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This crowd funded camera is made of cardboard (mostly) and shoots Inxtax mini film. The learning curve is continuing - note the bad shots on the right. Even the good ones are not great - yet.
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I bought this off ebay for the shutter (which didn't work) and left the bellows in place to have a go at a 'zoom' pinhole camera. It has three presets 30mm, 40mm, and 60mm.
Tens por de la imaginació. I encara en tens més dels somnis. Tens por de la responsabilitat que emana dels somnis. Però no pots estar sense dormir, i si dorms segur que somies. Estant despert pots controlar la imaginació, però els somnis no els pots controlar de cap manera.
Haruki Murakami, Kafka a la platja
Wide-open, mirror image. It is funny how easily one can create a (totally one-sided) relationship with a camera. Even project human qualities to it. The Fuji X-Pro3 is one of such cameras that may trigger such temptation. It is very tactile, responds gladly and wants to be treated well. You guessed it: her name is Helen.
Holga 120 - Camera scanned.
This morning I tried to „camera scan“ the same film from the Holga. I have a cheap light table, probably not good for color, but S/W it's ok. I used the 7R3 and 100mm macro lens on a tripod. Everything pretty improvised. I made the negative inversion in LR also basic adjustments there. In PS I adjusted the tones even further. The film is not at all properly exposed, there are not a lot of controls for that. The sky areas have a strange pattern, the lab guy said this might be because of the old film -- I got this „somewhere" possibly it was stored in a hot place for a long time??
Anyway, Holga is meant to be imperfect and it delivers just that ;-)
Vintage camera
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Early examples of the Cycle Poco and the Folding Poco cameras with uncommon black leather covering on the interior. Made by the Rochester Camera Manufacturing Co. in c 1896.
Film transport knob and wheel of the Brownie Bulls-Eye camera (from the late 1950s) . When the film is winded , the vertical wheel also turns , unlocking the double exposure prevention and resetting the shutter.
(for "Macro Mondays")
You can't tell from this photo but this display is vertical, mounted on the wall of Downtown Camera on Queen St. in Toronto. I thought it was amazing to see.
Camera: Yashica Electro 35 GSN
Film: Fujicolor Industrial 100
Scanning Film: Canon Canoscan 9000f Mark II
It doesn't matter where you are from, everyone knows that coffee & cameras are a perfect match.
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Had a bit of fun designing this small, original model inspired by classic cameras. Building guides available at chrismcveigh.com
Zorki 1 with Jupiter 12, Fuji X-E1 with 7Artisans 35/1.2.
Shoot by Graflex Century Graphic 2x3, Wollensak 90mm f/12.5 Anastigmat Extreme W.A. Ilford HP5. Kodak XTOL 1+2.
Missing boxes:
Pentax FA 50mm F1.4
Alien B400 (shipped in boring brown boxes)
Nikon SB-28 (Never got one)
Strobist Info:
Pentax AF-540-FGZ flash fired camera right at 1/4 at 28mm
Nikon SB-28 fired at 1/2 camera left at 1/2 at 24mm
I'm not sure what the collective noun for them all would be, but I've been busy making batches of things!
It's particularly satisfying finishing these camera brooches, as they're made up of lots of different details.
I went to the circus this weekend =) If you'd like to see some pictures from there, head here: www.facebook.com/album.php?aid=204974&id=706588689&am...
A low-cost Japanese camera made by Fuji (the leatherette on the back is stamped "Made by Fuji Photo Film Co."). The lens is a Fujinar 4.5cm f/3.5, three elements, and on the inside of the hinged back there is a small sticker recommending Fuji film.
Quite well made for a cheap camera. The shutter has 4 speeds (25-200) plus B, all working reasonably accurately, and the shutter is extremely quiet. The diaphragm has only 4 blades but moves easily with very little friction. And the front element focuses easily and smoothly after all these years (I'm guessing this camera was made in the late 1950's, before Fuji got serious about making good cameras).
But as was common with early 35's in the U.S.A., you have to push a small lever on the back after each exposure in order to release the winding mechanism (reminiscent of the Argus C-3 of the 1940's). The sprocket is in the film tracks and is not geared to the winding knob. And you have to set the frame counter to zero yourself. And you have to cock the shutter yourself (with the left hand side of the black rocker arm) and you release the shutter with the right hand side of the rocker arm. Both operations are easy enough to do using the forefingers of both hands while you hold the camera.
There is no double exposure prevention, so you can easily make double exposures with this camera. You just cock the shutter again and fire. I am anxious to try this camera with film. I am always motivated when a camera requires special effort to obtain results.
The camera was photographed on a hand-embroidered Hungarian tablecloth from the 1950's.
The kind of love that I have for cameras is reserved only for cameras. I don't find it anywhere else and I don't want to.
Leidolf Wetzlar! This camera’s 50mm f/3.8 lens and apparent top shutter speed of 1/200 seems very limiting, which may be part of the reason Leidolf wasn’t around for very long. With only three shutter speeds (plus bulb), no light meter and no way to check focus, it must have been maddening to take good photos with this camera.
Taken with Polaroid Memory Maker Land Camera using fujifilm 100c
INSTAGRAM. @hollographic
Words, like violence, break the silence.