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Finishing up a roll of Foma 400 film on my two favorite subjects. I thought I was developing a different film and was using D76 at 1:1. A couple of minutes in I realized my mistake and fortunately the time was the same and the roll was saved. It was a cloudy day with storms heading our way, but I'm pleased with this result. Captured using my Mamiya C33 TLR.
Mamiya C33 // fuji pro 400h // Lake Hodges San Diego
Guess what? I have a new blog. And it will be a daily thing! For real!
If you want to see more from this little photofrolic that Brian and Lyndon and I had—all you need to do is go here. Your comments and such would be so very welcome!
My muse. :)
Thanks to model Yaelle and MUA Kathleen Vwl.
Mamiya C33/ Fuji pro 400H
I have been wondering for a while now, is flickr 'uncontacting' the people I added as contacts? Because I've been coming across several flickr streams of some of you guys who I know I've been following for a while and yet they weren't contacts of mine. Very strange. I find myself 're-adding' people all the time. So either flickr is being naughty or I have multiple personalities.
Leica couplex
zeiss sonnar 5 CM 1.5 1942 assemblé en décembre 1945
zeiss sonnar 5 CM F2 1946
Biogon 35 mm 2.8 non traité 1937 groupe Avant groupe arrière 1938 assemblé en 1946 dans un corps non zeiss
biogon 35 mm 2.8 T assemblé le 25/9/ 1947
source livre de thiele 200 pièces
- Canon 7Dmkii
- 10" Orion f4 Newtonian Scope
- Celestrion CGEM mount
- QHY5L-II guidecamera
- Orion Mini 50 mm Guidescope
- QHY Polemaster
- PHD2
- BackyardEOS
- Stellarium
- pixinsight
24 - 240 s lights
50 - lights
19 - darks
superbias in pixinsight
Kodak Portra 400nc // Mamiya C33 // Coronado Bridge, San Diego
I've had a nutty two weeks, and I haven't been shooting much… so I'm returning to some photos I've overlooked from last month.
(Late upload) We had such great weather yesterday, as predicted 22°C and sunny, was such a relief after all these months of awfully cold temperatures. Christophe and I went to see my family (some of whom hadn't seen him since before his diagnoses), which was nice. We hung out in the sun, sat in a swing couch on my parents roof terrace, and me and my sister rescued our dad as he almost flew away like Mary Poppins when he was trying to set up the big umbrella. :)
Under our feet.
Mamiya C33. 80mm. f8. 1/125th. Hand-held. MF. Two exposures per frame. Portra 160 (expired). Tetenal C41 (expired). Epson 750. LR.
Film lives at Pelcomb Portraits.
The C33 was released in 1965 as part of the Mamiya C series of interchangeable lens medium format TLR cameras. It was succeeded by the Mamiya C330.
A new dedicated lens distance scale window is on the right hand side of the body. It provides scales with focal lengths of 65mm and 80mm. The left side bellows plate has distances scales for 105mm (chrome), 135mm and 180mm lenses. Some models have additional scales for 55mm and 250mm lenses. The lens parallax selection knob is on the left hand side of the body, it has settings for 80mm, 105mm, 135mm and 180mm lenses. Using the 65mm lens requires setting the knob on 80mm and using a 65mm mask. The lens locking clamp hinge has changed to the right side of the body.
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Mamiya C33
Mamiya-Sekor 80mm f/2.8
Fujichrome Provia 100F
30 second exposure
I haven't had any flare issues with the mixture of other film cameras that I've shot in difficult situations like this, but the Mamiya C33 seems to really be struggling with it.