View allAll Photos Tagged bergdoll

One of the beer baron's sons built luxury cars from 1908-1913.

But son, Grover Cleveland Bergdoll refused to serve in World War 1 when drafted. He escaped to Germany, fought off several bounty-hunters and returned to the U.S. in 1939.

The mansion, now expensive apartments, is located at 22nd and Green streets, Philadelphia.

Bergdoll Mansion,Built for Beer Baron Louis Bergdoll.1886 Architect James Windrim.Beaux Arts/Italianate Style.Phila Pa-35mm Olympus Stylus Epic,Ilford XP2

"The Bergdoll Mansion is a historic house located in the Spring Garden neighborhood of Philadelphia. It was designed by architect James H. Windrim and built in 1886. It is in a Beaux Arts / Italianate-style.

 

It was added to the National Register of Historic Places in 1976.

 

The building was constructed as the home of the Louis Bergdoll family owners of the City Park Brewery. Grover Cleveland Bergdoll, scion of the well known brewing family, was a playboy, aviator, and World War I draft dodger.

 

The 14,000 square foot mansion has eight bedrooms, nine bathrooms, two kitchens, mahogany woodwork, multiple fireplaces, frescoes and mosaics. It was listed for sale in 2012 with an asking price of $6.9 million.

 

Spring Garden is a neighborhood in central Philadelphia, Pennsylvania, USA, bordering Center City on the north. Spring Garden is a neighborhood that combines diverse residential neighborhoods and significant cultural attractions. The residential areas on the north side of the neighborhood (North of Spring Garden Street) are composed mostly of brick and brownstone three-story townhouses built during the mid-to-late 19th century. The houses include townhouses in the Italianate style, Second Empire, Queen Anne, and Venetian Gothic. Many streets (including Green Street and Spring Garden Street) include "terraced" set ups, which include a small gardened plot, often raised, in front of the house. The residential areas to the south are dominated by taller, multi-family buildings built during the 20th century. The museum area, also to the south of Spring Garden Street, includes the Rodin Museum, the Central Library of Philadelphia, and the Barnes Museum. Before consolidation of Philadelphia, Spring Garden was a district of Philadelphia County.

 

Before the neighborhood was incorporated into the city of Philadelphia in 1854, the city of Spring Garden peaked at ninth on the list of the largest cities in the United States during the 1850 Census.

 

Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City, and the 68th-largest city in the world. Since 1854, the city has been coextensive with Philadelphia County, the most populous county in Pennsylvania and the urban core of the Delaware Valley, the nation's seventh-largest and world's 68th-largest metropolitan region, with 6.245 million residents as of 2020. The city's population as of the 2020 census was 1,603,797, and over 56 million people live within 250 mi (400 km) of Philadelphia.

 

Philadelphia was founded in 1682 by William Penn, an English Quaker. The city served as capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's independence. Philadelphia hosted the First Continental Congress in 1774 following the Boston Tea Party, preserved the Liberty Bell, and hosted the Second Continental Congress during which the founders signed the Declaration of Independence, which historian Joseph Ellis has described as "the most potent and consequential words in American history". Once the Revolutionary War commenced, both the Battle of Germantown and the Siege of Fort Mifflin were fought within Philadelphia's city limits. The U.S. Constitution was later ratified in Philadelphia at the Philadelphia Convention of 1787. Philadelphia remained the nation's largest city until 1790, when it was surpassed by New York City, and served as the nation's first capital from May 10, 1775, until December 12, 1776, and on four subsequent occasions during and following the American Revolution, including from 1790 to 1800 while the new national capital of Washington, D.C. was under construction.

 

During the 19th and 20th centuries, Philadelphia emerged as a major national industrial center and railroad hub. The city’s blossoming industrial sector attracted European immigrants, predominantly from Germany and Ireland, the two largest reported ancestry groups in the city as of 2015. In the 20th century, immigrant waves from Italy and elsewhere in Southern Europe arrived. Following the end of the Civil War in 1865, Philadelphia became a leading destination for African Americans in the Great Migration. In the 20th century, Puerto Rican Americans moved to the city in large numbers. Between 1890 and 1950, Philadelphia's population doubled to 2.07 million. Philadelphia has since attracted immigrants from East and South Asia, Eastern Europe, and Latin America.

 

With 18 four-year universities and colleges, Philadelphia is one of the nation's leading centers for higher education and academic research. As of 2021, the Philadelphia metropolitan area was the nation's ninth-largest metropolitan economy with a gross metropolitan product (GMP) of US$479 billion. Philadelphia is the largest center of economic activity in Pennsylvania and the broader multi-state Delaware Valley region; the city is home to five Fortune 500 corporate headquarters as of 2022. The Philadelphia skyline, which includes several globally renowned commercial skyscrapers, is expanding, primarily with new residential high-rise condominiums. The city and the Delaware Valley are a biotechnology and venture capital hub; and the Philadelphia Stock Exchange, owned by NASDAQ, is the nation's oldest stock exchange and a global leader in options trading. 30th Street Station, the city's primary rail station, is the third-busiest Amtrak hub in the nation, and the city's multimodal transport and logistics infrastructure, including Philadelphia International Airport, the PhilaPort seaport, freight rail infrastructure, roadway traffic capacity, and warehouse storage space, are all expanding.

 

Philadelphia is a national cultural hub, hosting more outdoor sculptures and murals than any other American city. Fairmount Park, when combined with adjacent Wissahickon Valley Park in the same watershed, is 2,052 acres (830 ha), representing one of the nation's largest contiguous urban parks and the 45th largest urban park in the world. The city is known for its arts, culture, cuisine, and colonial and Revolution-era history; in 2016, it attracted 42 million domestic tourists who spent $6.8 billion, representing $11 billion in total economic impact to the city and surrounding Pennsylvania counties.

 

With five professional sports teams and a hugely loyal fan base, the city is often ranked as the nation's best city for professional sports fans. The city has a culturally and philanthropically active LGBTQ+ community. Philadelphia also has played an immensely influential historic and ongoing role in the development and evolution of American music, especially R&B, soul, and rock.

 

Philadelphia is a city of many firsts, including the nation's first library (1731), hospital (1751), medical school (1765), national capital (1774), university (by some accounts) (1779), stock exchange (1790), zoo (1874), and business school (1881). Philadelphia contains 67 National Historic Landmarks, including Independence Hall. From the city's 17th century founding through the present, Philadelphia has been the birthplace or home to an extensive number of prominent and influential Americans. In 2021, Time magazine named Philadelphia one of the world's greatest 100 places." - info from Wikipedia.

 

The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.

 

Now on Instagram.

 

Become a patron to my photography on Patreon or donate.

"The Bergdoll Mansion is a historic house located in the Spring Garden neighborhood of Philadelphia. It was designed by architect James H. Windrim and built in 1886. It is in a Beaux Arts / Italianate-style.

 

It was added to the National Register of Historic Places in 1976.

 

The building was constructed as the home of the Louis Bergdoll family owners of the City Park Brewery. Grover Cleveland Bergdoll, scion of the well known brewing family, was a playboy, aviator, and World War I draft dodger.

 

The 14,000 square foot mansion has eight bedrooms, nine bathrooms, two kitchens, mahogany woodwork, multiple fireplaces, frescoes and mosaics. It was listed for sale in 2012 with an asking price of $6.9 million.

 

Spring Garden is a neighborhood in central Philadelphia, Pennsylvania, USA, bordering Center City on the north. Spring Garden is a neighborhood that combines diverse residential neighborhoods and significant cultural attractions. The residential areas on the north side of the neighborhood (North of Spring Garden Street) are composed mostly of brick and brownstone three-story townhouses built during the mid-to-late 19th century. The houses include townhouses in the Italianate style, Second Empire, Queen Anne, and Venetian Gothic. Many streets (including Green Street and Spring Garden Street) include "terraced" set ups, which include a small gardened plot, often raised, in front of the house. The residential areas to the south are dominated by taller, multi-family buildings built during the 20th century. The museum area, also to the south of Spring Garden Street, includes the Rodin Museum, the Central Library of Philadelphia, and the Barnes Museum. Before consolidation of Philadelphia, Spring Garden was a district of Philadelphia County.

 

Before the neighborhood was incorporated into the city of Philadelphia in 1854, the city of Spring Garden peaked at ninth on the list of the largest cities in the United States during the 1850 Census.

 

Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City, and the 68th-largest city in the world. Since 1854, the city has been coextensive with Philadelphia County, the most populous county in Pennsylvania and the urban core of the Delaware Valley, the nation's seventh-largest and world's 68th-largest metropolitan region, with 6.245 million residents as of 2020. The city's population as of the 2020 census was 1,603,797, and over 56 million people live within 250 mi (400 km) of Philadelphia.

 

Philadelphia was founded in 1682 by William Penn, an English Quaker. The city served as capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's independence. Philadelphia hosted the First Continental Congress in 1774 following the Boston Tea Party, preserved the Liberty Bell, and hosted the Second Continental Congress during which the founders signed the Declaration of Independence, which historian Joseph Ellis has described as "the most potent and consequential words in American history". Once the Revolutionary War commenced, both the Battle of Germantown and the Siege of Fort Mifflin were fought within Philadelphia's city limits. The U.S. Constitution was later ratified in Philadelphia at the Philadelphia Convention of 1787. Philadelphia remained the nation's largest city until 1790, when it was surpassed by New York City, and served as the nation's first capital from May 10, 1775, until December 12, 1776, and on four subsequent occasions during and following the American Revolution, including from 1790 to 1800 while the new national capital of Washington, D.C. was under construction.

 

During the 19th and 20th centuries, Philadelphia emerged as a major national industrial center and railroad hub. The city’s blossoming industrial sector attracted European immigrants, predominantly from Germany and Ireland, the two largest reported ancestry groups in the city as of 2015. In the 20th century, immigrant waves from Italy and elsewhere in Southern Europe arrived. Following the end of the Civil War in 1865, Philadelphia became a leading destination for African Americans in the Great Migration. In the 20th century, Puerto Rican Americans moved to the city in large numbers. Between 1890 and 1950, Philadelphia's population doubled to 2.07 million. Philadelphia has since attracted immigrants from East and South Asia, Eastern Europe, and Latin America.

 

With 18 four-year universities and colleges, Philadelphia is one of the nation's leading centers for higher education and academic research. As of 2021, the Philadelphia metropolitan area was the nation's ninth-largest metropolitan economy with a gross metropolitan product (GMP) of US$479 billion. Philadelphia is the largest center of economic activity in Pennsylvania and the broader multi-state Delaware Valley region; the city is home to five Fortune 500 corporate headquarters as of 2022. The Philadelphia skyline, which includes several globally renowned commercial skyscrapers, is expanding, primarily with new residential high-rise condominiums. The city and the Delaware Valley are a biotechnology and venture capital hub; and the Philadelphia Stock Exchange, owned by NASDAQ, is the nation's oldest stock exchange and a global leader in options trading. 30th Street Station, the city's primary rail station, is the third-busiest Amtrak hub in the nation, and the city's multimodal transport and logistics infrastructure, including Philadelphia International Airport, the PhilaPort seaport, freight rail infrastructure, roadway traffic capacity, and warehouse storage space, are all expanding.

 

Philadelphia is a national cultural hub, hosting more outdoor sculptures and murals than any other American city. Fairmount Park, when combined with adjacent Wissahickon Valley Park in the same watershed, is 2,052 acres (830 ha), representing one of the nation's largest contiguous urban parks and the 45th largest urban park in the world. The city is known for its arts, culture, cuisine, and colonial and Revolution-era history; in 2016, it attracted 42 million domestic tourists who spent $6.8 billion, representing $11 billion in total economic impact to the city and surrounding Pennsylvania counties.

 

With five professional sports teams and a hugely loyal fan base, the city is often ranked as the nation's best city for professional sports fans. The city has a culturally and philanthropically active LGBTQ+ community. Philadelphia also has played an immensely influential historic and ongoing role in the development and evolution of American music, especially R&B, soul, and rock.

 

Philadelphia is a city of many firsts, including the nation's first library (1731), hospital (1751), medical school (1765), national capital (1774), university (by some accounts) (1779), stock exchange (1790), zoo (1874), and business school (1881). Philadelphia contains 67 National Historic Landmarks, including Independence Hall. From the city's 17th century founding through the present, Philadelphia has been the birthplace or home to an extensive number of prominent and influential Americans. In 2021, Time magazine named Philadelphia one of the world's greatest 100 places." - info from Wikipedia.

 

The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.

 

Now on Instagram.

 

Become a patron to my photography on Patreon or donate.

Bain News Service,, publisher.

 

Griffis Welcoming

 

[no date recorded on caption card]

 

1 negative : glass ; 5 x 7 in. or smaller.

 

Notes:

Title from unverified data provided by the Bain News Service on the negatives or caption cards.

Forms part of: George Grantham Bain Collection (Library of Congress).

 

Format: Glass negatives.

 

Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html

 

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

 

Part Of: Bain News Service photograph collection (DLC) 2005682517

 

General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

 

Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.36783

 

Call Number: LC-B2- 6143-5A

 

October 2, 2022 - marathon race - about 2200 photos & videos

 

Marathon Race results / Résultats de la course marathon:

 

A)

marathon - www.sportstats.ca/display-results.xhtml?raceid=114476

 

B)

pics IMG_0554 to DSCF7246

 

a) first photo: www.flickr.com/photos/ianhun/52403835735/in/album-7217772...

 

b) photos at 30k point: www.flickr.com/photos/ianhun/52405056410/in/album-7217772...

 

C)

 

bib no.... name/nom

 

5097…..Abel Vanderschuren

5252…..Adam Jones

5604…..Adam Mallory

5871…..Adil Chakir

5278…..Aditi Krishna

5621…..Akeel Ghaib

5206…..Alain Belanger

5667…..Alain Bragagnolo

6329…..Alain Brisebois

6299…..Alain Carignan

5236…..Alain Goffi

6390…..Alain Loivel

6503…..Alain Proulx

5032…..Alain Turcotte

5230…..Alain-Remi Lajeunesse

6063…..Alana Armstong

5671…..Alanna Karpa-Bomhof

5918…..Alejandro Ruiz

6269…..Alessandra Stortini

6966…..Alex Chatelier

5616…..Alex Coffin

6082…..Alexandra Coffin

7265…..Alexandra Cote

7562…..Alexandra Roy

7469…..Alexandra Younsi

5078…..Alexandre Anctil

5368…..Alexandre Blouin

5098…..Alexandre Boily

6121…..Alexandre Bouliane

6826…..Alexandre Buissieres

5678…..Alexandre Clement

5529…..Alexandre Drouin

5354…..Alexandre Giugovaz

5149…..Alexandre Larrivee

7088…..Alexandre Loiseau

7510…..Alexandre Martin

5220…..Alexandre Olivier

5823…..Alexandre Papillon

6173…..Alexandre Ratthe

6162…..Alexandre Renaud

7258…..Alexandre Tomita

5415…..Alexandre-Benjamin Funes-Bonilla

6158…..Alexis Fol

6092…..Alexis Monfilliette

6993…..Alfredo Simas

7277…..Alice Blouin

5839…..Alice Dionne-Oseciuc

5834…..Alicia Bowles

7771…..Alicia Rioux

7710…..Alicia Shogbon

6985…..Alina Carter

6936…..Amanda Wong

5729…..Amandine Hamon

5958…..Amelie Derenne

7185…..Amelie Farre

7646…..Amelie Hebert

6258…..Amelie Lachance

6906…..Amelie Mercier

6668…..Amelie Senneville

5820…..Amy Anderson

7676…..Amy Chen

5796…..Amy Hicks

7872…..Ana Parra

6359…..Ana Paula Ponce

7311…..Anastasia Unterner

7069…..Andre Daemen

6918…..Andre De Queiroz Paz

5675…..Andre Deslauriers

6393…..Andre Dube

5709…..Andre Peterson

5083…..Andre Pouliot

5250…..Andrea Hill

6649…..Andrea Richard

6781…..Andrea Roulet

5844…..Andrea Zegarra

6743…..Andreane Lauze

7689…..Andreane Legare

5217…..Andreanne Villeneuve

6294…..Andree Germain

7675…..Andree Renaud

6219…..Andrew Greenfield

7462…..Andrew Jones

5609…..Andrew Leclerc

5259…..Andrew Lee

6931…..Andrew Schmidt

6797…..Andy Emond

6021…..Angela Caraccioli

6368…..Angelica Sergi

7478…..Anh Quang Nguyen

7121…..Anita Choquette

6250…..Ann Sophie Del Vecchio

6492…..Anne Girard

7047…..Anne Gosselin-Brisson

7756…..Anne Marie Harvey

7050…..Anne Quintal

6721…..Anne Roger

6596…..Anne-Cecile Khouri-Raphael

5985…..Anne-Florence Bastien

7321…..Anne-Marie Aubry

7803…..Anne-Marie Buki

5447…..Anne-Marie Fraser

6702…..AnneMarie Labrecque

7519…..Anne-Marie Lavoie

5803…..Anne-Sophie Robitaille

7905…..Annick Gagnon

6255…..Annie Allen

6597…..Annie Bergeron

7681…..Annie Bolduc

7346…..Annie Brassard

7099…..Annie Brouillette

5975…..Annie Dube

6677…..Annie Saleh

5533…..Annie Theberge

5999…..Annie toutiras

6868…..Annie-Claude Bedard

7707…..Annie-Pier Guenette

5964…..Anthony Bourgeois

5123…..Anthony Gicquel

5769…..Anthony Tailler

6825…..Antoine Sifoni

6217…..Antoine Zen

5262…..Antonio Curcuruto

5112…..Archambault Etienne

7281…..Ariane Carbonneau

6069…..Ariane Courtemanche

7066…..Ariane Desharnais

6962…..Ariane Gauthier

5321…..Ariel Vacherand

7616…..Arline-Aude Berube

5033…..Arnaud Guilhamat

7893…..Ashley Bolger

5541…..Asshvin Gajadharsingh

7612…..Assia Umurerwa

5751…..Audrey Collerette

7468…..Audrey Fortier

6248…..Audrey Mayrand

6838…..Audrey Ouellet

5209…..Audrey-Anne Henri

7701…..Aurelie Gicquel

7640…..Aurelie Subra

5258…..Aurelien Lorin

7350…..Baptiste Martineau

7100…..Barbara Freedman

5952…..Barry Richards

5641…..Benjamin Beaudoin

5385…..Benjamin Drainville

5787…..Benjamin Lee

6282…..Benjamin Nadeau

5090…..Benoit Cote

6472…..Benoit Dalinval

5139…..Benoit Deriger

6762…..Benoit Des Croisselles

7645…..Benoit Labrie

6213…..Benoit Lalande

6210…..Benoit Lepine

5222…..Benoit Maheu

5793…..Benoit Ouellet

6106…..Benoit Pepin

7144…..Benoit Raymond

6585…..Benoit Traversy

6916…..Benoit Trudel

5837…..Benoit Vignac

7605…..Ben-Zion Caspi

6167…..Bernard Labelle

5712…..Bernard Mathieu

5248…..Bernard Tourigny

7182…..Bertrand Fongue

5266…..Bertrand How-Choong

5027…..Bianca Premont

7902…..Bianca Quesnel - Spicer

6263…..Bill McEachern

5509…..Bob Butler

6982…..Bobby Hains

5305…..Boris Marois

5913…..Brahim Bensouda

5867…..Braiden Bhindi

5352…..Brandon Peacock

7687…..Brenda Hunter

6626…..Brendan Quinn

5081…..Brent Gerhart

5152…..Brian Blew

7288…..Brian Lambert

5715…..Brian Martell

5495…..Brian Reeds

5714…..Brigitte Chamard

6840…..Brigitte Martin

6832…..Bruce Horsburgh

7329…..Bruno Gosselin

7129…..Bruno Laliberte

5628…..Bruno Verdier

7130…..Camilla Wu

6274…..Camille Berthod

7748…..Camille Bourgault

6221…..Camille Hebert

7596…..Camille Rondeau Saint-Jean

6866…..Campbell Heggen

6262…..Cara Racicot

7528…..Caridad Vera

6764…..Carl La Terreur

5972…..Carl Lebel

6745…..Carl Perron

5443…..Carl Simard

5163…..Carl Terrones Tarte

5167…..Carlos Torres

5904…..Carlos Vaz

7732…..Carole Berry

6189…..Carole Dube

7899…..Carole Lavoie

5695…..Caroline Boulanger

5270…..Caroline Briere

6157…..Caroline Collin

5910…..Caroline Cote

7197…..Caroline Daoust

6533…..Caroline Duchesne

7874…..Caroline Dupuis

6280…..Caroline Goyer

6443…..Caroline Khauv

7237…..Caroline Villeneuve

6452…..Catherine Bernard

7422…..Catherine Brissette

6806…..Catherine Brouillette

7601…..Catherine Gaillot Mougin

6784…..Catherine Goineau

6308…..Catherine Jean-Beaulieu

7588…..Catherine Ouellet

6565…..Catherine Primeau

7586…..Catherine Ramsay-Pierard

7649…..Catherine Sacchitelle

7807…..Cathy Bsilis

7823…..Cathy Hurst

6520…..Ce Bian

6024…..Cedric Bouchereau

5540…..Cedric Collin

7345…..Cedric Martineau

6787…..Cedric Ryan

5826…..Cedrick Corriveau

6859…..Celine Couture

7494…..Celine Lambert

7264…..Chabot Sophie-Anne

5303…..Chad Lortie

7003…..Chantal Brunet

7241…..Chantal Dubois

5689…..Chantal Hickey

6715…..Chantal Ladouceur

7279…..Chantal Neveu

6770…..Chantal Urbain

6454…..Charles Boulerice

5835…..Charles Demontigny

7175…..Charles Dumont Mallette

5775…..Charles Lapointe

7371…..Charles Lecompte

7725…..Charles Page

7900…..Charles Sauve

6441…..Charles Sormany

6093…..Charles Turgeon

5601…..Charles-Eric Rivest

7073…..Charlotte Camboulive

6104…..Chizuko Matsufuji

6044…..Chris Bowes

6954…..Chris Constantin

5117…..Christian Belair

6942…..Christian Belair

6336…..Christian Billette

5449…..Christian Couture

5657…..Christian Gagnon

6514…..Christine Beaudin

6493…..Christine Maheu

6939…..Christophe Hivon Bellavance

6110…..Christophe Le Martret

7355…..Christophe Liegey

6548…..Christophe Vezina

6605…..Christopher Blais

7757…..Christopher Darlington

5054…..Christopher Levesque-Savard

6851…..Christopher Snow

7257…..Christopher Straka

6310…..Cindy Caron

7261…..Cindy Cote-Beaudoin

7359…..Cindy Lalancette

7404…..Cindy Lanteigne

7053…..Cindy Pichette

5879…..Claude Boivin

6383…..Claude Desroches

6266…..Claude Massicotte

7624…..Claude Mathieu

6181…..Claude Paul

6740…..Claude-Andre Cloutier

5545…..Claudia Angers

5287…..Claudia Girard Morin

6938…..Claudia Thibault

5865…..Claudie Dechamplain

6537…..Claudine Poirier

6504…..Claudine Quevillon

5204…..Clelio Pinheiro

7560…..Clemence Compan

5939…..Cliff Latincic

7892…..Colin Valois

6872…..Corey McGee

5267…..Cosette Lemelin

6030…..Craig Ginther

6574…..Cristina Gutierrez

7688…..Crystal Gayed

5043…..Cullen Price

5251…..Curtis Young

6512…..Cyndie Desbiens

7655…..Cyndie Savard

5386…..Cyrille Farre

5620…..Cyrille Gauclin

6406…..Damien Le Livec

5828…..Damien Riegel

5859…..Dan Gitlan

6910…..Dana Zmeureanu

5680…..Daniel Barolet

6337…..Daniel Bissonnette

5697…..Daniel Boyd Michaud

6160…..Daniel Charest

6663…..Daniel Clement

6820…..Daniel Clement

5308…..Daniel Gaudet

7534…..Daniel Hillebrand

7358…..Daniel Lanteigne

7680…..Daniel Plamondon

6036…..Daniel Signori

6922…..Daniel Zwaagstra

7840…..Danielle Boulanger

7093…..Danielle Guffie

6880…..Danielle Stanton

7690…..Danielle Walsh

5082…..Danny Brunet

6006…..Danny Canales

7867…..Danny Gaudreau

5026…..Danny Morin

5708…..Dany Boivin

6445…..Dany Gagnon

5861…..Dany Gobeil

6407…..Dany St-Pierre

7540…..Daphnee Lapointe

5071…..Darcey Brunet

5881…..Dario Morillo

6414…..Dave Allen

7039…..Dave Dearborn

6388…..Dave Michaud

5516…..David Belbeck

5257…..David Blouin

7467…..David Boucher

5539…..David Boyce

5378…..David Crane

5576…..David de carvalho

6704…..David Fortier-Devin

5156…..David Gauthier

6940…..David Gervais

5394…..David Guay

6591…..David Lederer

7332…..David Lessard

5057…..David Marcoux

7251…..David Martino

6218…..David O'Connor

5247…..David Papillon-Veilleux

5264…..David Rivard

5755…..David Theriault

5414…..David Williamson

7721…..David-Alexandre Leblanc

7397…..Dawn Evans

6211…..Debbie Fisher

7409…..Debbie Johnson

5802…..Delia Chan

6342…..Denis Dore

7322…..Denis Houlette

6208…..Denis Isabelle

5093…..Derick Lacombe

6519…..Desiree Welch

6363…..Di Fruscia Antonio

7403…..Diane Drolet

6254…..Diane Lapointe

5073…..Didier Martigny

5996…..Dimitri Haillez

6270…..Dominic Brisebois

5456…..Dominic Cloutier

6769…..Dominic Cote

5997…..Dominic Handal

7826…..Dominic Lasnier

5314…..Dominic Martel

6296…..Dominic Picard

6124…..Dominic Pigeon

6487…..Dominic Tamburini

6886…..Dominique Langlois Demers

5716…..Dominique Lemieux

6908…..Dominique Pilote

7908…..Don Lewis

5079…..Don Nguyen

5664…..Donald Garfield

6914…..Donald Laplante

7845…..Donna Campeau

7045…..Doudja Mekamcha

7897…..Driss As-soulaimani

5219…..Duan Zhao

7884…..Duncan Shepherd

6887…..Dwight Bernier

7546…..Eden Dubuc

5896…..Edith Castonguay

7351…..Edith Pouliot

6279…..Edouard Sinor

7423…..Edward Gallagher

7081…..Elaine Desrosiers

6011…..Elaine Laroche

7392…..Elaine plante

5936…..Elaine Saunders

6188…..Eleonore Mourez

7720…..Eliane Hebert

7489…..Elisabeth Plouffe

6305…..Elizabeth Nurse

7212…..Elizabeth O'Carroll

7571…..Emilie Aube-Pomerleau

7628…..Emilie Boudreault

7670…..Emilie Boutin

6693…..Emilie Croteau

6669…..Emilie Desilets

6508…..Emilie Laplante Potvin

5496…..Emilie Leroy

6080…..Emilie Morin

7161…..Emilie Potts

6420…..Emily Cowan

6972…..Emmanuelle Choiniere

7565…..Emy Babineau

6509…..Eniko Popescu

5928…..Eric Belanger

7727…..Eric Brochu

5854…..Eric Bussieres

7854…..Eric Faucher

7694…..Eric Gaudreau

7155…..Eric Gauthier

6193…..Eric Goyhenetche

5356…..Eric Janelle

7240…..Eric Lambert

5504…..Eric Lavoie

7256…..Eric Lesieur

6040…..Eric Letourneau

5561…..Eric Mbaraga

6357…..Eric Mongeon

5357…..Eric Montplaisir

7105…..Eric Pelletier

6108…..Eric Poirier

5922…..Eric St-Pierre

6295…..Eric Therrien

5173…..Eric White

5890…..Erica Young

7794…..Erika Peres

5886…..Erin Cook

5503…..Erin Mayo

6923…..Erin O'Donnell

5741…..Erwan Goasdoue

5331…..Esley Albert

7603…..Esta Bellefleur

5170…..Etienne Belanger Menard

7373…..Etienne Brunet

6857…..Etienne Corne

5301…..Etienne Jacques

7774…..Etienne Letourneau

6853…..Etienne Mallette

6502…..Etienne Marquis

6874…..Eva Bastien

6455…..Eve Boyer

7524…..Evelyn Krijnen

6200…..Evelyne Montigny

5475…..Even Croteau

5484…..Evgeny Martinov

6863…..Fabienne Dornic

6899…..Fabio Melo

5508…..Fabrice Ah-Waye

5049…..Fabrice Houle

7573…..Fanny Tremblay Gagne

7631…..Farah Ahmed

7058…..Fauconnet Alexandre

6969…..Felix Jacques

5086…..Felix Lefebvre

6593…..Felix Olivier Munger

6976…..Ferdinand Jouet

5727…..Fernando Galandrini

6354…..Fernando Medeiros

6435…..Flavie Lapointe

6864…..Florence Falgueyret

7076…..Florence Langlois

7437…..Francine Guay

6304…..Francis Asselin

5864…..Francis Bedard

6281…..Francis Belhumeur

5774…..Francis Cleroux

7647…..Francis Desrochers

6163…..Francis Dugre

6433…..Francis Gosselin

6679…..Francis Grenier

6049…..Francis Loiseau

5724…..Francis Mireault

6645…..Francis Parent

7111…..Francis Provost

5228…..Francis Theriault

5306…..Francis Y Tremblay

6572…..Francis Yelle

6791…..Francisco Gomez

6043…..Franco Vanhees

7554…..Francois Bilodeau

7671…..Francois Couillard

5114…..Francois Deschenes

6888…..Francois Du Preez

7880…..Francois Flores

5056…..Francois Lalonde

6659…..Francois Lemoine

6164…..Francois Lewis

7177…..Francois Pauze

7493…..Francois Plouffe

6915…..Francois Prud'homme

5818…..Francois Rouxel

6707…..Francois Roy

5950…..Francois St-Cyr

6999…..Francois Theroux

6451…..Francoise Glibert

5272…..Frank Salvatore

5692…..Frederic Barriault

5599…..Frederic Belleau

5416…..Frederic Chaumel

5245…..Frederic Dallaire

7452…..Frederic Gaudreau

5682…..Frederic Guay

5041…..Frederic Latulippe

6453…..Frederic Lemay

5225…..Frederic Matthey

5327…..Frederic Menard

5068…..Frederic Meunier

5536…..Frederic Normand

7790…..Frederic Paul

6862…..Frederic Plante

5189…..Frederic Poulin

5765…..Frederic Simard-Fournier

5199…..Frederic Vachon

6766…..Frederick Antoine Mallette

6055…..Frederick Le Page

5838…..Frederick Viens

7158…..Frederique Langevin

5766…..Frederique Messier

5119…..Gabe Keenleyside

5253…..Gabriel Brousseau Demers

7511…..Gabriel Ciulbea

6300…..Gabriel Fromentin

6935…..Gabriel Girard

6552…..Gabriel Heshema

5244…..Gabriel Malcolm

5343…..Gabriel Paquin

5563…..Gabriella Morin

5776…..Gabrielle Fortier-Cofsky

7122…..Gabrielle Labelle-Brissette

5299…..Gabrielle Plamondon

7463…..Gaetan Courchesne

6803…..Gaetan Leclerc

7308…..Gan Ye

6847…..Ganita Tchakarova

5074…..Gareth Davies

5501…..Garett Hotte

6530…..Gary Banks

6275…..Gary Rivera

5733…..Gaston Mogollones

7352…..Gauri Patel

7746…..Gautham Krishnaraj

6324…..Genevieve Arcand

5060…..Genevieve Asselin-Demers

7118…..Genevieve Belanger Jasmin

7783…..Genevieve de la Chevrotiere

7722…..Genevieve Mageau

7232…..Genevieve Martineau

7485…..Genevieve Menard

7252…..Genevieve Methot

7700…..Genevieve Parent

7856…..Genevieve Poulin

6062…..Genevieve Richard

6246…..Genevieve Talbot

6590…..Genevieve Trahan

7504…..Geoffrey Wright

7344…..George Bursuc

5061…..Georges Fournier

6355…..Gerald Audet

5293…..Gerald Robitaille

7842…..German Kudinov

6968…..Gertjan Bekkers

6418…..Ghislain Daigle

7119…..Ghislain Guay

5059…..Gilles Gobeil

5502…..Gilles Hickson

6643…..Gilles Meunier

7475…..Gilles Mondor

6307…..Gilles Neron

7259…..Gilles Sauve

5491…..Gillian Croucher

6077…..Gil-Roch Bouillon

7338…..Ginette Talbot

5998…..Gino Rinaldi

5720…..Glenn OConnor

5525…..Gordon Ng

5433…..Gosselin Serge

6230…..Grant Lipscombe

6937…..Grant Wilson

5197…..Greg Cartmell

5935…..Gregoire Tourres

6186…..Greta Soares

6843…..Guido Tijskens

5065…..Guillaume Belanger

7572…..Guillaume Cormier

6535…..Guillaume Couture

5437…..Guillaume Gagne

5420…..Guillaume Goulet

5917…..Guillaume Harvey

6198…..Guillaume Jouet

5432…..Guillaume Koch Mathian

5510…..Guillaume Lalande

6314…..Guillaume Lapalme-Thibault

6786…..Guillaume Proulx

5088…..Guillaume Valero

7695…..Guy Chamberland

5960…..Guy Charron

5203…..Guy Chenier

7010…..Guy Labrecque

5023…..Guyaume Robert

6035…..Guylaine Fournier

7545…..Guylaine Picard

7038…..Guylaine Pomerleau

5757…..Hai Tao Yan

7536…..Hakim Obeilat

5966…..Hans Dee

7466…..Hans Hasenohr

5513…..Harold Parks

6449…..Heather Larmer

7297…..Heather MacGregor

5070…..Hector Jesus C Gonzalez

7579…..Helen Hulme

7625…..Helene Lacasse

6014…..Helene Meunier-Asselin

5273…..Hennie Coetzee

6684…..Henry Fourie

6260…..Howard Saskin

6391…..Hsiang-Han Su

5099…..Hubert Villeneuve

6717…..Hugo Simoncelli

5309…..Hugo Toupin

5382…..Hugo Van Doorne

5181…..Hugues Ryan

6860…..Ian Chadnick

6392…..Ibrahim Elgallash

7199…..Igor Schultz

6261…..Ilona Thomas

7294…..Ioana Contu

6845…..Irene Dionne

7773…..Isabelle Audet

5610…..Isabelle Beaumier

7224…..Isabelle Chabot

7275…..Isabelle Deschenes

6264…..Isabelle Dion

5982…..Isabelle Doucet

7063…..Isabelle Du Sablon

6983…..Isabelle Dumont

5421…..Isabelle Gariepy

7877…..Isabelle Liberge

7587…..Isabelle Locas

7331…..Isabelle Minier

6319…..Isabelle Nantais

7247…..Isabelle Pelletier

6671…..Isabelle Racette

6424…..Isabelle Regnier

5819…..Isabelle Rioux

6883…..Isabelle Rose

7788…..Isabelle Tremblay

5781…..Ismail Trad

7685…..Jacob Goldberg

5335…..Jacob Stone

6586…..Jacobane Bergdoll

6068…..jacques lupien

5702…..Jacques Menard

7305…..Jacques Theriault

7804…..Jacynthe Lafrance

7400…..Jacynthe Toupin

5235…..James Karpa-Bomhof

6571…..James Murrell

5179…..Jamie Beaudin

6902…..Janco Gouws

7787…..Janis Leeming

5440…..Jasmin Rancourt

5971…..Jasmin Roy

6375…..Jason Malone

5383…..Jason Scarbro

5445…..Jason Smith

7195…..Jayne Rop-Weller

6850…..Jayson Rodis

6224…..Jean De Serres

6023…..Jean Francois Alain

6488…..Jean Francois Durand

7521…..Jean Hubert Clement Mbabazi

5915…..Jean Lachapelle

5747…..Jean Lepage

6499…..Jean Marineau

7302…..Jean Menetrier

6447…..Jean Pascal Briand

5183…..Jean Sebastien Roby

5004…..Jean sebastien Senechal

5175…..Jean Sylvain

5870…..Jean-Charles Girard

6496…..Jean-Claude Calabro

7349…..Jean-Claude Messier

7549…..Jean-David Larouche

6284…..Jean-Francois ARSENAULT

6879…..Jean-Francois Baril

5644…..Jean-Francois Bessette

5115…..Jean-Francois Brassard

5624…..Jean-Francois Caron

5091…..Jean-Francois Grenier

5805…..Jean-Francois Halle

6400…..Jean-Francois Hotte

6168…..Jean-Francois Lacoste

7082…..Jean-Francois Legault

5243…..Jean-Francois Michaud

5132…..Jean-Francois ouellet

6970…..Jean-Francois Ouimet

5934…..Jean-Francois Richard

5526…..Jean-Francois Riendeau

5911…..Jean-Francois Sauriol

5053…..Jean-Frederick Faure

6340…..Jean-Guy Jacques

5876…..Jean-Louis Nadeau

7156…..Jean-Lucien Lemire

5211…..Jean-Marc Ducharme

5848…..Jean-Marc Gautier

7686…..Jeanne dube blanchet

5478…..Jeanne Mercier

7193…..Jeannie Carter

6170…..Jean-Paul Caron

5011…..Jean-Philippe Lebeau

5461…..Jean-Philippe Richer

6297…..Jean-Philippe Turcotte-Vezina

7298…..Jean-Pierre Couture

6005…..Jean-Pierre Desautels

5517…..Jean-Pierre Lacasse

7448…..Jean-Pierre Lapointe

6909…..Jean-Sebastien Chaume

6301…..Jean-Sebastien Cote

5633…..Jean-Sebastien Fournier

5410…..Jean-Sebastien Gascon

5613…..Jean-Sebastien Leard

5855…..Jean-Sebastien Poupart

5518…..Jean-Sebastien Trepanier

5263…..Jean-Simon Beaudry

6611…..Jeff Hannah

5124…..Jeff Lambert

5316…..Jeff Musgrave

7885…..Jennifer Bettez

7592…..Jennifer Ray-Horvath

7385…..Jennifer Rene

5395…..Jenny Hopkins

7539…..Jeremie Chiron-Escallier

6094…..Jeremie Hamel

5577…..Jeremie Nadeau

5233…..Jeremy Mazuc

7858…..Jeremy Piche-Bisson

5125…..Jerome Bastide de grave

5763…..jerome journot

6376…..Jerome Legare

6057…..Jerome Morin

7040…..Jerome Vigneault

5110…..Jesse Cabon

6870…..Jesse Elliott

6821…..Jessica Clement

7789…..Jessica Delisle Guay

7538…..Jessica Halsall

6531…..Jessica MacIver

6145…..Jesula Drouillard

6751…..Jill MacDonald

7533…..Jillian Lipsett

5379…..Jimmy Cloutier

7055…..Jimmy Hamel

7829…..Joanie Boudreault

7683…..Joanie Plamondon

6385…..Joanne Chiasson

7832…..Jo-Anne. Belliveau

6654…..Jocelyn Goulet

5572…..Jocelyn Legault

5771…..Jocelyn Letendre

6190…..Jodi Dawson

5172…..Joe Kerby

5521…..Joe Larkin

5555…..Joe Todd

5954…..Joel Bucknell

5315…..Joel Dias Nogueira Junior

5133…..Joel Houngbe

5268…..Joel Tremblay

7059…..Joelle Martin

7594…..Joelle Sabourin

5984…..Joelle White

5052…..Joey Labranche

5694…..Joey Leckman

7903…..Johanne Corriveau

6558…..Johanne Gagne

7898…..Johanne Vallee

5398…..John Linch

6352…..John Pradier

6203…..Jolene Harvey

5949…..Jonathan Bastien

5519…..Jonathan Bernier

6331…..Jonathan Boivin

6656…..Jonathan Careau

6405…..Jonathan Fournier

6713…..Jonathan Labrie

7362…..Jonathan Langelier

6012…..Jonathan Latreille-Chevalier

7767…..Jonathan Marion

7089…..Jonathan Matte

5586…..Jonathan Nault

7495…..Jonathan Raizenne

6148…..Jonathan Rivard

6135…..Jonathan Roy St-Louis

5434…..Jonathan Semeteys-Ladouceur

5983…..Jonathan Simard

6150…..jonathan verville

6831…..Jonathan Wendel

7497…..Jordan Larin

5249…..Jordane Lehir

5362…..Jose Andrade

7766…..Josee Duplantie

7293…..Josee Frenette

6056…..Josee-Lise Leheutre

6100…..Joseph Frendo

6601…..Josiane Hamelin

6804…..Josiane Roberge

7285…..Josianne Henri

5265…..josyane tessier

6994…..Joyce Bridgman

5976…..Julian Ortiz

6034…..Juliana Tobon

6128…..Julie Bates

7048…..Julie Berthiaume

6097…..Julie Dale

6521…..Julie Doyon

5933…..Julie Francoeur

7326…..Julie Gagnon

7280…..Julie Gagnon

5860…..Julie Lahaie

6555…..Julie Mac Allister

5967…..Julie Martineau

7484…..Julie Morissette

5938…..Julie Ouellet-Pelletier

6377…..Julie Robichaud

7336…..Julie Rochefort

7133…..Julie Savard

7472…..Julie Vincelette

6719…..Julie-Anne Proulx

6861…..Julie-Jode Mallette

6798…..Julien Charette-Theoret

5055…..Julien Dirand

5800…..Julien Harvey

5013…..Julien Lachance

6631…..Julien Larocque

6776…..Julien Perrault

6333…..Jun Liang Lu

6373…..Justin Langlais

5198…..Justin Pozin

7090…..Justine Lapointe

6955…..Justine Rheaume

5920…..K C Wong Ping Lun

7705…..Kaitlin Mugford

7094…..Kannitha You

6054…..Karelle LEON

7445…..Karen Collingwood

6989…..Karen Rye

6478…..Karim Mansouri

6273…..Karine Bedard

7633…..Karine Boisvert

7313…..Karine Gloutnay

7243…..Karine Mac allister

7126…..Karine Marcoux

7527…..Karine Simard

7531…..Karine Soucy

7051…..Karine Thivierge

5486…..Karl Brochu

7785…..Karl Desjardins

5275…..Karl Dore

5413…..Karl Gagne

6824…..KARL VACHON

5297…..Karl-Rudolf Erlemann

6037…..Karol'Ann Boivin

7699…..Katell Menec

6792…..Katheleen Ouellette

6031…..Katherin Duchesne

7267…..Katherine Raymond

5607…..Kathleen Bonnet

7295…..Kathleen Chasse

7501…..Kathleen Deckert

6172…..Kathleen Muldoon

6429…..Kathleen Rourke

6830…..Kathleen Wendel

7290…..Kathrin Stanger-Hall

6920…..Kathryn Duplantie

6678…..Kathryn Hutchins

6998…..Kathy Outerbridge

7211…..Ken Kwan

5024…..Kenny Beaudette

7547…..Keven Pelletier

6753…..Kevin Klein

6796…..Kevin Laycraft

5989…..Kintxo Freiss

7200…..Klenisson Feitosa

6609…..Kristen MacArthur

6123…..Kristin Paterson

6395…..Kristina Ireland

5809…..Kristopher Kerwin

7303…..KUMIKO REKOFF

7473…..Kyle Gregory

6818…..Lafontaine Martin

7027…..Lajoie Catherine

6243…..Laura Bonter

7436…..Laura Fournier

7022…..Laura Glasper

6111…..Laurence Descarries

7796…..Laurence Forget

5639…..Laurence Huot

6708…..Laurence Marcoux-Lamy

7711…..Laurent Bouchard

6060…..Laurent Cataford

5387…..Laurent Desilets

6244…..Laurent fuhrmann

6152…..Laurent JEAN

5018…..Laurent Jugant

5535…..Laurent Teboul

7737…..Laurie Auger

6738…..Laurie Bisaillon

7218…..Laurie Julien

7340…..Laurieve Berube

7440…..Lea Daniel

7164…..Lea Paulus

7366…..Leah Bressette

5373…..Leah Williams

7784…..Leandre Forget

7034…..Lenka Martinek

6690…..Leo Basile

5969…..Leon Ferrari

7330…..Leonardo Torres

6900…..Leonie fillion

7120…..Lina Binet

7068…..Linda Vachon

6545…..Linda Vassallo

7779…..Line Bordage

7043…..Line Fiset

5853…..Line Lavergne

6783…..Lior Ancelevicz

6635…..Lisa Wilson

7341…..Lise Brunet

7541…..Lise Guay

6778…..Lise Proulx

6491…..Lise Scott

7006…..Loic Reimonenq

6506…..Lori Mitchell

5882…..Louis Bedard

7723…..Louis Blais

7535…..Louis Comerton

7017…..Louis M cormier

5830…..Louis Mirmont

5471…..Louis Sabourin

5425…..Louis Saint-Pierre

5942…..Louis Verhoef

5845…..Louise Borel

7065…..Louise Chercuitte

7184…..Louis-Philippe Lacas

6724…..Louis-Philippe Robitaille

5429…..Luc Bouchard

7648…..Luc Bouisset

6697…..Luc Bourgeois

5580…..Luc Briere

5148…..Luc Chouinard

6232…..Luc Desbiens

7245…..Luc Gelinas

6699…..Luc Milette

7213…..Luc Pelchat

7583…..Luc Simard

5007…..Luc Theriault

7515…..Luce Gagnon

7014…..Lucie Blais

6073…..Lucie Noel

6763…..Lucie Tetreault

7865…..Lucy Schneider

6479…..Ludovic Boucherie

5062…..Luis Alquicira

5906…..Luis Berrueta

6608…..Lychhun Ung

7389…..Lydia Lacoursiere

7413…..Lydia Perreault

7678…..Lynne Faught

7894…..Madeleine Audet

5704…..Madeleine Possamai

5451…..Magalie Hardy

6130…..Magalie Ross

7910…..Maggy Papineau

6257…..Maika Girard

5468…..Manuel Cabral

6020…..Marc Andre Roy

7367…..Marc Bedard

6403…..Marc Farrier

5476…..Marc Gervais

6817…..Marc Michaud

6607…..Marc Mourton

6637…..Marc Parisien

5974…..Marc Perron

7190…..Marc-Andre Amyot

6543…..Marc-Andre Blais

6710…..Marc-Andre Cloutier

5875…..Marc-Andre Leclair

5003…..Marc-Andre Raiche

5020…..Marc-Antoine Crepeau

5191…..Marc-Antoine Fortin

5103…..Marc-antoine Gauthier

5391…..Marc-Antoine Leboeuf

6662…..Marc-Antoine Poirier

5995…..Marcel Aubertin

5706…..Marcel Doyon

5806…..Marcel Lavoie

7140…..Marco Arseneault

5649…..Marc-Olivier Dancosst

6436…..Marc-Olivier Gallant

6960…..Marc-Olivier Prevost

6891…..Margot Tome

6129…..Mariana Sandoval

7080…..Marianne Dubuc

5617…..Marianne Jodoin

7630…..Marianne Petit

5924…..Marianne Pharand

6750…..Marie Allio

5779…..Marie Bentejac

7740…..Marie Chantal Mujawamariya

7395…..Marie Christine Gagnon

6327…..Marie Pier Genest

6466…..Marie Sophie Gauthier

6156…..Marie Stevenson

7102…..Marie-Andree Bourgeois

6175…..Marie-Andree Vallee

6003…..Marie-Christine Desgagnes

6687…..Marieclaude Boudreault

7712…..Marie-Claude Cote

5872…..Marie-Claude Demers

7016…..Marie-Claude Gauthier

5941…..Marie-Claude Leblond

7203…..Marie-Colombe Afota

6525…..Marie-Eve Beaudet

5908…..Marie-Eve Carpentier

7278…..Marie-Eve Lussier-Cousineau

7617…..Marie-Eve Pomerleau

7585…..Marie-France Martineau

5286…..Marie-France Noel

7171…..Marie-Helene Poulin

7028…..Marie-Helene Rochefort

7208…..Marie-Josee Emond

6290…..Marie-Josee Harbec

7272…..Marie-Josee Renaud

6692…..Marie-Josee Turcotte

6927…..Marie-Lise Maltais

5851…..Marie-Lou Beaudette-Ross

6907…..Marie-Michele Clement

7151…..Marie-Neige Havard

6683…..Marie-Noelle Pelletier

6865…..Marie-Noelle Richard

5990…..Marie-Philippe Parent

6325…..Marie-Pier Bouffard

5392…..Marie-Pier Chretien

5310…..Marie-Pier Coulombe

7046…..Marie-Pier Lapointe

6332…..Marie-Pierre Letourneau

7077…..Marilou Sarrazin

6877…..Marilyn Cormier

6896…..Marilyne Lamer

7458…..Marina Bezier

6029…..Mario Choquette

7600…..Mario Gohier

5596…..Mario Paz

7172…..Mario Raymond

6559…..Mario Roch

7556…..Marius Cezar Magdes

6187…..Marjorie Bouffard

5160…..Mark chester Maghirang

5822…..Mark Smithhisler

5342…..Mark Sterling

6486…..Marni Kagan

6179…..Martin Brouillard

5592…..Martin Brunelle

7124…..Martin Caron

5500…..Martin Chapleau

5164…..Martin Clement

5538…..Martin Cote

7401…..Martin couture

5326…..Martin Deschenes

5279…..Martin Durivage

7023…..Martin Gadbois

6567…..Martin Giroux

5095…..Martin Guilbault

6810…..Martin Moreau

7381…..Martin Nolet

5947…..Martin Perreault

7593…..Martin Pesant

7057…..Martin Rioux

5840…..Martin Rivest

6425…..Martine Boutin

7324…..Martine Lapierre

7179…..Martine St Pierre

5341…..Marwan Dirani

5623…..Mary Bartlett

7896…..Maryse Bourque

7333…..Maryse Gelinas

6302…..Maryse Parisien

5063…..Mateo Lino

6386…..Mathias Grasser

5499…..Mathieu Barabe

5737…..Mathieu Berger

5104…..Mathieu Boivin

6142…..Mathieu Boivin

5659…..Mathieu Brossard

7206…..Mathieu Dumas

7503…..Mathieu Farley

5142…..Mathieu Gauthier

6912…..Mathieu Guilbault

5240…..Mathieu Julien-Roy

5428…..Mathieu Lachapelle Viens

5340…..Mathieu Lalonde

6215…..Mathieu Leblanc

5145…..Mathieu Olivier Perrault

5066…..Mathieu Rivest

5154…..Mathieu Rouleau

6566…..Mathieu Roy

7517…..Mathilde Marre

7317…..Mathilde Soulez

6884…..Mathis Babineau

6253…..Matt Baraniecki

7816…..Matt Reaume

6242…..Matthew Ellis

5363…..Matthew Walker

5804…..Matthieu Benattar

5346…..Matthieu Frey

5370…..Matthieu Lemire

6358…..Maud Bessieres

7696…..Maude Arpin-Query

7895…..Maude Perron

5227…..Maude Raymond

6648…..Maude Rivest

7862…..Maurice Bourque

5829…..Maurice-Etienne Bouillon

5039…..Mauricio Gomez

7248…..Max Paradis

5159…..Maxime Aunez

5811…..Maxime Baltazar

5390…..Maxime bibeau

5006…..Maxime Brouillard

5663…..Maxime Cadorette

7772…..Maxime Guilbault

7474…..Maxime Lepine

5048…..Maxime Migeon

5847…..Maxime Simard

7000…..Maya de Lorimier

6276…..Mayra Petit

6675…..Mehran Eimanlou

6223…..Melanie Boucher

6448…..Melanie Briere

6647…..Melanie Charette

7518…..Melanie Danis

6895…..Melanie Lavallee

7599…..Melanie Martin

7316…..Melanie Mercier

6256…..Melanie Ponthieu

7170…..Melanie Rocher

6633…..Melanie Senneville

7086…..Melanie Shang

7142…..Melanie Trottier

7644…..Melissa Belanger

7564…..Melissa Krulick

7595…..Melissa Menard

7042…..Melissa Piperno

7427…..Melissa Sarakinis

6141…..Michael Chaput

7742…..Michael Cho-Chu

6667…..Michael jeremie Racine

5590…..Michael Lacasse

5107…..Michael Lefrancois

6089…..Michael Morin

6852…..Michael Srogosz-Bolduc

7555…..Michael Tamburini

6485…..Michel Bergeron

5957…..Michel Bolduc

7532…..Michel Coutu

5640…..Michel Delisle

5801…..Michel Delisle

7354…..Michel Doyon

7198…..Michel Dufeu

6515…..Michel Lavigne

6154…..Michel Lefebvre

6401…..Michel Lessard

5462…..Michel Massicotte

5662…..Michel Menard

5200…..Michel Methot

5672…..Michel Paris

6002…..Michel Riendeau

6245…..Michel Tremblay

7638…..Michele Ladouceur

7703…..Michele Letendre

7477…..Micheline Chenard

5367…..Michelle Bryson

7234…..Michelle Gallagher

6322…..Michelle Guay

5631…..Mickael Cornut

6268…..Miguel Diaz

7550…..Miguel Diaz Barahona

6529…..Mike Apted

6315…..Mike Stock

7435…..Min Yang

5777…..Minh-Quan Doan

7512…..Miryam M. Rodrigue

6534…..MJ Beaulieu

6311…..Mohamed Benmouffok

7415…..Mohan Iyer

5573…..Moise Moustakaly

7072…..Mylene Chiasson

7312…..Mylene Rondeau

7441…..Mylene Vallee

7393…..Myriam Boulet

6437…..Myriam Huot

6139…..Myriam Lefebvre

7180…..Nadia Bilodeau

5710…..Naim Seggad

7215…..Nalini Singh

7230…..Nancy Bisaillon

6421…..Nancy Drolet

7021…..Nancy Duguay

6292…..Nancy Fiset

5885…..Nancy Gamache

7886…..Nancy Guillery

6234…..Nancy Michaud

7496…..Nancy Rivest

6306…..Nancy Silva

6155…..Naron Phou

6431…..Natacha Fontaine

7421…..Natacha Garoute

6022…..Natalie Collins

7101…..Natalie Fortin

5698…..Natalie StJacques

6984…..Nathalie Allard

6498…..Nathalie Audet

7542…..Nathalie Blanchet

6415…..Nathalie Gauthier

6924…..Nathalie Landry

7830…..Nathalie Lemaire

6196…..Nathalie Theriault

6554…..Nathaniel Jutras

5868…..Nelson McGregor

5001…..Nicholas Berrouard

6858…..Nicholas Fortier-Poulin

5369…..Nick Beaulieu

7479…..Nicola Treadgold

7219…..Nicolas Boudreault

5165…..Nicolas Charpentier

5951…..Nicolas Couture

6396…..Nicolas Jean

5780…..Nicolas Joubert

5193…..Nicolas Laliberte

5347…..Nicolas Le Gall

6277…..Nicolas Leblanc

6837…..Nicolas Lepage

6209…..Nicolas Lepiquet

5358…..Nicolas Martel

5961…..Nicolas Moran Levesque

7192…..Nicolas Pelletier

5162…..Nicolas Pierre

5155…..Nicolas Tremblay

5980…..Nicolas Veillet

6928…..Nicolas Zazzeri

7210…..Nicole Beaudet

6416…..Nicole Garofalo

6408…..Nicole Livey

6614…..Nicole Lunstead

5035…..Nikos Xirocostas

6237…..Nora-Laure Lefebvre-Campbell

6239…..Norm Lonergan

6101…..Norm O'Reilly

7611…..Normand Cadorette

7398…..Normand Lapierre

5943…..Normand Ricard

5758…..Noureddine Halimi

7064…..Olivier Bernatchez

5339…..Olivier Bolullo

5582…..Olivier Bonneau

7500…..Olivier Brousseau

5009…..Olivier Collin

6926…..Olivier Despars

6227…..Olivier Dubois

5665…..Olivier Dufour

5585…..Olivier Dumas

5050…..Olivier Forget Turcotte

5150…..Olivier Lebeau

5102…..Olivier Loiselle

7387…..Olivier Robidoux

6664…..Olivier Saleh

5085…..Olivier Senechal

5364…..Olivier Thiriet

5880…..Olivier Turcot

6965…..Olivier Varin

7632…..Omoniyi Fabarebo

7465…..Otto Gomez R

5400…..Pablo Gumucio

5738…..Pamfil Putu

6064…..Pascal Amyot

5317…..Pascal Bourque

5419…..Pascal Lafreniere

5277…..Pascal Nault

5992…..Pascal Rouchon

7652…..Pascale Boule

6146…..Pascale Lizotte

6634…..Pascaline Lauze Malouin

7365…..Pat Laycraft

6463…..Patrice Boyer

5655…..Patrice O'Bomsawin

7012…..Patricia Joly

6981…..Patricia Melo

6087…..Patricia Tessier

6913…..Patrick Archambault

5566…..Patrick Beaulieu

5353…..Patrick Bouchard

7606…..Patrick Campeau

5548…..Patrick Cote

5290…..Patrick Cote

5195…..Patrick Couture

7254…..Patrick Guermonprez

5294…..Patrick Heppell

7178…..Patrick Inkel

5014…..Patrick Lalonde

7481…..Patrick Roy

7136…..Patrick Tobgi

7743…..Paul Armaos

6033…..Paul Ashton

5218…..Paul Bates

6249…..Paul Brogan

6483…..Paul Chiasson

5731…..Paul Owens

5858…..Paul Smith

6038…..Paula Bzdell

5554…..Paulo Arruda

7406…..Paulo Ferreira

7692…..Paulo Muleiro

7225…..Pedro Neves

5594…..Peter Linkletter

7614…..Peter Staniforth

6426…..Peter Waldorf

6402…..Petra Niederhauser

6151…..Philip Deeter

5111…..Philippe Allard

6661…..Philippe Archambault

5687…..Philippe Beausejour

5031…..Philippe Bertrand

6313…..Philippe Boucher

6283…..Philippe Brissette

7382…..Philippe Brunet

5337…..Philippe Couture

6004…..Philippe Dalpe-Turcotte

7221…..Philippe Desrochers

5140…..Philippe Dumont

5157…..Philippe Gregoire

5679…..Philippe Gregoire

6143…..Philippe Jacob-Goudreau

6746…..Philippe lachance

6047…..Philippe Legault

6039…..Philippe Lupien

5789…..Philippe Major

7116…..Philippe Major

6041…..Philippe Navarri

5759…..Philippe Pigeon

6430…..Philippe Robitaille

6919…..Philippe Sinto-Girouard

5685…..Pier Gagnon

5564…..Pierre Bienvenue

5611…..Pierre Brunet

6584…..Pierre David

6603…..Pierre Dufour

5892…..Pierre Ferland

7246…..Pierre Gauthier

7060…..Pierre Gignac

6749…..Pierre Martin

6380…..Pierre Saint-Laurent

5375…..Pierre-Luc Gagnon

5324…..Pierre-Luc Mailloux

6050…..Pritesh Mistry

6640…..Qining Cai

5558…..Quynh Nguyen

6199…..Rachel Beaudette

5126…..Ralf Eberhard

5602…..Raphael Baldy martin

7339…..Raphael Boulanger

6114…..Raphael D'amours

5017…..Raphael Gagne Colombo

6470…..Raphael Gourdeau

7751…..Raphael Lachance

6469…..Raphael Poittevin

5591…..Raphael Rufus Chartier

5888…..Raul Garcia Cisneros

5138…..Raymond Lanthier

5684…..Real Gagne

7292…..Rebecca Petit

6581…..Rebecca Reaume

5579…..Rejean Cote

6074…..Remi Dicaire

6799…..Remi Perron

6727…..Renaud Loisel

5927…..Rene Bourget

7650…..Rene Chamberland

7384…..Rene Lacerte

5322…..Richard Bertrand

7812…..Richard Campeau

5746…..Richard Cobden

6610…..Richard Comtois

7786…..Richard Coude

5651…..Richard Guay

5605…..Richard Kenney

5485…..Richard Perron

5312…..Richard Sevigny

6795…..Richard Verret

7364…..Rick Palfrey

5973…..Rob Rashotte

5452…..Robert Bellerive

5959…..Robert Bergeron

5289…..Robert Borris

7424…..Robert Jr Langley

6628…..Robert Malo

6367…..Robert Martel

5366…..Robert Savoie

6782…..Robert Tizu

6809…..Robert Wildey

5399…..Robin Larose

5008…..Robin Richard-Campeau

7004…..Robin Sincerny

5674…..Rocio Hernandez

6177…..roger pouliot

7859…..Romeo Quinteros

6432…..Romesh Vadivel

7002…..Ronald Dessureault

5241…..Rowan Trouncer

7461…..Roxanne Gauthier

7273…..Roxanne Hamel

5683…..Rudy Allen

7024…..Ryan Boudreau

5365…..Sabrina Sullivan

6650…..Saidi Habimana

7399…..Sam Constantin

7806…..Samantha Chillcott

6736…..Sameer Vakani

6957…..Sammi Hammoud

5196…..Samuel Beauvais

6594…..Samuel Bouffard

6925…..Samuel Coulombe

6369…..Samuel Gariepy

7011…..Samuel Hamel

5645…..Samuel Lacroix

5214…..Samuel Moreau

7005…..Sandra Andrew

5371…..Sandra Boucher Mercier

6705…..Sandra Gonzalez

6016…..Sandra Lapointe

7223…..Sara Fortin

6568…..Sara Lyman

5427…..Sarah Bachand

6676…..Sarah Belouchi

7306…..Sarah Boily

5843…..Sarah Lefebvre

6076…..Sarah Rynbeek

5921…..Sarah Tremblay

6048…..Scott Ritchie

5761…..Sean Seltzer

5490…..Sebastian Balk-Forcione

7216…..Sebastian Humphrey

5276…..Sebastien Barbat

6901…..Sebastien Beriault

7636…..Sebastien Dumont

7505…..Sebastien Farkas

5229…..Sebastien Gendron

7416…..Sebastien Hotte

5096…..Sebastien Lacroix

7666…..Sebastien Larocque

5965…..Sebastien Pouliot

5477…..Sebastien Proulx

7168…..Sebastien Rabouille

6159…..Sebastien Roy

5506…..Sebastien Senechal

5168…..Sebastien Suicco

5568…..Sebastien Tremblay

6165…..Sebastien Tremblay

5359…..Serge Brochu

6595…..Serge Dauphinais

6688…..Serge Lacroix

7704…..Serge Menec

5897…..Serge St-jean

7820…..Sergei Eremeev

7410…..Shaelyn Carroll

5978…..Shaina Coulter

7684…..Shanti Larochelle

6477…..Share Duggan

7095…..Shelley Lafford

7598…..Sherry Holtzman

5877…..Shirin Tahmasebi

6382…..Si Tam Ho

7615…..Silvio Kruger

5466…..Silviu Popescu

6459…..Simon Allard

6133…..Simon Archambault

5205…..Simon Bonnallie

6399…..Simon Bouchard

5298…..Simon Boulanger

5817…..Simon Brouillette-Lapointe

5487…..Simon Cabot Thibault

7131…..Simon Chalifoux

5446…..Simon Chamorro

7438…..Simon Chenail

5280…..Simon Delisle-Beaulieu

6691…..simon deziel

5474…..Simon Garneau

5691…..Simon Gosselin

5328…..Simon Jette

5348…..Simon Joly

5376…..Simon Lafrance

6326…..Simon Lantier

7453…..Simon Olivier Roy

5072…..Simon Villeneuve

5349…..Simon-Michel Belisle

5412…..Simon-Pierre Jacques

7201…..Skye Lecours

7301…..Solene Aubenas

7781…..Sonia Boisclair

7716…..Sonia Thouin

6356…..Sonia Vibert

7008…..Sony Carpentier

6317…..Sonya Audrey Bonin

6138…..Soo Owens

5355…..Sophie Bernard

6773…..Sophie Deschamps

5666…..Sophie Duchesne

6366…..Sophie Gauthier-Clerc

6848…..Sophie Gravel

5295…..Sophie Larocque

6779…..Sophie Marsolais

6873…..Sophie McGee

6462…..Sophie Plante

7009…..Sophie Poudrier

6785…..Steeven Bosse

7758…..Stephane Briere

5707…..Stephane Brunet

5406…..Stephane Calixte

5785…..Stephane Cote

6812…..Stephane Croteau

6195…..Stephane Dignard

5530…..Stephane Drouin

7669…..Stephane Fleury

5025…..Stephane Gagne

7487…..Stephane Gauthier

6971…..Stephane Goyette

5047…..Stephane Greffard

6078…..Stephane Henrion

5377…..Stephane Jakubyszyn

7092…..Stephane Laframboise

7318…..Stephane Leclair

5166…..Stephane Lepage

5380…..Stephane Moreau

5482…..Stephane Roux

6814…..Stephane St-Gelais

6701…..Stephane St-Yves

7909…..Stephanie Martin

7724…..Stephanie Mc Crea

6658…..Stephanie Pelletier

6118…..Stephanie Roy

7509…..Stephanie Simard

5040…..Stephen Debardi

7548…..Steve Blais

5653…..Steve Mailloux

5717…..Steve Poutre

6747…..Steve Whitehead

5986…..Steven Belanger

5213…..Steven Mercier

5046…..Stuart Wilson

7604…..Sue Ackerman

7613…..Sue McGlashan

5827…..Sukhraj Johal

7607…..Sunny Breuil

6660…..Susan Adams

7848…..Susan St.Maurice

7825…..Susan Willcocks

7207…..Suzanne Gagnon

7749…..Suzie Fournier

6587…..Sydney Vachon

5129…..Syl Lemelin

6737…..Sylvain Belanger

7159…..Sylvain Bois

5171…..Sylvain Constant

5527…..Sylvain Duguay

5381…..Sylvain Gagnon

5186…..Sylvain Houle

7861…..Sylvain Labrie

6298…..Sylvain Lagace

5137…..Sylvain Lajoie

5402…..Sylvain Levaillant

6780…..Sylvain Nadeau

5565…..Sylvain Rancourt

5542…..Sylvain Roux

7390…..Sylvain Simard

5411…..Sylvain Van Gele

6214…..Sylvain Villeneuve

7325…..Sylvie Cardin

6467…..Sylvie Lafrance

7187…..Taissir Vilchis

7152…..Tammy O'Grady

7561…..Tanya Narang

5849…..Tao Ji

5549…..Tarik Kadiri

7062…..Tengfei Xu

6345…..Teresa Hernandez Gonzalez

7808…..Teresa Maiquez Hernandez

7266…..Terry Cyr

6344…..Terry SanCartier

5307…..Terry Spathis-Dimitrakis

7394…..Thi Thu Hong Vu

7457…..Thien Thong Huynh

7454…..Thierry Gaudreau

7464…..Thierry-Dimitri Roy

5636…..Thomas Bouchard

6018…..Thomas Courtois

5794…..Thomas Coutelen

5846…..Thomas Huet

7451…..Thomas Keenan

5981…..Thomas MORIN

5361…..Thomas Morse

6682…..Thomas Portanguen

5770…..Thomas-Louis Lavallee

5723…..Tina Kader

7429…..Todd Saulnier

7033…..Tommy Baril

7654…..Tommy Fradette

5282…..Tommy Gagnon

5464…..Tommy Prevost

5836…..Toussaint Xavier

5583…..Trevor Sanders

7284…..Trevor Whike

6641…..Tristan Martel

5460…..Utku Evci

5323…..Utku Karakaya

5439…..Valerie Audet

7869…..Valerie Cabana

6869…..Valerie Duquette

7229…..Valerie Gaulin

7347…..Valerie Gilbert Camirand

6947…..Valerie Gravel

5551…..Valerie Handfield

7300…..Valerie Jutras

7470…..Valerie Roy

7577…..Valerie Tetrault

6204…..Van Phong Pham

6510…..Vanessa Charron

6580…..Vanessa Lara

6995…..Vanessa Tremblay

6409…..Vanessa Trudel

6046…..Vanessa Ventura

7353…..Veronick Williamson

7269…..Veronique BLANC

6805…..Veronique Ferland

6065…..Veronique Guilbault

7870…..Veronique Jutras

7714…..Veronique Laramee

7800…..Veronique Lefebvre

5646…..Veronique Poulin

5528…..Veronique Proulx

7626…..Veronique Proulx-Hardy

6229…..Veronique St-Onge

6897…..Veronique Tremblay

6946…..Vickie Fortin

7590…..Vicky Dugal

6876…..Vicky Libbi

7217…..Vicky Pichette

7780…..Vicky Tremblay

7148…..Victoria McNeill

7809…..Viky Leroux Fournier

7143…..Vincent Bastien

7328…..vincent boutreux

5212…..Vincent Chan

6536…..Vincent Comeau

7029…..Vincent Cote

5688…..Vincent Couturier

6238…..Vincent Demers

6621…..Vincent Desmarais

7414…..Vincent Dumontet

6328…..Vincent Forgues

5728…..Vincent Gosselin

7103…..Vincent Hillenmeyer

5153…..Vincent Houle

6397…..Vincent Laliberte

5598…..Vincent Leroux

6350…..Virginie Mathieu

6412…..Virginie Woltz

5764…..Vivien Traineau

5187…..Warren Isfan

6497…..Wayne Dennison

6771…..Wayne Kuiack

6689…..Wendy Allain

7420…..Wendy Sirota

6733…..William Labelle

5878…..William Lavallee

6105…..William Paradis

6360…..William Rake

6144…..William Ryan

7731…..Xavier Babin-Ouellette

5767…..Xiaoxiao Zhu

7782…..Yan Dube

5768…..Yan Zawisza

6836…..Yang Lin

5438…..Yanick Desrosiers

5210…..Yanick Mongeau

5512…..Yanik Houle

5730…..Yann Bergeron

5146…..Yann Pomerleau

5450…..Yannick Babineau

7030…..Yannick Beauchamp-Cote

6241…..Yannick Beaudoin

5991…..Yannick Charette

6728…..Yannick Levesque

5850…..Yao Li

7674…..Yasmina Messaoud

6967…..Yin Fan

5856…..Yinan He

5291…..Yisel Sequeda

6811…..Yoann Tardif

6316…..Yohann Cuniere

5329…..Yolande Pare

6638…..Yong Jiang

7015…..Youmee Im

5022…..Younes Kerkour

6598…..Yuan Ming Song

5725…..Yuan Yuan Li

6834…..Yuhil Slusarenko

6632…..Yuju Yao

5619…..Yunpeng Yang

5483…..Yvan Cloutier

6091…..Yvan St-Pierre

5948…..Yves Cadotte

6653…..Yves Corbeil

5567…..Yves Gauthier

5045…..Yves Plourde

5036…..Zachary Martel

7075…..Zackary Lemay

5988…..Zhi Li

5304…..Zhijun Ou

7770…..Zi Yue Wang

 

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0624

#philadelphia #philly #igers #ig_philly #igersphilly #igers_philly #ig_philadelphia #instagood #visitphilly #spring #bergdollmansion #bergdoll #mansion #brownstone #architecture #historic

 

66 Likes on Instagram

 

5 Comments on Instagram:

 

sillohed: Could I have your permission to use this photo in a historical book I am doing?

 

someguyinphilly: @sillohed Sure, no problem 👍

 

sillohed: If you want me to credit you let me know at mancam1957@gmail.com

 

sillohed: If you are ever idly hanging around 929 and 935 29th Street (both old Bergdoll Mansions) I would dearly love pictures of them.

  

Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.

 

THE HOUSING PHILOSOPHY

 

CAN THE TUGENDHAT VILLA BE LIVED IN?

This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.

From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.

Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.

This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.

Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.

The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.

Bergdoll Mansion Phila Pa 35mm Pentax 90mc

Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."

 

Model of Headquarters for the Banco de Londres y América del Sur, Buenos Aires (1966) by Clorinda Testa and SEPRA Arquitectos.

Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.

 

THE HOUSING PHILOSOPHY

 

CAN THE TUGENDHAT VILLA BE LIVED IN?

This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.

From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.

Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.

This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.

Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.

The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.

Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.

 

THE HOUSING PHILOSOPHY

 

CAN THE TUGENDHAT VILLA BE LIVED IN?

This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.

From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.

Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.

This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.

Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.

The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.

The Museum of Arts and Design (MAD), based in Manhattan, New York City, collects, displays, and interprets objects that document contemporary and historic innovation in craft, art, and design. In its exhibitions and educational programs, the Museum celebrates the creative process through which materials are crafted into works that enhance contemporary life.

  

History

The Museum first opened its doors in 1956 as the Museum of Contemporary Crafts, with an original mission of recognizing the craftsmanship of contemporary American artists. Nurtured by the vision of philanthropist and craft patron Aileen Osborn Webb, the Museum mounted exhibitions that focused on the materials and techniques associated with craft disciplines. From its earliest years, the Museum celebrated the changing roles of craftsmanship in society, served as an important advocate for emerging artists, and linked art to industry.

From 1963 to 1987, under the directorship of Paul J. Smith, the Museum presented dynamic and often participatory exhibitions that reflected the social currents of the era and broke down hierarchies in the arts with the celebration of popular culture and mundane materials. In 1979, the Museum reopened as the American Craft Museum in an expanded location at 44 West 53rd Street. To accommodate its ever-growing programming, the Museum relocated again in 1986 to its 18,000-square-foot home at 40 West 53rd Street, where it would remain until 2008.

The next ten years were a period of rapid growth and change, as the American Craft Council was restructured and the Museum and the Council were established as independent organizations. Holly Hotchner was appointed as director of the Museum in

1996, and served as director for 16 years until 2013. Hotchner initiated a comprehensive strategic planning process that expanded the Board of Trustees, curatorial staff, and exhibition and educational program. This process led to the Museum’s name change, in 2002, to the Museum of Arts and Design to reflect the institution’s increasingly interdisciplinary collections and programming. The continued growth of MAD’s collections, public programs, and attendance resulted in its successful 2002 bid to the New York City Economic Development Corporation to acquire the building at 2 Columbus Circle.

The Museum opened in its new home at 2 Columbus Circle to great controversy. The proposed changes sparked a preservation debate joined by Tom Wolfe (The New York Times; October 12, 2003 and October 13, 2003), Chuck Close, Frank Stella, Robert A. M. Stern, Columbia art history department chairman Barry Bergdoll, New York Times architecture critics Herbert Muschamp and Nicolai Ouroussoff, urbanist scholar Witold Rybczynski, among others. Congresswoman Carolyn B. Maloney (D-NY) referred to it as "one of New York's most photographed and readily recognizable buildings."

The new building was designed by Brad Cloepfil of Allied Works Architecture, in September 2008. With its textured façade of glazed terra-cotta tile and fritted glass, the Jerome and Simona Chazen Building reflects MAD’s craft heritage and permanent collections and animates Columbus Circle, one of Manhattan’s most significant public spaces.

In September 2013, Dr. Glenn Adamson was appointed as the museum’s new Nanette L. Laitman Director. Previously a vocal critic of the museum, Adamson was characterized as a "bold choice" by the trustees. After a tenure of just over two years, Adamson stepped down from the post. Managing director Robert Cundall assumed leadership of the museum on an interim basis, pending recruitment of a new Director.

 

Source: Wikipedia

 

Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."

 

Project for the first city in Antarctica (1980-83) by Amancio Williams

P.F.1 (PUBLIC FARM ONE) BY WORK ARCHITECTURE COMPANY TO BE UNVEILED JUNE 20, 2008, IN P.S.1’S COURTYARD

 

NEW YORK, February 7, 2008: The Museum of Modern Art and P.S.1 Contemporary Art Center are proud to announce the winner of the ninth annual MoMA/P.S.1 Young Architects Program: WORK Architecture Company from New York. The purpose of the program is to provide emerging young talent in architecture with the chance to prepare and present architectural solutions for a specific site. This year, five finalists selected by a closed nomination process were asked to present an urban landscape for the large entrance courtyard of P.S.1, with the allotted project budget of $70,000. Essential to the design were elements of shade, water, seating, and bar areas. WORK Architecture Company’s winning landscape, P.F.1 (Public Farm One), will be on view in P.S.1’s outdoor courtyard starting June 20, and will serve as an interactive environment for the 2008 Warm Up summer music series.

 

P.F.1 (Public Farm One) is an urban farm concept that evokes the look of a flying carpet landing in the P.S.1 courtyard. Constructed from large cardboard tubes, its top surface will be a working farm, blooming with a variety of vegetables and plants. The structure will create a textured, colorful, and constantly changing surface in contrast with P.S.1’s angular concrete and gravel courtyard. P.F.1 will work as an interactive bridge between outside and inside, creating multiple zones of activity including swings, fans, sound effects, innovative seating areas, and a refreshing pool at its center. The installation will be a living structure made from inexpensive and sustainable materials recyclable after its use at P.S.1.

 

In addition to WORK Architecture Company, the other finalists are Matter Architecture Practice (New York), MONAD Architects - Eric Goldemberg + Veronica Zalcberg (Miami), su11 architecture + design (New York), and THEM/Lynch+Crembil (New York). An exhibition of the designs, organized by Andres Lepik, Curator, Department of Architecture and Design, will be presented in MoMA’s Louise Reinhardt Smith Gallery from July 15 to October 20, 2008.

 

Mr. Bergdoll says, “Thirty years after Rem Koolhaas's published Delirious New York, the influential manifesto which celebrated the often unlikely and hybrid mixture of functions in the city's huge buildings and dense districts, Amale Andraos and Dan Wood of WORK Architecture Company bring us the improbable merger of a flying carpet and a farmer's market, a cultivated and cultivatable piece of infrastructure that is a timely comment on issues from post-industrialization to sustainability. Here, the productive garden meets the art gallery, and the urban schoolyard acquires greenery.”

 

"Receiving this extraordinarily seductive visual version of a farm at P.S.1 struck deep into my rural roots. I own a farm in South Dakota, and my neighbors are very excited about coming to New York City this summer to see the urban competition!" states P.S.1 Director Alanna Heiss.

 

WORK Architecture Company founders, Amale Andraos and Dan Wood, describe the experience of their installation: “P.F.1 is an architectural and urban manifesto to engage play and reinvent our cities, and our world, once again.”

Frank Lloyd Wright, model of design for St. Mark's-in-the-Bouwerie tower (1927-1931). Museum of Modern Art, New York, "Frank Lloyd Wright and the City: Density vs. Dispersal" (Barry Bergdoll and Carole Ann Fabian, with Janet Parks and Phoebe Springstubb, 2014). Painted wood.

Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."

 

Model of Edificio Altolar, Caracas (1966) by Jimmy Alcock.

Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."

 

Three of the numerous large-scale models made for the exhibition.

Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."

 

Model of Faculdade de Arquitectura e Urbanismo, Universidade de São Paulo (1969) by João Batista Vilanova Artigas and Carlos Cascaldi.

Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.

 

THE HOUSING PHILOSOPHY

 

CAN THE TUGENDHAT VILLA BE LIVED IN?

This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.

From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.

Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.

This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.

Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.

The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.

Riocentro, 16 a 19 de junho de 2012.

 

Os Diálogos para o Desenvolvimento Sustentável reunirão 100 debatedores em 10 painéis voltados a temas prioritários da agenda internacional de sustentabilidade. Os debates terão lugar na plenária do Pavilhão 5 do Riocentro. O acesso à plenária será condicionado à disponibilidade de assentos.

A sessão de abertura dos Diálogos ocorrerá às 11hs do dia 16 de junho, sábado, com a participação do Ministro das Relações Exteriores, Antonio de Aguiar Patriota, e da Coordenadora-Executiva da Conferência das Nações Unidas para o Desenvolvimento Sustentável, Elizabeth Thompson, também ex-Ministra de Energia e Meio Ambiente de Barbados.

 

Todos os debates serão transmitidos ao vivo no website das Nações Unidas: www.uncsd2012.org. A programação completa e a lista de participantes dos Diálogos encontram-se anexas.

 

Coletivas de imprensa com dois participantes de cada painel dos Diálogos serão realizadas na sala principal de coletivas de acordo com o seguinte programa:

 

Sábado, 16 de junho

 

14-14:30hs: Desemprego, trabalho decente e migrações

 

18-18:30hs: Desenvolvimento Sustentável como resposta às crises econômicas e financeiras

 

Domingo, 17 de junho

 

14-14:30hs: Desenvolvimento Sustentável para o combate à pobreza

 

14:30-15hs: Economia do Desenvolvimento Sustentável, incluindo padrões sustentáveis de produção e consumo

 

18-18:30hs: Florestas

 

Segunda-feira, 18 de junho

 

14-14:30hs: Energia sustentável para todos

 

16-16:30hs: Segurança alimentar e nutricional

 

18-18:30hs: Água

  

Terça-feira, 19 de junho

  

14-14:30hs: Cidades sustentáveis e inovação

 

14:30-15hs: Oceanos

 

-------------------------------------

 

Agenda e Participantes

 

1 - Desemprego, trabalho decente e migrações – 16 de junho, 11hs às 13:30hs

   

Moderador: Jonathan Watts, The Guardian

   

. Sra. Carmen Helena Ferreira Foro (Brasil) - Secretária de Mulheres Trabalhadoras Rurais da CONTAG.

 

. Sr. Daniel Iliescu (Brasil) – Presidente, União Nacional dos Estudantes

 

. Sra. Deborah Wince-Smith (EUA) - Presidente, The Council on Competitiveness

 

. Sra. Ivana Savich (Sérvia) – Coordenadora, CSD Youth Caucus

 

. Dr. James K. Galbraith (EUA) - Professor, Texas University

 

. Dr. Lu Hulin ( China ) - Professor, Beijing University

 

. Sra. Nana-Fosu Randall (Gana) - Fundadora e Presidente, Voices of African Mothers (VAM)

 

. Sra. Sharan Burrow (Austrália) - Secretária-Geral, International Trade Union Confederation

 

. Sr. Maurice Strong (Canadá) – Secretário-Geral das Conferêrencias de Estocolmo (1972) e do Rio de Janeiro (1992)

 

. Sr. Peter Bakker – Presidente, World Business Council for Sustainable Development (WBCSD)

   

2 - Desenvolvimento Sustentável como resposta às crises econômicas e financeiras – 16 de junho, 15:30 às 18:30hs

   

Moderador: Sr. Luis Nassif (Brasil) – TV Brasil/Agência Dinheiro Vivo

   

. Sr. Caio Koch-Weser (Alemanha) - Vice-Presidente, Deutsche Bank Group

 

. Dr. Enrique V. Iglesias (Uruguai) – Secretária-Geral Ibero-Americana (SEGIB). Ex-Presidente, Banco Interamericano de Desenvolvimento (1988-2005)

 

. Sr. Fabio Barbosa (Brasil) – Presidente Executivo, Abril S.A.

 

. Dr. Jeffrey Sachs (EUA) -Diretor, Earth Institute, Columbia University

 

. Dr. Herman Mulder (Países Baixos) - Presidente, Global Reporting Initiative (GRI)

 

. Sra. Kate Raworth (Reino Unido) - Pesquisadora, Oxfam

 

. Dra. Marcela Benítez (Argentina) - Fundadora, Diretora, RESPONDE Association

 

. Sr. Wang Shi (China) – Fundador e Presidente, China Vanke Co. Ltd

 

. Dr. Yilmaz Akyuz (Turquia) – Economista Chefe, South Centre

 

. Dra. Laurence Tubiana (França) – Sciences Po

   

3 - Desenvolvimento Sustentável para o combate à pobreza – 16 de junho, 19:30 às 22hs

   

Moderador: Sr. Fred de Sam Lazaro (EUA) – PBS

   

. Dr. Boaventura de Sousa Santos (Portugal) - Professor, Universidade de Coimbra

 

. Dr. Judith Sutz (Uruguai) - Professora, Universidad de la Republica

 

. Sra. Lourdes Huanca Atencio ( Peru ) - Presidente, National Federation of Women Rural Workers, Artisans, Indigenous and Wage Workers of Peru (Femucarinap)

 

. Dr. Manish Bapna (EUA) - Presidente World Resources Institute (WRI)

 

. Dra. Márcia Lopes (Brasil) - Professora, Ex-Ministra Ministério do Desenvolvimento Social e Combate à Fome

 

. Sr. Marcos Terena (Brasil) - Presidente, Comitê Intertribal

 

. Dr. Pavan Sukhdev (Índia) - Fundador e Presidente, Gist Advisory Private Ltd.

 

. Sra. Severn Cullis-Suzuki (Canadá) - Membro da Diretoria, David Suzuki Foundation

 

. Sr. Victor Trucco ( Argentina ) – Presidente Honorário, Argentine Association of No-Till Producers (AAPRESID)

 

. Dr. Yang Tuan ( China ) - Diretor, Center for Study of Social Policies, Chinese Academy for Social Sciences

   

4 - A economia do Desenvolvimento Sustentável, incluindo padrões sustentáveis de produção e consumo – 17 de junho, 11hs às 13:30hs

   

Moderador: Sr. Joseph Leahy (Reino Unido) – Financial Times

   

. Dra. Elisabeth Laville (França) - Diretora, UTOPIES

 

. Dra. Enase Okonedo (Nigéria) - Decana, Lagos Business School

 

. Dra. Gro Harlem Brundtland (Noruéga) - Ex-Primeira Ministra da Noruega

 

. Sr. Helio Mattar (Brasil) - Presidente, Instituto Akatu. Co-Fundador do Instituto Ethos

 

. Dr. Ignacy Sachs (França) - Professor, Centre de Recherche sur le Brésil Contemporain (CRDC), Ecole des Hautes Etudes en Sciences Sociales (EHESS)

 

. Sr. Juan Carlos Castilla-Rubio (Peru) - CEO, Planetary Skin Institute

 

. Dra. Kelly Rigg (EUA ) - Diretora Executiva, Global Campaign for Climate Action

 

. Dr. Mathis Wackernagel (Switzerland) - Co-Fundador, Diretor Executivo, Global Footprint Network

 

. Dr. Thomas Heller (EUA ) – Diretor Executivo, Climate Policy Initiative

 

. Embaixador Rubens Ricupero (Brasil) - Ex-Secretário-Geral, UNCTAD

   

5 – Florestas – 17 de junho, 15:30 às 18:30hs

   

Moderador: Sr. James Chau (China) – CCTV

   

. Sr. Anders Hildeman (Suécia) - Global Forestry Manager, IKEA of Suécia AB

 

. Sr. André Giacini de Freitas (Brasil) - Diretor Executivo, Forest Stewardship Council (Conselho de Manejo Florestal)

 

. Dra. Bertha Becker (Brasil) - Professora, UFRJ

 

. Sr. Christian Del Valle (Reino Unido) - Fundador, Althelia Climate Fund

 

. Sr. Estebancio Castro Diaz (Panama) - Secretário Executivo, Alliance of Indigenous and Tribal Peoples of Tropical Forests

 

. Sr. Guilherme Leal (Brasil) – Fundador, CEO, Natura Cosméticos

 

. Dra. Julia Marton-Lefevre (França) - Diretora-Geral, International Union for Conservation of Nature (IUCN)

 

. Dr. Klaus Töpfer (Alemanha) - Fundador, Executivo Diretor, Institute for Advanced Sustainability Studies (IASS), Ex- Executivo Diretor of the United Nations Environment (1998-2006)

 

. Dr. Lu Zhi ( China ) - Diretora, Center for Nature and Society, Beijing University

 

. Dra. Yolanda Kakabadse (Equador) - Presidente, World Wide Fund for Nature (WWF)

   

6 - Segurança alimentar e nutricional – 17 de junho, 19:30 às 22hs

   

Moderador: Paulo Prada, Reuters

   

. Sr. Carlo Petrini (Itália) - Fundador, Presidente, Slow Food

 

. Sra. Esther Penunia (Filipinas) - Secretária-Geral, Asian Farmers Association for Sustainable Rural Development (AFA)

 

. Sra. Hortensia Hidalgo ( Chile ) - Indigenous Women Network of Latin America and the Caribbean for Biodiversity (RMIB)

 

. Sra. Josette Sheeran (EUA) - Vice-Presidente, World Economic Forum

 

. Dra. Luísa Dias Diogo (Moçambique) - Ex- Primeira Ministra de Moçambique

 

. Sr. Marco Marzano de Marinis (Itália) - Diretor Executivo, World Farmers Organization

 

. Dr. Martin Khor (Malásia) - Diretor Executivo, South Centre

 

. Dra. Mary Robinson (Irlanda) - Diretora, International Institute for the Environment and Development (IIED)

 

. Dr. Renato S. Maluf (Brasil) - Coordenador, Conselho de Segurança Alimentar e Nutricional, (UFRRJ)

 

. Dra. Vandana Shiva (Índia) - Diretora, Research Foundation for Science, Technology and Ecology

   

7 - Energia Sustentável para todos – 18 de junho, 11hs às 13:30hs

   

Moderador: Sr. James Astill (Reino Unido) – The Economist

   

. Sr. Brian Dames (África do Sul) - CEO, Eskom

 

. Sra. Changhua Wu (EUA ) - Diretor, Greater China - The Climate Group

 

. Sra. Christine Lins (Áustria) - Secretária Executiva, REN21

 

. Sr. José Antonio Vargas Lleras (Colômbia) – Vice-Presidente for Latin America and Caribbean (LAC), World Energy Council (WEC) / Presidente, CODENSA S.A.

 

. Dr. Kornelis Blok (Países Baixos) - Fundador, Ecofys Group

 

. Dr. Luiz Pinguelli Rosa (Brasil) - Diretor, COPPE-UFRJ; Secretário Executivo, Fórum Brasileiro de Mudanças Climáticas

 

. Sra. Sandrine Dixson-Declève (Bélgica) - Diretora, EU Office, University of Cambridge, Program for Sustainability and Leadership; Vice-Chair, European biofuels technology platform

 

. Sra. Sheila Oparaocha (Zâmbia) - Secretária Executiva, International Network on Gender and Sustainable Energy

 

. Dr. Thomas Nagy (Dinamarca) - Vice Presidente Executivo, Novozymes

 

. Sr. Vasco Dias (Brasil) - Presidente, Raízen Energia

   

8 – Água – 18 de junho, 15:30 às 18:30hs

   

Moderadora: Sra. Lucia Newman (Chile) – Al Jazeera

   

. Sr. Albert Butare (Ruanda) - CEO, Africa Energy Services Group

 

. Dra. Ania Grobicki (Suécia) - Secretária Executiva, Global Water Partnership (GWP)

 

. Dr. Benedito Braga (Brasil) - Presidente, International Water Resources Association (IWRA). Vice-Presidente, World Water Council (WWC)

 

. Sr. David Boys (Canadá) – Utilities Officer, Public Services International

 

. Sr. Dyborn Chibonga ( Malawi ) - CEO, National Smallholder Farmer´s Association of Malawi (NASFAM)

 

. Sr. Jeff Seabright (EUA) - Vice-Presidente, Environment and Water Resources - Coca-Cola Co.

 

. Dr. Loïc Fauchon (França) - Presidente, World Water Council Board of Governors

 

. Dr. Muhammed Yunus ( Bangladesh ) - Fundador, Grameen Bank

 

. Sra. Myrna Cunningham Kaim (Nicarágua) - Diretora, Permanent Forum of the United Nations of Indigenous People (2011-2013)

 

. Dra. Santha Sheela Nair (Índia) - Ex-Secretária, Department of Fresh Water, Ministry of Rural Development, Índia

   

9 - Cidades Sustentáveis e Inovação – 18 de junho, 19:30 às 22hs

   

Moderador: Sr. Andre Trigueiro (Brasil) – TV Globo

   

. Dr. Alejandro Aravena (Chile) - Arquiteto, CEO, Elemental

 

. Dr. Barry Bergdoll (EUA) – Curador Chefe, Architecture and Design, MoMA

 

. Sr. David Cadman (Canadá) - Presidente, Local Governments for Sustainability (ICLEI)

 

. Dr. Enrique Ortiz (México) - Ex- Presidente, Habitat International Coalition (HIC)

 

. Sr. Jaime Lerner (Brasil) - Presidente, Jaime Lerner Institute. Ex- Prefeito de Curitiba and Ex- Governador do Paraná

 

. Dra. Janice Perlman (EUA ) - Presidente, Mega Cities Project

 

. Sr. Khalifa Sall (Senegal) – Prefeito de Dakar and Vice-Presidente of UCLG for Africa

 

. Sr. Oded Grajew (Brasil) - Presidente Emeritus, Instituto Ethos

 

. Sra. Nawal Al-Hosany (United Arab Emirates) - Diretora de Sustentabilidade, Masdar

 

. Dr. Shigeru Ban (Japão) - Arquiteto, Shigeru Ban Architects

   

10 – Oceanos – 19 de junho, 11hs às 13:30hs

   

Moderador: Sr. Philippe Cousteau (EUA) – CNN

   

. Sr. Arthur Bogason (Islândia) - Presidente, Islândiaic National Association of Small Boat Owners

 

. Sra. Asha de Vos (Sri Lanka) – Bióloga Marinha, Western Austrália University

 

. Dra. Biliana Cicin-Sain (Itália) - Presidente, Global Forum on Oceans, Coasts and Islands

 

. Dr. Jean-Michel Cousteau (França) - Presidente, Ocean Futures Society

 

. Sra. Margareth Nakato ( Uganda ) - World Fishermen Forum

 

. Dr. Robin Mahon ( Barbados ) - Professor, University of West Indies

 

. Dr. Segen Farid Estefen (Brasil) - Professor, COPPE, UFRJ

 

. Sr. Shaj Thayil (Índia) - Vice-Presidente, Technical Services and Ship Management

 

. Dra. Sylvia Earle (EUA) - Fundadora, Mission Blue Foundation

 

. Dr. Ussif Rashid Sumaila (Canadá) - Diretor, Fisheries Centre and Fisheries Economics Research Unit, British Columbia University

  

Frank Lloyd Wright, model of Broadacre City project (1934-35). Museum of Modern Art, New York, "Frank Lloyd Wright and the City: Density vs. Dispersal" (Barry Bergdoll and Carole Ann Fabian, with Janet Parks and Phoebe Springstubb, 2014). Painted wood.

 

Lots to say about this project, but none of it's fully percolated yet. Ask again in February.

River Edge, Charles City County, Virginia: view from west room across passage to east room

Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.

 

THE HOUSING PHILOSOPHY

 

CAN THE TUGENDHAT VILLA BE LIVED IN?

This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.

From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.

Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.

This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.

Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.

The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.

Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.

 

THE HOUSING PHILOSOPHY

 

CAN THE TUGENDHAT VILLA BE LIVED IN?

This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.

From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.

Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.

This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.

Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.

The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.

Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."

 

Model of Headquarters for the Banco de Londres y América del Sur, Buenos Aires (1966) by Clorinda Testa and SEPRA Arquitectos.

national register of historic places.2201-2205 Green st. Philadelphia.--owners were brewers

Book Talk and Roundtable with editors Barry Bergdoll and Jonathan Massey, along with authors Lucia Allais and Guy Nordenson

Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.

 

THE HOUSING PHILOSOPHY

 

CAN THE TUGENDHAT VILLA BE LIVED IN?

This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.

From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.

Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.

This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.

Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.

The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.

Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.

 

THE HOUSING PHILOSOPHY

 

CAN THE TUGENDHAT VILLA BE LIVED IN?

This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.

From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.

Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.

This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.

Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.

The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.

Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.

 

THE HOUSING PHILOSOPHY

 

CAN THE TUGENDHAT VILLA BE LIVED IN?

This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.

From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.

Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.

This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.

Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.

The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.

Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.

 

THE HOUSING PHILOSOPHY

 

CAN THE TUGENDHAT VILLA BE LIVED IN?

This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.

From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.

Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.

This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.

Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.

The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.

Villa Tugendhat is a historical building in the wealthy neighbourhood of Černá Pole in Brno, Czech Republic. It is one of the pioneering prototypes of modern architecture in Europe, and was designed by the German architect Ludwig Mies van der Rohe. Built of reinforced concrete between 1928–1930 for Fritz Tugendhat and his wife Greta, the villa soon became an icon of modernism.

 

THE HOUSING PHILOSOPHY

 

CAN THE TUGENDHAT VILLA BE LIVED IN?

This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine 'Die Form' which was published in the year 1931 by the publisher himself Walter Riezler. The commissioners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker.

From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The snaps by Fritz Tugendhat are genuine personal interpretation of space in contrast with the 'official' photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house.

Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients.

This country’s leading, and by coincidence also from Brno, art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century.

Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture.

The period Czechoslovak specialised journals ostentatiously ignored Mies' realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants.

Demolition of the former Bergdoll Motorcar Company, Broad and Wood Streets, Callowhill Industrial Historic District.

6340…..Jean-Guy Jacques…..4:06:05.0

7076…..Florence Langlois…..4:06:13.0

7219…..Nicolas Boudreault…..4:06:21.0

6114…..Raphael D'amours…..4:06:22.0

6310…..Cindy Caron…..4:06:22.0

6534…..MJ Beaulieu…..4:06:27.0

6375…..Jason Malone…..4:06:28.0

7009…..Sophie Poudrier…..4:06:33.0

6999…..Francois Theroux…..4:06:38.0

7241…..Chantal Dubois…..4:06:40.0

7195…..Jayne Rop-Weller…..4:06:45.0

7208…..Marie-Josee Emond…..4:06:51.0

6913…..Patrick Archambault…..4:06:51.0

7478…..Anh Quang Nguyen…..4:06:52.0

6817…..Marc Michaud…..4:07:02.0

6002…..Michel Riendeau…..4:07:05.0

7178…..Patrick Inkel…..4:07:09.0

6315…..Mike Stock…..4:07:10.0

7714…..Veronique Laramee…..4:07:10.0

6421…..Nancy Drolet…..4:07:10.0

7703…..Michele Letendre…..4:07:24.0

5886…..Erin Cook…..4:07:25.0

6558…..Johanne Gagne…..4:07:28.0

5918…..Alejandro Ruiz…..4:07:34.0

7119…..Ghislain Guay…..4:07:35.0

6574…..Cristina Gutierrez…..4:07:38.0

7487…..Stephane Gauthier…..4:07:49.0

7560…..Clemence Compan…..4:07:51.0

5402…..Sylvain Levaillant…..4:07:52.0

6469…..Raphael Poittevin…..4:07:54.0

6159…..Sebastien Roy…..4:07:54.0

6396…..Nicolas Jean…..4:07:55.0

7503…..Mathieu Farley…..4:07:57.0

7505…..Sebastien Farkas…..4:07:57.0

6967…..Yin Fan…..4:07:59.0

6537…..Claudine Poirier…..4:08:00.0

6533…..Caroline Duchesne…..4:08:01.0

7266…..Terry Cyr…..4:08:04.0

6491…..Lise Scott…..4:08:12.0

6814…..Stephane St-Gelais…..4:08:13.0

6985…..Alina Carter…..4:08:14.0

6993…..Alfredo Simas…..4:08:14.0

7279…..Chantal Neveu…..4:08:18.0

7542…..Nathalie Blanchet…..4:08:19.0

5947…..Martin Perreault…..4:08:20.0

6832…..Bruce Horsburgh…..4:08:25.0

5983…..Jonathan Simard…..4:08:27.0

7723…..Louis Blais…..4:08:31.0

7392…..Elaine plante…..4:08:35.0

7364…..Rick Palfrey…..4:08:36.0

6897…..Veronique Tremblay…..4:08:38.0

6510…..Vanessa Charron…..4:08:41.0

7284…..Trevor Whike…..4:08:46.0

6279…..Edouard Sinor…..4:08:57.0

7175…..Charles Dumont Mallette…..4:08:58.0

6245…..Michel Tremblay…..4:09:04.0

6850…..Jayson Rodis…..4:09:05.0

6586…..Jacobane Bergdoll…..4:09:07.0

7295…..Kathleen Chasse…..4:09:08.0

7126…..Karine Marcoux…..4:09:09.0

7180…..Nadia Bilodeau…..4:09:09.0

5892…..Pierre Ferland…..4:09:12.0

6331…..Jonathan Boivin…..4:09:12.0

6488…..Jean Francois Durand…..4:09:14.0

6054…..Karelle LEON…..4:09:14.0

7631…..Farah Ahmed…..4:09:20.0

5960…..Guy Charron…..4:09:20.0

6635…..Lisa Wilson…..4:09:42.0

6598…..Yuan Ming Song…..4:09:52.0

5985…..Anne-Florence Bastien…..4:09:54.0

6753…..Kevin Klein…..4:09:55.0

7617…..Marie-Eve Pomerleau…..4:10:00.0

6733…..William Labelle…..4:10:13.0

7288…..Brian Lambert…..4:10:18.0

7269…..Veronique BLANC…..4:10:24.0

7346…..Annie Brassard…..4:10:25.0

6211…..Debbie Fisher…..4:10:27.0

7297…..Heather MacGregor…..4:10:31.0

7349…..Jean-Claude Messier…..4:10:32.0

7152…..Tammy O'Grady…..4:10:32.0

7008…..Sony Carpentier…..4:10:34.0

6363…..Di Fruscia Antonio…..4:10:34.0

6713…..Jonathan Labrie…..4:10:42.0

7073…..Charlotte Camboulive…..4:10:49.0

5708…..Dany Boivin…..4:10:54.0

7103…..Vincent Hillenmeyer…..4:10:55.0

7351…..Edith Pouliot…..4:11:10.0

6845…..Irene Dionne…..4:11:20.0

6397…..Vincent Laliberte…..4:11:24.0

7689…..Andreane Legare…..4:11:28.0

6836…..Yang Lin…..4:11:33.0

7564…..Melissa Krulick…..4:11:35.0

5811…..Maxime Baltazar…..4:11:38.0

6336…..Christian Billette…..4:11:42.0

7302…..Jean Menetrier…..4:11:51.0

6830…..Kathleen Wendel…..4:11:53.0

6506…..Lori Mitchell…..4:11:59.0

7436…..Laura Fournier…..4:12:02.0

6667…..Michael jeremie Racine…..4:12:03.0

6858…..Nicholas Fortier-Poulin…..4:12:04.0

7512…..Miryam M. Rodrigue…..4:12:10.0

6328…..Vincent Forgues…..4:12:13.0

6770…..Chantal Urbain…..4:12:15.0

6262…..Cara Racicot…..4:12:17.0

6721…..Anne Roger…..4:12:24.0

7063…..Isabelle Du Sablon…..4:12:27.0

6946…..Vickie Fortin…..4:12:27.0

7272…..Marie-Josee Renaud…..4:12:29.0

7311…..Anastasia Unterner…..4:12:29.0

 

The Wright Model B was the first aircraft manufactured and sold in quantity by the Wright brothers. Its original owner, Philadelphian Grover Cleveland Bergdoll, bought the plane from the Wrights in 1912 after training at their flying school in Dayton, Ohio. Bergdoll recorded at least 748 flights before placing the Flyer in storage in 1914 near Philadelphia. He eventually donated the plane to the Franklin Institute in December 1933.

 

Not long after being donated to the institute, it underwent its first renovation, by students at Camden County Vocational School in New Jersey. It is reported that Orville Wright himself assisted the students during a visit. Once the restoration was completed in November 1934, Arthur Arrowsmith, who had supervised the process, and Marshall Reid made several test flights. A month later, Reid piloted the plane in exhibition sorties at the Camden airport to mark the 31st anniversary of the Wright flight. The Bergdoll Flyer finally went on display at its permanent home in the institute’s Aviation Hall the next month.

 

In 1999 the institute commissioned an inspection by Karl Heinzel, from the National Air and Space Museum, who noted that although the aircraft was in fairly good shape, some cracks in the wood and stains on the fabric indicated it was due for a proper restoration. In 2001 the Flyer was removed from the Franklin Institute, spending the next two years in Dayton, Ohio. Its wooden frame was completely refinished, its fabric replaced and its engine refurbished and returned to operating condition. In the fall of 2003, the aircraft was returned to Philadelphia and reinstalled as the centerpiece of the institute’s new exhibit, the Franklin Air Show.

The Wright Model B was an early pusher biplane designed by the Wright brothers. A dedicated two-seater, it was the last Wright model to have an open-frame tail and their first design to be built in quantity. The original Model B on display at the Franklin Institute was purchased by Grover Cleveland Bergdoll in 1912 directly from Orville Wright.

 

The Franklin Institute Science Museum opened on January 1, 1934 in the expansive neoclassical building on Benjamin Franklin Parkway designed by John T. Windrem. Owing to the effects of the the Great Depression, only two the wings envisioned by Windrem, surrounding the Benjamin Franklin Memorial, were built. Today the Institute offers 12 permanent hands-on exhibits and hosts renowned traveling exhibits in its more than 400,000 square feet of exhibit space, two auditoriums, and the Tuttleman IMAX Theater.

 

The Franklin Institute, founded as the Franklin Institute of the State of Pennsylvania for the Promotion of the Mechanic Arts in 1824 by Samuel Vaughan Merrick and William H. Keating , is one of the oldest centers of science education and development in the United States. Named after Benjamin Franklin, America's "first scientist", it was housed in a building on 7th Street that is now home to the Philadelphia History Museum until it moved to its current home on Logan Square.

 

Many scientists have demonstrated groundbreaking new technology at the Institute over the years. It hosted the International Electrical Exhibition of 1884, the first great electrical exposition in the United States. Nikola Tesla demonstrated the principle of wireless telegraphy at the institute in 1893. The world's first public demonstration of an all-electronic television system was given by Philo Taylor Farnsworth on August 25, 1934.

Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."

 

The first room of the exhibition includes seven screens with city portraits created by Joey Forsyte and consisting of archive materias on Buenos Aires, Montevideo, São Paulo, Rio de Janeiro, Caracas, Havana, and Mexico City.

Times Square (46th Street & Broadway), NYC

 

by navema

www.navemastudios.com

 

Beginning on the morning of February 12, 2010, designers from Moorhead & Moorhead, leading a team of ice sculptors and engineers, created a 10-foot tall Ice Heart built of masonry-scaled blocks of ice in Duffy Square at 46th Street and Broadway. By day, Ice Heart will provide a kaleidoscopic view of the Crossroads of the World, magnifying and distorting its colors and textures. By night, it will be a glowing beacon to celebrate the Valentine’s Day holiday. Moorhead & Moorhead’s Ice Heart won the invitational competition, juried by representatives from MoMA, The Queens Museum of Art, Performa, and NYC Parks, among others.

 

“We are thrilled to be continuing the tradition, inaugurated last year, of bringing public art to Times Square during the Valentine’s Day holiday,” said Times Square Alliance President Tim Tompkins. “This year’s selection, Ice Heart, will become an immediate, albeit transient, landmark for visitors, tourists and New Yorkers alike who can stop by during different times of day to experience this remarkable sculpture.”

 

“The Ice Heart will constantly change as its crystalline form picks up the lights, colors and chaos of the Times Square – we look forward to the kaleidoscopic effect, and think visitors will enjoy it as well,” commented Granger Moorhead.

 

Online visitors can watch the sculpture change in Times Square and send their loved ones an electronic Valentine at www.theiceheart.com.

 

In the fall of 2009, the Times Square Alliance invited four NYC design firms to develop proposals for a Valentine for Times Square. The architects were asked to envision a celebratory 3-D structure with a strong visual presence during the day, that in the evening would be illuminated. The work was also encouraged to accommodate public interaction including photography of visitors in front of the sculpture.

 

The work of Robert Moorhead and Granger Moorhead, two brothers who run a New York-based architecture and industrial design practice, has been widely exhibited and published, both in the United States and abroad. They were included in the Cooper-Hewitt Design Museum’s 2006 National Design Triennial, and named Emerging Voices by the Architectural League of New York in 2008.

 

The sculpture will be constructed by Okamoto Studio, a NYC-based artist collective founded by the father-son team of Takeo and Shintaro Okamoto, which has produced one-of-a-kind sculptures in ice that have been installed in venues from the Rockefeller Center to the runways of Fashion Week at Bryant Park. The structural engineering firm is Robert Silman Associates, which has participated in arts related projects throughout New York City. The lighting, a key element to bringing the sculpture alive in the evening, is by Tillett Lighting Design Inc., an award-winning firm specializing in the illumination of landscape and public space.

 

The Ice Heart was selected by the Art Review Committee of the Times Square Alliance. The committee includes Barry Bergdoll, MoMA, Tom Finkelpearl, Queens Museum of Art, RoseLee Goldberg, Performa; Cora Cahan, The New 42nd Street, Marvin Davis, Davis Reality and Jennifer Lantzas, NYC Parks.

 

Visitors to Ice Heart can also take advantage of the neighborhood-wide “Free Love in Times Square” promotion. The Times Square Alliance has teamed up with local restaurants, hotels, retailers and entertainment attractions to offer tourists and New Yorkers alike special deals around the holiday. Extending through March 31, 2010, the offers allow visitors to take advantage of even more amenities and attractions in the area.

 

The 2010 Ice Heart by Moorhead and Moorhead is supported by the Rockefeller Foundation, Altman Lighting Inc. and Levest Electric Corp Inc.

Architecture in Public - A Workshop

12/4-12/5/09

 

Barry Bergdoll

Cynthia Davidson

Sarah Herda

Jeffrey Inaba

Geoff Manaugh

Brooke Hodge

Sylvia Lavin

Amanda Reeser Lawrence

David van der Leer

Andres Lepik

William Menking

Nicolai Ouroussoff

Benjamin Prosky

Lisa Rochon

William Saunders

Ashley Schafer

Henry Urbach

Mark Wasiuta

Mirko Zardini

 

Organized by Reinhold Martin and Leah Meisterlin, Temple Hoyne Buell Center for the Study of American Architecture, Columbia University GSAPP

 

John Lizzardro, Caron Martel Lizzadro, Steve DiMarco, Brian Sharko, Margaret Cox Petrucelli, Nick Lomardi, Jennifer Bergdoll Lavins, Mona Lorefice Blankshain, Janet Buffardi Montefusco, Bonnie Wurtzburger Harris, Ann Marie Okmark Callahan, Bill Schanck, Katherine Spelson, Sue Chase Korin, Rob Silver, Nick Karris, Steve Ormbrek

Architecture in Public - A Workshop

12/4-12/5/09

 

Barry Bergdoll

Cynthia Davidson

Sarah Herda

Jeffrey Inaba

Geoff Manaugh

Brooke Hodge

Sylvia Lavin

Amanda Reeser Lawrence

David van der Leer

Andres Lepik

William Menking

Nicolai Ouroussoff

Benjamin Prosky

Lisa Rochon

William Saunders

Ashley Schafer

Henry Urbach

Mark Wasiuta

Mirko Zardini

 

Organized by Reinhold Martin and Leah Meisterlin, Temple Hoyne Buell Center for the Study of American Architecture, Columbia University GSAPP

 

Photo from a preview of the MoMA exhibition "Latin America in Construction: Architecture 1955-1980."

 

Model of Faculdade de Arquitectura e Urbanismo, Universidade de São Paulo (1969) by João Batista Vilanova Artigas and Carlos Cascaldi in foreground.

Architecture in Public - A Workshop

12/4-12/5/09

 

Barry Bergdoll

Cynthia Davidson

Sarah Herda

Jeffrey Inaba

Geoff Manaugh

Brooke Hodge

Sylvia Lavin

Amanda Reeser Lawrence

David van der Leer

Andres Lepik

William Menking

Nicolai Ouroussoff

Benjamin Prosky

Lisa Rochon

William Saunders

Ashley Schafer

Henry Urbach

Mark Wasiuta

Mirko Zardini

 

Organized by Reinhold Martin and Leah Meisterlin, Temple Hoyne Buell Center for the Study of American Architecture, Columbia University GSAPP

 

588 proposals - 5 continents - 44 countries - Only 30 Finalist!

Honorable Jury:

Ar. Álvaro Siza Vieira (President, appointed by Fundação EDP)

Ar. João Luís Carrilho da Graça (Competition/Exhibition Curator)

Ar. Fernando Mello Franco (Appointed by Triennale’s Patrons for the Exhibition)

Ar. Barry Bergdoll (Appointed by Triennale’s Patrons for the Exhibition)

Ar. Ângela Mingas (Appointed by the Luanda Triennale)

www.trienaldelisboa.com/en/competitions/international-com...

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