View allAll Photos Tagged cagna
20.02.2016 PARTICIPANTES REALITY "VOLVERIAS CON TU EX"
MEGA.
SESION DE FOTOS DIARIO LA CUARTA.
FOTO: LUIS FELIPE QUINTANA SOMMELLA/ LA CUARTA
This was the pass of Col de la Tana, about half way between the airport and our first night’s hotel in Sainte-Lucie-de-Tallano. Nina did the navigation and as we had plenty of time, she picked a scenic route through the mountains.
Gent lichtfestival / Luminarie De Cagna - Belfortstraat
© All rights reserved. Use without permission is illegal.
[Explore]
Running puppy! She's Nina! My mother's dog.
Questa cucciola che mi corre incontro è Nina! La cagnola di mia madre.
[Rome, Italy 2009]
20.02.2016 PARTICIPANTES REALITY "VOLVERIAS CON TU EX"
MEGA.
SESION DE FOTOS DIARIO LA CUARTA.
FOTO: LUIS FELIPE QUINTANA SOMMELLA/ LA CUARTA
This project is called: Tunnel Rinascimentale con galleria celeste, during Glow 2010.
During GLOW the Demer, one of the main shopping streets of Eindhoven, is the domain of Luminarie De Cagna. Made of a wooden construction and hundreds of thousands of colored lights a huge colonnade is built which resembles of Romanesque or Renaissance architecture. The entrance area looks impressive with its 28 meters of height. People can walk through this fairy-tale like gallery and feel surrounded by light and color.
Italian postcard for the Italian silent period piece I promessi sposi (Mario Bonnard, 1922), adapted from Alessandro Manzoni's classic novel, starring Domenico Serra as Renzo and Emilia Vidali as Lucia. U.C.I. G. Vettori, Bologna, No. 17. Caption: The conversion of L'Innominato. (Bonaventura Ibáñez as Cardinale Borromeo and Rodolfo Badaloni as L'Innominato)
Bonaventura Ibáñez aka Bonaventura Ibanez (Barcelona, 18 February 1876 – Barcelona, 1 May 1932) was a Spanish stage and film actor, who spent most of his film career in Italian silent cinema.
Ibáñez started out as pantomime player. As early as April 1891, the family pantomime troupe directed by his brother José Ibáñez, which also included Cristóbal and Jorge, was presented at the Palacio de Cristal in Barcelona. The following year, the brothers joined the Onofri troupe as supporting actors. Buenaventura stood out playing the role of Don Lluís de Montblanc in the mime version of Don Juan de Serrallonga, which led the Onofri to take him on their subsequent tour of France. Rejoining the family company, with which Enrique Adams made his debut in Barcelona, he performed on different stages in Barcelona, especially the most renowned ones on the Paralelo, sometimes teaming up with other renowned mimes such as Pierre Schmidt and Achille Corradi.
At the beginning of the 20th century, the family company became directed by Buenaventura himself, working in places on the French Mediterranean coast such as Cètte, where he won over the French critics, who even compared him to the famous Deburau. In 1906 he began to perform at the Teatro Pabellón Soriano where, in collaboration with Juan Rodríguez, he came to perform two different titles every day of the week, some of which had been written expressly for him. Other actors such as Juan Argelagués and Joaquín Carrasco emerged from Ibáñez's company (Carrasco would later co-act with him in several Italian films with Fabienne Fabrèges). However, despite all the efforts, pantomime was already a genre in decline and the events of the Semana Trágica, which took place in the summer of 1909, proved definitive. This was a series of bloody confrontations between the army and the workers of Barcelona and other towns in Catalonia supported by anarchists, socialists and republicans, in the last week of July 1909. It was then that Ibáñez left for Italy and joined the cinema as a supporting actor.
In 1910 Ibáñez his name was first mentioned in the credits of an Italian silent film, the Milano Films production Fra i monti nevosi! (Giuseppe De Liguoro, 1910). After another Milano film in 1911, La cena del Borgia (1911) he moved to Itala in 1912, where his parts became bigger, and in 1915 to Gloria, where he acted under direction of Telemaco Ruggeri. In 1916-1917 he was most active at Corona, Latina Ars and other companies, often as the elder, distinguished man within the plot, e.g. in the Corona production Signori giurati (1916) with Fabienne Fabrèges, with whom he did several films. Other female actresses he played opposite in the later 1910s were Lina Millefleurs, Pina Menichelli, Lydia and Letizia Quaranta, Italia Almirante, Linda Pini, and Maria Roasio.
In 1921 Ibanez was Dandolo, father of the love interest of Luciano Albertini, who was the main actor in the four-part historical drama Il ponte dei sospiri (Domenico Gaido). In 1922 he was a solemn Cardinal Federico Borromeo in Mario Bonnard's I promessi sposi. He also acted in the adventure film Il corsaro (Carmine Gallone, Augusto Genina, 1923), starring Amleto Novelli in one his last leads before his untimely death, and in International Grand Prix (Amleto Palermi, 1924) as the father of Diomira Jacobini in a racecar drama. He also collaborated to Henry King's period piece Romola (1924), starring Lilian Gish and shot in Italy. In the later 1920s Ibanez could be seen in L'ultimo lord (Genina, 1926) starring Carmen Boni and Ibanez as the old Lord, Croquette (Louis Mercanton, 1927) with Betty Balfour, Il carnevale di Venezia (Mario Almirante, 1928) with Maria Jacobini and Malcolm Tod (see our blogpost on this film), La maison du Maltais (Henri Fescourt, 1928), and La grazia (Aldo De Benedetti, 1929) as the father of Carmen Boni. His penultimate part was in the 1930 French film L'âge d'or, while Italian and Spanish Wikipedia state (unconfirmed by IMDb) that he also acted in some of the first titles of Spanish sound films, shot in Germany and France, such as Cinópolis (1931), directed by José María Castellví and Francisco Elías.
Ibanez was married twice, until 1915 to Celeste Papetta, and between 1917 and his death in 1932 to Angela Cagna.
Sources: Spanish and Italian Wikipedia, IMDb, Aldo Bernardini & Vittorio Martinelli, Il cinema muto italiano. NB Spanish Wikipedia also claims parts for Ibanez in Giovanni Pastrone's Cabiria (1914), Henry King's The White Sister, and Genina's films Cyrano/Cirano de Bergerac (1923) and Prix de Beauté (1930), all unconfirmed by IMDb, and what the Italian films concerns neither in Vittorio Martinelli's reference works.
Glow 2011 Eindhoven 12/11/2011 19h22
Stationsplein - Luminarie De Cagna
Project: Cupola
Last year the Demer was dominated by Luminarie De Cagna, this year they focus on the square outside the Grand Central Station. There a dome will rise which resembles a building from the Italian Renaissance, such as St Peter in Rome, because of its size and shape. With its 25 metres height and 20 metres width the dome in Eindhoven is a true spectacle and an impressive entrance for visitors to the city.
In the radiant middle of the 30,000 lights is the bronze statue of Anton Philips from 1951. In the first half of the twentieth century, Anton was more than thirty years in charge of the Philips group and let it develop into a successful multinational. With Cupola Luminarie de Cagna brings during Philips 120-year anniversary, a tribute to a man who was for years not just a figurehead of Philips, but also of the city of Eindhoven.
Luminarie De Cagna is an Italian family concern that was founded in 1930. Then the firm illuminated buildings and squares on festive occasions with oil and carbide lamps. Soon they switched to electric lights and since 2006 they use for new projects LED's only. The LED’s are chained into great curtains of light or mounted on a wooden structure. In this way, whole streets and even squares are fully lightened.
Glow
GLOW – International Forum of Light in Art and Architecture
Eindhoven 2011 I 6th Edition I ‘Illusion and reality’.
Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
The Subject 2011: ‘Illusion and reality’
Eindhoven is a city of many aspects, it changes between day and night
between being open and insular, between dense architecture and
green open spaces between light and a dark. What one moment
seems a peaceful garden, becomes if twilight falls, a decor of eerie
shadows. What could be perceived as a romantic bridge during the day
or a chilly bicycle tunnel, in the evening, becomes a beacon of light or
a maze of color.
What is the illusion and what is the reality, or where does art begin
and reality end ?
Or is Eindhoven’s reality already an art in itself? GLOW 2011 aims
to show a multitude of these aspects in a route which connects two
pivotal institutions celebrating their anniversary this year, respectively
the Technical University Eindhoven’s (TU/e) 55th anniversary and the
Van Abbemuseum’s 75th anniversary. In doing so, let us wisely meet in
the middle of illusion and reality, because if Eindhoven embodies truly
creativity both necessary.
GLOW 2011
Illusion and reality you would call an ephemeral theme.
It touches on notions like flair and discovery, searching for knowledge and
the imperceptible creative passion of humans beings, something that is not
(yet) known, let alone seen.
Where science and art meet, light is an essential intangible building block.
And it is that connective light that GLOW 2011 wants the public to experience.
The route this years’ net casts is roughly divided into two parts.
On the one hand, there is the well-known urban environment of the
18 September Square, the Market Square and the Town Hall square; places
where concrete and intense contemporary urbanity set the tone and where
artists with firm statements break thought the advertising, street lighting
and consumerism.
On the other hand there are the intimate, romantic banks of the river Dommel
and the lush green spaces around one of the most beautiful campuses in the Netherlands.
It is not easy for artists to add that the impressive context without using
dramatic light. Is it reality or illusion, the magic middle where the two meet?
Who knows? But above all, does it matter?
If you can enjoy the experience you can consider the things you thought you knew and learn just a little bit different more from the realms of the unknown.
[ Source: www.gloweindhoven.nl ]
Italian Agusta began production in 1974 and delivered 22 helicopters as replacements for the Grumman HU-16 Albatross used for SAR (Search and Rescue) missions at sea. Italian Air Force AS-61R helicopters performed SAR missions under designation HH-3F in time of peace and C/SAR (Combat SAR) in time of crisis or during military assignment. All helicopters were operated by the five flights of the 15° Stormo Stefano Cagna and deployed in four bases across Italy.
The Italian Air Force phased out the HH-3F on 26 September 2014, replacing them with the AgustaWestland AW139 in the SAR role[9]
L´Umo di Cagna (man of Cagna )is a monolith which is around 8m tall, standing in the south of Corsica ,only few kilometers from the sea. The rock for a long time was a point of reference for navigators .
With its 25 metres height and 20 metres width the dome in Eindhoven is a true spectacle and an impressive entrance for visitors to the city.
In the radiant middle of the 30,000 lights is the bronze statue of Anton Philips from 1951. In the first half of the twentieth century, Anton was more than thirty years in charge of the Philips group and let it develop into a successful multinational.
Luminarie De Cagna is an Italian family concern that was founded in 1930. Then the firm illuminated buildings and squares on festive occasions with oil and carbide lamps. Soon they switched to electric lights and since 2006 they use for new projects LED's only. The LED’s are chained into great curtains of light or mounted on a wooden structure. In this way, whole streets and even squares are fully lightened.
Yesterday we went to the second edition of the festival of light in Gent.
Showpiece was a huge cathedral of light, consisting of 55000 Led lights.
An artwork of Luminarie De Cagna ,an Italian family business founded in 1930.
Wonderful!
Last night, I went to visit the Glow light festival in Eindhoven. Just like last year, I saw some amazing works, but again: there was also some terrible crap.
Luminarie de Gagna was there last year as well... and despite it being terribly kitschy, I like their constructions.
See my video: Il Giardino Incantato
Glow. Eindhoven 2015.
Stadhuisplein.
Il Giardino Incantato.
Luminarie de Cagna.
A house of light and music.
This project is called: Tunnel Rinascimentale con galleria celeste, during Glow 2010.
During GLOW the Demer, one of the main shopping streets of Eindhoven, is the domain of Luminarie De Cagna. Made of a wooden construction and hundreds of thousands of colored lights a huge colonnade is built which resembles of Romanesque or Renaissance architecture. The entrance area looks impressive with its 28 meters of height. People can walk through this fairy-tale like gallery and feel surrounded by light and color. In addition, every few minutes, accompanied by music, a spectacle can be watched with a slightly touch of kitsch.
...l'acqua te 'nfonne e va
tanto l'aria s'adda cagna'...
Dramatic scenario of Naples seaport, viewed from the castle "Maschio Angioino" (Naples - Italy).
E X P L O R E !
An interruption of my USA/Canada photos.
Just wanted to update you on the fact that now the light festival Glow is happening again in Eindhoven.
In the city, we have a number of works of art that light up the city. Very nice!
I visited briefly and discovered that one of my lenses didn't function anymore. Aargh! Will have an impact on my wallet!!
Anyway, this was one of the shots that I was able to make. The name of the project is 'Cupola' and I made a photo where it reflects in the windows of the train station. I hope to make it back there on Friday.
From the Glow website:
Last year the Demer was dominated by Luminarie De Cagna, this year they focus on the square outside the Grand Central Station. There a dome will rise which resembles a building from the Italian Renaissance, such as St Peter in Rome, because of its size and shape. With its 25 metres height and 20 metres width the dome in Eindhoven is a true spectacle and an impressive entrance for visitors to the city.
In the radiant middle of the 30,000 lights is the bronze statue of Anton Philips from 1951. In the first half of the twentieth century, Anton was more than thirty years in charge of the Philips group and let it develop into a successful multinational. With Cupola, Luminarie de Cagna brings, a tribute to a man who was for years not just a figurehead of Philips, but also of the city of Eindhoven.
Luminarie De Cagna is an Italian family concern that was founded in 1930. Then the firm illuminated buildings and squares on festive occasions with oil and carbide lamps. Soon they switched to electric lights and since 2006 they use for new projects LED's only. The LED’s are chained into great curtains of light or mounted on a wooden structure. In this way, whole streets and even squares are fully lightened.