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Latex top Leo Twosided
Cubura Chunes Thong
ROMP EVENT
(11th alt 3 Pm)
Pic made for SL Fierce based in Sin City Film
Model: Aorist Chunes
issuu.com/slfiercemagazine/docs/sl_fierce_2017_e8413111cc...
Monastère de Labrang, province du Gansu, Chine
Un peu de fatigue, peut-être pour au moins un de ces moines, avant même la cérémonie qui durera près d'une heure et demie
Une photographie assez classique chez les visiteurs du monastère de Labrang car c'est le moment le plus favorable pour capter l'image de ces moines un peu mythiques coiffés de leurs fameux bonnets jaunes : tous les matins, avant la cérémonie au temple, quelques dizaines de moines s’assoient ainsi sur ses marches durant quelques minutes avant d'y entrer.
L'école Gelug ou Guélugpa, surnommée secte ou école des Bonnets jaunes, est la plus récente des quatre lignées du bouddhisme tibétain. Les réformes de son fondateur Tsong-kha-pa (1357-1419) marquent un retour à la tradition. Il met l'accent sur une stricte discipline monastique, restaure le célibat et l'interdiction de consommer de l'alcool et de la viande, relève la formation académique des moines, et tout en continuant de respecter le Vajrayana (bouddhisme tantrique), tradition ésotérique très répandue au Tibet, limite l'autorisation des rites tantriques et magiques.
L'école Gelugpa devint la lignée dominante politiquement à partir de la fin du XVIe siècle, après que Altan Khan, chef des Mongols, se convertit au bouddhisme tibétain. En 1642, la victoire de ce dernier sur le roi de la province de gTsang assure à l'école Gelugpa le pouvoir temporel sur le Tibet.
Au sein des Gelugpa se constituèrent différentes lignées de réincarnation ; les principales lignées sont celles du dalaï-lama et du panchen-lama. Le Dalaï Lama, détenteur de l'autorité temporelle, est le plus puissant. A la différence du Dalaï Lama, le Panchen Lama n'a pas d'obligation politique. Il est soumis comme lui à la réincarnation de son prédécesseur. C'est lui, s'il est vivant, qui désigne le nouveau Dalaï Lama.
Les Gelugpa gouverneront le pays à travers leur chef, le Dalaï-lama, jusqu'à ce que les communistes chinois prennent le contrôle du Tibet en 1950. Le Dalaï-lama s'enfuit en Inde à l'occasion d'une révolte populaire à Lhassa en 1959. Une controverse oppose depuis 1995 les Tibétains en exil aux autorités chinoises à propos de la désignation du onzième panchen lama après la mort suspecte du dixième en 1989.
Le monastère de Labrang est l'un des six grands monastères de l'école Gelugpa (ou école des Bonnets Jaunes, celle du monastère de montagne dans "Tintin au Tibet") du bouddhisme tibétain, dont le dalaï-lama et le panchen-lama sont les autorités spirituelles. Il est situé dans la ville de Xiahe dans la province chinoise du Gansu, Malgré une fermeture durant 12 ans à partir de 1958 par les autorités chinoises et les répression de 2008 à la suite des troubles au Tibet, le monastère de Labrang est actuellement celui qui accueille le plus grand nombre de moines en dehors de la région autonome du Tibet. Dans ce monastère séjourna durant plusieurs mois l’exploratrice Alexandra David-Néel, la première femme occidentale à avoir atteint Lhassa en 1924.
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khushi ties rakhi on the wrist of her brother krish
Rakhi Song Title: Behna Ne Bhai Ki Kalai Se
Movie: Resham Ki Dori
Singer: Suman Kalyanpur
Lyrics:
(Behna ne bhai ki kalaai se
behna ne bhaai ki kalaai se pyaar baandha hai
pyaar ke do taar se, sansaar baandha hai
resham ki dori se -2
resham ki dori se sansaar baandha hai) -2
Sundarta mein jo kanhaiya hai
mamta mein yashoda maiyya hai
vo aur nahi dooja koi
vo to mera raaja bhaiya hai
Behna ne bhai ....
Mera phool hai tu, talvaar hai tu
meri laaj ka pehredaar hai tu
main akeli kahaan is duniya mein
mera saara sansaar hai tu
behna ne bhai ....
Hamein duur bhale kismat kar de
apne man se na juda karna
saavan ke paavan din bhaiya
behna ko yaad kiya karna
behna ne bhai ...
Rakhi Song Title: Bhaiyya Mere Rakhi Ke Bandhan
Movie: Chhoti Behan
Singer: Lata Mangeshkar
Lyrics:
Bhaiyya mere, raakhi ke bandhan ko nibhana
bhaiyya mere, choti behan ko na bhulana
dekho ye nata nibhana, nibhana
bhaiyaa mere...
Ye din ye tyohaar khushi ka, paavan jaise neer nadi ka
bhai ke ujle maathe pe, behan lagaaye mangal tika
jhume ye saavan suhana, suhana
bhaiyya mere ...
Baandh ke hamne resham dori, tum se vo ummeed hai jodi
naazuk hai jo kaanch ke jaisi, par jeevan bhar jaaye na todi
jaane ye sara zamana, zamana
bhaiyaa mere ...
Shaayad vo saavan bhi aaye, jo behna ka rang na laaye
behan paraye desh basi ho, agar vo tum tak pahunch na paaye
yaad ka deepak jalana, jalana
bhaiyaa mere ...
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Rakhi Song Title: Yeh Raakhi Bandhan Hai Aisa
Movie: Beimaan
Singers: Mukesh, Lata Mangeshkar
Lyrics:
Chorus
(Ye raakhi bandhan hai aisa -3
jaise chanda aur kiran ka
jaisa badari aur pavan ka
jaise dharati aur gagan kaa) -2
ye raakhi bandhan hai aisa -3
Duniya ki jitani bahanen hain
un sabaki shraddha hai isamein
hai dharam karam bhaiya ka ye
bahana ki raksha isamein hai
jaise subhadra aur kishan ka
jaise badari aur pavan ka
jaise dharati aur gagan ka
ye raakhi bandhan ...
m: aaj khushi ke din bhaai ke
bhar-bhar aaye naina -2
kadar bahan ki unase poochho
jinaki nahi hai bahana
mol nahi koi is bandhan ka
jaise badari aur pavan ka v jaise dharati aur gagan ka
ye raakhi bandhan hai aisa -3
---------------------------------------------------------------------------------------------------------
Rakhi Song Title: Rang Birangi Raakhi
Movie: Anpadh
Singer: Lata Mangeshkar
Lyrics:
Rang-birangi raakhi leke aayi bahana
o raakhi bandhava le mere veer - 2
Chorus: Rang-birangi raakhi ... mere veer
Main na chaandi, na sone ke naar maangu -2
apne bhaiya ka thoda sa pyaar maangu
thoda sa pyaar maangu
is raakhi mein pyaar chupa le laayi bahana
Chorus: raakhi bandhwaale mere veer
Neele ambar se taare utaar laau-2
ya main chanda ki kiranon ke haar laau
kiranon ke haar laau
pyaar ke badle ban le leharaai behna
Chorus: raakhi bandhawaale mere veer
Kabhi bhaiya ye behna na paas hogi -2
kahi pardes baithi udaas hogi, behna udaas hogi
milne ki aas hogi
jaane kab bichhad jaayen bhai-behna
Chorus: raakhi bandhawaale mere veer
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Rakhi Song Title: Mere Bhaiyya Mere Chanda
Movie: Kajal
Singer: Asha Bhosle
Lyrics:
Chorus
(Mere bhaiya mere chanda
mere anamol ratan
tere badale main zamaane ki
koi cheez na lu) 2
Teri saanson ki kasam khaake, hava chalti hai
tere chehare ki khalak paake, bahaar aati hai
ek pal bhi meri nazaron se tu jo ojhal ho
har taraf meri nazar tujhko pukaar aati hai
(Chorus) 2
Tere chehare ki mehakti hui ladiyon ke liye
anaginat phool ummeedo ke chune hain maine
vo bhi din aayen ki un khwaabo ke taabeer milen
tere kaatir jo haseen khwaab bune hain mainne
(Chorus) 2
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Rakhi Song Title: Phoolon Ka Taaron Ka
Movie: Hare Rama Hare Krishna
Singer: Kishore Kumar
Phoolon ka taaron ka sabka kehna hai
ek hazaron mein meri behna hai
sari umar hame sang rehna hai
Ye na jaana duniya ne tu hai kyon udaas
teri pyaari aankhon mein pyar ki hai pyaas
aa mere paas aa keh jo kehna hai
ek hazaron mein ...
Jabse meri aankhon se ho gayi tu door
tabse sare jeevan ke sapne hain choor
aankhon mein neend na dil mein chaina hai
ek hazaron mein ...
Dekho hum tum dono hain ek dali ke phool
maein na bhoola tu kaise mujhko gai bhool
aa mere paas aa keh jo kehna hai
ek hazaron mein ...
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Rakhi Song Title: Chanda Re Mere Bhaiyya Se Kehna
Movie: Chambal Ki Kasam
Singer: Lata Mangeshkar
Lyrics:
(Chanda re, mere bhaiyya se kehna,
o mere bhaiyya se kehna, behna yaad kare) -2
o chanda re ...
Kya batalaau kaisa hai vo
bilkul tere jaisa hai vo
tu usko pehchaan hi lega
dekhega to jaan hi lega
tu saare sansaar mein chamke
har basti har gaanv mein damke
kehna ab ghar vaapas aa ja -2
tu hai ghar ka gehna
behna yaad kare
O chanda re...
Raakhi ke dhaage sab laaye
kehna ab na raah dikhaaye
maan ke naam ki kasmein dena
bhent meri ke rasamein dena
poochhana us roothe bhai se
bhool hui kya maan-jaai se
behan paraaya dhan hai kehna
usne sada nahi rehna
bahana yaad kare
O chanda re ...
" We only act crazy because we care too much and we only care too much when we love too much. "
K. The Dreamer
As 66 765 has full power applied climbing up the bank towards Coalbrookdale a resident fortunate enough to have arrived to cross manages a picture of the final service along the branch which was 4M81 12.00 Ironbridge Power Station to Liverpool Bulk Terminal. The crossing known as Strethill Crossing, to the vast amjority of us, is actually listed as Chunes User Worked Crossing 160 miles and 59 chains from Paddington measured via Oxford & Stourport (Severn Valley) with a reversal at Buildwas Junction signal box!
panthi hoon main us path ka
ant nahi jisaka
aas meri hai jisaki disha
aadhaar mere man ka
sangi saathi mere
andhiyaare ujiyaare
mujhako raah dikhaayen
palachhin ke phulajhaare
pathik mere path ke sab taare
aur neela aakaash
panthi ...
is path par dekhe kitane
sukh dukh ke mele
phool chune kabhi khushiyon ke
kabhi kaaton se khele
jaane kab tak chalana hai
mujhe is jeevan ke saath
panthi ...
Stealing time and shakin all else, Here to Party! Catching some sets
@ The Herb corner (Pool) maps.secondlife.com/secondlife/Costa%20Luna/222/41/25
U-Roy, began as a sound system DJ in Jamaica in 1961, spinning records for the Doctor Dickies set, later known as Dickies Dynamic, in such well-known Jamaican venues as Victoria Pier, Foresters Hall and Emmett Park. His inspiration was the DJ Winston Count Machuki, who worked for Coxsone Dodd and subsequently on Prince Buster's Voice Of The People sound system. By the mid-60s he was DJ for Sir George The Atomic, based around Maxfield Avenue in Kingston. Around 1967 he began to work with King Tubby as DJ for his Home Town Hi-Fi. From this association developed the whole modern DJ style; Tubby's work at Duke Reid's studio, where he was disc-cutter, led him to discover dub. Around this period, King Tubby had started to experiment with his studio equipment in an attempt to create new effects and sounds, which would eventually lead to a new style of Reggae called dub music. With U-Roy as his most prominent deejay and with access to some of Treasure Isle Studios' finest rocksteady rhythms, King Tubby's new sound became extraordinarily popular and U-Roy became a local celebrity. However, his first single "Earth's Rightful Ruler" was not a King Tubby collaboration; it was recorded with Peter Tosh for Lee "Scratch" Perry.
He recorded Dynamic Fashion Way (his first successful release) for Keith Hudson in 1969, and then went on to work with almost every major producer on the island: Lee Perry, Peter Tosh, Bunny Lee, Phil Pratt, Sonia Pottinger, Rupie Edwards, Alvin Ranglin and Lloyd Daley.
In 1970, Jamaican singer John Holt who was the lead vocalist of The Paragons became a fan of U-Roy's technique. Working with Duke Reid, U-Roy's fame grew through a series of singles, including "Wake the Town" and "Wear You to the Ball".
U-Roy's success continued throughout the 1970s, perhaps most famously with the album Dread in a Babylon, produced by "Prince" Tony Robinson and propelled by the album's skank smash hit "Runaway Girl". The album cover features an iconic picture of U-Roy disappearing in a thick cloud of cannabis smoke while holding a chalice and included the song "Chalice in the Palace", which in a satirical manner he imagines smoking ganja with Queen Elizabeth II of the United Kingdom in Buckingham Palace. U-Roy had become one of Jamaica's biggest stars by the early 1980s, also garnering significant acclaim in the United Kingdom.
He operated his own sound system, Stur-Gav, featuring Ranking Joe and selector Jah Screw. When they left after the sound system was broken up during the turbulent 1980 Jamaican election, it was rebuilt with new DJs Charlie Chaplin and Josey Wales, and Inspector Willie as selector. U-Roy continued to record sporadically throughout the '80s, recording Hustling, a single for Gussie Clarke, in 1984, and two excellent albums for DJs turned producers Tapper Zukie and Prince Jazzbo, in 1986 and 1987 respectively. In 1991 he played a successful ‘revival’ concert at the Hammersmith Palais, London. U-Roy is the man who is responsible for putting the DJ on the map, both as recording artist in Jamaica and as a major indirect influence on the US rappers. As such his importance is immense.
Five of my favorite U-Roy chunes.
Earth's Rightful Ruler
www.youtube.com/watch?v=NhxSIH4KzDw
U Roy - Rule The Nation
www.youtube.com/watch?v=lA-AN1fjxQo&feature=related
U Roy - Dynamic Fashion Way
www.youtube.com/watch?v=XOfA7udJBSI
Daddy U Roy - Wake The Town
www.youtube.com/watch?v=MXnTWXDTlZU
U-Roy - Natty Don't Fear
www.youtube.com/watch?v=6JSKXxbOYOU&feature=related
Daddy U-Roy Speak about Reggae about his collaboration with Love Trio
© Copyright 2011 Michael Thompson
Peg stilts(Chinese stilts) are commonly used by professional performers. These stilts strap on at the foot, ankle, and just below the knee. The stilt walker keep moving at all times to keep their balance.Archaeological records show that stiltwalking was practised in ancient Greece as far back as the 6th century BC. In Belgium, stilt walkers of Namur fight on stilts since 1411. The inhabitants of marshy or flooded areas sometimes use stilts for working in swamps or fording swollen rivers. The shepherds of the Landes region of southern France used to watch their flocks while standing on stilts.