Bryant Park
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Der Bryant Park ist ein ikonischer städtischer Park im Herzen von New York City. Dieser grüne Rückzugsort ist bekannt für seine öffentlichen Veranstaltungen und die berühmte Bryant Park Public Library. Der Park ist eine beliebte Anlaufstelle für Einheimische und Touristen gleichermaßen, die eine entspannte Atmosphäre und kulturelle Aktivitäten genießen möchten.
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Bryant Park is an iconic urban park in the heart of New York City. This green retreat is known for its public events and the famous Bryant Park Public Library. The park is a popular destination for locals and tourists alike to enjoy a relaxing atmosphere and cultural activities.
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One Bryant Park (aka the Bank of America Tower) NYC - 2009 - Design Architect: Cook + Fox Architects, LLP; Architect: Adamson Associates
Sister Bryant and Pastor Bryant with Mizpah's former Youth Pastors - Darnell and Yvette Parham and their young children.
Manhatten, midtown, New York
wird gerne für Kaffee- und Lunchpause genutzt.
people enjoy coffee and lunchbreak here.
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Bryant Park is one of the signature examples of New York City's revival in the 1990s. Essentially crime-free, the park is filled with office workers on sunny weekdays, city visitors on the weekends, and revelers during the holidays. Daily attendance counts often exceed 800 people per acre, making it the most densely occupied urban park in the world. In 1995, an article about midtown office workers who had found the newly reopened park a good place to go to after work bore the headline "Town Square of Midtown" and the moniker has stuck.
At the western gateway to the Bryant Park is the pink granite Josephine Shaw Lowell Memorial Fountain, dedicated in 1912. This was the city’s first public memorial dedicated to a woman. Lowell (1843-1905) was a social worker and founder of the Charity Organization Society. Charles Adams Platt designed the fountain.
The official soundtrack of this image is Darlene Love's 1963 cover of "Marshmallow World" from the classic album "A Christmas Gift for You from Phil Spector."
Cue the LP.
Credit for finding this shot of the arriving Dell Rapids train at the Sioux Falls airport for crew swap on SB loaded train goes to my chasing companion Bryant Kaden. I just followed his footsteps.
I finally got tired and oh so bored waiting for the perfect light to come my way. Used to settle back in the Adirondack waiting for the sun to complete its journey. Well, way too cold for that at this time of year. This is what prompted me to dig out the old 430 EX II. So, between trying out different recipes for the Instant Pot (different topic) and charging up various batteries for the truck using different charging devices (other different topic), I observed Bryant, the model on the couch, observing me. Alright then, let’s give this a shot (get it?) and away we went trying various settings on the camera and the flash and doing on- and off-camera flash configurations et voilà ... Even tried the black foamie thing . Kudos to Neil van Niekerk. This is one of my early attempts at flash photography. The conclusion that I arrived at so far is that manual is the way to go, for the camera and the flash. (Obviously, that’s not meant for non-posing birds. The nice thing about having the flash positioned off-camera is that the direction of the light does not change as you and the camera move about. That’s great when the subject does not move from spot to spot. If that is the case – subject moving – then obviously, flash on-camera is the way to go. Will experiment further with at least one additional flash and getting into short and broad light. And who even knew that the particular lighting pattern employed here is called “butterfly lighting” … (other lighting patterns are split lighting, loop lighting, Rembrandt lighting with two styles that can be applied to the three preceding patterns – namely broad and short lighting). Source: Darlene Hildebrandt – 6 Portrait Lighting Patterns Every Photographer should know
The one thing that has me absolutely awestruck here is the Rembrandt lighting when she’s talking about using Rembrandt’s nose to create the small lit tringle under the eye that is facing away from the light source. How will I get a Rembrandt’s nose? If I were successful in obtaining this nose, would Bryant attempt to snatch it out of my hand completely ruining the composition and intended effect, necessitating the relocation of the shoot to some drab hospital room as I try to recompose the setting with one healthy hand?