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Technology is transforming the field of architecture and building design in countless ways. From design software and visualization tools to new materials and construction methods, advances in technology are enabling architects and building designers to create structures that are more functional, sustainable, and aesthetically pleasing than ever before.
indiabizznessgurgaon.blogspot.com/2023/02/how-technologic...
REBEL: 30 Years of London Fashion
Dress, Spring/Summer 2007
“The dress was a cloud - I wanted to create kind of incredible drama with the volumes I love. A dream of escapades. It was about the beauty of being a woman. Positive, happy Fashion, which I would say I'm still doing today." - Roksanda
Roksanda Illinčić dreamt of being a fashion designer as a girl growing up in Serbia. When she appeared on the London scene after graduating from Central Saint Martins masters, fashion was stark, and femininity was *out'. Roksanda challenged all that with the outrageous exuberance of her humungous demi-couture dresses. Her Spring/Summer 2007 dress was topped with a huge bow by her friend Noel Stewart. I was making everything between my place in London and seamstresses at home in Belgrade. My fabrics were all I could afford: off market carts, or leftovers, Shepherds Bush Market. The places around London students still buy them.?
Headpiece by Noel Stewart for Roksanda, remade 2023
Tulle, repurposed Gainsborough silk brocade and silk organza
Courtesy Roksanda
All text Copyright The Design Museum © 2023
REBEL: 30 Years of London Fashion
Coco dress, Silk, Spring/Summer 2004
*It was dancer-inspired - '90s deep house, '30s modernism, '70s op art. The feeling when colours react, clash or harmonise.' - Jonathan Saunders
Jonathan Saunders was in the vanguard of young London's optimistic surge of print, colour and partywear that danced fashion out of its post-9/11 gloom.
His first NEWGEN show in 2004 was kaleidoscopic, inspired by the art of Victor Vasarely, the geometrics of MC Escher and the energy of late 1990s rave culture in his hometown of Glasgow. Saunders learned print at Glasgow School of Art, before taking his masters in fashion and print at Central Saint Martins, graduating in 2002. He secretly screen-printed this hit debut while teaching at Brixton Printworks, turning their print-room into his studio at night.
Courtesy Yvie Hutton
Fabric backdrop
Polyester
All text Copyright The Design Museum © 2023
Hire building designers to redesign your building structure and construction. Our consulting engineers Melbourne will assist with town planning and other building certification during construction. Call us now our building designers today!!http://www.gamcorp.com.au/
REBEL: 30 Years of London Fashion
"I'm "I cast Hayley Morley, a curve model, to open my show. The fashion industry had a very narrow focus on models with similar body shapes at the time. My rebellion from the catwalk norm sought to break down barriers, inspire self acceptance and confidence, and promote a more inclusive notion of beauty." - Mark Fast
Mark Fast's first solo NEWGEN show of knitwear in 2007 embraced curvier models, driving the demand for inclusive fashion. He said, 'There was little representation or acceptance of diversity in terms of body types.
Afterwards, I was overwhelmed with countless emails from women who were thrilled, who had previously felt unrepresented.' Mark developed his cobweb-stitch' on a domestic knitting machine in his small East End studio. 'I began as a solitary force driven to fearlessly innovate techniques and materials, celebrate individuality and defy conventional norms.'
Black knitted dress with pearl detailing, Spring/Summer 2010
Polyester, Swarovski pearls
Courtesy Mark Fast
All text Copyright The Design Museum ©2023
Pictured in photo (from left):
S & B Construction William Cooper
Northview Church Lead Pastor Steve Poe
City of Carmel Mayor Brainard
Building Designer Lenzy Hendrix
Carmel Chamber of Commerce Patty Steffen
Credit: Photo Submitted by Melody Carpenter
BIPV serves many benefits - it not only helps generate clean energy but also helps as a construction material and more importantly it can also enhance the architecture of the building. In this article, we are listing down 3 important pointers on how BIPV can aesthetically improve your building's architecture and it can make sure that whoever passes by your building turns around to notice at least once :)
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
2005, San Francisco del Monte de Oro, Argentina
Yanantin Foundation, 1st earthen building
Designer/builder: Janell Kapoor, Meka Bunch
REBEL: 30 Years of London Fashion
Knit Monster Ensemble, Scottish lambswool, angora, cotton, 2010
*Knit monster says welcome to the club! Sibling grew from our mutual love of music, going out, dressing up and having a good time."
- Sibling
The Knit Monster is on the door at the REBEL fashion club. the men’s knitwear label by Sid Bryan, Joe Bates and Colette McCreery plugged into the East London club energy of the mid-2000s. Its colourful epicentre was Boombox, which Richard Mortimer hosted between 2004 and 2007 at Hoxton Bar and Grill. Boombox nights of self-styling amongst designers, students and young creatives torged a community spirit which radiated through runway shows, magazine shoots and Alistair Allan's www.dirtydirtydancing.com. Colette helped set the friendly egalitarian tone on the club door. The Knit Monster’s knitted clash of neon, Fair Isle twinset, punk fauxhawk and gimp mask bounced off the fun.
Courtesy Sibling and Kingston University
All text Copyright The Design Museum © 2023
REBEL: 30 Years of London Fashion
Embroidered dress, Duchesse silk satin, Autumn/Winter 2008
*We might be in Hackney, but let's pretend we're in Paris!" - Erdem
Erdem lifted London's reputation as a fashion city in spring 2008. Suddenly, here was a voung upstart who was making evening wear which aspired to demi-couture luxury. I rebel in ruffles and lace, he remarked. He'd succeeded in doing this while working out of one room at the Centre for Fashion Enterprise in Mare Street in London's East End. The non-profit business incubator was the base from which he collaborated with friends he'd met at the Royal College of Art. Born in Montreal to a British mother and Turkish father, Erdem Moralioglu came London in 2001 to study a masters in fashion at the Royal College of Art on a Chevening Scholarship and a bursary from the British Fashion Council. His shows and store in Mayfair are a mainstay of London fashion.
Courtesy Erdem
All text Copyright The Design Museum © 2023
REBEL: 30 Years of London Fashion
CHRISTOPHER KANE SPRING/SUMMER 2007
While Christopher Kane’s talent was announced at the Central Saint Martins’ MA degree show, it was the SS07 collection that quickly followed which confirmed his god tier capabilities. Here, Kane tapped into the moment with bold, brilliant mini dresses of lace, plastic, and diamante. Marrying feminine notes with a fiercely modern point of view – and acid brights with more neutral tones – it was the first nod to the aesthetic duality of which the designer has since established as a winning formula.
All text Copyright DAZED © 2007
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
REBEL: 30 Years of London Fashion
CHRISTOPHER KANE SPRING/SUMMER 2007
While Christopher Kane’s talent was announced at the Central Saint Martins’ MA degree show, it was the SS07 collection that quickly followed which confirmed his god tier capabilities. Here, Kane tapped into the moment with bold, brilliant mini dresses of lace, plastic, and diamante. Marrying feminine notes with a fiercely modern point of view – and acid brights with more neutral tones – it was the first nod to the aesthetic duality of which the designer has since established as a winning formula.
All text Copyright DAZED © 2007
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
REBEL: 30 Years of London Fashion
Rainbow tank and Mrs Simpson skirt, Spring/Summer 1997
"Colour was massively unfashionable at the time. Everything was grey, downbeat, raw-edged or minimal. We decided to go against it with colour, cashmere stripes, clashing prints and luxury. We called it clumsy couture? Colour turned out to beour super-power." - Clements Ribeiro
Suzanne Clements and Inacio Ribeiro showcased their taste for vibrant colour and print right in the middle of the early 1990s recession. Their shows became part of the Cool Britannia sensation that put London fashion back on the map. Playfully stripy twinsets - a youthful refresh of luxurious cashmere - were produced by Barrie, a specialist knitwear manufacturer in Scotland. Launched in 1993, Clements Ribeiro is today a cashmere collection designed by Inacio. Suzanne is now an artist.
Cashmere, cotton sateen
Foxglove print fabric backdrop
Double duchesse satin
Reproduced by permission
Courtesy Clements Ribeiro
All text Copyright The Design Museum © 2023
REBEL: 30 Years of London Fashion
CHRISTOPHER KANE SPRING/SUMMER 2007
While Christopher Kane’s talent was announced at the Central Saint Martins’ MA degree show, it was the SS07 collection that quickly followed which confirmed his god tier capabilities. Here, Kane tapped into the moment with bold, brilliant mini dresses of lace, plastic, and diamante. Marrying feminine notes with a fiercely modern point of view – and acid brights with more neutral tones – it was the first nod to the aesthetic duality of which the designer has since established as a winning formula.
All text Copyright DAZED © 2007
REBEL: 30 Years of London Fashion
Black lace dress sample, 2023
Lee Alexander McQueen and Simon Ungless
Latex, lace
All text Copyright The Design Museum © 2023
Team Designs convey quick and exact Canada 3D architectural rendering, we have organized a group of committed architectural designers. www.teamdesigns.ca/
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Vaastu Pty Ltd, Mt Eliza, Beach House Have Expertise And 13+Years Industry Experience In Providing Wide Range Of Building Designing Services Including Town Planning & Building Permit Documentations.
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
REBEL: 30 Years of London Fashion
Rio dress, Autumn/Winter 2017, Nylon
The giant seven tiered dress suspended above was made by Molly Goddard for her Autumn/Winter 2017 show. It exemplifies the expressive design identity that she had already formed as an undergraduate student at Central Saint Martins in 2012, rethinking old-fashioned textile craft techniques to make her vast, playfully rebellious party dresses. Molly's talent for drawing became integral to visualising her designs and her fun social-scenario shows. She staged her first NEWGEN presentation in a life-drawing class with street-cast models and friends in 2015.
Rihanna Instagrammed herself wearing a custom version of this dress with trainers and sunglasses on 10 October 2017. "Exactly as it should be worn!', Molly remarked.”
“I remember my tutor Sarah Gresty saying, 'Just go bigger, explore!' It was very much fun, realising that there was no kind of limit. I did fashion illustration, lots of life drawing, and specialised in hand-craft techniques such as hand-pleating, smocking and crochet”. - Molly Goddard
All text above copyright of The Design Museum ©2023
REBEL: 30 Years of London Fashion
Black lace dress sample, 2023
Lee Alexander McQueen and Simon Ungless
Latex, lace
All text Copyright The Design Museum © 2023
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
REBEL: 30 Years of London Fashion
Archway Lampshade skirt and Picket Parade jacket, Spring/Summer 2011
"Digital was taboo at college. I taught myself Photoshop. I use my mouse as my paint brush!" - Mary Katrantzou
With her delightfully fresh digital collaging, Mary Katrantzou made lampshades walk, and ballrooms, balconies and curtains breeze along the runway in her spring show of 2011. By Photoshopping interiors, she conjured a multicoloured word in her computer. Her method was an act of self-taught rebellion against the limitations of traditional screen-printing, the only technique approved at Central Saint Martins when she was studying for her masters in 2008. She discovered the Silk Bureau, a small British company that had invested in a digital printing machine, and sales of her first NEWGEN collection in autumn 2009 took off internationally.
Polyester, silk, crystals
Digital print backdrop
Polyester
Courtesy Marv Katrantzou
All text Copyright The Design Museum © 2023
REBEL: 30 Years of London Fashion
Embroidered dress, Duchesse silk satin, Autumn/Winter 2008
*We might be in Hackney, but let's pretend we're in Paris!" - Erdem
Erdem lifted London's reputation as a fashion city in spring 2008. Suddenly, here was a voung upstart who was making evening wear which aspired to demi-couture luxury. I rebel in ruffles and lace, he remarked. He'd succeeded in doing this while working out of one room at the Centre for Fashion Enterprise in Mare Street in London's East End. The non-profit business incubator was the base from which he collaborated with friends he'd met at the Royal College of Art. Born in Montreal to a British mother and Turkish father, Erdem Moralioglu came London in 2001 to study a masters in fashion at the Royal College of Art on a Chevening Scholarship and a bursary from the British Fashion Council. His shows and store in Mayfair are a mainstay of London fashion.
Courtesy Erdem
All text Copyright The Design Museum © 2023
REBEL: 30 Years of London Fashion
Rainbow tank and Mrs Simpson skirt, Spring/Summer 1997
"Colour was massively unfashionable at the time. Everything was grey, downbeat, raw-edged or minimal. We decided to go against it with colour, cashmere stripes, clashing prints and luxury. We called it clumsy couture? Colour turned out to beour super-power." - Clements Ribeiro
Suzanne Clements and Inacio Ribeiro showcased their taste for vibrant colour and print right in the middle of the early 1990s recession. Their shows became part of the Cool Britannia sensation that put London fashion back on the map. Playfully stripy twinsets - a youthful refresh of luxurious cashmere - were produced by Barrie, a specialist knitwear manufacturer in Scotland. Launched in 1993, Clements Ribeiro is today a cashmere collection designed by Inacio. Suzanne is now an artist.
Cashmere, cotton sateen
Foxglove print fabric backdrop
Double duchesse satin
Reproduced by permission
Courtesy Clements Ribeiro
All text Copyright The Design Museum © 2023
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The global theme for April 2016 was “Risk” and our speaker at Portland/CreativeMornings was building designer and developer Kevin Cavenaugh.
We were hosted by The Gerding Theater at The Armory and sponsored by
Kind and 52 Limited. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Ethan Allen Smith. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
REBEL: 30 Years of London Fashion
Red Twist dress, Satin, Spring/Summer 2023
"Emotions are important to me. When someone looks at my clothes, I want them to feel something."
- Feben
This saturated red dress by Feben vibrated from her Autumn/Winter 2022 runway collection. I love the colour red. To look at something so beautiful can be quite overwhelming. It's so nice when people say "I feel like an art piece wearing this!* An Ethiopian designer who grew up in Sweden, Feben Vemmenby studied fashion at Central Saint Martins. *Making and designing is a cathartic experience, an exploration of my identity,' she says.
Feben developed this highly popular shirred fabric technique as a student, but her wide-ranging talents resist categorisation. As a Black woman, I am designing through a political lens. I'm not in a box. I'm a free woman!'
Courtesy Feben
All text Copyright The Design Museum © 2023