View allAll Photos Tagged c1919
St Nicholas, Ulceby, Lincolnshire.
Window by William Glasby of London, 1925.
Faith - Love - Hope.
Detail.
To the Glory of God and in loving memory of William Henry Fletcher, Ulceby Grange, Archdeacon of Wrexham & Agnes Crawford his wife. Given by their son.
William Glasby (1863-1941) was the son of a warehouse porter and spent his youth in Battersea. He was apprenticed to James Powell & Son in 1876 and rose to be their chief painter. Whilst living in Hampstead, he joined Henry Holiday’s new workshop after he left Powell's. By about 1897 Glasby was producing his own designs in a style heavily influenced by Holiday and also Morris & Co, for whom he later worked as a painter. He was in business on his own account from c1919. He had addresses in Kensington and later Putney, but in 1939 he moved to Horsham, Sussex. After his death, the business was carried on by his two daughters, who moved in 1946 to Henfield.
Gate tower and curtain walls. C12 walls, C13 tower with C14 modifications and some C19 alterations; walls partly rebuilt 1821-4 and 1834-5. Squared blocks of red and calciferous sandstone; walls battered, partly buttressed and partly with broad pilasters; tower with buttress, pilasters and flat lead roof. The inner bailey is roughly triangular comprising north, south and west walls. The west walls face into the outer bailey and have a central 3-storey square tower (an earlier blocked gateway can also be seen in this wall). At the front of the tower the portcullis slot and platform above have been cut away (c1919), exposing a pointed archway under 1819 blocked doorway and windows. Crenellation was also removed in 1819. The rear of the arch has blind C14 tracery under a Tudor mullioned window. INTERIOR not inspected. North wall is extensively buttressed (these partly collapsed in 1821 and had to be rebuilt). On the angle of the south and north walls was Queen Mary's Tower which had to be demolished in 1834-5 and rebuilt in 1835 with a plain crenellated wall. South walls look C12 with broad pilasters. Behind the west and south walls are earth embankments to take guns and a broad stepped ramp gives access to the west wall; beneath the northern part of the west walls are arched casements. The north parapet wall retains two C18 24-pounder cannons. EH Listing
Glenboig Union Fireclay Co Ltd., Glenboig Fireclay Works, Glenboig, Lanarkshire
The Glenboig Union Fireclay Co. Ltd was founded by James Dunnachie & partners by the amalgamation of the "Old Works" and the "Star Works" in Glenboig. The company specialised in the production of refractory ceramic goods (e.g. furnace lining bricks and pipework) for the iron and steel industry which was flourishing in the nearby industrial towns. By expansion and take-overs the company went on to operate several other works, viz.: Cumbernauld Fireclay Works & Mine (c. 1882); Gartcosh Works (1890); Castlecary Fireclay Co. Ltd (c1919); Faskine & Palacerigg Bricks & Coal Ltd (c1919); George Turnbull & Co. Ltd - Bonnymuir and Dykehead Works (c1919).
Info. from "Monklands Memories" - for more information visit -
St Nicholas, Ulceby, Lincolnshire.
Window by William Glasby of London, 1925.
Faith - Love - Hope.
To the Glory of God and in loving memory of William Henry Fletcher, Ulceby Grange, Archdeacon of Wrexham & Agnes Crawford his wife. Given by their son.
William Glasby (1863-1941) was the son of a warehouse porter and spent his youth in Battersea. He was apprenticed to James Powell & Son in 1876 and rose to be their chief painter. Whilst living in Hampstead, he joined Henry Holiday’s new workshop after he left Powell's. By about 1897 Glasby was producing his own designs in a style heavily influenced by Holiday and also Morris & Co, for whom he later worked as a painter. He was in business on his own account from c1919. He had addresses in Kensington and later Putney, but in 1939 he moved to Horsham, Sussex. After his death, the business was carried on by his two daughters, who moved in 1946 to Henfield.
St Edward the Confessor, Leek, Staffordshire.
Window (detail - signature) by Kempe & Co (Kempe & Tower), c1919. Wheatsheaf and turret indicates a post-1907 Kempe window. Walter Tower was the cousin and successor to
Charles Eamer Kempe.
Charles Eamer Kempe was a painter of walls, ceilings and woodwork of churches in the 1860s. The style then in vogue reflected a resurgence of interest to high church practices. Kempe's training served him well, and he started his own stained glass company, CE Kempe & Co in London, in 1868. He was not a trained artist, but was nevertheless artistic, and able to suggest ideas which could be developed by his artists and cartoonists. He insisted that only the firm's name should take the credit for the standard of work produced, and that individual members of the studio remain anonymous.
Kempe perfected the use of silver stain on clear glass, which leaves a yellow tint, which could be delicate or deep depending on the amount of stain. His greatest stylistic influence was the stained glass of Northern Germany and Flanders from the 16th Century. He took many trips to Europe, often taking the Kempe Company artists with him. The insignia of Kempe, from about 1895 until his death in 1907 was a wheatsheaf, from his family's coat of arms. After his death, the firm was run by four of his directors, including his cousin, Walter Tower. The insignia then changed to a wheatsheaf with a black tower.
Memorial Window to Frank Pemberton Adams, silk manufacturer, of Roche Mount (1872-1919).
Glenboig Union Fireclay Co Ltd., Glenboig Fireclay Works, Glenboig, Lanarkshire
The Glenboig Union Fireclay Co. Ltd was founded by James Dunnachie & partners by the amalgamation of the "Old Works" and the "Star Works" in Glenboig. The company specialised in the production of refractory ceramic goods (e.g. furnace lining bricks and pipework) for the iron and steel industry which was flourishing in the nearby industrial towns. By expansion and take-overs the company went on to operate several other works, viz.: Cumbernauld Fireclay Works & Mine (c. 1882); Gartcosh Works (1890); Castlecary Fireclay Co. Ltd (c1919); Faskine & Palacerigg Bricks & Coal Ltd (c1919); George Turnbull & Co. Ltd - Bonnymuir and Dykehead Works (c1919).
Info. from "Monklands Memories" - for more information visit -
Stained glass by Paul Woodroffe in the south transept c1919, a memorial to parishoners who died in the First World War.
en.wikipedia.org/wiki/Paul_Woodroffe
The church of the Holy Name in Manchester is one of the grandest Catholic parish churches in the country, a vast building considered to be one of the best works of architect Joseph Hansom and built 1869-71. The tower is a particularly distinctive landmark, it initially remained unfinished for some decades until the upper stage was added by Adrian Gilbert Scott in 1928, a remarkable design that evokes his brother's work in Liverpool. The interior of the church is hugely impressive, a vast open space under a vaulted ceiling and richly adorned throughout.
en.wikipedia.org/wiki/Church_of_the_Holy_Name_of_Jesus,_M...
Glenboig Union Fireclay Co Ltd., Glenboig Fireclay Works, Glenboig, Lanarkshire
The Glenboig Union Fireclay Co. Ltd was founded by James Dunnachie & partners by the amalgamation of the "Old Works" and the "Star Works" in Glenboig. The company specialised in the production of refractory ceramic goods (e.g. furnace lining bricks and pipework) for the iron and steel industry which was flourishing in the nearby industrial towns. By expansion and take-overs the company went on to operate several other works, viz.: Cumbernauld Fireclay Works & Mine (c. 1882); Gartcosh Works (1890); Castlecary Fireclay Co. Ltd (c1919); Faskine & Palacerigg Bricks & Coal Ltd (c1919); George Turnbull & Co. Ltd - Bonnymuir and Dykehead Works (c1919).
Info. from "Monklands Memories" - for more information visit -
www.monklands.co.uk/glenboig/bricks.htm
Photo courtesy of Mark Cranston
The tower was located west of Somerville Ave. at the junction of the Fitchburg Division Main Line and the B&A Grand Junction Branch. The Fitchburg main is in the foreground in this picture and the reefers are on the Grand Junction Branch.
Digital image from CD in Boston & Maine Railroad Historical Society Archives. Cat. No. 2005.7.7. (Image ST-31). Original B&MRR photo provided by Alan E. MacMillan. CD produced by David Hutchinson, donated by Alan E. MacMillan, indexed by Carl Byron. Learn more about the B&MRRHS at www.bmrrhs.org. Photo 3372
Robert Collins was born at Horstead in 1849 and began working for Coltishall boatbuilder Samuel Press at the age of 14. By 1881 he had his own wherry building boatyard on Anchor Street at Coltishall. In 1886 he moved his family, including six children to Wroxham, eventually establishing his own yard there with sons Ernest and Alfred. In 1900 he purchased a plot of land at the bottom of Staitheway Road in Wroxham, where the Collins yard was to remain until the 1980s.
After Robert's death in 1901, it is thought that the two brothers fell out, Ernest retained the yard on Staitheway Road whilst Alfred established his own yard on the opposite side of the river in Hoveton. Alfred took on a partner in 1915, Jack Powles, who took over the yard after Alfred died c1919.
A more detailed history of the Collins boatyards, written by Roger Wilson, can be found here: www.broadlandmemories.co.uk/page29.html
The London, Brighton and South Coast Railway (LB&SCR) A1 Class is an English class of 0-6-0T steam locomotive. Designed by William Stroudley, 50 members of the class were built in 1872 and between 1874 and 1880, all at Brighton Works. The class has received several nicknames, initially being known as "Rooters" by their south London crews. However, the engines were more famously known as "Terriers" on account of the distinctive 'bark' of the exhaust beat.
A1 (Terrier) Class 0-6-0T No. 735 (68 ‘Clapham’, 668 ‘Clapham’ & E735) designed by William Stroudley, built in 1874 at Brighton Works.
No. 68 ‘Clapham’ in 1903 it was sold for £500 to the London & South Western Railway (L&SWR) to operate the new Lyme Regis branch from the beginning; the branch permanent way was very light and had a permissible axle load was limited to 12 tons. The locomotives used at first were No’s. 734 and 735, Terrier (A1) class 0-6-0T engines. However, they were not entirely successful due to their limited power. No. 735 went to Southern Railway on Grouping in 1923 under E735 and ended up working at Ashford where it was withdrawn in December 1936, scrapped at Ashford Works 1937
© David P Williams Archive / Rail-Online - taken at Eastleigh Works c1919.
Glenboig Union Fireclay Co Ltd., Glenboig Fireclay Works, Glenboig, Lanarkshire
The Glenboig Union Fireclay Co. Ltd was founded by James Dunnachie & partners by the amalgamation of the "Old Works" and the "Star Works" in Glenboig. The company specialised in the production of refractory ceramic goods (e.g. furnace lining bricks and pipework) for the iron and steel industry which was flourishing in the nearby industrial towns. By expansion and take-overs the company went on to operate several other works, viz.: Cumbernauld Fireclay Works & Mine (c. 1882); Gartcosh Works (1890); Castlecary Fireclay Co. Ltd (c1919); Faskine & Palacerigg Bricks & Coal Ltd (c1919); George Turnbull & Co. Ltd - Bonnymuir and Dykehead Works (c1919).
Info. from "Monklands Memories" - for more information visit -
In the churchyard is a cross erected c1919 flic.kr/p/Rgmhpj by Sir Ninian Comper for lord of the manor & patron of the church Sir Philip Stott in memory of his younger son and all those who gave their lives in the Great War 1914-1918 - Church of St Michael & All Angels, Stanton Gloucestershire
Call number: McFarlin Special Collections PS3537.O44 B63 1919
Title: Bob Cook and the winged messenger
Author: Tomlinson, Paul G. (Paul Greene), b. 1888.
Date of publication: 1919
Description: New York : Barse & Co., c1919.
Notes:
Special Collections note:
Dimensions: 20cm
Persistent URL: library.utulsa.edu//record=b2014662~S0
Repository: McFarlin Library, Department of Special Collections and University Archives, University of Tulsa. 2933 E. 6th St. Tulsa, Oklahoma 74104-3123
General information about the McFarlin Library, Department of Special Collections and University Archives, University of Tulsa is available at www.utulsa.edu/libraries/mcfarlin/special-collections.aspx
The tower was retired in 1971, and hand thrown switches replaced the electro-pneumatic plant.
Digital image from CD in Boston & Maine Railroad Historical Society Archives. Cat. No. 2005.7.7. (Image ST-28). Original B&MRR photo provided by Alan E. MacMillan. CD produced by David Hutchinson, donated by Alan E. MacMillan, indexed by Carl Byron. Learn more about the B&MRRHS at www.bmrrhs.org. Photo 3369
This photograph was taken before the Air Navigation Bill of 1920 prohibited low flying over London. From the vehicles on the road and the fact that it appears to be summer, the most likely date is 1919.
This picture is awesome! I want Dien's outfit almost as much as I want that incredulous looking blond boy (Henri Engers, Marie and Ies's youngest son). I wonder if that's a costume they provided at the photo shop, or if she wore it thinking she wanted a nautical-themed picture?
Digital image from CD in Boston & Maine Railroad Historical Society Archives. Cat. No. 2005.7.7. (Image ST-27). Original B&MRR photo provided by Alan E. MacMillan. CD produced by David Hutchinson, donated by Alan E. MacMillan, indexed by Carl Byron. Learn more about the B&MRRHS at www.bmrrhs.org. Photo 3368
Kodak Anastigmat Shutter & a
Bausch & Lomb f6.3 No4 314/075 Shift lens.
CRF = Coupled Range Finder.
Uses 122 Roll Film to produce 3¼" x 5½" negatives.
Produced between c1919 to 1933.
It stands 250mm (9¾") high.
I was brought this camera, for my birthday, in September 2016 for £65.
www.loc.gov/pictures/item/2004671795/
Grinding wheat at native home - Palestine
•Title: Grinding wheat at native home - Palestine
•Creator(s): Keystone View Company, publisher
•Date Created/Published: c1919.
•Reproduction Number: LC-USZ62-69098 (b&w film copy neg. of half stereo)
•Call Number: LOT 13744-3, no. 6 [item] [P&P]
•Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
•Notes:
oStereo copyrighted by Keystone View Co.
oNo. 7330.
oNo copyright renewal.
oThis record contains unverified, old data from caption card.
oCaption card tracings: Ph. Ind.; Wheat; Geogr.
•Collections:
oStereograph Cards
Buddhism teaches that all beings die many times over, to be reborn to lives full of new possibilities. In Buddhist dance, the skeleton can express positive change and spiritual progress. Skeleton dances are a popular part of public Cham performances. These energetic dances are commonly performed by young monks. This costume was made to fit a young boy. Collected in Darjeeling, c1919.
St Nicholas, Ulceby, Lincolnshire.
Window by William Glasby of London, 1925.
Faith - Love - Hope.
Detail.
To the Glory of God and in loving memory of William Henry Fletcher, Ulceby Grange, Archdeacon of Wrexham & Agnes Crawford his wife. Given by their son.
William Glasby (1863-1941) was the son of a warehouse porter and spent his youth in Battersea. He was apprenticed to James Powell & Son in 1876 and rose to be their chief painter. Whilst living in Hampstead, he joined Henry Holiday’s new workshop after he left Powell's. By about 1897 Glasby was producing his own designs in a style heavily influenced by Holiday and also Morris & Co, for whom he later worked as a painter. He was in business on his own account from c1919. He had addresses in Kensington and later Putney, but in 1939 he moved to Horsham, Sussex. After his death, the business was carried on by his two daughters, who moved in 1946 to Henfield.
St Nicholas, Ulceby, Lincolnshire.
Window by William Glasby of London, 1925.
Faith - Love - Hope.
Detail.
To the Glory of God and in loving memory of William Henry Fletcher, Ulceby Grange, Archdeacon of Wrexham & Agnes Crawford his wife. Given by their son.
William Glasby (1863-1941) was the son of a warehouse porter and spent his youth in Battersea. He was apprenticed to James Powell & Son in 1876 and rose to be their chief painter. Whilst living in Hampstead, he joined Henry Holiday’s new workshop after he left Powell's. By about 1897 Glasby was producing his own designs in a style heavily influenced by Holiday and also Morris & Co, for whom he later worked as a painter. He was in business on his own account from c1919. He had addresses in Kensington and later Putney, but in 1939 he moved to Horsham, Sussex. After his death, the business was carried on by his two daughters, who moved in 1946 to Henfield.
Kodak Anastigmat Shutter & a
Bausch & Lomb f6.3 No4 314/075 Shift lens.
CRF = Coupled Range Finder.
Uses 122 Roll Film to produce 3¼" x 5½" negatives.
Produced between c1919 to 1933.
It stands 250mm (9¾") high.
I was brought this camera, for my birthday, in September 2016 for £65.
Glenboig Union Fireclay Co Ltd., Glenboig Fireclay Works, Glenboig, Lanarkshire
The Glenboig Union Fireclay Co. Ltd was founded by James Dunnachie & partners by the amalgamation of the "Old Works" and the "Star Works" in Glenboig. The company specialised in the production of refractory ceramic goods (e.g. furnace lining bricks and pipework) for the iron and steel industry which was flourishing in the nearby industrial towns. By expansion and take-overs the company went on to operate several other works, viz.: Cumbernauld Fireclay Works & Mine (c. 1882); Gartcosh Works (1890); Castlecary Fireclay Co. Ltd (c1919); Faskine & Palacerigg Bricks & Coal Ltd (c1919); George Turnbull & Co. Ltd - Bonnymuir and Dykehead Works (c1919).
Info. from "Monklands Memories" - for more information visit -
Finga-Foota, c1919
Broda Jenkins
Taken in the exhibition
Football: Designing the Beautiful Game
(April – August 2022)
The exhibition explores the story behind football, unpicking how design has been used to push the game to new limits. Take a journey through over 500 objects, films and interviews in sporting performance, kit development, and stadium design and immerse yourself in the stories of club legacies and game legends including Messi, Pelé, George Best and Diego Maradona.
Produced in partnership with the National Football Museum in Manchester, the show reveals the master-planning of the world’s most significant football stadiums, the design innovation used in today’s boots, how the graphic design of team badges, kits and posters shape a club's identity and how grassroots initiatives are pushing back against the sport’s commercialisation.
As the world’s most popular sport, football has a truly international dedicated fan base. It is estimated that more than half the population of the planet watched the FIFA World Cup in 2018.
[Design Museum]
Opus sectile memorial to Mrs Bessie Henderson, mother of Lieut-Col J H Henderson (to whom the large window above by Karl Parsons was dedicated), c1919
Kodak Anastigmat Shutter & a
Bausch & Lomb f6.3 No4 314/075 Shift lens.
CRF = Coupled Range Finder.
Uses 122 Roll Film to produce 3¼" x 5½" negatives.
Produced between c1919 to 1933.
It stands 250mm (9¾") high.
I was brought this camera, for my birthday, in September 2016 for £65.
Dear Mr. Leonhardt,
I work for the BBC brazilian office (http://www.bbc.co.uk/portuguese/).
We were really interested in your Vietnam photos and we´d like to publish some of them in a photo gallery, along with pictures from other veteran soldiers here in Flickr.
I would therefore like to request your authorization to use the images on the BBC Brasil website. If you agree with it, please provide details of credits and conditions of use.
If you would allow us to do that, I would also like to talk to you about the photos. Why did you decide to publish them now?
We also have a group of partners in Brazil, including some of the country’s biggest news portals and websites. I would like to ask for your authorization to syndicate the images to these partners, under the same conditions of use as our web site.
BBC Brasil (bbcbrasil.com) is part of the BBC World Service and covers international news and current affairs in Portuguese for the Brazilian Audience. We have more than 16 million page impressions and 4 million unique visitors a month. More than 80% of this audience is in Brazil.
I appreciate your time and please do not hesitate to contact me should you require any further information.
My name is Camilla Costa, and I work in the São Paulo office.
My e-mail address is camilla.costa@bbc.co.uk
Regards,
Camilla
Glenboig Union Fireclay Co Ltd., Glenboig Fireclay Works, Glenboig, Lanarkshire
The Glenboig Union Fireclay Co. Ltd was founded by James Dunnachie & partners by the amalgamation of the "Old Works" and the "Star Works" in Glenboig. The company specialised in the production of refractory ceramic goods (e.g. furnace lining bricks and pipework) for the iron and steel industry which was flourishing in the nearby industrial towns. By expansion and take-overs the company went on to operate several other works, viz.: Cumbernauld Fireclay Works & Mine (c. 1882); Gartcosh Works (1890); Castlecary Fireclay Co. Ltd (c1919); Faskine & Palacerigg Bricks & Coal Ltd (c1919); George Turnbull & Co. Ltd - Bonnymuir and Dykehead Works (c1919).
Info. from "Monklands Memories" - for more information visit -
Glenboig Union Fireclay Co Ltd., Glenboig Fireclay Works, Glenboig, Lanarkshire
The Glenboig Union Fireclay Co. Ltd was founded by James Dunnachie & partners by the amalgamation of the "Old Works" and the "Star Works" in Glenboig. The company specialised in the production of refractory ceramic goods (e.g. furnace lining bricks and pipework) for the iron and steel industry which was flourishing in the nearby industrial towns. By expansion and take-overs the company went on to operate several other works, viz.: Cumbernauld Fireclay Works & Mine (c. 1882); Gartcosh Works (1890); Castlecary Fireclay Co. Ltd (c1919); Faskine & Palacerigg Bricks & Coal Ltd (c1919); George Turnbull & Co. Ltd - Bonnymuir and Dykehead Works (c1919).
Info. from "Monklands Memories" - for more information visit -
www.monklands.co.uk/glenboig/bricks.htm
Photo courtesy of Mark Cranston