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Between rounds the fighters would return to their corners. Their trainers would shout advice at them while attempting to cool them down. There is no air conditioning in Lupminee, only a number of ceiling fans so it is worth noting that these fighters are performing in temperatures around 25-30 degrees.
It is worth mentioning that this is my first (and probably only) attempt at shooting a sporting event. I shot at ISO 1600 and 3200 from ringside at f/2.8 with my 50D. I was achieving shutter speeds between 1/200th and 1/400th a second. I am very satisfied with the results and extremely impressed with my Tamron 28-75 which I am not confident is every bit as sharp as the Canon 24-70 (when manually focused). The photos were processed in Lightroom.
Bagan; (formerly Pagan) is an ancient city located in the Mandalay Region of Burma (Myanmar). From the 9th to 13th centuries, the city was the capital of the Kingdom of Pagan, the first kingdom to unify the regions that would later constitute modern Myanmar. During the kingdom's height between the 11th and 13th centuries, over 10.000 Buddhist temples, pagodas and monasteries were constructed in the Bagan plains alone, of which the remains of over 2200 temples and pagodas still survive to the present day.
The Bagan Archaeological Zone is a main draw for the country's nascent tourism industry. It is seen by many as equal in attraction to Angkor Wat in Cambodia.
ETYMOLOGY
Bagan is the present-day standard Burmese pronunciation of the Burmese word Pugan, derived from Old Burmese Pyugam (meaning 'Pyu Village'). Its classical Pali name is Arimaddana-pura, lit. "the City that Tramples on Enemies". Its other names in Pali are in reference to its extreme dry zone climate: Tattadesa, "parched land", and Tampadipa, "bronzed country". The Burmese chronicles also report other classical names of Thiri Pyissaya and Tampawaddy.
HISTORY
7th to 13th CENTURIES
According to the Burmese chronicles, Bagan was founded in the second century CE, and fortified in 849 CE by King Pyinbya, 34th successor of the founder of early Bagan. Mainstream scholarship however holds that Bagan was founded in the mid-to-late 9th century by the Mranma (Burmans), who had recently entered the Irrawaddy valley from the Nanzhao Kingdom. It was among several competing Pyu city-states until the late 10th century when the Burman settlement grew in authority and grandeur.From 1044 to 1287, Bagan was the capital as well as the political, economic and cultural nerve center of the Pagan Empire. Over the course of 250 years, Bagan's rulers and their wealthy subjects constructed over 10000 religious monuments (approximately 1000 stupas, 10000 small temples and 3000 monasteries) in an area of 104 square kilometres in the Bagan plains. The prosperous city grew in size and grandeur, and became a cosmopolitan center for religious and secular studies, specializing in Pali scholarship in grammar and philosophical-psychological (abhidhamma) studies as well as works in a variety of languages on prosody, phonology, grammar, astrology, alchemy, medicine, and legal studies. The city attracted monks and students from as far as India, Ceylon as well as the Khmer Empire. The culture of Bagan was dominated by religion. The religion of Bagan was fluid, syncretic and by later standards, unorthodox. It was largely a continuation of religious trends in the Pyu era where Theravada Buddhism co-existed with Mahayana Buddhism, Tantric Buddhism, various Hindu (Saivite, and Vaishana) schools as well as native animist (nat) traditions. While the royal patronage of Theravada Buddhism since the mid-11th century had enabled the Buddhist school to gradually gain primacy, other traditions continued to thrive throughout the Pagan period to degrees later unseen.
The Pagan Empire collapsed in 1287 due to repeated Mongol invasions (1277–1301). Recent research shows that Mongol armies may not have reached Bagan itself, and that even if they did, the damage they inflicted was probably minimal. However, the damage had already been done. The city, once home to some 50.000 to 200.000 people, had been reduced to a small town, never to regain its preeminence. The city formally ceased to be the capital of Burma in December 1297 when the Myinsaing Kingdom became the new power in Upper Burma.
14th to 19th CENTURIES
Bagan survived into the 15th century as a human settlement, and as a pilgrimage destination throughout the imperial period. A smaller number of "new and impressive" religious monuments still went up to the mid-15th century but afterward, new temple constructions slowed to a trickle with fewer than 200 temples built between the 15th and 20th centuries. The old capital remained a pilgrimage destination but pilgrimage was focused only on "a score or so" most prominent temples out of the thousands such as the Ananda, the Shwezigon, the Sulamani, the Htilominlo, the Dhammayazika, and a few other temples along an ancient road. The rest - thousands of less famous, out-of-the-way temples - fell into disrepair, and most did not survive the test of time.
For the few dozen temples that were regularly patronized, the continued patronage meant regular upkeep as well as architectural additions donated by the devotees. Many temples were repainted with new frescoes on top of their original Pagan era ones, or fitted with new Buddha statutes. Then came a series of state-sponsored "systematic" renovations in the Konbaung period (1752–1885), which by and large were not true to the original designs - some finished with "a rude plastered surface, scratched without taste, art or result". The interiors of some temples were also whitewashed, such as the Thatbyinnyu and the Ananda. Many painted inscriptions and even murals were added in this period.
20th CENTURY TO PRESENT
Bagan, located in an active earthquake zone, had suffered from many earthquakes over the ages, with over 400 recorded earthquakes between 1904 and 1975. The last major earthquake came on 8 July 1975, reaching 8 MM in Bagan and Myinkaba, and 7 MM in Nyaung-U. The quake damaged many temples, in many cases, such as the Bupaya, severely and irreparably. Today, 2229 temples and pagodas remain.
Many of these damaged pagodas underwent restorations in the 1990s by the military government, which sought to make Bagan an international tourist destination. However, the restoration efforts instead drew widespread condemnation from art historians and preservationists worldwide. Critics are aghast that the restorations paid little attention to original architectural styles, and used modern materials, and that the government has also established a golf course, a paved highway, and built a 61-meter watchtower. Although the government believed that the ancient capital's hundreds of (unrestored) temples and large corpus of stone inscriptions were more than sufficient to win the designation of UNESCO World Heritage Site, the city has not been so designated, allegedly mainly on account of the restorations.
Bagan today is a main tourist destination in the country's nascent tourism industry, which has long been the target of various boycott campaigns. The majority of over 300.000 international tourists to the country in 2011 are believed to have also visited Bagan. Several Burmese publications note that the city's small tourism infrastructure will have to expand rapidly even to meet a modest pickup in tourism in the following years.
There is a well-known saying of Myanmar people : "If you are a real Myanmar, you must have been to Bagan." Bagan is spirit of history of Myanmar.
GEOGRAPHY
The Bagan Archaeological Zone, defined as the 13 x 8 km area centered around Old Bagan, consisting of Nyaung U in the north and New Bagan in the south, lies in the vast expanse of plains in Upper Burma on the bend of the Irrawaddy river. It is located 290 kilometres southwest of Mandalay and 700 kilometres north of Yangon. Its coordinates are 21°10' North and 94°52' East.
ARCHITECTURE
Bagan stands out for not only the sheer number of religious edifices of Myanmar but also the magnificent architecture of the buildings, and their contribution to Burmese temple design. The artistry of the architecture of pagodas in Bagan prove the achievement of Myanmar craftsmen in handicrafts. The Bagan temple falls into one of two broad categories: the stupa-style solid temple and the gu-style hollow temple.
STUPAS
A stupa, also called a pagoda, is a massive structure, typically with a relic chamber inside. The Bagan stupas or pagodas evolved from earlier Pyu designs, which in turn were based on the stupa designs of the Andhra region, particularly Amaravati and Nagarjunakonda in present-day southeastern India, and to a smaller extent to Ceylon. The Bagan-era stupas in turn were the prototypes for later Burmese stupas in terms of symbolism, form and design, building techniques and even materials.
Originally, an Indian/Ceylonese stupa had a hemispheric body (Pali: anda, "the egg") on which a rectangular box surrounded by a stone balustrade (harmika) was set. Extending up from the top of the stupa was a shaft supporting several ceremonial umbrellas. The stupa is a representation of the Buddhist cosmos: its shape symbolizes Mount Meru while the umbrella mounted on the brickwork represents the world's axis. The brickwork pediment was often covered in stucco and decorated in relief. Pairs or series of ogres as guardian figures ('bilu') were a favourite theme in the Bagan period.
The original Indic design was gradually modified first by the Pyu, and then by Burmans at Bagan where the stupa gradually developed a longer, cylindrical form. The earliest Bagan stupas such as the Bupaya (c. 9th century) were the direct descendants of the Pyu style at Sri Ksetra. By the 11th century, the stupa had developed into a more bell-shaped form in which the parasols morphed into a series of increasingly smaller rings placed on one top of the other, rising to a point. On top the rings, the new design replaced the harmika with a lotus bud. The lotus bud design then evolved into the "banana bud", which forms the extended apex of most Burmese pagodas. Three or four rectangular terraces served as the base for a pagoda, often with a gallery of terra-cotta tiles depicting Buddhist jataka stories. The Shwezigon Pagoda and the Shwesandaw Pagoda are the earliest examples of this type. Examples of the trend toward a more bell-shaped design gradually gained primacy as seen in the Dhammayazika Pagoda (late 12th century) and the Mingalazedi Pagoda (late 13th century).
HOLLOW TEMPLES
In contrast to the stupas, the hollow gu-style temple is a structure used for meditation, devotional worship of the Buddha and other Buddhist rituals. The gu temples come in two basic styles: "one-face" design and "four-face" design - essentially one main entrance and four main entrances. Other styles such as five-face and hybrids also exist. The one-face style grew out of 2nd century Beikthano, and the four-face out of 7th century Sri Ksetra. The temples, whose main features were the pointed arches and the vaulted chamber, became larger and grander in the Bagan period.
INNOVATIONS
Although the Burmese temple designs evolved from Indic, Pyu (and possibly Mon) styles, the techniques of vaulting seem to have developed in Bagan itself. The earliest vaulted temples in Bagan date to the 11th century, while the vaulting did not become widespread in India until the late 12th century. The masonry of the buildings shows "an astonishing degree of perfection", where many of the immense structures survived the 1975 earthquake more or less intact. (Unfortunately, the vaulting techniques of the Bagan era were lost in the later periods. Only much smaller gu style temples were built after Bagan. In the 18th century, for example, King Bodawpaya attempted to build the Mingun Pagoda, in the form of spacious vaulted chambered temple but failed as craftsmen and masons of the later era had lost the knowledge of vaulting and keystone arching to reproduce the spacious interior space of the Bagan hollow temples.)
Another architectural innovation originated in Bagan is the Buddhist temple with a pentagonal floor plan. This design grew out of hybrid (between one-face and four-face designs) designs. The idea was to include the veneration of the Maitreya Buddha, the future and fifth Buddha of this era, in addition to the four who had already appeared. The Dhammayazika and the Ngamyethna Pagoda are examples of the pentagonal design.
ECONOMY
Bagan's economy is based mainly on tourism. Because of boycotts against the previous military government, the Bagan region's tourism infrastructure is still quite modest by international standards. The city has a few international standard hotels and many family-run guesthouses. Bagan is also the center of Burmese lacquerware industry, which to a large degree depends on tourist demand. Much of the lacquerware is destined for souvenir shops in Yangon, and to the world markets. Moreover, the lacquerware-making process itself has become a tourist draw.
WIKIPEDIA
Leave unsaid unspoken
Eyes wide shut unopened
You and me
Always between the lines
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Photo taken from Matthiessen State Park Utica, IL
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Sorry, been shying away from Flickr lately...but will visit your streams soon ;)
Build between 1904 and 1925. I think this one wwas build between 1904 and 1910. It has a (serial?)number (72) that is stamped on the main body and the extension rail. This is a 5X7 camera and includes also the original (at least it's made of the same wood, has the same finish and the same ornaments as the 5X7 back) 4X5 back.
The camera is beautifully ebonized and has a nice "patine". On some places the ebony finish has a patern of cracks like the frame of an old painting. It doesn't look worn out though. I just llove the camera.
In these pictures I mounted a Rapid Rectilinear from B&L in a Kodak ballbearing shutter. It covers 5X7. Lovely little lens.
For anybody who has more info on this camera, please enlight me ;-)
Between the beads and the spices, a striking painting of Samuel Beckett . Just off Portobello Rd and painted by Alex Martinez based on the famous photo by Jane Bown. Alex also painted the now gone Deva Station mural on Golborne Rd.
see it here - www.flickr.com/photos/normko/276624963/in/photostream/
slowly re-processing my iceland photos. Well, not "re" as much as just doing it properly.
Þingvellir National Park in Iceland...it was a very cold rainy late september day and Jamie and I were pretty much the only two people hiking in the crevice between the European and North American continental plates.
Wandelend tussen Glenlivet en Tomintoul als zijsprong van de Speyside wandeling zoals wij die in de zomer van 2007 hebben gemaakt. De plaats op de kaart is slechts een globale indicatie van waar de foto genomen is.
Walking the Tomintoul spur, between Glenlivet and Tomintoul, as part off the Speyside walk wich we made in the summer off 2007. The point on the map is just a rough indication because it was difficult to find te correct spot on the map.
Looking up at the figure between the two massive portals of Notre Dame de Paris. The portal (doorway) of The Last Judgment sits in the center (or your left in this shot) while the portal of Saint Anne sits in the right. I'm guessing that the statue you see in this picture might be that of Saint Genevieve, the patron saint of Paris.
This is one of the impressive sights you can find if you're facing the west façade of the Cathedral of Notre-Dame.
It's my second time in Paris and I'm still impressed by this grand monument.
In the project Infinite In-Between the author discusses the intermediate field between objectified medical diagnosis and anomalies that avoid this enforced objectivity. The viewer observes the culture of cancer cells and the artist’s cells in incubators, which conventional diagnostic practice explores using standardized procedures, laid down by scientific protocols. On the basis of defined values, a grade is given to the aggressiveness of the cancer cells in the patient’s sample, in the case of the non-cancerous cells, the sample is analyzed using a flow cytometer. The test environment of the artistic project of monitoring cell cultures is carried out intuitively, using sound and focused beams of light that make perceptible something that is otherwise undetectable or uncatchable.
Credit: vog.photo
Dual meet between San Francisco State Gators and Simpson University Red Hawks.
Held at the "Swamp" on Friday 25th January 2019.
184lb Justin Pichedwatana v Bryce DeCamargo Simpson, 8-4
125lb Brandon Vu v Sergio Montoya SF State, TF 17-1
133lb Jordan Gurrola - SF State by forfeit
141lb Christian Ramos v Armand Molina Simpson, TF 17-1
149lb Adrian Marrufo - Simpson by forfeit
157lb Mason Boutain - SF State by forfeit
165lb Justin Hansz v Noah Marquez Simpson by fall
174lb Kurtis Clem v Rodney Kincaid SF State by fall
184lb Justin Pichedwatana v Bryce DeCamargo Simpson, 8-4
197lb Jacob Gonsalves - Simpson by forfeit
HWT Kevin Henry v Chris Borba SF State, 7-1
SF State, win by criteria (29-27)
Photos from the Exposure Cleveland: Mansfield Reformatory Photo Walk. Sorry it took me so long to get the posted!
Built between 1941 and 1944 in the Brooklyn Navy Yard, the USS Missouri (BB-63) was launched on January 29, 1944 and commissioned on June 11, 1944 to serve with the United States Navy in World War II. Active in the Pacific Theater of the war, the USS Missouri fought in the battle of Iwo Jima and Okinawa, and took part in the shelling of the Japanese home islands. On April 11, 1945, the ship was attacked by a kamikaze pilot and was struck on the side below the main deck, with the ship suffering relatively minor damage, which is still visible today. On September 2, 1945, while docked in Tokyo Bay, a delegation representing the Empire of Japan surrendered to allied forces on the deck of the USS Missouri, bringing World War II to an official end, with documents being signed by Japanese and Allied leaders. The ship subsequently returned to New York after stops in Guam and Hawaii, and underwent an overhaul in the New York Naval Shipyard. The ship then headed on a training cruise to Cuba before heading back to New York and then east across the Atlantic Ocean, making a stop at Gibraltar before arriving at Istanbul on April 5, 1946. The ship then headed to Greece in order to assist in quelling pro-Communist groups in an attempt to contain Soviet influence in postwar Europe, demonstrating the commitment of the United States to European countries following the war. The ship transported President Harry Truman and his family between Rio de Janeiro, Brazil and the United States in September 1947 following the signing of the Rio treaty, broadening the Monroe doctrine and establishing solidarity between nations in the Americas. Following the war, most battleships in the US Navy were decommissioned, but the USS Missouri was kept active due to sentimental connections between it and President Truman, as well as the ship’s status as a relatively new vessel. However, the ship hit a shoal near Old Point Comfort, Virginia on January 17, 1950, leading to it becoming stranded and needing to be refloated and repaired. Upon the breakout of the Korean War, the USS Missouri was dispatched to the Korean Peninsula on August 19, 1950, in order to support UN forces on the peninsula. The ship provided artillery support to South Korean and United States forces attempting to push back the invasion of North Korean and Chinese forces, and was active until the end of hostilities in 1953. The ship returned to the Norfolk Naval Shipyard after the war, being overhauled before going on a patrol mission in June 1954, returning in August 1954. After this mission, the ship was sent to the Puget Sound Naval Shipyard in September 1954, where it was decommissioned on February 26, 1955, ending its first period of active service. The ship became a popular tourist attraction during its period of deactivation, remaining in use as a museum ship until 1984, with the surrender deck having bronze plaques and an exhibit set up to commemorate the ceremony that ended World War II, which occurred on the deck. In 1971, the ship was listed on the National Register of Historic Places in recognition of its remarkable state of preservation, and the very historically notable events that took place on and around the ship. In the summer of 1984, as part of an initiative to expand the number of active ships in the United States Navy under President Ronald Reagan, the ship was reactivated and sent to the Long Beach Naval Shipyard for refurbishment and modernization, with many original features and weapons removed and replaced with far more advanced modern weaponry and systems. On May 10, 1986, the ship was formally recommissioned in San Francisco. The ship participated in patrols and naval exercises throughout the period between 1986 and 1991. During the Gulf War in January and February of 1991, the ship was utilized to assist forces pushing the Iraqi army out of Kuwait, with the ship’s missile and artillery systems being utilized against targets on land. After the end of the Gulf War and due to the collapse of the Soviet Union in 1991, the ship was decommissioned once again on March 31, 1992, at Long Beach, California. The ship was returned to the Puget Sound Naval Shipyard, as part of the reserve fleet, where it remained until January 12, 1995, when it was removed from the Naval Vessel Register. The ship was not operated as a museum ship at this time, and was towed from the Puget Sound Naval Shipyard on May 23, 1998, before arriving at Ford Island in Pearl Harbor on June 22, 1998, opening to the public as a museum ship on January 29, 1999. The location of the ship in Pearl Harbor was chosen due to the significance of the harbor and the ship to the beginning and end of the direct involvement of the United States in World War II. The ship underwent an overhaul in 2009-10, which has ensured its continued preservation. The ship today serves as a museum to the operating history of the former military vessel, as well as the very historically significant ceremony on September 2, 1945, which ended World War II.
This is the calm between two rainstorms that dumped a record amount of rain on Summerland, BC on July 19, 2007. The dark cloud is the second storm coming. I also shot a video of a helicopter blowing rain off cherries at Beulah Orchards after the first storm.
Between morning and late afternoon game drives I would pass the time wandering about the lodge grounds...or sit quietly and observe the abundence of wild life around me.....*sigh*
I think I left a piece of my heart in Africa....
Wishing you excellent day and thank you for your visits, feedback and favs! =)
Photograph taken at 12:28pm on Thursday 7th February 2013 off Botany Road and Marine Drive on the sandy, suny shoreline of Botany Bay, the Northern most of seven bays in Broadstairs, Kent, England.
Nikon D800 28mm 1/640s f/7.1 iso200 Mirror Up
RAW (14-bit)
Nikkor AF-S 24-70mm f/2.8G ED IF. Hoya 77mm HMC UV(c) filter. Nikkor AF-S teleconverter TC20E III 2.0x. Nikon MB-D12 battery grip. Manfrotto 055XPROB tripod. Manfrotto quick release plate 200PL-14. Manfrotto 327RC2 Grip action ball head. My memory 32GB class 10 20MB/s SDHC. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit
LATITUDE: N 51d 23m 19.58s
LONGITUDE: E 1d 26m 11.16s
ALTITUDE: 3.0m
Between Marlesford and Glemham on the A12 in Suffolk, working a journey between Saxmundham and Ipswich. I believe this was caused by an over heating fly wheel
Made it down to the beach to catch the sunset between rain storms. Unfortunately, the sun set behind a new cloud mass to the right. I managed to catpure some color ahead and a little rain falling in the distance.
Built between 1889 and 1895, this grand and massive Chateauesque-style mansion was designed by Richard Morris Hunt for George Washington Vanderbilt II and his wife, Edith Vanderbilt, whom had decided that Asheville would be an ideal place to build a French-style self-sufficient country estate.
The house is the largest private residence in the United States, with a 178,926 square foot (16,622.8 square meter) interior floor space. The house was named for De Bilt, the place where the Vanderbilt family came from in the Netherlands, and originally sat at the center of a 125,000 acre (195 square mile or 510 square kilometer) estate, which included Mount Pisgah, much of the present Pisgah National Forest Biltmore Village, and the upscale Asheville suburbs of Biltmore Forest and Biltmore Park, much of which has been parceled off and sold to help assist with keeping the estate running, with 86,700 acres of reforested land surrounding Mount Pisgah being sold to the United States government in 1915. Prior to becoming part of the estate, the land, which straddles the French Broad River, was home to small farms, and was in very poor condition, with Frederick Law Olmsted designing the landscape of the estate, reforesting large areas and creating a park-like setting with natural and artificial landscaped areas surrounding the house.
Part of the estate included Biltmore Village, formerly a small railroad town known as Best, which was redesigned to resemble a rural French medieval village, with a fan-shaped street grid centering around the Episcopal Cathedral of All Souls, which was attended regularly by the Vanderbilt family. The village also features Norman-style cottages, various shops, a train station, a hospital, and a school for the families of workers at the estate, with many of the buildings being designed by Richard Sharp Smith, who took over as lead architect following the death of Richard Morris Hunt. Today featuring many shops, restaurants, and tourist accommodations, Biltmore Village has since been annexed by the city of Asheville. The portion of the estate bordering Biltmore Village features an iconic gatehouse, which melds the cottage-like materials of the village with the more imposing design language of the mansion inside the estate. Between the gatehouse and the mansion, a 3-mile-long (5 kilometer long) driveway known as the Approach Road winds its way through carefully cultivated landscapes, as well as crossing under Interstate 40.
The grounds around the estate include a walled garden with rusticate granite walls, a large rose garden, gardener’s cottage, and a conservatory featuring various tropical plants that would not naturally grow in the local climate. Closer to the house, the large South Terrace enclosed by a rusticated retaining wall stands immediately south of the house, with a gazebo at the southwest corner of the terrace. East of the terrace is the Italian Garden, which features a formal layout, fountains, and Italian-style sculptures, with a more natural Shrub Garden and vine-covered arbor south of the Italian Garden. In front of the house is a large lawn, which runs east to the Esplanade, a stone wall with a series of stairs and ramps that switchback to an upper lawn, with a decorative series of six stone fountains embedded into the base of the wall, and a small belvedere with a Statue of Diana at the upper end of the lawn. West of the house is a grassy knoll, which leaves the views from the house of the surrounding mountains unobstructed. Finally, below the Walled Garden, an enlarged former mill pond, which predated the estate by many decades, is now known as the Biltmore Bass Pond, and has been stocked with fish, and features a boathouse, with a dam and waterfall at the lower end of the pond along the exit road from the house.
The Biltmore House features elements from various historic French Chateaux, including the stair tower and hipped roofs of the Chateau Royal de Blois, as well as various elements from the Chateau de Chenonceau, Chateau de Chambord, also in France, and Waddesdon Manor in England. The house features a facade clad in Indiana Limestone, with lots of Gothic details, leaded glass windows, casement windows, and double-hung windows, towers with steeply pitched hipped slate roofs and decorative copper cresting, ornate wall dormers, an elevator tower at one side of the staircase, a large conservatory known as the Winter Garden next to the front entrance tower, which features an octagonal glass roof with an wooden Gothic support structure, a loggia on the west side of the house with sweeping views of the Pisgah National Forest in the distance, and a stable wing on the north end of the house, with a porte cochere tower entrance to the stable courtyard, stone chimneys, and a loggia on the south side of the house. The smooth limestone exterior of the house is contrasted by the house’s rusticated granite base, quarried on the grounds of the house, which also was utilized in the massive retaining wall around the adjacent South Terrace.
Inside, the house features luxurious finishes, including carved woodwork, intricate plaster details, electric lighting and steam heat, multiple fireplaces, a large kitchen and laundry in the basement, many guest rooms, a massive four-story chandelier in the grand staircase, a basement swimming pool, bowling alley, and gymnasium, a large grand banquet hall, bedrooms for staff, and a two-story library. The house features antiques and decorations sourced from the Vanderbilts’ many international excursions and antique dealers, as well as lots of art.
The house was opened for public tours in 1930, which has, over time, expanded in scale to feature more areas of the house and estate. The house was utilized to store 62 paintings and 17 sculptures from the National Gallery of Art in Washington, DC 1942, with Asheville believed to be a safe haven for them in the event that the United States was invaded by a foreign military, with the house remaining the repository for these important works until 1944, when the tides of war had turned. Biltmore Estate was designated as a National Historic Landmark 1963, and was listed on the National Register of Historic Places in 1966, owing to the house’s significant size, intact detailing, and connections to notable individuals. Still owned by the Cecil family, the descendants of Cornelia Vanderbilt Cecil, George and Edith Vanderbilt’s only child, the house is today utilized as a museum and open to tours, with the 8,000 remaining acres comprising the modern grounds of the estate having been developed with tourist amenities, including the conversion of the estate’s various barns into museums, restaurants, and a winery, as well as the construction of a luxury hotel, shops, and additional support facilities. The estate today is a major tourist attraction, seeing nearly 2 million visitors every year.
Bain News Service,, publisher.
Camille Decoppet
[between ca. 1910 and ca. 1915]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.18373
Call Number: LC-B2- 3378-9a
Located between Payson and Camp Verde, Arizona, Fossil Creek flows all year as it is feed from a set of natural springs. It was recently returned to full flow after the removal of an upstream dam, which previously diverted over 90% of the stream for use at two of Arizona's oldest hydroelectric power plants, Childs and Irving.