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Urban Chronicles ~ Paris ~ MjYj©
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media without my explicit permission.
MjYj© All rights reserved
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This photograph was born from my exploration of simple forms and the power of minimalism. By playing with geometric lines on a black background, I wanted to evoke a duality between tension and harmony. Each line tells a trajectory, an encounter, or a break, leaving the viewer free to project their own interpretation. For me, simplicity is often the path to the strongest abstraction.
Vessel E.R. LUISA (IMO: 9455117, MMSI: 636091429) is an offshore tug/supply ship built in 2010 and currently sailing under the flag of Liberia. E.R. LUISA has 76m length overall and beam of 20m. Her gross tonnage is 4566 tons.
Thanks to all who comment or favorite; it is always appreciated!
I took this abstract photo of a wall panel, focusing on the interplay of light and shadows. The clean lines and geometric shapes create a minimalist composition that highlights the subtle variations in color and texture. This image reminds me of the beauty in everyday objects when seen from a different perspective. The simplicity and symmetry evoke a sense of calm and balance.
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Magazine design in Malaga, Andalucia.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
This image offers a crisp, head-on view of MIKI GAKKI BASS SIDE, a specialty bass guitar shop located in the heart of Osaka’s Amerikamura (American Village) district—Japan’s mecca for musicians and gearheads alike. With gleaming glass doors and a brightly lit showroom, the entrance to this bass-only annex beckons to players of all levels, from casual enthusiasts to seasoned professionals.
Inside, a stunning lineup of bass guitars in every imaginable color and configuration hangs in orderly rows, creating a visual rhythm that mirrors the music these instruments are designed to produce. The reflected lighting and spotless floors speak to the shop’s modern, premium feel, while its highly curated inventory makes it a destination shop for low-end lovers across Japan and beyond.
MIKI GAKKI, one of Japan’s most legendary music retailers since 1825, is known for its elite service and expansive product range. The BASS SIDE location continues that tradition with a focused dedication to electric basses, amps, accessories, and boutique brands. Posters in the window announce promotions, gear buybacks, and shop hours (12:00–20:00), reinforcing this shop’s reputation as both a showroom and a community hub for serious musicians.
Even the corridor leading to the shop adds to the sense of anticipation—with clean architecture, quiet lighting, and an invitingly wide-open approach that frames the shop like a stage. Whether you’re in the market for a rare custom bass or simply want to bask in the glow of expertly displayed instruments, MIKI GAKKI BASS SIDE is a must-visit stop on any music-lover’s Osaka itinerary.
Framed by warm wooden trim and a staircase that gently invites upward, this photo captures the approach to the museum bookstore at The Phillips Collection in Washington, D.C. The setting is a harmonious blend of modern lighting, sleek white walls, and colorful artworks that draw the viewer's eye toward the open, welcoming space beyond.
The image highlights one of the most dynamic transitional areas within the museum, where a traditional gallery atmosphere meets a more casual, interactive environment. The space ahead bursts with vibrant hues—bright yellow walls, deep violet tones, and vertical artworks that echo modernist optimism and energy. Visitors are seen browsing the store’s curated selection of books, prints, and objects, adding a human element that contrasts the formality of the staircase in the foreground.
Wooden treads with visible grain give the stairs a grounded, organic feel, complemented by minimal steel railings and clean architectural lines. The symmetry of the composition guides the viewer’s gaze forward, centering the threshold as both a literal and figurative passage between contemplation and conversation.
This bookstore serves as more than just a commercial nook. It’s part of The Phillips Collection’s broader mission to connect people with modern and contemporary art in intimate, meaningful ways. Visitors often linger here, inspired by the art they’ve just encountered or making thoughtful selections to take a piece of the experience home.
The lighting design deserves special mention. Subtle recessed spotlights from above gently illuminate the artwork and merchandise without overpowering the scene. It’s a space designed for browsing and reflection, where art appreciation seamlessly extends into cultural consumption. There’s an inviting rhythm to the scene—light, color, wood, and movement—all orchestrated to make the visitor feel welcomed and engaged.
To the right, a circular abstract work hangs prominently on the white wall, perhaps a nod to the museum’s rich holdings in geometric abstraction and color field painting. The staircase, while architecturally simple, plays a starring role in the composition. It provides not only physical elevation but a narrative one—symbolizing a rise from observation to engagement, from passive viewer to active participant.
The Phillips Collection is known for weaving art into the fabric of everyday life, and this scene exemplifies that ethos. Here, the boundaries between gallery and gathering place dissolve. The image celebrates not just the art itself but the architecture, atmosphere, and social energy that surround it.
For photographers, designers, and museumgoers alike, this space showcases how thoughtful design can enhance the art-viewing experience—creating moments of pause, interaction, and inspiration at every step.
This is our super simple sofa. It was designed and handmade by local Nagoya furniture designers Naut. www.naut.ne.jp/NAUT/naut.html
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Displayed against a warm wood backdrop in a Tokyo boutique guitar shop, this vibrant Fender Jazz Bass immediately pulls focus with its rare combination of color and cultural detail. Dressed in a vivid custom green finish, the bass features a bold diagonal southwestern motif along the lower bout—evoking desert hues and vintage textiles—offering a fresh visual take on Fender’s most versatile workhorse.
Introduced in 1960, the Jazz Bass was Leo Fender’s follow-up to the Precision Bass, designed to feel more familiar to guitar players with its slimmer neck and offset body. This model celebrates that heritage with dual white Jazz Bass single-coil pickups, a clean white pickguard, and three cream control knobs mounted in classic offset alignment.
The gloss-finished maple neck and fingerboard pop against the saturated body color, showcasing dot inlays, tight fretwork, and a stunning ambered tone that hints at vintage warmth. Paired with the sleek body shape and ergonomic contours that made the Jazz Bass a staple across funk, jazz, indie, and rock genres, this instrument looks as smooth as it plays.
But what truly sets it apart is the detail—the southwestern stripe adds a hint of visual storytelling. It’s more than custom—it’s expressive, adventurous, and unmistakably boutique. Whether it’s a one-off custom from Fender Japan or a rare regional edition, this bass makes a statement.
This is the kind of gear that feels just as at home on stage under spotlights as it does under glass—built to be seen, heard, and felt.
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Vessel KL BREVIKFJORD (IMO: 9482330, MMSI: 209051000) is an offshore tug/supply ship built in 2010 and currently sailing under the flag of Cyprus.
KL BREVIKFJORD has 95m length overall and beam of 20m. Her gross tonnage is 4518 tons.
KL BREVIKFJORD - STX PSV 06 CD
Kawasaki Kisen Kaisha, Ltd. ("K" Line) is pleased to announce that K LINE OFFSHORE AS (KOAS) took successful delivery of its first large size PSV(*1) "KL BREVIKFJORD", constructed at STX Europe Brevik Yard in Norway on September 24th. KOAS, headquartered in Arendal, Norway is the owner and operator of the vessel, and "K" Line holds 95% of KOAS shares.
This vessel, which is also the first Offshore Support Vessel (OSV) built by "K" Line Group, will be chartered for a period of a maximum of eight years to the Brazilian National Oil Company Petroleo Brasileiro S.A. (Petrobras), after delivery.
This vessel's unique features include largest deadweight tons of 5,100 MT with 1,100m2 cargo deck area and equipped with Dynamic Positioning System (DPS(*2)). Also, the vessel features environmentally-friendly specifications, so-called Clean Design, including double-hull structure for fuel oil tanks and equipped with Ballast Water Management System prior to the IMO-BWM (Ballast Water Management Convention) coming into effect.
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Business card for Nilsson&Crona architect company based in Sweden – simple, but very beautiful design and an attractive color combination printed on Soft White paper. Perfect letterpress design.
Client: Nilsson&Crona | Designer: Fredrik Andersson | Printed by www.elegantepress.com
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
Magazine design in Malaga.
Magazine: Modern Design magazine, september 2008.
Designer: Rolando S. Bouza.
email: rolando.bouza@gmail.com
website: www.behance.net/bouza
These magnets are completely my own design. Little people all bright and shiny ....these are parts of recycled aluminum beverage cans. Parts of mettallic printed aluminum are layered behind the boy and girl shaped windows I cut out of soft black foam. Sometimes its a tiny recycling symbol, and other times its strange looking unknown ingrediants of the beverage poking through. Modern art for your refrigerator.
The whole thing is layered and is modern "clean" design.
Business card for Nilsson&Crona architect company based in Sweden – simple, but very beautiful design and an attractive color combination printed on Soft White paper. Perfect letterpress design.
Client: Nilsson&Crona | Designer: Fredrik Andersson | Printed by www.elegantepress.com
My new website is now live at www.cgandolfo.com. I went through liveBooks this time so I could finally have an SEO-compatible site. My old site at www.gandolphoto.com, which is a bludomain site, is still active, but I'll use it exclusively for child/family clients, whereas the new one is for headshots and edit/commercial portrait work. I wanted something just clean and simple. I'm still adding to the portfolios but other than that it's pretty much complete.
Business card for Nilsson&Crona architect company based in Sweden – simple, but very beautiful design and an attractive color combination printed on Soft White paper. Perfect letterpress design.
Client: Nilsson&Crona | Designer: Fredrik Andersson | Printed by www.elegantepress.com
These magnets are completely my own design. Little people all bright and shiny ....these are parts of recycled aluminum beverage cans. Parts of mettallic printed aluminum are layered behind the boy and girl shaped windows I cut out of soft black foam. Sometimes its a tiny recycling symbol, and other times its strange looking unknown ingrediants of the beverage poking through. Modern art for your refrigerator.
The whole thing is layered and is modern "clean" design.
Here are some product photos I took of 2 of 5 packaging layouts I did for the redesign of the Women's Under Armour Base Layer.
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Here are some product photos I did of one of five packaging layouts I did for the redesign of the Men's Under Armour Base Layer.
Follow me on Twitter
Check out my Website
Like my Facebook Fanpage
Gray butter cream with bright white dots and slate gray ribbon create a clean modern look. Linens by Chair Cover Collection at the Spring Lake Country Club