View allAll Photos Tagged bergdoll
One of the beer baron's sons built luxury cars from 1908-1913.
But son, Grover Cleveland Bergdoll refused to serve in World War 1 when drafted. He escaped to Germany, fought off several bounty-hunters and returned to the U.S. in 1939.
The mansion, now expensive apartments, is located at 22nd and Green streets, Philadelphia.
Bergdoll Mansion,Built for Beer Baron Louis Bergdoll.1886 Architect James Windrim.Beaux Arts/Italianate Style.Phila Pa-35mm Olympus Stylus Epic,Ilford XP2
"The Bergdoll Mansion is a historic house located in the Spring Garden neighborhood of Philadelphia. It was designed by architect James H. Windrim and built in 1886. It is in a Beaux Arts / Italianate-style.
It was added to the National Register of Historic Places in 1976.
The building was constructed as the home of the Louis Bergdoll family owners of the City Park Brewery. Grover Cleveland Bergdoll, scion of the well known brewing family, was a playboy, aviator, and World War I draft dodger.
The 14,000 square foot mansion has eight bedrooms, nine bathrooms, two kitchens, mahogany woodwork, multiple fireplaces, frescoes and mosaics. It was listed for sale in 2012 with an asking price of $6.9 million.
Spring Garden is a neighborhood in central Philadelphia, Pennsylvania, USA, bordering Center City on the north. Spring Garden is a neighborhood that combines diverse residential neighborhoods and significant cultural attractions. The residential areas on the north side of the neighborhood (North of Spring Garden Street) are composed mostly of brick and brownstone three-story townhouses built during the mid-to-late 19th century. The houses include townhouses in the Italianate style, Second Empire, Queen Anne, and Venetian Gothic. Many streets (including Green Street and Spring Garden Street) include "terraced" set ups, which include a small gardened plot, often raised, in front of the house. The residential areas to the south are dominated by taller, multi-family buildings built during the 20th century. The museum area, also to the south of Spring Garden Street, includes the Rodin Museum, the Central Library of Philadelphia, and the Barnes Museum. Before consolidation of Philadelphia, Spring Garden was a district of Philadelphia County.
Before the neighborhood was incorporated into the city of Philadelphia in 1854, the city of Spring Garden peaked at ninth on the list of the largest cities in the United States during the 1850 Census.
Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City, and the 68th-largest city in the world. Since 1854, the city has been coextensive with Philadelphia County, the most populous county in Pennsylvania and the urban core of the Delaware Valley, the nation's seventh-largest and world's 68th-largest metropolitan region, with 6.245 million residents as of 2020. The city's population as of the 2020 census was 1,603,797, and over 56 million people live within 250 mi (400 km) of Philadelphia.
Philadelphia was founded in 1682 by William Penn, an English Quaker. The city served as capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's independence. Philadelphia hosted the First Continental Congress in 1774 following the Boston Tea Party, preserved the Liberty Bell, and hosted the Second Continental Congress during which the founders signed the Declaration of Independence, which historian Joseph Ellis has described as "the most potent and consequential words in American history". Once the Revolutionary War commenced, both the Battle of Germantown and the Siege of Fort Mifflin were fought within Philadelphia's city limits. The U.S. Constitution was later ratified in Philadelphia at the Philadelphia Convention of 1787. Philadelphia remained the nation's largest city until 1790, when it was surpassed by New York City, and served as the nation's first capital from May 10, 1775, until December 12, 1776, and on four subsequent occasions during and following the American Revolution, including from 1790 to 1800 while the new national capital of Washington, D.C. was under construction.
During the 19th and 20th centuries, Philadelphia emerged as a major national industrial center and railroad hub. The city’s blossoming industrial sector attracted European immigrants, predominantly from Germany and Ireland, the two largest reported ancestry groups in the city as of 2015. In the 20th century, immigrant waves from Italy and elsewhere in Southern Europe arrived. Following the end of the Civil War in 1865, Philadelphia became a leading destination for African Americans in the Great Migration. In the 20th century, Puerto Rican Americans moved to the city in large numbers. Between 1890 and 1950, Philadelphia's population doubled to 2.07 million. Philadelphia has since attracted immigrants from East and South Asia, Eastern Europe, and Latin America.
With 18 four-year universities and colleges, Philadelphia is one of the nation's leading centers for higher education and academic research. As of 2021, the Philadelphia metropolitan area was the nation's ninth-largest metropolitan economy with a gross metropolitan product (GMP) of US$479 billion. Philadelphia is the largest center of economic activity in Pennsylvania and the broader multi-state Delaware Valley region; the city is home to five Fortune 500 corporate headquarters as of 2022. The Philadelphia skyline, which includes several globally renowned commercial skyscrapers, is expanding, primarily with new residential high-rise condominiums. The city and the Delaware Valley are a biotechnology and venture capital hub; and the Philadelphia Stock Exchange, owned by NASDAQ, is the nation's oldest stock exchange and a global leader in options trading. 30th Street Station, the city's primary rail station, is the third-busiest Amtrak hub in the nation, and the city's multimodal transport and logistics infrastructure, including Philadelphia International Airport, the PhilaPort seaport, freight rail infrastructure, roadway traffic capacity, and warehouse storage space, are all expanding.
Philadelphia is a national cultural hub, hosting more outdoor sculptures and murals than any other American city. Fairmount Park, when combined with adjacent Wissahickon Valley Park in the same watershed, is 2,052 acres (830 ha), representing one of the nation's largest contiguous urban parks and the 45th largest urban park in the world. The city is known for its arts, culture, cuisine, and colonial and Revolution-era history; in 2016, it attracted 42 million domestic tourists who spent $6.8 billion, representing $11 billion in total economic impact to the city and surrounding Pennsylvania counties.
With five professional sports teams and a hugely loyal fan base, the city is often ranked as the nation's best city for professional sports fans. The city has a culturally and philanthropically active LGBTQ+ community. Philadelphia also has played an immensely influential historic and ongoing role in the development and evolution of American music, especially R&B, soul, and rock.
Philadelphia is a city of many firsts, including the nation's first library (1731), hospital (1751), medical school (1765), national capital (1774), university (by some accounts) (1779), stock exchange (1790), zoo (1874), and business school (1881). Philadelphia contains 67 National Historic Landmarks, including Independence Hall. From the city's 17th century founding through the present, Philadelphia has been the birthplace or home to an extensive number of prominent and influential Americans. In 2021, Time magazine named Philadelphia one of the world's greatest 100 places." - info from Wikipedia.
The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.
Now on Instagram.
"The Bergdoll Mansion is a historic house located in the Spring Garden neighborhood of Philadelphia. It was designed by architect James H. Windrim and built in 1886. It is in a Beaux Arts / Italianate-style.
It was added to the National Register of Historic Places in 1976.
The building was constructed as the home of the Louis Bergdoll family owners of the City Park Brewery. Grover Cleveland Bergdoll, scion of the well known brewing family, was a playboy, aviator, and World War I draft dodger.
The 14,000 square foot mansion has eight bedrooms, nine bathrooms, two kitchens, mahogany woodwork, multiple fireplaces, frescoes and mosaics. It was listed for sale in 2012 with an asking price of $6.9 million.
Spring Garden is a neighborhood in central Philadelphia, Pennsylvania, USA, bordering Center City on the north. Spring Garden is a neighborhood that combines diverse residential neighborhoods and significant cultural attractions. The residential areas on the north side of the neighborhood (North of Spring Garden Street) are composed mostly of brick and brownstone three-story townhouses built during the mid-to-late 19th century. The houses include townhouses in the Italianate style, Second Empire, Queen Anne, and Venetian Gothic. Many streets (including Green Street and Spring Garden Street) include "terraced" set ups, which include a small gardened plot, often raised, in front of the house. The residential areas to the south are dominated by taller, multi-family buildings built during the 20th century. The museum area, also to the south of Spring Garden Street, includes the Rodin Museum, the Central Library of Philadelphia, and the Barnes Museum. Before consolidation of Philadelphia, Spring Garden was a district of Philadelphia County.
Before the neighborhood was incorporated into the city of Philadelphia in 1854, the city of Spring Garden peaked at ninth on the list of the largest cities in the United States during the 1850 Census.
Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City, and the 68th-largest city in the world. Since 1854, the city has been coextensive with Philadelphia County, the most populous county in Pennsylvania and the urban core of the Delaware Valley, the nation's seventh-largest and world's 68th-largest metropolitan region, with 6.245 million residents as of 2020. The city's population as of the 2020 census was 1,603,797, and over 56 million people live within 250 mi (400 km) of Philadelphia.
Philadelphia was founded in 1682 by William Penn, an English Quaker. The city served as capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's independence. Philadelphia hosted the First Continental Congress in 1774 following the Boston Tea Party, preserved the Liberty Bell, and hosted the Second Continental Congress during which the founders signed the Declaration of Independence, which historian Joseph Ellis has described as "the most potent and consequential words in American history". Once the Revolutionary War commenced, both the Battle of Germantown and the Siege of Fort Mifflin were fought within Philadelphia's city limits. The U.S. Constitution was later ratified in Philadelphia at the Philadelphia Convention of 1787. Philadelphia remained the nation's largest city until 1790, when it was surpassed by New York City, and served as the nation's first capital from May 10, 1775, until December 12, 1776, and on four subsequent occasions during and following the American Revolution, including from 1790 to 1800 while the new national capital of Washington, D.C. was under construction.
During the 19th and 20th centuries, Philadelphia emerged as a major national industrial center and railroad hub. The city’s blossoming industrial sector attracted European immigrants, predominantly from Germany and Ireland, the two largest reported ancestry groups in the city as of 2015. In the 20th century, immigrant waves from Italy and elsewhere in Southern Europe arrived. Following the end of the Civil War in 1865, Philadelphia became a leading destination for African Americans in the Great Migration. In the 20th century, Puerto Rican Americans moved to the city in large numbers. Between 1890 and 1950, Philadelphia's population doubled to 2.07 million. Philadelphia has since attracted immigrants from East and South Asia, Eastern Europe, and Latin America.
With 18 four-year universities and colleges, Philadelphia is one of the nation's leading centers for higher education and academic research. As of 2021, the Philadelphia metropolitan area was the nation's ninth-largest metropolitan economy with a gross metropolitan product (GMP) of US$479 billion. Philadelphia is the largest center of economic activity in Pennsylvania and the broader multi-state Delaware Valley region; the city is home to five Fortune 500 corporate headquarters as of 2022. The Philadelphia skyline, which includes several globally renowned commercial skyscrapers, is expanding, primarily with new residential high-rise condominiums. The city and the Delaware Valley are a biotechnology and venture capital hub; and the Philadelphia Stock Exchange, owned by NASDAQ, is the nation's oldest stock exchange and a global leader in options trading. 30th Street Station, the city's primary rail station, is the third-busiest Amtrak hub in the nation, and the city's multimodal transport and logistics infrastructure, including Philadelphia International Airport, the PhilaPort seaport, freight rail infrastructure, roadway traffic capacity, and warehouse storage space, are all expanding.
Philadelphia is a national cultural hub, hosting more outdoor sculptures and murals than any other American city. Fairmount Park, when combined with adjacent Wissahickon Valley Park in the same watershed, is 2,052 acres (830 ha), representing one of the nation's largest contiguous urban parks and the 45th largest urban park in the world. The city is known for its arts, culture, cuisine, and colonial and Revolution-era history; in 2016, it attracted 42 million domestic tourists who spent $6.8 billion, representing $11 billion in total economic impact to the city and surrounding Pennsylvania counties.
With five professional sports teams and a hugely loyal fan base, the city is often ranked as the nation's best city for professional sports fans. The city has a culturally and philanthropically active LGBTQ+ community. Philadelphia also has played an immensely influential historic and ongoing role in the development and evolution of American music, especially R&B, soul, and rock.
Philadelphia is a city of many firsts, including the nation's first library (1731), hospital (1751), medical school (1765), national capital (1774), university (by some accounts) (1779), stock exchange (1790), zoo (1874), and business school (1881). Philadelphia contains 67 National Historic Landmarks, including Independence Hall. From the city's 17th century founding through the present, Philadelphia has been the birthplace or home to an extensive number of prominent and influential Americans. In 2021, Time magazine named Philadelphia one of the world's greatest 100 places." - info from Wikipedia.
The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.
Now on Instagram.
Bain News Service,, publisher.
Griffis Welcoming
[no date recorded on caption card]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.36783
Call Number: LC-B2- 6143-5A
October 2, 2022 - marathon race - about 2200 photos & videos
Marathon Race results / Résultats de la course marathon:
A)
marathon - www.sportstats.ca/display-results.xhtml?raceid=114476
B)
pics IMG_0554 to DSCF7246
a) first photo: www.flickr.com/photos/ianhun/52403835735/in/album-7217772...
b) photos at 30k point: www.flickr.com/photos/ianhun/52405056410/in/album-7217772...
C)
bib no.... name/nom
5097…..Abel Vanderschuren
5252…..Adam Jones
5604…..Adam Mallory
5871…..Adil Chakir
5278…..Aditi Krishna
5621…..Akeel Ghaib
5206…..Alain Belanger
5667…..Alain Bragagnolo
6329…..Alain Brisebois
6299…..Alain Carignan
5236…..Alain Goffi
6390…..Alain Loivel
6503…..Alain Proulx
5032…..Alain Turcotte
5230…..Alain-Remi Lajeunesse
6063…..Alana Armstong
5671…..Alanna Karpa-Bomhof
5918…..Alejandro Ruiz
6269…..Alessandra Stortini
6966…..Alex Chatelier
5616…..Alex Coffin
6082…..Alexandra Coffin
7265…..Alexandra Cote
7562…..Alexandra Roy
7469…..Alexandra Younsi
5078…..Alexandre Anctil
5368…..Alexandre Blouin
5098…..Alexandre Boily
6121…..Alexandre Bouliane
6826…..Alexandre Buissieres
5678…..Alexandre Clement
5529…..Alexandre Drouin
5354…..Alexandre Giugovaz
5149…..Alexandre Larrivee
7088…..Alexandre Loiseau
7510…..Alexandre Martin
5220…..Alexandre Olivier
5823…..Alexandre Papillon
6173…..Alexandre Ratthe
6162…..Alexandre Renaud
7258…..Alexandre Tomita
5415…..Alexandre-Benjamin Funes-Bonilla
6158…..Alexis Fol
6092…..Alexis Monfilliette
6993…..Alfredo Simas
7277…..Alice Blouin
5839…..Alice Dionne-Oseciuc
5834…..Alicia Bowles
7771…..Alicia Rioux
7710…..Alicia Shogbon
6985…..Alina Carter
6936…..Amanda Wong
5729…..Amandine Hamon
5958…..Amelie Derenne
7185…..Amelie Farre
7646…..Amelie Hebert
6258…..Amelie Lachance
6906…..Amelie Mercier
6668…..Amelie Senneville
5820…..Amy Anderson
7676…..Amy Chen
5796…..Amy Hicks
7872…..Ana Parra
6359…..Ana Paula Ponce
7311…..Anastasia Unterner
7069…..Andre Daemen
6918…..Andre De Queiroz Paz
5675…..Andre Deslauriers
6393…..Andre Dube
5709…..Andre Peterson
5083…..Andre Pouliot
5250…..Andrea Hill
6649…..Andrea Richard
6781…..Andrea Roulet
5844…..Andrea Zegarra
6743…..Andreane Lauze
7689…..Andreane Legare
5217…..Andreanne Villeneuve
6294…..Andree Germain
7675…..Andree Renaud
6219…..Andrew Greenfield
7462…..Andrew Jones
5609…..Andrew Leclerc
5259…..Andrew Lee
6931…..Andrew Schmidt
6797…..Andy Emond
6021…..Angela Caraccioli
6368…..Angelica Sergi
7478…..Anh Quang Nguyen
7121…..Anita Choquette
6250…..Ann Sophie Del Vecchio
6492…..Anne Girard
7047…..Anne Gosselin-Brisson
7756…..Anne Marie Harvey
7050…..Anne Quintal
6721…..Anne Roger
6596…..Anne-Cecile Khouri-Raphael
5985…..Anne-Florence Bastien
7321…..Anne-Marie Aubry
7803…..Anne-Marie Buki
5447…..Anne-Marie Fraser
6702…..AnneMarie Labrecque
7519…..Anne-Marie Lavoie
5803…..Anne-Sophie Robitaille
7905…..Annick Gagnon
6255…..Annie Allen
6597…..Annie Bergeron
7681…..Annie Bolduc
7346…..Annie Brassard
7099…..Annie Brouillette
5975…..Annie Dube
6677…..Annie Saleh
5533…..Annie Theberge
5999…..Annie toutiras
6868…..Annie-Claude Bedard
7707…..Annie-Pier Guenette
5964…..Anthony Bourgeois
5123…..Anthony Gicquel
5769…..Anthony Tailler
6825…..Antoine Sifoni
6217…..Antoine Zen
5262…..Antonio Curcuruto
5112…..Archambault Etienne
7281…..Ariane Carbonneau
6069…..Ariane Courtemanche
7066…..Ariane Desharnais
6962…..Ariane Gauthier
5321…..Ariel Vacherand
7616…..Arline-Aude Berube
5033…..Arnaud Guilhamat
7893…..Ashley Bolger
5541…..Asshvin Gajadharsingh
7612…..Assia Umurerwa
5751…..Audrey Collerette
7468…..Audrey Fortier
6248…..Audrey Mayrand
6838…..Audrey Ouellet
5209…..Audrey-Anne Henri
7701…..Aurelie Gicquel
7640…..Aurelie Subra
5258…..Aurelien Lorin
7350…..Baptiste Martineau
7100…..Barbara Freedman
5952…..Barry Richards
5641…..Benjamin Beaudoin
5385…..Benjamin Drainville
5787…..Benjamin Lee
6282…..Benjamin Nadeau
5090…..Benoit Cote
6472…..Benoit Dalinval
5139…..Benoit Deriger
6762…..Benoit Des Croisselles
7645…..Benoit Labrie
6213…..Benoit Lalande
6210…..Benoit Lepine
5222…..Benoit Maheu
5793…..Benoit Ouellet
6106…..Benoit Pepin
7144…..Benoit Raymond
6585…..Benoit Traversy
6916…..Benoit Trudel
5837…..Benoit Vignac
7605…..Ben-Zion Caspi
6167…..Bernard Labelle
5712…..Bernard Mathieu
5248…..Bernard Tourigny
7182…..Bertrand Fongue
5266…..Bertrand How-Choong
5027…..Bianca Premont
7902…..Bianca Quesnel - Spicer
6263…..Bill McEachern
5509…..Bob Butler
6982…..Bobby Hains
5305…..Boris Marois
5913…..Brahim Bensouda
5867…..Braiden Bhindi
5352…..Brandon Peacock
7687…..Brenda Hunter
6626…..Brendan Quinn
5081…..Brent Gerhart
5152…..Brian Blew
7288…..Brian Lambert
5715…..Brian Martell
5495…..Brian Reeds
5714…..Brigitte Chamard
6840…..Brigitte Martin
6832…..Bruce Horsburgh
7329…..Bruno Gosselin
7129…..Bruno Laliberte
5628…..Bruno Verdier
7130…..Camilla Wu
6274…..Camille Berthod
7748…..Camille Bourgault
6221…..Camille Hebert
7596…..Camille Rondeau Saint-Jean
6866…..Campbell Heggen
6262…..Cara Racicot
7528…..Caridad Vera
6764…..Carl La Terreur
5972…..Carl Lebel
6745…..Carl Perron
5443…..Carl Simard
5163…..Carl Terrones Tarte
5167…..Carlos Torres
5904…..Carlos Vaz
7732…..Carole Berry
6189…..Carole Dube
7899…..Carole Lavoie
5695…..Caroline Boulanger
5270…..Caroline Briere
6157…..Caroline Collin
5910…..Caroline Cote
7197…..Caroline Daoust
6533…..Caroline Duchesne
7874…..Caroline Dupuis
6280…..Caroline Goyer
6443…..Caroline Khauv
7237…..Caroline Villeneuve
6452…..Catherine Bernard
7422…..Catherine Brissette
6806…..Catherine Brouillette
7601…..Catherine Gaillot Mougin
6784…..Catherine Goineau
6308…..Catherine Jean-Beaulieu
7588…..Catherine Ouellet
6565…..Catherine Primeau
7586…..Catherine Ramsay-Pierard
7649…..Catherine Sacchitelle
7807…..Cathy Bsilis
7823…..Cathy Hurst
6520…..Ce Bian
6024…..Cedric Bouchereau
5540…..Cedric Collin
7345…..Cedric Martineau
6787…..Cedric Ryan
5826…..Cedrick Corriveau
6859…..Celine Couture
7494…..Celine Lambert
7264…..Chabot Sophie-Anne
5303…..Chad Lortie
7003…..Chantal Brunet
7241…..Chantal Dubois
5689…..Chantal Hickey
6715…..Chantal Ladouceur
7279…..Chantal Neveu
6770…..Chantal Urbain
6454…..Charles Boulerice
5835…..Charles Demontigny
7175…..Charles Dumont Mallette
5775…..Charles Lapointe
7371…..Charles Lecompte
7725…..Charles Page
7900…..Charles Sauve
6441…..Charles Sormany
6093…..Charles Turgeon
5601…..Charles-Eric Rivest
7073…..Charlotte Camboulive
6104…..Chizuko Matsufuji
6044…..Chris Bowes
6954…..Chris Constantin
5117…..Christian Belair
6942…..Christian Belair
6336…..Christian Billette
5449…..Christian Couture
5657…..Christian Gagnon
6514…..Christine Beaudin
6493…..Christine Maheu
6939…..Christophe Hivon Bellavance
6110…..Christophe Le Martret
7355…..Christophe Liegey
6548…..Christophe Vezina
6605…..Christopher Blais
7757…..Christopher Darlington
5054…..Christopher Levesque-Savard
6851…..Christopher Snow
7257…..Christopher Straka
6310…..Cindy Caron
7261…..Cindy Cote-Beaudoin
7359…..Cindy Lalancette
7404…..Cindy Lanteigne
7053…..Cindy Pichette
5879…..Claude Boivin
6383…..Claude Desroches
6266…..Claude Massicotte
7624…..Claude Mathieu
6181…..Claude Paul
6740…..Claude-Andre Cloutier
5545…..Claudia Angers
5287…..Claudia Girard Morin
6938…..Claudia Thibault
5865…..Claudie Dechamplain
6537…..Claudine Poirier
6504…..Claudine Quevillon
5204…..Clelio Pinheiro
7560…..Clemence Compan
5939…..Cliff Latincic
7892…..Colin Valois
6872…..Corey McGee
5267…..Cosette Lemelin
6030…..Craig Ginther
6574…..Cristina Gutierrez
7688…..Crystal Gayed
5043…..Cullen Price
5251…..Curtis Young
6512…..Cyndie Desbiens
7655…..Cyndie Savard
5386…..Cyrille Farre
5620…..Cyrille Gauclin
6406…..Damien Le Livec
5828…..Damien Riegel
5859…..Dan Gitlan
6910…..Dana Zmeureanu
5680…..Daniel Barolet
6337…..Daniel Bissonnette
5697…..Daniel Boyd Michaud
6160…..Daniel Charest
6663…..Daniel Clement
6820…..Daniel Clement
5308…..Daniel Gaudet
7534…..Daniel Hillebrand
7358…..Daniel Lanteigne
7680…..Daniel Plamondon
6036…..Daniel Signori
6922…..Daniel Zwaagstra
7840…..Danielle Boulanger
7093…..Danielle Guffie
6880…..Danielle Stanton
7690…..Danielle Walsh
5082…..Danny Brunet
6006…..Danny Canales
7867…..Danny Gaudreau
5026…..Danny Morin
5708…..Dany Boivin
6445…..Dany Gagnon
5861…..Dany Gobeil
6407…..Dany St-Pierre
7540…..Daphnee Lapointe
5071…..Darcey Brunet
5881…..Dario Morillo
6414…..Dave Allen
7039…..Dave Dearborn
6388…..Dave Michaud
5516…..David Belbeck
5257…..David Blouin
7467…..David Boucher
5539…..David Boyce
5378…..David Crane
5576…..David de carvalho
6704…..David Fortier-Devin
5156…..David Gauthier
6940…..David Gervais
5394…..David Guay
6591…..David Lederer
7332…..David Lessard
5057…..David Marcoux
7251…..David Martino
6218…..David O'Connor
5247…..David Papillon-Veilleux
5264…..David Rivard
5755…..David Theriault
5414…..David Williamson
7721…..David-Alexandre Leblanc
7397…..Dawn Evans
6211…..Debbie Fisher
7409…..Debbie Johnson
5802…..Delia Chan
6342…..Denis Dore
7322…..Denis Houlette
6208…..Denis Isabelle
5093…..Derick Lacombe
6519…..Desiree Welch
6363…..Di Fruscia Antonio
7403…..Diane Drolet
6254…..Diane Lapointe
5073…..Didier Martigny
5996…..Dimitri Haillez
6270…..Dominic Brisebois
5456…..Dominic Cloutier
6769…..Dominic Cote
5997…..Dominic Handal
7826…..Dominic Lasnier
5314…..Dominic Martel
6296…..Dominic Picard
6124…..Dominic Pigeon
6487…..Dominic Tamburini
6886…..Dominique Langlois Demers
5716…..Dominique Lemieux
6908…..Dominique Pilote
7908…..Don Lewis
5079…..Don Nguyen
5664…..Donald Garfield
6914…..Donald Laplante
7845…..Donna Campeau
7045…..Doudja Mekamcha
7897…..Driss As-soulaimani
5219…..Duan Zhao
7884…..Duncan Shepherd
6887…..Dwight Bernier
7546…..Eden Dubuc
5896…..Edith Castonguay
7351…..Edith Pouliot
6279…..Edouard Sinor
7423…..Edward Gallagher
7081…..Elaine Desrosiers
6011…..Elaine Laroche
7392…..Elaine plante
5936…..Elaine Saunders
6188…..Eleonore Mourez
7720…..Eliane Hebert
7489…..Elisabeth Plouffe
6305…..Elizabeth Nurse
7212…..Elizabeth O'Carroll
7571…..Emilie Aube-Pomerleau
7628…..Emilie Boudreault
7670…..Emilie Boutin
6693…..Emilie Croteau
6669…..Emilie Desilets
6508…..Emilie Laplante Potvin
5496…..Emilie Leroy
6080…..Emilie Morin
7161…..Emilie Potts
6420…..Emily Cowan
6972…..Emmanuelle Choiniere
7565…..Emy Babineau
6509…..Eniko Popescu
5928…..Eric Belanger
7727…..Eric Brochu
5854…..Eric Bussieres
7854…..Eric Faucher
7694…..Eric Gaudreau
7155…..Eric Gauthier
6193…..Eric Goyhenetche
5356…..Eric Janelle
7240…..Eric Lambert
5504…..Eric Lavoie
7256…..Eric Lesieur
6040…..Eric Letourneau
5561…..Eric Mbaraga
6357…..Eric Mongeon
5357…..Eric Montplaisir
7105…..Eric Pelletier
6108…..Eric Poirier
5922…..Eric St-Pierre
6295…..Eric Therrien
5173…..Eric White
5890…..Erica Young
7794…..Erika Peres
5886…..Erin Cook
5503…..Erin Mayo
6923…..Erin O'Donnell
5741…..Erwan Goasdoue
5331…..Esley Albert
7603…..Esta Bellefleur
5170…..Etienne Belanger Menard
7373…..Etienne Brunet
6857…..Etienne Corne
5301…..Etienne Jacques
7774…..Etienne Letourneau
6853…..Etienne Mallette
6502…..Etienne Marquis
6874…..Eva Bastien
6455…..Eve Boyer
7524…..Evelyn Krijnen
6200…..Evelyne Montigny
5475…..Even Croteau
5484…..Evgeny Martinov
6863…..Fabienne Dornic
6899…..Fabio Melo
5508…..Fabrice Ah-Waye
5049…..Fabrice Houle
7573…..Fanny Tremblay Gagne
7631…..Farah Ahmed
7058…..Fauconnet Alexandre
6969…..Felix Jacques
5086…..Felix Lefebvre
6593…..Felix Olivier Munger
6976…..Ferdinand Jouet
5727…..Fernando Galandrini
6354…..Fernando Medeiros
6435…..Flavie Lapointe
6864…..Florence Falgueyret
7076…..Florence Langlois
7437…..Francine Guay
6304…..Francis Asselin
5864…..Francis Bedard
6281…..Francis Belhumeur
5774…..Francis Cleroux
7647…..Francis Desrochers
6163…..Francis Dugre
6433…..Francis Gosselin
6679…..Francis Grenier
6049…..Francis Loiseau
5724…..Francis Mireault
6645…..Francis Parent
7111…..Francis Provost
5228…..Francis Theriault
5306…..Francis Y Tremblay
6572…..Francis Yelle
6791…..Francisco Gomez
6043…..Franco Vanhees
7554…..Francois Bilodeau
7671…..Francois Couillard
5114…..Francois Deschenes
6888…..Francois Du Preez
7880…..Francois Flores
5056…..Francois Lalonde
6659…..Francois Lemoine
6164…..Francois Lewis
7177…..Francois Pauze
7493…..Francois Plouffe
6915…..Francois Prud'homme
5818…..Francois Rouxel
6707…..Francois Roy
5950…..Francois St-Cyr
6999…..Francois Theroux
6451…..Francoise Glibert
5272…..Frank Salvatore
5692…..Frederic Barriault
5599…..Frederic Belleau
5416…..Frederic Chaumel
5245…..Frederic Dallaire
7452…..Frederic Gaudreau
5682…..Frederic Guay
5041…..Frederic Latulippe
6453…..Frederic Lemay
5225…..Frederic Matthey
5327…..Frederic Menard
5068…..Frederic Meunier
5536…..Frederic Normand
7790…..Frederic Paul
6862…..Frederic Plante
5189…..Frederic Poulin
5765…..Frederic Simard-Fournier
5199…..Frederic Vachon
6766…..Frederick Antoine Mallette
6055…..Frederick Le Page
5838…..Frederick Viens
7158…..Frederique Langevin
5766…..Frederique Messier
5119…..Gabe Keenleyside
5253…..Gabriel Brousseau Demers
7511…..Gabriel Ciulbea
6300…..Gabriel Fromentin
6935…..Gabriel Girard
6552…..Gabriel Heshema
5244…..Gabriel Malcolm
5343…..Gabriel Paquin
5563…..Gabriella Morin
5776…..Gabrielle Fortier-Cofsky
7122…..Gabrielle Labelle-Brissette
5299…..Gabrielle Plamondon
7463…..Gaetan Courchesne
6803…..Gaetan Leclerc
7308…..Gan Ye
6847…..Ganita Tchakarova
5074…..Gareth Davies
5501…..Garett Hotte
6530…..Gary Banks
6275…..Gary Rivera
5733…..Gaston Mogollones
7352…..Gauri Patel
7746…..Gautham Krishnaraj
6324…..Genevieve Arcand
5060…..Genevieve Asselin-Demers
7118…..Genevieve Belanger Jasmin
7783…..Genevieve de la Chevrotiere
7722…..Genevieve Mageau
7232…..Genevieve Martineau
7485…..Genevieve Menard
7252…..Genevieve Methot
7700…..Genevieve Parent
7856…..Genevieve Poulin
6062…..Genevieve Richard
6246…..Genevieve Talbot
6590…..Genevieve Trahan
7504…..Geoffrey Wright
7344…..George Bursuc
5061…..Georges Fournier
6355…..Gerald Audet
5293…..Gerald Robitaille
7842…..German Kudinov
6968…..Gertjan Bekkers
6418…..Ghislain Daigle
7119…..Ghislain Guay
5059…..Gilles Gobeil
5502…..Gilles Hickson
6643…..Gilles Meunier
7475…..Gilles Mondor
6307…..Gilles Neron
7259…..Gilles Sauve
5491…..Gillian Croucher
6077…..Gil-Roch Bouillon
7338…..Ginette Talbot
5998…..Gino Rinaldi
5720…..Glenn OConnor
5525…..Gordon Ng
5433…..Gosselin Serge
6230…..Grant Lipscombe
6937…..Grant Wilson
5197…..Greg Cartmell
5935…..Gregoire Tourres
6186…..Greta Soares
6843…..Guido Tijskens
5065…..Guillaume Belanger
7572…..Guillaume Cormier
6535…..Guillaume Couture
5437…..Guillaume Gagne
5420…..Guillaume Goulet
5917…..Guillaume Harvey
6198…..Guillaume Jouet
5432…..Guillaume Koch Mathian
5510…..Guillaume Lalande
6314…..Guillaume Lapalme-Thibault
6786…..Guillaume Proulx
5088…..Guillaume Valero
7695…..Guy Chamberland
5960…..Guy Charron
5203…..Guy Chenier
7010…..Guy Labrecque
5023…..Guyaume Robert
6035…..Guylaine Fournier
7545…..Guylaine Picard
7038…..Guylaine Pomerleau
5757…..Hai Tao Yan
7536…..Hakim Obeilat
5966…..Hans Dee
7466…..Hans Hasenohr
5513…..Harold Parks
6449…..Heather Larmer
7297…..Heather MacGregor
5070…..Hector Jesus C Gonzalez
7579…..Helen Hulme
7625…..Helene Lacasse
6014…..Helene Meunier-Asselin
5273…..Hennie Coetzee
6684…..Henry Fourie
6260…..Howard Saskin
6391…..Hsiang-Han Su
5099…..Hubert Villeneuve
6717…..Hugo Simoncelli
5309…..Hugo Toupin
5382…..Hugo Van Doorne
5181…..Hugues Ryan
6860…..Ian Chadnick
6392…..Ibrahim Elgallash
7199…..Igor Schultz
6261…..Ilona Thomas
7294…..Ioana Contu
6845…..Irene Dionne
7773…..Isabelle Audet
5610…..Isabelle Beaumier
7224…..Isabelle Chabot
7275…..Isabelle Deschenes
6264…..Isabelle Dion
5982…..Isabelle Doucet
7063…..Isabelle Du Sablon
6983…..Isabelle Dumont
5421…..Isabelle Gariepy
7877…..Isabelle Liberge
7587…..Isabelle Locas
7331…..Isabelle Minier
6319…..Isabelle Nantais
7247…..Isabelle Pelletier
6671…..Isabelle Racette
6424…..Isabelle Regnier
5819…..Isabelle Rioux
6883…..Isabelle Rose
7788…..Isabelle Tremblay
5781…..Ismail Trad
7685…..Jacob Goldberg
5335…..Jacob Stone
6586…..Jacobane Bergdoll
6068…..jacques lupien
5702…..Jacques Menard
7305…..Jacques Theriault
7804…..Jacynthe Lafrance
7400…..Jacynthe Toupin
5235…..James Karpa-Bomhof
6571…..James Murrell
5179…..Jamie Beaudin
6902…..Janco Gouws
7787…..Janis Leeming
5440…..Jasmin Rancourt
5971…..Jasmin Roy
6375…..Jason Malone
5383…..Jason Scarbro
5445…..Jason Smith
7195…..Jayne Rop-Weller
6850…..Jayson Rodis
6224…..Jean De Serres
6023…..Jean Francois Alain
6488…..Jean Francois Durand
7521…..Jean Hubert Clement Mbabazi
5915…..Jean Lachapelle
5747…..Jean Lepage
6499…..Jean Marineau
7302…..Jean Menetrier
6447…..Jean Pascal Briand
5183…..Jean Sebastien Roby
5004…..Jean sebastien Senechal
5175…..Jean Sylvain
5870…..Jean-Charles Girard
6496…..Jean-Claude Calabro
7349…..Jean-Claude Messier
7549…..Jean-David Larouche
6284…..Jean-Francois ARSENAULT
6879…..Jean-Francois Baril
5644…..Jean-Francois Bessette
5115…..Jean-Francois Brassard
5624…..Jean-Francois Caron
5091…..Jean-Francois Grenier
5805…..Jean-Francois Halle
6400…..Jean-Francois Hotte
6168…..Jean-Francois Lacoste
7082…..Jean-Francois Legault
5243…..Jean-Francois Michaud
5132…..Jean-Francois ouellet
6970…..Jean-Francois Ouimet
5934…..Jean-Francois Richard
5526…..Jean-Francois Riendeau
5911…..Jean-Francois Sauriol
5053…..Jean-Frederick Faure
6340…..Jean-Guy Jacques
5876…..Jean-Louis Nadeau
7156…..Jean-Lucien Lemire
5211…..Jean-Marc Ducharme
5848…..Jean-Marc Gautier
7686…..Jeanne dube blanchet
5478…..Jeanne Mercier
7193…..Jeannie Carter
6170…..Jean-Paul Caron
5011…..Jean-Philippe Lebeau
5461…..Jean-Philippe Richer
6297…..Jean-Philippe Turcotte-Vezina
7298…..Jean-Pierre Couture
6005…..Jean-Pierre Desautels
5517…..Jean-Pierre Lacasse
7448…..Jean-Pierre Lapointe
6909…..Jean-Sebastien Chaume
6301…..Jean-Sebastien Cote
5633…..Jean-Sebastien Fournier
5410…..Jean-Sebastien Gascon
5613…..Jean-Sebastien Leard
5855…..Jean-Sebastien Poupart
5518…..Jean-Sebastien Trepanier
5263…..Jean-Simon Beaudry
6611…..Jeff Hannah
5124…..Jeff Lambert
5316…..Jeff Musgrave
7885…..Jennifer Bettez
7592…..Jennifer Ray-Horvath
7385…..Jennifer Rene
5395…..Jenny Hopkins
7539…..Jeremie Chiron-Escallier
6094…..Jeremie Hamel
5577…..Jeremie Nadeau
5233…..Jeremy Mazuc
7858…..Jeremy Piche-Bisson
5125…..Jerome Bastide de grave
5763…..jerome journot
6376…..Jerome Legare
6057…..Jerome Morin
7040…..Jerome Vigneault
5110…..Jesse Cabon
6870…..Jesse Elliott
6821…..Jessica Clement
7789…..Jessica Delisle Guay
7538…..Jessica Halsall
6531…..Jessica MacIver
6145…..Jesula Drouillard
6751…..Jill MacDonald
7533…..Jillian Lipsett
5379…..Jimmy Cloutier
7055…..Jimmy Hamel
7829…..Joanie Boudreault
7683…..Joanie Plamondon
6385…..Joanne Chiasson
7832…..Jo-Anne. Belliveau
6654…..Jocelyn Goulet
5572…..Jocelyn Legault
5771…..Jocelyn Letendre
6190…..Jodi Dawson
5172…..Joe Kerby
5521…..Joe Larkin
5555…..Joe Todd
5954…..Joel Bucknell
5315…..Joel Dias Nogueira Junior
5133…..Joel Houngbe
5268…..Joel Tremblay
7059…..Joelle Martin
7594…..Joelle Sabourin
5984…..Joelle White
5052…..Joey Labranche
5694…..Joey Leckman
7903…..Johanne Corriveau
6558…..Johanne Gagne
7898…..Johanne Vallee
5398…..John Linch
6352…..John Pradier
6203…..Jolene Harvey
5949…..Jonathan Bastien
5519…..Jonathan Bernier
6331…..Jonathan Boivin
6656…..Jonathan Careau
6405…..Jonathan Fournier
6713…..Jonathan Labrie
7362…..Jonathan Langelier
6012…..Jonathan Latreille-Chevalier
7767…..Jonathan Marion
7089…..Jonathan Matte
5586…..Jonathan Nault
7495…..Jonathan Raizenne
6148…..Jonathan Rivard
6135…..Jonathan Roy St-Louis
5434…..Jonathan Semeteys-Ladouceur
5983…..Jonathan Simard
6150…..jonathan verville
6831…..Jonathan Wendel
7497…..Jordan Larin
5249…..Jordane Lehir
5362…..Jose Andrade
7766…..Josee Duplantie
7293…..Josee Frenette
6056…..Josee-Lise Leheutre
6100…..Joseph Frendo
6601…..Josiane Hamelin
6804…..Josiane Roberge
7285…..Josianne Henri
5265…..josyane tessier
6994…..Joyce Bridgman
5976…..Julian Ortiz
6034…..Juliana Tobon
6128…..Julie Bates
7048…..Julie Berthiaume
6097…..Julie Dale
6521…..Julie Doyon
5933…..Julie Francoeur
7326…..Julie Gagnon
7280…..Julie Gagnon
5860…..Julie Lahaie
6555…..Julie Mac Allister
5967…..Julie Martineau
7484…..Julie Morissette
5938…..Julie Ouellet-Pelletier
6377…..Julie Robichaud
7336…..Julie Rochefort
7133…..Julie Savard
7472…..Julie Vincelette
6719…..Julie-Anne Proulx
6861…..Julie-Jode Mallette
6798…..Julien Charette-Theoret
5055…..Julien Dirand
5800…..Julien Harvey
5013…..Julien Lachance
6631…..Julien Larocque
6776…..Julien Perrault
6333…..Jun Liang Lu
6373…..Justin Langlais
5198…..Justin Pozin
7090…..Justine Lapointe
6955…..Justine Rheaume
5920…..K C Wong Ping Lun
7705…..Kaitlin Mugford
7094…..Kannitha You
6054…..Karelle LEON
7445…..Karen Collingwood
6989…..Karen Rye
6478…..Karim Mansouri
6273…..Karine Bedard
7633…..Karine Boisvert
7313…..Karine Gloutnay
7243…..Karine Mac allister
7126…..Karine Marcoux
7527…..Karine Simard
7531…..Karine Soucy
7051…..Karine Thivierge
5486…..Karl Brochu
7785…..Karl Desjardins
5275…..Karl Dore
5413…..Karl Gagne
6824…..KARL VACHON
5297…..Karl-Rudolf Erlemann
6037…..Karol'Ann Boivin
7699…..Katell Menec
6792…..Katheleen Ouellette
6031…..Katherin Duchesne
7267…..Katherine Raymond
5607…..Kathleen Bonnet
7295…..Kathleen Chasse
7501…..Kathleen Deckert
6172…..Kathleen Muldoon
6429…..Kathleen Rourke
6830…..Kathleen Wendel
7290…..Kathrin Stanger-Hall
6920…..Kathryn Duplantie
6678…..Kathryn Hutchins
6998…..Kathy Outerbridge
7211…..Ken Kwan
5024…..Kenny Beaudette
7547…..Keven Pelletier
6753…..Kevin Klein
6796…..Kevin Laycraft
5989…..Kintxo Freiss
7200…..Klenisson Feitosa
6609…..Kristen MacArthur
6123…..Kristin Paterson
6395…..Kristina Ireland
5809…..Kristopher Kerwin
7303…..KUMIKO REKOFF
7473…..Kyle Gregory
6818…..Lafontaine Martin
7027…..Lajoie Catherine
6243…..Laura Bonter
7436…..Laura Fournier
7022…..Laura Glasper
6111…..Laurence Descarries
7796…..Laurence Forget
5639…..Laurence Huot
6708…..Laurence Marcoux-Lamy
7711…..Laurent Bouchard
6060…..Laurent Cataford
5387…..Laurent Desilets
6244…..Laurent fuhrmann
6152…..Laurent JEAN
5018…..Laurent Jugant
5535…..Laurent Teboul
7737…..Laurie Auger
6738…..Laurie Bisaillon
7218…..Laurie Julien
7340…..Laurieve Berube
7440…..Lea Daniel
7164…..Lea Paulus
7366…..Leah Bressette
5373…..Leah Williams
7784…..Leandre Forget
7034…..Lenka Martinek
6690…..Leo Basile
5969…..Leon Ferrari
7330…..Leonardo Torres
6900…..Leonie fillion
7120…..Lina Binet
7068…..Linda Vachon
6545…..Linda Vassallo
7779…..Line Bordage
7043…..Line Fiset
5853…..Line Lavergne
6783…..Lior Ancelevicz
6635…..Lisa Wilson
7341…..Lise Brunet
7541…..Lise Guay
6778…..Lise Proulx
6491…..Lise Scott
7006…..Loic Reimonenq
6506…..Lori Mitchell
5882…..Louis Bedard
7723…..Louis Blais
7535…..Louis Comerton
7017…..Louis M cormier
5830…..Louis Mirmont
5471…..Louis Sabourin
5425…..Louis Saint-Pierre
5942…..Louis Verhoef
5845…..Louise Borel
7065…..Louise Chercuitte
7184…..Louis-Philippe Lacas
6724…..Louis-Philippe Robitaille
5429…..Luc Bouchard
7648…..Luc Bouisset
6697…..Luc Bourgeois
5580…..Luc Briere
5148…..Luc Chouinard
6232…..Luc Desbiens
7245…..Luc Gelinas
6699…..Luc Milette
7213…..Luc Pelchat
7583…..Luc Simard
5007…..Luc Theriault
7515…..Luce Gagnon
7014…..Lucie Blais
6073…..Lucie Noel
6763…..Lucie Tetreault
7865…..Lucy Schneider
6479…..Ludovic Boucherie
5062…..Luis Alquicira
5906…..Luis Berrueta
6608…..Lychhun Ung
7389…..Lydia Lacoursiere
7413…..Lydia Perreault
7678…..Lynne Faught
7894…..Madeleine Audet
5704…..Madeleine Possamai
5451…..Magalie Hardy
6130…..Magalie Ross
7910…..Maggy Papineau
6257…..Maika Girard
5468…..Manuel Cabral
6020…..Marc Andre Roy
7367…..Marc Bedard
6403…..Marc Farrier
5476…..Marc Gervais
6817…..Marc Michaud
6607…..Marc Mourton
6637…..Marc Parisien
5974…..Marc Perron
7190…..Marc-Andre Amyot
6543…..Marc-Andre Blais
6710…..Marc-Andre Cloutier
5875…..Marc-Andre Leclair
5003…..Marc-Andre Raiche
5020…..Marc-Antoine Crepeau
5191…..Marc-Antoine Fortin
5103…..Marc-antoine Gauthier
5391…..Marc-Antoine Leboeuf
6662…..Marc-Antoine Poirier
5995…..Marcel Aubertin
5706…..Marcel Doyon
5806…..Marcel Lavoie
7140…..Marco Arseneault
5649…..Marc-Olivier Dancosst
6436…..Marc-Olivier Gallant
6960…..Marc-Olivier Prevost
6891…..Margot Tome
6129…..Mariana Sandoval
7080…..Marianne Dubuc
5617…..Marianne Jodoin
7630…..Marianne Petit
5924…..Marianne Pharand
6750…..Marie Allio
5779…..Marie Bentejac
7740…..Marie Chantal Mujawamariya
7395…..Marie Christine Gagnon
6327…..Marie Pier Genest
6466…..Marie Sophie Gauthier
6156…..Marie Stevenson
7102…..Marie-Andree Bourgeois
6175…..Marie-Andree Vallee
6003…..Marie-Christine Desgagnes
6687…..Marieclaude Boudreault
7712…..Marie-Claude Cote
5872…..Marie-Claude Demers
7016…..Marie-Claude Gauthier
5941…..Marie-Claude Leblond
7203…..Marie-Colombe Afota
6525…..Marie-Eve Beaudet
5908…..Marie-Eve Carpentier
7278…..Marie-Eve Lussier-Cousineau
7617…..Marie-Eve Pomerleau
7585…..Marie-France Martineau
5286…..Marie-France Noel
7171…..Marie-Helene Poulin
7028…..Marie-Helene Rochefort
7208…..Marie-Josee Emond
6290…..Marie-Josee Harbec
7272…..Marie-Josee Renaud
6692…..Marie-Josee Turcotte
6927…..Marie-Lise Maltais
5851…..Marie-Lou Beaudette-Ross
6907…..Marie-Michele Clement
7151…..Marie-Neige Havard
6683…..Marie-Noelle Pelletier
6865…..Marie-Noelle Richard
5990…..Marie-Philippe Parent
6325…..Marie-Pier Bouffard
5392…..Marie-Pier Chretien
5310…..Marie-Pier Coulombe
7046…..Marie-Pier Lapointe
6332…..Marie-Pierre Letourneau
7077…..Marilou Sarrazin
6877…..Marilyn Cormier
6896…..Marilyne Lamer
7458…..Marina Bezier
6029…..Mario Choquette
7600…..Mario Gohier
5596…..Mario Paz
7172…..Mario Raymond
6559…..Mario Roch
7556…..Marius Cezar Magdes
6187…..Marjorie Bouffard
5160…..Mark chester Maghirang
5822…..Mark Smithhisler
5342…..Mark Sterling
6486…..Marni Kagan
6179…..Martin Brouillard
5592…..Martin Brunelle
7124…..Martin Caron
5500…..Martin Chapleau
5164…..Martin Clement
5538…..Martin Cote
7401…..Martin couture
5326…..Martin Deschenes
5279…..Martin Durivage
7023…..Martin Gadbois
6567…..Martin Giroux
5095…..Martin Guilbault
6810…..Martin Moreau
7381…..Martin Nolet
5947…..Martin Perreault
7593…..Martin Pesant
7057…..Martin Rioux
5840…..Martin Rivest
6425…..Martine Boutin
7324…..Martine Lapierre
7179…..Martine St Pierre
5341…..Marwan Dirani
5623…..Mary Bartlett
7896…..Maryse Bourque
7333…..Maryse Gelinas
6302…..Maryse Parisien
5063…..Mateo Lino
6386…..Mathias Grasser
5499…..Mathieu Barabe
5737…..Mathieu Berger
5104…..Mathieu Boivin
6142…..Mathieu Boivin
5659…..Mathieu Brossard
7206…..Mathieu Dumas
7503…..Mathieu Farley
5142…..Mathieu Gauthier
6912…..Mathieu Guilbault
5240…..Mathieu Julien-Roy
5428…..Mathieu Lachapelle Viens
5340…..Mathieu Lalonde
6215…..Mathieu Leblanc
5145…..Mathieu Olivier Perrault
5066…..Mathieu Rivest
5154…..Mathieu Rouleau
6566…..Mathieu Roy
7517…..Mathilde Marre
7317…..Mathilde Soulez
6884…..Mathis Babineau
6253…..Matt Baraniecki
7816…..Matt Reaume
6242…..Matthew Ellis
5363…..Matthew Walker
5804…..Matthieu Benattar
5346…..Matthieu Frey
5370…..Matthieu Lemire
6358…..Maud Bessieres
7696…..Maude Arpin-Query
7895…..Maude Perron
5227…..Maude Raymond
6648…..Maude Rivest
7862…..Maurice Bourque
5829…..Maurice-Etienne Bouillon
5039…..Mauricio Gomez
7248…..Max Paradis
5159…..Maxime Aunez
5811…..Maxime Baltazar
5390…..Maxime bibeau
5006…..Maxime Brouillard
5663…..Maxime Cadorette
7772…..Maxime Guilbault
7474…..Maxime Lepine
5048…..Maxime Migeon
5847…..Maxime Simard
7000…..Maya de Lorimier
6276…..Mayra Petit
6675…..Mehran Eimanlou
6223…..Melanie Boucher
6448…..Melanie Briere
6647…..Melanie Charette
7518…..Melanie Danis
6895…..Melanie Lavallee
7599…..Melanie Martin
7316…..Melanie Mercier
6256…..Melanie Ponthieu
7170…..Melanie Rocher
6633…..Melanie Senneville
7086…..Melanie Shang
7142…..Melanie Trottier
7644…..Melissa Belanger
7564…..Melissa Krulick
7595…..Melissa Menard
7042…..Melissa Piperno
7427…..Melissa Sarakinis
6141…..Michael Chaput
7742…..Michael Cho-Chu
6667…..Michael jeremie Racine
5590…..Michael Lacasse
5107…..Michael Lefrancois
6089…..Michael Morin
6852…..Michael Srogosz-Bolduc
7555…..Michael Tamburini
6485…..Michel Bergeron
5957…..Michel Bolduc
7532…..Michel Coutu
5640…..Michel Delisle
5801…..Michel Delisle
7354…..Michel Doyon
7198…..Michel Dufeu
6515…..Michel Lavigne
6154…..Michel Lefebvre
6401…..Michel Lessard
5462…..Michel Massicotte
5662…..Michel Menard
5200…..Michel Methot
5672…..Michel Paris
6002…..Michel Riendeau
6245…..Michel Tremblay
7638…..Michele Ladouceur
7703…..Michele Letendre
7477…..Micheline Chenard
5367…..Michelle Bryson
7234…..Michelle Gallagher
6322…..Michelle Guay
5631…..Mickael Cornut
6268…..Miguel Diaz
7550…..Miguel Diaz Barahona
6529…..Mike Apted
6315…..Mike Stock
7435…..Min Yang
5777…..Minh-Quan Doan
7512…..Miryam M. Rodrigue
6534…..MJ Beaulieu
6311…..Mohamed Benmouffok
7415…..Mohan Iyer
5573…..Moise Moustakaly
7072…..Mylene Chiasson
7312…..Mylene Rondeau
7441…..Mylene Vallee
7393…..Myriam Boulet
6437…..Myriam Huot
6139…..Myriam Lefebvre
7180…..Nadia Bilodeau
5710…..Naim Seggad
7215…..Nalini Singh
7230…..Nancy Bisaillon
6421…..Nancy Drolet
7021…..Nancy Duguay
6292…..Nancy Fiset
5885…..Nancy Gamache
7886…..Nancy Guillery
6234…..Nancy Michaud
7496…..Nancy Rivest
6306…..Nancy Silva
6155…..Naron Phou
6431…..Natacha Fontaine
7421…..Natacha Garoute
6022…..Natalie Collins
7101…..Natalie Fortin
5698…..Natalie StJacques
6984…..Nathalie Allard
6498…..Nathalie Audet
7542…..Nathalie Blanchet
6415…..Nathalie Gauthier
6924…..Nathalie Landry
7830…..Nathalie Lemaire
6196…..Nathalie Theriault
6554…..Nathaniel Jutras
5868…..Nelson McGregor
5001…..Nicholas Berrouard
6858…..Nicholas Fortier-Poulin
5369…..Nick Beaulieu
7479…..Nicola Treadgold
7219…..Nicolas Boudreault
5165…..Nicolas Charpentier
5951…..Nicolas Couture
6396…..Nicolas Jean
5780…..Nicolas Joubert
5193…..Nicolas Laliberte
5347…..Nicolas Le Gall
6277…..Nicolas Leblanc
6837…..Nicolas Lepage
6209…..Nicolas Lepiquet
5358…..Nicolas Martel
5961…..Nicolas Moran Levesque
7192…..Nicolas Pelletier
5162…..Nicolas Pierre
5155…..Nicolas Tremblay
5980…..Nicolas Veillet
6928…..Nicolas Zazzeri
7210…..Nicole Beaudet
6416…..Nicole Garofalo
6408…..Nicole Livey
6614…..Nicole Lunstead
5035…..Nikos Xirocostas
6237…..Nora-Laure Lefebvre-Campbell
6239…..Norm Lonergan
6101…..Norm O'Reilly
7611…..Normand Cadorette
7398…..Normand Lapierre
5943…..Normand Ricard
5758…..Noureddine Halimi
7064…..Olivier Bernatchez
5339…..Olivier Bolullo
5582…..Olivier Bonneau
7500…..Olivier Brousseau
5009…..Olivier Collin
6926…..Olivier Despars
6227…..Olivier Dubois
5665…..Olivier Dufour
5585…..Olivier Dumas
5050…..Olivier Forget Turcotte
5150…..Olivier Lebeau
5102…..Olivier Loiselle
7387…..Olivier Robidoux
6664…..Olivier Saleh
5085…..Olivier Senechal
5364…..Olivier Thiriet
5880…..Olivier Turcot
6965…..Olivier Varin
7632…..Omoniyi Fabarebo
7465…..Otto Gomez R
5400…..Pablo Gumucio
5738…..Pamfil Putu
6064…..Pascal Amyot
5317…..Pascal Bourque
5419…..Pascal Lafreniere
5277…..Pascal Nault
5992…..Pascal Rouchon
7652…..Pascale Boule
6146…..Pascale Lizotte
6634…..Pascaline Lauze Malouin
7365…..Pat Laycraft
6463…..Patrice Boyer
5655…..Patrice O'Bomsawin
7012…..Patricia Joly
6981…..Patricia Melo
6087…..Patricia Tessier
6913…..Patrick Archambault
5566…..Patrick Beaulieu
5353…..Patrick Bouchard
7606…..Patrick Campeau
5548…..Patrick Cote
5290…..Patrick Cote
5195…..Patrick Couture
7254…..Patrick Guermonprez
5294…..Patrick Heppell
7178…..Patrick Inkel
5014…..Patrick Lalonde
7481…..Patrick Roy
7136…..Patrick Tobgi
7743…..Paul Armaos
6033…..Paul Ashton
5218…..Paul Bates
6249…..Paul Brogan
6483…..Paul Chiasson
5731…..Paul Owens
5858…..Paul Smith
6038…..Paula Bzdell
5554…..Paulo Arruda
7406…..Paulo Ferreira
7692…..Paulo Muleiro
7225…..Pedro Neves
5594…..Peter Linkletter
7614…..Peter Staniforth
6426…..Peter Waldorf
6402…..Petra Niederhauser
6151…..Philip Deeter
5111…..Philippe Allard
6661…..Philippe Archambault
5687…..Philippe Beausejour
5031…..Philippe Bertrand
6313…..Philippe Boucher
6283…..Philippe Brissette
7382…..Philippe Brunet
5337…..Philippe Couture
6004…..Philippe Dalpe-Turcotte
7221…..Philippe Desrochers
5140…..Philippe Dumont
5157…..Philippe Gregoire
5679…..Philippe Gregoire
6143…..Philippe Jacob-Goudreau
6746…..Philippe lachance
6047…..Philippe Legault
6039…..Philippe Lupien
5789…..Philippe Major
7116…..Philippe Major
6041…..Philippe Navarri
5759…..Philippe Pigeon
6430…..Philippe Robitaille
6919…..Philippe Sinto-Girouard
5685…..Pier Gagnon
5564…..Pierre Bienvenue
5611…..Pierre Brunet
6584…..Pierre David
6603…..Pierre Dufour
5892…..Pierre Ferland
7246…..Pierre Gauthier
7060…..Pierre Gignac
6749…..Pierre Martin
6380…..Pierre Saint-Laurent
5375…..Pierre-Luc Gagnon
5324…..Pierre-Luc Mailloux
6050…..Pritesh Mistry
6640…..Qining Cai
5558…..Quynh Nguyen
6199…..Rachel Beaudette
5126…..Ralf Eberhard
5602…..Raphael Baldy martin
7339…..Raphael Boulanger
6114…..Raphael D'amours
5017…..Raphael Gagne Colombo
6470…..Raphael Gourdeau
7751…..Raphael Lachance
6469…..Raphael Poittevin
5591…..Raphael Rufus Chartier
5888…..Raul Garcia Cisneros
5138…..Raymond Lanthier
5684…..Real Gagne
7292…..Rebecca Petit
6581…..Rebecca Reaume
5579…..Rejean Cote
6074…..Remi Dicaire
6799…..Remi Perron
6727…..Renaud Loisel
5927…..Rene Bourget
7650…..Rene Chamberland
7384…..Rene Lacerte
5322…..Richard Bertrand
7812…..Richard Campeau
5746…..Richard Cobden
6610…..Richard Comtois
7786…..Richard Coude
5651…..Richard Guay
5605…..Richard Kenney
5485…..Richard Perron
5312…..Richard Sevigny
6795…..Richard Verret
7364…..Rick Palfrey
5973…..Rob Rashotte
5452…..Robert Bellerive
5959…..Robert Bergeron
5289…..Robert Borris
7424…..Robert Jr Langley
6628…..Robert Malo
6367…..Robert Martel
5366…..Robert Savoie
6782…..Robert Tizu
6809…..Robert Wildey
5399…..Robin Larose
5008…..Robin Richard-Campeau
7004…..Robin Sincerny
5674…..Rocio Hernandez
6177…..roger pouliot
7859…..Romeo Quinteros
6432…..Romesh Vadivel
7002…..Ronald Dessureault
5241…..Rowan Trouncer
7461…..Roxanne Gauthier
7273…..Roxanne Hamel
5683…..Rudy Allen
7024…..Ryan Boudreau
5365…..Sabrina Sullivan
6650…..Saidi Habimana
7399…..Sam Constantin
7806…..Samantha Chillcott
6736…..Sameer Vakani
6957…..Sammi Hammoud
5196…..Samuel Beauvais
6594…..Samuel Bouffard
6925…..Samuel Coulombe
6369…..Samuel Gariepy
7011…..Samuel Hamel
5645…..Samuel Lacroix
5214…..Samuel Moreau
7005…..Sandra Andrew
5371…..Sandra Boucher Mercier
6705…..Sandra Gonzalez
6016…..Sandra Lapointe
7223…..Sara Fortin
6568…..Sara Lyman
5427…..Sarah Bachand
6676…..Sarah Belouchi
7306…..Sarah Boily
5843…..Sarah Lefebvre
6076…..Sarah Rynbeek
5921…..Sarah Tremblay
6048…..Scott Ritchie
5761…..Sean Seltzer
5490…..Sebastian Balk-Forcione
7216…..Sebastian Humphrey
5276…..Sebastien Barbat
6901…..Sebastien Beriault
7636…..Sebastien Dumont
7505…..Sebastien Farkas
5229…..Sebastien Gendron
7416…..Sebastien Hotte
5096…..Sebastien Lacroix
7666…..Sebastien Larocque
5965…..Sebastien Pouliot
5477…..Sebastien Proulx
7168…..Sebastien Rabouille
6159…..Sebastien Roy
5506…..Sebastien Senechal
5168…..Sebastien Suicco
5568…..Sebastien Tremblay
6165…..Sebastien Tremblay
5359…..Serge Brochu
6595…..Serge Dauphinais
6688…..Serge Lacroix
7704…..Serge Menec
5897…..Serge St-jean
7820…..Sergei Eremeev
7410…..Shaelyn Carroll
5978…..Shaina Coulter
7684…..Shanti Larochelle
6477…..Share Duggan
7095…..Shelley Lafford
7598…..Sherry Holtzman
5877…..Shirin Tahmasebi
6382…..Si Tam Ho
7615…..Silvio Kruger
5466…..Silviu Popescu
6459…..Simon Allard
6133…..Simon Archambault
5205…..Simon Bonnallie
6399…..Simon Bouchard
5298…..Simon Boulanger
5817…..Simon Brouillette-Lapointe
5487…..Simon Cabot Thibault
7131…..Simon Chalifoux
5446…..Simon Chamorro
7438…..Simon Chenail
5280…..Simon Delisle-Beaulieu
6691…..simon deziel
5474…..Simon Garneau
5691…..Simon Gosselin
5328…..Simon Jette
5348…..Simon Joly
5376…..Simon Lafrance
6326…..Simon Lantier
7453…..Simon Olivier Roy
5072…..Simon Villeneuve
5349…..Simon-Michel Belisle
5412…..Simon-Pierre Jacques
7201…..Skye Lecours
7301…..Solene Aubenas
7781…..Sonia Boisclair
7716…..Sonia Thouin
6356…..Sonia Vibert
7008…..Sony Carpentier
6317…..Sonya Audrey Bonin
6138…..Soo Owens
5355…..Sophie Bernard
6773…..Sophie Deschamps
5666…..Sophie Duchesne
6366…..Sophie Gauthier-Clerc
6848…..Sophie Gravel
5295…..Sophie Larocque
6779…..Sophie Marsolais
6873…..Sophie McGee
6462…..Sophie Plante
7009…..Sophie Poudrier
6785…..Steeven Bosse
7758…..Stephane Briere
5707…..Stephane Brunet
5406…..Stephane Calixte
5785…..Stephane Cote
6812…..Stephane Croteau
6195…..Stephane Dignard
5530…..Stephane Drouin
7669…..Stephane Fleury
5025…..Stephane Gagne
7487…..Stephane Gauthier
6971…..Stephane Goyette
5047…..Stephane Greffard
6078…..Stephane Henrion
5377…..Stephane Jakubyszyn
7092…..Stephane Laframboise
7318…..Stephane Leclair
5166…..Stephane Lepage
5380…..Stephane Moreau
5482…..Stephane Roux
6814…..Stephane St-Gelais
6701…..Stephane St-Yves
7909…..Stephanie Martin
7724…..Stephanie Mc Crea
6658…..Stephanie Pelletier
6118…..Stephanie Roy
7509…..Stephanie Simard
5040…..Stephen Debardi
7548…..Steve Blais
5653…..Steve Mailloux
5717…..Steve Poutre
6747…..Steve Whitehead
5986…..Steven Belanger
5213…..Steven Mercier
5046…..Stuart Wilson
7604…..Sue Ackerman
7613…..Sue McGlashan
5827…..Sukhraj Johal
7607…..Sunny Breuil
6660…..Susan Adams
7848…..Susan St.Maurice
7825…..Susan Willcocks
7207…..Suzanne Gagnon
7749…..Suzie Fournier
6587…..Sydney Vachon
5129…..Syl Lemelin
6737…..Sylvain Belanger
7159…..Sylvain Bois
5171…..Sylvain Constant
5527…..Sylvain Duguay
5381…..Sylvain Gagnon
5186…..Sylvain Houle
7861…..Sylvain Labrie
6298…..Sylvain Lagace
5137…..Sylvain Lajoie
5402…..Sylvain Levaillant
6780…..Sylvain Nadeau
5565…..Sylvain Rancourt
5542…..Sylvain Roux
7390…..Sylvain Simard
5411…..Sylvain Van Gele
6214…..Sylvain Villeneuve
7325…..Sylvie Cardin
6467…..Sylvie Lafrance
7187…..Taissir Vilchis
7152…..Tammy O'Grady
7561…..Tanya Narang
5849…..Tao Ji
5549…..Tarik Kadiri
7062…..Tengfei Xu
6345…..Teresa Hernandez Gonzalez
7808…..Teresa Maiquez Hernandez
7266…..Terry Cyr
6344…..Terry SanCartier
5307…..Terry Spathis-Dimitrakis
7394…..Thi Thu Hong Vu
7457…..Thien Thong Huynh
7454…..Thierry Gaudreau
7464…..Thierry-Dimitri Roy
5636…..Thomas Bouchard
6018…..Thomas Courtois
5794…..Thomas Coutelen
5846…..Thomas Huet
7451…..Thomas Keenan
5981…..Thomas MORIN
5361…..Thomas Morse
6682…..Thomas Portanguen
5770…..Thomas-Louis Lavallee
5723…..Tina Kader
7429…..Todd Saulnier
7033…..Tommy Baril
7654…..Tommy Fradette
5282…..Tommy Gagnon
5464…..Tommy Prevost
5836…..Toussaint Xavier
5583…..Trevor Sanders
7284…..Trevor Whike
6641…..Tristan Martel
5460…..Utku Evci
5323…..Utku Karakaya
5439…..Valerie Audet
7869…..Valerie Cabana
6869…..Valerie Duquette
7229…..Valerie Gaulin
7347…..Valerie Gilbert Camirand
6947…..Valerie Gravel
5551…..Valerie Handfield
7300…..Valerie Jutras
7470…..Valerie Roy
7577…..Valerie Tetrault
6204…..Van Phong Pham
6510…..Vanessa Charron
6580…..Vanessa Lara
6995…..Vanessa Tremblay
6409…..Vanessa Trudel
6046…..Vanessa Ventura
7353…..Veronick Williamson
7269…..Veronique BLANC
6805…..Veronique Ferland
6065…..Veronique Guilbault
7870…..Veronique Jutras
7714…..Veronique Laramee
7800…..Veronique Lefebvre
5646…..Veronique Poulin
5528…..Veronique Proulx
7626…..Veronique Proulx-Hardy
6229…..Veronique St-Onge
6897…..Veronique Tremblay
6946…..Vickie Fortin
7590…..Vicky Dugal
6876…..Vicky Libbi
7217…..Vicky Pichette
7780…..Vicky Tremblay
7148…..Victoria McNeill
7809…..Viky Leroux Fournier
7143…..Vincent Bastien
7328…..vincent boutreux
5212…..Vincent Chan
6536…..Vincent Comeau
7029…..Vincent Cote
5688…..Vincent Couturier
6238…..Vincent Demers
6621…..Vincent Desmarais
7414…..Vincent Dumontet
6328…..Vincent Forgues
5728…..Vincent Gosselin
7103…..Vincent Hillenmeyer
5153…..Vincent Houle
6397…..Vincent Laliberte
5598…..Vincent Leroux
6350…..Virginie Mathieu
6412…..Virginie Woltz
5764…..Vivien Traineau
5187…..Warren Isfan
6497…..Wayne Dennison
6771…..Wayne Kuiack
6689…..Wendy Allain
7420…..Wendy Sirota
6733…..William Labelle
5878…..William Lavallee
6105…..William Paradis
6360…..William Rake
6144…..William Ryan
7731…..Xavier Babin-Ouellette
5767…..Xiaoxiao Zhu
7782…..Yan Dube
5768…..Yan Zawisza
6836…..Yang Lin
5438…..Yanick Desrosiers
5210…..Yanick Mongeau
5512…..Yanik Houle
5730…..Yann Bergeron
5146…..Yann Pomerleau
5450…..Yannick Babineau
7030…..Yannick Beauchamp-Cote
6241…..Yannick Beaudoin
5991…..Yannick Charette
6728…..Yannick Levesque
5850…..Yao Li
7674…..Yasmina Messaoud
6967…..Yin Fan
5856…..Yinan He
5291…..Yisel Sequeda
6811…..Yoann Tardif
6316…..Yohann Cuniere
5329…..Yolande Pare
6638…..Yong Jiang
7015…..Youmee Im
5022…..Younes Kerkour
6598…..Yuan Ming Song
5725…..Yuan Yuan Li
6834…..Yuhil Slusarenko
6632…..Yuju Yao
5619…..Yunpeng Yang
5483…..Yvan Cloutier
6091…..Yvan St-Pierre
5948…..Yves Cadotte
6653…..Yves Corbeil
5567…..Yves Gauthier
5045…..Yves Plourde
5036…..Zachary Martel
7075…..Zackary Lemay
5988…..Zhi Li
5304…..Zhijun Ou
7770…..Zi Yue Wang
.
0624
#philadelphia #philly #igers #ig_philly #igersphilly #igers_philly #ig_philadelphia #instagood #visitphilly #spring #bergdollmansion #bergdoll #mansion #brownstone #architecture #historic
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5 Comments on Instagram:
sillohed: Could I have your permission to use this photo in a historical book I am doing?
someguyinphilly: @sillohed Sure, no problem 👍
sillohed: If you want me to credit you let me know at mancam1957@gmail.com
sillohed: If you are ever idly hanging around 929 and 935 29th Street (both old Bergdoll Mansions) I would dearly love pictures of them.
Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.
THE HOUSING PHILOSOPHY
CAN THE TUGENDHAT VILLA BE LIVED IN?
This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.
From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.
Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.
This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.
Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.
The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.
Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."
Model of Headquarters for the Banco de Londres y América del Sur, Buenos Aires (1966) by Clorinda Testa and SEPRA Arquitectos.
Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.
THE HOUSING PHILOSOPHY
CAN THE TUGENDHAT VILLA BE LIVED IN?
This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.
From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.
Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.
This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.
Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.
The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.
Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.
THE HOUSING PHILOSOPHY
CAN THE TUGENDHAT VILLA BE LIVED IN?
This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.
From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.
Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.
This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.
Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.
The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.
The Museum of Arts and Design (MAD), based in Manhattan, New York City, collects, displays, and interprets objects that document contemporary and historic innovation in craft, art, and design. In its exhibitions and educational programs, the Museum celebrates the creative process through which materials are crafted into works that enhance contemporary life.
History
The Museum first opened its doors in 1956 as the Museum of Contemporary Crafts, with an original mission of recognizing the craftsmanship of contemporary American artists. Nurtured by the vision of philanthropist and craft patron Aileen Osborn Webb, the Museum mounted exhibitions that focused on the materials and techniques associated with craft disciplines. From its earliest years, the Museum celebrated the changing roles of craftsmanship in society, served as an important advocate for emerging artists, and linked art to industry.
From 1963 to 1987, under the directorship of Paul J. Smith, the Museum presented dynamic and often participatory exhibitions that reflected the social currents of the era and broke down hierarchies in the arts with the celebration of popular culture and mundane materials. In 1979, the Museum reopened as the American Craft Museum in an expanded location at 44 West 53rd Street. To accommodate its ever-growing programming, the Museum relocated again in 1986 to its 18,000-square-foot home at 40 West 53rd Street, where it would remain until 2008.
The next ten years were a period of rapid growth and change, as the American Craft Council was restructured and the Museum and the Council were established as independent organizations. Holly Hotchner was appointed as director of the Museum in
1996, and served as director for 16 years until 2013. Hotchner initiated a comprehensive strategic planning process that expanded the Board of Trustees, curatorial staff, and exhibition and educational program. This process led to the Museum’s name change, in 2002, to the Museum of Arts and Design to reflect the institution’s increasingly interdisciplinary collections and programming. The continued growth of MAD’s collections, public programs, and attendance resulted in its successful 2002 bid to the New York City Economic Development Corporation to acquire the building at 2 Columbus Circle.
The Museum opened in its new home at 2 Columbus Circle to great controversy. The proposed changes sparked a preservation debate joined by Tom Wolfe (The New York Times; October 12, 2003 and October 13, 2003), Chuck Close, Frank Stella, Robert A. M. Stern, Columbia art history department chairman Barry Bergdoll, New York Times architecture critics Herbert Muschamp and Nicolai Ouroussoff, urbanist scholar Witold Rybczynski, among others. Congresswoman Carolyn B. Maloney (D-NY) referred to it as "one of New York's most photographed and readily recognizable buildings."
The new building was designed by Brad Cloepfil of Allied Works Architecture, in September 2008. With its textured façade of glazed terra-cotta tile and fritted glass, the Jerome and Simona Chazen Building reflects MAD’s craft heritage and permanent collections and animates Columbus Circle, one of Manhattan’s most significant public spaces.
In September 2013, Dr. Glenn Adamson was appointed as the museum’s new Nanette L. Laitman Director. Previously a vocal critic of the museum, Adamson was characterized as a "bold choice" by the trustees. After a tenure of just over two years, Adamson stepped down from the post. Managing director Robert Cundall assumed leadership of the museum on an interim basis, pending recruitment of a new Director.
Source: Wikipedia
Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."
Project for the first city in Antarctica (1980-83) by Amancio Williams
P.F.1 (PUBLIC FARM ONE) BY WORK ARCHITECTURE COMPANY TO BE UNVEILED JUNE 20, 2008, IN P.S.1’S COURTYARD
NEW YORK, February 7, 2008: The Museum of Modern Art and P.S.1 Contemporary Art Center are proud to announce the winner of the ninth annual MoMA/P.S.1 Young Architects Program: WORK Architecture Company from New York. The purpose of the program is to provide emerging young talent in architecture with the chance to prepare and present architectural solutions for a specific site. This year, five finalists selected by a closed nomination process were asked to present an urban landscape for the large entrance courtyard of P.S.1, with the allotted project budget of $70,000. Essential to the design were elements of shade, water, seating, and bar areas. WORK Architecture Company’s winning landscape, P.F.1 (Public Farm One), will be on view in P.S.1’s outdoor courtyard starting June 20, and will serve as an interactive environment for the 2008 Warm Up summer music series.
P.F.1 (Public Farm One) is an urban farm concept that evokes the look of a flying carpet landing in the P.S.1 courtyard. Constructed from large cardboard tubes, its top surface will be a working farm, blooming with a variety of vegetables and plants. The structure will create a textured, colorful, and constantly changing surface in contrast with P.S.1’s angular concrete and gravel courtyard. P.F.1 will work as an interactive bridge between outside and inside, creating multiple zones of activity including swings, fans, sound effects, innovative seating areas, and a refreshing pool at its center. The installation will be a living structure made from inexpensive and sustainable materials recyclable after its use at P.S.1.
In addition to WORK Architecture Company, the other finalists are Matter Architecture Practice (New York), MONAD Architects - Eric Goldemberg + Veronica Zalcberg (Miami), su11 architecture + design (New York), and THEM/Lynch+Crembil (New York). An exhibition of the designs, organized by Andres Lepik, Curator, Department of Architecture and Design, will be presented in MoMA’s Louise Reinhardt Smith Gallery from July 15 to October 20, 2008.
Mr. Bergdoll says, “Thirty years after Rem Koolhaas's published Delirious New York, the influential manifesto which celebrated the often unlikely and hybrid mixture of functions in the city's huge buildings and dense districts, Amale Andraos and Dan Wood of WORK Architecture Company bring us the improbable merger of a flying carpet and a farmer's market, a cultivated and cultivatable piece of infrastructure that is a timely comment on issues from post-industrialization to sustainability. Here, the productive garden meets the art gallery, and the urban schoolyard acquires greenery.”
"Receiving this extraordinarily seductive visual version of a farm at P.S.1 struck deep into my rural roots. I own a farm in South Dakota, and my neighbors are very excited about coming to New York City this summer to see the urban competition!" states P.S.1 Director Alanna Heiss.
WORK Architecture Company founders, Amale Andraos and Dan Wood, describe the experience of their installation: “P.F.1 is an architectural and urban manifesto to engage play and reinvent our cities, and our world, once again.”
Frank Lloyd Wright, model of design for St. Mark's-in-the-Bouwerie tower (1927-1931). Museum of Modern Art, New York, "Frank Lloyd Wright and the City: Density vs. Dispersal" (Barry Bergdoll and Carole Ann Fabian, with Janet Parks and Phoebe Springstubb, 2014). Painted wood.
Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."
Model of Edificio Altolar, Caracas (1966) by Jimmy Alcock.
Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."
Three of the numerous large-scale models made for the exhibition.
Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."
Model of Faculdade de Arquitectura e Urbanismo, Universidade de São Paulo (1969) by João Batista Vilanova Artigas and Carlos Cascaldi.
Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.
THE HOUSING PHILOSOPHY
CAN THE TUGENDHAT VILLA BE LIVED IN?
This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.
From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.
Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.
This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.
Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.
The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.
Riocentro, 16 a 19 de junho de 2012.
Os Diálogos para o Desenvolvimento Sustentável reunirão 100 debatedores em 10 painéis voltados a temas prioritários da agenda internacional de sustentabilidade. Os debates terão lugar na plenária do Pavilhão 5 do Riocentro. O acesso à plenária será condicionado à disponibilidade de assentos.
A sessão de abertura dos Diálogos ocorrerá às 11hs do dia 16 de junho, sábado, com a participação do Ministro das Relações Exteriores, Antonio de Aguiar Patriota, e da Coordenadora-Executiva da Conferência das Nações Unidas para o Desenvolvimento Sustentável, Elizabeth Thompson, também ex-Ministra de Energia e Meio Ambiente de Barbados.
Todos os debates serão transmitidos ao vivo no website das Nações Unidas: www.uncsd2012.org. A programação completa e a lista de participantes dos Diálogos encontram-se anexas.
Coletivas de imprensa com dois participantes de cada painel dos Diálogos serão realizadas na sala principal de coletivas de acordo com o seguinte programa:
Sábado, 16 de junho
14-14:30hs: Desemprego, trabalho decente e migrações
18-18:30hs: Desenvolvimento Sustentável como resposta às crises econômicas e financeiras
Domingo, 17 de junho
14-14:30hs: Desenvolvimento Sustentável para o combate à pobreza
14:30-15hs: Economia do Desenvolvimento Sustentável, incluindo padrões sustentáveis de produção e consumo
18-18:30hs: Florestas
Segunda-feira, 18 de junho
14-14:30hs: Energia sustentável para todos
16-16:30hs: Segurança alimentar e nutricional
18-18:30hs: Água
Terça-feira, 19 de junho
14-14:30hs: Cidades sustentáveis e inovação
14:30-15hs: Oceanos
-------------------------------------
Agenda e Participantes
1 - Desemprego, trabalho decente e migrações – 16 de junho, 11hs às 13:30hs
Moderador: Jonathan Watts, The Guardian
. Sra. Carmen Helena Ferreira Foro (Brasil) - Secretária de Mulheres Trabalhadoras Rurais da CONTAG.
. Sr. Daniel Iliescu (Brasil) – Presidente, União Nacional dos Estudantes
. Sra. Deborah Wince-Smith (EUA) - Presidente, The Council on Competitiveness
. Sra. Ivana Savich (Sérvia) – Coordenadora, CSD Youth Caucus
. Dr. James K. Galbraith (EUA) - Professor, Texas University
. Dr. Lu Hulin ( China ) - Professor, Beijing University
. Sra. Nana-Fosu Randall (Gana) - Fundadora e Presidente, Voices of African Mothers (VAM)
. Sra. Sharan Burrow (Austrália) - Secretária-Geral, International Trade Union Confederation
. Sr. Maurice Strong (Canadá) – Secretário-Geral das Conferêrencias de Estocolmo (1972) e do Rio de Janeiro (1992)
. Sr. Peter Bakker – Presidente, World Business Council for Sustainable Development (WBCSD)
2 - Desenvolvimento Sustentável como resposta às crises econômicas e financeiras – 16 de junho, 15:30 às 18:30hs
Moderador: Sr. Luis Nassif (Brasil) – TV Brasil/Agência Dinheiro Vivo
. Sr. Caio Koch-Weser (Alemanha) - Vice-Presidente, Deutsche Bank Group
. Dr. Enrique V. Iglesias (Uruguai) – Secretária-Geral Ibero-Americana (SEGIB). Ex-Presidente, Banco Interamericano de Desenvolvimento (1988-2005)
. Sr. Fabio Barbosa (Brasil) – Presidente Executivo, Abril S.A.
. Dr. Jeffrey Sachs (EUA) -Diretor, Earth Institute, Columbia University
. Dr. Herman Mulder (Países Baixos) - Presidente, Global Reporting Initiative (GRI)
. Sra. Kate Raworth (Reino Unido) - Pesquisadora, Oxfam
. Dra. Marcela Benítez (Argentina) - Fundadora, Diretora, RESPONDE Association
. Sr. Wang Shi (China) – Fundador e Presidente, China Vanke Co. Ltd
. Dr. Yilmaz Akyuz (Turquia) – Economista Chefe, South Centre
. Dra. Laurence Tubiana (França) – Sciences Po
3 - Desenvolvimento Sustentável para o combate à pobreza – 16 de junho, 19:30 às 22hs
Moderador: Sr. Fred de Sam Lazaro (EUA) – PBS
. Dr. Boaventura de Sousa Santos (Portugal) - Professor, Universidade de Coimbra
. Dr. Judith Sutz (Uruguai) - Professora, Universidad de la Republica
. Sra. Lourdes Huanca Atencio ( Peru ) - Presidente, National Federation of Women Rural Workers, Artisans, Indigenous and Wage Workers of Peru (Femucarinap)
. Dr. Manish Bapna (EUA) - Presidente World Resources Institute (WRI)
. Dra. Márcia Lopes (Brasil) - Professora, Ex-Ministra Ministério do Desenvolvimento Social e Combate à Fome
. Sr. Marcos Terena (Brasil) - Presidente, Comitê Intertribal
. Dr. Pavan Sukhdev (Índia) - Fundador e Presidente, Gist Advisory Private Ltd.
. Sra. Severn Cullis-Suzuki (Canadá) - Membro da Diretoria, David Suzuki Foundation
. Sr. Victor Trucco ( Argentina ) – Presidente Honorário, Argentine Association of No-Till Producers (AAPRESID)
. Dr. Yang Tuan ( China ) - Diretor, Center for Study of Social Policies, Chinese Academy for Social Sciences
4 - A economia do Desenvolvimento Sustentável, incluindo padrões sustentáveis de produção e consumo – 17 de junho, 11hs às 13:30hs
Moderador: Sr. Joseph Leahy (Reino Unido) – Financial Times
. Dra. Elisabeth Laville (França) - Diretora, UTOPIES
. Dra. Enase Okonedo (Nigéria) - Decana, Lagos Business School
. Dra. Gro Harlem Brundtland (Noruéga) - Ex-Primeira Ministra da Noruega
. Sr. Helio Mattar (Brasil) - Presidente, Instituto Akatu. Co-Fundador do Instituto Ethos
. Dr. Ignacy Sachs (França) - Professor, Centre de Recherche sur le Brésil Contemporain (CRDC), Ecole des Hautes Etudes en Sciences Sociales (EHESS)
. Sr. Juan Carlos Castilla-Rubio (Peru) - CEO, Planetary Skin Institute
. Dra. Kelly Rigg (EUA ) - Diretora Executiva, Global Campaign for Climate Action
. Dr. Mathis Wackernagel (Switzerland) - Co-Fundador, Diretor Executivo, Global Footprint Network
. Dr. Thomas Heller (EUA ) – Diretor Executivo, Climate Policy Initiative
. Embaixador Rubens Ricupero (Brasil) - Ex-Secretário-Geral, UNCTAD
5 – Florestas – 17 de junho, 15:30 às 18:30hs
Moderador: Sr. James Chau (China) – CCTV
. Sr. Anders Hildeman (Suécia) - Global Forestry Manager, IKEA of Suécia AB
. Sr. André Giacini de Freitas (Brasil) - Diretor Executivo, Forest Stewardship Council (Conselho de Manejo Florestal)
. Dra. Bertha Becker (Brasil) - Professora, UFRJ
. Sr. Christian Del Valle (Reino Unido) - Fundador, Althelia Climate Fund
. Sr. Estebancio Castro Diaz (Panama) - Secretário Executivo, Alliance of Indigenous and Tribal Peoples of Tropical Forests
. Sr. Guilherme Leal (Brasil) – Fundador, CEO, Natura Cosméticos
. Dra. Julia Marton-Lefevre (França) - Diretora-Geral, International Union for Conservation of Nature (IUCN)
. Dr. Klaus Töpfer (Alemanha) - Fundador, Executivo Diretor, Institute for Advanced Sustainability Studies (IASS), Ex- Executivo Diretor of the United Nations Environment (1998-2006)
. Dr. Lu Zhi ( China ) - Diretora, Center for Nature and Society, Beijing University
. Dra. Yolanda Kakabadse (Equador) - Presidente, World Wide Fund for Nature (WWF)
6 - Segurança alimentar e nutricional – 17 de junho, 19:30 às 22hs
Moderador: Paulo Prada, Reuters
. Sr. Carlo Petrini (Itália) - Fundador, Presidente, Slow Food
. Sra. Esther Penunia (Filipinas) - Secretária-Geral, Asian Farmers Association for Sustainable Rural Development (AFA)
. Sra. Hortensia Hidalgo ( Chile ) - Indigenous Women Network of Latin America and the Caribbean for Biodiversity (RMIB)
. Sra. Josette Sheeran (EUA) - Vice-Presidente, World Economic Forum
. Dra. Luísa Dias Diogo (Moçambique) - Ex- Primeira Ministra de Moçambique
. Sr. Marco Marzano de Marinis (Itália) - Diretor Executivo, World Farmers Organization
. Dr. Martin Khor (Malásia) - Diretor Executivo, South Centre
. Dra. Mary Robinson (Irlanda) - Diretora, International Institute for the Environment and Development (IIED)
. Dr. Renato S. Maluf (Brasil) - Coordenador, Conselho de Segurança Alimentar e Nutricional, (UFRRJ)
. Dra. Vandana Shiva (Índia) - Diretora, Research Foundation for Science, Technology and Ecology
7 - Energia Sustentável para todos – 18 de junho, 11hs às 13:30hs
Moderador: Sr. James Astill (Reino Unido) – The Economist
. Sr. Brian Dames (África do Sul) - CEO, Eskom
. Sra. Changhua Wu (EUA ) - Diretor, Greater China - The Climate Group
. Sra. Christine Lins (Áustria) - Secretária Executiva, REN21
. Sr. José Antonio Vargas Lleras (Colômbia) – Vice-Presidente for Latin America and Caribbean (LAC), World Energy Council (WEC) / Presidente, CODENSA S.A.
. Dr. Kornelis Blok (Países Baixos) - Fundador, Ecofys Group
. Dr. Luiz Pinguelli Rosa (Brasil) - Diretor, COPPE-UFRJ; Secretário Executivo, Fórum Brasileiro de Mudanças Climáticas
. Sra. Sandrine Dixson-Declève (Bélgica) - Diretora, EU Office, University of Cambridge, Program for Sustainability and Leadership; Vice-Chair, European biofuels technology platform
. Sra. Sheila Oparaocha (Zâmbia) - Secretária Executiva, International Network on Gender and Sustainable Energy
. Dr. Thomas Nagy (Dinamarca) - Vice Presidente Executivo, Novozymes
. Sr. Vasco Dias (Brasil) - Presidente, Raízen Energia
8 – Água – 18 de junho, 15:30 às 18:30hs
Moderadora: Sra. Lucia Newman (Chile) – Al Jazeera
. Sr. Albert Butare (Ruanda) - CEO, Africa Energy Services Group
. Dra. Ania Grobicki (Suécia) - Secretária Executiva, Global Water Partnership (GWP)
. Dr. Benedito Braga (Brasil) - Presidente, International Water Resources Association (IWRA). Vice-Presidente, World Water Council (WWC)
. Sr. David Boys (Canadá) – Utilities Officer, Public Services International
. Sr. Dyborn Chibonga ( Malawi ) - CEO, National Smallholder Farmer´s Association of Malawi (NASFAM)
. Sr. Jeff Seabright (EUA) - Vice-Presidente, Environment and Water Resources - Coca-Cola Co.
. Dr. Loïc Fauchon (França) - Presidente, World Water Council Board of Governors
. Dr. Muhammed Yunus ( Bangladesh ) - Fundador, Grameen Bank
. Sra. Myrna Cunningham Kaim (Nicarágua) - Diretora, Permanent Forum of the United Nations of Indigenous People (2011-2013)
. Dra. Santha Sheela Nair (Índia) - Ex-Secretária, Department of Fresh Water, Ministry of Rural Development, Índia
9 - Cidades Sustentáveis e Inovação – 18 de junho, 19:30 às 22hs
Moderador: Sr. Andre Trigueiro (Brasil) – TV Globo
. Dr. Alejandro Aravena (Chile) - Arquiteto, CEO, Elemental
. Dr. Barry Bergdoll (EUA) – Curador Chefe, Architecture and Design, MoMA
. Sr. David Cadman (Canadá) - Presidente, Local Governments for Sustainability (ICLEI)
. Dr. Enrique Ortiz (México) - Ex- Presidente, Habitat International Coalition (HIC)
. Sr. Jaime Lerner (Brasil) - Presidente, Jaime Lerner Institute. Ex- Prefeito de Curitiba and Ex- Governador do Paraná
. Dra. Janice Perlman (EUA ) - Presidente, Mega Cities Project
. Sr. Khalifa Sall (Senegal) – Prefeito de Dakar and Vice-Presidente of UCLG for Africa
. Sr. Oded Grajew (Brasil) - Presidente Emeritus, Instituto Ethos
. Sra. Nawal Al-Hosany (United Arab Emirates) - Diretora de Sustentabilidade, Masdar
. Dr. Shigeru Ban (Japão) - Arquiteto, Shigeru Ban Architects
10 – Oceanos – 19 de junho, 11hs às 13:30hs
Moderador: Sr. Philippe Cousteau (EUA) – CNN
. Sr. Arthur Bogason (Islândia) - Presidente, Islândiaic National Association of Small Boat Owners
. Sra. Asha de Vos (Sri Lanka) – Bióloga Marinha, Western Austrália University
. Dra. Biliana Cicin-Sain (Itália) - Presidente, Global Forum on Oceans, Coasts and Islands
. Dr. Jean-Michel Cousteau (França) - Presidente, Ocean Futures Society
. Sra. Margareth Nakato ( Uganda ) - World Fishermen Forum
. Dr. Robin Mahon ( Barbados ) - Professor, University of West Indies
. Dr. Segen Farid Estefen (Brasil) - Professor, COPPE, UFRJ
. Sr. Shaj Thayil (Índia) - Vice-Presidente, Technical Services and Ship Management
. Dra. Sylvia Earle (EUA) - Fundadora, Mission Blue Foundation
. Dr. Ussif Rashid Sumaila (Canadá) - Diretor, Fisheries Centre and Fisheries Economics Research Unit, British Columbia University
Frank Lloyd Wright, model of Broadacre City project (1934-35). Museum of Modern Art, New York, "Frank Lloyd Wright and the City: Density vs. Dispersal" (Barry Bergdoll and Carole Ann Fabian, with Janet Parks and Phoebe Springstubb, 2014). Painted wood.
Lots to say about this project, but none of it's fully percolated yet. Ask again in February.
Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.
THE HOUSING PHILOSOPHY
CAN THE TUGENDHAT VILLA BE LIVED IN?
This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.
From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.
Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.
This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.
Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.
The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.
Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.
THE HOUSING PHILOSOPHY
CAN THE TUGENDHAT VILLA BE LIVED IN?
This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.
From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.
Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.
This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.
Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.
The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.
Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."
Model of Headquarters for the Banco de Londres y América del Sur, Buenos Aires (1966) by Clorinda Testa and SEPRA Arquitectos.
Book Talk and Roundtable with editors Barry Bergdoll and Jonathan Massey, along with authors Lucia Allais and Guy Nordenson
Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.
THE HOUSING PHILOSOPHY
CAN THE TUGENDHAT VILLA BE LIVED IN?
This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.
From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.
Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.
This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.
Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.
The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.
Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.
THE HOUSING PHILOSOPHY
CAN THE TUGENDHAT VILLA BE LIVED IN?
This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.
From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.
Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.
This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.
Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.
The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.
Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.
THE HOUSING PHILOSOPHY
CAN THE TUGENDHAT VILLA BE LIVED IN?
This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.
From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.
Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.
This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.
Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.
The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.
Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.
THE HOUSING PHILOSOPHY
CAN THE TUGENDHAT VILLA BE LIVED IN?
This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.
From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.
Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.
This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.
Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.
The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.
Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.
THE HOUSING PHILOSOPHY
CAN THE TUGENDHAT VILLA BE LIVED IN?
This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.
From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.
Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.
This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.
Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.
The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.
Demolition of the former Bergdoll Motorcar Company, Broad and Wood Streets, Callowhill Industrial Historic District.
6340…..Jean-Guy Jacques…..4:06:05.0
7076…..Florence Langlois…..4:06:13.0
7219…..Nicolas Boudreault…..4:06:21.0
6114…..Raphael D'amours…..4:06:22.0
6310…..Cindy Caron…..4:06:22.0
6534…..MJ Beaulieu…..4:06:27.0
6375…..Jason Malone…..4:06:28.0
7009…..Sophie Poudrier…..4:06:33.0
6999…..Francois Theroux…..4:06:38.0
7241…..Chantal Dubois…..4:06:40.0
7195…..Jayne Rop-Weller…..4:06:45.0
7208…..Marie-Josee Emond…..4:06:51.0
6913…..Patrick Archambault…..4:06:51.0
7478…..Anh Quang Nguyen…..4:06:52.0
6817…..Marc Michaud…..4:07:02.0
6002…..Michel Riendeau…..4:07:05.0
7178…..Patrick Inkel…..4:07:09.0
6315…..Mike Stock…..4:07:10.0
7714…..Veronique Laramee…..4:07:10.0
6421…..Nancy Drolet…..4:07:10.0
7703…..Michele Letendre…..4:07:24.0
5886…..Erin Cook…..4:07:25.0
6558…..Johanne Gagne…..4:07:28.0
5918…..Alejandro Ruiz…..4:07:34.0
7119…..Ghislain Guay…..4:07:35.0
6574…..Cristina Gutierrez…..4:07:38.0
7487…..Stephane Gauthier…..4:07:49.0
7560…..Clemence Compan…..4:07:51.0
5402…..Sylvain Levaillant…..4:07:52.0
6469…..Raphael Poittevin…..4:07:54.0
6159…..Sebastien Roy…..4:07:54.0
6396…..Nicolas Jean…..4:07:55.0
7503…..Mathieu Farley…..4:07:57.0
7505…..Sebastien Farkas…..4:07:57.0
6967…..Yin Fan…..4:07:59.0
6537…..Claudine Poirier…..4:08:00.0
6533…..Caroline Duchesne…..4:08:01.0
7266…..Terry Cyr…..4:08:04.0
6491…..Lise Scott…..4:08:12.0
6814…..Stephane St-Gelais…..4:08:13.0
6985…..Alina Carter…..4:08:14.0
6993…..Alfredo Simas…..4:08:14.0
7279…..Chantal Neveu…..4:08:18.0
7542…..Nathalie Blanchet…..4:08:19.0
5947…..Martin Perreault…..4:08:20.0
6832…..Bruce Horsburgh…..4:08:25.0
5983…..Jonathan Simard…..4:08:27.0
7723…..Louis Blais…..4:08:31.0
7392…..Elaine plante…..4:08:35.0
7364…..Rick Palfrey…..4:08:36.0
6897…..Veronique Tremblay…..4:08:38.0
6510…..Vanessa Charron…..4:08:41.0
7284…..Trevor Whike…..4:08:46.0
6279…..Edouard Sinor…..4:08:57.0
7175…..Charles Dumont Mallette…..4:08:58.0
6245…..Michel Tremblay…..4:09:04.0
6850…..Jayson Rodis…..4:09:05.0
6586…..Jacobane Bergdoll…..4:09:07.0
7295…..Kathleen Chasse…..4:09:08.0
7126…..Karine Marcoux…..4:09:09.0
7180…..Nadia Bilodeau…..4:09:09.0
5892…..Pierre Ferland…..4:09:12.0
6331…..Jonathan Boivin…..4:09:12.0
6488…..Jean Francois Durand…..4:09:14.0
6054…..Karelle LEON…..4:09:14.0
7631…..Farah Ahmed…..4:09:20.0
5960…..Guy Charron…..4:09:20.0
6635…..Lisa Wilson…..4:09:42.0
6598…..Yuan Ming Song…..4:09:52.0
5985…..Anne-Florence Bastien…..4:09:54.0
6753…..Kevin Klein…..4:09:55.0
7617…..Marie-Eve Pomerleau…..4:10:00.0
6733…..William Labelle…..4:10:13.0
7288…..Brian Lambert…..4:10:18.0
7269…..Veronique BLANC…..4:10:24.0
7346…..Annie Brassard…..4:10:25.0
6211…..Debbie Fisher…..4:10:27.0
7297…..Heather MacGregor…..4:10:31.0
7349…..Jean-Claude Messier…..4:10:32.0
7152…..Tammy O'Grady…..4:10:32.0
7008…..Sony Carpentier…..4:10:34.0
6363…..Di Fruscia Antonio…..4:10:34.0
6713…..Jonathan Labrie…..4:10:42.0
7073…..Charlotte Camboulive…..4:10:49.0
5708…..Dany Boivin…..4:10:54.0
7103…..Vincent Hillenmeyer…..4:10:55.0
7351…..Edith Pouliot…..4:11:10.0
6845…..Irene Dionne…..4:11:20.0
6397…..Vincent Laliberte…..4:11:24.0
7689…..Andreane Legare…..4:11:28.0
6836…..Yang Lin…..4:11:33.0
7564…..Melissa Krulick…..4:11:35.0
5811…..Maxime Baltazar…..4:11:38.0
6336…..Christian Billette…..4:11:42.0
7302…..Jean Menetrier…..4:11:51.0
6830…..Kathleen Wendel…..4:11:53.0
6506…..Lori Mitchell…..4:11:59.0
7436…..Laura Fournier…..4:12:02.0
6667…..Michael jeremie Racine…..4:12:03.0
6858…..Nicholas Fortier-Poulin…..4:12:04.0
7512…..Miryam M. Rodrigue…..4:12:10.0
6328…..Vincent Forgues…..4:12:13.0
6770…..Chantal Urbain…..4:12:15.0
6262…..Cara Racicot…..4:12:17.0
6721…..Anne Roger…..4:12:24.0
7063…..Isabelle Du Sablon…..4:12:27.0
6946…..Vickie Fortin…..4:12:27.0
7272…..Marie-Josee Renaud…..4:12:29.0
7311…..Anastasia Unterner…..4:12:29.0
The Wright Model B was the first aircraft manufactured and sold in quantity by the Wright brothers. Its original owner, Philadelphian Grover Cleveland Bergdoll, bought the plane from the Wrights in 1912 after training at their flying school in Dayton, Ohio. Bergdoll recorded at least 748 flights before placing the Flyer in storage in 1914 near Philadelphia. He eventually donated the plane to the Franklin Institute in December 1933.
Not long after being donated to the institute, it underwent its first renovation, by students at Camden County Vocational School in New Jersey. It is reported that Orville Wright himself assisted the students during a visit. Once the restoration was completed in November 1934, Arthur Arrowsmith, who had supervised the process, and Marshall Reid made several test flights. A month later, Reid piloted the plane in exhibition sorties at the Camden airport to mark the 31st anniversary of the Wright flight. The Bergdoll Flyer finally went on display at its permanent home in the institute’s Aviation Hall the next month.
In 1999 the institute commissioned an inspection by Karl Heinzel, from the National Air and Space Museum, who noted that although the aircraft was in fairly good shape, some cracks in the wood and stains on the fabric indicated it was due for a proper restoration. In 2001 the Flyer was removed from the Franklin Institute, spending the next two years in Dayton, Ohio. Its wooden frame was completely refinished, its fabric replaced and its engine refurbished and returned to operating condition. In the fall of 2003, the aircraft was returned to Philadelphia and reinstalled as the centerpiece of the institute’s new exhibit, the Franklin Air Show.
The Wright Model B was an early pusher biplane designed by the Wright brothers. A dedicated two-seater, it was the last Wright model to have an open-frame tail and their first design to be built in quantity. The original Model B on display at the Franklin Institute was purchased by Grover Cleveland Bergdoll in 1912 directly from Orville Wright.
The Franklin Institute Science Museum opened on January 1, 1934 in the expansive neoclassical building on Benjamin Franklin Parkway designed by John T. Windrem. Owing to the effects of the the Great Depression, only two the wings envisioned by Windrem, surrounding the Benjamin Franklin Memorial, were built. Today the Institute offers 12 permanent hands-on exhibits and hosts renowned traveling exhibits in its more than 400,000 square feet of exhibit space, two auditoriums, and the Tuttleman IMAX Theater.
The Franklin Institute, founded as the Franklin Institute of the State of Pennsylvania for the Promotion of the Mechanic Arts in 1824 by Samuel Vaughan Merrick and William H. Keating , is one of the oldest centers of science education and development in the United States. Named after Benjamin Franklin, America's "first scientist", it was housed in a building on 7th Street that is now home to the Philadelphia History Museum until it moved to its current home on Logan Square.
Many scientists have demonstrated groundbreaking new technology at the Institute over the years. It hosted the International Electrical Exhibition of 1884, the first great electrical exposition in the United States. Nikola Tesla demonstrated the principle of wireless telegraphy at the institute in 1893. The world's first public demonstration of an all-electronic television system was given by Philo Taylor Farnsworth on August 25, 1934.
Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."
The first room of the exhibition includes seven screens with city portraits created by Joey Forsyte and consisting of archive materias on Buenos Aires, Montevideo, São Paulo, Rio de Janeiro, Caracas, Havana, and Mexico City.
Times Square (46th Street & Broadway), NYC
by navema
Beginning on the morning of February 12, 2010, designers from Moorhead & Moorhead, leading a team of ice sculptors and engineers, created a 10-foot tall Ice Heart built of masonry-scaled blocks of ice in Duffy Square at 46th Street and Broadway. By day, Ice Heart will provide a kaleidoscopic view of the Crossroads of the World, magnifying and distorting its colors and textures. By night, it will be a glowing beacon to celebrate the Valentine’s Day holiday. Moorhead & Moorhead’s Ice Heart won the invitational competition, juried by representatives from MoMA, The Queens Museum of Art, Performa, and NYC Parks, among others.
“We are thrilled to be continuing the tradition, inaugurated last year, of bringing public art to Times Square during the Valentine’s Day holiday,” said Times Square Alliance President Tim Tompkins. “This year’s selection, Ice Heart, will become an immediate, albeit transient, landmark for visitors, tourists and New Yorkers alike who can stop by during different times of day to experience this remarkable sculpture.”
“The Ice Heart will constantly change as its crystalline form picks up the lights, colors and chaos of the Times Square – we look forward to the kaleidoscopic effect, and think visitors will enjoy it as well,” commented Granger Moorhead.
Online visitors can watch the sculpture change in Times Square and send their loved ones an electronic Valentine at www.theiceheart.com.
In the fall of 2009, the Times Square Alliance invited four NYC design firms to develop proposals for a Valentine for Times Square. The architects were asked to envision a celebratory 3-D structure with a strong visual presence during the day, that in the evening would be illuminated. The work was also encouraged to accommodate public interaction including photography of visitors in front of the sculpture.
The work of Robert Moorhead and Granger Moorhead, two brothers who run a New York-based architecture and industrial design practice, has been widely exhibited and published, both in the United States and abroad. They were included in the Cooper-Hewitt Design Museum’s 2006 National Design Triennial, and named Emerging Voices by the Architectural League of New York in 2008.
The sculpture will be constructed by Okamoto Studio, a NYC-based artist collective founded by the father-son team of Takeo and Shintaro Okamoto, which has produced one-of-a-kind sculptures in ice that have been installed in venues from the Rockefeller Center to the runways of Fashion Week at Bryant Park. The structural engineering firm is Robert Silman Associates, which has participated in arts related projects throughout New York City. The lighting, a key element to bringing the sculpture alive in the evening, is by Tillett Lighting Design Inc., an award-winning firm specializing in the illumination of landscape and public space.
The Ice Heart was selected by the Art Review Committee of the Times Square Alliance. The committee includes Barry Bergdoll, MoMA, Tom Finkelpearl, Queens Museum of Art, RoseLee Goldberg, Performa; Cora Cahan, The New 42nd Street, Marvin Davis, Davis Reality and Jennifer Lantzas, NYC Parks.
Visitors to Ice Heart can also take advantage of the neighborhood-wide “Free Love in Times Square” promotion. The Times Square Alliance has teamed up with local restaurants, hotels, retailers and entertainment attractions to offer tourists and New Yorkers alike special deals around the holiday. Extending through March 31, 2010, the offers allow visitors to take advantage of even more amenities and attractions in the area.
The 2010 Ice Heart by Moorhead and Moorhead is supported by the Rockefeller Foundation, Altman Lighting Inc. and Levest Electric Corp Inc.
Architecture in Public - A Workshop
12/4-12/5/09
Barry Bergdoll
Cynthia Davidson
Sarah Herda
Jeffrey Inaba
Geoff Manaugh
Brooke Hodge
Sylvia Lavin
Amanda Reeser Lawrence
David van der Leer
Andres Lepik
William Menking
Nicolai Ouroussoff
Benjamin Prosky
Lisa Rochon
William Saunders
Ashley Schafer
Henry Urbach
Mark Wasiuta
Mirko Zardini
Organized by Reinhold Martin and Leah Meisterlin, Temple Hoyne Buell Center for the Study of American Architecture, Columbia University GSAPP
John Lizzardro, Caron Martel Lizzadro, Steve DiMarco, Brian Sharko, Margaret Cox Petrucelli, Nick Lomardi, Jennifer Bergdoll Lavins, Mona Lorefice Blankshain, Janet Buffardi Montefusco, Bonnie Wurtzburger Harris, Ann Marie Okmark Callahan, Bill Schanck, Katherine Spelson, Sue Chase Korin, Rob Silver, Nick Karris, Steve Ormbrek
Architecture in Public - A Workshop
12/4-12/5/09
Barry Bergdoll
Cynthia Davidson
Sarah Herda
Jeffrey Inaba
Geoff Manaugh
Brooke Hodge
Sylvia Lavin
Amanda Reeser Lawrence
David van der Leer
Andres Lepik
William Menking
Nicolai Ouroussoff
Benjamin Prosky
Lisa Rochon
William Saunders
Ashley Schafer
Henry Urbach
Mark Wasiuta
Mirko Zardini
Organized by Reinhold Martin and Leah Meisterlin, Temple Hoyne Buell Center for the Study of American Architecture, Columbia University GSAPP
Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."
Model of Faculdade de Arquitectura e Urbanismo, Universidade de São Paulo (1969) by João Batista Vilanova Artigas and Carlos Cascaldi in foreground.
Architecture in Public - A Workshop
12/4-12/5/09
Barry Bergdoll
Cynthia Davidson
Sarah Herda
Jeffrey Inaba
Geoff Manaugh
Brooke Hodge
Sylvia Lavin
Amanda Reeser Lawrence
David van der Leer
Andres Lepik
William Menking
Nicolai Ouroussoff
Benjamin Prosky
Lisa Rochon
William Saunders
Ashley Schafer
Henry Urbach
Mark Wasiuta
Mirko Zardini
Organized by Reinhold Martin and Leah Meisterlin, Temple Hoyne Buell Center for the Study of American Architecture, Columbia University GSAPP
588 proposals - 5 continents - 44 countries - Only 30 Finalist!
Honorable Jury:
Ar. Álvaro Siza Vieira (President, appointed by Fundação EDP)
Ar. João Luís Carrilho da Graça (Competition/Exhibition Curator)
Ar. Fernando Mello Franco (Appointed by Triennale’s Patrons for the Exhibition)
Ar. Barry Bergdoll (Appointed by Triennale’s Patrons for the Exhibition)
Ar. Ângela Mingas (Appointed by the Luanda Triennale)
www.trienaldelisboa.com/en/competitions/international-com...