View allAll Photos Tagged bleach
Temperatures were around 27C (80.6F). A stiff breeze was blowing - but it felt just like the hairdryer on warm. I intend to go at a different time, but this trip gave us a chance to look around...
© 2016 Thousand Word Images by Dustin Abbott
I wanted to catch the dynamic nature of the great clouds on this morning along with the drama of the moment. I spent a little time in a Alien Skin Exposure and settled on a version of the FSA Red Bleach look. The color palette skews a little unnatural, but I liked the result anyway. Great skies are always fantastic, but when you can get them mirrored in a body of water....even better! A bleached explosion to make my morning!
Technical Information: Canon EOS 6D + Tamron SP 15-30mm f/2.8 VC + Fotodiox Pro WonderPana system, Processed in Adobe Lightroom CC, Photoshop CC, and Alien Skin Exposure X (use code "dustinabbott" to get 10% off)
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Little more explorations of the world in bleach bypass tones of the GX80 ;)
Yesterday I noticed that my G7 also got that profile, cool :]
Photo by David using the "Bleach Brown" custom filter, available for download. The custom filters are a new feature available in CameraBag Desktop 1.5. Available Now.
applying the Flickr's bleached effect to the original capture
"Thank you very much for all your faves"
On the way to the boat tours of westernbrook pond. This bleached branch sat just off the path. The drama in the sky is real. We got soaked with a hard rain that started about 10 minutes after this shot was taken. Cowhead Newfoundland, Canada.
Saguaro Lake and Four Peaks Wilderness. With snow dust on the mountains, rare phenomenon here in AZ.
This view features the iconic 67 year old Domino Sugar refinery sign. Tide Point Baltimore Harbor. Processed primarily using Alien Skin Exposure bleach bypass setting
January 2023
6-coach “walkthrough” 4000 Class unit crosses one of the Bleach Green Viaducts working the 1238hrs NIR service from Derry to Belfast Great Victoria Street.
The line to Larne can be seen behind the train.
© Finbarr O'Neill
This image is undoubtedly the highlight of Petrina Hicks' work in the exhibition "Bleached Gothic". I was taken by the single viewer in such a large room staring at what one can only describe as a surreal image.
35mm damaged film negative
Layered with digital image
Edited with VSCO cam app
I've soaked my negatives in a lot of stuff over the years but this was the first time I tried bleach. Too much will take all color off the negative. A little diluted with water will allow you to remove three layers before your image vanishes: yellow first, then red, then blue.
Taken last year in the Western Australia Desert near Laverton. Even 20 minutes after sunset, the bleached dead timber still stood out in the gathering gloom.
Already I want a change :P At least this time I bought toner so I'd get the brassy, yellowy tones out. For a few minutes, at least, some of my hair was totally white.
Union Cemetery on Hilton Head Island - In place of flowers, many old tombstones like this are adorned with conch shells. The shells are bleached white from the sun. This man died in 1898 - I wonder how many years these shells have been lying here, and who lovingly placed them . . .
Camera: Canon AE-1 Program
Lens: Canon FD 50mm 1.8
Filter: Hoya Infrared R72
Film: Rollei Infrared 400
D-76 1:1 10 Min. 68 F.
Ilford WT RC
Bleached with:
1 part Stock A (20g Potassium Dichromate, 400ml water)
5 parts Stock B (40ml Muratic Acid containing 34% hydrochloric acid, 400 ml water),
20 parts Water.
Redeveloped in Caffenol-C 90 sec. at 90°F
Slightly bleached again.
Microtek ScanMaker 6100
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/5344848758/in/set-7215...
Scanned Mordançaged print.
As the Mordançage process mainly works in the dark parts of the image, a snow shot is mostly "protected" from the bleach/emulsion destruction impact. The end result can look like this, with a more solarized than Mordançaged feeling.
Fotokemika Varycon RC in Moersch Eco 4812. Hasselblad 500C/M w/ Zeiss Distagon 50 mm/f4. Fomapan 100 in Rodinal 1+100, semistand 1 h.
Redeveloped in old Kodak D-76 (I know that's a film developer, but I don't care, chemistry works anyway...).
Untoned.