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Longitudinal corridor on the first floor - it leads to several rooms. Fouquet's apartment, courtyard side, and his wife's garden side, twelve meters thick, with an antechamber, a bedroom (main room of an apartment where the relatives have free access, it is the place of sociability where they sleep, receive guests, take meals and study.
Currently, Ms. Fouquet's room is divided into two rooms, a Louis XV cabinet and a Louis XV bedroom. The right part of the first floor is only briefly worked on.
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Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #art #bust #roman - Château de Vaux-le-Vicomte (Est.1658)
Newdigate House, 64 Castle Gate, Nottingham, was built for Thomas Newdigate around 1675. Later Marshall Tallard was held prisoner there after the battle of Blenheim. The house is of three storeys with an attic and has a modillioned eaves cornice. It is now stuccoed, with ashlar dressings, chamfered quoins, and a hipped slate roof. The windows are sashes with, at ground- and first-floor floor level, twelve panes (six over six) and moulded ashlar surrounds with alternating triangular and segmental pediments. At second-floor level the windows have lugged architraves and fleurons.
The Dragon Fountain depicts the python snake being shot by a young Apollo.
The Palace of Versailles was created at the instruction of Louis XIV, and was the centre of French government and power from 1682, when Louis XIV moved from Paris, until Louis XVI and the royal family was forced to return to the capital in 1789.
The chateau is built around a hunting lodge established by by Louis XIII, and was created in four phases: 1664–68, 1669–72, 1678–84 and 1699–1710, by the architects Le Vau, Le Nôtre, and Le Brun.
The Basilica of St. Michael the Archangel (placed under the invocation of St. Michael the Archangel ) is a church catholic located in the heart of the historical center of Menton . Since the road from the seafront , with majestic staircases allow to gradually reach the site where, on a spot in the stalls CALADE triumph whole perspective of the baroque architecture .
At the beginning of the xvii th century, desired by Prince Honoré II of Monaco , its construction was entrusted to the architect Lorenzo Lavagna. TheMay 27 1619The first stone was laid in the presence of the prince and lord Nicolà Spinola, bishop of Ventimiglia which depended Menton and Roquebrune while Monaco depended on the Bishop of Nice. Excavation works actually began in 1639 and the church was opened for worship in 1653 . Finally, theMay 8 1675The bishop of Ventimiglia Monsignor Mauro Promontorio dedicated the new church in the presence of Prince Louis I st . In 1701 , the architect Emmanuel Cantone erects a tower of fifty-three meters high, real watchtower overlooking the city. Its current facade was completed in 1819 in the spirit of the baroque of the xvii th century.
Inside, the vast nave with four bays form a large Latin cross . The choir , preceded by a triumphal arch is decorated with stucco marble with pilasters dishes. A painted wooden statue of 1820 representing Saint Michael slaying the dragon overcomes the altar in polychrome marble. The side chapels are decorated with altarpieces baroque. One is dedicated to Saint Devote . Some had been granted to wealthy families of Menton.
Beautiful organ in the choir (XVII c.) Unknown factor. It has been often attributed to Gio Oltrachino (Jean Utrect), organ builder native of this town, located in Genoa and which is known by many constructions organ archives in Liguria - only one still existing intact in Alassio - and Monaco: the parish church of Saint-Nicolas Monaco dated 1639 (current buffet that of St. Charles church restructured by architect Charles Lenormand and Merklin), that of the palatine chapel (1639) disappeared and another organo portatile the same time also disappeared. Gio Oltracchino died in Genoa in 1647 and the organ of Saint-Michel can not be attributed to him.
In 1999 , the Saint-Michel church is raised to the dignity of minor basilica by Pope John Paul II , and consecrated basilica in January 2000 . Since 1949 , each year in August, the square hosts the famous Festival of Classical Music . She is one of the most visited attractions in the Alpes-Maritimes.
The Basilica (and its square ; other items were enrolled at other dates) is the subject of a classification as historical monuments since 3 March 1947
Early eighteenth-century house of two storeys. Parapet front. Guilloche moulded band at first-floor level. Ground floor rusticated with wooden panels imitating stone. Heavy voussoirs and keystones over windows, which are sashes in near flush boxes. Doric doorcase has triglyph friezes and mutule cornices below an open pediment. Radial fanlight.
43, King Street, Westminster, was built for Admiral Russell, 1st earl of Orford, in 1716-17, probably to designs by Thomas Archer. The house is of brick with stone dressings, the painted stucco being added at a later date. It has three storeys with an attic and basement. The facade has four giant Composite fluted pillasters on rusticated piers at ground-floor level. The entablature comes forward above capitals with dosserets. The attic storey has a cornice, and its central section was raised in the nineteenth century, probably in 1871, when two iron vases were placed at either end. The windows in the outer bays (on left here) have segmental arches with keystones. Those at the centre (on right here) have elliptical arches and impost strings at first and second-floor levels.
Cartouche inscribed 'SION ROW 1721' at 1 Syon [Sion] Row, Twickenham, a row of early eighteeenth-century houses of three storeys with basements. All the houses are brick built and have pitched roofs with deep eaves. No. 1 is now much altered and has a modern rough-cast treatment to the exterior and substantial alterations to the windows.
Great James Street is a development of houses in multicoloured stock brick for J. Metcalfe of 1720-24. They are of four storeys with basements and are three windows wide. The windows have segmental brick arches and the sashes are mostly in flush surrounds, some with reeded frames (and in a few cases roundels at the corners). The doors are in pairs and have joined hoods carried on carved brackets. The street is reasonably complete, although Nos 21-22 were refronted in 1779, and Nos 23-24 were rebuilt in the 1960s.
Newdigate House, 64 Castle Gate, Nottingham, was built for Thomas Newdigate around 1675. Later Marshall Tallard was held prisoner there after the battle of Blenheim. The house is of three storeys with an attic and has a modillioned eaves cornice. It is now stuccoed, with ashlar dressings, chamfered quoins, and a hipped slate roof. The windows are sashes with, at ground-and first-floor floor level, twelve panes (six over six) and moulded ashlar surrounds with alternating triangular and segmental pediments. At second-floor level the windows have lugged architraves and fleurons, as seen here.
Late-seventeenth- or early-eighteenth century group of brown brick houses with red dressings. Doorcase with flat hood on elaborately carved scroll brackets, the frieze with winged cherubim and deeply-carved festoons.
Castle basement service area corridor, leading to several rooms in the basement. The corridors in this castle at the basement and on the first floor, which run the length of house, provide privacy to the rooms they access. Up to the middle of the 17th century, corridors were essentially unknown.
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Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #basement - #VLV #Maincy #FR
(San Carlino) was commissioned in 1634 and designed by architect Francesco Borromini (1599-1667). It was constructed 1638-1641.
Newdigate House, 64 Castle Gate, Nottingham, was built for Thomas Newdigate around 1675. Later Marshall Tallard was held prisoner there after the battle of Blenheim. The house is of three storeys with an attic and has a modillioned eaves cornice. It is now stuccoed, with ashlar dressings, chamfered quoins, and a hipped slate roof. The windows are sashes with, at ground-and first-floor floor level, twelve panes (six over six) and moulded ashlar surrounds. At first-floor level (seen here) they have alternating triangular and segmental pediments.
The Marstall (the royal stables of the Prussian kings), built in 1685 as an orangery, was given its current look in the 18th century by Sanssouci′s architect Knobelsdorff.
Since 1981, the film museum and a café reside in this beautiful baroque building.
The museum, formerly the "Film Museum of the GDR", was put under the administration of the Federal State of Brandenburg after 1990.
The permanent exhibition as well as special exhibitions introduce visitors in the world of film. The cinema offers several screenings per day. - wikimapia
IMG_6664
La Salle des buffets - a luxurious dining room at the courtyard side of the building, decorated from top to bottom. Ready to serve a Kings dinner.
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Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #architecture #castle #monument - #VLV #Maincy #FR
The architect of the original palace design was Lucas von Hildebrandt, the creator of the Viennese Belvedere palace,
20241009_200433
Was amazed to pass this building on my rounds last week. Today, on the way to St. Paul, I passed the white stucco and copper cupolas again and decided to stop -- the sign read "St. Katherine Ukrainian Orthodox Church." Tonight I learned a little about the church from their website. It's striking to see Byzantine and baroque architecture spring up out of Middle America, the Minnesota wetlands outside of St. Paul.
From their website, by the architect, Oleg Gregoret:
St. Katherine Ukrainian Orthodox Church in Arden Hills, MN is designed in Ukrainian Baroque Architectural style. This distinctly national Ukrainian style "was developed during the "Hetman" period in the middle of the 17th century. In Europe, the Baroque style in architecture was in full bloom and spread to Ukraine to create an entirely different dynamic and unique style by combining baroque elements with Byzantine architecture. The Cathedral of St. Sophia in Kyiv and the church buildings of Kyiv Pecherska (Cave) Lavra Monasteries provided the inspiration for the design of St. Katherine Ukrainian Orthodox Church and Cultural Center.
BlackBerry Shots - 43/365
Arden Hills, Minnesota
Field Number: IMG01117-20100212-1120.jpg
full posts on red Ravine:
Bracket on a doorway to one of the almshouses at Trinity Green, Whitechapel, founded through the benefaction of Captain Henry Mudd of Ratcliff (d. 1692) and built in 1695 by William Ogbourne, master carpenter, for the Corporation of Trinity House. The residents were '28 decayed masters and commanders of ships or the widows of such'. The almshouses are in two facing rows, one storey high, with basements, and a wooden block and bracketed eaves cornice. The end of each row of the almshouses terminates on Whitechapel Road with an elevation of two storeys in brick with stone dressings, rusticated angled stone quoins, and a modillioned cornice.
Area railings at 12 Fournier Street, Spitalfields, London. Nineteenth-century replacements for an early-eighteenth century house. The area around Christ Church, Spitalfields, previously a tenter ground and market garden, was bought by two lawyers, Charles Wood and Simon Mitchell who leased out plots from 1718 onwards. No. 12, Fournier Street was built by Wiliam Tayler, a carpenter, but refronted in the nineteenth century.
Modillion eaves cornice and chamfered quoins from Newdigate House, 64 Castle Gate, Nottingham, which was built for Thomas Newdigate around 1675. Later Marshall Tallard was held prisoner there after the battle of Blenheim. The house is of three storeys with an attic. It is now stuccoed, has ashlar dressings, and a hipped slate roof. The windows are sashes with, at ground-and first-floor floor level, twelve panes (six on six) and moulded ashlar surrounds with alternating triangular and segmental pediments. At second-floor level the windows have lugged architraves and fleurons (as seen here).
43, King Street, Westminster, was built for Admiral Russell, 1st earl of Orford, in 1716-17, probably to designs by Thomas Archer. The house is of brick with stone dressings, the painted stucco being added at a later date. It has three storeys with an attic and basement. The facade has four giant Composite fluted pillasters on rusticated piers at ground-floor level. The entablature comes forward above capitals with dosserets (blocks of stone placed above the capitals).
home of the famous Child-Jesus statue called the Infant Jesus of Prague.
This was a Protestant (Lutheran) Chapel from the time of Rudolf II until the Habsburg victory at the Battle of the White Mountain, when it was handed to the Carmelites. The Emperor Joseph II evicted the carmelites in turn.
Malá Strana, Prague
November 1996
Image (213)
Newdigate House, 64 Castle Gate, Nottingham, was built for Thomas Newdigate around 1675. Later Marshall Tallard was held prisoner there after the battle of Blenheim. The house is of three storeys with an attic and has a modillioned eaves cornice. It is now stuccoed, with ashlar dressings, chamfered quoins, and a hipped slate roof. The windows are sashes with at second-floor level lugged architraves and fleurons. There are three dormers with alternating triangular and segmental pediments, but with the segmental one at the centre (seen here), creating a contrasting rhythm to the pedimented windows at first-floor level, where the one at centre has a triangular pediment. The dormers have casements with nine panes.
House of c.1690 in Dartmouth Row, Lewisham, but subdivided in the late nineteenth century. Red brick with stone dressings. Door placed asymmetrically. Stone doorcase with carved frieze and cornice on consoles.
The Basilica of St. Michael the Archangel (placed under the invocation of St. Michael the Archangel ) is a church catholic located in the heart of the historical center of Menton . Since the road from the seafront , with majestic staircases allow to gradually reach the site where, on a spot in the stalls CALADE triumph whole perspective of the baroque architecture .
At the beginning of the xvii th century, desired by Prince Honoré II of Monaco , its construction was entrusted to the architect Lorenzo Lavagna. TheMay 27 1619The first stone was laid in the presence of the prince and lord Nicolà Spinola, bishop of Ventimiglia which depended Menton and Roquebrune while Monaco depended on the Bishop of Nice. Excavation works actually began in 1639 and the church was opened for worship in 1653 . Finally, theMay 8 1675The bishop of Ventimiglia Monsignor Mauro Promontorio dedicated the new church in the presence of Prince Louis I st . In 1701 , the architect Emmanuel Cantone erects a tower of fifty-three meters high, real watchtower overlooking the city. Its current facade was completed in 1819 in the spirit of the baroque of the xvii th century.
Inside, the vast nave with four bays form a large Latin cross . The choir , preceded by a triumphal arch is decorated with stucco marble with pilasters dishes. A painted wooden statue of 1820 representing Saint Michael slaying the dragon overcomes the altar in polychrome marble. The side chapels are decorated with altarpieces baroque. One is dedicated to Saint Devote . Some had been granted to wealthy families of Menton.
Beautiful organ in the choir (XVII c.) Unknown factor. It has been often attributed to Gio Oltrachino (Jean Utrect), organ builder native of this town, located in Genoa and which is known by many constructions organ archives in Liguria - only one still existing intact in Alassio - and Monaco: the parish church of Saint-Nicolas Monaco dated 1639 (current buffet that of St. Charles church restructured by architect Charles Lenormand and Merklin), that of the palatine chapel (1639) disappeared and another organo portatile the same time also disappeared. Gio Oltracchino died in Genoa in 1647 and the organ of Saint-Michel can not be attributed to him.
In 1999 , the Saint-Michel church is raised to the dignity of minor basilica by Pope John Paul II , and consecrated basilica in January 2000 . Since 1949 , each year in August, the square hosts the famous Festival of Classical Music . She is one of the most visited attractions in the Alpes-Maritimes.
The Basilica (and its square ; other items were enrolled at other dates) is the subject of a classification as historical monuments since 3 March 1947
Formal garden and castle, the garden is designed by landscape architect André le Nôtre. To visit a very nice walk and to enjoy the many sculptures and statues, ponds, fountains bushes and much more.
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Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #architecture #park #art #monument - #VLV #Maincy #FR
Raekoja plats (Town Hall Square)
Raekoja plats 10 - left
Raekoja plats 18 (Yegorov House) - right
Tallinn ★ Estonia
2002 finrus 011 Tallinn
Castle bathroom, at the the they didn't take a shower. It's along the longitudinal corridor on the first floor that leads to several rooms. Fouquet's apartment, courtyard side, and his wife's garden side, twelve meters thick, with an antechamber, a bedroom (main room of an apartment where the relatives have free access, it is the place of sociability where they sleep, receive guests, take meals and study.
Currently, Ms. Fouquet's room is divided into two rooms, a Louis XV cabinet and a Louis XV bedroom. The right part of the first floor is only briefly worked on.
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Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #art #bust #roman - #VLV #Maincy #FR
Spectacular garden view from castle “rotunda” lounge roof, the highest point of the castle. It's stunning to see the lanscape along the three-kilometer long axis of the estate. The roof section is one of the most impressive spots to visit and worth the climb.
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Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #castle #garden #landscape #art - #VLV #Maincy #FR
21 Crow Lane, Rochester, Kent, is an early eighteenth-century house of three storeys. It has a brick ground floor and is timber framed above with external weatherboarding. The door is placed asymmetrically. Doorcase with moulded surround and shell hood on console brackets.
Castle library, fully decorated and with lots of precious books.
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Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #architecture #castle #monument #library - #VLV #Maincy #FR
Castle (Est.1658) with Herm figures fence. The fence artworks are by Mathieu Lespagnandelle (1616–1689), created between 1659 and 1661, some busts were not finished because of Nicolas Fouquet’s arrest. These busts have the particularity of having a double head in order to be seen from the exterior as well as inside the domain. Eight in total representing Hercule, Zéphyr, Vulcain, Apollon, Cérès, Mercury, Minerva and Flora.
These are just some of the many sculptures and statues at the estate created in the 17th century by famous sculptors.
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About Pixels - #castle #architecture #monument #art - #VLV #Maincy #FR