View allAll Photos Tagged cladding
That's an accurate description, don't you think?
Here's a pic from my 2013 archives!
This shiny metallic copper wet look lycra spandex minidress came from greatglam.com. I've matched it up with my super shiny Platino Cleancut Caresse 15 denier pantyhose from shapings.com over Hanes Alive Barely There support hose from onehanesplace.com and my 5" black patent peep toe platform pumps from flirtcatalog.com.
To see more pix of me in other tight, sexy and revealing outfits click this link:www.flickr.com/photos/kaceycdpix/sets/72157623668202157/
To see more pix of me in other outfits from Great Glam click this link: www.flickr.com/photos/kaceycdpix/sets/72157621973539909/
To see more pix of me showing off my legs click this link: www.flickr.com/photos/kaceycdpix/sets/72157623668202157/
To see more pix of me in shiny, wet look lycra spandex outfits click this link: www.flickr.com/photos/kaceycdpix/sets/72157625106117954/
DSC_2517-59
Thanks to all who comment or favorite; it is always appreciated!
This photo was taken in Charleston, SC, and shows a window beautifully framed by lush ivy. Charleston is known for its well-preserved historic architecture, which reflects its rich history and cultural heritage. The buildings in Charleston often exhibit elements of Georgian, Federal, and Greek Revival styles, with a strong emphasis on symmetry, proportion, and decorative details.
The ivy-clad window in the photo brings to mind the city's antebellum homes, which frequently feature large windows with shutters, brick facades, and abundant greenery. The ivy adds charm and is a natural cooling system during Charleston's hot summers.
Charleston's architectural legacy dates back to the colonial era, with many buildings surviving the Civil War and hurricanes. The city's commitment to preservation has maintained its historic charm, making it a popular destination for history enthusiasts and architecture lovers.
Thank you for viewing! If you like this photo, remember to favorite it and follow for more! Have you visited Charleston and its historic sites? Share your experiences in the comments below!
A fun little animal print dress that's been hiding in the closet,
a good partner for these copper high heel Jessica Bennett
sandals perhaps.
au lieu de meditation - fall in sleep,
reality, event of daily fret exhausting
mind, despite refreshing Time of all
illusions as former subject shifted into
darkness & in Mind embracing
weight of gravity invoked by singing Bird
in distant Forest, surviving snow & fallen
frost instead refreshing warmth & light,
from printed travel catalog & charm
as bliss of ticket visit paradise, et-cetera,
defined by syntax of hyperbola,
alliterations, linguistic luster to induce
means-sounds, deepest feel of heat from
intermezzo, as blanket covering orchestral
drums of strings trough pause & brightness
of racing fugues construing dreams, & fully
reconstructing mean-content of every single
frame, & images by notes presumed as Opera,
but in reality - composing mythological
cascade exciting deeply seated vibes
& visions reverberated in vertebrae,
& tearing over-working eyes, & skin as
memory of frosted bites of Winds beneath
tactile receptors, around frontal lobes
squished in manner a-la beret, exactly tight
denoting Galea aponeurotica domain,
ascending & cascading by whispered
overtures, librettos signed by Donizetti's
hand & slide of curtain, & stream of
thunder bolts ignited by First Concerto ,
among temptation to join illusions of
of Eighteenth Century, or Summer
Garden before sunset. Alas.
The physics of theatrical affection mixed
with nonsense-dream - traditional conflict
& never be resolved by any of nocturne
phantoms of morphing sound & humongous
depth of Grande royale, with influx
by emotional express along duality off
Time-&-Space transcended journey...
Consider sum mistaken artifacts as
painting by invisible pigment on cortical
activity - habitual effect production
during rest, been equal to apical aspect
delineating conscious existence of
deepest structures of the brain,
by echoing accords from long existed
Opera to your perception, et-cetera,
from sensual conflict between
space-boundary of scripted partytura,
its rhythms, symbols, pitches - sketch to
replicate entire Universe from bare print,
or simply mediate desired instrument's
claviature (by fingers!) revives graphism
of every Key to utterly convey Ideals,
or - singularity linguistic means through
Alter ego, while Human's brain
securing past & its mnemonic chain
revitalizing sense & shaping source
of own will, intrinsically will powered
to revive reflections scattered by
memento, crux of incidents, & words,
& scenes, & shadows dispersing
uniformly as Time dissolved in past,
but causing active and plasticity relay
distinctive marks stored by neuron(s),
as posted date from old postcard -
Almighty dedicated gift to us, enjoy,
as scientific matrix for Homo
Sapience, Almighty's grant,
enjoy this matrix upon blizzard, &
snow, Almighty's gift & sense of
fact manipulating sum of sensory
aspects from April, August's turning
ticking clocks as fragmentation and
essence of floral pollen, dust, feathers
and flock of memories of folios in
tangible grotesque ignoring frame
of references paralleled with pain &
pirouettes of Light projected & sharp
defining fractured dreams, attempts
sustaining entropy & Times re-counting
forgotten letters without stamps
to sent to nest of birds from every
Sunrise in trenches shelled by
clouds of shrapneling blasts, within
brutality attacks at battle-field
of dawn, as charts from Books, or
picturesque booklet in sharp touché
far from above its foggy distance
leveled by lumen-less horizon -
chaotic line adjoined by fallen bodies
of dying soldiers, & ricocheting sound
to capital from shady bridges walking
steps to Opera, & Odeon, & cozy
Comédie-Française defined by prose
unfinished by certain writer, French
by name, by utter chronicle recording
dim & faint collapsing fragrances
as spectral paint depicted
sounds, bells, & fly of pigeons at
Abbey of Saint-Germain-des-Prés,
sum fading colors, days & nights
suspended in refuge of frost &
blaze of sealed & tightened space,
in his Paris, its suffering refuge
& naked reality before his eyes,
all veiled by allergy's of iron clad
from every paroxysmal breath
in siege of windows clogged & doors
against attack by pollen: as if acacia,
jasmine, lilacs erupted not a bliss &
calm, but waves of burning harm
to suffocate & causing tremor,
& flickering accords by vocal cords
projecting images of mind to
palpitation of inquest in pages
analyzing love by convoluted
manuscripts, as if vocabulary
permeated floral warmth,
or substance of perfumes,
or causes, reflecting essence of
streaming Life, by scripting
memories, artistic search
elaborating prose by prosody
of fluid Time...
I think I prefer yesterdays rotated and enhanced shot of this green Trespa cladding at the Nottingham Science and Technology Park but this shot gives a truer indication of how it really is.
2ft 6in gauge Alan Keef 4-wheel diesel-hydraulic '05 581' (Works No.18 of 1985) heads a loaded train from the moss to the tippler, passing a peat harvesting machine, on 29th March 2011, the second train in operation that day. The peat operation is believed to have commenced in the 1980s, but the railway was not installed until as recently as 1997.
© Gordon Edgar - All rights reserved. Please do not use my images without my explicit permission
The Palais Equitable is a mansion in Stock-im-Eisen-Platz (now part of Stephansplatz) in the Innere Stadt of Vienna, Austria that was built in the 19th century for The Equitable Life Assurance Society of the United States and that incorporates the Stock im Eisen on one corner.
The building is on the site of five small medieval buildings that were demolished in 1856–86, partly in order to expand Kärntner Straße. It was designed by Andreas Streit and constructed in 1887–91. It is one of the few palaces or mansions in Vienna never to have been an aristocratic residence.
The Palais Equitable has a richly detailed façade featuring American eagles. The Stock im Eisen, enclosed in glass, is in a niche on the Kärntner Straße corner of the building, and bronze reliefs by Rudolf Weyr on the main doors depict its history. The remainder of the ornamentation is by Viktor Oskar Tilgner and Johann Schindler.
The interior is also extremely sumptuous: marble from Hallein and granite from Saxony were used for the dramatic stairway and the vestibule, and the glass-covered interior courtyard is completely clad in tile and maiolica. (The stairway was apparently intended to be adaptable for access to a future subway.) A painting on the ceiling of the lobby and the stucco ornamentation on the second floor are by Julius Victor Berger.
Wilhelm Beck & Söhne, providers of uniforms to the Austro-Hungarian Empire, had its shop in the building, and the United States consulate was located there.
The Palais Equitable was damaged in World War II but was restored in 1949. The entrance area was renovated by Rüdiger Lainer in 1997.Today the building houses offices of various companies and organizations including the Austrian division of Sal. Oppenheim, and a retail outlet for Aurgarten Porcelain.