdaughter Émilie Jarre, now a fashion designer. For 20 years, she accompanied Jarre on his worldwide music and light shows. Then the marriage was publicly dissolved in 1997 when she learned from tabloid newspaper stories about Jarre's affairs with other women and had a nervous breakdown. Since 1998, she has been engaged to Jean-Noël Tassez, a French communications tycoon. Charlotte Rampling stays very active on the screen. In 2013 she played Dr. Evelyn Vogel in the American hit series Dexter, had a small part as the elderly Adriana do Prado in Night Train to Lisbon (Bille August 2013) and she appeared as Alice in Francois Ozon’s drama Jeune & jolie/Young & Beautiful (2013). In 2012 she was nominated for a Primetime Emmy Award and a Screen Actors Guild Award, both for her performance in the miniseries Restless (Edward Hall, 2012). For her performance in the film 45 Years (Edward Haigh, 2015), she won the Berlin Film Festival Award for Best Actress, the European Film Award for Best Actress, and was nominated for the Academy Award for Best Actress. In 2017, she won the Volpi Cup for Best Actress at the 74th Venice International Film Festival for Hannah (Andrea Pallaoror, 2017). She received an Honorary César in 2001 and France's Legion of Honour in 2002. She was made an OBE in 2000 for her services to the arts and received the 2015 Lifetime Achievement Award from the European Film Awards. In 2015, she released her autobiography, which she wrote in French, titled 'Qui Je Suis'. She later worked on an English translation, 'Who I Am', which was published in 2017. Recently, she appeared in the films Benedetta (Paul Verhoeven, 2021), Dune (Denis Villeneuve film, 2021) and Juniper (Matthew J. Saville, 2021)

 

Sources: Tracie Cooper (AllMovie), Bob Mastrangelo (AllMovie), Sholto Byrnes (The Independent), Pete Stampede, David K. Smith and Alan Hayes (The Avengers), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

James Fox - James William Fox (born William Fox; 19 May 1939) is an English actor known for his work in film and television. Fox's career began in the 1960s through roles in films such as The Servant and Performance. He is also known for his roles in A Passage to India in 1984 and The Remains of the Day in 1993. In the 1970s, Fox took a break from acting to focus on personal and spiritual matters, returning to acting in the early 1980s. Over time, he built a reputation for playing a variety of roles, including upper-class figures and more serious characters. He is a member of the Fox family of actors.

 

Fox was born on 19 May 1939 in London, the second son of theatrical agent Robin Fox and actress Angela Worthington. His elder brother is actor Edward Fox and his younger brother is film producer Robert Fox. His maternal grandfather was playwright Frederick Lonsdale. Fox applied successfully to study acting at the Central School of Speech and Drama.

 

Early career - Fox first appeared on film as eleven-year-old Toby Miniver in The Miniver Story in 1950. His early screen appearances, both in film and television, were made under his birth name, William Fox. He appeared in the film The Loneliness of the Long Distance Runner (1962). Fox's father Robin Fox quarrelled bitterly with Tony Richardson over this, having attempted to forbid his friend from giving his son James (known as "Willie") a part in the film. His father claimed Willie had no talent for acting and should not give up his job in a bank. In 1964, Fox won a BAFTA Award for Most Promising Newcomer to Leading Film Roles for The Servant (1963), working alongside Dirk Bogarde, Sarah Miles, and Wendy Craig. On 16 June 1965, Ken Annakin's period aviation film Those Magnificent Men in Their Flying Machines was released. In this British period comedy film, Fox is featured among an international ensemble cast including Stuart Whitman, Sarah Miles, Robert Morley, Terry-Thomas, Red Skelton, Benny Hill, Jean-Pierre Cassel, Gert Fröbe and Alberto Sordi. Some of the other films he acted in during this time are King Rat (1965), The Chase (1966), Thoroughly Modern Millie (1967), Isadora (1968), and Performance (1970).

 

After finishing work on Performance (released 1970, but shot in 1968), Fox suspended his acting career. The film, which starred Fox and Mick Jagger, was deemed so outrageous (at the time) that critics at a preview screening walked out, with one film executive's wife reportedly throwing up in the cinema. In a 2008 interview, he said: "It was just part of my journey...I think my journey was to spend a while away from acting. And I never lost contact with it – watching movies, reading about it ... so I didn't feel I missed it." He became an evangelical Christian, working with the Navigators and devoting himself to the ministry. During this time, the only film in which Fox appeared was No Longer Alone (1976), the story of Joan Winmill Brown, a suicidal woman who was led to faith in Jesus Christ by Ruth Bell Graham.

 

Return to acting - After an absence from acting of several years, in 1981 Fox appeared on television in the Play for Today "Country" by Trevor Griffiths, a comedy drama set against the 1945 UK parliamentary elections. On film he starred in Stephen Poliakoff's Runners (1983), A Passage to India (1984), and Comrades (1986). He played Anthony Blunt in the BBC play by Alan Bennett, A Question of Attribution (1992). He also portrayed the character of Lord Holmes in Patriot Games (1992), as well as Colonel Ferguson in Farewell to the King (1989) and the Nazi-sympathising aristocrat Lord Darlington in The Remains of the Day (1993). He has since appeared in the 2000 film Sexy Beast, the 2001 adaptation of The Lost World as Prof. Leo Summerlee, Agatha Christie's Poirot – Death on the Nile (2004) as Colonel Race, and Charlie and the Chocolate Factory (2005), playing Mr. Salt, Veruca Salt's father. He appeared in the Doctor Who audio drama Shada, and in 2007, he guest-starred in the British television crime series Waking the Dead. He also appeared opposite his son Laurence Fox in "Allegory of Love", an episode in the third series of Lewis. He was part of the cast of Sherlock Holmes (2009), as Sir Thomas, leading member of a freemason-like secret society. In 2010, he filmed Cleanskin, a terrorist thriller directed by Hadi Hajaig. In 2011 he played King George V in the film W.E., written and directed by Madonna. In 2013, he played a lead role alongside Natalie Dormer in the movie A Long Way from Home.

 

Personal life - Fox married Mary Elizabeth Piper in September 1973, with whom he has five children, including Laurence and Jack. Piper died at their home on 19 April 2020. Through his daughter Lydia, his son-in-law is actor Richard Ayoade. His former daughter-in-law is actress Billie Piper, who was married to his son Laurence from 2007 to 2016.

 

LINK to video - Why This Legendary Actor Quit Hollywood For Jesus Christ - James Fox - www.youtube.com/watch?v=RVPr9dMX5c8

 

LINK to video - Runners FULL MOVIE | Drama Movies | James Fox - www.youtube.com/watch?v=WV8sFtpkM1I

Belgian postcard by Boomerang.be, 2006. Photo: Cinélibre. Charlotte Rampling in Vers le Sud/Heading South (Laurent Cantet, 2005).

 

English actress Charlotte Rampling (1946) became a legend with her ice-blue eyes, diamond-cut diction and much-remarked-upon cheekbones in such controversial classics like La Caduta degli dei/The Damned (1969) and Il Portiere di note/The Night Porter (Liliana Cavani, 1974). In Hollywood, she worked successfully with Woody Allen and Sidney Lumet, and this century she returned spectacularly to the A-list of the cinema in François Ozon’s Sous le sable/Under the Sand (2000), and Swimming Pool (2003).

 

Charlotte Rampling was born Tessa Charlotte Rampling in Sturmer, Great Britain, in 1946. She is the daughter of Anne Isabelle Rampling-Gurteen, a painter, and Godfrey Rampling, an army officer. Her father had won silver in the athletics track event 4x400m relay at the 1932 Olympics, and gold in the 4x400m relay at the 1936 Olympics. Charlotte attended the Jeanne d'Arc Académie in Versailles, France and the exclusive St. Hilda's School, Bushey, England. At 17 she was spotted on the street and asked to appear in a Cadbury television commercial. She enjoyed a successful modelling career before she made her first, uncredited screen appearance as a water skier in the comedy The Knack ...and How to Get It (Richard Lester, 1965). The film won the Palme d'Or at the 1965 Cannes Film Festival and was nominated for the Golden Bear at the 15th Berlin International Film Festival. Later that year she played the female lead in the comedy Rotten to the Core (John Boulting, 1965) with Anton Rodgers and Eric Sykes. At the time London was swinging and the 20-year-old Rampling was one of the city’s ‘it’ girls. She played Meredith, the bitchy but beautiful roommate of Georgy (Lynn Redgrave) in the successful comedy-drama Georgy Girl (Silvio Narizzano, 1966). But that year, a traumatic event occurred, when her elder sister Sarah shot herself in Argentina after giving birth prematurely and losing her child. Charlotte was devastated by this loss, which she experienced as an abandonment by her sister. She and her father lied to her mother, telling her that Sarah had died of a stroke. Charlotte seemingly overcame this trauma and was able to continue acting. In 1967 she played the gunfighter Hana Wilde in The Superlative Seven, an episode of the hit series The Avengers with Patrick Macnee and Diana Rigg. After this, her acting career blossomed in both English and French cinema. Among the early roles were the female leads in the British adventure film The Long Duel (Ken Annakin, 1967) starring Yul Brynner and Trevor Howard, and the thriller Target: Harry (Roger Corman, 1969).

 

Charlotte Rampling has performed controversial roles. In Luchino Visconti's classic, she played a young wife sent to a Nazi concentration camp. Critics praised her performance, and it cast her in a whole new image: mysterious, sensitive and ultimately tragic. ‘The Look’ as co-star Dirk Bogarde called it, became her trademark. She played Anne Boleyn in the film adaptation of Henry VIII and His Six Wives (Waris Hussein, 1972), with Keith Michell as Henry VIII. In the US, she played the wife of Robert Blake in the drama Corky (Leonard Horn, 1972). In 1972, Rampling also married the actor and publicist Bryan Southcombe and had one child, Barnaby Southcombe, (1972) now a television and film director. They were widely reported to be living in a ménage à trois with a male model, Randall Laurence, although she always denied there was ever any sexual relationship. She co-starred with Sean Connery in the science fiction/fantasy film Zardoz (John Boorman, 1974). In Il Portiere di note/The Night Porter (Liliana Cavani, 1974). she portrayed a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her and resumes their ambiguous relationship. In France, she offered a passionate rendering of a violent heiress confined to a mental institution in La Chair de l'orchidée/The Flesh of the Orchid (1975), an adaptation of the pulp novel, The Flesh of the Orchid (1948) by James Hadley Chase. The film was the directorial debut of French author and stage director Patrice Chéreau, and also stars Simone Signoret, Bruno Cremer and Edwige Feuillère. Other interesting European films were Un taxi mauve/The Purple Taxi (Yves Boisset, 1977) with Peter Ustinov, Philippe Noiret and Fred Astaire, and Max mon amour/Max, My Love (Nagisa Oshima, 1986), in which she played a woman who fell in love with a chimpanzee. Rampling gained recognition from American audiences in a remake of Raymond Chandler's detective story Farewell, My Lovely (Dirk Richards, 1975) with Robert Mitchum as Philip Marlowe. Later she stole the show with her part in Stardust Memories (Woody Allen, 1980) as a beautiful but emotionally fragile depressive. She had again success in Hollywood as the deceitful Laura in the acclaimed courtroom drama The Verdict (Sidney Lumet, 1982), starring Paul Newman. Five years later she appeared with Mickey Rourke and Robert De Niro. in the American voodoo-themed thriller Angel Heart (Alan Parker, 1987), as an ill-fated woman whose heart is irrevocably extracted from her body.

 

In the following decade, Charlotte Rampling mainly worked for TV, such as in Great Expectations (Julian Jarrold, 1999), BBC's BAFTA award-winning adaptation of the Charles Dickens novel. She played the decayed spinster Miss Havisham opposite Ioan Gruffudd as Pip. Charlotte Rampling credits François Ozon with drawing her back to film in the 2000s, a period when she came to terms with the death of her eldest sister Sarah. Ozon gave her the lead role in his French drama Sous le sable/Under the Sand (François Ozon, 2000), which was nominated for three César Awards and was critically well received. Bob Mastrangelo at AllMovie: “Sous le Sable belongs to Charlotte Rampling. Delivering a commanding, devastating, and nuanced performance, Rampling portrays Marie Drillon, a middle-aged professor who goes through an emotional roller coaster after the sudden disappearance of her husband. Rampling beautifully handles Marie's various transformations, making it appear outwardly as if she is coping with reality, while inwardly she is collapsing.” The character she played in Ozon's Swimming Pool (François Ozon, 2003), Sarah Morton, was named in her sister's honour. For most of Rampling's life, she would say only that her sister had died of a brain haemorrhage; when she and her father heard the news, they agreed they would never let her mother know the truth. They kept their secret until Rampling's mother died in 2001. A year later, Rampling became a Dame of France's Legion. At 59, Rampling appeared in Vers le Sud/Heading South (Laurent Cantet, 2005), a film about sexual tourism. She plays Ellen, a professor of French literature and single Englishwoman, who holidays in 1970s Haiti to get the sexual attention she does not get at home. Ozon directed her in the costume drama Angel (François Ozon, 2007) She portrayed the mother of Keira Knightley's character in The Duchess (Saul Dibb, 2008), and she appeared in the terrorist thriller Cleanskin (Hadi Hajaig, 2010), starring Sean Bean and James Fox. Very interesting is the Polish-Swedish co-production The Mill and the Cross (Lech Majewski, 2011) starring Rutger Hauer as Pieter Bruegel the Elder, on whose 1564 painting The Procession to Calvary the film is inspired. She also was among the cast of Lars von Trier’s Melancholia (2011) starring Kirsten Dunst and Charlotte Gainsbourg. Charlotte Rampling married twice. She played the title role in the noir thriller I, Anna (2012) written and directed by her son, Barnaby Southcombe. In 1976, Rampling met French composer Jean Michel Jarre at a dinner party; and left her first husband Bryan Southcombe the next day. Two years later she married Jarre and had a second son, magician and singer David Jarre. She also brought up stepdaughter Émilie Jarre, now a fashion designer. For 20 years, she accompanied Jarre on his worldwide music and light shows. Then the marriage was publicly dissolved in 1997 when she learned from tabloid newspaper stories about Jarre's affairs with other women and had a nervous breakdown. Since 1998, she has been engaged to Jean-Noël Tassez, a French communications tycoon. Charlotte Rampling stays very active on the screen. In 2013 she played Dr. Evelyn Vogel in the American hit series Dexter, had a small part as the elderly Adriana do Prado in Night Train to Lisbon (Bille August 2013) and she appeared as Alice in Francois Ozon’s drama Jeune & jolie/Young & Beautiful (2013). In 2012 she was nominated for a Primetime Emmy Award and a Screen Actors Guild Award, both for her performance in the miniseries Restless (Edward Hall, 2012). For her performance in the film 45 Years (Edward Haigh, 2015), she won the Berlin Film Festival Award for Best Actress, the European Film Award for Best Actress, and was nominated for the Academy Award for Best Actress. In 2017, she won the Volpi Cup for Best Actress at the 74th Venice International Film Festival for Hannah (Andrea Pallaoror, 2017). She received an Honorary César in 2001 and France's Legion of Honour in 2002. She was made an OBE in 2000 for her services to the arts and received the 2015 Lifetime Achievement Award from the European Film Awards. In 2015, she released her autobiography, which she wrote in French, titled 'Qui Je Suis'. She later worked on an English translation, 'Who I Am', which was published in 2017. Recently, she appeared in the films Benedetta (Paul Verhoeven, 2021), Dune (Denis Villeneuve film, 2021) and Juniper (Matthew J. Saville, 2021)

 

Sources: Tracie Cooper (AllMovie), Bob Mastrangelo (AllMovie), Sholto Byrnes (The Independent), Pete Stampede, David K. Smith and Alan Hayes (The Avengers), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

gmbh kaufen 1 euro: dieser falsche und solcher richtige Weg, um von Erfolg gekrönt zu exportieren ja sogar zu importieren.

 

der Erfolg eines Depilation gmbh kaufen 1 euro Geschäfts hängt von vielen Faktoren ab und du findest inoffizieller Mitarbeiter (der Stasi) folgenden die wichtigsten Eckpfeiler. Herausgefiltert aus tausenden Geschäftsabläufen wie noch kopiert von erfolgreichen Menschen:

  

Inhaltsverzeichnis Haarentfernung:

 

gmbh kaufen 1 euro Bewerb Analyse in Backnang

GmbH / Gesellschaftszweck der Konkurrenz

gmbh kaufen 1 euro Angebote in Backnang

oben angekommen aufbauen

Bonitaet

gmbh kaufen 1 euro Finanzberater in Backnang

gmbh kaufen 1 euro Gesetze

Wafer besten Autohaendler vorab Ort

gmbh kaufen 1 euro Leasing & Privatkredit

Grosshandel

Einzelhaendler

gmbh kaufen 1 euro Marktpreisberechnung in Backnang

gmbh kaufen 1 euro Streifen

Geschäftsleben / Geschaeftsidee

Geschäfts- / Bueroadress in Backnang

Marketing & PR Erfolg

Erfolreicher Aussendienst (Backnang)

gmbh kaufen 1 euro Urteile

Ges.m.b.H. kaufen 1 ECU Eigene Analyse bestellen

  

TOP gmbh kaufen 1 euro (die) Nachrichten Aktuell :

###NEWS###

 

traumhaft Konkurrenz Analyse fuer Haarentfernung in Backnang:

jene direkten Konkurrenten sind:

 

Derzeit noch Konkurrenz los!

Derzeit noch kein weiterer Eintrag!

Derzeit noch kein weiterer Eintrag!

  

Taetigkeitsfeld – Unternehmenszweck – Informationen in Backnang:

  

Betrieb eines Studios für dauerhafte Haarentfernung, Tattooentfernung und Hautverjüngung unter der nicht eingetragenen Bezeichnung „cleanskin Stuttgart West“.

 

(eine) Offenbarung Haarentfernung kaufen rein Backnang:

  

Feuerlöschanlagen und -geräte

übernehmen

Schreinereien

gmbh kaufen mit guter bonität

Blecharbeiten

gesellschaft gründen immobilien kaufen

Metallbedachungen

gmbh anteile kaufen risiken

Musikinstrumente

zum Verkauf

  

e. g. baut man in Haarentfernung erfolgreich der/die/das Seinige eigene GmbH nicht abgeschlossen? wie etwa steigert man jener Erfolg der eigenen Haarentfernung Firma für verdongeln erfolgreichen GmbH Verkauf oder GmbH Aneignung?

  

GmbH Gesetz: Haarentfernung – tml>

/>

/>

14 GmbHG Einlagepflicht – dejure.org

/>

/>

/>

/>

/>

/>

/>

/>

/>

/>

/>

gb=’GmbHG‘;

bez=’§ ‚;

norm_hier=’14‘;

akt_gesetz=gb;

naechste_seite=’/gesetze/GmbHG/15.html‘;

vorherige_seite=’/gesetze/GmbHG/13.html‘;

gl = new Array(); pa = new Array();

  

Auf jeden Geschäftsanteil ist eine Einlage zu leisten. Die Höhe der zu leistenden Einlage richtet sich nach dem bei der Errichtung der Gesellschaft im Gesellschaftsvertrag festgesetzten Nennbetrag des Geschäftsanteils. Im Fall der Kapitalerhöhung bestimmt sich die Höhe der zu leistenden Einlage nach dem in der Übernahmeerklärung festgesetzten Nennbetrag des Geschäftsanteils.

  

in der Art von gut steht Enthaarung dar? Was zeichnet Kapitalgesellschaften mit hoher Bonitaet aus, die im Sachgebiet Haarentfernung taetig sind? wie auch kann man Haarentfernung GmbH kaufen? alsdann muessen Sie berücksichtigen, soweit Sie Haarentfernung erstehen wollen?

sollte (… sich herausstellen, dass o.ä.) Sie Haarentfernung käuflich erwerben wollen, sprechen Sie (es) kann einen Moment dauern mal mit ueber die Gesellschaft mit beschränkter Haftung Finanzierung oder abschaben.

Ein guter Finanzpartner ist das Rueckrat Ihres Erfolges!

 

Bewaehrt fuer den Autokauf hat sich in Backnang der GmbH Motorwagen Kauf Händler . seiend gab es nunmehro vor 2 Tagen eine grosse Sonderaktion, bei der jedweder Alt Gesellschafter ihre Autos / Fahrzeuge und Dienstwagen für die eigene GmbH aussergewöhnlich günstig anschaffen konnten. Nur 6 Stunden später hatte fahrbarer Untersatz Händler die gleiche Sonderpreis Aktion! Es lohnt sich beim GmbH Auto Kauf genau zu schauen.

 

an diesem Punkt sollten Sie wahrlich Leasing in Betracht ziehen, denn nichts ist opitmaler als ein gut ausgehandelter Bestandvertrag. qua Spezialist für GmbH / Kapitalgesellschaften und Firmenleasing hat sich an die (eine) Offenbarung der Anbieter gearbeitet, überdies wird er häufiger Foto in der Lokalen Presse erwähnt. und sind nicht so glücklich darüber, aber womöglich sind sie nun dadurch noch bemühter, Ihnen ein besseres GmbH Verpachtung Angebot zu leisten. außerdem hier sei erwähnt, dass es durch aus Sinn macht auch sonstige Dinge zu pachten, nur (mal) als Beispiel andere Maschinen, Computer und Software.

 

neben stellt sich ’ne gute Haarentfernung Bonität dar, bzw. was zeichnet eine Haarwelle GmbH Kreditlinie Oder GmbH Bewertung ob?

falls bekommt Sie, wenn ebendiese Haarentfernung kaufen im Zusammenhang (mit) folgenden Grosshändlern deutlich bessere Einkaufskonditionen:

 

Derzeit noch kein weiterer Eintrag!

  

obendrein können so überlegen, ob Sie hinten und vorne nicht mal bei folgenden Einzelhändlern aus vorsprechen, denn dort ward in der Imperfekt besonders oft gewinnbringend ein GmbH Geschäft abgewickelt und die Bewertungen sind durchweg mehr draufhaben als 4 von 5 Sternen:

 

Derzeit noch kein weiterer Eintrag!

  

daneben wenn Sie hierbei Ihre Haarentfernung Gesellschaft mit beschränkter Haftung verkaufen wollen, lassen diese und jene sich am besten hier einen aktuellen Marktpreis berechnen: www.aktivegmbhkaufen.de

 

[iframe src=“https://www.youtube.com/embed/JwNRkK9V_0Y“ width=“560″ height=“315″]

.

Ihnen fehlt noch ebendiese zündende Idee? Was halten jene von:

  

Täglich neue Ideen für erfolgreiche Unternehmen: Geschäftsidee, Marketing, Finanzen, Unternehmer, Strategie, Innovation, Internet.

  

GmbH Sitz, Firmensitz, Geschäftsniederlassung und der Handlungsspielraum des Geschehens: groggy haben eins gemeinsam = Die Lage – Die Lage – Die Lage

 

entscheidend für ein erfolgreiches Geschäft ist der Standort weiterhin Sie sollten diese und jene Überlegung zwingend in Ihre Planung einschliessen. Auf Ursache; der bewerteten Angebote hier die top 5 Anbieter rein Backnang:

 

Derzeit noch kein weiterer Eintrag!

  

Marketing ist nicht alles – aber ohne Marketing ist alles nichts

Erfolgreiche Werbung ist das Benzin für den Motor des Erfolgs. ABER: was ist, wenn Sie Dieselkraftstoff statt Benzin betanken? organisieren Sie sich ebendiese besten Leute für den Job und spüren Kalendertag täglich den Erfolg!

 

Verkaeufer braucht das Landschaft! eine größere Anzahl Umsatz fuer Ihre Haarentfernung GmbH manchmal einem Top Aussendienst und einer motivierten Verkäufermannschaft!

Sind Sie in welcher glücklichen Lage und bieten eine Haarentfernung erworben? nachfolgend nichts wie ran und bauen diese und jene einen erfolgreichen Aussendienst auf. Die folgenden Geschäftspartner Scharren bereits mit den Hufen und abpassen auf ihre Chance:

 

Derzeit noch kein weiterer Eintrag!

 

Grundsätlich ist gerade in Wechselbeziehung auf den Aussenauftritt einer Gmbh in Haarentfernung die rechtliche und steuerliche Sicherheiten wichtig und sollte auf keinen Geschichte unterschätzt werden. unglücklicherweise können Haarentfernung Geschäfte auch hochnotpeinlich (Verstärkung) gehen. Die aktuellen Urteile hierzu sind:

  

Krankenkasse muss Kosten für Haarentfernung bei Frauen mit starker Gesichtsbehaarung nicht übernehmen

Laser-Epilations­behandlung ist „neue“ und noch nicht anerkannte Behandlungsmethode

Das Landessozialgericht Rheinland-Pfalz hat entschieden, dass gegen die gesetzliche Krankenkasse kein Anspruch auf Übernahme der Kosten für eine Entfernung männlicher Körperbehaarung (sogenannter…

Lesen Sie mehr

 

Pigmentstörung nach IPL-Haarentfernung: Kundin erhält 4.000 Euro Schmerzensgeld

Betreiber von Haar­entfernungs­studio wegen fahrlässiger Behandlungsfehler zu Schadenersatz und Schmerzensgeld verurteilt

Die in mehreren Sitzungen durchgeführte IPL-Xenon-Lichtbehandlung ihrer Bikini-und Intimzone hatte für eine 24-jährige Frau gravierende gesundheitliche Folgen: An den behandelten Stellen erkrankte…

Lesen Sie mehr

 

Misslungene Haarentfernung – Zur Aufklärungspflicht vor einer Schönheitsbehandlung

Haarentfernung gelingt nicht immer

Auch das Verschweigen von Tatsachen kann die Aufklärungspflicht verletzen. Umstände, die offensichtlich von ausschlaggebender Bedeutung sind, müssen ungefragt bereits bei Anbahnung des Vertrages…

Lesen Sie mehr

  

die möchten gerne eine umfangreiche Analyse zu Haarentfernung kaufen oder Ihrer GmbH kaufen? -> klickern Sie hier

 

gmbh acquistare con dipendente cessione GmbH acquistare con buoni rating gmbh acquistare con gmbh debito acquistare senza capitale sociale gmbh gmbh buy prezzo di acquisto del capitale sociale

  

GmbH信貸有限公司購買外套

購買

 

gmbh auto o affittare GmbH all’acquisto di azioni proprie GmbH Firmenwagen comprare o affittare acquisto GmbH GmbH Acquisto

  

import & Export handel in goederen van allerlei aard. Nationaal en Internationaal

  

GmbH شراء مع الائتمان GmbH المزيد من معطف | شراء GmbH ل- شراء GmbH المزيد من سترة – ابدأ مشروعك الجديد بنجاح مع التصنيف الائتماني فائقة ومؤشر التصنيف!

شراء GmbH ل- شراء GmbH المزيد من سترة – ابدأ مشروعك الجديد بنجاح مع التصنيف الائتماني فائقة ومؤشر التصنيف!

شراء GmbH المزيد

لبدء الشركة مع خطر معقول من شراء GmbH هو نهج جيد. المسؤولية هنا هي محدودة. عند شراء GmbH المزيد من الوقت ويتم حفظ التكاليف. وقد تم بالفعل تحقيق العديد من الشروط، مثل النظام الأساسي للصياغة. وعلاوة على ذلك، اتخذت تسجيل بالفعل في السجل التجاري. وهو في أي حال من المسؤولية الشخصية. ينظر بدلا من ذلك شراء GmbH هو أسلم حل

  

gmbh Koop 1 Koop EUR gmbh Berlin GmbH kopen wilden gmbh kopen kopen van goede kredietwaardigheid gmbh hamburg gmbh te kopen in Zwitserland gmbh kopen kosten gmbh kopen münchen

   

www.aktivegmbhkaufen.de/news/gmbh-kaufen-1-euro-dieser-fa...

Romanian postcard by Casa Filmului Acin, no. 520.

 

English actress Charlotte Rampling (1946) became a legend with her ice-blue eyes, diamond-cut diction and much-remarked-upon cheekbones in such controversial classics like La Caduta degli dei/The Damned (1969) and Il Portiere di note/The Night Porter (Liliana Cavani, 1974). In Hollywood, she worked successfully with Woody Allen and Sidney Lumet, and this century she returned spectacularly to the A-list of the cinema in François Ozon’s Sous le sable/Under the Sand (2000), and Swimming Pool (2003).

 

Charlotte Rampling was born Tessa Charlotte Rampling in Sturmer, Great Britain, in 1946. She is the daughter of Anne Isabelle Rampling-Gurteen, a painter, and Godfrey Rampling, an army officer. Her father had won silver in the athletics track event 4x400m relay at the 1932 Olympics, and gold in the 4x400m relay at the 1936 Olympics. Charlotte attended the Jeanne d'Arc Académie in Versailles, France and the exclusive St. Hilda's School, Bushey, England. At 17 she was spotted on the street and asked to appear in a Cadbury television commercial. She enjoyed a successful modelling career before she made her first, uncredited screen appearance as a water skier in the comedy The Knack ...and How to Get It (Richard Lester, 1965). The film won the Palme d'Or at the 1965 Cannes Film Festival and was nominated for the Golden Bear at the 15th Berlin International Film Festival. Later that year she played the female lead in the comedy Rotten to the Core (John Boulting, 1965) with Anton Rodgers and Eric Sykes. At the time London was swinging and the 20-year-old Rampling was one of the city’s ‘it’ girls. She played Meredith, the bitchy but beautiful roommate of Georgy (Lynn Redgrave) in the successful comedy-drama Georgy Girl (Silvio Narizzano, 1966). But that year, a traumatic event occurred, when her elder sister Sarah shot herself in Argentina after giving birth prematurely and losing her child. Charlotte was devastated by this loss, which she experienced as an abandonment by her sister. She and her father lied to her mother, telling her that Sarah had died of a stroke. Charlotte seemingly overcame this trauma and was able to continue acting. In 1967 she played the gunfighter Hana Wilde in The Superlative Seven, an episode of the hit series The Avengers with Patrick Macnee and Diana Rigg. After this, her acting career blossomed in both English and French cinema. Among the early roles were the female leads in the British adventure film The Long Duel (Ken Annakin, 1967) starring Yul Brynner and Trevor Howard, and the thriller Target: Harry (Roger Corman, 1969).

 

Charlotte Rampling has performed controversial roles. In Luchino Visconti's classic, she played a young wife sent to a Nazi concentration camp. Critics praised her performance, and it cast her in a whole new image: mysterious, sensitive and ultimately tragic. ‘The Look’ as co-star Dirk Bogarde called it, became her trademark. She played Anne Boleyn in the film adaptation of Henry VIII and His Six Wives (Waris Hussein, 1972), with Keith Michell as Henry VIII. In the US, she played the wife of Robert Blake in the drama Corky (Leonard Horn, 1972). In 1972, Rampling also married the actor and publicist Bryan Southcombe and had one child, Barnaby Southcombe, (1972) now a television and film director. They were widely reported to be living in a ménage à trois with a male model, Randall Laurence, although she always denied there was ever any sexual relationship. She co-starred with Sean Connery in the science fiction/fantasy film Zardoz (John Boorman, 1974). In Il Portiere di note/The Night Porter (Liliana Cavani, 1974). she portrayed a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her and resumes their ambiguous relationship. In France, she offered a passionate rendering of a violent heiress confined to a mental institution in La Chair de l'orchidée/The Flesh of the Orchid (1975), an adaptation of the pulp novel, The Flesh of the Orchid (1948) by James Hadley Chase. The film was the directorial debut of French author and stage director Patrice Chéreau, and also stars Simone Signoret, Bruno Cremer and Edwige Feuillère. Other interesting European films were Un taxi mauve/The Purple Taxi (Yves Boisset, 1977) with Peter Ustinov, Philippe Noiret and Fred Astaire, and Max mon amour/Max, My Love (Nagisa Oshima, 1986), in which she played a woman who fell in love with a chimpanzee. Rampling gained recognition from American audiences in a remake of Raymond Chandler's detective story Farewell, My Lovely (Dirk Richards, 1975) with Robert Mitchum as Philip Marlowe. Later she stole the show with her part in Stardust Memories (Woody Allen, 1980) as a beautiful but emotionally fragile depressive. She had again success in Hollywood as the deceitful Laura in the acclaimed courtroom drama The Verdict (Sidney Lumet, 1982), starring Paul Newman. Five years later she appeared with Mickey Rourke and Robert De Niro. in the American voodoo-themed thriller Angel Heart (Alan Parker, 1987), as an ill-fated woman whose heart is irrevocably extracted from her body.

 

In the following decade, Charlotte Rampling mainly worked for TV, such as in Great Expectations (Julian Jarrold, 1999), BBC's BAFTA award-winning adaptation of the Charles Dickens novel. She played the decayed spinster Miss Havisham opposite Ioan Gruffudd as Pip. Charlotte Rampling credits François Ozon with drawing her back to film in the 2000s, a period when she came to terms with the death of her eldest sister Sarah. Ozon gave her the lead role in his French drama Sous le sable/Under the Sand (François Ozon, 2000), which was nominated for three César Awards and was critically well received. Bob Mastrangelo at AllMovie: “Sous le Sable belongs to Charlotte Rampling. Delivering a commanding, devastating, and nuanced performance, Rampling portrays Marie Drillon, a middle-aged professor who goes through an emotional roller coaster after the sudden disappearance of her husband. Rampling beautifully handles Marie's various transformations, making it appear outwardly as if she is coping with reality, while inwardly she is collapsing.” The character she played in Ozon's Swimming Pool (François Ozon, 2003), Sarah Morton, was named in her sister's honour. For most of Rampling's life, she would say only that her sister had died of a brain haemorrhage; when she and her father heard the news, they agreed they would never let her mother know the truth. They kept their secret until Rampling's mother died in 2001. A year later, Rampling became a Dame of France's Legion. At 59, Rampling appeared in Vers le Sud/Heading South (Laurent Cantet, 2005), a film about sexual tourism. She plays Ellen, a professor of French literature and single Englishwoman, who holidays in 1970s Haiti to get the sexual attention she does not get at home. Ozon directed her in the costume drama Angel (François Ozon, 2007) She portrayed the mother of Keira Knightley's character in The Duchess (Saul Dibb, 2008), and she appeared in the terrorist thriller Cleanskin (Hadi Hajaig, 2010), starring Sean Bean and James Fox. Very interesting is the Polish-Swedish co-production The Mill and the Cross (Lech Majewski, 2011) starring Rutger Hauer as Pieter Bruegel the Elder, on whose 1564 painting The Procession to Calvary the film is inspired. She also was among the cast of Lars von Trier’s Melancholia (2011) starring Kirsten Dunst and Charlotte Gainsbourg. Charlotte Rampling married twice. She played the title role in the noir thriller I, Anna (2012) written and directed by her son, Barnaby Southcombe. In 1976, Rampling met French composer Jean Michel Jarre at a dinner party; and left her first husband Bryan Southcombe the next day. Two years later she married Jarre and had a second son, magician and singer David Jarre. She also brought up stepdaughter Émilie Jarre, now a fashion designer. For 20 years, she accompanied Jarre on his worldwide music and light shows. Then the marriage was publicly dissolved in 1997 when she learned from tabloid newspaper stories about Jarre's affairs with other women and had a nervous breakdown. Since 1998, she has been engaged to Jean-Noël Tassez, a French communications tycoon. Charlotte Rampling stays very active on the screen. In 2013 she played Dr. Evelyn Vogel in the American hit series Dexter, had a small part as the elderly Adriana do Prado in Night Train to Lisbon (Bille August 2013) and she appeared as Alice in Francois Ozon’s drama Jeune & jolie/Young & Beautiful (2013). In 2012 she was nominated for a Primetime Emmy Award and a Screen Actors Guild Award, both for her performance in the miniseries Restless (Edward Hall, 2012). For her performance in the film 45 Years (Edward Haigh, 2015), she won the Berlin Film Festival Award for Best Actress, the European Film Award for Best Actress, and was nominated for the Academy Award for Best Actress. In 2017, she won the Volpi Cup for Best Actress at the 74th Venice International Film Festival for Hannah (Andrea Pallaoror, 2017). She received an Honorary César in 2001 and France's Legion of Honour in 2002. She was made an OBE in 2000 for her services to the arts and received the 2015 Lifetime Achievement Award from the European Film Awards. In 2015, she released her autobiography, which she wrote in French, titled 'Qui Je Suis'. She later worked on an English translation, 'Who I Am', which was published in 2017. Recently, she appeared in the films Benedetta (Paul Verhoeven, 2021), Dune (Denis Villeneuve film, 2021) and Juniper (Matthew J. Saville, 2021)

 

Sources: Tracie Cooper (AllMovie), Bob Mastrangelo (AllMovie), Sholto Byrnes (The Independent), Pete Stampede, David K. Smith and Alan Hayes (The Avengers), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

French postcard by L'aventure carto, 2003, in the series Portraits de Stars - Acteurs étrangères, no. 15. Photo: Marcel Thomas.

 

English actress Charlotte Rampling (1946) became a legend with her ice-blue eyes, diamond-cut diction and much-remarked-upon cheekbones in such controversial classics like La Caduta degli dei/The Damned (1969) and Il Portiere di note/The Night Porter (Liliana Cavani, 1974). In Hollywood, she worked successfully with Woody Allen and Sidney Lumet, and this century she returned spectacularly to the A-list of the cinema in François Ozon’s Sous le sable/Under the Sand (2000), and Swimming Pool (2003).

 

Charlotte Rampling was born Tessa Charlotte Rampling in Sturmer, Great Britain, in 1946. She is the daughter of Anne Isabelle Rampling-Gurteen, a painter, and Godfrey Rampling, an army officer. Her father had won silver in the athletics track event 4x400m relay at the 1932 Olympics, and gold in the 4x400m relay at the 1936 Olympics. Charlotte attended the Jeanne d'Arc Académie in Versailles, France and the exclusive St. Hilda's School, Bushey, England. At 17 she was spotted on the street and asked to appear in a Cadbury television commercial. She enjoyed a successful modelling career before she made her first, uncredited screen appearance as a water skier in the comedy The Knack ...and How to Get It (Richard Lester, 1965). The film won the Palme d'Or at the 1965 Cannes Film Festival and was nominated for the Golden Bear at the 15th Berlin International Film Festival. Later that year she played the female lead in the comedy Rotten to the Core (John Boulting, 1965) with Anton Rodgers and Eric Sykes. At the time London was swinging and the 20-year-old Rampling was one of the city’s ‘it’ girls. She played Meredith, the bitchy but beautiful roommate of Georgy (Lynn Redgrave) in the successful comedy-drama Georgy Girl (Silvio Narizzano, 1966). But that year, a traumatic event occurred, when her elder sister Sarah shot herself in Argentina after giving birth prematurely and losing her child. Charlotte was devastated by this loss, which she experienced as an abandonment by her sister. She and her father lied to her mother, telling her that Sarah had died of a stroke. Charlotte seemingly overcame this trauma and was able to continue acting. In 1967 she played the gunfighter Hana Wilde in The Superlative Seven, an episode of the hit series The Avengers with Patrick Macnee and Diana Rigg. After this, her acting career blossomed in both English and French cinema. Among the early roles were the female leads in the British adventure film The Long Duel (Ken Annakin, 1967) starring Yul Brynner and Trevor Howard, and the thriller Target: Harry (Roger Corman, 1969).

 

Charlotte Rampling has performed controversial roles. In Luchino Visconti's classic, she played a young wife sent to a Nazi concentration camp. Critics praised her performance, and it cast her in a whole new image: mysterious, sensitive and ultimately tragic. ‘The Look’ as co-star Dirk Bogarde called it, became her trademark. She played Anne Boleyn in the film adaptation of Henry VIII and His Six Wives (Waris Hussein, 1972), with Keith Michell as Henry VIII. In the US, she played the wife of Robert Blake in the drama Corky (Leonard Horn, 1972). In 1972, Rampling also married the actor and publicist Bryan Southcombe and had one child, Barnaby Southcombe, (1972) now a television and film director. They were widely reported to be living in a ménage à trois with a male model, Randall Laurence, although she always denied there was ever any sexual relationship. She co-starred with Sean Connery in the science fiction/fantasy film Zardoz (John Boorman, 1974). In Il Portiere di notte/The Night Porter (Liliana Cavani, 1974). she portrayed a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her and resumes their ambiguous relationship. In France, she offered a passionate rendering of a violent heiress confined to a mental institution in La Chair de l'orchidée/The Flesh of the Orchid (1975), an adaptation of the pulp novel, The Flesh of the Orchid (1948) by James Hadley Chase. The film was the directorial debut of French author and stage director Patrice Chéreau, and also stars Simone Signoret, Bruno Cremer and Edwige Feuillère. Other interesting European films were Un taxi mauve/The Purple Taxi (Yves Boisset, 1977) with Peter Ustinov, Philippe Noiret and Fred Astaire, and Max mon amour/Max, My Love (Nagisa Oshima, 1986), in which she played a woman who fell in love with a chimpanzee. Rampling gained recognition from American audiences in a remake of Raymond Chandler's detective story Farewell, My Lovely (Dirk Richards, 1975) with Robert Mitchum as Philip Marlowe. Later she stole the show with her part in Stardust Memories (Woody Allen, 1980) as a beautiful but emotionally fragile depressive. She had again success in Hollywood as the deceitful Laura in the acclaimed courtroom drama The Verdict (Sidney Lumet, 1982), starring Paul Newman. Five years later she appeared with Mickey Rourke and Robert De Niro. in the American voodoo-themed thriller Angel Heart (Alan Parker, 1987), as an ill-fated woman whose heart is irrevocably extracted from her body.

 

In the following decade, Charlotte Rampling mainly worked for TV, such as in Great Expectations (Julian Jarrold, 1999), BBC's BAFTA award-winning adaptation of the Charles Dickens novel. She played the decayed spinster Miss Havisham opposite Ioan Gruffudd as Pip. Charlotte Rampling credits François Ozon with drawing her back to film in the 2000s, a period when she came to terms with the death of her eldest sister Sarah. Ozon gave her the lead role in his French drama Sous le sable/Under the Sand (François Ozon, 2000), which was nominated for three César Awards and was critically well received. Bob Mastrangelo at AllMovie: “Sous le Sable belongs to Charlotte Rampling. Delivering a commanding, devastating, and nuanced performance, Rampling portrays Marie Drillon, a middle-aged professor who goes through an emotional roller coaster after the sudden disappearance of her husband. Rampling beautifully handles Marie's various transformations, making it appear outwardly as if she is coping with reality, while inwardly she is collapsing.” The character she played in Ozon's Swimming Pool (François Ozon, 2003), Sarah Morton, was named in her sister's honour. For most of Rampling's life, she would say only that her sister had died of a brain haemorrhage; when she and her father heard the news, they agreed they would never let her mother know the truth. They kept their secret until Rampling's mother died in 2001. A year later, Rampling became a Dame of France's Legion. At 59, Rampling appeared in Vers le Sud/Heading South (Laurent Cantet, 2005), a film about sexual tourism. She plays Ellen, a professor of French literature and single Englishwoman, who holidays in 1970s Haiti to get the sexual attention she does not get at home. Ozon directed her in the costume drama Angel (François Ozon, 2007) She portrayed the mother of Keira Knightley's character in The Duchess (Saul Dibb, 2008), and she appeared in the terrorist thriller Cleanskin (Hadi Hajaig, 2010), starring Sean Bean and James Fox. Very interesting is the Polish-Swedish co-production The Mill and the Cross (Lech Majewski, 2011) starring Rutger Hauer as Pieter Bruegel the Elder, on whose 1564 painting The Procession to Calvary the film is inspired. She also was among the cast of Lars von Trier’s Melancholia (2011) starring Kirsten Dunst and Charlotte Gainsbourg. Charlotte Rampling married twice. She played the title role in the noir thriller I, Anna (2012) written and directed by her son, Barnaby Southcombe. In 1976, Rampling met French composer Jean Michel Jarre at a dinner party; and left her first husband Bryan Southcombe the next day. Two years later she married Jarre and had a second son, magician and singer David Jarre. She also brought up stepdaughter Émilie Jarre, now a fashion designer. For 20 years, she accompanied Jarre on his worldwide music and light shows. Then the marriage was publicly dissolved in 1997 when she learned from tabloid newspaper stories about Jarre's affairs with other women and had a nervous breakdown. Since 1998, she has been engaged to Jean-Noël Tassez, a French communications tycoon. Charlotte Rampling stays very active on the screen. In 2013 she played Dr. Evelyn Vogel in the American hit series Dexter, had a small part as the elderly Adriana do Prado in Night Train to Lisbon (Bille August 2013) and she appeared as Alice in Francois Ozon’s drama Jeune & jolie/Young & Beautiful (2013). In 2012 she was nominated for a Primetime Emmy Award and a Screen Actors Guild Award, both for her performance in the miniseries Restless (Edward Hall, 2012). For her performance in the film 45 Years (Edward Haigh, 2015), she won the Berlin Film Festival Award for Best Actress, the European Film Award for Best Actress, and was nominated for the Academy Award for Best Actress. In 2017, she won the Volpi Cup for Best Actress at the 74th Venice International Film Festival for Hannah (Andrea Pallaoror, 2017). She received an Honorary César in 2001 and France's Legion of Honour in 2002. She was made an OBE in 2000 for her services to the arts and received the 2015 Lifetime Achievement Award from the European Film Awards. In 2015, she released her autobiography, which she wrote in French, titled 'Qui Je Suis'. She later worked on an English translation, 'Who I Am', which was published in 2017. Recently, she appeared in the films Benedetta (Paul Verhoeven, 2021), Dune (Denis Villeneuve film, 2021) and Juniper (Matthew J. Saville, 2021)

 

Sources: Tracie Cooper (AllMovie), Bob Mastrangelo (AllMovie), Sholto Byrnes (The Independent), Pete Stampede, David K. Smith and Alan Hayes (The Avengers), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

Closeup of a wine bottle filled with corks

Police car torched on Queen Street east of Spadina during Toronto G20

French postcard by Editions Admira & Bettina Rheims, no. PHN 139, 1987. Photo: Bettina Rheims, 1985.

 

English actress Charlotte Rampling (1946) became a legend with her ice-blue eyes, diamond-cut diction and much-remarked-upon cheekbones in such controversial classics like La Caduta degli dei/The Damned (1969) and Il Portiere di note/The Night Porter (Liliana Cavani, 1974). In Hollywood, she worked successfully with Woody Allen and Sidney Lumet, and this century she returned spectacularly to the A-list of the cinema in François Ozon’s Sous le sable/Under the Sand (2000), and Swimming Pool (2003).

 

Charlotte Rampling was born Tessa Charlotte Rampling in Sturmer, Great Britain, in 1946. She is the daughter of Anne Isabelle Rampling-Gurteen, a painter, and Godfrey Rampling, an army officer. Her father had won silver in the athletics track event 4x400m relay at the 1932 Olympics, and gold in the 4x400m relay at the 1936 Olympics. Charlotte attended the Jeanne d'Arc Académie in Versailles, France and the exclusive St. Hilda's School, Bushey, England. At 17 she was spotted on the street, and asked to appear in a Cadbury television commercial. She enjoyed a successful modelling career, before she made her first, uncredited screen appearance as a water skier in the comedy The Knack ...and How to Get It (Richard Lester, 1965). The film won the Palme d'Or at the 1965 Cannes Film Festival and was nominated for the Golden Bear at the 15th Berlin International Film Festival. Later that year she played the female lead in the comedy Rotten to the Core (John Boulting, 1965) with Anton Rodgers and Eric Sykes. At the time London was swinging and the 20 years old Rampling was one of the city’s ‘it’ girls. She played Meredith, the bitchy but beautiful roommate of Georgy (Lynn Redgrave) in the successful comedy drama Georgy Girl (Silvio Narizzano, 1966). But that year, a traumatic event occurred, when her elder sister Sarah shot herself in Argentina after giving birth prematurely and losing her child. Charlotte was devastated by this loss, which she experienced as an abandonment by her sister. She and her father lied to her mother, telling her that Sarah had died of a stroke. Charlotte seemingly overcame this trauma and was able to continue acting. In 1967 she played the gunfighter Hana Wilde in The Superlative Seven, an episode of the hit series The Avengers with Patrick Macnee and Diana Rigg. After this, her acting career blossomed in both English and French cinema. Among the early roles were the female lead in the British adventure film The Long Duel (Ken Annakin, 1967) starring Yul Brynner and Trevor Howard, and the thriller Target: Harry (Roger Corman, 1969).

 

Charlotte Rampling has performed controversial roles. In Luchino Visconti's classic, she played a young wife sent to a Nazi concentration camp. Critics praised her performance, and it cast her in a whole new image: mysterious, sensitive and ultimately tragic. ‘The Look’ as co-star Dirk Bogarde called it, became her trademark. She played Anne Boleyn in the film adaptation of Henry VIII and His Six Wives (Waris Hussein, 1972), with Keith Michell as Henry VIII. In the US, she played the wife of Robert Blake in the drama Corky (Leonard Horn, 1972). In 1972, Rampling also married the actor and publicist Bryan Southcombe and had one child, Barnaby Southcombe, (1972) now a television and film director. They were widely reported to be living in a ménage à trois with a male model, Randall Laurence, although she always denied there was ever any sexual relationship. She co-starred with Sean Connery in the science fiction/fantasy film Zardoz (John Boorman, 1974). In Il Portiere di note/The Night Porter (Liliana Cavani, 1974). she portrayed a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her, and resumes their ambiguous relationship. In France, she offered a passionate rendering of a violent heiress confined to a mental institution in La Chair de l'orchidée/The Flesh of the Orchid (1975), an adaptation of the pulp novel, The Flesh of the Orchid (1948) by James Hadley Chase. The film was the directorial debut of French author and stage director Patrice Chéreau, and also stars Simone Signoret, Bruno Cremer and Edwige Feuillère. Other interesting European films were Un taxi mauve/The Purple Taxi (Yves Boisset, 1977) with Peter Ustinov, Philippe Noiret and Fred Astaire, and Max mon amour/Max, My Love (Nagisa Oshima, 1986), in which she played a woman who fell in love with a chimpanzee. Rampling gained recognition from American audiences in a remake of Raymond Chandler's detective story Farewell, My Lovely (Dirk Richards, 1975) with Robert Mitchum as Philip Marlowe. Later she stole the show with her part in Stardust Memories (Woody Allen, 1980) as a beautiful but emotionally fragile depressive. She had again success in Hollywood as the deceitful Laura in the acclaimed courtroom drama The Verdict (Sidney Lumet, 1982), starring Paul Newman. Five years later she appeared with Mickey Rourke and Robert De Niro. in the American voordoo themed thriller Angel Heart (Alan Parker, 1987), as an ill-fated woman whose heart is irrevocably extracted from her body.

 

In the following decade, Charlotte Rampling mainly worked for TV, such as in Great Expectations (Julian Jarrold, 1999), BBC's BAFTA award-winning adaptation of the Charles Dickens novel. She played the decayed spinster Miss Havisham opposite Ioan Gruffudd as Pip. Charlotte Rampling credits François Ozon with drawing her back to film in the 2000s, a period when she came to terms with the death of her eldest sister Sarah. Ozon gave her the lead role in his French drama Sous le sable/Under the Sand (François Ozon, 2000), which was nominated for three César Awards and was critically well received. Bob Mastrangelo at AllMovie: “Sous le Sable belongs to Charlotte Rampling. Delivering a commanding, devastating, and nuanced performance, Rampling portrays Marie Drillon, a middle-aged professor who goes through an emotional roller coaster after the sudden disappearance of her husband. Rampling beautifully handles Marie's various transformations, making it appear outwardly as if she is coping with reality, while inwardly she is collapsing.” The character she played in Ozon's Swimming Pool (François Ozon, 2003), Sarah Morton, was named in her sister's honour. For most of Rampling's life, she would say only that her sister had died of a brain haemorrhage; when she and her father heard the news, they agreed they would never let her mother know the truth. They kept their secret until Rampling's mother died in 2001. A year later, Rampling became a Dame of France's Legion. At 59, Rampling appeared in Vers le Sud/Heading South (Laurent Cantet, 2005), a film about sexual tourism. She plays Ellen, a professor of French literature and single Englishwoman, who holidays in 1970s Haiti to get the sexual attention she does not get at home. Ozon directed her in the costume drama Angel (François Ozon, 2007) She portrayed the mother of Keira Knightley's character in The Duchess (Saul Dibb, 2008), and she appeared in the terrorist thriller Cleanskin (Hadi Hajaig, 2010), starring Sean Bean and James Fox. Very interesting is the Polish-Swedish co-production The Mill and the Cross (Lech Majewski, 2011) starring Rutger Hauer as Pieter Bruegel the Elder, on whose 1564 painting The Procession to Calvary the film is inspired. She also was among the cast of Lars von Trier’s Melancholia (2011) starring Kirsten Dunst and Charlotte Gainsbourg. Charlotte Rampling married twice. She played the title role in the noir thriller I, Anna (2012) written and directed by her son, Barnaby Southcombe. In 1976, Rampling had met French composer Jean Michel Jarre at a dinner party; and left her first husband Bryan Southcombe the next day. Two years later she married Jarre and had a second son, magician and singer David Jarre. She also brought up stepdaughter Émilie Jarre, now a fashion designer. During 20 years, she accompanied Jarre on his worldwide music and light shows. Then the marriage was publicly dissolved in 1997 when she learned from tabloid newspaper stories about Jarre's affairs with other women and had a nervous breakdown. Since 1998, she has been engaged to Jean-Noël Tassez, a French communications tycoon. Charlotte Rampling stays very active on the screen. In 2013 she played Dr. Evelyn Vogel in the American hit series Dexter, had a small part in Night Train to Lisbon (Bille August,2013) and she appeared in Francois Ozon’s Jeune & jolie/Young & Beautiful (2013).

 

Sources: Tracie Cooper (AllMovie), Bob Mastrangelo (AllMovie), Sholto Byrnes (The Independent), Pete Stampede, David K. Smith and Alan Hayes (The Avengers), Wikipedia, and IMDb.

Transdev NSW Mercedes-Benz O405NH/Custom Coaches "550" ex Veolia Transport, ex (129), ex Southtrans (Deanes Coaches (South) Pty Ltd) (129) in Kiora Road, Miranda 4/8/2015. After a short time as a cleanskin in TNSW livery, it is now back in full AOA for Mint Floors and Shutters instead of the previous driver side only ad. Sold to Southside Bus and Coach as TV 1477 9/2019. Onsold to DJK Operations Pty Ltd t/a Keys Limousines & Party Buses, Menai as TV 1477 10/22.

ageLOC,Boost,Model

mah friend

bare face and hidden in hair

Transdev NSW Mercedes-Benz O405NH/Custom Coaches "550" ex Veolia Transport, ex (129), ex Southtrans (Deanes Coaches (South) Pty Ltd) (129) in Kiora Road, Miranda 9/2/2017. After a short time as a cleanskin in TNSW livery (again), it is now back in full AOA for Mint Floors and Shutters with a changed room shown in the picture and at least one other change from the AOA in the previous photo. Sold to Southside Bus and Coach as TV 1477 9/2019. Onsold to DJK Operations Pty Ltd t/a Keys Limousines & Party Buses, Menai as TV 1477 10/22.

 

 

it's the cleanskins that are cool!...

 

 

With a little bit of influence from Legohaulic here's the LDD version of my cleanskin B-Wing.

Fresh from the shipyards and ready for your livery.

 

Get all Natural Beauty Model Stock Photography like Beautiful natural models, Natural beauty, Clean skin, Organic beauty, Natural beauty stock photo, Flawless skin, Clear skin, Black and white beauty model photo, Simple beauty, Honest beauty from BlackAndGold. blackandgold.nyc/wp-content/uploads/2020/05/Organic-natur...

Get all Natural Beauty Model Stock Photography like Beautiful natural models, Natural beauty, Clean skin, Organic beauty, Natural beauty stock photo, Flawless skin, Clear skin, Black and white beauty model photo, Simple beauty, Honest beauty from BlackAndGold. blackandgold.nyc/wp-content/uploads/2020/05/natural-beaut...

The introduction of aerial mustering in 1968 saw many wild cattle in the ranges mustered for the first time.

Another wine label to cover up your clean skin for Christmas consumption.

Closeup of a wine bottle filled with corks

Another wine label to put over your clean skin bottle and impress your friends!

Get all Natural Beauty Model Stock Photography like Beautiful natural models, Natural beauty, Clean skin, Organic beauty, Natural beauty stock photo, Flawless skin, Clear skin, Black and white beauty model photo, Simple beauty, Honest beauty from BlackAndGold. blackandgold.nyc/wp-content/uploads/2020/05/natural-organ...

Tis the season... When we make our own wine labels for the Cleanskins!

With a little bit of influence from Legohaulic here's the LDD version of my cleanskin B-Wing.

Fresh from the shipyards and ready for your livery.

With a little bit of influence from Legohaulic here's the LDD version of my cleanskin B-Wing.

Fresh from the shipyards and ready for your livery.

Once again the add your own wine label to a cheap..but tasty... cleanskin.

attractive young caucasian adult isolated on white background

Portrait

Another wine label to adorn your cleanskin wines.

I feel so alone i dont know what happen to me... I i just lost mi mind i think ugh i dont care..

Transdev NSW Mercedes-Benz O405NH/Bustech ex Veolia Transport, ex (160), in Kiora Road, Miranda 28/5/2015 now a cleanskin after having lost its AOA for the Grill Team.

 

female ebjoying a massage