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cute & little blog | petite fashion | forever pink blush tiered zipper crop jacket, sheinside floral spaghetti strap backless maxi, rocksbox gorjana taner necklace, gold clutch | spring outfit
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Item:H1597 Sexy backless sweetheart neck mermaid wedding dress
Price>>> $428 Free shipping to worldwide
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Seen on Hurst Street, Birmingham, that dress would have been described by my late uncle as a backless strap!
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Vintage Strapless Beading Embroidery and Sequines Design Women's Backless Floor Length Wedding Dress
Charming Strapless Rhinestoned Appliques and Bowknot Design Women's Backless Floor Length Wedding Dress
Lange Festkjoler
da.thdress.com/a-line-ærmer-backless-børste-tog-aften-k...
Silhouette: A-line, Kolonne Skede
Hals: Tyk Remme
Ærmelængde: Ærmeløs
Tilbage Detaljer: Backless, lynlås, Zip up
Stof: Chiffon
Hemline / Train: Brush Train, Sweep Train
Udsmykning: Overtræksmeteriale, ruching
Talje: Naturlig
Anledning: Formel Aften, Prom Kjoler
Body Shape: Full Figure, Timeglas, Pære, Petite
Sæson: Forår, Sommer, Efterår, Vinter
Style: Gorgeous, Glamorous, Modest, Elegant, Moderne
Fuldt foret: Ja
Indbygget i Bra: Ja
Vægt: 1,5 kg
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Grab the Backless & Strapless Bra here: goo.gl/VmJfcH
Tags: bracelet, fashion, womens fashion, womens clothing, womens wear, women style, lingerie, undergarment
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Um vestido sem costas é uma ótima maneira de mostrar seu lado sexy sem parecer muito revelador ou sensual. Suas costas são um recurso sexy mas recatado que você pode mostrar ao mundo. No entanto, um vestido sem costas faz uso de tecido pouco, então também há uma grande chance de obter um mau...
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Sexy halter neckline backless tulle #destinationweddingdress
Model:H0729 (Worldwide Free shipping)
More Details: goo.gl/825bt4
Link in Bio.Any questions DM or Email us.
Sexy backless halter sleeveless a line beach wedding dress, Lace bodice with illusion lace halter top, Sexy backless, zipper up closure, flowy misty tulle bottom with a sweep length train.
Silhouette: A Line
Neck: Halter neckline
Train: Sweep length
Sleeve length: Sleeveless
Materials: Satin, Lace, Tulle
Back: Zipper up
Full Lined: Yes
Boning: Yes
Built-in Bra: Yes
Shown Color: Ivory
Embellishment: Pleated
Season: Spring, Fall, Summer, Winter
Size: Available in standard size 2,6,8,10,12,14,16,14w,16w,18w,20w,22w,24w,26w and custom size
Hand made %100 cotton prewashed, backless with corset like tie in back, Stretchy knit fabric so can fit small to large. Proffesional dyes, leaving color long lasting and vibrant. Cute original 2 peice. Cost $30. Please check out my shop on Etsy!
lululichelle.etsy.com
Swimwear – One-pieces
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Up to 80% OFF! Ruffles Lace Up Backless One Piece Swimwear. #Zaful #swimwear Zaful, zaful bikinis, zaful dress, zaful swimwear, style, outfits,sweater, hoodies, women fashion, summer outfits, swimwear, bikinis, micro bikini, high waisted...
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Expo Azzedine Alaïa, Thierry Mugler - 1980-1990 deux décennies de connivences artistiques | Fondation Azzedine Alaïa, Paris
Thierry Mugler, Prèt-à -porter Automne/Hiver 1987, collection "Les aviateuses"
Robe du soir longue en panne de velours noir, encolure et décolleté bénitier au dos doublé de satin rose perle.
Backless long evening dress in black velvet, neckline and cowl neckline in the back lined with pearl pink satin.
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Installé à Paris dès 1956, Azzedine Alaïa doit sa formation aux femmes, amies et clientes plus qu’à aucune école d’apprentissage. Dans leurs vœux d’une garde-robe exigeante et discrète, il les accompagne (...et) a acquis la réputation de grand coupeur héritier d’une tradition académique qui le situe en ligne directe de Cristóbal Balenciaga ou Madeleine Vionnet.
Son expertise et sa virtuosité technique ne sont pas seulement convoitées par les élégantes du moment. Des couturiers et des créateurs de mode savent qu’ils peuvent éventuellement compter sur lui pour préciser certains modèles complexes ou prêter main forte sur une collection à terminer. C’est le cas ponctuel de Yves Saint Laurent. Ce fut aussi celui de Thierry Mugler, qu’Alaïa rencontre en 1979 et avec lequel il noue de véritables liens d’amitiés.
Pour sa collection automne-hiver 1979-80, Mugler invite Alaïa à réaliser la série de smokings de son défilé. (...) Cette collaboration incite Alaïa à devenir créateur lui-même. Thierry Mugler l’encourage vivement et témoigne envers lui d’un soutien qui se révèlera capital autant qu’indéfectible. (...) En 1982, à la demande du grand magasin américain Bergdorf Goodman, Alaïa présente un défilé à New York. C’est Mugler qui l’en persuade. (...)
Compagnons de route d’une décennie qu’ils ont préemptée stylistiquement, Alaïa et Mugler ont librement laissé les influences agir sur leurs créations mutuelles. Dans les années 1980, tous deux ont divinisé la femme, proclamant le retour du glamour en gloire et Hollywood pour inspiration à mille lieux des modes folkloriques des années 1970. Ils partagent une silhouette commune où les épaules en majesté contrastent avec les tailles étranglées et les hanches épanouies, souvenirs et fantasmes des modes des années 1930 et 1950 et des couturiers Adrian, Jacques Fath, Christian Dior et Cristóbal Balenciaga en tête.
Si Mugler a le sens du show (...) , Alaïa a le goût de l’intime et de la perfection. Mais c’est avec communauté d’esprit que leurs collections se répondent. (...)
Contemporains, amis (...), les deux créateurs ont tout au long de leur vie manifesté un profond respect pour leurs carrières respectives. Leurs vêtements, du jour comme ceux du soir se répondent dictant une mode à quatre mains, paraphe des modes contemporaines.
Couturier et collectionneur à l’origine d’un patrimoine de mode immense et reconnu, Azzedine Alaïa a préservé plus de 200 créations griffées Thierry Mugler dont une quarantaine sont ici exposées en dialogue avec ses propres archives.
Source: fondationazzedinealaia.org/expositions/30826/
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Having settled in Paris since 1956, Azzedine Alaïa owes his training to women, friends, and clients more than to any school of apprenticeship. In their desire for a sophisticated and discreet wardrobe, he supported them (...and) earned a reputation as a master tailor, heir to an academic tradition that places him in direct lineage to Cristóbal Balenciaga and Madeleine Vionnet.
His expertise and technical virtuosity are not only coveted by the elegant women of the moment. Couturiers and fashion designers know they can count on him to refine certain complex designs or lend a hand with a collection that needs to be completed. This was the case for Yves Saint Laurent. It was also the case for Thierry Mugler, whom Alaïa met in 1979 and with whom he formed a close friendship.
For his fall-winter 1979-80 collection, Mugler invited Alaïa to create the series of tuxedos for his show. (...) This collaboration encouraged Alaïa to become a designer himself. Thierry Mugler strongly encouraged him and showed him support that would prove to be both crucial and unwavering. (...) In 1982, at the request of the American department store Bergdorf Goodman, Alaïa presented a show in New York. It was Mugler who persuaded him to do so. (...)
Fellow travelers for a decade they stylistically preempted, Alaïa and Mugler freely allowed their influences to influence each other's creations. In the 1980s, both deified women, proclaiming the return of glamour, with Hollywood as their inspiration, a world away from the folkloric fashions of the 1970s. They share a common silhouette where majestic shoulders contrast with narrowed waists and full hips, memories and fantasies of the fashions of the 1930s and 1950s, and of couturiers Adrian, Jacques Fath, Christian Dior, and Cristóbal Balenciaga at the forefront.
If Mugler has a sense of showmanship (...), Alaïa has a taste for intimacy and perfection. But it is with a shared spirit that their collections echo one another. (...)
Contemporaries, friends (...), the two designers have throughout their lives demonstrated a profound respect for each other's careers. Their daytime and evening wear echo each other, dictating a four-handed fashion, a hallmark of contemporary fashion.
A couturier and collector with a vast and renowned fashion heritage, Azzedine Alaïa has preserved more than 200 Thierry Mugler creations, some forty of which are exhibited here in dialogue with his own archives.