View allAll Photos Tagged cgworld
Experiment in reds, oranges and yellows. Own software plus Illustrator and Lightroom.
Location: San Benedetto del Tronto.
I can wiggle my fingers, I can balance a plate without it breaking in two. I can pilot a plane, I can imitate singers, I can do anything . . . but nothing with you.
(Minor variation on song lyrics from 1935)
The wonderful Adobe Capture for the shapes. My own software for colouring the shapes (which Capture doesn't do for some unfathomable reason) and the layers put together over a gradient in the wonderful Adobe Illustrator (which also doesn't colour-in Capture's opaque areas for some unfathomable reason).
Four colours plus gradient.
Regular heptagons in eleven colours done with my own software, over a yellow radial gradient and overlaid with two Adobe Capture brightness shapes coloured red and blue by my own software. Location: Graz Hauptplatz.
Verona Station, May 2015. Nine colours with brightness-related translucency over two sets of stripes, vertical at 75 per cent opacity.
Pixellation with Adobe Illustratorās Photoshop effects, gradients by Adobe Illustrator and lines by Adobe Capture.
[from an original photo in the Munch Museum, Oslo.]
Red, blue and orange with edge detection by both Adobe Capture and my own hue and brightness edge detect software.
with translucency and gradients. Cyan and orange of equal brightness level in five levels of opacity, over some diagonal stripes to produce a lot of colours. A train in Rendsburg with a man ogling some women's flowery trousers.
Figures in a space. Adobe Illustrator with Photoshop effects plus Adobe Capture for lines and deep shadows, reduced to 8 colours using my own software.
Art gallery is the Munch Museum, Oslo.
Red 0Ā° and Cyan 180Ā° with black, image capture by Adobe Capture, put together with Photoshop. Both red and cyan at equal brightness 128 using the sRGB gamma-decompress, weighted sum then gamma-recompress formula for brightness calculation. The red seems to glow a lot more than the cyan, though why that should be I have no idea, theyāre both at the same saturation within 1%.
Based on a photo inside the restaurant at the old railway station in Lyon. Five colours with my Tone Ranger.
[detail notes:
Tone Ranger on Chefs with parameters:
36,41,35,41,100
88,14,96,132,100
120,90,141,97,100
152,255,187,4,100
192,240,244,100
like PS, no inverse, no gamma]
Seven colours overlaid with two Adobe Captures in varied gradients of blue and green. This is on the OsloāKiel ferry in October 2022.
A cheese stall in the market in Hengelo.
Mix of Adobe Illustrator, own software and Adobe Capture, focusing on the orange colour with a complementary blue.
Oke Software Building GdaÅsk in red, green blue and white, processed with my Opacity Ranger and then developed through Lightroom with Contrast +16, Clarity -80. This gives it a slightly fuzzier look.
[detail notes:
Opacity Ranger parameters:
Background: any
Brightness level 1 : 24% of image
limit: 80 RGB: 17, 17, 97, 100%
Brightness level 2 : 25% of image
limit: 115 RGB: 147, 152, 50, 100%
Brightness level 3 : 33% of image
limit: 156 RGB: 245, 122, 100, 100%
Brightness level 4 : 18% of image
limit: 255 RGB: 254, 254, 254, 100%
Calculation formula: Average]
My latest software creation (March 2025) that creates shapes from a photo and colours in each shape.
A photomontage from a single pic, image-traced 100 colours in Illustrator and run through my SVG Modder using parameters 10 ranges, darkest per range, 90% saturation, no bias.