cyanotype
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A Happy Macro Monday Everyone! And a beautiful week ahead for you, dear Flickr friends!
Ich wünsche Euch einen sonnigen (ja!!!) Montag und eine schöne Woche, liebe Flickr-Freunde!
En este caso he escaneado una cianotipia que hice de unos negativos de un rollo con la Flexaret. La foto superior nunca la colgué en Flickr pero si el resto del rollo. En este álbum están en su formato normal. flickr.com/photos/43012713@N07/sets/72157695816341655
Compre los líquidos con la ilusión de probar esta centenaria técnica y la verdad que me he divertido, y también mi peque que le preparo algún papel con el preparado y pone sus juguetes y hojas de la calle para hacer sus composiciones.
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Our next stop was by the city hall where I climbed the tower for a bird's eye view of the city below and the Špilberk Castle in the distance ... #etbtsy
Continued on my blog: Cyanotypes XVIII: Pernštejn Castle, Brno
Photographed with a 35mm Nikon FE camera on Fomapan 400 Black & White Negative Film, developed in Fomadon LQN.
Chemically printed on a hand-coated smooth watercolor paper using the cyanotype process invented in 1842.
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The second paper is the Meeden Textured Surface Cold Press Watercolor Paper. Overall lot more subtle than the first, with noticeable texture but regular and accepting the emulsion very evenly. Results are of lower contrast, lot more details are preserved but the images appear a little blurrier overall. It is really important to use ... #etbtsy
Continued on my blog: Cyanotypes VIII: Toning Different Papers
Chautauqua Belle Steamboat, an original hand-made 5" x 7" cyanotype print on Meeden textured surface cold press watercolor paper.
Photographed with a 35mm Nikon FE camera on Ilford FP4 black and white negative film. Chemically printed on a hand-coated watercolor paper (Meeden Textured Surface Cold Press) using the cyanotype process invented in 1842.
Esta primavera recién comenzada está siendo intensiva en casa; mientras una le da a los nudos, el otro engrosa la colección de cianotipias :))
Cyanotype N°144 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Pentax SuperA + 28mm - Pan400
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Today's post on cyanotypes builds on what I have posted about before. I shared how different papers can completely change the look of the final image. I compared three types of paper so far, all watercolor papers. On one end, I used a very bright watercolor paper with a very rough texture, which further contributed to an even more lo-fi look and high contrast. In the middle, I used a ... #etbtsy
Continued on my blog: Cyanotypes XI: Moravian Countryside
An original hand-made 5" x 7" cyanotype print from the Czech Republic. Photographed with a 35mm Nikon FE camera on Fomapan 400 black and white negative film.
Chemically printed on a hand-coated smooth watercolor paper using the cyanotype process invented in 1842.
Cyanotype N°45 - Viré au maté + thé noir / yerba maté + black tea toned
Papier - Moulin du coq
Prise de vue - Leica M5 + Ultron 28mm 1.9 - agfa APX400
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Cyanotype N°110 - Tonifié au maté + thé noir/ yerba maté + black tea toned
Papier - Moulin du coq - le rouge
Prise de vue - fuji xe2 + 55-200
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Cyanotype N°136 - Tonifié au maté + café/ yerba maté + cofee toned
prise de vue durant une projection du film "Renault 12" de Mohamed El Khatib
Papier - Moulin du coq - le rouge
Prise de vue - Leica M5 + ultron 35mm - trix
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Cyanotype N°61 - Tonifié au maté + thé noir/ yerba maté + black tea toned
Papier - Moulin du coq - le rouge
Prise de vue - Leica M5 + 35mm - agfa apx400
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Cyanotype N°146 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Leica M5 + ultron 28mm - Ilford Pan400
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The Meeden Textured Paper is very different from this point of view. While its other Cyanotype properties also still hold true, green tea tones the previously coated, exposed, and bleached surfaces as well as a stains the paper itself, which is clearly visible in the last print ... #etbtsy
Continued on my blog: Cyanotypes VIII: Toning Different Papers
Chautauqua Belle Steamboat, an original hand-made 5" x 7" cyanotype print on Meeden textured surface cold press watercolor paper.
Photographed with a 35mm Nikon FE camera on Ilford FP4 black and white negative film. Chemically printed on a hand-coated watercolor paper (Meeden Textured Surface Cold Press) using the cyanotype process invented in 1842. Bleached and toned in Green Tea,
Cianotipia sobre albúmina 1/10, papel Fabriano.
Original: www.flickr.com/photos/petoto/6217301246/in/photostream
Cyanotype N°153 - Tonifié au maté / yerba maté toned
Papier - Moulin du coq - le rouge
Prise de vue - mamiya c220 + 55mm - foma200
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The ability of the smooth watercolor paper to reproduce fine detail really showed in this photograph. The grass and shrubs covering the banks of Kyjovka came through with a surprising detail, including the two trees in the background ... #etbtsy
Continued on my blog: Cyanotypes XI: Moravian Countryside
An original hand-made 5" x 7" cyanotype print from the Czech Republic. Photographed with a 35mm Nikon FE camera on Fomapan 400 black and white negative film.
Chemically printed on a hand-coated smooth watercolor paper using the cyanotype process invented in 1842.
Cyanotype N°93 - Tonification au maté + café / yerba maté and cofee toned
Papier - Moulin du coq - Le rouge
Prise de vue - fuji ga645w + infrared400
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Cyanotype N°71 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Yashica mat 124G + Fuji Pro400H (conversion NB)
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This view is one of the most obvious and overused cliches at this location but I can never resist anyway. I always try to find something new but also repeat my previous favorites. After all, no two days are the same, the weather, the light, the seasons, the camera, the film ... #etbtsy
Continued on my blog: Cyanotypes XVIII: Pernštejn Castle, Brno
Photographed with a 35mm Nikon FE camera on Fomapan 400 Black & White Negative Film, developed in Fomadon LQN.
Chemically printed on a hand-coated watercolor paper using the cyanotype process invented in 1842.
Cyanotype N°141 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Leica M5 + 50mm canon + agfa apx400
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Cyanotype N°130 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Bristol Fabriano
Prise de vue - Mamiya Six K2 + HP5
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Toned cyanotype.
Paper: Fabriano aquarell paper 200g
Size: 25x20 cm
Bleach in sodium carbonate.
Toned in tannin.
The original negative was 9x12 Fomapan 100.
Cyanotype N°138 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Olympus OM10 + zuiko 50mm - agfa apx400
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© All rights reserved!
When I started with cyanotypes I was looking at them as an alternative process to darkroom. And since darkroom prints come out with plenty of detail I wanted my cyanotype prints to be more lo-fi. Thus I immediately gravitated to papers with a lot of texture ... #etbtsy
Continued on my blog:
Cyanotypes XVII: Rajhrad Monastery Variations
Photographed with a 35mm Nikon FE camera on Fomapan 400 Black & White Negative Film, developed in Fomadon LQN.
Chemically printed on a hand-coated watercolor paper (Shizen Design Professional Grade Cold Press 100% Recycled) using the cyanotype process invented in 1842.
Toned cyanotype.
Paper: Fabriano aquarell paper 200g
Size: 20x25 cm
Bleach in sodium carbonate.
Toned in tannin.
The original negative was 4x5 Fomapan 200.
Cyanotype N°81 - Tonifié au maté + café / yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Yashica mat 124G + Portra 400 (conversion NB)
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Cyanotype N°92 - Tonification au maté + café / yerba maté and cofee toned
Papier - Moulin du coq - Le rouge
Prise de vue - Leica M5 elmarit28mm - trix@800
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Cyanotype N°57 - Tonifié au maté + thé noir/ yerba maté + black tea toned
Papier - Moulin du coq - le rouge
Prise de vue - Pentax P30T + sigma 28mm - tmax400
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Cyanotype N°152 - Tonifié au maté / yerba maté toned
Papier - Moulin du coq - le rouge
Prise de vue - Rollei 35T + fuji c200 (conversion NB)
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Cyanotype N°69 - Tonifié au maté + thé noir/ yerba maté + black tea toned
Papier - Moulin du coq - le rouge
Prise de vue - Olympus OM10 + 28mm - Agfavista400 (conversion NB)
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I was really happy with how this particular photograph turned out as a cyanotype. It fit the process and the rough paper texture very well and so far remains one of my most favorite cyanotype creations. It will be hard to top. Seeing how well it worked as a blueprint there was just one other thing to try. You guessed it. How would it look ... #etbtsy
Continued on my blog: Cyanotypes VII: More Toning
The main tower and walls of the Karlštejn castle, an original hand-made 5" x 7" white tea toned cyanotype print from the Czech Republic. Karlštejn was built in the 14th century.
Photographed with a 35mm Nikon FE camera on Fuji Acros 100 black and white negative film. Chemically printed on a hand-coated watercolor paper (Shizen Design Professional Grade Cold Press 100% Recycled) using the cyanotype process invented in 1842. Then bleached and toned in white tea.
Cyanotype N°149- Tonifié au maté + café/ yerba maté + cofee toned
Papier - bristol fabriano
Prise de vue - ?? + APX400
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Cyanotype N°115 - Tonifié au maté + café / yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Bronica EC + 150mm + Portra 400 (conversion NB)
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