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Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and A

 

Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and Avantone Mixcubes. Dual screen for separate mix and edit windows. Command8 Control Surface. Pro Tools HD2 Accel PCIe on Mac Pro. Loads of Native and TDM plugins for mixing and mastering

 

Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and Avantone Mixcubes. Dual screen for separate mix and edit windows. Command8 Control Surface. Pro Tools HD2 Accel PCIe on Mac Pro. Loads of Native and TDM plugins for mixing and mastering.

 

Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and Avantone Mixcubes. Dual screen for separate mix and edit windows. Command8 Control Surface. Pro Tools HD2 Accel PCIe on Mac Pro. Loads of Native and TDM plugins for mixing and mastering.

Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and A

 

Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and Avantone Mixcubes. Dual screen for separate mix and edit windows. Command8 Control Surface. Pro Tools HD2 Accel PCIe on Mac Pro. Loads of Native and TDM plugins for mixing and mastering

 

Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and Avantone Mixcubes. Dual screen for separate mix and edit windows. Command8 Control Surface. Pro Tools HD2 Accel PCIe on Mac Pro. Loads of Native and TDM plugins for mixing and mastering.

 

Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and Avantone Mixcubes. Dual screen for separate mix and edit windows. Command8 Control Surface. Pro Tools HD2 Accel PCIe on Mac Pro. Loads of Native and TDM plugins for mixing and mastering.

Studio equpment includes Mac G5 2.7 Ghz, Pro-Tools HD3 w (1) 192 IO and (1) 888 IO, Sony CD Player,Alesis AI-1, Studio Electronics SE-1, Oberheim Matrix 1000, Akai S6000 Sampler, Alesis A6 Andromeda keyboard, Mackie 32-8 console, Chandler LTD-1 mic pre, Universlal Audio 1176LN Compressor, Korg Kaoss pad, Drawmer Stereo mic pre/compressor, Eventide H3000 DSX, TC Electroniics Fireworks, TC Electronics Finalizer, Roland PH-830 stereo phaser, Marshall JMP-1, DBX 160 A compressor, DBX 263 X de-esser, DBX 363 gate, Peavy Tube Sweetner, Alesis D4, Numark turntable, Panasonic 3700 DAT, Event 20/20 monitors with KRK Sub cabinet,Yamaha NS-10s, Avantone speakers,custom drum triggers, Bogner guitar amp, Gibson Les Paul Gothic guitar

NS-10, Avantone cube, ADAM S3-A

photo by Jason Quigley

Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and A

 

Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and Avantone Mixcubes. Dual screen for separate mix and edit windows. Command8 Control Surface. Pro Tools HD2 Accel PCIe on Mac Pro. Loads of Native and TDM plugins for mixing and mastering

 

Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and Avantone Mixcubes. Dual screen for separate mix and edit windows. Command8 Control Surface. Pro Tools HD2 Accel PCIe on Mac Pro. Loads of Native and TDM plugins for mixing and mastering.

 

Control Room of Sound Weavers recording studio where music mixing is performed. Notice the 3 speaker sets, Yamaha NS-10, JBL 4368 and Avantone Mixcubes. Dual screen for separate mix and edit windows. Command8 Control Surface. Pro Tools HD2 Accel PCIe on Mac Pro. Loads of Native and TDM plugins for mixing and mastering.

Read more about it: recordinghacks.com/microphones/Avant/CK-40

 

This photo is licensed under a Creative Commons license. If you use this photo, please list the photo credit as "matthew mcglynn / recordinghacks.com" and link the credit to recordinghacks.com.

 

Inside of an Avantone CV-12 Tube Microphone

Genelec 8040a and Avantone Mixcubes

Guaranteed to be the dumbest thing you see all day.

I use this speaker for checking how my mixes sound in mono

Propulsion by Ness and Tater.

 

Audio Notes (because I will have forgotten by the morrow): Mid-side mic layout with the new diy holder, Avantone CK1 as mid and AKG 414 as side. Processed thrice; once as a standard stereo track, once being manually decoded as a proper mid-side track in Audacity, and finally a mix of the two.

It's an Avantone CV-12 - it's a tube mic

drawings for client and printer

Discussion on what CIE models to use for our clients.

drawings for client and printer

drawings for client and printer

Control Room - SSL 4000 G+

Dynaudio - BM15

Avantone mono

Mauricio Cersosimo - Owner

Ciat-Lonbarde’s world is a bottomless pit…

 

Music by KHAGE : Roveska Alpine Lab Sessions #2 (| || | [Day #2 • Part I])

del-uks.bandcamp.com/album/roveska-alpine-lab-sessions-2

 

• Ciat-Lonbarde Benjolin (Later Renamed “Peterlin”)

• Ciat-Lonbarde Golden Section

• Ciat-Lonbarde Clicker

• Ciat-Lonbarde Cocoquantus 2

• Ciat-Lonbarde Shbobo Shnth

• Ciat-Lonbarde Sidrax Organ

• PlayDate (running Orllewin’s music apps)

• Meng Qi Wing Pinger

• Roland D-550 (Linear Arithmetic Synth with Dtronics DT-1000 MIDI Controller)

• Roland Juno 60 (with Tubbutec Juno-66 Upgrade Kit)

• Waldorf Streichfett

• Elektron TurboMIDI TM-1

• Low Gain UTL-1/2 Format Jumbler Utility Box (10 channel bi-directional Banana Jack)

• Modern Sounds Pluto

• Bastl Bestie (5-Channel Stereo Mixer)

• Teenage Engineering oplab (USB-MIDI-CV Sync Interface)

• Teenage Engineering OP-1 Field

• Monome Norns Shield (2x 210330 Revision) + Grid One

• Korg Nu:Tekt NTS-3 kaoss pad

• Supro Chorus

• Boss DC-2w Dimension C

• MXR Micro Flanger (1x Reticon SAD512D BBD)

• Chase Bliss Onward

• Chase Bliss Mood MKII (Light Bright Edition)

• Chase Bliss Generation Loss MKII

• OTO Machines Biscuit

• Vongon Polyphrase

• Vongon Ultrasheer

• Solid State Logic Six

• Chandler Limited TG2 Abbey Road Special Edition

• Eventide H949 Harmonizer

• Gamechanger Audio PLASMA Rack

• Lexicon Reflex

• Manley Massive Passive

• Manley Stereo Variable Mu

• RME Fireface UCX

• RME ADI-2 Pro FS Black Edition

• Dorrough Model 40-B

• McIntosh MA 5100

• Yamaha NS-10M

• Avantone MixCube

Control Room - SSL 4000 G+

Dynaudio - BM15

Avantone mono

Mauricio Cersosimo - Owner

Avantone Pro Planar Reference-Grade Open-Back Headphones (Red)

 

Designed for discerning professionals and audiophiles alike, the Avantone Pro Planar Headphones utilize planar magnetic drivers with neodymium magnets to deliver both a stellar accurate sound and comfort for long listening sessions. These particular over-ear, open-back headphones are styled in a red finish. They are meant for mix engineers, musicians, and hi-fi enthusiasts.

 

Planar magnetic drivers offer accuracy, clarity, and a fast transient response. They also deliver a natural-sounding bass and resounding high end. Where moving-coil driver designs use a magnetic field to push and pull a driver around, planar magnetic headphones utilize a precise array of miniature magnets to provide an evenly distributed, symmetric force to both sides of the diaphragm. This produces a signal with very little harmonic distortion as well as incredibly fast response times and an incredibly natural sound.

 

Yes, these headphones are a bit larger than what you'd commonly expect, but they are weighted for comfort, and they are outfitted with soft earpads, bolstering long listening sessions. A removable 3.5mm cable is included, and it could be plugged into either side of the headphone. As well as a 1/4" adapter, the headphones include a shoulder bag, which has a pouch for the included cable.

Key Features at a Glance

 

High-definition planar driver technology outperforms typical dynamic headphone designs, providing an uncompromised, natural sound

Low distortion, fast response, and flat frequency response for more precision and accuracy when monitoring and mixing

Over-the-ear, open-back headphones with a lightweight design for greater comfort when wearing for longer periods of time

Low impedance and amplifier requirements for better use with recording interfaces, hi-fi systems, or mobile devices

Wide frequency response from 30 Hz to 30 kHz

High-grade, removable 3.5mm cable that can be plugged into either side

Includes lightweight eco-friendly carrying bag

 

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