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Sarkhej or Sarkhej Rauza is an architectural complex located 8 km south from Ahmedabad. Mainly erected under Mahmud Begada's reign (1442- 1451), it has been built on the location where the holy man and religious muslim leader Ahmed Khattu Ganj Baksh (or Shaikh Ahmad Khattri)lived and died (in 1446). He was the spiritual guide of the sultan Ahmed Shah,founder of the Ahmedabad city. He is said to have been one of the fourth Ahmed who founded the city of Ahmedabad. His Rauza or Maqbara is one of the biggest mausoleum of India, competing with the Taj Mahal. The complex became a retreat place for sultans and later an imperial necropolis.
Organized around a large artificial water reservoir are to be found gardens, a mosque and the holy man's tomb, together with the tombs of Mahmud Begada and his wife Rajabai, as well as palaces, a harem and pavilions. The buildings have an austere beauty, a mixture of hindu and islamic styles. carved columns,domes and niches at Sarkhej Mosque,Ahmedabad,India,Built in 15th or 16th century AD.
James Adams' Lion de Fleur in the Circus, Bath.
It was one of the many lions which were part of the Lions of Bath public art exhibition.
The 100-strong pride of lions - with the tag-line 'Pride in our City' - were individually painted and decorated and spread about the city.
The lions were displayed throughout 2010, before being gathered for one weekend at the Royal Crescent and then auctioned off.
The lion was chosen because it is both the symbol of royal England and because it is on the Bath coat of arms, recognising the King Edgar - first king of all England - in Bath in 973AD.
The King’s Circus was designed by John Wood and built by his son John Wood the Young after his father died the year he began construction.
The Circus is made up of 30 houses in the Palladian architectural style, divided into three smaller crescents – the first of which stood alone for seven years while funds were sought to complete the construction work, which took place between 1754 and 1767.
Britain’s first circular street, its colonnaded design and shape took obvious inspiration from the Colosseum in Rome, linking the modern Georgian city of Bath with its ancient Roman history.
There was also a link to Bath’s mystical history as he designed it to be the same size as Stonehenge – though his measurements were a little off. The stone acorns which adorn the houses represent the legend of Prince Bladud and how he discovered the hot springs in the city.
A carved frieze runs around the entire circle, while there are three styles of column on the exterior – Doric, Ionic and Corintian.
Among the former residents of the Circus are the artist Thomas Gainsborough and Prime Minister William Pitt.
Standing in the middle of Memorial Square in the heart of Colac, facing Murray Street is the Colac War Memorial.
Built rather like a classical temple of Roman or Grecian origin, the war memorial is built of sandstone and was erected as a tribute to those who both fought and died in the Great War (1914 - 1918), but it has been supplemented with plaques to other conflicts that occurred in later times. The shrine is engraved "1914 The Shire's Tribute 1918" and features places where conflict took place during the Great War; Egypt, Gallipoli, Palestine, Flanders, Pozieres, Polygon Wood, Bullecourt, Paschendale, Viller Brettoneux and Mont St Quinton. The Colac War Memorial was unveiled by Lieutenant-General Sir Harry Chauvel (1865 - 1945) on the 15th November, 1924. The cost of the memorial was ₤3600.00 and it was built by the monument manufacturers Sale and Keape. There are the names of 1665 men who had enlisted during the war. Those who died as a result of the conflict have their names picked out in gold lettering. A pine tree taken as a cutting from the original Lone Pine tree in Galippoli has been planted at the rear of the shrine on a lush piece of lawn.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
This building was formerly the Third Church of Christ, Scientist. The architectural style is a traditional classical temple. The architect of this 1923 church was George D. Mason. Compare to the Sixth Christian Science Church of Detroit, also by Mason's firm: both have Classical architectural influences but are very different in appearance. This structure is located just north of Detroit's New Center area and is part of a City of Detroit Historic District.
This bank building built in Colac's premier thoroughfare, Murray Street, used to be the State Savings Bank of Victoria.
The State Savings Bank of Victoria has been built in the Classical Revival style which is derived from Italian palazzo design. The two storey building's ground floor is detailed in smooth rustication with voussoirs. The plain first floor is enlivened by aedicules using prominent pillar detailing and triangular pediments.
The State Savings Bank of Victoria has long since ceased operation, however the building is still used as a bank in Twenty-First Century Colac. Today it serves as the town's branch of the Rabobank.
The State Savings Bank of Victoria was established in 1842 and existed until 1990. A government controlled savings bank had been founded on 1 January 1842 as the Savings Bank of Port Philip. The independent Savings Banks developed over time from this original banking establishment and this development was recognised formerly in 1912. The bank was established as the State Savings Bank of Victoria. In 1980 its name was changed to the State Bank until its eventual sale and subsequent dissolution in 1990 when it was taken over by the Commonwealth Bank.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
Standing in the middle of Memorial Square in the heart of Colac, facing Murray Street is the Colac War Memorial.
Built rather like a classical temple of Roman or Grecian origin, the war memorial is built of sandstone and was erected as a tribute to those who both fought and died in the Great War (1914 - 1918), but it has been supplemented with plaques to other conflicts that occurred in later times. The shrine is engraved "1914 The Shire's Tribute 1918" and features places where conflict took place during the Great War; Egypt, Gallipoli, Palestine, Flanders, Pozieres, Polygon Wood, Bullecourt, Paschendale, Viller Brettoneux and Mont St Quinton. The Colac War Memorial was unveiled by Lieutenant-General Sir Harry Chauvel (1865 - 1945) on the 15th November, 1924. The cost of the memorial was ₤3600.00 and it was built by the monument manufacturers Sale and Keape. There are the names of 1665 men who had enlisted during the war. Those who died as a result of the conflict have their names picked out in gold lettering. A pine tree taken as a cutting from the original Lone Pine tree in Galippoli has been planted at the rear of the shrine on a lush piece of lawn.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
Situated at 3 Dawson Street, the former Ballarat Baptist Church was designed by architect J. A. Doane for Jacobs, Lewis and Vine Architects. Building commenced in 1866 and was completed in externally between 1875 and 1876.
The Baptist Church is located in a church precinct dating from the 1860s, close to the intersection of Sturt and Dawson Streets, which is dominated by St Patrick’s Cathedral and Hall as well as St Andrew’s Kirk on the other side of Sturt Street and the former Congregational Church in Dawson Street. The church was renovated in 1891, 1910 and again in 1933. In 1958 further internal changes were made. A new pulpit and panelling in front of the choir stalls were dedicated in September 1959.
The former Baptist Church has a stuccoed main facade features a double storey pedimented prostyle portico on fluted Corinthian columns. The main wall is faced with giant Corinthian pilasters supporting the parapet and continuous entablature and is infilled with ashlar masonry and blind pedimented openings. The bluestone side walls have not been rendered.
The former Baptist Church, Ballarat is architecturally significant as one of J. A. Doane’s most important works and is of note particularly for the fine detailing of the pedimented portico.
The Former Baptist Church, Ballarat is architecturally and historically significant as part of one of the finest religious precincts in Victoria, constructed in the 1860s from the prosperity due to the gold discoveries in the surrounding area.
view National Theater Hall (left) after summer shower.
The National Chiang Kai-shek Memorial Hall is a Taiwanese national monument, landmark and tourist attraction erected in memory of Chiang Kai-shek, former President of the Republic of China.
The monument, surrounded by a park, stands at the east end of Memorial Hall Square. The structure is framed on the north and south by the National Theater and National Concert Hall.
Taipei, Taiwan.
2016/7/12
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The 97,3-metre-wide Blue Bridge (world's widest) spans the Moika in front of the Marie Palace in Saint-Petersburg
Located on Grant Street at the intersection of Perkins Street, the former Alexandra Mechanic’s Institute and Free Library, built in 1883, is a beautiful example of a Victorian Free Classical building, and is part of the north eastern Victorian town’s historical centre. It was originally designed as Alexandra’s Mechanics’ Institute with a billiard room extension added in 1892. The building has been lovingly restored, and features many features typical of Victorian Free Classical architecture. The style was ebullient and self confident as it expressed society’s growing prosperity and self confidence, and is mostly represented in civil, commercial and religious buildings, but spread to a certain degree to domestic structures as well. The parapet concealing the roof, decorative accents along the roofline and windows and doors with accentuated vertical proportions are all typical of the Victorian Free Classical architecture movement.
The Mechanics' Institute Movement began in British urban industrial cities in the early 1800s to enable men of the lower classes to improve themselves. A "mechanic" was a person applying skills and technology. During the Nineteenth Century, most towns in Victoria established a Mechanics' Institute or Athenaeum with a library and meeting hall. Common objects of the Mechanics' Institute Movement was to spread useful knowledge and provide rational (non alcoholic) recreation for the community.
The former Alexandra Mechanic’s Institute and Free Library is still used for its original literary purpose, and a modern extension, subtly attached to the historic building, doubles the library’s available floor space, allowing for a wider array of benefits.
Alexandra is a town in Victoria, Australia. It is located at the junction of the Goulburn Valley Highway (B340) and Maroondah Highway (B360), 26 kilometres west of Eildon. The town was settled in the late 1860s, with a Post Office opening on 15 March 1867 (known until 24 April 1867) as Redgate. The town was originally known as Redgate, or Red Gate Diggings. The current name either derives from Alexandra of Denmark (Queen’s Consort to King Edward VII of England) when given a stature of her to the shire; or from three men named Alexander (Alesander, McGregor, Alexander Don, and Alexander Luckie) who discovered gold in the area in 1866. Charles Jones born Herefordshire also discovered Gold on the Luckie Mine in 1866. He bought a Hotel with John Henry Osborne and was the proprietor of the New York and London Hotel Grant Street Alexandra. The railway to Alexandra arrived in the town via Yea from Tallarook in 1909, and closed on November 18, 1978. The Rubicon Tramway connected Alexandra with the village of Rubicon, at the junction of the Rubicon and Royston Rivers. Today many tourists pass through Alexandra on their way to the Mount Buller ski resort from Melbourne. The town contains the Timber Tramway and Museum (located at the Alexandra Railway Station), and the National Trust classified post office and law courts. There is a local market on the second Saturday of each month from September to May, an annual art show at Easter, an agricultural show and rose festival in November, and the annual Truck, Rod and Ute Show in June.
Osterley Park
Osterley Park is a Georgian country estate in west London close to Hounslow. Osterley House originally dates from the 1570's, it was remodelled by Robert Adam between 1761 and 1765, and contains sumptous classical style Adams interiors.
The house and park was bequeathed to the nation in 1949 by Lord Jersey and is now in the care of the National Trust.
Located on Grant Street at the intersection of Perkins Street, the former Alexandra Mechanic’s Institute and Free Library, built in 1883, is a beautiful example of a Victorian Free Classical building, and is part of the north eastern Victorian town’s historical centre. It was originally designed as Alexandra’s Mechanics’ Institute with a billiard room extension added in 1892. The building has been lovingly restored, and features many features typical of Victorian Free Classical architecture. The style was ebullient and self confident as it expressed society’s growing prosperity and self confidence, and is mostly represented in civil, commercial and religious buildings, but spread to a certain degree to domestic structures as well. The parapet concealing the roof, decorative accents along the roofline and windows and doors with accentuated vertical proportions are all typical of the Victorian Free Classical architecture movement.
The Mechanics' Institute Movement began in British urban industrial cities in the early 1800s to enable men of the lower classes to improve themselves. A "mechanic" was a person applying skills and technology. During the Nineteenth Century, most towns in Victoria established a Mechanics' Institute or Athenaeum with a library and meeting hall. Common objects of the Mechanics' Institute Movement was to spread useful knowledge and provide rational (non alcoholic) recreation for the community.
The former Alexandra Mechanic’s Institute and Free Library is still used for its original literary purpose, and a modern extension, subtly attached to the historic building, doubles the library’s available floor space, allowing for a wider array of benefits.
Alexandra is a town in Victoria, Australia. It is located at the junction of the Goulburn Valley Highway (B340) and Maroondah Highway (B360), 26 kilometres west of Eildon. The town was settled in the late 1860s, with a Post Office opening on 15 March 1867 (known until 24 April 1867) as Redgate. The town was originally known as Redgate, or Red Gate Diggings. The current name either derives from Alexandra of Denmark (Queen’s Consort to King Edward VII of England) when given a stature of her to the shire; or from three men named Alexander (Alesander, McGregor, Alexander Don, and Alexander Luckie) who discovered gold in the area in 1866. Charles Jones born Herefordshire also discovered Gold on the Luckie Mine in 1866. He bought a Hotel with John Henry Osborne and was the proprietor of the New York and London Hotel Grant Street Alexandra. The railway to Alexandra arrived in the town via Yea from Tallarook in 1909, and closed on November 18, 1978. The Rubicon Tramway connected Alexandra with the village of Rubicon, at the junction of the Rubicon and Royston Rivers. Today many tourists pass through Alexandra on their way to the Mount Buller ski resort from Melbourne. The town contains the Timber Tramway and Museum (located at the Alexandra Railway Station), and the National Trust classified post office and law courts. There is a local market on the second Saturday of each month from September to May, an annual art show at Easter, an agricultural show and rose festival in November, and the annual Truck, Rod and Ute Show in June.
This bank building built in Colac's premier thoroughfare, Murray Street, used to be the State Savings Bank of Victoria.
The State Savings Bank of Victoria has been built in the Classical Revival style which is derived from Italian palazzo design. The two storey building's ground floor is detailed in smooth rustication with voussoirs. The plain first floor is enlivened by aedicules using prominent pillar detailing and triangular pediments.
The State Savings Bank of Victoria has long since ceased operation, however the building is still used as a bank in Twenty-First Century Colac. Today it serves as the town's branch of the Rabobank.
The State Savings Bank of Victoria was established in 1842 and existed until 1990. A government controlled savings bank had been founded on 1 January 1842 as the Savings Bank of Port Philip. The independent Savings Banks developed over time from this original banking establishment and this development was recognised formerly in 1912. The bank was established as the State Savings Bank of Victoria. In 1980 its name was changed to the State Bank until its eventual sale and subsequent dissolution in 1990 when it was taken over by the Commonwealth Bank.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
Located on Grant Street at the intersection of Perkins Street, the former Alexandra Mechanic’s Institute and Free Library, built in 1883, is a beautiful example of a Victorian Free Classical building, and is part of the north eastern Victorian town’s historical centre. It was originally designed as Alexandra’s Mechanics’ Institute with a billiard room extension added in 1892. The building has been lovingly restored, and features many features typical of Victorian Free Classical architecture. The style was ebullient and self confident as it expressed society’s growing prosperity and self confidence, and is mostly represented in civil, commercial and religious buildings, but spread to a certain degree to domestic structures as well. The parapet concealing the roof, decorative accents along the roofline and windows and doors with accentuated vertical proportions are all typical of the Victorian Free Classical architecture movement.
The Mechanics' Institute Movement began in British urban industrial cities in the early 1800s to enable men of the lower classes to improve themselves. A "mechanic" was a person applying skills and technology. During the Nineteenth Century, most towns in Victoria established a Mechanics' Institute or Athenaeum with a library and meeting hall. Common objects of the Mechanics' Institute Movement was to spread useful knowledge and provide rational (non alcoholic) recreation for the community.
The former Alexandra Mechanic’s Institute and Free Library is still used for its original literary purpose, and a modern extension, subtly attached to the historic building, doubles the library’s available floor space, allowing for a wider array of benefits.
Alexandra is a town in Victoria, Australia. It is located at the junction of the Goulburn Valley Highway (B340) and Maroondah Highway (B360), 26 kilometres west of Eildon. The town was settled in the late 1860s, with a Post Office opening on 15 March 1867 (known until 24 April 1867) as Redgate. The town was originally known as Redgate, or Red Gate Diggings. The current name either derives from Alexandra of Denmark (Queen’s Consort to King Edward VII of England) when given a stature of her to the shire; or from three men named Alexander (Alesander, McGregor, Alexander Don, and Alexander Luckie) who discovered gold in the area in 1866. Charles Jones born Herefordshire also discovered Gold on the Luckie Mine in 1866. He bought a Hotel with John Henry Osborne and was the proprietor of the New York and London Hotel Grant Street Alexandra. The railway to Alexandra arrived in the town via Yea from Tallarook in 1909, and closed on November 18, 1978. The Rubicon Tramway connected Alexandra with the village of Rubicon, at the junction of the Rubicon and Royston Rivers. Today many tourists pass through Alexandra on their way to the Mount Buller ski resort from Melbourne. The town contains the Timber Tramway and Museum (located at the Alexandra Railway Station), and the National Trust classified post office and law courts. There is a local market on the second Saturday of each month from September to May, an annual art show at Easter, an agricultural show and rose festival in November, and the annual Truck, Rod and Ute Show in June.
Now to Piazza Jacopo della Quercia and a look at the unfinished part of Siena Cathedral. Now just used as a car park! But the walls have survived since the 14th century!
unfinished walls of Siena Cathedral
Siena Cathedral (Italian: Duomo di Siena) is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary.
Previously the episcopal seat of the Diocese of Siena, from the 15th century the Archdiocese of Siena, it is now that of the Archdiocese of Siena-Colle di Val d'Elsa-Montalcino.
The cathedral itself was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade. Black and white are the symbolic colors of Siena, etiologically linked to black and white horses of the legendary city's founders, Senius and Aschius.
The façade of Siena Cathedral is one of the most fascinating in all of Italy and certainly one of the most impressive features in Siena. Each of the cardinal points (west, east, north, and south) has their own distinct work; by far the most impressive of these is the west façade. Acting as the main entryway to the Duomo proper, it boasts three portals (see Portal (architecture)); the central one is capped by a bronze-work sun.
Built in two stages and combining elements of French Gothic, Tuscan Romanesque architecture, and Classical architecture, the west façade is a beautiful example of Sienanise workmanship. Work began on the lower part around 1284. Built using polychrome marble, the work was overseen by Giovanni Pisano whose work on the Duomo’s façade and pulpit was influenced by his father Nicola Pisano.
The lower portion of the façade is designed from Giovanni's original plans. Built in Tuscan Romanesque style it emphasizes a horizontal unity of the area around the portals at the expense of the vertical bay divisions. The three portals, surmounted by lunettes, are based on Giovanni Pisano’s original designs, as are much of the sculpture and orientation surrounding the entrances. The areas around and above the doors, as well as the columns between the portals, are richly decorated with acanthus scrolls, allegorical figures and biblical scenes.
Giovanni Pisano was able to oversee his work until about 1296 when he abruptly left Siena, reportedly over creative differences with the Opera del Duomo, the group that oversaw the construction and maintenance of the Siena cathedrals. Pisano's work on the lower façade was continued under the direction of Camaino di Crescentino, but a number of changes were made to the original plan. These included raising the façade due to the raising of the nave of the church and the instillation of a larger rose window based on designs by Duccio di Buoninsegna and commissioned by the city of Siena. Work on the west façade came to an abrupt end in 1317 when the Opera del Duomo redirected all efforts to the east façade.
Upper façade
There is debate as to when work on the upper façade was completed. Most scholars agree that it was finished sometime between 1360 and 1370, though when it began again is not known. The work continued to use Pisano's plans for the façade with some adaptations under the direction of Giovanni di Cecco. Di Cecco preferred more elaborate designs, most likely inspired by the Orvieto Cathedral. The façade needed to be much higher than foreseen as the nave had, once again, been raised.
The changes were probably needed to accommodate the raised nave and di Cecco's more elaborate design scheme, heavily influenced by French Gothic architecture, caused the apparent division of the upper portion of the cathedral. Most noticeably the pinnacles of the upper portion do not continue from the columns flanking the central portal as they normally would in such cathedrals. Instead they are substantially offset, resulting in a vertical discontinuity which is uncommon cathedrals of the time as it can lead to structural weakness. To adjust for this imbalance, the towers on each side of the cathedral were opened by adding windows, reducing the weight they needed to support. The upper portion also features heavy Gothic decoration, a marked contrast to the simple geometric designed common to Tuscan Romanesque architecture.
Façade sculpture
While most of the sculpture decorating the lower level of the lavish façade was sculpted by Giovanni Pisano and assistant depicting prophets, philosophers and apostles, the more Gothic statuary adorning the upper portion—including the half-length statues of the patriarchs in the niches around the rose window—are works of later, unattributed, sculptors. Almost all the statuary adorning the cathedral today are copies. The originals are kept in the Crypt of the Statues in the Museo dell'Opera del Duomo.
Three large mosaics on the gables of the façade were made in Venice in 1878. The large central mosaic, the Coronation of the Virgin, is the work of Luigi Mussini. The smaller mosaics on each side, Nativity of Jesus and Presentation of Mary in the Temple, were made by Alessandro Franchi.
The bronze central door is a recent addition to the cathedral, replacing the original wooden one. The large door, known as the Porta della Riconoscenza, was commissioned in 1946 near the end of the German occupation of Siena. Sculpted by Vico Consorti and cast by Enrico Manfrini, the scenes on the door represent the Glorification of the Virgin, Siena’s patron saint.
On the left corner pier of the façade is a 14th-century inscription marking the grave of Giovanni Pisano. Next to the façade stands a column with a statue of the Contrade Lupa, a wolf breast-feeding Romulus and Remus. According to local legend Senius and Aschius, sons of Remus and founders of Siena, left Rome with the statue, stolen from the Temple of Apollo in Rome.
On the right of the Cathedral, the large space where the great fourteenth-century cathedral should have stood, is today the so-called "New Cathedral", in front of a space in which the first aisle (now home to the Museo dell'Opera del Duomo ) is built. the so-called facetone. This area is called today Piazza Jacopo della Quercia.
Via Palazzo Reale overlooks the work of Bernardo Buontalenti of the late sixteenth century, born to house the Medici governor of the city. Today it houses the Prefecture and the Provincial Administration.
Out to Via di Monna Agnese and on to the Piazza del Campo.
The Cathedral of Santa Maria Assunta ... Siena Cathedral rising majestically in the eponymous city square, is one of Italy's most illustrious Romanesque and Gothic cathedrals. Entering the Cathedral means not only experiencing spiritual elevation but also opening up to beauty and exploring one of the city's most valuable art treasures.
Queen's House in London, United Kingdom.
Built 1616 to 1635 at the site of the royal residence in Greenwich, Queen's House was planned for Anne of Denmark, wife of James I. Unifinished after her death in 1619, the residence was instead completed for Henrietta Maria, the wife of Anne's son Charles I. With Queen's House, architect Inigo Jones introduced new form of classical architecture to England, adapting the style of Andrea Palladio who himself drew on Roman traditions.
DRK Kliniken Berlin, Krankenhaus Westend, ehemaliges Verwaltungsgebäude Spandauer Damm, Berlin-Westend, 1901-1904, Heino Schmieden und Julius Boethke
Bahnhof Greifswald, Mecklenburg-Vorpommern, 1863, Theodor August Stein, Erweiterungen bis 1913, Sanierung 2006–2008
A woman sunbather enjoying the afternoon sun on the Royal Crescent in Bath.
The 18th century Royal Crescent was the work of architect John Wood the Younger, to the design of his father.
Dating from the Georgian period and built between 1767 and 1774, it was the first crescent in Bath – and England – with its giant Ionic columns marking it out as Palladian in style.
The shape of the street is believed to have been inspired by either the Colosseum in Rome or by the New Moon, complimenting the sun-like shape of the King’s Circus, which was built a decade earlier.
As was typical at the time, the architects only designed and oversaw construction of the front of the houses, with the rear built by those who bought the properties and thus lacking the same uniformity.
The crescent was laid out to embrace the open landscape on the slopes below.
Construction on the Ballarat Mechanics' Institute on Sturt Street began in 1859. As a Gold Rush city with a growing population of miners, a number of eminent philanthropic citizens of Ballarat were anxious to provide working men with a chance to improve their work skills and their general education. It took the dedication of locals another decade to complete the Sturt Street facade, and a further decade for the billard room to be completed.
Built in the Classical style, the three storey Mechanics' Institute has a very restrained facade with minimal decoration. It features a beautiful bull nosed verandah edged with ornate cast iron lacework along the street to keep out the heat of the afternoon sun. Over the arched entrance, the letters of the Mechanic’s Institute are spelt in delicate, florid gilt letters. It also has a balcony extending from a scalloped niche on the first floor and a balconette on the upper floor. Crowning the building is the figure of Pallas Athena, the Greek Goddess of wisdom, courage, inspiration civilization, law and justice, just warfare, mathematics, strength, strategy, the arts, crafts, and skill.
Historically, Mechanics' Institutes were educational establishments formed to provide adult education, particularly in technical subjects, to working men. As such, they were often funded by local industrialists on the grounds that they would ultimately benefit from having more knowledgeable and skilled employees. The Mechanics' Institutes were used as 'libraries' for the adult working class, and provided them with an alternative pastime to gambling and drinking in pubs.
Disused Masonic Lodge in Dunfermline, its a shame a building this beautiful is not being put to use.
Former Queens Hall, La Belle Place, Glasgow. I’ve passed here lots of times but had never really noticed the intricacy and variety of the carving. Designed by Charles Wilson , 1897 with frieze design by Mossman, ‘A’’ listed. #listedbuilding #listedbuildings #glasgowarchitecture #scottisharchitecture #decorativestone #charingcrossglasgow #glasgow #photography #friezedesign #classicalarchitecture
Harris Museum & Art Gallery, Preston, Lancashire. Making use of the vast height created by all these layers and storeys is a Foucault's Pendulum - but otherwise it's a pretty dispiriting building.
Rathaus Charlottenburg, Otto-Suhr-Allee, Berlin-Charlottenburg, 1899–1905, Heinrich Reinhardt, Georg Süßenguth
Hauptgebäude der Universität der Künste (UdK), 1899–1902, ehemals Hochschule der Künste (HdK), davor Königlich Preußische Hochschule für bildende Künste, Entwurf von Heinrich Joseph Kayser und Karl von Großheim (Büro Kayser & von Großheim), Hardenbergstraße, Berlin-Charlottenburg
Sarkhej or Sarkhej Rauza is an architectural complex located 8 km south from Ahmedabad.Mainly erected under Mahmud Begada's reign (1442- 1451), it has been built on the location where the holy man and religious muslim leader Ahmed Khattu Ganj Baksh (or Shaikh Ahmad Khattri)lived and died (in 1446). He was the spiritual guide of the sultan Ahmed Shah,founder of the Ahmedabad city. He is said to have been one of the fourth Ahmed who founded the city of Ahmedabad. His Rauza or Maqbara is one of the biggest mausoleum of India, competing with the Taj Mahal. The complex became a retreat place for sultans and later an imperial necropolis.
Organized around a large artificial water reservoir are to be found gardens, a mosque and the holy man's tomb, together with the tombs of Mahmud Begada and his wife Rajabai, as well as palaces, a harem and pavilions. The buildings have an austere beauty.
A memorial to Frederick A. Robinson and members of his family. It is an example of a peristyle monument--one of a handful at Woodlawn Cemetery.
Mister Robinson was a lawyer with significant investments in lumber and mining.
Notre-Dame Cathedral Basilica of Saigon, Vietnam. This church in Ho Chi Minh City was established by French colonist, constructed in 1863 and 1880
Entrance to the ancient city of Petra is through the "Siq", a narrow gorge over one kilometer in length which is flanked on either side by soaring 80 meter high cliffs. Walking through this amazing course, traveled by thousands of tourists each day, is an experience one never forgets. The colors and formations of the rocks are dazzling.
The pathway to Petra runs along a dry torrent bed, and the sheer cliffs on either side rise higher and higher as it penetrates deeper into the heart of the mountain. Here is perpetual twilight, with an occasional glint of sun on the cliff face high above. In some parts the road is 20 feet wide, in others the rock almost touches overhead. Along one side is a channel cut in the rock, now fallen or choked with soil in most places, which originally carried water to the inhabitants of Petra from the springs at Wadi Musa. The road twists and turns, and can seldom be seen for more than a few yards ahead: it seems to be going on forever in a rather grim, hopeless kind of way.
Photographed at Petra in The Hashemite Kingdon of Jordan.....one of the ancient Wonders of the World. Taken with a Nikon D70 Digital SLR and enhanced using Photoshop CS3 and Topaz Adjust.