View allAll Photos Tagged blackandwhitereversal
Nikon N65
AF-S DX Nikkor 35mm f/1.8G
Kodak bw400cn (expired 2012)
Reversal processed with HC110 (dilution b @ 105F for 12min) and d.i.y. ECN-2 kit)
January 2021
From my first experiment with color processing: Reversal process with ECN-2: "Black and White" diapositives on amber film base.
Mamiya c330 (f)
Mamiya-Sekor 80mm f/2.8 “Blue Dot”
Ilford Delta 100 Professional
reversal process by dr5
Sept. 2020
Nikon F3
Nikkor 50mm f/1.8 AIS (long nose)
Kodak bw400cn expired
Reversal Process with HC110 and ECN-2
Nov. 2020
The house I grew up in (Clare, MI)
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Shot on Fuji Velvia 50 (RVP 50) at EI 50.
Color reversal (slide) film in 120 format shot as 6x6.
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Large version at: emulsive.org/photography/medium-format/16579
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Filed under: #Mediumformat #Photography #120/MediumFormatFilm #2017May #6X6 #EI50 #EMULSIVEDailyPhoto #Fuji #FujiVelvia50(RVP50) #Hasselblad #Hasselblad2000FCW #HasselbladPlanarF802.8 #ISO50 #SlideFilm-BlackAndWhiteReversal
Rollei Retro 80s, sepia reversal processed
Development @20°C:
- 10min in Ilford Multigrade 1+5
- 10min in Fomatoner Sepia toner
- 15min in Fomatoner Sepia bleach
- Fixing
This is at EI 50/18°, next time I will try EI 40/17° and 9min first development time to reduce the contrast a little.
Digitised with a Pentax-M Macro 4/100 on a Pentax K-x.
Rollei 35, B+W 092 infrared filter (+2 2/3 stops)
Rollei Retro 80s, sepia reversal processed, EI 40/15°
Development:
- 8min@20°C in Ilford Multigrade 1+5
- 16min@25°C in Fomatoner Sepia toner
- 16min@25°C in Fomatoner Sepia bleach
- Fixing
Digitised with a Pentax-M Macro 4/100 on a Pentax K-x.
Test picture from my second try to make sepia toned b&w transparencies.
Rollei 35 and Ilford FP4+
I love slide film and wanted to try developing a black and white film as slides, but I am hesitant to buy the chemicals traditionally used for that because I am not sure how often I would use them. So I figured I could make sepia toned transparencies with what I already had at home: Ilford Multigrade developer, Ilford Rapid Fixer and a Foma Fomatoner Sepia kit. The process with Ilford FP4+ (all times for processing at 20°C):
0. Dilute the Fomatoner bleach and toner according to the instructions.
1. Develop the film for 12min in Ilford Multigrade 1+5, agitating for 10s at the beginning of every minute.
2. Stop bath.
The following steps can be performed in the light.
3. Wash.
4. Tone with the sepia toner for 8min. This forms a sepia positive amidst the silver negative.
5. Wash.
6. Bleach the film for 15min, this un-develops the silver negative to silver halide but leaves the sepia positive untouched.
7. Wash.
8. Fix as usual. This removes the silver halide.
9. Wash.
10. Wetting agent
Done!
It might not be necessary to apply the bleach and toner for such long times, but as these steps are done to completion, it shouldn't hurt.
With FP4+ I get an EI of about 160/23°.
The transparencies' density of 0,3 in the highlights is a little high in comparison with traditional colour reversal film, but IMHO they look very good when projected, also mixed with Velvia 100 and E100.
Rollei 35
Rollei Retro 80s, sepia reversal processed, EI 40/15°
Development:
- 8min@20°C in Ilford Multigrade 1+5
- 16min@25°C in Fomatoner Sepia toner
- 16min@25°C in Fomatoner Sepia bleach
- Fixing
Digitised with a Pentax-M Macro 4/100 on a Pentax K-x.
Test picture from my second try to make sepia toned b&w transparencies.
Rollei 35 and Ilford FP4+
I love slide film and wanted to try developing a black and white film as slides, but I am hesitant to buy the chemicals traditionally used for that because I am not sure how often I would use them. So I figured I could make sepia toned transparencies with what I already had at home: Ilford Multigrade developer, Ilford Rapid Fixer and a Foma Fomatoner Sepia kit. The process with Ilford FP4+ (all times for processing at 20°C):
0. Dilute the Fomatoner bleach and toner according to the instructions.
1. Develop the film for 12min in Ilford Multigrade 1+5, agitating for 10s at the beginning of every minute.
2. Stop bath.
The following steps can be performed in the light.
3. Wash.
4. Tone with the sepia toner for 8min. This forms a sepia positive amidst the silver negative.
5. Wash.
6. Bleach the film for 15min, this un-develops the silver negative to silver halide but leaves the sepia positive untouched.
7. Wash.
8. Fix as usual. This removes the silver halide.
9. Wash.
10. Wetting agent
Done!
It might not be necessary to apply the bleach and toner for such long times, but as these steps are done to completion, it shouldn't hurt.
With FP4+ I get an EI of about 160/23°.
The transparencies' density of 0,3 in the highlights is a little high in comparison with traditional colour reversal film, but IMHO they look very good when projected, also mixed with Velvia 100 and E100.
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Shot on Rollei Superpan 200 at EI 200.
Black and white negative film in 120 format shot as 6x6.
Black and white reversal development.
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Large version at: emulsive.org/photography/medium-format/venn-rollei-superp...
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Filed under: #Mediumformat #Photography #120/MediumFormatFilm #2017May #6X6 #EI200 #EMULSIVEDailyPhoto #Hasselblad #Hasselblad2000FCW #HasselbladPlanarF802.8 #ISO200 #Rollei #RolleiSuperpan200 #SlideFilm-BlackAndWhiteReversal
Test picture from my second try to make sepia toned b&w transparencies.
Rollei 35 and Ilford FP4+
I love slide film and wanted to try developing a black and white film as slides, but I am hesitant to buy the chemicals traditionally used for that because I am not sure how often I would use them. So I figured I could make sepia toned transparencies with what I already had at home: Ilford Multigrade developer, Ilford Rapid Fixer and a Foma Fomatoner Sepia kit. The process with Ilford FP4+ (all times for processing at 20°C):
0. Dilute the Fomatoner bleach and toner according to the instructions.
1. Develop the film for 12min in Ilford Multigrade 1+5, agitating for 10s at the beginning of every minute.
2. Stop bath.
The following steps can be performed in the light.
3. Wash.
4. Tone with the sepia toner for 8min. This forms a sepia positive amidst the silver negative.
5. Wash.
6. Bleach the film for 15min, this un-develops the silver negative to silver halide but leaves the sepia positive untouched.
7. Wash.
8. Fix as usual. This removes the silver halide.
9. Wash.
10. Wetting agent
Done!
It might not be necessary to apply the bleach and toner for such long times, but as these steps are done to completion, it shouldn't hurt.
With FP4+ I get an EI of about 160/23°.
The transparencies' density of 0,3 in the highlights is a little high in comparison with traditional colour reversal film, but IMHO they look very good when projected, also mixed with Velvia 100 and E100.
This is a scan of a 4x5 black and white slide that I just processed.
The process is not too complicated. It's based on the Ilford Reversal Processing datasheet, and is essentially:
- First developer (Paper developer with some fixer crystals to thin the negative)
- Wash
- Bleach (Potassium Permanganate and Sulfuric Acid)
- Wash
- Clearing Agent (Potassium Metabsulfite)
- Wash
- Re-expose the film to light
- Final development and fix (normal chemicals)
I'm not that pleased with the final quality from this slide. I don't think I bleached for long enough, leading to some solarization at the top of the negative. The first developer time was also too long, even though I used a diluted developer formula and took 2 minutes off of the Ilford recommended times. Next time, I'll have to stop the first dev even sooner.
Shanghai GP3 4x5 sheet, given normal exposure.
Here is the exact same shot, only processed as a negative using normal black and white film development.
Shot using a Cambo SCX View Camera, with a Rodenstock Sironar-N 210mm f/5.6