View allAll Photos Tagged ceramicart
Landesgartenschau Beelitz 2022
Sabine Breithor:
"Meine Arbeiten auf der Landesgartenshau 2022 in Beelitz stehen unter dem Motto: Wir sitzen alle in einem Boot.
Mahnend bringen sie zu Bewusstsein dass im Kleinen wie im Großen jedes Gemeinwesen seine anstehenden Aufgaben nur gemeinsam lösen kann und dass jeder Einzelne als Teil der Menschheitsfamilie aufgerufen ist, bei der Bewältigung der globalen Herausforderungen seine Verantwortung gegenüber dem Gemeinwohl wahrzunehmen. Das Boot, in dem wir alle sitzen, kann nur so im Meer sicher an sein Ziel gelangen, andernfalls droht es unterzugehen."
Sabine Breithor kam autodidaktisch zu Keramik und Plastik und lebt und arbeitet seit 2000 mit eigener Werkstattgalerie in Langerwisch bei Potsdam.
State Garden Show Beelitz 2022
Sabine Breithor:
"My work at the State Garden Show 2022 in Beelitz has the motto: We are all in the same boat.
As a reminder, my work makes people aware that, on a small and large scale, every community can only solve its upcoming tasks together and that every individual, as part of the human family, is called upon to take responsibility for the common good when dealing with global challenges. This is the only way for the boat we are all in to reach its destination safely, otherwise it is in danger of sinking."
Sabine Breithor came to ceramics and plastics as an autodidact and has been living and working with her own workshop gallery in Langerwisch near Potsdam since 2000.
Leonard Cohen: Moving on
The Leaning Tower in Tbilisi (Georgia) is one of the city’s most unusual buildings. It is a bizarre structure, with a tower on the perpetual brink of falling down, and only a steel beam holds the tower in place.
Landesgartenschau Beelitz 2022
Sabine Breithor:
"Meine Arbeiten auf der Landesgartenshau 2022 in Beelitz stehen unter dem Motto: Wir sitzen alle in einem Boot.
Mahnend bringen sie zu Bewusstsein dass im Kleinen wie im Großen jedes Gemeinwesen seine anstehenden Aufgaben nur gemeinsam lösen kann und dass jeder Einzelne als Teil der Menschheitsfamilie aufgerufen ist, bei der Bewältigung der globalen Herausforderungen seine Verantwortung gegenüber dem Gemeinwohl wahrzunehmen. Das Boot, in dem wir alle sitzen, kann nur so im Meer sicher an sein Ziel gelangen, andernfalls droht es unterzugehen."
Sabine Breithor kam autodidaktisch zu Keramik und Plastik und lebt und arbeitet seit 2000 mit eigener Werkstattgalerie in Langerwisch bei Potsdam.
State Garden Show Beelitz 2022
Sabine Breithor:
"My work at the State Garden Show 2022 in Beelitz has the motto: We are all in the same boat.
As a reminder, my work makes people aware that, on a small and large scale, every community can only solve its upcoming tasks together and that every individual, as part of the human family, is called upon to take responsibility for the common good when dealing with global challenges. This is the only way for the boat we are all in to reach its destination safely, otherwise it is in danger of sinking."
Sabine Breithor came to ceramics and plastics as an autodidact and has been living and working with her own workshop gallery in Langerwisch near Potsdam since 2000.
Still Corners: The Trip
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
The kiln in Onta was built in the mid-Edo period. Pottery making was started by 10 families, and has continued non-stop during that time for 300 years using the original kiln. Along with its surrounding nature, this extremely precious village is one in which you must walk slowly to appreciate.
Details of the ornamentation above the entrance doorway to the Cheah clan temple in the world heritage zone of Georgetown on Penang Island, Malaysia.
Nikon D3200, 10/14
Ceramics at Son Silver West Gallery, Inc.
Sedona, AZ
All images and textures are my own.
#ceramicplate #tree #ligna #ceramicart #trees #contemporaryceramics #paperstencil #sharefood #contemplatethishumbleshape #patricklears
.
glazed ceramic tile 20x 20cm
#ceramicart #ceramictile #contemporaryceramics #studioceramics #artistsoninstagram #patricklears
.