View allAll Photos Tagged c1919
The Wolds Waggoners War Memorial, Main Street, Sledmere, East Yorkshire, c1919.
Carved by Carlo Magnoni (c1871-1961) to the design of Sir Mark Sykes.
Grade l listed.
This special memorial is to Sir Mark Sykes' own company of Waggoners, a corps of a thousand farm workers who provided horse drawn supply transport to soldiers in the trenches during the WWI.
The Waggoners' Memorial stands 6m high and is raised on an octagonal plinth of five steps, with a chamfered base and top step, and is surrounded by octagonal stone paving. It consists of a squat central carved drum beneath a conical canopy with carved fish scale slates and surmounted by a pinnacle that was once fitted with a cross. An entablature is supported by four elaborately carved columns, each decorated with a different geometric pattern, with capitals that have intertwined foliate and floral designs with farm animal heads at the corners. The entablature has a square patterned cornice with octagonal finials crowned by a coronet rising above each of the columns and an inscription on the frieze that reads:
LT COL SIR MARK SYKES. BART MP DESIGNED THIS MONUMENT AND SET IT UP AS A REMEMBRANCE OF THE GALLANT SERVICES RENDERED IN THE GREAT WAR 1914-1919 BY THE WAGGONERS RESERVE, A CORPS OF 1000 DRIVERS RAISED BY HIM ON THE YORKSHIRE WOLD FARMS IN THE YEAR 1912. THOMAS SCOTT FOREMAN. CARLO MAGNONI SCULPTOR. ALFRED BARR MASON.
Chancel, east window, c1919 - Saint Margaret (Pevsner Guide of 2011 states its the Virgin) flanked by Saints Michael and George : detail
The Wolds Waggoners War Memorial, Main Street, Sledmere, East Yorkshire, c1919.
Carved by Carlo Magnoni (c1871-1961) to the design of Sir Mark Sykes.
Grade l listed.
This special memorial is to Sir Mark Sykes' own company of Waggoners, a corps of a thousand farm workers who provided horse drawn supply transport to soldiers in the trenches during the WWI.
The Waggoners' Memorial stands 6m high and is raised on an octagonal plinth of five steps, with a chamfered base and top step, and is surrounded by octagonal stone paving. It consists of a squat central carved drum beneath a conical canopy with carved fish scale slates and surmounted by a pinnacle that was once fitted with a cross. An entablature is supported by four elaborately carved columns, each decorated with a different geometric pattern, with capitals that have intertwined foliate and floral designs with farm animal heads at the corners. The entablature has a square patterned cornice with octagonal finials crowned by a coronet rising above each of the columns and an inscription on the frieze that reads:
LT COL SIR MARK SYKES. BART MP DESIGNED THIS MONUMENT AND SET IT UP AS A REMEMBRANCE OF THE GALLANT SERVICES RENDERED IN THE GREAT WAR 1914-1919 BY THE WAGGONERS RESERVE, A CORPS OF 1000 DRIVERS RAISED BY HIM ON THE YORKSHIRE WOLD FARMS IN THE YEAR 1912. THOMAS SCOTT FOREMAN. CARLO MAGNONI SCULPTOR. ALFRED BARR MASON.
Date:c1919
Location: Annapolis Royal, Nova Scotia
Photographer: Paul Yates
Accession No.:93.665 - 184
Copyright: Annapolis Heritage Society
“Big Day Annapolis Banner” on car with three men and a horn. Picture # 881, Yates #5-488, negative # 5-0777 in Yates inventory.
Chancel, east window, c1919 - Saint Margaret (Pevsner Guide of 2011 states its the Virgin) flanked by Saints Michael and George
The Wolds Waggoners War Memorial, Main Street, Sledmere, East Yorkshire, c1919.
Carved by Carlo Magnoni (c1871-1961) to the design of Sir Mark Sykes.
Grade l listed.
This special memorial is to Sir Mark Sykes' own company of Waggoners, a corps of a thousand farm workers who provided horse drawn supply transport to soldiers in the trenches during the WWI.
The Waggoners' Memorial stands 6m high and is raised on an octagonal plinth of five steps, with a chamfered base and top step, and is surrounded by octagonal stone paving. It consists of a squat central carved drum beneath a conical canopy with carved fish scale slates and surmounted by a pinnacle that was once fitted with a cross. An entablature is supported by four elaborately carved columns, each decorated with a different geometric pattern, with capitals that have intertwined foliate and floral designs with farm animal heads at the corners. The entablature has a square patterned cornice with octagonal finials crowned by a coronet rising above each of the columns and an inscription on the frieze that reads:
LT COL SIR MARK SYKES. BART MP DESIGNED THIS MONUMENT AND SET IT UP AS A REMEMBRANCE OF THE GALLANT SERVICES RENDERED IN THE GREAT WAR 1914-1919 BY THE WAGGONERS RESERVE, A CORPS OF 1000 DRIVERS RAISED BY HIM ON THE YORKSHIRE WOLD FARMS IN THE YEAR 1912. THOMAS SCOTT FOREMAN. CARLO MAGNONI SCULPTOR. ALFRED BARR MASON.
St Mary (RC), Warrington, Cheshire, 1875-77.
Grade ll* listed.
Memorial Window, c1919.
Pray for the soul of John Eckersley who died March 9th 1919.
All Saints, Slingsby, North Yorkshire.
Young Memorial Window, c1919.
Erected to the memory of George Young of Slingsby and Hannah his wife by their children, 1892-1919.
H. Sheaffe, licensed surveyor., Pindimar City Map, Port Stephens, New South Wales. [c. 1919], [GRAY 919.442 PIND]
Pindimar City, Port Stephens, New South Wales. Designed and laid out under the supervision of W. Scott Griffiths, Town Planning Engineer; H. Sheaffe, licensed surveyor.
"Vendors Pindimar Port Stephens Ltd."
Managing Director, F. Phillips, Pindimar N.S.W.
Secretary, Alex Jobson F.C.P.A. A.L.A. Public Accountant, Perpetual Trustee Building. 33 Hunter St. Sydney (late Ocean House)
Solicitors, Boyce & Magney, Stephen Court, 79 Elizabeth St. Sydney.
Inset: Locality plan.
Map 89 from Ferguson Collection.
On verso: Pindimar City, Port Stephens. Showing the general scheme.
Sales plan broadsheet showing proposed real estate development at Pindimar, Port Stephens.
This is scanned from an item in the Gray Pamphlet Collection 919.442 PIND.
See another copy: www.flickr.com/photos/uon/5854858430
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Archives Rare Books & Special Collections.
If you have any further information about this image, please contact us or leave a comment in the box below.
Worcester Cathedral.
The Cloister.
King Henry ll & Thomas a Beckett, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
St Mary, East Leake, Nottinghamshire.
C12-C17, chancel rebuilt c1880.
Grade l listed.
War Memorial. c1919.
A hexagonal column with moulded base and scalloped capital surmounted by a single copper cross.
Grade ll listed.
Stickford
Photographer: Keith Guyler [1995]
District: Lincoln and Grimsby
Circuit: Spilsby 17/20
Opening date (original church): 1844/1852
Opening date (present church): 1883
Year closed: c1919
Original denomination: Primitive
Remarks: 'Ebenezer. Sold 1922. Second and third chapels pictured. Now house and store.'
Worcester Cathedral.
The Cloister.
Thomas a Beckett, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
King Henry lll & Simon of Montfort, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
King Henry lll, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
Judge Littleton & William Caxton, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Title: Stephen Henry and Jessie [nee Filmer] Sedgwick with their daughters Dorothy Hilda and Gladys Muriel
Collection: Smith
Date: c1919
Inscription: Grandfather & grandmother of Roderick, his Mum Gladys, her sister Dorothy. Sedgwick.
Note: Roderick is Roderick J. Baker
Worcester Cathedral.
The Cloister.
King Henry ll, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
Alexander Neckham & Roger Bacon, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
Alexander Neckham, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
1 Cent Northwestern Novelty Co. Pure Gum Merchandiser Countertop Gumball Vending Machine c1919, Earlier wire handle version of this cast-iron "Square Ball Gum Vender" w/ original paint & decals w/ key
Worcester Cathedral.
The Cloister.
Roger Bacon, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
William Caxton, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
Simon of Montfort, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.