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Barceloneta is a neighborhood in the Ciutat Vella district of Barcelona, Catalonia, Spain[1]. The neighborhood was constructed during the 18th century for the residents of the Ribera neighborhood who had been displaced by the construction of the Ciudadela of Barcelona. The neighborhood is roughly triangular, bordered by the Mediterranean Sea, the Muelle de España of Port Vell and the El Born neighborhood. The neighborhood is serviced by its own stop on the Barcelona metro.
Barceloneta is known for its sandy beach (notable for its appearance in Don Quijote de la Mancha, book 2) and its many restaurants and nightclubs along the boardwalk. Over the past several years the quality of the sand on the beach has become a source of continued controversy.
On the last day, we made it to the beach. The weather was magnificent. Even the same crappy beer tasted better sitting under the umbrella at the little restaurant.
La Barceloneta was practically an uninhabited zone until the mid 18th century. Fishermen were the first to frequent this part of Barcelona even though the sea conditions were very precarious. In 1754, construction of the first houses began, and the neighborhood began to become filled with residents who took part in activities of the port.[1]
The neighborhood of La Barceloneta was designed by an engineer named Juan Martín Cermeño.[3] The famous markets located in La Barceloneta were designed by the famous Catalan architect Antoni Rovira i Trias in 1873. He had an urban plan for the future of Barcelona architecture which won the 1859 municipal contest by city council's decree, but the central government in Madrid favored the plan of Ildefons Cerdà. Rovira and his work were soon forgotten and lost in history, until a book was published about his style of urban planning and the other works he was responsible for, like the numerous markets in La Barceloneta.
In the present day, in the building of Palau de Mar on the Passeig de Joan de Borbó, exists the History Museum of Catalonia. This museum contains a permanent exhibit about the history of Catalonia up until its industrialization, the era of dictatorship, or the present day democracy. Additionally, the terrace of their cafeteria has an excellent view of the neighborhood and the port.[1]
This neighborhood is far from lacking ancient history with its churches, like the Sant Miquel del Port located in the Barceloneta plaza.[1] This church is located near the beach campus of Pompeu Fabra University.
In close distance to the History Museum of Catalonia resides the Clock Tower. This is an example of some of the ancient constructions in the neighborhood. It was constructed in 1772 within the Fishermen's Wharf and worked as the lighthouse port up until the mid 19th century. When the port was modernized, the use for the lighthouse became obsolete. To maintain its base, the tower was transformed into a clock in the mid 19th century. This clock tower was one of the materials used by scientist Pierre Méchain as he measured the length of the meridian arc between Barcelona and Dunkirk in 1791, which led to the creation of the decimal metric system.[4]
La Llotja, another building found in La Barceloneta neighborhood, is a neoclassical building with a Gothic interior built in the 14th century. Inside the two story building remains magnificent examples of medieval works and neoclassical sculptures. In 1775, la Llotja became involved with the Real Academia, a school associated with the industrial arts and other visual arts. At that time, the school was named la Escuela Gratuita de Diseño and was located on the highest floor of la Llotja. It was not until 1928 that it renamed itself the Real Academia de Bellas Artes de San Jorge, and in 1989 converted its name into Catalan: Reial Acadèmia Catalana de Belles Arts de Sant Jordi (English: Royal Catalan Academy of Fine Arts of Saint George).[5]
The Carmen Amaya Fountain is another historical landmark placed within La Barceloneta in 1959. It is located where Carrer Sant Carles joins the beach. It was constructed as tribute for the famous flamenco dancer Carmen Amaya, who was born in a Gypsy settlement in La Barceloneta in 1913. The fountain itself portrays two guitarists and three flamenco dancers in the nude. It represents the uneasy past that La Barceloneta endured when it was populated by gypsies, fishermen, and full of shacks. In the 1970s, the shacks were dismantled, but the memories did not disappear. It was almost soon forgotten after the 1992 Olympics in Barcelona.[6]