View allAll Photos Tagged c1919
St Mary (RC), Warrington, Cheshire, 1875-77.
Grade ll* listed.
Memorial Window, c1919 - detail.
Pray for the soul of John Eckersley who died March 9th 1919.
The Wolds Waggoners War Memorial, Main Street, Sledmere, East Yorkshire, c1919.
Carved by Carlo Magnoni (c1871-1961) to the design of Sir Mark Sykes.
Grade l listed.
This special memorial is to Sir Mark Sykes' own company of Waggoners, a corps of a thousand farm workers who provided horse drawn supply transport to soldiers in the trenches during the WWI.
The Waggoners' Memorial stands 6m high and is raised on an octagonal plinth of five steps, with a chamfered base and top step, and is surrounded by octagonal stone paving. It consists of a squat central carved drum beneath a conical canopy with carved fish scale slates and surmounted by a pinnacle that was once fitted with a cross. An entablature is supported by four elaborately carved columns, each decorated with a different geometric pattern, with capitals that have intertwined foliate and floral designs with farm animal heads at the corners. The entablature has a square patterned cornice with octagonal finials crowned by a coronet rising above each of the columns and an inscription on the frieze that reads:
LT COL SIR MARK SYKES. BART MP DESIGNED THIS MONUMENT AND SET IT UP AS A REMEMBRANCE OF THE GALLANT SERVICES RENDERED IN THE GREAT WAR 1914-1919 BY THE WAGGONERS RESERVE, A CORPS OF 1000 DRIVERS RAISED BY HIM ON THE YORKSHIRE WOLD FARMS IN THE YEAR 1912. THOMAS SCOTT FOREMAN. CARLO MAGNONI SCULPTOR. ALFRED BARR MASON.
Title: Coaland Oil, San Juan, Porto [sic] Rico
Related Names:
Cook, F. E. , copyright claimant
Date Created/Published: c1919.
Notes:
J237061 U.S. Copyright Office
No. C27.
Copyright deposit; F. E. Cook; October 2, 1919.
Subjects:
Petroleum industry.
Puerto Rico--San Juan.
Gelatin silver prints.
Panoramic photographs.
Bookmark /2007663309/
The porch window contains work by Margaret Edith Aldrich Rope (left side) and her cousin Margaret Agnes Rope (right side). The design was by their aunt Ellen Mary Rope a prominent sculptor.
The two stained glass artists named Margaret Rope were first cousins, granddaughters of George Rope of Grove Farm, Blaxhall, Suffolk (1814-1912) and his wife Anne (née Pope) (29/3/1821-1/10/1882). Neither married: both were baptised Anglicans but died Roman Catholics.
The younger Margaret was the 5th child of Arthur Mingay Rope (himself George and Anne's 5th child: 1850-1945) and Agnes Maud (née Aldrich: 1855-1943). She was born on 29th July 1891 and christened Margaret Edith at St Margaret's Church, Leiston, Suffolk on 25th August. She died in March 1988.
Born into a farming family at Leiston on the Suffolk coast, Margaret Edith Rope found herself among artistic relatives at Leiston and Blaxhall, Suffolk: her uncle, George Thomas Rope, landscape painter and Royal Academician; her aunt Ellen Mary, sculptor; sister Dorothy, also a sculptor. In the family, her nickname was "Tor", for tortoise. She was later to use a tortoise to sign some of her windows.
She was first educated by an aunt and later at Wimbledon High School, Chelsea School of Art and LCC Central School of Arts & Crafts (where she specialised in stained glass under Karl Parsons & Alfred J. Drury).
The Wolds Waggoners War Memorial, Main Street, Sledmere, East Yorkshire, c1919.
Carved by Carlo Magnoni (c1871-1961) to the design of Sir Mark Sykes.
Grade l listed.
This special memorial is to Sir Mark Sykes' own company of Waggoners, a corps of a thousand farm workers who provided horse drawn supply transport to soldiers in the trenches during the WWI.
The Waggoners' Memorial stands 6m high and is raised on an octagonal plinth of five steps, with a chamfered base and top step, and is surrounded by octagonal stone paving. It consists of a squat central carved drum beneath a conical canopy with carved fish scale slates and surmounted by a pinnacle that was once fitted with a cross. An entablature is supported by four elaborately carved columns, each decorated with a different geometric pattern, with capitals that have intertwined foliate and floral designs with farm animal heads at the corners. The entablature has a square patterned cornice with octagonal finials crowned by a coronet rising above each of the columns and an inscription on the frieze that reads:
LT COL SIR MARK SYKES. BART MP DESIGNED THIS MONUMENT AND SET IT UP AS A REMEMBRANCE OF THE GALLANT SERVICES RENDERED IN THE GREAT WAR 1914-1919 BY THE WAGGONERS RESERVE, A CORPS OF 1000 DRIVERS RAISED BY HIM ON THE YORKSHIRE WOLD FARMS IN THE YEAR 1912. THOMAS SCOTT FOREMAN. CARLO MAGNONI SCULPTOR. ALFRED BARR MASON.
Nottingham & Beeston Canal, Castle Wharf, Nottingham.
British Waterways Warehouse.
Built for the Trent Navigation Company, c1919.
Grade ll listed.
Now residential.
The Wolds Waggoners War Memorial, Main Street, Sledmere, East Yorkshire, c1919.
Carved by Carlo Magnoni (c1871-1961) to the design of Sir Mark Sykes.
Grade l listed.
This special memorial is to Sir Mark Sykes' own company of Waggoners, a corps of a thousand farm workers who provided horse drawn supply transport to soldiers in the trenches during the WWI.
The Waggoners' Memorial stands 6m high and is raised on an octagonal plinth of five steps, with a chamfered base and top step, and is surrounded by octagonal stone paving. It consists of a squat central carved drum beneath a conical canopy with carved fish scale slates and surmounted by a pinnacle that was once fitted with a cross. An entablature is supported by four elaborately carved columns, each decorated with a different geometric pattern, with capitals that have intertwined foliate and floral designs with farm animal heads at the corners. The entablature has a square patterned cornice with octagonal finials crowned by a coronet rising above each of the columns and an inscription on the frieze that reads:
LT COL SIR MARK SYKES. BART MP DESIGNED THIS MONUMENT AND SET IT UP AS A REMEMBRANCE OF THE GALLANT SERVICES RENDERED IN THE GREAT WAR 1914-1919 BY THE WAGGONERS RESERVE, A CORPS OF 1000 DRIVERS RAISED BY HIM ON THE YORKSHIRE WOLD FARMS IN THE YEAR 1912. THOMAS SCOTT FOREMAN. CARLO MAGNONI SCULPTOR. ALFRED BARR MASON.
The Wolds Waggoners War Memorial, Main Street, Sledmere, East Yorkshire, c1919.
Carved by Carlo Magnoni (c1871-1961) to the design of Sir Mark Sykes.
Grade l listed.
This special memorial is to Sir Mark Sykes' own company of Waggoners, a corps of a thousand farm workers who provided horse drawn supply transport to soldiers in the trenches during the WWI.
The Waggoners' Memorial stands 6m high and is raised on an octagonal plinth of five steps, with a chamfered base and top step, and is surrounded by octagonal stone paving. It consists of a squat central carved drum beneath a conical canopy with carved fish scale slates and surmounted by a pinnacle that was once fitted with a cross. An entablature is supported by four elaborately carved columns, each decorated with a different geometric pattern, with capitals that have intertwined foliate and floral designs with farm animal heads at the corners. The entablature has a square patterned cornice with octagonal finials crowned by a coronet rising above each of the columns and an inscription on the frieze that reads:
LT COL SIR MARK SYKES. BART MP DESIGNED THIS MONUMENT AND SET IT UP AS A REMEMBRANCE OF THE GALLANT SERVICES RENDERED IN THE GREAT WAR 1914-1919 BY THE WAGGONERS RESERVE, A CORPS OF 1000 DRIVERS RAISED BY HIM ON THE YORKSHIRE WOLD FARMS IN THE YEAR 1912. THOMAS SCOTT FOREMAN. CARLO MAGNONI SCULPTOR. ALFRED BARR MASON.
Edgar Degas (1834-1917) - Dancer looking at the sole of her right foot, bronze. Cast posthumously by A A Hebrand Foundry, from a was model, c1919
Chancel, east window, c1919 - Saint Margaret (Pevsner Guide of 2011 states its the Virgin) flanked by Saints Michael and George : detail
The Wolds Waggoners War Memorial, Main Street, Sledmere, East Yorkshire, c1919.
Carved by Carlo Magnoni (c1871-1961) to the design of Sir Mark Sykes.
Grade l listed.
This special memorial is to Sir Mark Sykes' own company of Waggoners, a corps of a thousand farm workers who provided horse drawn supply transport to soldiers in the trenches during the WWI.
The Waggoners' Memorial stands 6m high and is raised on an octagonal plinth of five steps, with a chamfered base and top step, and is surrounded by octagonal stone paving. It consists of a squat central carved drum beneath a conical canopy with carved fish scale slates and surmounted by a pinnacle that was once fitted with a cross. An entablature is supported by four elaborately carved columns, each decorated with a different geometric pattern, with capitals that have intertwined foliate and floral designs with farm animal heads at the corners. The entablature has a square patterned cornice with octagonal finials crowned by a coronet rising above each of the columns and an inscription on the frieze that reads:
LT COL SIR MARK SYKES. BART MP DESIGNED THIS MONUMENT AND SET IT UP AS A REMEMBRANCE OF THE GALLANT SERVICES RENDERED IN THE GREAT WAR 1914-1919 BY THE WAGGONERS RESERVE, A CORPS OF 1000 DRIVERS RAISED BY HIM ON THE YORKSHIRE WOLD FARMS IN THE YEAR 1912. THOMAS SCOTT FOREMAN. CARLO MAGNONI SCULPTOR. ALFRED BARR MASON.
Date:c1919
Location: Annapolis Royal, Nova Scotia
Photographer: Paul Yates
Accession No.:93.665 - 184
Copyright: Annapolis Heritage Society
“Big Day Annapolis Banner” on car with three men and a horn. Picture # 881, Yates #5-488, negative # 5-0777 in Yates inventory.
Chancel, east window, c1919 - Saint Margaret (Pevsner Guide of 2011 states its the Virgin) flanked by Saints Michael and George : detail
'The Dutchman's Cap from Iona' by F.C.B.Cadell (c1919). In the Kelvingrove Art Gallery and Museum, Glasgow.
The Wolds Waggoners War Memorial, Main Street, Sledmere, East Yorkshire, c1919.
Carved by Carlo Magnoni (c1871-1961) to the design of Sir Mark Sykes.
Grade l listed.
This special memorial is to Sir Mark Sykes' own company of Waggoners, a corps of a thousand farm workers who provided horse drawn supply transport to soldiers in the trenches during the WWI.
The Waggoners' Memorial stands 6m high and is raised on an octagonal plinth of five steps, with a chamfered base and top step, and is surrounded by octagonal stone paving. It consists of a squat central carved drum beneath a conical canopy with carved fish scale slates and surmounted by a pinnacle that was once fitted with a cross. An entablature is supported by four elaborately carved columns, each decorated with a different geometric pattern, with capitals that have intertwined foliate and floral designs with farm animal heads at the corners. The entablature has a square patterned cornice with octagonal finials crowned by a coronet rising above each of the columns and an inscription on the frieze that reads:
LT COL SIR MARK SYKES. BART MP DESIGNED THIS MONUMENT AND SET IT UP AS A REMEMBRANCE OF THE GALLANT SERVICES RENDERED IN THE GREAT WAR 1914-1919 BY THE WAGGONERS RESERVE, A CORPS OF 1000 DRIVERS RAISED BY HIM ON THE YORKSHIRE WOLD FARMS IN THE YEAR 1912. THOMAS SCOTT FOREMAN. CARLO MAGNONI SCULPTOR. ALFRED BARR MASON.
St Mary (RC), Warrington, Cheshire, 1875-77.
Grade ll* listed.
Memorial Window, c1919.
Pray for the soul of John Eckersley who died March 9th 1919.
Chancel, east window, c1919 - Saint Margaret (Pevsner Guide of 2011 states its the Virgin) flanked by Saints Michael and George
All Saints, Slingsby, North Yorkshire.
Young Memorial Window, c1919.
Erected to the memory of George Young of Slingsby and Hannah his wife by their children, 1892-1919.
Worcester Cathedral.
The Cloister.
King Henry ll & Thomas a Beckett, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
Judge Littleton, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
Thomas a Beckett, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
St Mary, East Leake, Nottinghamshire.
C12-C17, chancel rebuilt c1880.
Grade l listed.
War Memorial. c1919.
A hexagonal column with moulded base and scalloped capital surmounted by a single copper cross.
Grade ll listed.
Worcester Cathedral.
The Cloister.
King Henry lll & Simon of Montfort, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
Judge Littleton & William Caxton, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
King Henry ll, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.
Worcester Cathedral.
The Cloister.
Alexander Neckham & Roger Bacon, c1919.
By the Gateshead Stained Glass Company - designer James Eadie Reid.
The Gateshead Stained Glass Company (1879-1926) was founded by James George Sowerby (1850-1914) and Thomas Ralph Spence (1848-1918), who did much of the early design work. James Eadie Reid (1859-1928) became chief designer for a short period in the early 20th century.
James Eadie Reid (1859-1928) was an artist who depicted biblical scenes based on his visits to the Holy Land. He also designed church murals and stained glass. He was a pupil of William Richmond. James Eadie Reid designed for the Gateshead Stained Glass Company before he returned to London to focus more on his own artwork, and latterly the design of war memorials.