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TROIS NUS / THREE NUDES
Démontrant un grand courage dans ses choix artistiques, Ivan Morozov porta un intérêt continu au genre du nu et réunit une collection de sculptures occidentales et russes qui lui est dédiée. Longtemps, la monstration de la nudité fut en effet dévolue par le dogme académique à la seule sculpture, où la pétrification et l'abstraction inhérentes au transfert technique permettent de révéler la forme humaine en alliant idéalisation et précision anatomique.
On compte dans la collection russe d'Ivan Morozov un important ensemble de nus de Serguei Konenkov (1874-1971), sculpteur à la légende sulfureuse dont la première œuvre fut jugée si provocatrice qu'elle fut littéralement détruite « à coups de marteau ; par ses furieux professeurs de l'École de peinture, sculpture et architecture de Moscou. Surnommé à Moscou « le Rodin russe », il deviendra au début des années vingt l'un des artistes officiels du régime soviétique.
Sont présentées ici trois œuvres issues de la collection Morozov pour la période 1913-1916. Ces bustes tronqués et tors, saisissant les nus à l'acmé de leurs sensations, sont prêts à choir ou à basculer. L'aspect poli du bois sculpté leur confère une qualité tactile, anthropomorphique, renforcée par une couleur ambrée, charnelle, que le marbre ou le bronze ne sauraient incarner. En les confrontant aux grands nus classicisants d'Aristide Maillol, rendus également « à l'échelle humaine » et antérieurs de quelques années à peine, on peut mesurer l'étendue de l'intérêt d'Ivan Morozov pour ces manifestations antagoniques de la statuaire contemporaine française et russe.
Having shown great courage in his artistic choices, Ivan Morozov held a sustained interest in the nude as a genre, building a collection of Western and Russian sculptures devoted to it. For a long time, academic doctrine confined the representation of nudes to sculpture, where the petrification and abstraction inherent to the process of transposing the human form allows it to be revealed, through a process of idealization and anatomic precision.
Ivan Morozov's Russian collection includes a major group of nudes by Sergei Konenkov (1874-1971), nicknamed the "Russian Rodin." In the early 1920s, notoriously scandalous sculptor, whose first work was considered So provocative that it was literally destroyed "with hammer blows" by his outraged professors at the Moscow School of Painting, Sculpture, and Architecture, would become one of the Soviet regime's official artists.
Three works from the Morozov collection from the period 1913-1916 are shown here. These truncated and twisted busts capture the nudes at the height of their emotions, ready to fall or tumble over. The sculpted polished wood gives them a tactile, anthropomorphic quality, accentuated by the sensuous amber color that marble or bronze cannot embody.
By confronting them with Aristide Maillol's large classical nudes, also at a "human scale" and only a few years older, we can see the extent of Ivan Morozov's interest in these opposing manifestations of contemporary French and Russian statuary.
SERGUEI KONENKOV
(1874-1971)
Figure ailée | Winged Figure
Moscou, 1914
CHATBOT
TWELVY
Jeune Fille | Young Woman
Moscou, 1914
A genoux | Kneeling Woman
Moscou, 1916
Bois teinte | Tinted wood
Coll. Ivan Morozov, 1914-1916
Galerie nationale Trétiakov, Moscou
Els tres guanyadors de l'edició
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Xatkit, una plataforma d’orquestració de chatbot de codi obert, va rebre el premi del jurat al millor projecte emprenedor.
Whoduniter, un servei d’e-learning i desenvolupament per a empreses basat en novel·les policíaques, va ser guardonat per votació popular.
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Debate sobre Práticas e Perspectivas de Conteúdo Digital interativo: Caso Jornal do Comércio. Com participação de Donald Reis; Eduardo Boff; Patrícia Knebel e Eduardo Jandt Tavares. Foto Bruna de Oliveira/Famecos/ Pucrs.
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13.11.18: Última palestra do identidade RP "Chatbot – Robôs e atendimento ao cliente: uma relação possível?" que ocorreu dia 13/11 no auditório do Prédio 7. Foto: Pedro Munhoz/FAMECOS/PUCRS
In the early days of virtual WW1, Google and Facebook chatbots had a faceoff. They both concluded Meta was not fun but ordered employees to work there anyway in the swamp.
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Orange the World 2018 -Timor-Leste
The launch of “Rosa”, a chatbot designed to receive complaints related to sexual harassment cases committed by civil servants is made official with the beating of the babadok—traditional Timorese drums. Ms. Sunita Caminha, UN Women’s Head of Office in Timor-Leste, Dr. Faustino Gomes, President of Timor-Leste’s Civil Service Commission, Roy Trivedy, UN Resident Coordinator, Maria Fonseca Monteiro, Secretary of State for Equality and Inclusion, and commissioners participated in the event, part of the 16 days of Activism campaign.
Photo credit: UN Women/ Youle Beatty
Read More: www.unwomen.org/en/news/in-focus/end-violence-against-women
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On this Good Friday 2021, when according to the Biblical account Jesus shared with his disciples the Last Supper, I follow up the personal story from January 21 (www.flickr.com/photos/joewilcox/50864261823/)—buying with, and for, my wife the Thomas Nelson-published, Leathersoft “classic verse-by-verse, center-column, reference Bible” (New King James Version). Five days later, when an online video referred to Matthew 18:1, Anne asked about the narrative text being in red and Christ’s words in black. I looked. That’s not right.
So I perused and found that on some pages Jesus’ quotes were the expected “red letter”, while on others text was swapped black with the rest. Mmmm, what to do? I considered calling the Christian bookstore from where we purchased the Bible. But given how negatively SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns have affected small businesses and being a printing error, I contacted the publisher.
Finding a phone number on the HarperCollins Christian Publishing website proved to be much easier than expected, given how many businesses compel customers to use chat, chatbots, or email. A representative clearly working from home (think pandemic-demanded call center) answered and was exceptionally helpful. I explained the problem, and she confirmed the known printing error but her surprise that the Bible shipped to the bookseller.
She offered to replace the Good Book—no charge and freely shipped—with additional instruction to keep the volume that we had when I asked about its return. The replacement Bible arrived about two weeks later.
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I uncharacteristically shot several photos—the first two at f/5.6. While considerably less text on the pages is within the depth of field, the f/2.8 portrait is my choice because the eye draws to Matt. 18:1.
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This 7 days, Tesla uncovered its latest model the HTC Vive VR headset dropped the online observed the greatest leak of private paperwork at any time and Facebook’s chatbot ideas were uncovered. Listed here are the top tech tales from this 7 days.
one. Tesla unveiled the $35,000 Model three. ...
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FORTUNE Brainstorm Tech 2023
Monday July 10th, 2023
Park City, Utah
USA
4:55–5:10 PM
CAN YOU TRUST YOUR A.I.?
Founded in 2021 by former OpenAI execs and backed by both Google and Salesforce, Anthropic is taking on ChatGPT in a big way. Its own chatbot, Claude, can read a novel in less than a minute and deploys constitutional A.I. to govern itself. Can Anthropic’s company ethos of responsible A.I. usage help pave the way for a more transparent and more ethical framework for next-gen A.I. assistants?
Dr. Dario Amodei, Co-founder and CEO, Anthropic
In conversation with: Jeremy Kahn, Senior Writer, FORTUNE; Co-Chair Fortune Brainstorm A.I.
Photograph by Stuart Isett/Fortune
TRAINING 2038 plays out a dramatic 3-D scenario in which a chatbot assumes the role of an extraterrestrial life form and a human user is questioned about human thoughts and actions. In the course of this interrogation, the user must function as humankind’s representative and answer on our behalf. The ensuing interaction serves as a metaphor for machine learning.
Training 2038 is on display at the VRLab of the Ars Electronica Center Linz.
credit: Ars Electronica / Robert Bauernhansl
Zo: Tangible AI interface enhances physical engagement, connecting people to each other and to Zo, a social chatbot, through haptic and dynamic shape-changing output. In the form of an ordinary phone case, Zo rhymes and moves with people. More than a virtual, illusory intelligence, Zo: Tangible AI embodies a living social creature that connects with people.
credit: Xin Liu
By Susan Etlinger,
Industry Analyst,
Altimeter, a Prophet Company
ai, artificialintelligence, chatbots, machinelearning
Graveyard of Angst. Brilliantly hilarious!
Sadly all too true for many of today's communication plus we have the fresh hell of chatbots.
More Halloween shots from a bonanza of a year.
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Crossbench MPs call for minister to resign portfolio over Sportsbet donations from Burt Bacharach and promises to stamp out gay conversion therapies put in place by fundy religious church influences like Fred Nile and the ACL over state government health policies.
Is 'desk-bombing' your co-workers rude ? Do Androids dream of dick ? Do all disgraced politicians and media personalities get a free ride to marry their Byron Bae and have a lovechild? Do you Challenge you need to have a Gray Christmas by fvvking Amazon Flex up the butt ?
Former Australian PM 'Scotty from Marketing' has come under fire for using Tik-Tok to view Aukus pact spoof videos on his work phone during parliamentary question time when he was still PM and held multiple Secret Ministries.
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Virtual Worlds Forum Unplugged. The Virtual Worlds Forum, London was cancelled due to a shooting near the venue at the last minute the organisers put on an unconference at the The Hospital Club in Covent Garden for all the stranded speakers and delegates.
It was a very interesting day and gave people chance to mingle, sit next to and chat to people probably wouldn't have done in a normal conference setting.
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Once upon a time, there was a girl named Rainbow who had all the colours in the world in her hair. Everywhere she went, people would stop and stare at her bright and colourful locks.
One day, Rainbow went to the beach, and as she was sunbathing, a seagull flew overhead and pooped on her hair. Rainbow was horrified and ran into the ocean to wash it out, but as she emerged from the water, her hair had turned into a tie-dye mess!
Rainbow was so embarrassed, but then she realised something - she was still the only person in the world with hair like this! So she stood up tall, flipped her hair, and walked confidently down the beach, smiling at all the stares and pointing fingers.
From that day on, Rainbow embraced her unique hair, and she became known as the most colourful and fun-loving girl in town.
You might think that’s not up to our usual standard of write up and you’d be right. That was constructed by an AI chatbot about our picture. The world is a strange and wondrous place.
‘Rainbow in her hair’ has been produced on classy A2 Somerset paper using the magic of spray paint, stencils, paint pens and imagination. Drop us a line if you need her to adorn your wall or she'll be making her way to our website in due course (www.id-iom.com).
Cheers
id-iom