Free ads post Jobs & Freelance projects on www.getliveads.com
View allAll Photos Tagged careers
Pub, former townhall / Pulheim / Rhein-Erft-Kreis / North Rhine-Westphalia / Germany
Album of Germany (the west): www.flickr.com/photos/tabliniumcarlson/albums/72157713209...
No invites please, I just want you to smile like I did when I saw this and reminded my childhood when we did the same to an opposing team when we play football (soccer)
(synthetic raffia) --- --- Ed Rossbach (Chicago, 1914 – Berkeley, California, October 7, 2002) was an American fiber artist. His career began with ceramics and weaving in the 1940s, but evolved over the next decade into basket making, as he experimented playfully with traditional techniques and nontraditional materials such as plastic and newspaper.
Rossbach explored the possibilities of fiber as a material, both on an off the loom. He was strongly influenced by ethnic textiles, including basketry, and often combined ethnic techniques with contemporary materials such as plastic and newspaper. His explorations of three-dimensional forms and basketry as an art form challenged the accepted boundaries of what could be done with craft materials and led to him being considered the "father of contemporary baskets". He has been described as "transforming the ordinary into the extraordinary". (Wikipedia)
Ed Rossbach (Chicago, 1914 – Berkeley, California, October 7, 2002) was an American fiber artist. His career began with ceramics and weaving in the 1940s, but evolved over the next decade into basket making, as he experimented playfully with traditional techniques and nontraditional materials such as plastic and newspaper.
Rossbach explored the possibilities of fiber as a material, both on an off the loom. He was strongly influenced by ethnic textiles, including basketry, and often combined ethnic techniques with contemporary materials such as plastic and newspaper. His explorations of three-dimensional forms and basketry as an art form challenged the accepted boundaries of what could be done with craft materials and led to him being considered the "father of contemporary baskets". He has been described as "transforming the ordinary into the extraordinary". (Wikipedia)
it's lunch time, you've been on the phone all morning, you're tired and hungry, you put your hat and shades on and bout two steps away from stepping out for a long needed break and a bite to eat, then the phone rings, it's your boss...what do you do?
I took a selfie and sat back down...
This photo shows a number of chess pawns lined accprding to their size. It is a free and easy allegory (or maybe a harsh truth) referring to some professional career. And what is your opinion? Feel free to express it in the comment section under this photo. And don't forget to give it a little star.
If money were no object and I could work in dresses, I'd wear this beautiful grey sheath on a day when I was due to out for the evening directly from the office.
Snapped this one on my way out the door, going to work in the morning. New suit and new purse.........I felt absolutely wonderful even though it's a Monday morning. :-)
Located between village Liepa and the primeval valley of River Gauja.
Lode clay deposit was discovered in 1953 by the geologist J.Slienis. Ten years later industrial extraction of clay for brick-making was started. The clay-pit became world famous when the geologist V.Kuršs in 1970 first time in the history of the world discovered well preserved fossils of Upper Devonian armoured fish and Strunius kurshi fish. Still nowhere else fish fossils in such good condition have been discovered; part of the fossils can be viewed in the expositions and funds of Latvian Museum of Natural History. Nowadays clay is extracted by the company „Lode“ which produces finishing, oven-chimney, and construction bricks, as well as other clay items. The Lode armoured fish deposit is a protected nature monument.
Information taken from www.entergauja.com/
Over 50 years ago as a young farm teenager, baling hay, milking cows and cleaning out hog sheds by hand guided my career decisions more than almost anything. In this photo, the past and the present of farming lie side by side. Round bales replaced the back breaking work of loading and unloading bales on a hay trailer. Few windmills in Minnesota still pump water and the old graineries have been largely replaced by newer methods of drying crops.
Located between village Liepa and the primeval valley of River Gauja.
Lode clay deposit was discovered in 1953 by the geologist J.Slienis. Ten years later industrial extraction of clay for brick-making was started. The clay-pit became world famous when the geologist V.Kuršs in 1970 first time in the history of the world discovered well preserved fossils of Upper Devonian armoured fish and Strunius kurshi fish. Still nowhere else fish fossils in such good condition have been discovered; part of the fossils can be viewed in the expositions and funds of Latvian Museum of Natural History. Nowadays clay is extracted by the company „Lode“ which produces finishing, oven-chimney, and construction bricks, as well as other clay items. The Lode armoured fish deposit is a protected nature monument.
Information taken from www.entergauja.com/
VINTAGE BUBBLE CUT BLONDE (1962) WEARING CAREER GIRL (1963-1964) #Barbie #BarbieDoll #BarbieStyle #BarbieCollector #doll #dollcollector #dollphotography #toy #toycollector #toyphotography #careergirl #barbievintage #fashiondoll #fashionphoto #vintage #vintagefashiondoll #orginalvintage #vintagestyle
"All right lads, today we have a very special guest to talk about the exciting career possibilities of being a bounty hunter. Now let's give a warm Stormtrooper High welcome to Mr. Boba Fett!"
(inspired by Mr. 8 Skeins of Danger's photos of Boba!) :D
(Just found out this was explored on April 27, currently ranked at #393! Woo Hoo!
Thanks from me, Boba Fett, and the Stormtroopers!) :D
Apollo Career Center in Lima, Ohio. These Ford Crown Victoria's are training cars and have been worn from years of sitting outside.
Italian postcard by Rotalfoto, Milano, no. N. 41.
American actress Natalie Wood (1938-1981) was one of Hollywood's most valuable and wanted actresses in the early 1960s. At 4, she started out as a child actress and at 16, she became a star, when she co-starred with James Dean in Rebel Without a Cause (1955). For this role, she was nominated for an Oscar for Best Supporting Actress. In 1961, she played Maria in the hit musical West Side Story. She was nominated twice for an Academy Award for Best Actress in a Leading Role, for Splendor in the Grass (1961) and Love with the Proper Stranger (1963). Only 43, Wood drowned during a boating trip with husband Robert Wagner and Brainstorm (1983) co-star Christopher Walken.
Natalie Wood was born Natalia Nikolaevna Zakharenko in San Francisco, USA, in 1938. Her parents were Russian immigrants. Her father Nikolai Stepanovich Zakharenko was a day laborer and carpenter and her mother Maria Zudilova was a housewife. Wood's parents had to migrate due to the Russian Civil War (1917-1923). Maria had unfulfilled ambitions of becoming an actress or ballet dancer. She wanted her daughters to pursue an acting career, and live out her dream. Maria frequently took a young Wood with her to the cinema, where Maria could study the films of Hollywood child stars. The impoverished family could not afford any other acting training to Wood. The Zakharenko family eventually moved to Santa Rosa, where young Wood was noticed by members of a crew during a film shoot. The family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name "Natalie Wood for her. The first name was based on her childhood nickname Natalia, and the last name was in reference to director Sam Wood. Natalia's younger sister Svetlana Gurdin (1946) would eventually follow an acting career as well, under the stage name Lana Wood. Natalie made her film debut in the drama Happy Land (Irving Pichel, 1943) starring Don Ameche, set in the home front of World War II. She was only 5-years-old, and her scene as the 'Little Girl Who Drops Ice Cream Cone' lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family over the next few years. Wood had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role opposite Orson Welles as Wood's guardian and Claudette Colbert in the romance film Tomorrow Is Forever (Irving Pichel, 1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was "unable to cry on cue" for a key scene. So her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene. Wood started appearing regularly in films following this role and soon received a contract with the film studio 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (George Seaton, 1947), starring Edmund Gwenn and Maureen O'Hara. The film was a commercial and critical hit and Wood was counted among the top child stars in Hollywood. She received many more to play in films. She typically appeared in family films, cast as the daughter or sister of such protagonists as Fred MacMurray, Margaret Sullavan, James Stewart, Joan Blondell, and Bette Davis. Wood appeared in over twenty films as a child actress. The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom, Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. After school hours ended, Wood would hurry to the set to film her scenes.
Natalie Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953-1954). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (Nicholas Ray, 1955) opposite James Dean and Sal Mineo. She played the role of a teenage girl who dresses up in racy clothes to attract the attention of a father (William Hopper) who typically ignores her. The film's success helped Wood make the transition from child star to ingenue. She was nominated for the Academy Award for Best Actress in a Supporting Role, but the award was instead won by Jo Van Fleet. Her next significant film was the Western The Searchers (John Ford, 1956), playing the role of abduction victim Debbie Edwards, niece of the protagonist Ethan Edwards (John Wayne). The film was a commercial and critical hit and has since been regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School, with her graduation serving as the end of her school years. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, the studio had her paired up with teenage heartthrob Tab Hunter as a duo. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period is the role of the eponymous protagonist in the melodrama Marjorie Morningstar (Irving Rapper, 1958) with Gene Kelly, playing a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. Wikipedia: "The central conflict in the film revolves around the traditional models of social behavior and religious behavior expected by New York Jewish families in the 1950s, and Marjorie's desire to follow an unconventional path." The film was a critical success, and fit well with other films exploring the restlessness of youth in the 1950s. Wood's first major box office flop was the biographical film All the Fine Young Cannibals (Michael Anderson, 1960), examining the rags to riches story of jazz musician Chet Baker (played by Robert Wagner) without actually using his name. The film's box office earnings barely covered the production costs, and film studio Metro-Goldwyn-Mayer recorded a loss of 1,108,000 dollars. For the first time. Wood's appeal to the audience was in doubt.
With her career in decline following this failure, Natalie Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in Splendor in the Grass (Elia Kazan, 1961) with Warren Beatty. The film was a critical success and Wood for first nominated for the Academy Award for Best Actress in a Leading Role. The award was instead won by rival actress Sophia Loren. Wood's next important film was West Side Story (Jerome Robbins, Robert Wise, 1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth in a film, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about 44 million dollars in gross, the highest-grossing film of 1961. It was also critically acclaimed and is still regarded among the best films of Wood's career. However, Wood was disappointed that her singing voice was not used in the film. She was dubbed by Marni Nixon, who also dubbed Audrey Hepburn in My Fair Lady (George Cukor, 1964), and Deborah Kerr in The King and I (Walter Lang, 1956). Wood's next leading role was as burlesque entertainer and stripper Gypsy Rose Lee in the Biopic Gypsy (Mervyn LeRoy, 1962) alongside Rosalind Russell. Some film historians credit the part as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterisation. The film was the highest-grossing film of 1962 and well-received critically. Wood's next significant role was that of Macy's salesclerk Angie Rossini in the comedy-drama Love with the Proper Stranger (Robert Mulligan, 1963). In the film, Angie has a one-night-stand with musician Rocky Papasano (Steve McQueen), finds herself pregnant, and desperately seeks an abortion. The film underperformed at the box office but was critically well-received. The 25-year-old Wood received her second nomination for the Oscar for Best Actress in a Leading Role, but it was won by Patricia Neal. Wood continued her successful film career and made two comedies with Tony Curtis: Sex and the Single Girl (Richard Quine, 1964) and The Great Race (Blake Edwards, 1965), the latter with Jack Lemmon, and Peter Falk. For Inside Daisy Clover (Sydney Pollack, 1965) and This Property Is Condemned (Sydney Pollack, 1966), both of which co-starred Robert Redford, Wood received Golden Globe nominations for Best Actress. However, her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. 175,000 dollars to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Natalie Wood made her comeback in the comedy-drama Bob & Carol & Ted & Alice (Paul Mazursky, 1969), with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her 750,000 dollars fee on a percentage of the gross, earning a million dollars over the course of three years. Wood was pregnant with her first child, Natasha Gregson (1970). She chose to go into semi-retirement to raise the child, appearing in only four more theatrical films before her death. These films were the mystery-comedy Peeper (Peter Hyams, 1975) starring Michael Caine, the Science-Fiction film Meteor (Ronald Neame, 1979) with Sean Connery, the sex comedy The Last Married Couple in America (Gilbert Cates, 1980) with George Segal and Valerie Harper, and the posthumously-released Science-Fiction film Brainstorm (Douglas Trumbull, 1983). In the late 1970s, Wood found success in television roles. Laurence Olivier asked her to co-star with him in Cat on a Hot Tin Roof (Robert Moore, 1976). After that, she appeared in several television films and the mini-series From Here to Eternity (Buzz Kulik, 1979), with William Devane and Kim Basinger. For From Here to Eternity, she received a Golden Globe Award and high ratings. She had plans to make her theatrical debut in a 1982 production of 'Anastasia'. On 28 November 1981, during a holiday break from the production of Brainstorm (1983), Natalie Wood joined her husband Robert Wagner, their friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. The four of them were on board Wagner's yacht Splendour. On the morning of 29 November 1981, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat. The autopsy revealed that she had drowned. Wikipedia: "The events surrounding her death have been the subject of conflicting witness statements, prompting the Los Angeles County Sheriff's Department, under the instruction of the coroner's office, to list her cause of death as 'drowning and other undetermined factors' in 2012. In 2018, Wagner was named as a person of interest in the ongoing investigation into Wood's death." Natalie Wood was buried in Westwood Village Memorial Park Cemetery in Los Angeles. Her would-be comeback film Brainstorm (Douglas Trumbull, 1983) was incomplete at the time of her death. It was ultimately finished and released, but Wood's character had to be written out of three scenes while a stand-in and changing camera angles were used for crucial shots. Natalie Wood was married three times. Her second husband was the British film producer and screenwriter Richard Gregson (1969-1972). She was twice married to actor Robert Wagner, from 1957 till 1962 and from 1972 till her death in 1981. She had two daughters, Natasha Gregson Wagner (1970) with Richard Gregson, and Courtney Wagner (1974) with Robert Wagner. The 2004 TV film The Mystery of Natalie Wood chronicles Wood's life and career. It was partly based on the biographies 'Natasha: the Biography of Natalie Wood' by Suzanne Finstad and 'Natalie & R.J.' by Warren G. Harris. Justine Waddell portrays Wood.
Sources: Dimos I (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Why to choose an ordinary job/Career?
Want to work with brands like #MercedesBenz,#Lamborghini,#Ferrari ?
To grab the opportunity visit @ bit.ly/23o1j9Q
It isn't the best shot I've ever taken, but I had to stop on this ledge and look down at the forest below. It's not often we get a view like this - in and above the canopy.
French postcard by Editions E.C., Paris.
Sylvia Sidney (1910-1999) was an American stage, screen, and film actress whose career spanned over 70 years. She rose to prominence in dozens of leading roles in the 1930s, such as An American Tragedy (1931), City Streets (1931), Alfred Hitchcock's Sabotage (1936), and Fritz Lang's Fury (1936) and You Only Live Once (1937). She later gained attention for her role as Juno, a caseworker in the afterlife, in Tim Burton's film Beetlejuice (1988), and she was nominated for the Oscar for Best Supporting Actress for Summer Wishes, Winter Dreams (1973).
Sylvia Sidney was born Sophia Kosow in 1910 in the Bronx, New York. She was the daughter of Rebecca (née Saperstein), a Romanian Jew, and Victor Kosow, a Russian Jewish immigrant who worked as a clothing salesman. Her parents divorced by 1915, and she was adopted by her stepfather Sigmund Sidney, a dentist. Her mother became a dressmaker and renamed herself, Beatrice Sidney. Now using the surname Sidney, Sylvia became an actress at the age of 15 as a way of overcoming shyness. She became a student of the Theater Guild's School for Acting. One school production was held at a Broadway theatre and in the audience, there was a critic from the New York Times who had nothing but rave reviews for the young Miss Sidney. On the strength of her performance in New York, Sylvia appeared in a play at the famed Poli Theater in Washington, D.C. More stage productions followed. In 1926, she was seen by a Hollywood talent scout in the production 'Crime' and made her first film appearance later that year in Broadway Nights (1927). During the Depression, she appeared in a string of films, often playing the girlfriend or sister of a gangster. 1931 saw her appear in five films, of which, City Streets (Rouben Mamoulian, 1931), made her a star. The sad-eyed Sylvia made a tremendous impact and her screen career was off a running. Among her other films, that year were: An American Tragedy (Josef von Sternberg, 1931), and Street Scene (King Vidor, 1931). She co-starred with Fredric March in Merrilly We Go To Hell (1932). Her other films included Alfred Hitchcock's Sabotage (1936), Fritz Lang's Fury (1936) and You Only Live Once (1937), Dead End (William Wyler, 1937), and The Trail of the Lonesome Pine (Henry Hathaway, 1936), an early three-strip Technicolor film. She appeared with Gary Cooper, Spencer Tracy, Henry Fonda, Joel McCrea, Fredric March, George Raft, and Cary Grant. During this period, she developed a reputation for being difficult to work with. At the time of making Sabotage with Alfred Hitchcock, Sidney was one of the highest-paid actresses in the industry, earning $10,000 per week—earning a total of $80,000 for Sabotage.
During the 1940s, the career of Sylvia Sidney diminished somewhat. In The Searching Wind (William Dieterle, 1946), Sidney played a newspaper reporter with convictions who was the alter ego of playwright Lillian Hellman. The film was based on a Broadway play but it just didn't transfer well onto the big screen. The film was widely considered to be too serious and flopped. The following year, she appeared in another flop, Love From A Stranger (Richard Whorf, 1947). In 1949, exhibitors voted her "box-office poison". In 1952, she played the role of Fantine in Les Misérables (Lewis Milestone, 1952), and her performance was praised and allowed her opportunities to develop as a character actress. Only three more films followed that decade. There were no films throughout the 1960s. On TV, she appeared three times on the anthology drama series Playhouse 90 (1956-1960). In 1957, she appeared as Lulu Morgan, mother of singer Helen Morgan in the episode The Helen Morgan Story (George Roy Hill, 1957) featuring Polly Bergen. Four months later, Sidney rejoined her former co-star Bergen on the premiere of the short-lived The Polly Bergen Show (1957-1958). She also worked in television during the 1960s on such programs as Route 66 (1961-1964), The Defenders (1962), and My Three Sons (1969). In 1973, Sylvia returned to the big screen in Summer Wishes, Winter Dreams (Gilbert Cates, 1973), starring Joanne Woodward. She received an Academy Award nomination for her supporting role. As an elderly woman, Sidney continued to play supporting screen roles and was identifiable by her husky voice, the result of cigarette smoking. She was the formidable Miss Coral in the film version of I Never Promised You a Rose Garden (Anthony Page, 1977) and later was cast as Aidan Quinn's grandmother in the television production of An Early Frost (John Erman, 1985) for which she won a Golden Globe Award. She played Aunt Marion in Damien: Omen II (Don Taylor, 1978) opposite William Holden and Lee Grant. Sidney also had key roles as Juno in the mega-hit Beetlejuice (1988) directed by longtime Sidney fan Tim Burton, and Used People (Beeban Kidron, 1992). Her final role was in Mars Attacks! (1996), another film by Tim Burton, in which she played an elderly woman whose beloved records by Slim Whitman help stop an alien invasion from Mars.
On television, Sylvia Sidney appeared in the pilot episode of WKRP in Cincinnati (1978) as the imperious owner of the radio station, and she appeared in a memorable episode of Thirtysomething (1989) as Melissa's tough grandmother, who wanted to leave her granddaughter the family dress business, though Melissa (Melanie Mayron) wanted a career as a photographer. She also was featured on Starsky & Hutch (1976), The Love Boat (1981), Magnum, P.I. (1983), and Trapper John, M.D.(1984). Her Broadway career spanned five decades, from her debut performance as a graduate of the Theatre Guild School in 1926 at age 15, in the three-act fantasy Prunella to the Tennessee Williams play Vieux Carré in 1977. In 1982, Sidney was awarded the George Eastman Award by George Eastman House for distinguished contribution to the art of film. In 1998 she appeared as the crotchety travel clerk Clia at the beginning of each episode in the short-lived revival of the classic TV series Fantasy Island. Sylvia Sidney died in 1999, from esophageal cancer at the Lenox Hill Hospital in Manhattan, a month before her 89th birthday. Her remains were cremated. Sidney was married three times. She first married publisher Bennett Cerf in 1935, but the couple divorced six months later in 1936. She later married actor and acting teacher Luther Adler in 1938, by whom she had her only child, a son Jacob (1939–1987), who died of Lou Gehrig's disease while his mother was still alive. Adler and Sidney divorced in 1946. In 1947, she married radio producer and announcer Carlton Alsop. They divorced in 1951.
Sources: Wikipedia and IMDb
And, please check out our blog European Film Star Postcards.
Weekend visit to the Campus...
PSU Wilkes-Barre
Lehman, Pennsylvania
Saturday, June 17th, 2017
Like / Follow / Subscribe:
Instagram | 500px | FineArtAmerica | LinkedIn | ViewBug
My write up on photographing the new Cosmopolitan of Las Vegas here
On the weekend of November 20-21, 2010, I was invited to photograph the new Cosmopolitan of Las Vegas prior to their opening December 15, 2010 in Las Vegas NV.
This set of images represents my efforts that weekend to showcase this newest resort property opening up on the Las Vegas Strip. Thanks to David Scherer from The Cosmopolitan of Las Vegas for showing me around, to Miiko Mentz at Katalyst Films for helping to arrange the shoot, and to my wife for modeling for me.
To learn more about The Cosmpolitan of Las Vegas, check out their website here or their Facebook page here.
Apollo Career Center in Lima, Ohio. These Ford Crown Victoria's are training cars and have been worn from years of sitting outside.
Vritish postcard by Arcard. Photo: Sony Pictures. Kate Beckinsale in Underworld: Evolution (Len Wiseman, 2006).
English actress Kate Beckinsale (1973) started her career in British costume dramas during the 1990s. From 2001 on, she starred in such Hollywood blockbusters as Pearl Harbor (2001), Van Helsing (2003) and The Aviator (2004). After her role as Selene in the Underworld film series (2003–2016), Beckinsale is also known for her work in action films.
Kate Beckinsale was born in 1973 in Finsbury Park, London, or in Hounslow, Middlesex, England (the sources differ). However, she has resided in London for most of her life. Her mother is actress Judy Loe, and her father was actor Richard Beckinsale, who starred in popular British television comedies during the 1970s. He passed away tragically early in 1979 at the age of 31. She is the younger half-sister of actress Samantha Beckinsale. Kate attended the private school Godolphin and Latymer School in London for her grade and primary school education. In her teens, she twice won the British bookseller W.H. Smith Young Writers' competition - once for three short stories and once for three poems. After a tumultuous adolescence (including a bout of anorexia), she gradually took up the profession of acting. Her major acting debut came in the TV film One Against the Wind (Larry Elikann, 1991), about World War II. Kate began attending Oxford University's New College in the fall of 1991, majoring in French and Russian literature. She had already decided that she wanted to act, but to broaden her horizons she chose university over drama school. While in her first year at Oxford, Kate received her big break in the film adaptation of William Shakespeare's Much Ado About Nothing (Kenneth Branagh, 1993). Kate worked in three other films while attending Oxford, beginning with a part in the medieval historical drama Prince of Jutland (Gabriel Axel, 1994), starring Christian Bale, Gabriel Byrne, and Helen Mirren. The film was shot during the spring of 1993 on location in Denmark, and she filmed her supporting part during New College's Easter break. Later in the summer of that year, she played the lead in the thriller Uncovered (Jim McBride, 1994). Before she went back to school, her third year at university was spent at Oxford's study-abroad program in Paris. This year caused her to re-evaluate the direction of her life. She faced a choice: continue with school or concentrate on her flourishing acting career. After much thought, she chose an acting career. In the spring of 1994, Kate left Oxford, after finishing three years of study.
Kate Beckinsale appeared in the BBC/Thames Television costume comedy Cold Comfort Farm (John Schlesinger, 1995), which later opened in American cinemas to spectacular reviews, grossing over $5 million during its American run. It was re-released to U.K. cinemas in the spring of 1997. Acting on the stage consumed the first part of 1995; she toured in England with the Thelma Holts Theatre Company production of Anton Chekhov's 'The Seagull'. After turning down several mediocre scripts, she waited seven months before another interesting role was offered to her. It was the horror film Haunted (Lewis Gilbert, 1995), starring opposite Aidan Quinn and John Gielgud. In this film, she wanted to play "an object of desire", unlike her past performances where her characters were much less the siren and more the worldly innocent. Then followed a TV adaptation of Jane Austen's novel Emma (Diarmuid Lawrence, 1996), and the crime comedy Shooting Fish (Stefan Schwartz, 1997), in which she played Georgie, an altruistic con artist. She started film work in the United States in the small-scale dramas The Last Days of Disco (Whit Stillman, 1998) with Chloë Sevigny, and Brokedown Palace (Jonathan Kaplan, 1999) with Claire Danes. In 1999, she had a daughter, Lily Mo Sheen, with actor Michael Sheen with whom she dated from 1995 to 2003. They met when cast in a touring production of 'The Seagull' in early 1995 and moved in together shortly afterwards. After their separation, Beckinsale and Sheen remain close friends.
In 2000, Kate Beckinsale starred in the costume drama The Golden Bowl (James Ivory, 2000) with Edward Fox and Anjelica Huston. The screenplay by Ruth Prawer Jhabvala is based on the 1904 novel of the same name by Henry James, who considered the work his masterpiece. Then she landed the lead female role in the Hollywood blockbuster Pearl Harbor (Michael Bay, 2001) after Charlize Theron pulled out. She played a nurse torn between two pilots (played by Ben Affleck and Josh Hartnett). The film was a box office success, earning $59 million in its opening weekend and nearly $450 million worldwide, but received generally negative reviews from critics. A little gem was the romantic comedy Serendipity ( Peter Chelsom, 2001) with John Cusack. The film has grossed over $77 million at the worldwide box office. She played a vampire in Underworld (Len Wiseman, 2003), a surprise box-office hit that gained a cult following. Director and star fell in love, and the following year, she married Wiseman. The success of the film led to four more films between 2006 and 2016, The Underworld series, which follows a war between vampires and werewolves (called 'Lycans' in the films). Despite receiving generally negative reviews from critics, the five films have amassed a strong fan following and have grossed a total of $539 million, against a combined budget of $212 million. Normally slender, Beckinsale gained twenty pounds for roles in 2004 - ten pounds for her role as a vampire hunter in Van Helsing (Stephen Sommers, 2004) opposite Hugh Jackman, and another ten pounds to portray the voluptuous Ava Gardner in the Howard Hughes biopic The Aviator (Martin Scorsese, 2004), starring Leonardo DiCaprio. In 2006, Beckinsale reprised her role as Selene in the successful vampire sequel Underworld: Evolution, directed by her husband. Her daughter had a small role as the younger Selene. Beckinsale's second film appearance of 2006 was opposite Adam Sandler and Christopher Walken in Click (Frank Coraci, 2006), a comedy about an overworked family man who discovers a magical remote control that allows him to control time. It grossed $237 million worldwide from a production budget of $82.5 million. She replaced Sarah Jessica Parker after she dropped out of the horror-thriller Vacancy (Nimród Antal, 2007) with Luke Wilson. Then followed the family drama Everybody's Fine (Kirk Jones, 2009), starring Robert De Niro. It is a remake of Giuseppe Tornatore's Italian film Stanno tutti bene/Everybody's Fine (1990).
Unable to find a script she felt passionate about, kate Beckinsale kept a low profile in 2010 and 2011, opting to spend time with her daughter. Beckinsale returned to acting in 2012 with appearances in three action films. The first was the action thriller Contraband (Baltasar Kormákur, 2012), starring Mark Wahlberg and based on the Icelandic film, Reykjavík-Rotterdam (Óskar Jónasson, 2008) starring Baltasar Kormákur. Beckinsale next reprised her role as Selene in the fourth installment of the vampire franchise Underworld: Awakening (Måns Mårlind and Björn Stein, 2008). The franchise was initially conceived of as a trilogy and Beckinsale was not "intending to do another one" but was convinced by the quality of the script. Beckinsale also appeared as the wife of a factory worker (Colin Farrell) in the Sci-Fi action remake Total Recall (2012), directed by her husband Len Wiseman. The film received mainly negative reviews. In 2014, Beckinsale starred in the psychological thriller The Face of an Angel (Michael Winterbottom, 2014) alongside Daniel Brühl. The film was inspired by the case of Meredith Kercher. In the romantic comedy Love & Friendship (Whit Stillman, 2016), Beckinsale reunited with her Last Days of Disco collaborators, Stillman and Chloë Sevigny. Based on Jane Austen's 'Lady Susan', the film revolved around her role as the title character, a wry and calculating widow, as she pursues a wealthy and hapless man for marriage originally intended for her daughter, though she eventually marries him herself. The film was universally acclaimed by critics and found commercial success in arthouse cinemas. She was among over 80 women who accused Harvey Weinstein of sexual harassment or assault in October 2017. She acted in the British film Farming (2018), written and directed by Adewale Akinnuoye-Agbaje, based on his own childhood. The plot is about a child whose Yorubá parents give him to a white working-class family in London in the 1960s, and who grows up to join a white skinhead gang led by a white supremacist. Kate Beckinsale lives in Venice, California because it reminds her of London. She divorced Len Wiseman in 2019. Beckinsale will next star in the upcoming American action film Jolt (Tanya Wexler, 2021) from a screenplay by Scott Wascha.
Sources: Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
When I started my career with IBM, one of my co-workers was a very interesting engineer, Marvin K. He was extremely intelligent and curious about many things, including astronomy, science, electronics and photography.
About a year after his death in 2004, his wife called me and said that she had a ham radio that he had built as a teenager and she thought I might like to have it. After I brought it home, I noticed that curled inside of the large copper coil, were several sheets of hand-written notes that described a lot about the construction and early use of this very basic radio transmitter. Typical of Marvin, the note was very detailed and contained a great deal of information about the radio. Here is his narrative....
"This is the short-wave amateur radio transmitter I built when I was age 13 in 1931-1932 in Sac City, Iowa. I operated under the call letters of W9AZA issued for the 80 meter CW band of 3.5 to 3.9 kilocycles per second (now called Kilo Hertz, or KHz, continuous wave, where the transmitter is keyed on and off with a telegraph-type key, using International Morse Code, NO voice operation)
This transmitter is a self-excited, push-pull oscillator, using two type ’45 tubes, where a heavy radio frequency current is generated, which oscillated back and forth at the resonant frequency of a tuned circuit consisting to two things: the large copper coil and the main tuning capacitor (or ‘condenser’). Energy is electromagnetically coupled to the two smaller copper coils which are connected to another tuning capacitor and the antenna system. This provides another resonant circuit which is tuned to the same radio frequency as the oscillator. Energy is then radiated from the antenna system…which was a zeppelin-type antenna with a 132 foot flat top, end fed with two parallel wires spaced 8 inches apart, one connected to one end of the 132’ antenna, the other one dead ended there..(not connected).
A separate power supply provided power to this transmitter. It consisted of a 115-volt AC power transformer, one type ’80 rectifier tube, two 8mfd, 450 volt filter capacitors, a filter choke and bleeder resistor. The transformer also supplied 5 volts AC for the ’80 tube filaments, 2 ½ volts AC for the ’45 tube filaments and 500 to 600 volts AC, center-tapped, for the nominally 250 to 300 volts DC for the transmitter tube plates. Plate power input to the transmitter oscillator circuit was maybe 20 or 30 watts, maximum. (I couldn’t afford voltmeters or ammeters which would have told me more...!) My radius of operation was Iowa and the adjacent states – seldom further.
My short-wave receiver was initially a 1 tube regenerative receiver I built and later a Super Wasp receiver, that my neighbor across the street had built and had replaced with a more up-to-date factory-built SW receiver. The Pilot Super-Wasp required a 6-volt car-battery for the tube filaments and a B- battery eliminator (connected to the 115 volts DC house current) for the 45, 90 and 180 volts DC the receiver used. It had plug-in coils to cover the 20, 40 80 and 160 meter amateur bands, as well as the broadcast band. It was regenerative also.
I operated mainly from 1932 thru 1940. The license had to be renewed, with proof of use, every 3 years or so. I finally let it run out….should have kept it active. My license was W9AZA, was a re-issue and came out when the W9K ---‘s (a very early call)...were coming out. My neighbor got W9KDL as the same time I got mine. He helped me, and we practiced code together via a telegraph line he installed between his house, mine and another 1 block away and one more a mile away..!
The plastic cover over the transmitter is not part of the original, but is just to keep the dust off. The cover, from an IBM type 650 scientific computer magnetic drum (circa 1955-1960) just happened to be the right size…!"
Photo info...shot with a Nikon D750 and Nikon 70-180mm Macro lens. Lit with a single Alien Bee and a gold reflector. This was a focus stack of a dozen exposures, all blended with CombineZP.
I got the Barbie Careers Scientist doll and was pleasantly surprised to see that her coat was a separate piece and the pattern on her top goes all the way around. Oh and this one didn't have glue in her head! See, Mattel you can do it!
Also see previous photo....Not many years seperate these photos....Career Girls by Mike Leigh was released in 1997.....Top photo Katrin Cartlidge on the right who died aged 41 in 2002....and on the left Lynda Steadman who was also in Between The Lines.....reminisce their old flat........I must say i am getting fed up with people keep looking at me when i`m taking these photos...bloke washing his car was staring at me while i was taking these snaps...i realise its only somebodys house but blimey,you would think i was carrying a gun,but thats what photography is like these days
Career in your crosshairs
When using this image please provide photo credit (link) to: www.flazingo.com per these terms: www.flazingo.com/creativecommons