View allAll Photos Tagged ccc;

Sub-Committee on Carriage of Cargoes and Containers (CCC 8, 14-23 September )

CCC's FUUGA MOON ~The Winter Fae

~Exclusive Limited Edition~

 

**Flash Sale & Pre-Order

Friday 30 December 2016 at 9pm CET

 

Charles' Creature Cabinet 30cm YOSD Firefly Faerie Glow-in-the-Dark Resin by Charles Grimberg-Stephan

Tan ~Glow color orange/red

Fair ~Glow blue

 

For the Official Photoshoot "Winter Faerie Outfits" Handmade by Fairy Fragilities Murjani Kusumobroto & Handmade Mohair Wigs by WeeDollyWears Marie Patterson

'An Ill Advised Journey'

 

With a loud *SNAP*, the board fell away underneath Arrow-gone, and with a shriek of despair, he tumbled down into the quick-flowing river beneath. Leg-o-lamb softly muttered to his companion, Gimmie, "Maybe we were too trusting of Sore-man when he sadi he knew a shortcut into More-Doors..." Gimmie just chuckled, "He squealed like a girl! Harharhar!"

'An Ill Advised Journey'

 

With a loud *SNAP*, the board fell away underneath Arrow-gone, and with a shriek of despair, he tumbled down into the quick-flowing river beneath. Leg-o-lamb softly muttered to his companion, Gimmie, "Maybe we were too trusting of Sore-man when he sadi he knew a shortcut into More-Doors..." Gimmie just chuckled, "He squealed like a girl! Harharhar!"

Osterei, kreiert von einem Italiener in Kroatien 2012

autumn 2010, at risk skatepark

In honor of the 3 million workers who served in the Civilian Conservation Corps from 1933 to 1942 and to those members of Co 1848, SP 13-C at Morrison, Colorado who were the builders of this Red Rocks Amphitheatre from 1936 to 1941. (Photo by Kent Kanouse, 2/10/2013).

SAN FRANCISCO, OCTOBER 23: General views of the CAF CCC and San Diego Triathlon Challenge on October 23, 2022 in Santa Barbara, California. (Photo by Donald Miralle)

Me: Are you going camping?

Quinne: No, why do you ask?

Me: Because you have all this stuff out.

Quinne: I'm packing my spying supplies. I haven't checked on the neighbors in awhile.

Me: Oh...

Quinne: I'm still not sure about those two.

In 1935, a young woman wrote a letter to the women’s magazine Nursery World:

 

‘Can any mother help me? I live a very lonely life as I have no near neighbours. I cannot afford to buy a wireless. I adore reading, but with no library am very limited with books…I know it is bad to brood and breed hard thoughts and resentment. Can any reader suggest an occupation that will intrigue me and exclude ‘thinking’ and cost nothing!’

 

Women from all over the country and from all walks of life and all socio-economic backgrounds wrote back expressing similar frustrations. They were full of ideas and opinions but, since they belonged to a generation of women whose choices were limited by the expectation of becoming housewives and mothers, had nowhere to express them. So they decided to start a private magazine.

 

The Cooperative Correspondence Club – or CCC as it quickly became known – was a place for these women to describe the subjects close to their hearts: the pain and elation of childbirth, the difficulties during wartime, or the struggles and comedies of daily routine. It also became a clandestine platform for the women to voice their personal theories on subjects as provocative as the female orgasm, racism, and wartime politics.

 

None of the women anticipated the way that the magazine would come to play such an important part in their lives. The letters contributed over five decades by the extraordinary group of wives and mothers who made up the CCC provided an intimate and moving collection of personal stories, and, above all, a portrait of inseparable friendships.

 

Drawing on the newly published book Can Any Mother Help Me? (Faber 2007), and working closely with its author, Canadian Jenna Bailey, Foursight Theatre created an evocative, dynamic and touching piece of physical theatre, bringing to life the funny and often moving stories of over twenty women. Women whose lives became intimately connected through the simple act of writing letters.

Fredericton, Nouveau Brunswick, Canada, Juin 2009.

 

Fredericton, New Brunswick, Canada, June 2009.

Pyrénées Orientales , France . Mer Méditerranée à l’horizon .

In 1935, a young woman wrote a letter to the women’s magazine Nursery World:

 

‘Can any mother help me? I live a very lonely life as I have no near neighbours. I cannot afford to buy a wireless. I adore reading, but with no library am very limited with books…I know it is bad to brood and breed hard thoughts and resentment. Can any reader suggest an occupation that will intrigue me and exclude ‘thinking’ and cost nothing!’

 

Women from all over the country and from all walks of life and all socio-economic backgrounds wrote back expressing similar frustrations. They were full of ideas and opinions but, since they belonged to a generation of women whose choices were limited by the expectation of becoming housewives and mothers, had nowhere to express them. So they decided to start a private magazine.

 

The Cooperative Correspondence Club – or CCC as it quickly became known – was a place for these women to describe the subjects close to their hearts: the pain and elation of childbirth, the difficulties during wartime, or the struggles and comedies of daily routine. It also became a clandestine platform for the women to voice their personal theories on subjects as provocative as the female orgasm, racism, and wartime politics.

 

None of the women anticipated the way that the magazine would come to play such an important part in their lives. The letters contributed over five decades by the extraordinary group of wives and mothers who made up the CCC provided an intimate and moving collection of personal stories, and, above all, a portrait of inseparable friendships.

 

Drawing on the newly published book Can Any Mother Help Me? (Faber 2007), and working closely with its author, Canadian Jenna Bailey, Foursight Theatre created an evocative, dynamic and touching piece of physical theatre, bringing to life the funny and often moving stories of over twenty women. Women whose lives became intimately connected through the simple act of writing letters.

When in doubt, return to your egg ~Have a nice EGG Trollie Day! 🌱🍄🌱

 

#charlescreaturecabinet #tinybjd #ccc #Eggie #Tan #7cm #woodlingtroll #uglywoodling #trollbjd #tinyjointedtrolltail #EggieMoss #charlesgrimbergstephan #artist #dollartist #sculptor #fantasybjd #woodlingswirl #woodlingantler #leafantler #leafwings #trolls #balljointeddoll #limitededition #limitedition #collectorsitem #collectables #rotterdam #weedollywears_wig_outfit #fairyfragilities #egg_house #cocoon # #🌱 #🍄

 

Charles' EGGIE Troll ~for Charles' Creature Cabinet (NL) **Eggie Moss Tan /w Orange 7cm Tiny (Chunky) BJD 🌱🍄

**Hand made mohair wig/outfit by Weedollywears (US)

metro subway

In 1935, a young woman wrote a letter to the women’s magazine Nursery World:

 

‘Can any mother help me? I live a very lonely life as I have no near neighbours. I cannot afford to buy a wireless. I adore reading, but with no library am very limited with books…I know it is bad to brood and breed hard thoughts and resentment. Can any reader suggest an occupation that will intrigue me and exclude ‘thinking’ and cost nothing!’

 

Women from all over the country and from all walks of life and all socio-economic backgrounds wrote back expressing similar frustrations. They were full of ideas and opinions but, since they belonged to a generation of women whose choices were limited by the expectation of becoming housewives and mothers, had nowhere to express them. So they decided to start a private magazine.

 

The Cooperative Correspondence Club – or CCC as it quickly became known – was a place for these women to describe the subjects close to their hearts: the pain and elation of childbirth, the difficulties during wartime, or the struggles and comedies of daily routine. It also became a clandestine platform for the women to voice their personal theories on subjects as provocative as the female orgasm, racism, and wartime politics.

 

None of the women anticipated the way that the magazine would come to play such an important part in their lives. The letters contributed over five decades by the extraordinary group of wives and mothers who made up the CCC provided an intimate and moving collection of personal stories, and, above all, a portrait of inseparable friendships.

 

Drawing on the newly published book Can Any Mother Help Me? (Faber 2007), and working closely with its author, Canadian Jenna Bailey, Foursight Theatre created an evocative, dynamic and touching piece of physical theatre, bringing to life the funny and often moving stories of over twenty women. Women whose lives became intimately connected through the simple act of writing letters.

Joseph A. Ferrara and a salesman from Jerkens Truck with one of the new CCCs.

In 1935, a young woman wrote a letter to the women’s magazine Nursery World:

 

‘Can any mother help me? I live a very lonely life as I have no near neighbours. I cannot afford to buy a wireless. I adore reading, but with no library am very limited with books…I know it is bad to brood and breed hard thoughts and resentment. Can any reader suggest an occupation that will intrigue me and exclude ‘thinking’ and cost nothing!’

 

Women from all over the country and from all walks of life and all socio-economic backgrounds wrote back expressing similar frustrations. They were full of ideas and opinions but, since they belonged to a generation of women whose choices were limited by the expectation of becoming housewives and mothers, had nowhere to express them. So they decided to start a private magazine.

 

The Cooperative Correspondence Club – or CCC as it quickly became known – was a place for these women to describe the subjects close to their hearts: the pain and elation of childbirth, the difficulties during wartime, or the struggles and comedies of daily routine. It also became a clandestine platform for the women to voice their personal theories on subjects as provocative as the female orgasm, racism, and wartime politics.

 

None of the women anticipated the way that the magazine would come to play such an important part in their lives. The letters contributed over five decades by the extraordinary group of wives and mothers who made up the CCC provided an intimate and moving collection of personal stories, and, above all, a portrait of inseparable friendships.

 

Drawing on the newly published book Can Any Mother Help Me? (Faber 2007), and working closely with its author, Canadian Jenna Bailey, Foursight Theatre created an evocative, dynamic and touching piece of physical theatre, bringing to life the funny and often moving stories of over twenty women. Women whose lives became intimately connected through the simple act of writing letters.

'An Ill Advised Journey'

 

With a loud *SNAP*, the board fell away underneath Arrow-gone, and with a shriek of despair, he tumbled down into the quick-flowing river beneath. Leg-o-lamb softly muttered to his companion, Gimmie, "Maybe we were too trusting of Sore-man when he sadi he knew a shortcut into More-Doors..." Gimmie just chuckled, "He squealed like a girl! Harharhar!"

Two patrols cross but do not meet.

... not for trade ... ;)

CCC's FUUGA MOON ~The Winter Fae

~Exclusive Limited Edition~

 

**Flash Sale & Pre-Order

Friday 30 December 2016 at 9pm CET

 

Charles' Creature Cabinet 30cm YOSD Firefly Faerie Glow-in-the-Dark Resin by Charles Grimberg-Stephan

Tan ~Glow color orange/red

Fair ~Glow blue

 

For the Official Photoshoot "Winter Faerie Outfits" Handmade by Fairy Fragilities Murjani Kusumobroto & Handmade Mohair Wigs by WeeDollyWears Marie Patterson

1 2 ••• 9 10 12 14 15 ••• 79 80