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Camera: Canon IXUS Z70

Film: Kodak Advantix (Expired 2013)

Lab: Photo Express, Hull

Scanner: Epson Perfection V550

Software: Adobe Photoshop & Lightroom

Shot using the Zenit TTL with Helios 44-M 58-2.8, FP4+ in Rodinal 1+25

This area is packed with car during the week and very busy so it was a nice just to walk here and see the brutal architecture of ITAR TASS building

The Draper Estate in Elephant & Castle, S.E.1. Draper House, the tower block element still stands today. Castle House (right) was demolished to make way for 'Strata SE1', a 43-story residential development by Brookfield Europe.

Prague to Zagreb - monochrome brutalism

The campaign to save this gem moves on this week as World's Monument Fund puts it on the "at risk" list.

Please support the campaign

www.prestonbusstation.co.uk/

Prague to Zagreb - monochrome brutalism

Prague to Zagreb - monochrome brutalism

Prague to Zagreb - monochrome brutalism

And pouring softdrinks onto the pavement as I walk: "Ah the Lafayette Parish Courthouse, erected 1965." [pours out a softdrink]

 

Imagine how surprising it would have been if the white southerners of the mid-1960s had had the aesthetic foresight to align the center column of their imposing government building with the center line of the street it overlooks.

 

Speaking of white southerners of the mid-1960s, from 1965 to 1985 inmates were warehoused without air conditioning on the building's baking hot top floor. Casual sadism was rampant in daily life!

 

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In downtown Lafayette, Louisiana, on July 12th, 2014, Main Street and the Lafayette Parish Courthouse as viewed from the west side of Jefferson Street.

 

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Library of Congress classification ideas:

NA4471 Courthouses—United States—Pictorial works.

NA712.5.B78 Brutalism (Architecture)—United States.

NA9053.S7 Streetscapes (Urban design)—United States—Pictorial works.

HE355 Streets—United States—Pictorial works.

NA4125 Concrete construction—United States—Pictorial works.

HV8746.U6 Jails—United States—Pictorial works.

E169.12 Nineteen sixties—Pictorial works.

F379.L16 Lafayette (La.)—Pictorial works.

Taken from the DEWAN TUNKU CANSELOR, UM at Kuala Lumpur, Malaysia - LINCOLNOSE2®2008

 

DEWAN TUNKU CANSELOR (DTC)

Built in 1965, Dewan Tunku Canselor (DTC) is a landmark for University Malaya. It is here that the convocation ceremonies for

graduation have been held annually since August 1966 and to the hosting of numerous functions of the university including semester

examinations, special studio class, theatres performances, seminars and conferences. DTC was designed with a strong influence of

Brutalism Architecture and Modernism Movement. The two and half storey building was constructed mainly with off-form concrete

structure using egg-crate reinforced concrete ceiling and ‘beton brut’ images. On June 29th, 2001, a pre-dawn fire gutted the

building and almost ninety percent of the building was destroyed. The Faculty of Built Environment, University Malaya

participated in the effort of reconstructing the building to its original condition.

 

Note: CAMPUS BRUTALISM

In the late 1960s, many campuses in North America were undergoing expansions and, as a result, there are a significant number of Brutalist buildings at American and Canadian universities, beginning with Paul Rudolph's 1958 Yale Art and Architecture Building. Rudolph's design for the University of Massachusetts Dartmouth is an example of an entire campus designed from scratch in the Brutalist style.

Bierpinsel is the work of Ralph Schüler und Ursulina Schüler-Witte an architect couple who also designed the brutalist ICC Conference Center in Berlin-Westend. The original concept that came from the couple was that of a tree shape, but I don’t think this idea is there today. It looks more like a crazy Lego creation than anything else. Either way, it took four years to build it, between 1972 and 1976 and, according to the legend, it got its nickname due to the amount of free beer that was served on the opening day.

 

ftrc.me/fotostrasse

#fotostrasse #travel

www.berlinerfestspiele.de/de/berliner-festspiele/programm...

 

In early October, 2021, we took our cameras inside the ICC for the exciting The Sun Machine Is Coming Down, and it was great to take pictures inside this massive building.

 

boston, massachusetts

fall 1975

 

gala event, boston city hall

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

Prague to Zagreb - monochrome brutalism

Prague to Zagreb - monochrome brutalism

Prague to Zagreb - monochrome brutalism

Prague to Zagreb - monochrome brutalism

Prague to Zagreb - monochrome brutalism

Prague to Zagreb - monochrome brutalism

www.berlinerfestspiele.de/de/berliner-festspiele/programm...

 

In early October, 2021, we took our cameras inside the ICC for the exciting The Sun Machine Is Coming Down, and it was great to take pictures inside this massive building.

 

Some examples of brutalism architecture at the University of Wisconsin-Madison. This one is of Van Vleck Hall.

Prague to Zagreb - monochrome brutalism

Prague to Zagreb - monochrome brutalism

Theodore Giesel Library, University of San Diego

Revueflex SD1 / Chinon CS4 | Helios 44M| Colorplus 200

The Catholic parish church of the Resurrection of Christ was built between 1964 and 1970 according to plans by the architect Gottfried Böhm in the Lindenthal district of Cologne. The two architects Wilhelm Jungherz and Klaus Micheel were also involved in the design.

 

The church building illustrates to a large extent the idea of ​​architecture as sculpture.

 

The church is excellently integrated into the urban planning. It serves as a vanishing point for the Lindenthal Canal, which is lined with avenues. At the end of the canal, wide staircases form squares, which are bordered on the sides by community buildings. Finally, the church rises together with the parish tower.

 

The staggered height development with projections and recesses and beveled edges creates a sculptural character. At the north-west corner, the open spiral staircase emphasizes the tower. The plastic effect is reinforced by the calculated use of the material colors, the change from reddish brickwork to light exposed concrete surfaces.

 

The floor plan is asymmetrical and polygonal. The angles and niches resulting from this in the outline are assigned liturgical tasks. Together with the different room heights and the reduced incidence of light, the room is given liveliness. The building appears as a walk-in sculpture. The windows, also designed by Böhm, are predominantly red-glazed. Together with the reddish masonry, they reinforce the cave-like atmosphere.

 

Photography & retouching by Matthias Dengler

 

www.matthiasdengler.com

instagram.com/matthiasdengler_

  

Prague to Zagreb - monochrome brutalism

The campaign to save this gem moves on this week as World's Monument Fund puts it on the "at risk" list.

Please support the campaign

www.prestonbusstation.co.uk/

The Draper Estate in Elephant & Castle, S.E.1. Draper House, the tower block element still stands today. Castle House (right) was demolished to make way for 'Strata SE1', a 43-story residential development by Brookfield Europe.

The Brutalist estate is being demolished as part of a development called Blackwall Reach.

 

en.wikipedia.org/wiki/Robin_Hood_Gardens

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