View allAll Photos Tagged cleandesign

This photograph was born from my exploration of simple forms and the power of minimalism. By playing with geometric lines on a black background, I wanted to evoke a duality between tension and harmony. Each line tells a trajectory, an encounter, or a break, leaving the viewer free to project their own interpretation. For me, simplicity is often the path to the strongest abstraction.

Vessel E.R. LUISA (IMO: 9455117, MMSI: 636091429) is an offshore tug/supply ship built in 2010 and currently sailing under the flag of Liberia. E.R. LUISA has 76m length overall and beam of 20m. Her gross tonnage is 4566 tons.

each sticker is cut by hand

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

Magazine design in Malaga, Andalucia.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

Thanks to all who comment or favorite; it is always appreciated!

 

I took this abstract photo of a wall panel, focusing on the interplay of light and shadows. The clean lines and geometric shapes create a minimalist composition that highlights the subtle variations in color and texture. This image reminds me of the beauty in everyday objects when seen from a different perspective. The simplicity and symmetry evoke a sense of calm and balance.

 

Thank you for viewing! If you like this photo, don't forget to favorite it and follow for more!

This 2024 Strack USA J Bass is a rare meeting point of history, craftsmanship, and modern performance. Built in Chicago by Dan Strack—former master builder at Lakland—this instrument reflects decades of high-end bass-building experience distilled into a single, deeply thoughtful design.

 

The three-piece body is made from reclaimed Douglas Fir that’s over a century old, and the wood tells its story honestly. The grain is striking and alive, finished in a natural satin that lets the material breathe. Subtle dark “beauty marks” appear along the upper and lower edges of the lowest body piece—fully sealed under the finish, tactilely smooth, and visually evocative of the wood’s past life.

 

The maple neck is paired with a birdseye maple fingerboard, finished in satin for a fast, organic feel. Pearloid inlays provide classic visual cues, while a walnut headstock backplate adds a refined custom touch. Tonally, Nordstrand Zen Blade hum-cancelling pickups deliver clarity and punch without noise, feeding a Trickfish IPA 9V 3-band preamp. Controls are intuitive yet powerful: volume, blend, vintage/passive tone, bass, mid, treble, and a mini-toggle for active/passive operation—with the tone control functional in both modes.

 

This is a J-style bass that honors tradition while confidently stepping forward—built to be played, not merely admired.

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

This is our super simple sofa. It was designed and handmade by local Nagoya furniture designers Naut. www.naut.ne.jp/NAUT/naut.html

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

A striking overhead photograph of the Sandberg California TT Bass, a premium German-made instrument known for blending classic aesthetics with modern performance. This model features the iconic Jazz Bass (J-Bass) body shape finished in a vibrant metallic green. The stunning color is beautifully contrasted by a large black pickguard and bright chrome hardware, including a high-mass bridge and control plate. The dark fretboard, accented with white rectangular block inlays, adds a strong vintage flair while ensuring excellent playability. The California TT is highly respected by bassists for its versatile tone, meticulous build quality, and exceptional boutique craftsmanship.

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

Framed by warm wooden trim and a staircase that gently invites upward, this photo captures the approach to the museum bookstore at The Phillips Collection in Washington, D.C. The setting is a harmonious blend of modern lighting, sleek white walls, and colorful artworks that draw the viewer's eye toward the open, welcoming space beyond.

 

The image highlights one of the most dynamic transitional areas within the museum, where a traditional gallery atmosphere meets a more casual, interactive environment. The space ahead bursts with vibrant hues—bright yellow walls, deep violet tones, and vertical artworks that echo modernist optimism and energy. Visitors are seen browsing the store’s curated selection of books, prints, and objects, adding a human element that contrasts the formality of the staircase in the foreground.

 

Wooden treads with visible grain give the stairs a grounded, organic feel, complemented by minimal steel railings and clean architectural lines. The symmetry of the composition guides the viewer’s gaze forward, centering the threshold as both a literal and figurative passage between contemplation and conversation.

 

This bookstore serves as more than just a commercial nook. It’s part of The Phillips Collection’s broader mission to connect people with modern and contemporary art in intimate, meaningful ways. Visitors often linger here, inspired by the art they’ve just encountered or making thoughtful selections to take a piece of the experience home.

 

The lighting design deserves special mention. Subtle recessed spotlights from above gently illuminate the artwork and merchandise without overpowering the scene. It’s a space designed for browsing and reflection, where art appreciation seamlessly extends into cultural consumption. There’s an inviting rhythm to the scene—light, color, wood, and movement—all orchestrated to make the visitor feel welcomed and engaged.

 

To the right, a circular abstract work hangs prominently on the white wall, perhaps a nod to the museum’s rich holdings in geometric abstraction and color field painting. The staircase, while architecturally simple, plays a starring role in the composition. It provides not only physical elevation but a narrative one—symbolizing a rise from observation to engagement, from passive viewer to active participant.

 

The Phillips Collection is known for weaving art into the fabric of everyday life, and this scene exemplifies that ethos. Here, the boundaries between gallery and gathering place dissolve. The image celebrates not just the art itself but the architecture, atmosphere, and social energy that surround it.

 

For photographers, designers, and museumgoers alike, this space showcases how thoughtful design can enhance the art-viewing experience—creating moments of pause, interaction, and inspiration at every step.

  

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

This image offers a crisp, head-on view of MIKI GAKKI BASS SIDE, a specialty bass guitar shop located in the heart of Osaka’s Amerikamura (American Village) district—Japan’s mecca for musicians and gearheads alike. With gleaming glass doors and a brightly lit showroom, the entrance to this bass-only annex beckons to players of all levels, from casual enthusiasts to seasoned professionals.

 

Inside, a stunning lineup of bass guitars in every imaginable color and configuration hangs in orderly rows, creating a visual rhythm that mirrors the music these instruments are designed to produce. The reflected lighting and spotless floors speak to the shop’s modern, premium feel, while its highly curated inventory makes it a destination shop for low-end lovers across Japan and beyond.

 

MIKI GAKKI, one of Japan’s most legendary music retailers since 1825, is known for its elite service and expansive product range. The BASS SIDE location continues that tradition with a focused dedication to electric basses, amps, accessories, and boutique brands. Posters in the window announce promotions, gear buybacks, and shop hours (12:00–20:00), reinforcing this shop’s reputation as both a showroom and a community hub for serious musicians.

 

Even the corridor leading to the shop adds to the sense of anticipation—with clean architecture, quiet lighting, and an invitingly wide-open approach that frames the shop like a stage. Whether you’re in the market for a rare custom bass or simply want to bask in the glow of expertly displayed instruments, MIKI GAKKI BASS SIDE is a must-visit stop on any music-lover’s Osaka itinerary.

  

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

Vessel KL BREVIKFJORD (IMO: 9482330, MMSI: 209051000) is an offshore tug/supply ship built in 2010 and currently sailing under the flag of Cyprus.

 

KL BREVIKFJORD has 95m length overall and beam of 20m. Her gross tonnage is 4518 tons.

 

KL BREVIKFJORD - STX PSV 06 CD

 

Kawasaki Kisen Kaisha, Ltd. ("K" Line) is pleased to announce that K LINE OFFSHORE AS (KOAS) took successful delivery of its first large size PSV(*1) "KL BREVIKFJORD", constructed at STX Europe Brevik Yard in Norway on September 24th. KOAS, headquartered in Arendal, Norway is the owner and operator of the vessel, and "K" Line holds 95% of KOAS shares.

 

This vessel, which is also the first Offshore Support Vessel (OSV) built by "K" Line Group, will be chartered for a period of a maximum of eight years to the Brazilian National Oil Company Petroleo Brasileiro S.A. (Petrobras), after delivery.

 

This vessel's unique features include largest deadweight tons of 5,100 MT with 1,100m2 cargo deck area and equipped with Dynamic Positioning System (DPS(*2)). Also, the vessel features environmentally-friendly specifications, so-called Clean Design, including double-hull structure for fuel oil tanks and equipped with Ballast Water Management System prior to the IMO-BWM (Ballast Water Management Convention) coming into effect.

Stepping into this room feels like a quiet embrace, a tranquil moment tucked away from the bustling world outside. This photograph beautifully captures the essence of a traditional Japanese breakfast room, bathed in the soft, diffused light that filters through both traditional and modern windows. On the left, a classic shoji screen panel with its delicate paper and wooden lattice provides privacy and a gentle glow, a timeless element of Japanese interior design. This contrasts beautifully with the large, multi-paneled window on the right, which acts as a living frame for a breathtaking view of an autumn garden.

 

The eye is immediately drawn to the vibrant outdoor scene. Beyond the dark wooden frames, a lush backdrop of trees in full autumn color unfolds, with fiery reds and oranges mingling with deeper, more subdued tones. It’s a quintessential view of Japanese fall foliage, inviting contemplation and a connection with nature. The subtle warmth of the sunlight catches the edges of the wooden table in the foreground, where a modern touch is introduced by a smartphone resting casually, alongside some neatly folded napkins. This small detail grounds the timeless setting in the present, creating a harmonious blend of old and new.

 

The room itself is minimalist, dominated by rich, dark wood tones from the window frames and floor, providing a strong, natural foundation. The walls are a soft, neutral plaster, allowing the intricate details of the shoji screen and the vividness of the outdoor landscape to truly shine. The low-angle perspective from inside the room further draws you into this personal, reflective space, making you feel as if you are seated there, ready to enjoy a peaceful morning meal while soaking in the beauty of the changing seasons. It’s more than just a room; it’s an experience of quiet luxury and natural beauty, perfectly encapsulated in a single frame.

Displayed against a warm wood backdrop in a Tokyo boutique guitar shop, this vibrant Fender Jazz Bass immediately pulls focus with its rare combination of color and cultural detail. Dressed in a vivid custom green finish, the bass features a bold diagonal southwestern motif along the lower bout—evoking desert hues and vintage textiles—offering a fresh visual take on Fender’s most versatile workhorse.

 

Introduced in 1960, the Jazz Bass was Leo Fender’s follow-up to the Precision Bass, designed to feel more familiar to guitar players with its slimmer neck and offset body. This model celebrates that heritage with dual white Jazz Bass single-coil pickups, a clean white pickguard, and three cream control knobs mounted in classic offset alignment.

 

The gloss-finished maple neck and fingerboard pop against the saturated body color, showcasing dot inlays, tight fretwork, and a stunning ambered tone that hints at vintage warmth. Paired with the sleek body shape and ergonomic contours that made the Jazz Bass a staple across funk, jazz, indie, and rock genres, this instrument looks as smooth as it plays.

 

But what truly sets it apart is the detail—the southwestern stripe adds a hint of visual storytelling. It’s more than custom—it’s expressive, adventurous, and unmistakably boutique. Whether it’s a one-off custom from Fender Japan or a rare regional edition, this bass makes a statement.

 

This is the kind of gear that feels just as at home on stage under spotlights as it does under glass—built to be seen, heard, and felt.

  

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

This is Sheetz # 699 at 7419 Pole Green Rd, Mechanicsville, VA.

 

This store opened in 2021.

Business card for Nilsson&Crona architect company based in Sweden – simple, but very beautiful design and an attractive color combination printed on Soft White paper. Perfect letterpress design.

 

Client: Nilsson&Crona | Designer: Fredrik Andersson | Printed by www.elegantepress.com

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

A striking overhead photograph of the Sandberg California TT Bass, a premium German-made instrument known for blending classic aesthetics with modern performance. This model features the iconic Jazz Bass (J-Bass) body shape finished in a vibrant metallic green. The stunning color is beautifully contrasted by a large black pickguard and bright chrome hardware, including a high-mass bridge and control plate. The dark fretboard, accented with white rectangular block inlays, adds a strong vintage flair while ensuring excellent playability. The California TT is highly respected by bassists for its versatile tone, meticulous build quality, and exceptional boutique craftsmanship.

These magnets are completely my own design. Little people all bright and shiny ....these are parts of recycled aluminum beverage cans. Parts of mettallic printed aluminum are layered behind the boy and girl shaped windows I cut out of soft black foam. Sometimes its a tiny recycling symbol, and other times its strange looking unknown ingrediants of the beverage poking through. Modern art for your refrigerator.

 

The whole thing is layered and is modern "clean" design.

Magazine design in Malaga.

Magazine: Modern Design magazine, september 2008.

 

Designer: Rolando S. Bouza.

 

email: rolando.bouza@gmail.com

 

website: www.behance.net/bouza

Business card for Nilsson&Crona architect company based in Sweden – simple, but very beautiful design and an attractive color combination printed on Soft White paper. Perfect letterpress design.

 

Client: Nilsson&Crona | Designer: Fredrik Andersson | Printed by www.elegantepress.com

My new website is now live at www.cgandolfo.com. I went through liveBooks this time so I could finally have an SEO-compatible site. My old site at www.gandolphoto.com, which is a bludomain site, is still active, but I'll use it exclusively for child/family clients, whereas the new one is for headshots and edit/commercial portrait work. I wanted something just clean and simple. I'm still adding to the portfolios but other than that it's pretty much complete.

Business card for Nilsson&Crona architect company based in Sweden – simple, but very beautiful design and an attractive color combination printed on Soft White paper. Perfect letterpress design.

 

Client: Nilsson&Crona | Designer: Fredrik Andersson | Printed by www.elegantepress.com

This 2024 Strack USA J Bass is a rare meeting point of history, craftsmanship, and modern performance. Built in Chicago by Dan Strack—former master builder at Lakland—this instrument reflects decades of high-end bass-building experience distilled into a single, deeply thoughtful design.

 

The three-piece body is made from reclaimed Douglas Fir that’s over a century old, and the wood tells its story honestly. The grain is striking and alive, finished in a natural satin that lets the material breathe. Subtle dark “beauty marks” appear along the upper and lower edges of the lowest body piece—fully sealed under the finish, tactilely smooth, and visually evocative of the wood’s past life.

 

The maple neck is paired with a birdseye maple fingerboard, finished in satin for a fast, organic feel. Pearloid inlays provide classic visual cues, while a walnut headstock backplate adds a refined custom touch. Tonally, Nordstrand Zen Blade hum-cancelling pickups deliver clarity and punch without noise, feeding a Trickfish IPA 9V 3-band preamp. Controls are intuitive yet powerful: volume, blend, vintage/passive tone, bass, mid, treble, and a mini-toggle for active/passive operation—with the tone control functional in both modes.

 

This is a J-style bass that honors tradition while confidently stepping forward—built to be played, not merely admired.

These magnets are completely my own design. Little people all bright and shiny ....these are parts of recycled aluminum beverage cans. Parts of mettallic printed aluminum are layered behind the boy and girl shaped windows I cut out of soft black foam. Sometimes its a tiny recycling symbol, and other times its strange looking unknown ingrediants of the beverage poking through. Modern art for your refrigerator.

 

The whole thing is layered and is modern "clean" design.

A striking overhead photograph of the Sandberg California TT Bass, a premium German-made instrument known for blending classic aesthetics with modern performance. This model features the iconic Jazz Bass (J-Bass) body shape finished in a vibrant metallic green. The stunning color is beautifully contrasted by a large black pickguard and bright chrome hardware, including a high-mass bridge and control plate. The dark fretboard, accented with white rectangular block inlays, adds a strong vintage flair while ensuring excellent playability. The California TT is highly respected by bassists for its versatile tone, meticulous build quality, and exceptional boutique craftsmanship.

Basically, all of the pages are awesome so go visit them live at korielynn.com

Here are some product photos I took of 2 of 5 packaging layouts I did for the redesign of the Women's Under Armour Base Layer.

 

Follow me on Twitter

Check out my Website

Like my Facebook Fanpage

...gibts immer noch! Schlicht & schön!! Und ich dachte, ich hätte den account gelöscht.

 

fotolog.com/ulink/6503355942699008

Here are some product photos I did of one of five packaging layouts I did for the redesign of the Men's Under Armour Base Layer.

 

Follow me on Twitter

Check out my Website

Like my Facebook Fanpage

Illustration by Elizabeth Sanchez

Design & Illustration by Oksana Ruda

Gray butter cream with bright white dots and slate gray ribbon create a clean modern look. Linens by Chair Cover Collection at the Spring Lake Country Club

Web site banner Design This design was made for a client Promote your Products and services related to niche with this great looking Banner Set.

 

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